BIJOU_CONTEMPORAIN

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31/08/2011

EXPO ‘Cruzando Fronteras: del textil a la joya’ – Casa de la Cultura, Buenos Aires (Argentina) – 31 aout-29 sept 2011

 

La muestra de joyería contemporánea textil « Cruzando fronteras: del textil a la joya (2) » curada por Lilia Breyter se presentará en el Fondo Nacional de las Artes, Rufino de Elizalde 2831, a partir del 31 de Agosto.

En esta ocasión, la muestra estará acompañada por dos talleres gratuitos y una mesa redonda sobre joyería contemporánea.

http://1.bp.blogspot.com/-7Ry64dso9Vs/Tkw3a-h7ciI/AAAAAAAAANc/K4ObET7odoo/s660/invitacfrentte.jpg

http://deltextilalajoya.blogspot.com/

 

Luis Acosta — María BoggianoLilia BreyterPaula BreyterVanina BujalterMarina Callis Paula Dipierro + Gabriela HorvatLaura GiustiElena IglesiasJuanamaraña (Laura Licandro + Rosa Alcántara)Ester KanerElida KemelmanGraciela LescanoSusana MasabeuMarina MassoneBárbara PazMabel PenaNorma RinaudoJimena RíosSilvia RoldánSilvina RomeroSusana MasabeuSabina WickiTota reciclados (Marcela Muñiz + Valeria Hasse)

 

 

Fondo Nacional de las Artes – Casa de la Cultura
Rufino de Elizalde 2831
Buenos Aires, Argentina

12/08/2011

EXPO ‘Come Apart’ – Heidi Lowe Gallery, Rehoboth (DE),(USA) – 13 Aout-9 Nov. 2010

Classé dans : Exposition/Exhibition,Gal. Heidi Lowe (US),The Opulent Project (US),USA — bijoucontemporain @ 0:20

The Opulent Project, a Portland (OR) based artists collective, will open a new exhibition, « Come Apart », at Heidi Lowe Gallery on August 13, 2011 from 6-9 P.M.

http://www.heidilowejewelry.com/common/resizethumb.php?galleryId=20B8-EFFH-6E59&titleId=561&new_width=500&new_height=275&whichimage=1&watermark=

 

The Opulent Project have created a new body of work for the upcoming exhibition entitled, “Come Apart.” The work in this show explores various forms of fragmentation visually, physically and/or conceptually. They have also created another variation of one of their classic pieces “Wallpaper.” “Wallpaper” explores adornment related to the body and interior space. The viewer is invited to participate by pulling jewelry from the wall to adorn themselves while at the same time revealing a pattern in the negative space that remains.

 

The Opulent Project uses new technologies to create jewelry that questions the conventional idea of value. Megan Drinkwater and Erin Gardner, Opulent Project founders will be at the gallery to show their work and answer questions. The show will be on view through October.

 

http://www.heidilowejewelry.com/common/resizethumb.php?galleryId=20B8-EFFH-6E59&titleId=350&new_width=500&new_height=500&whichimage=1&watermark=
The Opulent Project- Hot Pink Laser Cut Earrings

 

 

Heidi Lowe Gallery
Innovative Jewelry Studio
328 Rehoboth Avenue
Rehoboth Beach, Delaware (DE) 19971 (USA)
302-227-9203
heidilowegallery@gmail.com
HeidiLoweJewelry.com
Open Daily 10 A.M. – 9 P.M.

08/08/2011

EXPO ‘COSTUME COSTUME’ – Sienna Gallery, Lenox (USA) – 4 Juill.-31 Aout 2011

COSTUME COSTUME Part II
Guest curated by Arthur Hash.

costume-costume Sienna Gallery

COSTUME COSTUME (an opulent project) is a collection of work made by emerging contemporary art jewelers. It is an exploration of costume jewelry as subject ; jewelry about jewelry.
.

We are thrilled to have Arthur Hash curate a selection of new designers and artists to expand the COSTUME COSTUME collection! View select pieces online or model entire collection in the Costume Costume Photobooth at Sienna Gallery in Lenox, Massachusetts..

“Pink Thinks” - Erin Rose Gardner for TOP  (The Opulent Project)Erin Rose Gardner
« Pink Thinks » – Erin Rose Gardner for TOP  (The Opulent Project)

 

Current and past artists include Sarah Abramson, Mikael Arsjö, Kate Bauman, Michael Dale Bernard, Thyra Bessette, Allyson Bone, Jenny Bradley, Raissa Bump, Sarah Kate Burgess, Alice Jee Chung, David Choi, Meg Drinkwater, Anne M. Fiala, Erin Gardner, Maricha Genovese, Anna Hinkes, Rory Hooper, Soyeon Kim, Courtney Kemp, Seohee Koh, Tara Locklear, Sarah Loertscher, Julia Elizabeth Louise, Edgar Mosa, Jimin Park, Mary Hallam Pearse, RT Peters, Katie Poterala, Cynthia Rohrer, Earl Ross, Leslie Skalin, Theresa Sterner, Monika Strasser, Kristi Sword, Islay Taylor, Melissa Tolar, Stephanie Tomczak, Ben Ulsh
.
Sienna Gallery debuted the project last April at SOFA NY where we installed a photobooth. This format provided visitors with an experience outside of the typical museum-like presentation of jewelry and objects at SOFA. We encouraged people to have fun interacting with our jewelry. Viewers instantly became wearers, modeling our jewelry for a printed souvenir photo-strip. And in some sense the wearer became a « collector » and jewelry became « collected » through physical printed image and solidified through social media.

Islay Taylor, Knuckle Dusters, Rings, gold plated bronze, hand painted acrylic nails, 2010. I am obsessed with knuckle duster inspired rings. I need one immediately.Islay Taylor  – pro nailz – gold plated bronze, hand painted acrylic nails


 

Sienna Gallery
80 Main Street
Lenox, MA 01240
T [413] 637-8386
info@siennagallery.com
www.siennagallery.com

07/08/2011

EXPO ‘Unnatural Acts’ – Velvet da Vinci Gallery, San Francisco (USA) – 2-28 Aout 2011

Unnatural Acts

a contemporary jewelry project from Australia

EXPO unnatural acts

The exhibition is curated by Lauren Simeoni and Melinda Young. Ten participating artists constructed natural and organic forms from man-made material to create jewelry that is unnatural, naturally. Unnatural Acts is an exhibition that began as a project among friends and has since traveled through Australia and New Zealand. Velvet da Vinci is the only US venue for this project. Exhibition catalog $15

 

Participating artists:
Anna Davern, Caz Guiney, Kath Inglis, Bridget Kennedy, Peta Kruger, Sim Luttin, Natalia Milosz-Piekarska, Lauren Simeoni, Mark Vaarwerk, Melinda Young

Unnatural Jewelry
To coincide with the exhibition unnatural Acts, Lauren Simeoni is presenting a jewelry workshop focusing on the theme unnatural jewelry. Participants will be encouraged to experiment with and deconstruct a variety of found materials while developing and working to a theme. This workshop will be hosted by the Metal Arts Guild and held at Velvet da Vinci. Workshop will be held from 10 to 4 on August 6th.
Reservation required; space is limited.

 

Participating artists:
ANNA DAVERN is one of Australia’s most respected contemporary jewellers. Her practice straddles the visual arts, jewellery and fashion. She gained her undergraduate degree in Jewellery and Object Design at Sydney College of the Arts and her post-graduate studies and subsequent Masters degree were completed at RMIT, Melbourne. Davern works from her studio in Flinders Lane, Melbourne. She exhibits regularly and has held two major solo exhibitions at Craft Victoria, Melbourne. She has been represented in numerous Australian and international group exhibitions. She is the recipient of numerous grants and awards and has participated in residencies in Sydney and Tallinn, Estonia.

EXPO ‘Unnatural Acts’ - Velvet da Vinci Gallery, San Francisco (USA) - 2-28 Aout 2011 dans Anna DAVERN (AU) annadavernrocksearrings3web
Anna Davern « Rocks » Earrings

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Anna Davern « Rocks » Earrings 

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CAZ GUINEY‘S concept-based practice engages with public space, attempting to establish a dialogue among the landscape, the object and the body. Her work draws on the urban fabric as a source of material and inspiration for jewelry. Guiney’s work includes site-specific jewelry installations and responding enthusiastically to briefs such as unnatural Acts.
In 1995, Guiney completed a Bachelor of Art in Jewellery and Metalsmithing at Monash University, Australia. Since 1997 she has exhibited throughout Australia and in New Zealand, Japan, Korea, Germany, Chile and the USA and held three solo exhibitions. She has been the recipient of two New Work Grants from the Visual Art & Crafts Board of the Australia Council and an Arts Development Grant – Creation from Arts Victoria. Currently she teaches in the Jewellery and Visual Arts Departments of the Northern Melbourne Institute of Technical and Further Education (NMIT).

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Caz Guiney « Cocoon » Brooch

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KATH INGLIS was raised in Darwin and moved to Adelaide to study jewelry. After graduating from the South Australian School of Art in 2000, Inglis continued to develop her practice by working from a number of studios, including the renowned Gray Street Workshop, JamFactory Metal Design Studio and soda and rhyme. The workbench is now located in a gorgeous home studio in suburban Adelaide surrounded by a native garden. Inglis’ practice is multi-faceted and includes frequent exhibitions in national and international galleries, large-scale collaborative public art projects and teaching. Inglis is also a member of the Craftsouth board.

http://static.velvetdavinci.com/images/kathinglisbluepollinatorweb.jpg
Kath Inglis  « Blue Pollinator » Brooch

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BRIDGET KENNEDY completed an Advanced Diploma of Jewellery and Object Design at the Design Centre Enmore, NSW in 2005. She was then awarded the College Achievement Award and the Jewellery and Object Design Scholarship (a one-year residency within the College). In 2006 she was awarded first prize in Graduate Metal X, an exhibition of works representing 64 recent ‘jewellery and object’ graduates from art schools around Australia. She was also selected as a finalist to exhibit in the 2006 City of Hobart Art Prize, and more recently was the winner of the ‘emerging artist’ category in the 2008 JMGA (Jewellers and Metalsmiths Group of Australia) NSW Profile Award. In 2008, she opened Studio 20/17, a contemporary jewelry gallery with fellow jeweler, Melanie Ihnen. The gallery is committed to increasing the profile of contemporary jewelry within the wider arts arena.

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PETA KRUGER worked as a graphic designer and illustrator before studying visual arts at the Adelaide Centre for the Arts, South Australia. After finishing her degree she worked for Scott Wilson and Jane Adam, both based at Cockpit Arts in London and on returning to Adelaide, completed an associateship in the Metal Design Studio at the JamFactory. Her first major solo exhibition was held at Metalab, Sydney in 2009 followed by the JamFactory in 2011. In 2011 she will be undertaking a mentorship with German/New Zealand jeweller Karl Fritsch with the assistance of a Jump Mentorship grant from the Australia Council for the Arts. She is currently based at the JamFactory in Adelaide.

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Peta Kruger « Onion Ring » Brooches

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SIM LUTTIN recalls that her earliest memory of what she wanted to be when she grew up was an inventor. She has a Masters in Metalsmithing and Jewelry Design, Indiana University, USA and a BFA in Gold and Silversmithing, RMIT, Melbourne, Australia. Luttin has held solo exhibitions in Melbourne and Sydney as well as participating in numerous group exhibitions nationally and internationally. In 2009 she was commissioned to make the prestigious Emeritus Medal for the Australia Council for the Arts. She won the Alma Eikerman Award for Metalsmithing while studying at Indiana University, and has been the recipient of an Australia Council Emerging Artist New Work Grant. Luttin has pieces in the collections of Galerie Marzee, NL and the Art Gallery of South Australia, and work included in numerous publications. In addition to her contemporary jewelry practice, Luttin is the Gallery and Exhibitions Manager at Arts Project Australia, Melbourne.

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Sim Luttin « Somewhere There Exists…#1″ Brooch

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NATALIA MILOSZ-PIEKARSKA initially attained a degree in Design/Visual Communication before going on to complete a BA (Honours) in Gold and Silversmithing at RMIT, Melbourne. Natalia now works from her Melbourne based studio as a contemporary jeweler and artist, making and participating in a diverse range of exhibitions and projects. Natalia also teaches at RMIT within the Gold and Silversmithing Department and is currently undertaking a six-month internship in London, UK, with renowned fashion jeweller Scott Wilson as part of the British Council, Australia’s Realise Your Dream Program. Natalia’s primary focus lies in the realm of amuletic and talismanic adornment. With much of her research delving into various aspects of superstition, folklore and ritual, her work explores our human inclination towards charmed objects and the power of belief.

http://static.velvetdavinci.com/images/nataliamilosz-piekarskanecklace3web.jpg

Natalia Milosz-Piekarska Necklace

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LAUREN SIMEONI is an Adelaide-based artist working from the Gate 8 workshop collective. Simeoni has a Bachelor of Arts in Gold and Silversmithing from Canberra School of Art; a Design Associateship at the Jam Factory and a 1-year mentorship at Gray Street Workshop in Adelaide followed this. She exhibits nationally and internationally including five solo exhibitions, is the recipient of numerous grants and has undertaken several public art commissions. Her work appears in numerous publications and is held in collections including the Art Gallery of South Australia. Simeoni also guest lectures at universities and actively participates on South Australian Craft and Arts boards and projects. Simeoni is currently working on the ongoing collaborative exhibition project unnatural Acts with Melinda Young.

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Lauren Simeoni « Controlled Burn » Brooch

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MARK VAARWERK is a modern day alchemist. He is renown for his innovative and inventive jewellery practice that focuses on the transformation of throwaway plastics, masterfully rendering mundane materials into items of preciousness and intrigue. Vaarwerk completed an Associate Diploma of Arts (Jewellery) at the Sydney Institute of Technology, Enmore in 1997. Since graduating he has exhibited his work extensively nationally and internationally, most recently at Ventura Lambrate 2011, Milan. He has been the recipient of Research Grants from the Australia Council for the Arts and participated in several residencies in the UK. His work has been included in numerous publications and he has shared his unique material knowledge through teaching workshops at universities and colleges around Australia.
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MELINDA YOUNG completed a Master of Visual Arts in 2002 at Sydney College of the Arts. She has participated in over 100 exhibitions in Australia and overseas since 1997, with recent solo exhibitions in Sydney, Adelaide and Melbourne. Since 2008 she has also been working on unnatural Acts, a collaborative exhibition project with Lauren Simeoni. In 2008 she won the JMGA, NSW Profile Award for an established artist. Her work has been included in several publications and is held in public collections including The Art Gallery of South Australia and the Museum of Art, Architecture and Design, Oslo, Norway. Young has had a professional involvement with contemporary craft and design as a curator and writer, and through employment in galleries. She has taught jewelry at a tertiary level since 2000 as well as conducting exhibition workshops at galleries and universities in Australia and New Zealand. She currently teaches at COFA, University of NSW and Sydney College of the Arts.

http://static.velvetdavinci.com/images/mel%20young%207%20web.jpg
Melinda Young « Coraline » Neckpiece

 

 

Velvet da Vinci Gallery
2015 Polk Street (between Pacific and Broadway)
San Francisco CA  94109 – USA
tel 415.441.0109

EXPO ‘Intimacy’ – Chapman Gallery, Kansas State University (USA) – 8-19 Aout 2011

Classé dans : Exposition/Exhibition,GALERIES,Sung-Yeoul LEE (KR),USA — bijoucontemporain @ 10:30

« Intimacy »
Sung-Yeoul Lee‘s first solo Exhibition
Metalsmith and jeweler Sung-Yeoul Lee , “Intimacy” exhibition, August 8-19 and lecture, Friday, August 19, 3:00 pm in the Mark A. Chapman Gallery, Willard Hall, Kansas State University

EXPO 'Intimacy' - Chapman Gallery, Kansas State University (USA) - 8-19 Aout 2011 dans Exposition/Exhibition 174886_259108687439281_913003_n

MANHATTAN —Kansas State University Department of Art will present a lecture by internationally recognized metalsmith and jeweler Sung-Yeoul Lee, August 19, 3:00pm in the Mark A. Chapman Gallery, Willard Hall on Kansas State University campus. In addition to his lecture, Mr. Lee will present his collection of works in the exhibition “Intimacy” in the Mark A. Chapman Gallery from August 8-19.

Sung-Yeoul Lee is currently a Visiting Assistant Professor in Jewelry and Metals at Oklahoma State University. He holds a MFA in Metals from the University of Illinois Urbana-Champaign and a BFA from Kookmin University in Korea. After graduation, he served as an artist in residence at Appalachian Center for Craft for two years.

Lee’s work has been exhibited extensively throughout the United States, Europe, and Asia, and he has received numerous awards, most notably the Grand Prize at the Cheongju International Craft Biennale in 2003. His works are in permanent collections in the Cheongju Craft Museum in Korea and Sparta Teapot Museum in North Carolina, and have been published in several books.

Sung-Yeoul Lee, as Professor Robert Coogan writes, “explores a range of work from hollowware to more personal jewelry. His intention for his work is that the wearer/owner has a personal relationship with the jewelry. Sung’s current work evolved from having foreign objects pass through the body and his newer work seems to show the jewelry emerging from the body as a growth or an emergence into the light of those precious elements that make us all individuals. He seeks to form an intimate bond between the wearer and the jewelry but it goes on to have a much greater impact. The work creates an intimate relationship between the wearer and an observer. Almost like the bearing of one’s soul.”

Sung-Yeoul Lee

« My goal is associating the idea of intimacy in jewelry object to the body. Intimacy is intrinsic to the jewelry/wearer relationship. Historically, individuals have worn jewelry not only to adorn their body but to express their physical or mental condition. As conceptual approaches to jewelry making today became popular, jewelry artists keep trying to consciously communicate their thoughts through the jewelry works. Jewelry are no longer simply body adornment; some widen our senses and challenge our perceptions. For these reasons, the idea of intimacy became a significant source of inspiration.
In my current body of works, I am trying to visualize intimate relationship between jewelry form and our body. I cast single or group of precious stone shapes which symbolize ‘Jewelry’ and they are embedded, inserted or growing in the organic form and it represented extension of human body. To do so, my works indicate a deep affinity and ties with wearer. I feel that it expresses the physical and conceptual connection between piece and wearer. It is important to me that the wearers can be able to feel themselves connected with the jewelry while wearing my works.  »

189311_2268632079402_1356578830_32722729_5339914_n dans GALERIES

37711_1525789628805_1356578830_31450932_3853031_n dans Sung-Yeoul LEE (KR)

Sung-Yeoul Lee - brooch ‘Growth series’ 2010 – Cast plastic, sterling silver, copper mesh, gold leaf, pig intestine 285429_2295662315141_1356578830_32763704_980674_n dans USA
Sung-Yeoul Lee - ring ‘Growth series’ 2010

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Sung-Yeoul Lee - necklace ‘Growth series’ 2010 – Cast plastic, sterling silver, copper mesh, gold leaf, pig intestine

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Sung-Yeoul Lee - necklace ‘Growth series’ 2010 – Cast plastic, sterling silver, copper mesh, gold leaf, pig intestine 

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 Sung-Yeoul Lee – bracelet ‘Growth series’  2010 – Cast plastic, sterling silver, copper mesh, gold leaf, pig intestine

http://files.shownd.com/s/u/n/sungyeoullee/uploads/large/203094.jpghttp://files.shownd.com/s/u/n/sungyeoullee/uploads/large/203100.jpg
Sung-Yeoul Lee – brooch ‘Insertion’ 2009 – Cast plastic, sterling silver, gold foil, pig intestine

 

 

Mark A. Chapman Gallery
Willard Hall
Kansas State University
USA

06/08/2011

La B.O. n’est pas à la fête avec la création contemporaine …..

difficile en effet de trouver quelque chose d’innovant ……….. Voir par exemple « The Earring show » à la Velvet da Vinci Gallery : de TRES belles choses, mais tout est, je dirais, « classique » : un pendant depuis une oreille percée ……..

 

Voici quelques « découvertes » sortant des sentiers battus ……

jolie découverte, à JOYA 2010 :

Aila Jubany, - Escola Superior de Disseny i Art Llotja (Barcelona) 2010Aila Jubany, de la Escola Superior de Disseny i Art Llotja (Barcelona),
presenta su proyecto: « Sirk », piezas grandes pero ligeras, que crean un movimiento sútil envuelto de puntos de luz y color.

Karol Pichler -'Teatro Mundi' (expo "Un vrai Bijou" 2007 )Karol Pichler -’Teatro Mundi’ (expo « Un vrai Bijou » 2007 )

Catherine (Clark) Gilbertson (UK) - Earpiece #1, 2003Catherine (Clark) Gilbertson (UK) – Earpiece #1, 2003 fine silver  Photo: Jim Wildeman

« My musical study and performance has paralleled my concentration in visual art throughout my life. This interest has prompted an investigation into the dialogue that exists between the sound that is perceived in one’s Imagination and the sound that one hears in reality. As our sense of hearing allows us to interact with external sound, I am pursuing a three dimensional exploration of the ear through chasing and repousse’ in precious metal. »

Carol Pedroso - Ear Piece  (Contemporary Jewelry Show at 'A CASA' in Brazil, 2011)Carol Pedroso – Ear Piece  (Contemporary Jewelry Show at ‘A CASA’ in Brazil, 2011)

 Manon van KouswijkManon van Kouswijk – Earrings

Juliana Miyasaka - (Projeto NOVAJOIA: Novembro 2010)Juliana Miyasaka(Projeto NOVAJOIA: Novembro 2010)

Cheryl Eve Acosta - Ear Brooch - 2007 Cheryl Eve Acosta - Ear Brooch – 2007 – Sterling Silver

Cheryl Eve Acosta -Noise Canceling Earrings - 2008- Earplug, sterling silverCheryl Eve Acosta -Noise Canceling Earrings - 2008- Earplug, sterling silver
Cheryl Eve Acosta -Noise Canceling Earrings - 2008- Earplug, sterling silver

'Aka Jewellery'(Ausra Bankauskaite & Mante Maskoliunaite, from Lithuania)'Aka Jewellery'(Ausra Bankauskaite & Mante Maskoliunaite, from Lithuania)

Aka Jewellery(Ausra Bankauskaite & Mante Maskoliunaite, from Lithuania)
- silver neckless and earring with white and black amber that connect with magnets in various waysfrom the « white crow » collection.

Reka Lorincz - Ear ring - Monolit jewellery 2007Reka Lorincz - Ear ring – Monolit jewellery 2007 – plastic

Mi-Mi Moscow - - Ear-rings “EYE OF EAR” 2004Mi-Mi Moscow- Ear-rings “EYE OF EAR” 2004 From series: “FULL SOUND”

Solveiga and Alfredas Krivičiai (Lithuanie) "Hair of the silence"Solveiga and Alfredas Krivičiai (Lithuanie) "Hair of the silence"
Solveiga and Alfredas Krivičiai (Lithuanie) « Hair of the silence »

Shinji Nakaba  “wearable sculpture”Shinji Nakaba  “wearable sculpture”

Elke MunkertElke Munkert

Leonor Hipolito - "Ear Plugs" Earrings  Leonor Hipolito – « Ear Plugs » Earrings - 2006 Leonor Hipólito / Tools for the subconscious / Auricular com ligação à boca / Prata, polyester, epoxy, borracha

Leonor Hipolito - ‘Object for Dreams !’ EarringsLeonor Hipolito - ‘Object for Dreams !’ Earrings
Marjorie Schick “Spiral Earring for Spira Galaxy”Marjorie Schick « Spiral Earring for Spira Galaxy »
Vincent Pontillo -  'For Saraswati' - Vincent Pontillo -  ‘For Saraswati’ – Sterling Silver, 23 Karat Gold Leaf. Forged, Fabricated

Gerd RothmannGerd Rothmann

 

05/08/2011

Annual MARZEE selection of GRADUATE WORK JEWELLERY 2011 (NL) – 7 Aout-24 Sept. 2011

SELECTION of WORKS to see HERE

Brooch, electroformed copper. Gold plated Jade Drakes and her dogs – Brooch, electroformed copper. Gold plated

Satita Rojpojjanarat (from Alchimia) -  brooch, textile, magnet- «Thai clouds» Satita Rojpojjanarat and her « Thai clouds »

 Nadege Roscoe-RumjahnNadege Roscoe’s intimacies

(THANKS to Alchimia blog for pictures !)

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01483.jpg
Alla Malova Guy - necklace Post Fossil 2011, ceramics, metal chain, flocking, epoxy resin, iron, magnet – Switzerland, Geneva, HEAD

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01347.jpg
Antje Stolz – necklace Steinlos I (Stoneless) 2010, stone veneer, enamel lacquer, oxidised silver, lead, coral cement  – Germany, Idar-Oberstein, Fachhochschule Trier

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01449.jpg
Agata Bartos – necklace Storytellers – Precious Buttons 2011, porcelain, epoxy resin  – Netherlands, Arnhem, ArtEZ

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/bellzhou01.jpg
Bell Zhou – necklace Protect 2011, glass, silver, gems, paint, seed, copper, yellow plastic thread, steel  – Beijing Institute of Fashion Technology

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01460.jpg
Andrêa Martins - brooch Shadow of Truth 2011, silver, cord, fishing line  – Portugal, Senhora da Hora, ESAD

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01482.jpg
Marine Stampfli - bracelet Paradoxes 2011, silver, cotton, resin  – Switzerland, Geneva, HEAD

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01434.jpg
Satita Rojpojjanarat – brooch 2011, silk, nylon, magnet  – Italy, Florence, Alchimia, Scuola di Gioielleria

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01478.jpg
Hanna Liljenberg (MA) – brooch 2011, black paper, shellac, silver  – Sweden, Gothenburg, HDK

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01485.jpg
Alice Bo-Wen Chang (MFA) – necklace Bodyspace/bodyscape series 2011, silver, gold plated copper, copper  – UK, Edinburgh College of Art

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01358.jpg
Mariko Sumioka (BA) – necklace Bamboo Necklace 2011, oxidised copper, enamel on copper, kimono, gold-plated steel cable  – UK, Edinburgh College of Art

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01491.jpg
David Choi (MA) – brooch 2011, steel, oxidised silver  – USA, New Palz, State University of New York (SUNY)

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01499.jpg
Younghee Hong – brooch Drawn to Nature #2 2011, polymer filament, plastic price tags, silver – USA, Bloomfield Hills, Cranbrook Academy of Art

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01345.jpg
Anne Achenbach - necklace Kuh (Cow) 2011, zinc coated steel  – Germany, Dusseldorf, Fachhochschule

http://www.marzee.nl/galerie/wp-content/gallery/graduation-works-2011/DSC01346.jpg
Sachiyo Higaki – necklace 2010, wood, thread  – Germany, Idar-Oberstein, Fachhochschule Trier

and ………..

Marcos Guzman (BA), Catherine Da Costa (BA), Inari Kiuru (BA), Bin Dixon-Ward (BA), from Australia, Melbourne, Royal Melbourne Institute of Technology (RMIT)  –  Marleen Henot, Sofie De Bakker, Hannes Groffy, from  Belgium, Hasselt, Provinciale Hogeschool Limburg — Ren Kai, Liu Xiao, from China, Beijing, Central Academy of Arts — Alena Hesounová, Karla Olsáková, from  Czech Republic, Prague, AAAD Academy of Art, Architecture and Design — Kadi Kübarsepp, Liina Lõõbas, Katrin Kosenkranius, Kadi Kübarsepp, from  Estonia, Tallinn, Eesti Kunstakadeemia — Krista Ruohonen, from Finland, Lappeenranta, South Carelia Polytechnic — Marie Masson, from France, Limoges-Aubusson, l’École Nationale Supérieure d’Art (ENSA) — Julie Connellan (MA), from  Ireland, Dublin, The National College of Art and Design (NCAD) — Laura Alvarado, Ricarda Tesch, from  Germany, Dusseldorf, Fachhochschule — Sabine Conrad, from Germany, Idar-Oberstein, Fachhochschule Trier –  Hyoun Jung Sung, from Germany, Halle, Burg Giebichenstein, Hochschule für Kunst und Design –  Stefan Heuser, from Germany, Munich, Akademie der Bildenden Künste — Laura Rittlinger (BA), Michaela Prange (BA), Yasutaka Okamura (BA), from Germany, Pforzheim, FachhochschuleYael Nissan, Rotem Fishler, from Israel, Ramat-Gan, Shenkar College of Engeneering and Design — Keren Grinfeld, Shir Pins, from Israel, Jerusalem, Bezalel — Carissa Hsu, from Italy, Florence, Alchimia, Scuola di Gioielleria — Makoto Tachihara, Koji Toyama, Haruka Masuda, from Japan, Tokyo, Hiko Mizuno College of Jewelry — Morgane de Klerk, Atsuno Takase, Benedikt Fischer, Marina Elenskaya, from Netherlands, Amsterdam, Rietveld AcademieJie Sun, from Nederlands, Amsterdam, Sandberg Instituut — Iris Verstappen, from Netherlands, Maastricht, Academie Beeldende Kunsten — Jessica Winchcombe, Julia Middleton, from New Zealand, Porirua, Whitireia Polytechnic –  Ilse-Marie Erl, from New Zealand, Auckland, Aotearoa, Unitec — Typhaine Le Monnier (MA), Maria Emília Martinho (BA), from Portugal, Lisbon, AR.COJi-hye Lee, Jihyun Lee, Heon-Joo Ji, Heejoo Kim, from South Korea, Seoul, Kookmin UniversityMaría Saura Estruch, María Sol González Martínez, from Spain, Barcelona, Escola MassanaBarbora Hainzová, from Slovakia, Bratislava, Academy of Fine Arts and Design — Malin Peter (BA), Xiang Dai (MA), Charlotte Maslov (BA), Mikael Sellersjö (MA), from Sweden, Gothenburg, HDKKatrin Spranger (MA), from Sweden, Stockholm, KonstfackHannah Fewtrell-Bolton, Xiaohan Ren, from UK, Birmingham Institute of Art and Design BIADJenny Laidlaw (MA), Vershali Jain (MA), from UK, Edinburgh College of Art — Ruth Reifen, Mariah Tuttle, from USA, Providence, RISDAllyson Bone (MA), Allison Ullmer (MA), from USA, New Palz, State University of New York (SUNY) –

many mant THANKS to Gallery Marzee for their pictures !!!

Galerie Marzee
Lage Markt 3
6511 VK Nijmegen
The Netherlands

Phone +31 24 3229670

Fax +31 24 3604688

04/08/2011

Marché du Bijou de Créateur – Pôle Bijou Baccarat (FR) – Décembre 2011

Classé dans : Appel a candidature / Call for Entry,France (FR),Pole Bijou BACCARAT — bijoucontemporain @ 0:06

Marché du Bijou de Créateur – dec 2011

« En prévision des Fêtes de Fin d’Année, le Pôle Bijou Galerie va créer un grand marché du Bijou de Créateur sur tout le mois de décembre. L’idée : transformer la galerie en une merveilleuse boutique où les visiteurs pourront trouver des bijoux originaux pour tous les budgets, tous les styles … Il s’agit aujourd’hui de sélectionner une trentaine de créateurs qui présenteraient leurs pièces (en pensant à fournir les emballages) dans un principe de « dépôt vente » et s’engageraient à assurer au moins une à deux journées de permanence sur le lieu durant le mois. Si vous pouvez être intéressés pour présenter votre travail merci d’

 

adresser un dossier de candidature par internet (CV – Photos des pièces et tarifs – texte sur les techniques et matériaux …)
avant fin aout 2011.

 

La sélection sera faite tout début septembre. Dossiers à envoyer par mail a info@polebijou.com et en copie pour information à monique.manoha@ccvc54.fr

Merci de faire circuler l’information

03/08/2011

EXPO ‘What do you have in your hands?’ – Micromundi Museum, Besalu (ES) – 30 Juill.-11 Sept. 2011

Bórax08001 takes to the streets again!

This time, Bórax08001 went to the picturesque town of Besalú in Catalonia to talk to the inhabitants of this medieval jewel (pun intended!) and ask them: What do you have in your hands?

The reactions of the kind persons of Besalú, as well as the jewels Bórax08001 used for this action, can be visited at the Micromundi Museum, alongside the fabulous collection of miniatures, from July 30 to September 11, 2011.

 

http://www.museuminiaturesbesalu.com/images/EXPO%20BORAX%20eng.jpg

 

Micromundi
Museu de Miniatures i Microminiatures de Besalú
Pl. Prat de St. Pere, 15,
17850 Besalú  (Cataluña – ESP)
Tel. +34 972591842

02/08/2011

«Cheveu un bijou !!!» hurle la Dame de Coeur

«!Tranchez-lui la tête!!! Cheveu un bijou!!!» hurle la Dame de Coeur, dans Alice …

mais … faut pas se faire de cheveux dans la vie !! ici, on est à un poil du bijou ….. si ce ne sont pas des bijoux au poil !! ;-)

Au-delà du dégoût que peut susciter l’emploi d’un tel matériau (à la « grande époque » du bijou en cheveux, à l’époque Victorienne, mode lancée par la très romantique Reine Victoria, cet engouement eu un grand succès dans les pays anglo-saxons mais suscita du dégoût et un certain rejet en France et dans le reste de l’Europe), ce n’est pas étonnant, à mon sens, qu’il suscite tant d’attrait parmi la jeune génération de bijoutiers : à force d’interroger le rapport du bijou au corps, le corps s’incorpore petit à petit au bijou lui-même.

 

Tiffany Parbs – Extension (2008) – hand woven hair, digital print – photo Terence Bogue: Tiffany Parbs, Piece, 2008:

 Tiffany Parbs – Extension (2008) – hand woven hair, digital print – photo Terence Bogue

« Contemporary art is getting hairy Long and silky; short and curly. Blond, brunette, red or grey. It’s hair and it has an important part in our perceptions of ourselves. It defines gender and visual identity, and is playing an important role lately in art — in jewelry, drawings or in mixed media pieces. Hair has long had a role in the work of artists and artisans. In the Victorian era, creating jewelry from hair became almost as popular as knitting or crocheting.  By using one’s own hair or that of a beloved family member women were able to design bracelets, chains, rings and earrings. Apart from jewelry, mourners would weave hair into decorative, memorial wall hangings. By the early 1900s using hair fell out of fashion. During the past 15 years, however, there’s been a fascination among contemporary artists using skin, nail clippings, urine and hair to create various forms of art. Fascinated with Victorian hair jewelry, artist and jewelry designer Melanie Bilenker has revived the art form. Like the Victorians who kept lockets of hair and miniature portraits painted with ground hair and pigment to secure the memory of a lost love, renders the « quiet minutes, the mundane, the domestic, the ordinary moments » from her own tresses. Bilenker observes various daily activities such as cleaning, bathing, dressing, resting or eating. She chronicles the private moments by setting the camera’s timer and goes about her business which can be anything such as eating chocolate, writing a note or enjoying a Saturday morning breakfast. Once she has the photographed images, Bilenker creates tracings of the forms within ghem with thousands of tiny strands of her own hair – which are eventually fixed in resin.  She meticulously layers several different drawings to give the appearance of depth, one as foreground, another as background.  The entire process takes the course of about a week of laying hairs, mixing resin, and then allowing it to cure.  Says Bilenker, « Once the hairs are set as line drawings within resin, I shape, smooth and polish the exterior.  I then fabricate the jewelry findings and set them.  The piece is then complete. »" (Courtesy Melanie Bilenker and Sienna Gallery)

Melanie Bilenker Jewelry:   Oh, and they're made from human hair.: Melanie Bilenker (courtesy of Sienna Gallery) - miniature portraits painted with ground hair

hair jewelry by Melanie Bilenker: Melanie Bilenker

« Note » by Melanie Bilenker (courtesy of Sienna Gallery) - miniature portraits painted with ground hair: Each line in these drawings by Melanie Bilenker are made using strands of the artist’s own hair! The delicate drawings depict quiet scenes of domestic life which are sealed in Victorian-inspired brooches and rings.

 Galatée Pestre -Broche dans le sens du poil: Galatée Pestre- Le Sens des Bijoux – Broche ‘Dans le Sens du Poil’ – argent, poils, inox (photo by flavorflavy)

galatée Pestre - broche poils: Galatée Pestre- Le Sens des Bijoux – Broche ‘Dans le Sens du Poil’ (detail)

Nicola Scholz  Necklace: Untitled 2006  Pubic hair, gold: Nicola Scholz  Necklace: Untitled 2006  Pubic hair, gold

Rodrigo Acosta - necklace - pelo natural: Rodrigo Acosta – necklace – pelo natural

Rodrigo Acosta Arias  Lo permisivo de tu Dios, 2009.  Pendientes,pelo,latón, plata.  Fotos: Adolfo López      El cabello como armar de seducción y poder en el contexto de las distintas religiones a las que el hombre quiere pertenecer.  El pelo y lo prohibido, el pelo y la sabiduría, el pelo y la lujuria, el pelo y lo permisivo de tu Dios.: Rodrigo Acosta-  « Lo permisivo de tu Dios », 2009.  Pendientes,pelo,latón, plata.  Fotos: Adolfo López  -   El cabello como armar de seducción y poder en el contexto de las distintas religiones a las que el hombre quiere pertenecer.  El pelo y lo prohibido, el pelo y la sabiduría, el pelo y la lujuria, el pelo y lo permisivo de tu Dios

Agnes Larsson, necklace, hair jewelry: Agnes Larsson, necklace, hair jewelry 2015

Agnes Larsson, necklace, hair jewelry - Remains 9, 2015, necklace, calf skin, aluminum, horse hair, 16 x 9 x 1.25 inches ("Agnes Larsson - Remains" EXHIBITION at Ornamentum gallery  August 8 – September 7, 2015 ): Agnes Larsson, necklace, hair jewelry – Remains 9, 2015, necklace, calf skin, aluminum, horse hair, 16 x 9 x 1.25 inches (« Agnes Larsson – Remains » EXHIBITION at Ornamentum gallery  August 8 – September 7, 2015 )

Carolina Hornauer Necklace: The collector 2009 Cotton thread, synthetic cotton, river pearls, silver, patina, steel wire, enamel on cooper, magnets, burned wood, tinted hair, parts constructed, silver ball chain, silver tube textured, stone, silver charcoal (casting piece): Carolina Hornauer Necklace: The collector 2009 Cotton thread, synthetic cotton, river pearls, silver, patina, steel wire, enamel on cooper, magnets, burned wood, tinted hair, parts constructed, silver ball chain, silver tube textured, stone, silver charcoal (casting piece)

Carla Castiajo brooch Auto Portrait, 2007 gold, hair70 x 50 x 10 mm (via Contemporary jewellery - brooches) Carla Castiajo -  brooch « Auto Portrait », 2007 – gold, hair

Carla Castiajo   "horror vacui"  "Full of you"   brooch 6 x 5 x 3 cm   Gold, hair: Carla Castiajo   « horror vacui »  « Full of you »   brooch (back) 6 x 5 x 3 cm   Gold, hair

"Purity" 2008 Tiina Rajakallio - human hair: Tiina Rajakallio « Purity » 2008 – human hair

Monika Strasser – Hair Brooch 2012 - Hair, rubber, silver, steel – Series: On Beauty: Monika Strasser – Hair Brooch 2012 - Hair, rubber, silver, steel – Series: On Beauty

Maho Takahashi - central st Martins 2012 - “Celebration necklace” Human hair, glue: Maho Takahashi  – “Celebration necklace” Human hair, glue - Central st Martins 2012

Noon Passama - KNOBS - graduate project 2010 - Brooch and Lucia King's portrait: photography - DAN/NAD: Noon Passama – KNOBS – graduate project 2010 – Brooch (“Black Hair Knob” brooch, 2010. Antelope fur, sheepskin, silver.) and Lucia King’s portrait: photography – DAN/NAD

Mielle Harvey - Hair Colored Red: 1998, ca. 14in, human hair, dye, bone: Mielle Harvey – Hair Colored Red: 1998, ca. 14in, human hair, dye, bone (série « city tribal amulets »)

Mielle Harvey - City Tribal amulets serie - Blond Hair and Pearls: 1998, ca. 14in, human hair, pearls, 14k gold: Mielle Harvey (série « city tribal amulets« ) – Blond Hair and Pearls: 1998, ca. 14in, human hair, pearls, 14k gold

Marie Pendaries - "Boucle d’or"  Collier. Cheveu et or (hair & gold necklace): Marie Pendariès - Boucle d’or. Collier. Cheveu et or (gold & hair necklace)
Claire Baloge - "mais, vous avez un poil dans la main !"  2005  Hair, silver: Claire Baloge - « mais, vous avez un poil dans la main ! »  2005  Hair, silver
Claire Baloge - "Mes Tendres Poils"  -  2005 - hair, natural fibers, oxydated copper   Claire Baloge - « Mes Tendres Poils »  -  2005 – hair, natural fibers, oxydated copper   
 Marie Masson - necklace Cravate 2011, silver, horse hair, ribbon: Marie Masson – necklace Cravate 2011, silver, horse hair, ribbon
Marie Masson, France Brooch, Toiletrie 04 Hair transplant, 2013 Latex, horse hair, semolina, leather, 7,5 x 5 cm Leatherwork technics, embroidery, jewellery technics. photo : Marie Masson: Marie Masson, France Brooch, Toiletrie 04 Hair transplant, 2013 Latex, horse hair, semolina, leather, 7,5 x 5 cm Leatherwork technics, embroidery, jewellery technics. photo : Marie Masson
Eun Yeong Jeong -'Growth' from Growth series - copper, wool, wood, horse hair: Eun Yeong Jeong -’Growth’ from Growth series – copper, wool, wood, horse hair

Farah Bandookwala  - redhead neckpiece - sterling silver, fake hair    Farah Bandookwala (UK) redhead neckpiece – silver, fake hair

Farah Bandookwala (UK) –  "which one are you today ?" neckpiece 2007 - silver, fake hair  http://farahbjewellery.files.wordpress.com/2010/06/which-one-are-you-today-neckpiece3.jpg?w=460Farah Bandookwala (UK) « which one are you today ? »  neckpiece – 2007 – silver, fake hair 

FARAH BANDOOKWALA -blue hair brooch  Farah Bandookwala (UK) – blue hair brooch

FARAH BANDOOKWALA - platinum ring Farah Bandookwala (UK) « platinum » ring

Sint Lucas Antwerpen School - JOYA 2012 - Sandra Buyck: Sandra Buyck - fake hair neckpiece – Sint Lucas Antwerpen School – JOYA 2012

Clémentine Despocq - 'Vénus' - Parure de corps/Body ornament - Laiton, cheveux synthétiques/ Brass, synthetic hair  - (AFEDAP ) 2010: Clémentine Despocq – ‘Vénus’ – Parure de corps/Body ornament – Laiton, cheveux synthétiques/ Brass, synthetic hair  – (AFEDAP ) 2010

Olivia Creber - "Keeping Schtum" - resin, acrylic, brown horse hair - Edinburgh College of Art 2013: Olivia Creber - « Keeping Schtum » – resin, acrylic, brown horse hair – Edinburgh College of Art 2013

Roxane Amirouche  PERSONA - 2012  Masque de nuit  Laiton, cuir retourné, cheveux synthétiques,  Elastique  crédit photo Patricia Lemaire (diplome AFEDAP 2012): Roxane Amirouche  PERSONA – 2012  Masque de nuit  Laiton, cuir retourné, cheveux synthétiques,  Elastique  crédit photo Patricia Lemaire (diplome AFEDAP Paris 2012)

Ana Carolina Escobar (AFEDAP 2012) "chez moi chez moi" doble 3- cheveux , laiton, film thermopastique, papier: Ana Carolina Escobar (AFEDAP 2012) collier « chez moi chez moi »- cheveux , laiton, film thermopastique, papier

Julia ValleJulia Valle (Bresil) – hairy accessories

Mona Hatoum, Hair Necklace, 1995 - detail "human thoughts may not be what they appear to be at 1st glance, an idea that this necklace, made from the artist's hair, play with": Mona Hatoum, Hair Necklace, 1995 – detail « human thoughts may not be what they appear to be at 1st glance, an idea that this necklace, made from the artist’s hair, play with » 

Castle in the Air / ÕhuLoss.   - Kadri Mälk Brooch: Lossylong, 2013 Darkened silver, human hair, purple spinel: Kadri Mälk (Castle in the Air / ÕhuLoss) Brooch: Lossylong, 2013 Darkened silver, human hair, purple spinelPolly Van der Glas (AU) – hair jewelry – Sterling silver cast human hair plait necklace & Human hair knuckle ring 2008: Polly Van der Glas (AU) – hair jewelry – Sterling silver cast human hair plait necklace & Human hair knuckle ring 2008

Polly van der Glas -'red hair neckpiece' 2008 Polly van der Glas -’red hair neckpiece’ 2008  -oxidised copper, red Human hair, oxidised sterling silver

Polly van der Glas (AU)  -  Since 2005 my work has centered on materials that were once attached to our bodies: human hair, teeth and fingernails. These materials were at one time part of an intimate, elaborate maintenance ritual.: Polly van der Glas (AU)  -  Since 2005 my work has centered on materials that were once attached to our bodies: human hair, teeth and fingernails. These materials were at one time part of an intimate, elaborate maintenance ritual.

Juan Harnie - (MAD) - Hair (2014) Brooches & necklaces. Resin, human hair, elastic band, silver.: Juan Harnie – (MAD) – Hair (2014) Brooches & necklaces. Resin, human hair, elastic band, silver

Juan Harnie - Hair (2014) Brooches & necklaces. Resin, human hair, elastic band, silver.: Juan Harnie – Hair (2014) Brooches & necklaces. Resin, human hair, elastic band, silver

Untitled ("a hairy tale"), Nina Khazani, Human hair, gold-plated brass and linen - Royal College of Art 2012 dregree show: Nina Khazani, Untitled (« a hairy tale ») – Human hair, gold-plated brass and linen – Royal College of Art 2012 dregree show

Anna Schwamborn, who has worked for Alexander McQueen and Vivienne Westwood and is studying at Central St Martins in London, uses real human hair and human ashes mixed with black bone china. Moxern Mourning Jewellery: Anna Schwamborn, who has worked for Alexander McQueen and Vivienne Westwood and is studying at Central St Martins in London, uses real human hair and human ashes mixed with black bone china. Moxern Mourning Jewellery - Mourning jewelry, bracelet, human cremated ashes mixed with black bone china, human hair, « Wearable body pieces including human material « Morning Objects – The collection of objects contains post-mortem memorial pieces which include aspects of a deceased corpse, namely hair and cremated ashes »

Alchimia Gallery presents Chiara Cavallo "Disturbs" - my curly hair, nylon tube, thread: Chiara Cavallo « Disturbs » – my curly hair, nylon tube, thread (Alchimia)

Géraldine Luttenbacher -NOIR comme BASALTE 2015: Géraldine Luttenbacher - at « NOIR comme BASALTE » 2015

Sylvia Burgoa -’Raiponce–La Colère’/'Rapunzel–Anger’ -- Broche et Collier/Brooch and necklace -- Argent, photographies acetate, fil d’or, fil d’argent, cuir/Silver, photographic acetate, gold thread, silver thread, leather: Sylvia Burgoa -’Raiponce–La Colère’/'Rapunzel–Anger’ – Broche et Collier/Brooch and necklace – Argent, photographies acetate, fil d’or, fil d’argent, cuir/Silver, photographic acetate, gold thread, silver thread, leather – 2010

«Cheveu un bijou !!!» hurle la Dame de Coeur dans Agnes LARSSON (SE) Gejaagd-door-de-Wind-Willemstijn-2Francis Willemstijn- Gejaagd door de Wind, Zuiderzeemuseum – 2009 – Collier – Haar (human hair), git, glas, zilver, textiel Collectie Zuiderzeemuseum, Enkhuizen, NL

Francis Willemstijn - bracelet "Hair", from "gone with the wind" - silver, jet, glass, human hair, textile: Francis Willemstijn – bracelet « Hair », from « gone with the wind » – silver, jet, glass, human hair, textile

 Amy Tavern -Forget Me Not sterling silver, spray paint, picture of my father, my father's hair - detail: Amy Tavern - »Forget Me Not » sterling silver, spray paint, picture of my father, my father’s hair – detailAna Goalabré - bagues 'j'aimerais tant passer mes doigts dans tes cheveux' 1997 Ana Goalabré – J’aimerais tant passer mes doigts dans tes cheveux – Cheveux et résine – 1997  tous droits réservés.
« Puisant dans la tradition des bijoux en cheveux, matériau depuis longtemps collecté dans des foires et marchés ou dans l’intimité des familles pour devenir parure, Ana Goalabré se joue de cet usage en coupant une de ses mèches et en y taillant une bague qu’elle envoie à un homme accompagnée de la missive «J’aimerais tant passer mes doigts dans tes cheveux». Cette phrase, appel érotique d’un corps d’artiste, devient le titre d’une série déclinant divers contenus aimants et sensuels, traditionnellement gardés jusqu’alors implicites au nom d’une morale et d’une bienséance rigoureuse et qui tout à coup semblent avoir gagné le droit de dire clairement le désir, qu’il s’agisse de celui d’une mère, d’un père, d’une amante, d’un amant… et ce dans toute sa trivialité. Pourtant, il n’y a aucune charge obscène dans ces bagues. Qu’elles soient très travaillées ou reprennent le mouvement naturel d’une mèche de cheveux, elles nous renvoient à nos jeux tactiles dans les cheveux de l’autre, en fixant le mouvement, image arrêtée puis détachée du corps pour n’en garder que la sensation. »
(Monique Manoha – Actes du colloque international Projections : des organes hors du corps (13-14 octobre 2006)

Rickson Salkeld   Rickson Salkeld – I am interested in the feminine ideal in relation to the female body.  I enjoy creating work that expresses my wish to both conform and  rebel against ideas of femininity. Through various materials and  processes I take from my own body both physically and metaphorically.  Hair can be used to comment on feminine allure and power, while  clear resin is used to symbolize an abundance of tears

 Azahara Santoro - Tricomotealcyalgenfobia- Miedo irracional al pelo de las mariposas de coral plateado. Piezas unicas  Azahara Santoro  (EASD Valencia 2012) -   bagues avec cheveux (rings with hair) 
Tricomotealcyalgenfobia- Miedo irracional al pelo de las mariposas de coral plateado. Piezas unicas

maria ignacia walker - MFA JEWELLERY AND BODY ORNAMENTS Alchimia contemporary jewellery School 2013 - 2015: Maria Ignacia Walker – MFA JEWELLERY AND BODY ORNAMENTS Alchimia contemporary jewellerySchool 2013 – 2015 –   A simple fact of life that María Ignacia Walker obsesses over: The shedding of hair. The obsession – losing them, collecting them, ordering them, measuring them and archiving them. The desire – to preserve these losses – It gives rise to “transcendieron”.  The discourse is not about beauty and it is not about sensuality, not even about cultural symbols that hair carries.  How much hair do you lose constantly, everyday ? How many pieces grow out of your body and die every moment ?  “The transcendents” are a homage to the moments when you lose your hair. Captured and immortalized in the fragility of the porcelain, they give perpetuity and freeze all their expressions in the moment of their detachment from the body. With a threading method, the artist uses horsehair as connectors. They show the lightness, energy and freedom, while demonstrating the real, natural movement of the hair. Together with the act of keeping and protecting the hair in a porcelain form, they are given another life that keeps them present through their absence.

Maria Ignacia Walker  - 2015 - TRASCENDIERON - Materials: Porcelain / Horsehair / Resin / Gold thread / Gold: Maria Ignacia Walker  – 2015 – TRASCENDIERON – Materials: Porcelain / Horsehair / Resin / Gold thread/ Gold

María Ignacia Walker Contemporary Jewellery - 2015 - TRASCENDIERON: María Ignacia Walker  – 2015 – TRASCENDIERON

María Ignacia Walker   - 2015 - TRASCENDIERON: María Ignacia Walker  – 2015 – TRASCENDIERON

Maria Ignacia Walker Trascendieron 1 2015 Necklace-object, 28 x 45 cm, porcelain, horse hair and resin Photo by Marcos Bucco, courtesy of the artist: Maria Ignacia Walker – 2015 – TRASCENDIERON – Necklace-object, 28 x 45 cm, porcelain, horse hair and resin Photo by Marcos Bucco, courtesy of the artist

Maria Ignacia Walker - 2015 - TRASCENDIERON - necklace (detail)Maria Ignacia Walker – 2015 – TRASCENDIERON – necklace (detail)

Sébastien Carré - collection Hair Landscape - 2016: Sébastien Carré – collection Hair Landscape – 2016 broche (bijoux réalisés pour une collaboration avec le blogger Cut by Fred )

MARION DELARUE-FR Mania-Traditional korean lacquer, korean hair. 2011  MARION DELARUE - Mania :

MARION DELARUE — « Mania » – Traditional korean lacquer, korean hair. 2011 « During my stay in South Korea, I was struck by Korean ladies’ habits of playing with their hair fringes. As soon as they had the chance they would roll up their hair by making it slide between their forefinger and their middle finger and then pull on it softly. Since I was often bored during such long classes taught in a language I don’t understand, I spent time observing the students… »

Dionea Rocha Watt Pendant: Protection Locket, 2006 Silver, human hair 3.1 x 5.5 cm Piece for section History, Memory, Tradition: Dionea Rocha Watt Pendant: Protection Locket, 2006 Silver, human hair 3.1 x 5.5 cm Piece for section History, Memory, Tradition (at  « Think Twice: New Latin American Jewellery » 2010-2011)

Dionea Rocha Watt (Brazil) - locket/hair.: Dionea Rocha Watt (Brazil) – locket/hair

Raluca Buzura’s collection, “Hairy Tales” comes out of an imaginary world and it’s a combination of new materials such as polymeric rubber, pumice, artificial leather and artificial hair.   Raluca Buzura, “Hairy Tales”, Romania  Here come the Authors! 7 - 8 November | Sala Dalles | Bucharest: Raluca Buzura’s collection, “Hairy Tales” comes out of an imaginary world and it’s a combination of new materials such as polymeric rubber, pumice, artificial leather and artificial hair.  
at Autor 2015 – 7 – 8 November | Sala Dalles | Bucharest

Salome Lippuner  Neckpiece: Kin Kanshitsu 2008  Black and natural coloured Urushi on hemp-cloth,gold-leaves,horse tail hair  15 x 10 cm: Salome Lippuner  Neckpiece: Kin Kanshitsu 2008  Black and natural coloured Urushi on hemp-cloth,gold-leaves,horse tail hair  15 x 10 cm

REBECCA HANNON-USA Collier  Crin de cheval: REBECCA HANNON-USA Collier  Crin de cheval
REBECCA HANNON-USA -USA  Nest,Horse Hair Twist: REBECCA HANNON-USA -USA  Nest,Horse Hair Twist
AOI KOTSUHIROI AOI KOTSUHIROI - hair neckpiece – cabello humano en conjunto con piedras y pequeños cráneos
AOI KOTSUHIROI - hair neckpieceAOI KOTSUHIROI - hair neckpiece - cabello humano en conjunto con piedras y pequeños cráneos

 Aoi Kotsuhiroi Horse hair, horn, urushi lacquer and buffalo leather Aoi Kotsuhiroi Horse hair, horn, urushi lacquer and buffalo leather Vika Mayzel  (IL) - necklace (silver,wood,fur,leather)   Out of Cage vikamayzel.com: Vika Mayzel  (IL) – necklace (silver,wood,fur,leather)   Out of Cage vikamayzel.com

Lauren Passenti, Cleaning Fish on a Sunday Morning wrist piece, 2009, sterling silver, horse hair, 8 inches diameter: Lauren Passenti, « Cleaning Fish on a Sunday Morning » wrist piece, 2009, sterling silver, horse hair, 8 inches diameter

Eunmi Chun: Eunmi Chun, zebra, 2011, brooch, small intestine of cow, silver, human hair, gold leaf, 120 x 40 x 75 mm, photo: artist

 Brooch by Eun Mi Chun: Giraffe 2011 23 x 8 x 9 cm. Human hair, gold leaf, small intestine of cow, seeds, silver: Brooch by Eun Mi Chun: Giraffe 2011 23 x 8 x 9 cm. Human hair, gold leaf, small intestine of cow, seeds, silver

 

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Decouverte : Kerry HOWLEY – Human hair as jewellery

Kerry Howley human hair jewelry - Kerry Howley Attraction/Aversion is a material exploration of how people can feel seemingly opposing emotional responses simultaneously. The necklaces are made of human hair, a familiar material that we take pride in. However once off of the body hair becomes an innate source of aversion.: Kerry Howley human hair jewelry
Kerry Howley Attraction/Aversion is a material exploration of how people can feel seemingly opposing emotional responses simultaneously. The necklaces are made of human hair, a familiar material that we take pride in. However once off of the body hair becomes an innate source of aversion.

 

 

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