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01/02/2015

ENVIES rouges ……… RED THREAD envy ….

Quelque chose de « vital », de VISCERAL, comme le titre bien Sébastien Carré, ça « sort des tripes », ça relate la vie, le lien … les titres sont parlants : « Viscéral », « Self portrait », « weaving my life », « Rinascita » (rebirth),

Izabella Petrut - "Blood on the ground" necklace – INNOCENT project -plastic toy, acrylic paint, copper, silk thread, varnish, 2013Izabella Petrut - « Blood on the ground » necklace – INNOCENT project -plastic toy, acrylic paint, copper, silk thread, varnish, 2013 – (In my collection)

Izabella Petrut - Innocent project - necklace – plastic toys, silk thread, resin, 2014Izabella Petrut - Innocent project – necklace – plastic toys, silk thread, resin, 2014

Ela Bauer  Necklace: Untitled, 2009 - Cotton, copper - net Ela Bauer  Necklace: Untitled, 2009 – Cotton, copper – net

Willemijn de GreefWillemijn de Greef - I ALWAYS dreamed about this neckpiece !!!
  »Weefsels » Halssieraad Rood, 2006, necklace – wool, imitation coral, thread, plastic – 1400x500x50mm

Willemijn de GreefWillemijn de Greef – detail of the neckpiece -    »Weefsels » Halssieraad Rood, 2006, necklace – wool, imitation coral, thread, plastic – 1400x500x50mm

 Gabriela Horvat,   Necklace: Selfportraits - Cocoons, 2009 Silk, copper, chaguar, wool, hand dyedGabriela Horvat,   Necklace: Selfportraits – Cocoons, 2009 Silk, copper, chaguar, wool, hand dyed

Gabriela Horvat,   Necklace: Selfportraits - Cocoons, 2009 Silk, copper, chaguar, wool, hand dyedGabriela Horvat,   Necklace: Selfportraits – Cocoons, 2009 Silk, copper, chaguar, wool, hand dyed

Valentina Caprini (Alchimia 2012) - necklace "Rinascita" -  1300 Meters of Red Thread -Valentina Caprini (Alchimia 2012) – necklace « Rinascita » (« Rebirth »)- 1300 Meters of Red Thread – 2012 – 160x27x7
(In my collection)

 VALENTINA CAPRINI - 'PURUS' COLLECTION  (Italy) Valentina Caprini - ‘PURUS’ Collection – « Roxene » necklace -2000 Meters of Red Thread, Pills 2012 23 x 23 x 7  (Alchimia 2012)

Valentina Caprini (exhibited at "Purus" Alchimia 2012)Valentina Caprini (exhibited at « Purus » Alchimia 2012) « Roxene » necklace

Sébastien Carré - Viscéral, 2013 Visceral  Collier de 7 mètres, aluminium et lin 7 meters necklace, aluminum and linenSébastien Carré - Viscéral, 2013 – Collier 7 mètres, Cotte de maille Aluminium, coton, lin, soie, cuir 7 meters Necklace, aluminum chainmail, cotton, linen, silk, leather (« + de 187000 anneaux a la main et deux semaine de broderie intensive = près de 6 mois de travail sur cette pièce » !!)

Sébastien Carré -  Viscéral, 2013  Collier de 7 mètres, aluminium et lin 7 meters necklace, aluminum and linen  photo: Lee makkamSébastien Carré -  Viscéral, 2013  Collier de 7 mètres, aluminium et lin 7 meters necklace, aluminum and linen  photo: Lee makkam

Mreia Calaf -'TEIXINT LA VIDA' collar Plata,llautó i fil- 2014Mreia Calaf -'TEIXINT LA VIDA' collar Plata,llautó i fil- 2014

Mreia Calaf -'TEIXINT LA VIDA' collar Plata,llautó i fil- 2014 - "LLIGAMS I CADENES"  Relacions complexes. Vides teixint-se. Teixit d'amor. Passions enllaçades amb sentiments de dependències i d'enveja. Amors que es poden transformar en obsessions.Mreia Calaf -'TEIXINT LA VIDA' collar Plata,llautó i fil- 2014

Mireia Calaf - TEIXINT LA VIDA’ (teixint la vida / tejiendo mi vida / weaving my life) collar Plata,llautó i fil- 2014 – « LLIGAMS I CADENES »  Relacions complexes. Vides teixint-se. Teixit d’amor. Passions enllaçades amb sentiments de dependències i d’enveja. Amors que es poden transformar en obsessions. -

LLIGAMS I CADENES. 2014 / LAZOS Y CADENAS. 2014
Relaciones complejas. Vidas tejiéndose. Tejido de amor. Pasiones enlazadas con sentimientos de dependencias y de envidia. Amores que se pueden transformar en obsesiones.

Manolya Konuk - "Penelope" - red thread necklace - distance entre 2 personnes - 1852 m de fil - 7mois de travail  Manolya Konuk - « Penelope » – red thread necklace – distance entre 2 personnes = 1852 m de fil – 7mois de travail…..

«  »penelope » hand knitting red thread – Penelope is a distance knitting on the Ottoman old fashion crochet style. Each loop is telling a hand journey across the 1 852 m between two Peoples. Photo shoot by Alejandro Olaya – « Pénélope » ou 1852 m est une distance drocheté à la main. Dans le style ancien du harem ottoman, chaque boucle raconte le voyage à travers les 1852 m qui séparent 2 personnes. »

 

selected for SCHMUCK 2015 : Karen Vanmol

Classé dans : Belgique (BE),bois / wood,Karen VANMOL (BE),recup' / recycled,SCHMUCK / MJW (DE) — bijoucontemporain @ 12:41

Karen Vanmol

« Karen Vanmol finds a city without nature claustrophobic, but nature with no sign of humanity is too quiet. She uses her tools trying out how materials reacts to them.  »

« As in my earlier work, I find my inspiration in architecture and nature. Except that everything continues to evolve and change. A city without a little nature works claustrophobic for me, but a nature landscape with no sign of humanity is too quiet for me. Protecting or imitating nature, the use of natural materials in architecture, the restoring of a road surface, accidental strong shapes on a construction site, these things I find very interesting. 
On my way through town, I hunt and collect. I always encounter interesting images that I use as an inspiration. In addition, there is a certain choice of materials and colors, these are strongly influenced by memories. For example the necklaces, furniture in different colors, certain constructions. I make my story and the viewer projects its own story on top of mine.
  I always start from my sources of inspiration, with these eyes I look around me. I show viewers how I look at things around me. Next to that I make jewellery and I like to use my tools and try out how materials reacts to them. Eventually I work with materials, and that provides an additional factor. I find out the properties they possess and how I can edit them and this will count in the final result. Some techniques I use are common and you can find them in your house. 
Naturally I tend to work clean and delineated, here I try against it by for example damaging materials. It gets me out of my comfort zone and it bothers me, but at the same time I want to do it. » Karen Vanmol page at Klimt02

Karen Vanmol -   Brooch 'Cultivate' 2014Karen Vanmol -   Brooch ‘Cultivate’ 2014

Karen Vanmol - "Cultivate"  Brooch: wood, fiber reinforced plastics, brass, steel, 2013 .Karen Vanmol - « Cultivate »  Brooch: wood, fiber reinforced plastics, brass, steel, 2013 .

Karen Vanmol  Wood, formica, veneer, silver, steel pin  Brooch, 2012Karen Vanmol -  brooch back & front – Wood, formica, veneer, silver, steel pin   2012

Karen Vanmol, Cultivate Necklace 2, 2014, wood, laminate, plastic, vintage beads, brass, spray-paint, 110 x 270 x 20 mm, photo: artistKaren Vanmol, « Cultivate » Necklace 2, 2014, wood, laminate, plastic, vintage beads, brass, spray-paint, 110 x 270 x 20 mm, photo: artist

 Karen Vanmol "Evolving Habitat"  Karen Vanmol « Evolving Habitat »  Necklace 2012 Wood, fiber reinforced plastics, veneer, oxidized silver, vintage plastic beads Pendant: 8 x 11 x 1 cm chain: 44 cm

karenvanmol.com - "cultivate" collection - brooch 2013Karen Vanmol - « cultivate » collection – brooch 2013

Karen Vanmol Rings: Under construction 2010 Wood, concrete, paint, cotton, silver 2.5 cm x 4 cm x 3.5 cmKaren Vanmol Rings: Under construction 2010 Wood, concrete, paint, cotton, silver 2.5 cm x 4 cm x 3.5 cm

karenvanmol.com - under construction collectionKaren Vanmol - « Under construction » collection

 

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