BIJOU_CONTEMPORAIN

Bienvenue sur mon blog

  • Accueil
  • > Archives pour février 2013

09/02/2013

HAVE a SEAT !

Classé dans : Liisa HASHIMOTO (JP),Non classé,Poly NIKOLOPOULOU (GR) — bijoucontemporain @ 0:04

D’où vient cette fascination pour les chaises ????? j’en reste sur le c….. baba !!

LIISA HASHIMOTO - chairs necklaceLiisa Hashimoto – Chair a Day Necklace
Liisa Hashimoto, 30 Chairs NecklaceLiisa Hashimoto, 30 Chairs Necklace
[Chair a day] Art jewelry exhibition - Liisa Hashimoto

Liisa Hashimoto [Chair a day] Art jewelry exhibition -

Liisa Hashimoto -  30 Chairs [ Chair a Day ]  These silver pin badges and pendant tops of chairs were exhibited in the solo exhibition, Chair a Day.
Liisa Hashimoto -  30 Chairs [ Chair a Day ]  These silver pin badges and pendant tops of chairs were exhibited in the solo exhibition, Chair a Day.
Rone Prinz - All Fall Down... 21 chair necklace - Rone Prinz - All Fall Down Woodland Hills, CA (Niche Awards 2012 finalists)Rone Prinz  (USA) – All Fall Down… 21 chair necklace    (Nice Awards – 2012 finalists)
Necklace with Metal Chairs, by Mister Finch - new Finch accessories, 2009 - -  http://www.mister-finch.com/Necklace with Metal Chairs, by Mister Finch (UK) – New Finch accessories 2009
poly nikolopoulou, object, silver, 2007Poly Nikolopoulou – silver, 2007
Ana Simões  Brooch: Chair 2012  Brass, paint   - http://www.dialoguecollective.co.uk/Ana Simões  Brooch: Chair 2012  Brass, paint

08/02/2013

EXPO ‘Poissons, coquillages et crustacés’ – Maison de L’artisanat et des metiers d’art, Marseille (FR) – 8 Fevr.-16 mars 2013

« Poissons, coquillages et crustacés » en partenariat avec la Chambre des Métiers / Ateliers d’Art de France à la maison de L’artisanat et des metiers d’art de Marseille -

Inauguration le vendredi 15 février 2013 à 18h30 en présence de Vladimir POZDNYAKOV, Consul Général de la Fédération de Russie, André Bendano, Président de la Chambre des Métiers et de l’Artisanat, et des artistes
Poissons ................ (bijoux Aline Kokinopoulos)

La Maison de l’Artisanat et des Métiers d’Art avec la Chambre de Métiers et de l’Artisanat des Bouches-du-Rhône proposent cette exposition dans le cadre de « Artisans et artisans d’Art de Marseille et de la Provence »
Le poisson qui renvoie à la symbolique originelle, emblème de vie et de fécondité, ne peut se dissocier de l’eau dans laquelle il vit. Symbole de l’identité culturelle de Marseille, de la Mer Méditerranée, et plus largement des pays du Sud, il est un élément sans cesse revisité dans les métiers d’art.
De l’art de la table au bijou, il est une figure majeure qui cohabite volontiers avec l’oursin, le coquillage et le crustacé.
L’exposition démontrera, en abordant tous les domaines des métiers d’art : broderie,  céramique, coutellerie, ferronnerie, travail du verre… comment à travers la créativité et l’innovation, on dépasse clichés et traditions sans nier ses racines.
Le bijou aura une part belle dans l’aventure : colliers en céramique ou corail au décor de poisson, bagues oursin et poissons filigranes en argent… mais également d’autres métiers tels le travail du bois flotté, la vannerie, la marqueterie d’écailles, de nacre, le tissage, la reliure… sans compter l’art culinaire. Dans le cadre de « Marseille-Provence Capitale Européenne de la Culture », la Maison de l’Artisanat et des Métiers d’Art met à l’honneur des artistes, tout au long de l’année. À ce titre, elle est heureuse de présenter Svitlana Lukovska et Marina Khotianovitch.

Aline Kokinopoulos -  bague "La danse des etoiles" Aline Kokinopoulos -  bague « La danse des etoiles » – argent, corail

Aline Kokinopoulos - collier "Medusa" Aline Kokinopoulos – collier « Medusa »

 

 

Maison de l’Artisanat et des Métiers d’Arts
21, Cours d’Estienne d’Orves 13001 Marseille – France
Tel : +33(0)4.91.54.80.54 – Fax : +33(0)4.91.33.52.88
contact@maisondelartisanat.org

EXPO ‘Julie Decubber’ – Alliages, Lille (FR) – 9 Fevr.-2 Mars 2013

Julie Decubber privilégie notamment ce qui est oublié, déclassé, abandonné. Le défi consiste alors à réhabiliter le déchu, sublimer le commun, révéler le détail. Son travail est un parcours, un voyage (dans le temps) peuplé de matières et d’objets, de rencontres heureuses, parfois insoupçonnées.

Exposition de bijoux contemporains visible du samedi 9 février au samedi 2 mars 2013.

Vernissage le vendredi 8 février 2013 de 18h30 à 20h30 en compagnie de l’artiste.

 Julie Decubber - EXPO à Alliages - - X    http://bijoucontemporain.unblog.fr/2013/02/08/ ( « Torque tribal » – assiette en  faïence, fil polyester)

« «J’ai reçu le virus du bijou et celui du voyage au même moment. C’était en 2007, je mettais les pieds sur le sol sud américain pour la première fois. La nature très généreuse et les artisans de toutes parts ont tracé mon chemin. »
Durant ses nombreux stages en Amérique du Sud, mais aussi au Maroc, en Suisse et en France, Julie apprend des techniques parfois oubliées pour les réinterpréter à sa façon, ce qui rend ses pièces uniques. Julie a choisi de voir le bijou comme un objet vecteur de sensations. A chaque matériau correspond un vocabulaire plastique intime, un morceau de temps. L’intérêt créatif, selon elle, réside dans la révélation de ces sensations. Aussi, elle amène des éléments au dialogue, aux retrouvailles, parfois à l’affrontement, pour parvenir à une forme de discours des matières. Julie privilégie notamment ce qui est oublié, déclassé, abandonné. Le défi consiste alors à réhabiliter le déchu, sublimer le commun, révéler le détail. Son travail est un parcours, un voyage (dans le temps) peuplé de matières et d’objets, de rencontres heureuses, parfois insoupçonnées. »

 

Julie Decuber - EXPO à Alliages Julie Decubber collier assiette blessée

Julie Decubber Julie Decubber – Chaînette de crabe – pinces de crabe, argent 925

Juliette Decubber - Boucles d'oreilles tiges - pinces de crabe, argent 925 Julie Decubber Boucles d’oreilles tiges – pinces de crabe, argent 925

Julie Decubber - Bague LES RIDICULES DE PARIS    assiette en faïence (J. Vieillard & Cie de Bordeaux) du XIXe siècle , émail    [série "Les ridicules de Paris"] Julie Decubber – Bague LES RIDICULES DE PARIS  -  assiette en faïence (J. Vieillard & Cie de Bordeaux) du XIXe siècle , émail    [série "Les ridicules de Paris"]

Julie Decubber Julie Decubber- Bague LES RIDICULES DE PARIS – détail

Juliette Decubber - Collier "scène de ménage"    assiette en faïence (Creil et Montéreau), assiette porcelaine, fil polyester, perles en métal Julie Decubber- Collier « scène de ménage »    assiette en faïence (Creil et Montéreau), assiette porcelaine, fil polyester, perles en métal

111, BD Victor Hugo
59000 Lille (FRANCE)

07/02/2013

AMBERIF DESIGN AWARD 2013 – deadline: February 10, 2013

Classé dans : ambre / amber,Concours / Competition,Pologne (PL) — bijoucontemporain @ 20:39

AMBERIF DESIGN AWARD 2013

AMBERIF - http://www.mtgsa.com.pl/title,lang,2.html

As always, a maximum of two entries can be submitted.
Participation in the competition is free of charge.
Where: Gdansk Poland/ International
When: Submission deadline: February 10, 2013
More information: www.mtgsa.com.pl

ENTRY FORM

AMBERIF design award

EXHIBITION dates :

AMBERIF

EXPO ‘The Food Project: The shape of taste’ – Mart Rovereto, Rovereto (Italy) – 9 Fevr.-2 Juin 2013

Classé dans : Barbara UDERZO (IT),Exposition/Exhibition,GALERIES,Italie (IT),organics,www Klimt02 — bijoucontemporain @ 19:57

Progetto Cibo – La forma del gusto

In recent years, the debate about food in the world of design has attained unheard-of levels of public interest. And the world of design, which always records and often anticipates aesthetic and cultural trends, together with socio-economic and anthropological ones, has in turn dedicated close attention to the world of food, showing creativity, curiosity and great innovative capacity.
The creations of a large group of “food designers” are at the centre of “The Food Project. The shape of taste” exhibition, with which the Mart, Museo di arte moderna e contemporanea di Trento e Rovereto presents the art of industrial projects and experimental design applied to foods.
Curated by Beppe Finessi, the exhibition will run from 9th February to 2nd June 2013.

EXPO 'progetto cibo'  Barbara Uderzo – Bijoux chocolat, 2004  “Progetto Cibo. La forma del gusto”

Selection of participating designers and architects: Enrico Azzimonti — Bompas&Parr — Achille Castiglioni — Stephan Bureaux — Lorenzo Damiani — Florence Doleac — FormaFantasma — Giorgetto Giugiaro — Marije Vogelzang — Marti Guixé — Giulio Iachetti — Marcel Wanders — Enzo MariAlessandro Mendini — Katja Grujters — Konstantin Grcic — Gaetano Pesce — Diego Ramos — Philippe Starck —  and leading chefs, like Gualtiero Marchesi, together with Bruno Barbieri, Massimo Bottura, Antonio Canavacciuolo, Carlo Cracco, Daniel Facen, Davide Oldani and Davide Scabin.
The exhibition is divided into a number of thematic areas and opens with a tribute to the “Good Design” book written by Bruno Munari 50 years ago, in which the great maestro taught his readers to read the products of nature, like oranges, as though they were objects of design, stressing their “functional and performance” characteristics with irony and precision.
Starting with the lesson, the exhibition reveals some “anonymous foods” through a series of graphic interpretations, to reveal their traditional forms in their sophisticated and precise architectural connotations: because behind such geographically connoted foods – like sushi or strudel, but also lasagna, and arancino or oliva ascolana – is frequently concealed a planning approach that is the result of a careful compromise between image, taste and production. A basic and omnipresent food – bread – will be presented in a series of different forms, displayed like sculptures to stress their aesthetic “fineness”.
Various types of pasta, designed by such as Giorgetto Giugiaro, Mauro Olivieri and Christian Ragot, will emblematically show how the creativity of designers converges with industrial production; this is one of the key themes of the exhibition. As Giampiero Bosoni writes in the catalogue, it has “revolutionised the relationship between form and content in food”. A felicity of synthesis that also underlies the success of commercial products, like Baci Perugina chocolates, Ferrero Rocher, Krumiro biscuits and Saratoga Chips.
The reflection about the transformations implemented by the food industry, which is still undergoing a radical evolution, meets the subject of ethics, ecology and also – in a section dedicated to patents – the relationship between creativity and standardisation.
“Food designers” today have an almost infinite freedom to shape form and function. Objects like the “Edible pen” of Martì Guixè, the chocolate “Golosimetro” (“greediness metre”) of Paolo Ulian and “Sugar Spoon” of Marije Vogelzang are some of the results of their fantasy.
In many cases, it is the form of a product that is planned and developed as a decorative element: the exhibition will display the jellies of Bompas & Parr reproducing St Paul’s Cathedral in London, the “Bread Palette” (a palette-shaped toast) by Ryohei Yoshiyuki and Delphine Huguet’s “Speculoos”, a biscuit that adapts to the shape of the coffee cup. All objects containing a dash of irony that develops into an entertaining detached viewpoint in the creations of Matteo Ragni, Diego Ramos and Enrico Azzimonti, gathered together in a section entitled “Irony, metaphor and paradox”.
Also on show are some designer objects made from food: chocolate jewels by Barbara Uderzo, bread dinner services by FormaFantasma and the “Decafè” of Raúl Laurí Pla, winner of the Salone satellite 2012 in Milan.
Alessandro Mendini’s “Cioccolator” (“Chocolator”) – a calculator in the form of a chocolate bar – and “Popsicles” by Putput – sponges shaped to resemble ice cubes – are instead unusual examples of designer objects alluding to food.
One section of the exhibition will reveal a number of recipes, created by creative figures who invent particularly sophisticated dishes as a living; not just leading Italian and international chefs, but also those who normally apply their sensitivity and creativity to other areas, including a sizeable group of designers invited recently to express themselves by offering a recipe.
There will also be a site-specific project made for the Mart by Martì Guixé, one of the new masters of design, and one of those who has most applied his talent to the world of food, revealing further expressive possibilities in a field that is so fundamental to our lives.
The exhibition ends with an overview of the future of food, with some brilliant and often very young talented designers who will for the first time present creations in the museum’s rooms that are not merely experimental and sophisticated, but also profoundly marked by an ethical and social tension. The exhibition will be accompanied by a rich catalogue, published by Electa, Milan, containing a number of essays dedicated to the subject, written by important experts and critics who have for years examined the relationship between food and design.
A busy programme of events will involve chefs of international standing, who will hold a series of evening cooking shows in the exhibition rooms. Workshops with the designers will provide visitors with the opportunity to create jewels and sculptures from local products. During the whole exhibition period, the visit will also enable the public to taste some free titbits and meet the protagonists of the exhibition.

Barbara Uderzo - Bijoux chocolat, 2004  “Progetto Cibo. La forma del gusto” http://www.mart.tn.it/progettocibo Barbara Uderzo – Bijoux chocolat, 2004

 The Food Project: The shape of taste -  Artists: Barbara Uderzo  - Mart Rovereto, (Rovereto, Italy)  09-Feb-2013 - 02-Jun-2013    website: www.mart.trento.it  mail: info@mart.trento.itBarbara Uderzo
David Bielander - Scampi, 2007  “Progetto Cibo. La forma del gusto” http://www.mart.tn.it/progettocibo David Bielander – Scampi, 2007

 Johnny Hermann - Wooden popsicle “Progetto Cibo. La forma del gusto” http://www.mart.tn.it/progettocibo Johnny Hermann – Wooden popsicle

 

Mart Rovereto
Corso Bettini 43
38068 – Rovereto
Italy
Telephone: +39 0464 438887
website: www.mart.trento.it
mail: info@mart.trento.it

EXPO ‘Second nature’ – Gallery Funaki, Melbourne (AU) – 5 Fevr.-2 Mars 2013

second nature -   Julie Blyfield

« second nature, n.
An acquired behavior or trait that is so long practiced as to seem innate. »

Julie Blyfield 'Folded Leaf' neckpiece, 2012 / sterling silver Julie Blyfield ‘Folded Leaf’ neckpiece, 2012 / sterling silver

Working from one day to the next I focus my attention on observations from nature and working with an ephemeral resource. Using the skills, materials and techniques that are second nature to my practice, I wanted to see where my work would lead as the year progressed. Inspired from things that I observe in the garden or sight on my daily walks, visits to new and different places, observing the change of seasons, altering colours and senses, a visit to Japan and experiencing different mindsets. As the year progresses forms emerge, beginning with loose marks and sketches until paper maquettes evolve and the urgency to translate and make begins, decisions are made, altered and resolved. Materials are selected and ordered. The process repeats over and over, echoing nature’s cycles and repetition. A new beginning is waiting for me and my work.”  Julie Blyfield, 2013

  Julie Blyfield 'Soft impression'; 'Coiled leaf' & 'Spiral (b)' brooches, 2013 / silver Julie Blyfield ‘Soft impression’; ‘Coiled leaf’ & ‘Spiral (b)’ brooches, 2013 / silver

Julie Blyfield  Brooches: Shell like, Folded heart-leaf, Spiral 2013  Sterling silver, oxidised sterling silver, enamel paint, wax Julie Blyfield  Brooches: Shell like, Folded heart-leaf, Spiral 2013  Sterling silver, oxidised sterling silver, enamel paint, wax

Julie Blyfield 'Heart-leaf' & 'Fossil-like' brooches, 2013 / silverJulie Blyfield ‘Heart-leaf’ & ‘Fossil-like’ brooches, 2013 / silver

 

Galleri Funaki
4 Crossley Street
Melbourne, Victoria
Australia 3000
Email gallery@galleryfunaki.com.au
+613 9662 9446

06/02/2013

SIERAAD 2013 – to participate : Deadline: February 25.2013

Classé dans : Exposition/Exhibition,Salon,SIERAAD (NL) — bijoucontemporain @ 22:25

Gasholder WesterGasfabriek  (Amsterdam, Netherlands)
07.Nov.2013 – 10.Nov.2013
deadline: 25.Feb.2013

 

If you want to participate at Sieraad Art Fair 2013: 7 – 10 November 2013

Please send 7 – 10 high resolution pictures of your work + CV 
with www.wetransfer.com  to info@sieraadartfair.com  

Deadline: February 25.2013

  SIERAAD 2013 Amsterdam Netherlands jewelry fair (Alchimia School & Doris Maninger)

 

Organisation

EMB & B Art Events & Foundation Art in Business & New Traditional Jewellery
Astrid Berens & Maarten Bodt
Leersumseberg 28
3825 EC Amersfoort, The Netherlands

Telephone : 00 31 (0)33 4337009
Fax: : 00 31 (0)33 4766296
Mobile : 0031 (0) 6 53 39 36 26

website: www.sieraadartfair.com
mail: aberens@sieraadartfair.com

EXPO ‘Nora Fok: Focus on Cloud Nylon’ – Lesley Craze Gallery, (UK) – 7 Fevr.-9 Mars 2013

Lesley Craze Gallery  : Nora Fok: Focus on Cloud Nylon exhibition. Private View tomorrow night (7 Fevr. 2013)

 Lesley Craze Gallery  Nora Fok: Focus on Cloud Nylon exhibition. Private View tomorrow night (7 Fevr. 2013) Lesley Craze Gallery showcase a selection of works from Nora Fok’s seminal retrospective exhibition ‘Cloud Nylon’.
Nora Fok is one of Britain’s leading contemporary jewellers who uses knitting, weaving, plaiting and knotting to transform nylon microfilament into extraordinary intricate wearable forms.
‘Cloud Nylon’ has been toured around the UK at venues including the Ruthin Craft Centre, Shipley Art Gallery and the Harley Gallery, though this is the first time that this work will have been seen in London.
Key pieces have been chosen which reflect Nora’s delicate craftsmanship and fascination with the natural world.

Nora Fok - disc-florets 2008-9 - neckpiece - knitted dyed nylon Nora Fok – disc-florets 2008-9 – neckpiece – knitted dyed nylon

Nora Fok - - neckpiece - knitted dyed nylon Nora Fok – - neckpiece – knitted dyed nylon

 

Lesley Craze Gallery
33 – 35a Clerkenwell Green
London EC1R 0DU
Tel: +44 (0)20 7608 0393
Fax: +44 (0)20 7251 5655
E-mail: info@lesleycrazegallery.co.uk

05/02/2013

EXPO ‘Play of Form and Color’ – The Deutsches Goldschmiedehaus, Hanau (DE) – 20 Janv.-14 Avril 2013

Play of Form and Color – New Directions in Enameled Jewelry

 Play of Form and Color - New Directions in Enameled Jewelry -   Artists: Ralph Bakker, Nilton Alves Cunha, Beate Eismann, Uta Feiler, Stephanie Fleck, Sylke Alma Klopsch, Esther Knobel, Tabea Reulecke, Jacqueline Ryan, Isabell Schaupp, Danni Schwaag, Vera Siemund, Silke Trekel, Jessica Turrell, Christian Wuytack  The Deutsches Goldschmiedehaus  (Hanau, Germany) - 20-Jan-2013 - 14-Apr-2013

Artists:  Ralph Bakker — Nilton Alves Cunha — Beate Eismann — Uta Feiler — Stephanie Fleck — Sylke Alma Klopsch — Esther KnobelTabea ReuleckeJacqueline RyanIsabell SchauppDanni SchwaagVera SiemundSilke TrekelJessica Turrell — Christian Wuytack

  Isabell Schaupp  Brooch: Flugobjekt – Hummel 11 2012  Enamel, copper, foto, silver, agate, plastics  Photo: Isabell Schaupp Isabell Schaupp  Brooch: Flugobjekt – Hummel 11 2012  Enamel, copper, foto, silver, agate, plastics  Photo: Isabell Schaupp

Ralph Bakker  Earrings: Earjewelsgreen 2012  Gold, silver, enamel  Photo: Michael Anhalt Ralph Bakker  Earrings: Earjewelsgreen 2012  Gold, silver, enamel  Photo: Michael Anhalt

Esther Knobel  Brooch: Magnet-Series 2011  Enamel, copper, found objects  Photo: Tamir Niv Esther Knobel  Brooch: Magnet-Series 2011  Enamel, copper, found objects  Photo: Tamir Niv

Tabea Reulecke  Necklace: Wenn die Mäuse auf dem Tisch tanzen 2012  Enamel, copper, oxidised silver  Photo: Manuel Ocana Mascaró Tabea Reulecke  Necklace: Wenn die Mäuse auf dem Tisch tanzen 2012  Enamel, copper, oxidised silver  Photo: Manuel Ocana Mascaró

 

The Deutsches Goldschmiedehaus
Altstädter Markt 6
63450 – Hanau
Germany
Telephone: +49 (0) 6181 2565-56
Fax: +49 (0) 6181 2565-54
website: www.gfg-hanau.de
website: www.hanau.de/kultur/museen
mail: gfg-hanau@t-online.de

04/02/2013

Liisa Hashimoto : point (rouge !) à la ligne ….

Classé dans : COUP DE COEUR,Japon (JP),Liisa HASHIMOTO (JP) — bijoucontemporain @ 21:21

Liisa Hashimoto [hinge-dept] – Nouvelle collection 2012-2013 …..

Comme les petites baies rouges qui illuminent les ramures nues d’hiver ….. des bijous dans le bijou ….

Comment expliquer un « coup de coeur », d’autant plus constant et permanent ???  j’ai ce lien avec certains bijoux, certains créateurs …. c’est « juste » « parce que c’était lui, parce que c’était moi …. » ……….

 Liisa Hashimoto - [ Flip Flap Brooch ]  material: silver, acrylic paint  2012 Liisa Hashimoto – [ Flip Flap Brooch ]  material: silver, acrylic paint  2012

Liisa Hashimoto  [ Red Seed Ring ]  material: silver, acrylic paint  2012 Liisa Hashimoto [ Red Seed Ring ]  material: silver, acrylic paint  2012

rings1Liisa Hashimoto [ Red Seed Ring ] 

Liisa Hashimoto - [ Catch the Seed Brooch ]  material: silver, acrylic paint, nickel silver  2012Liisa Hashimoto – [ Catch the Seed Brooch ]  material: silver, acrylic paint, nickel silver  2012

Liisa Hashimoto - [ Red Moss Ring ]  material: silver, resin  2012 Liisa Hashimoto - [ Red Moss Ring ]  material: silver, resin  2012

Liisa Hashimoto - Red Mebae Earring Liisa Hashimoto- Red Mebae Earring

Liisa Hashimoto - [ Hoop Red Mebae Earring ]  material: silver, brass, resin  2011 Liisa Hashimoto- [ Hoop Red Mebae Earring ]  material: silver, brass, resin  2011

Liisa Hashimoto : point (rouge !) à la ligne .... dans COUP DE COEUR 20121231_406849

 

20130117_438886 dans Japon (JP)
20130117_438885 dans Liisa HASHIMOTO (JP)
and …. this  [ Loop Necklace ]  – silver / acrylic paint

 

12345
 

MODELSCULPT |
Valérie Salvo |
dochinoiu |
Unblog.fr | Annuaire | Signaler un abus | Françoise Fourteau-Labarthe
| Aidez les jeunes artistes
| Tableaux de Christian Maillot