More than 552 goldsmiths from 43 countries around the globe applied to participate in the special “Schmuck” (Jewellery) show at the International Crafts Fair in Munich next year. This great interest once again confirms the importance of this event in the context of contemporary jewellery-making and the significance attached to it worldwide. An above-average number of applications were received this year from Australia, Japan and Taiwan, but also from New Zealand and Argentina, the latter having been among the applicants for only a few years now. The selection for 2014 was made especially interesting thanks to the many new exhibitors nominated by the curator Jorunn Veiteberg of Copenhagen. Unusually, “Jewellery 2014” features over 25 new exhibitors, who will be represented in this renowned exhibition for the first time.
For the year 2014, a total of 66 participants from 25 nations were invited to exhibit. Numerically most strongly represented are goldsmiths from Germany, the Netherlands, Japan, Australia, Denmark and Sweden. The applicants grow younger by the year, an indicator that even before or immediately after finishing their training goldsmiths seek to compete in our special show, present their work to an interested public, experts, gallery owners and museum curators, and rapidly find their way into the jewellery avant-garde. “Jewellery” is an important venue for making a name for oneself in international goldsmiths’ circles, establishing contacts, and not least, witnessing the award of the prestigious Herbert Hofmann Prize on Saturday.
Selected Artists: Anne Achenbach, DE – Tobias Alm, SE – Sawa Aso, JP — Rut-Malin Barklund, SE — Peter Bauhuis, DE — Nicole Beck, DE — Alexander Blank, DE — Iris Bodemer, DE — Bas Bouman, NL — Sungho Cho, KR — Eunmi Chun, KR – Kat Cole, USA – Annette Dam, DK — Rian de Jong, NL — Laura Deakin, AU — Peter Deckers, NZ/NL – Paul Derrez, NL — Bin Dixon-Ward, AU — Georg Dobler, DE — Iris Eichenberg, NL/USA/DE — Réka Fekete, HU — Benedikt Fischer, AT — Kyoko Fukuchi, JP — Antje Godglück, NL/DE — Andi Gut, DE — Gesine Hackenberg, NL/DE — Cecilia Hecker, Arg. — Hanna Hedman, SE — Akihiro Ikeyama, JP — Karin Johansson, SE — Mareike Kanafani, DK — Beppe Kessler, NL — Ulrike Kleine-Behnke, DE — Jun Konishi, JP — Manon van Kouswijk, NL/AU — Marie-Louise Kristensen,DK — Daniel Kruger, Südafrika/DE — Dongchun Lee, KR — Sally Marsland, AU — Sharon Massey, USA – Yutaka Minegishi, JP/DE — Shelley Norton, NZ — Maria Nuutinen, FI — Kristi Paap, EE — Noon Passama, TH/NL — Ruudt Peters, NL — Lina Peterson, GB — Nicole Polentas, GR/AU — Jo Pond, GB — Auba Pont, ES – Tabea Reulecke, DE — Patricia Rodriguez, Arg. — Mette Saabye, DK — Karin Seufert, DE — Despo Sophocleous, CA/DE — Christoph Straube, DE — Jie Sun, CN — Fumiki Taguchi, JP — Anna Talbot, NO — Sabina Tiemroth, Arg. — Karola Torkos, DE — Karen Vanmol, BE — Gabi Veit, IT — Andrea Wagner, NL — Florian Weichsberger, DE/IT — Wen-Miao Yeh, TW
Retrospektive bei Schmuck 2014: Dorothea Prühl, Deutschland
Honored as next year’s Modern Classic will be Dorothea Prühl, a goldsmith who lives in Halle. A teacher at Burg Giebichenstein Art College, she not only helped shape an entire generation of young goldsmiths but, over and above her teaching activity, has created an admirable, original oeuvre that holds a very special place within contemporary jewellery design.
The special “Jewellery” show is characterized by the choice of certain themes which, in the eyes of curator Jorunn Veiteberg, represent salient traits of current jewellery design. As signs of our times and selection criteria, she sees found objects of metal or wood, things that bear definite marks of use, materials that speak an expressive, earthy language, forms and structures reminiscent of architecture, as well as masks, a tendency to mysticism, and forceful color schemes.