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31/12/2013

COUP de COEUR ! Yuni Kim LANG & her Big Red Knots

Classé dans : COUP DE COEUR,Korea (KR),www Klimt02,Yuni Kim LANG (KR/US) — bijoucontemporain @ 1:35

Yuni Kim Lang :  Big Red Knots, influenced by traditional red Chinese New Year knots

Yuni Kim Lang is a Michigan-based visual artist who creates sculptures, photographs and wearable art that explores themes of weight, mass, accumulation, hair and cultural identity. She makes sculptures out of rope and synthetic materials where it transcends its materiality and become bodily. She is fascinated by what people give power and meaning to, along with our obsession with adornment. 

Recently, Lang was part of the Graduate Degree show at Cranbrook Academy of Art (Master of Fine Arts, 2013). In 2011 she showed her Wearables (Jewelry) at Sculptural Objects Functional Art + Design (SOFA), Chicago. 

« My inspiration is my story. I spend a lot of time thinking about my cultural identity. Growing up as a third culture kid (TCK), I was a Korean living in China and going to an International school.  I was taught Western education at school and Eastern traditions at home »

Yuni Kim Lang - Screen Shot 2013-12-01

« I am a visual artist balancing sculpture, photography and conceptual meets wearable art. My work is heavily influenced by my Asian heritage. I think about traditional and cultural symbols and explore their forms and value in our society. I continue to explore the complexity of knots along with the meaning of weight, mass and accumulation. »
« She’s a Parsons graduate (Bachelor of Fine Arts, BFA, 2009) now based in Michigan – Her exhibitions tell the intimate relationship with society and hair, the complexity of knots along with the meaning of weight, mass and accumulation.
She describes her wearable collection as a series of sculptures that hangs on the body as adornments. Tapping into her Asian heritage, she was influenced by traditional red Chinese New Year knots and used various techniques to modernize the familiar. The result was a pool of striking work: dramatic necklaces, both full-length and long, a choker knotted with fringe and distinctive epaulettes. For Yuni, this was just the start, “the wearable collection is an intuitive creating process for me. Once the object, material or technique is chosen, the rest of the creation is formally driven. Only after the collection is made, do I reflect on them to understand why I created them. It sometimes leads me to creating a larger conceptual sculpture of photography work from there.”
The thoughtfulness of her work is that it honors tradition through exaggerated pieces that highlights the icon as a hero. And, aailable for custom and limited runs, she’s keeping her work special. “The beauty of making limited or custom work is that you have the freedom to express and discover something unique. It will most likely not be your everyday piece of jewelry and that’s what’s great about them.”  (TheEmergingDesign)

YUNI KIM LANG - Comfort Hair exhibitionYUNI KIM LANG - the Comfort Hair exhibition (see ROUGH interview)
Yuni Kim Lang, Necklace, 2013
Yuni Kim Lang-  Necklace: Big Red Knots, 2013 – Red cords – Detailed view – Photo by Matjaz Tancic
Yuni Kim Lang, Necklace, 2013
Yuni Kim Lang -  Necklace: Big Red Knots, 2013 – Red cords – Photo by Matjaz Tancic
Yuni Kim Lang, Brooch, 2013
Yuni Kim Lang – Brooch: Big Red Knots, 2013 – Red cords – Photo by Matjaz Tancic
Yuni Kim Lang Necklace: Big Red Knots, 2013 Red cords Photo by Matjaz Tancic
Yuni Kim Lang Necklace: Big Red Knots, 2013 Red cords Photo by Matjaz Tancic
 
Coming exhibitions : 
March 9th-April 20, 2014 at Museum of New Art, Detroit

30/12/2013

COUP de COEUR : « Concrete Fragility » by Anja Eichler

Classé dans : Allemagne (DE),Anja EICHLER (DE),COUP DE COEUR — bijoucontemporain @ 2:51

Anja Eichler :  Concrete Fragility 

« a play with perceptions
 Concrete is a symbol of progress, strength and durability. The egg is a symbol of fragility, but as well of inception and growth. The result is concrete fragility.
 What does concrete fragility mean? Is it actual, tangible fragility, something on the verge of being crushed? Or is it concrete paired with a light and fragile object, making it heavy and strong?
 The new object eludes being juged by eysight, it needs to be touched and worn in order tofind out more.« 
Anja Eichler - Safe and Sound  quail eggs, light concrete, concrete, resin, iron wire, silverAnja Eichler – Safe and Sound  quail eggs, light concrete, concrete, resin, iron wire, silver
« In our life, we are surrounded by things that we use on a daily basis. These are common objects, disposable items or food. These things are so known to us that they do not bear any surprises.
​My work is about these common goods. It fascinates me that there is a lot to discover in this seemingly all too known field. All that is needed is leisure and something that I call a ‘loving eye’.  Prepared like this, one spots interesting surfaces, colors, shapes and much more. The ‘loving eye’ for these small things sparks off enthusiasm. And the enthusiasm is the incubator for seeing new potentials in the seemingly well known.
​​Especially intriguing for me is to set these goods, to which we have an already plugged in relationship, into a new association with us and our body. »
Anja Eichler - Concrete Fragility series - Concrete Fragility "Wired "- Detail  quail eggs, concrete, resin, steel wiredetail -Anja Eichler – Concrete Fragility series – Concrete Fragility « Wired « - Detail  quail eggs, concrete, resin, steel wiredetail
Concrete Fragility series -Anja Eichler - "Concrete is a symbol of progress, strength and durability. The egg is a symbol of fragility, but as well of inception and growth. The result is concrete fragility."Anja Eichler - Concrete Fragility series – necklace ‘Wired’ – quail eggs, concrete, resin, steel wire
Concrete Fragility series - "petrified" - quail eggs, light concrete, bandage - Anja Eichler
Anja Eichler – Concrete Fragility series – « petrified » – quail eggs, light concrete, bandage
Anja Eichler - Concrete Fragility - Bandaged -   Quail eggs, concrete, bandage, steel wireAnja Eichler - Concrete Fragility – Bandaged -   Quail eggs, concrete, bandage, steel wire

29/12/2013

SCHMUCK 2014 – OFFICIAL SELECTION – (Munich, Germany) – 12-18 Mars 2014

Schmuck 2014déjà ! … encore !! ……

OFFICIAL SELECTION

Place: Willy Brandt Allee 1 (Munich, Germany)
Management: Wolfgang Lösche
12.Mar.2014 – 18.Mar.2014

Schmuck 2014 - déjà ! encore !!  Place: Willy Brandt Allee 1 (Munich, Germany) Management: Wolfgang Lösche 12.Mar.2014 - 18.Mar.2014  website: www.hwk-m...
 
More than 552 goldsmiths from 43 countries around the globe applied to participate in the special “Schmuck” (Jewellery) show at the International Crafts Fair in Munich next year. This great interest once again confirms the importance of this event in the context of contemporary jewellery-making and the significance attached to it worldwide. An above-average number of applications were received this year from Australia, Japan and Taiwan, but also from New Zealand and Argentina, the latter having been among the applicants for only a few years now. The selection for 2014 was made especially interesting thanks to the many new exhibitors nominated by the curator Jorunn Veiteberg of Copenhagen. Unusually, “Jewellery 2014” features over 25 new exhibitors, who will be represented in this renowned exhibition for the first time.
For the year 2014, a total of 66 participants from 25 nations were invited to exhibit. Numerically most strongly represented are goldsmiths from Germany, the Netherlands, Japan, Australia, Denmark and Sweden. The applicants grow younger by the year, an indicator that even before or immediately after finishing their training goldsmiths seek to compete in our special show, present their work to an interested public, experts, gallery owners and museum curators, and rapidly find their way into the jewellery avant-garde. “Jewellery” is an important venue for making a name for oneself in international goldsmiths’ circles, establishing contacts, and not least, witnessing the award of the prestigious Herbert Hofmann Prize on Saturday.
 
 
Selected Artists: Anne Achenbach, DE –  Tobias Alm, SE – Sawa Aso, JP — Rut-Malin Barklund, SE — Peter Bauhuis, DE — Nicole Beck, DE — Alexander Blank, DE — Iris Bodemer, DE — Bas Bouman, NL  — Sungho Cho, KR — Eunmi Chun, KR –  Kat Cole, USA – Annette Dam, DK — Rian de Jong, NL — Laura Deakin, AU — Peter Deckers, NZ/NL – Paul Derrez, NL — Bin Dixon-Ward, AU — Georg Dobler, DE — Iris Eichenberg, NL/USA/DE — Réka Fekete, HU — Benedikt Fischer, AT — Kyoko Fukuchi, JP — Antje Godglück, NL/DE — Andi Gut, DE — Gesine Hackenberg, NL/DE — Cecilia Hecker, Arg. — Hanna Hedman, SE — Akihiro Ikeyama, JP — Karin Johansson, SE — Mareike Kanafani, DK — Beppe Kessler, NL — Ulrike Kleine-Behnke, DE — Jun Konishi, JP — Manon van Kouswijk, NL/AU — Marie-Louise Kristensen,DK — Daniel Kruger, Südafrika/DE — Dongchun Lee, KR — Sally Marsland, AU — Sharon Massey, USA – Yutaka Minegishi, JP/DE — Shelley Norton, NZ — Maria Nuutinen, FI — Kristi Paap, EE — Noon Passama, TH/NL — Ruudt Peters, NL — Lina Peterson, GB — Nicole Polentas, GR/AU — Jo Pond, GB — Auba Pont, ES – Tabea Reulecke, DE — Patricia Rodriguez, Arg. — Mette Saabye, DK — Karin Seufert, DE — Despo Sophocleous, CA/DE — Christoph Straube, DE — Jie Sun, CN — Fumiki Taguchi, JP — Anna Talbot, NO — Sabina Tiemroth, Arg. — Karola Torkos, DE — Karen Vanmol, BE — Gabi Veit, IT — Andrea Wagner, NL — Florian Weichsberger, DE/IT — Wen-Miao Yeh, TW
 
Retrospektive bei Schmuck 2014: Dorothea Prühl, Deutschland
Honored as next year’s Modern Classic will be Dorothea Prühl, a goldsmith who lives in Halle. A teacher at Burg Giebichenstein Art College, she not only helped shape an entire generation of young goldsmiths but, over and above her teaching activity, has created an admirable, original oeuvre that holds a very special place within contemporary jewellery design.
 
The special “Jewellery” show is characterized by the choice of certain themes which, in the eyes of curator Jorunn Veiteberg, represent salient traits of current jewellery design. As signs of our times and selection criteria, she sees found objects of metal or wood, things that bear definite marks of use, materials that speak an expressive, earthy language, forms and structures reminiscent of architecture, as well as masks, a tendency to mysticism, and forceful color schemes.
 
 
Willy Brandt Allee 1 (Munich, Germany)
Management: Wolfgang Lösche
12.Mar.2014 – 18.Mar.2014
website: www.hwk-muenchen.de
mail: eva.sarnowski@hwk-muenchen.de

EXPO ‘Materiality’ – J-Tour Gallery, Shanghaï (CN) – 5-20 Janv. 2014

« Materiality – Relationship between material and contemporary jewellery” , an exhibition curated by Anna Cheng, was hosted at Ame Gallery (Hong Kong) last month. It is our great honor to showcase works from 16 artists from all over the world, showing a wide spectrum of contemporary jewellery works.  The objective of this show is to highlight the use of unconventional materials used in contemporary jewellery today.

« Materiality”, the dual city exhibitions that feature 16 artists from around the world to interpret materiality in contemporary jewellery.
Material can be referred to as the physical or conceptual properties of the artwork. The Material the artist uses can be seen as a tool or a medium to convey his/her concepts and ideas. The Material itself can also be the inspiration, which becomes the focal point of the art piece.
The unconventional use of materials is one of key themes in contemporary jewellery today. Artists may use any materials that inspire them in their jewellery composition to tell a story and make a statement.
In this exhibition, we focus on the Material chosen by the artists and how it is used as the theme in their contemporary jewellery works.

If you have missed the show in Hong Kong, you can catch it in Shanghai : It will be at J-tour space  from 5 – 20 January.

 

Materiality – Relationship between material and contemporary jewellery” ,
Participating artists:   Adelina Carmichael (Australia) –  Alix Manon (Belgium) — Anja Eichler (Germany – China) –  Corrado De Meo (Italy) — Hana Hong (USA) — Jessica Armstrong (USA) –  Joo Hyung Park (UK) — Kee Ho Yuen (USA – Hong Kong) — Lawrence Woodford (Canada) –  Lital Mendel (Isreal) — Masumi Kataoka (USA) — Mina Kang (Korea) — Minwon Kim (Korea) — Noa Liran (Isreal) — Noy Alon (Israel) — Viktoria Münzker (Austria)
New Nomads: Noa Liran.
Noa Liran  – « Know where you came from and where you are going » Necklace , eggshell, silver
Noa Liran - Necklace , eggshell, silver - detailNoa Liran – Necklace , eggshell, silver – detail
Viktoria Munzker "Yellow Richelieu" brooch - fish scales, aluminium, lacquer - 2013Viktoria Munzker « Yellow Richelieu » brooch – fish scales, aluminium, lacquer – 2013
Masumi Kataoka, contemporary Jewelry | Work 2011-2013 -  Balloon, Animal Intestine, Sterling Silver, Nickel, 2011
Masumi Kataoka – brooch -  Balloon, Animal Intestine, Sterling Silver, Nickel, 2011
Mina Kang - brooch 2013 - ramie fabric, thread , stainless steel  ("Materiality ......" exhibition)
Mina Kang – brooch 2013 – ramie fabric, thread , stainless steel
Corrado de Meo - bracelet "a lot of stories" - polystyrène, silver, oxide, electroformed // Materiality – a contemporary jewellery exhibition in Hong Kong and Shanghai
Corrado de Meo – bracelet « a lot of stories » – polystyrène, silver, oxide, electroformed
Joo Hyung Park - melted series detail of a brooch - From "Beauty in imperfection" collection. Brooch, ring Brass, sterling silver 2013, 2010Joo Hyung Park – melted series detail of a brooch – From « Beauty in imperfection » collection. Brooch, ring Brass, sterling silver 2013, 2010
Anja Eichler - EiEiEi series - 'Void in red' collier 2013 - hardened quail eggs, silver, mirrors, steel cable 2,3 x 1,8 x 2,3cm (per element) 50cm (entire length)

Anja Eichler – EiEiEi series – ‘Void in red’ collier 2013 – hardened quail eggs, silver, mirrors, steel cable 2,3 x 1,8 x 2,3cm (per element) 50cm (entire length)

Lital Mendel -  "once more" necklace - paper
Lital Mendel -  « once more » necklace – paper
Hana Hong Blue Bloom I , Brooch Paper towel, sterling silver, Linen, cotton thread, steel
Hana Hong Blue Bloom I , Brooch Paper towel, sterling silver, Linen, cotton thread, steel 
Alix Manon - One earrings - wood, paper, bistre, thread, glue, steel wire - "One" consists of two pieces that are similar but different in weight, choise of material and texture. The earrings are like sisters, they belong together but express their own personality. // Materiality – a contemporary jewellery exhibition in Hong Kong and Shanghai
Alix Manon – « One » earrings – wood, paper, bistre, thread, glue, steel wire
Kee Ho Yuen - 'planning an idea' ring 2012 - anodised aluminium, bird eye maple wood, brass, rock, acrylic paint, clear acrylic ... (EXPO Materiality)Kee Ho Yuen – ‘planning an idea’ ring 2012 – anodised aluminium, bird eye maple wood, brass, rock, acrylic paint, clear acrylic …
Email:info@jtour.org / jewellerytour@163.com
Shanghai city Changning District
Songhong road 685
Tel: 021-52830705

28/12/2013

EXPO ‘Noon Passama : Portraits’ – Galerie Ra, Amsterdam (NL) – 7 Dec. 2013 – 30 Janv. 2014

Classé dans : Exposition/Exhibition,Gal. RA (NL),Hollande (NL),Noon PASSAMA (Thai.) — bijoucontemporain @ 0:17

Noon Passama: Portraits - Galerie Ra

Noon Passama - portraits

Portraits collection presents jewellery pieces as personalities. They are representations of characters through abstracted and constructed facial aspects opening for interpretation, identification, and imagination. The association of shape, position, and size of different factors of a face suggest the identity and emotion of each piece. Also, the use of fur and leather adds unique and tactile dimensions to the works. Natural details of these materials such as the hair direction, the fur swirls, the skin textures, and the unexpected patterns that perhaps can only be found once are cropped and recombined into various personae. Each portrait is titled with a number instead of something that could hint the sex. The personified pieces might recall viewers of someone or no one at all.

The Portraits pieces will be presented together with their portrait photos art-directed and photographed by Severafrahm.

 

Galerie Ra
Nes 120
1012 KE – Amsterdam
Netherlands
Telephone: 020 6265100
Fax: 020 6204595website: www.galerie-ra.nl
mail: mail@galerie-ra.nl

27/12/2013

DECOUVERTE : Anne Marie CHAMPAGNE

Anne Marie CHAMPAGNE : avec un nom comme ça, c’est de « saison » !

CHAMPAGNE donc ! :-)

A l’École de Joaillerie de Montréal : Créations de Anne-Marie Champagne, prix d’excellence 2013 pour la catégorie Création libre.

 » J’ai utilisé de l’argent, du cuivre laminé avec du papier, de l’émail sur cuivre, de l’ébène et de la résine.« 
Anne-Marie Champagne (CA) - "tableau en rouge" -   École de Joaillerie de Montréal - Création de Anne-Marie Champagne, prix d'excellence 2013 pour la catégorie Création libre.
Anne-Marie Champagne (CA) – « tableau en rouge »
Anne-Marie Champagne - detail - " J'ai utilisé de l'argent, du cuivre laminé avec du papier, de l'émail sur cuivre, de l'ébène et de la résine."
Anne-Marie Champagne (CA) – « tableau en rouge » – detail
Anne-Marie Champagne (CA) - broche "texture"
Anne-Marie Champagne (CA) – broche « Texture »
Anne-Marie ChampagneAnne-Marie Champagne, bracelet « Rouge et Blanc »

Enregistrer

26/12/2013

COUP de COEUR : Janny HUANG YOKOTA

Janny HUANG YOKOTA   « jewelry pieces with hidden spaces« 

« Materials are paper and enamel powder »

Janny Huang Yokota (Taiwan)Janny HUANG YOKOTA  – magical (and mysterious !) textures – 2013  (« sodium powder which is the newest work I am doing right now. »)

« Janny Huang Yokota’s delicate pieces are made from diverse media including silver, cement, enamel, paper and found objects such as coral and rocks. »

Après la découverte de cette première bague (ci-dessous) COUP de COEUR pour la serie « Cremation » !

Janny Huang YokotaJanny HUANG YOKOTA  – « 2 individuals & one eternity » 2013

 
« Cremation »  serie (made between 2012 to 2013)
« To me Jewelry is personal,
like the secrets that buries under a rock,
or under a tree, or even like talking secrets to a flower.
I have buried and Cremate words written on a paper in this cement stone.
And this is how Taiwanese burn something precious to the deceased love ones.
It’s secretive and precious as the words vanishes into ashes. »
Janny Huang Yokota - serie "Cremation"
Janny HUANG YOKOTA  - « Cremation«  serie
Janny Huang Yokota - serie "Cremation" http://idbutterfly.com/
Janny Huang Yokota -  « Cremation » serie
Janny Huang Yokota - serie "Cremation"
Janny Huang Yokota – serie « Cremation »
Janny Huang Yokota - ring from "Cremation"  serie
ring from « Cremation«   serie
Janny Huang Yokota "To me Jewelry is personal,   like the secrets that buries under a rock,  or under a tree, or even like talking secrets to a flower.  I have buried and Cremate words written on a paper in this cement stone.  And this is how Taiwanese burn something precious to the deceased love ones.  It's secretive and precious as the words vanishes into ashes. "
« Cremation«   serie
Janny Huang Yokota - - "Cremation"  serieJanny Huang Yokota -  « Cremation »  serie
Janny Huang Yokota - "Cremation"  serieJanny Huang Yokota - « Cremation »  serie
Janny Huang Yokota - serie "Cremation"Janny Huang Yokota - serie « Cremation »
 
 
« Navel Tree » serie (2013)
« Every travel I make tickles me , carries me
to an amazing boundary such as the rabbit hole in the Alice wander land.
It’s like getting out of my navel and grow my spirit to an imagining beautiful plant.
A navel plant that grows to connect with outsiders! »
Janny Huang Yokota - "Navel Tree" serie -
Janny HUANG YOKOTA  jewel (brooch ?) from the « Navel Tree » serie 2013
Janny Huang Yokota - "Navel Tree" serie -
Janny Huang Yokota – « Navel Tree » serie 2013
Janny Huang Yokota - "Navel Tree" serie -Janny Huang Yokota – « Navel Tree » serie 2013
 
 
« white for bones 、white for spirits » serie (2013)
 » Bone and Spirits are the beauty beyond Death.
When we live everyday in life,
our bone structure support us physically and
our spirits fulfill us to see things differently.
But those 2 things between our body and mind
are the things that we can not see with our actual eyes.
When we have the feeling of remorse,
I think it’s the closest feeling to reach our bones,
When we have the feeling of emptiness ,
I think it’s the moment we search for spirits.
With the moments of feeling remorse and emptiness,
we recognize the existence of Being.
It’s very human like and I see the true beauty in it.
For me it’s a image of white that links to purity and truth.
After death it’s the bone and the spirit that lasts forever.
I choose my mother’s old jewelry to take a model out of it,
maybe because of her young death has lead me to see beyond.
And to remind me what is the true beauty of life.
Her jewelry is a bone to me and her spirits comes within »
Janny Huang Yokota - "White for bones - white for spirits" serie
Janny Huang Yokota – « White for bones – white for spirits » serie 2013
Janny Huang Yokota - "White for bones - white for spirits" serieJanny Huang Yokota – « White for bones – white for spirits » serie 2013
Janny Huang Yokota - "White for bones - white for spirits" serieJanny Huang Yokota – « White for bones – white for spirits » serie 2013
Janny Huang Yokota  (Taiwan) - "2 individuals & one eternity"Janny HUANG YOKOTA    – « 2 individuals & one eternity » 2013
Janny Huang YokotaJanny Huang Yokota – brooch  – « this piece is made of enamel powder and there is paper inside. It’s not baked, I use medium like resin to hold it together »  2013
ET ….. CERISE SUR LE GATEAU : le travail de Janny Huang Yokota sera  exposé chez
ALLIAGES (Lille) à l’espace permanent :-)

25/12/2013

EXPO ‘Bijou Joujou’ – Galerie OBJET RARE, Paris (FR) – 9-31 janvier 2014

Parcours du Bijou «Circuit Bijoux» – Paris – à partir de SEPT. 2013

De septembre 2013 à mars 2014

bannière Circuits Bijoux

Galerie OBJET RARE  :  « Bijou Joujou«   Du 9 janvier au 31 janvier 2014
«Je crée pour rire. Je récupère les jouets . Je les découpe, et, dans un esprit de recirculation poétique, je les sertis comme des joyaux Pour en faire une collection de couronnes pour la « Fête des ROIS », une collection de « têtes couronnées »» Marie-josée Morato
“La bijoutiste”, Marie Morato,  - bijoux-jouets
Marie Morato  – bijoux-jouets

 

Galerie OBJET RARE
11, rue paul-Bert
75011 paris
Tél. : + 33 (0)1 75 42 94 58
Du mardi au samedi de 14h à 19h
entrée libre

23/12/2013

PRIERE …… & SOUHAITS …..

Classé dans : Non classé — bijoucontemporain @ 5:45
petit Jésus, DEPECHE-toi de (re)naitre qu’on passe à autre chose !!!
petit Papa-Noël, n’oublie pas mes « petits » (40….) souliers !
Photo

but …….

HAPPY HOLIDAYS to ALL of YOU !!

THANKS for your kind messages & support during all year !

Champagne !

Wish you ALL the BEST for 2014 !

Photo : HAPYY HOLIDAYS to ALL of YOU !!

21/12/2013

EXPO ‘IT IS SNOWING A LITTLE’ – Art gallery Putti, Riga (Latvia) – 19 Dec. 2013 – 14 Janv. 2014

IT IS SNOWING A LITTLE

« Come Behind the window It is snowing a little »  From December 19, 2013 until January 14, 2014 international contemporary jewelry exhibition „IT IS SNOWING A LITTLE”.

The smell of winter  – ginger bread, cabbage, apples, fir needles…
The sound of winter – wood burning in the oven, carnival laughter, glass symphony, snow under your feet…
The color of winter – red and white candles, starry sky, Christmas tree, brown pasty, silvery lighting of snow…
The feeling of winter – forgiveness, happiness, understanding, songs, kind words, candles,  PRESENTS

Liisa Hashimoto "Come Behind the window It is snowing a little"  From December 19, 2013 until January 14, 2014 international contemporary jewelry exhibition „IT IS SNOWING A LITTLE”.  place: Art gallery Putti, Riga Latvia website: putti.lv/

Artists participating in the exhibition:  Andris Lauders (Latvia) –  Catalina Brenes (Italy) — Catalina Gibert (Spain) — Gigi Mariani (Italy) — Guntis Lauders (Latvia) –  Jānis Vilks ( Latvia) — Laura Cadelo Bertrand (Italy) — Liisa Hashimoto (Japan) — Māris Auniņš (Latvia) –  Māris Šustiņš (Latvia) — Reka Lorincz (Hungary) — Valdis Brože (Latvia) — Valentina Caprini (Italy).

Catalina Brenes - "it is snowing a little" Gallery Putti
Catalina BrenesThe feeling of winter – a coat, gloves, scarf..
Gigi Mariani - Track#1 brooch - silver, 18kt yellow gold, niello, glass, patina 2013
Gigi Mariani - The feeling of winter – calm, warmth, silence, the emotion and expectation of children…   
- Track#1 brooch – silver, 18kt yellow gold, niello, glass, patina
Liisa HashimotoLiisa Hashimoto
Māris AuniņšMāris Auniņš
Reka LorinczReka Lorincz

Valentina Caprini 2013 ring

Valentina Caprini – ring 2013 -
the color of winter – mostly white,  colorful lights of the Christmas Tree, illuminated all around cities…
Catalina Giberte - A-mare 3
Catalina Gibert – A-mare 3 necklace - 
The sound of winter – breaking waves, murmuration of the starling flocks, seagulls groan on a sea tempest, whistling wind, rain dropping over the roof tiles, fireplace crackling

 

 

Art gallery Putti
Riga – LV 1050
Latvia (Lettonie)
tel  +371 67 214 229
website: putti.lv/

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