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02/08/2010

Le CORPS en morceaux ………. from ‘ANATOMY LESSONS’ exhibition

from ‘ANATOMY LESSONS’ exhibition, at « Taboo Studio« , San Diego (USA) 7 mai-18 juin 2010

Des bijoux qui représentent le corps humain, mais fractionné, bout à bout, comme des petits cailloux pour la mémoire semés par un Petit Poucet qui voudrait retrouver le (bon/droit) chemin ….

et, dès le départ, la série de Jessica Calderwood nous fait de l’oeil …..

Jessica Calderwood, Portrait of an Eye Brooch/Pendant, Enamel on copper, sterling, stainless steel
Jessica Calderwood -Portrait of an Eye’ Brooch/Pendant – Enamel on copper, sterling, stainless steel

http://greendragonladyvintage.files.wordpress.com/2008/11/calderwoodjblinkfront.jpg
Jessica Calderwood, Blink (enamel, copper and sterling silver)

See image caption.
Jessica CalderwoodAsymmetry’ Brooch- Enamel on copper, sterling, 18k foil. 

Jessica Calderwood, Portrait of a Nose Brooch, Enamel on copper, sterling, stainless steelJessica Calderwood, Portrait of an Ear Brooch/Pendant, Enamel on copper, sterling, stainless steel
Jessica Calderwood  -Portrait of a Nose’ Brooch Enamel on copper, sterling, stainless steel
Jessica Calderwood  -Portrait of an Ear’ Brooch/Pendant - Enamel on copper, sterling, stainless steel

Jessica Calderwood, Navel Brooch/Pendant, Enamel on copper, nu-gold, sterling, stainless steel
Jessica Calderwood - Navel Brooch/Pendant - Enamel on copper, nu-gold, sterling, stainless steel

Jessica Calderwood, Before and After Brooch (reversable), Enamel on copper, sterling, stainless steel, 18k foilJessica Calderwood, Before and After Brooch (reversable), Enamel on copper, sterling, stainless steel, 18k foil
Jessica Calderwood (US) – ‘Before and After’ Brooch (reversable) – Enamel on copper, sterling, stainless steel, 18k foil

« My most recent series consists of psychological portraits that address ideas of consumption and personal obsession using irony, humor and vibrant color. Using a combination of traditional metalsmithing processes, such as raising and die-forming as well as industrial processes such as laser-jet cutting, this work aims to merge contemporary enameled imagery with traditional forms.« ( Jessica Calderwood)

Le CORPS en morceaux .......... from 'ANATOMY LESSONS' exhibition dans Anne DONZE (FR) 548_2B1T3065
Diane Falkenhagen   « After Canova’s Paulina » Brooch/Pendant – 2010

cette broche de Diane Falkenhagen illustre parfaitement ce sentiment de « corps morcelé« , mis en pièce(s) ……

http://greendragonladyvintage.files.wordpress.com/2008/11/harrisondozenrosebuds.jpg
Julia D. Harrison - Rosebud Brooches -wood, lacquer, gouache, epoxy + more

Julia D. Harrison, Holler Brooches,
Julia D. Harrison (US) ‘Holler’ Brooches – wood

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Sarah J.G. Wauzynski, ‘Small Demands’ – brooch – sterling silver, egg tempera pigment, gold

See image caption.
Randy Long (US) – Brooch – Sterling, hand carved marble

See image caption.
Randy J. Long-  St.Sebastian Brooch – handcarved shell cameo, 22k gold

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Margaux Lange, The Kiss (sterling silver, plastic and epoxy resin)

See image caption.
Kathleen Browne (US) – ’5 Moments’ brooch -fine & sterling  silver, enamel

« The images used in this series of jewelry pieces are appropriated from a pulp magazine printed during the 1950’s titled Secrets. The magazine photos were overly dramatic and stagy, both tragic and unintentionally comic, but somehow they captured the zeitgeist regarding female transgression. These reconfigured images freeze a moment in the daily drama of our lives and, set as jewels, they serve as paeans to the mundane.
By first manipulating, then converting these images to enamel decals (and firing them onto the surface) I can exploit the historical conventions of enameled portrait miniatures, and, in particular, 18th century decal transfers. Hand-painted enamel portrait miniatures were luxury items but with the development of the decal transfer process, in the mid-18th century, such jewels were affordable to a wider audience. Then as now the enameled image serves to provide a democratized view of time and place. » (Kathleen Browne)

anne donzé - qui a perdu son teton
Anne Donzé (FR) – ‘qui a perdu son teton’ – broche, fonte en argent

Pauline WIERTZ
Pauline WIERTZ (NL) – Bijoux ceramique – Boucles-citrines

33YCx dans Claire LAVENDHOMME (BE)
Yuyen CHANG (Taiwan) – Mao-Fa Series (Untitled Pendant) (2007) copper, enamel, copper wire, sterling silver

Yuyen Chang est cette artiste qui a fait une série de broches sur les « orifices » ………. c’est le moment où jamais de les présenter …. les broches, pas les orifices ……

photo of Orifice Broochphoto of Orifice Broochphoto of Orifice Brooch
Yuyen CHANG (Taiwan) -Orifice Series – Untitled Brooches – copper  – 2000-2002

Claire-Lavendhomme-5-440x271 dans COUP DE COEURClaire-Lavendhomme-1-440x271 dans Diane FALKENHAGEN (US)
Claire Lavendhomme - « Le plus profond c’est la peau » 2007. Bagues – argent, photo, résine, sable.

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Melanie Bilenker, ‘Feet’ 2007 – brooch – gold, sterling silver, ebony, resin, pigment and hair

http://www.siennagallery.com/images/exhibitions-main/ek175.jpg
Esther Knobel -brooch- sterling silver with perforated (drilled) drawing sewn with iron wire

[kristenbeeler,+brooch.jpg]Beauty and Other Monsters at Velvet da Vinci Gallery,
Kristin Beeler (US)- brooches – drawing is ink on mother of pearl

http://www.swansea.gov.uk/media/images/c/o/1227.08Aspice_me_1.jpg
Ramon Puig Cuyas (ES) – broche

30300_115589165142911_100000754855215_87157_2798696_n dans Esther KNOBEL (PL)
Sally von Bargen – ‘Short Stories’ serie – ‘wish’

7c dans Gijs BAKKER (NL)6c dans Isabell SCHAUPP (DE)

Isabell Schaupp (DE) ‘hands’ series

 

et… ma dernière « trouvaille » … mais ne dit-on pas qu’on garde le meilleur pour la fin ? ;-)

[gijs.jpg]
Gijs Bakker (NL) – collier ‘Johnny Awakes’ – silver, photography – 1998


 

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