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30/09/2016

during JOYA Barcelona 2016 : AUTOR Award – & the winner is …..

Classé dans : AUTOR (RO),Espagne (ES),Ignasi CAVALLER (ES),JOYA (ES),Prix/Awards,Salon — bijoucontemporain @ 1:07

AUTOR Award

 

during JOYA Barcelona 2016 : Competition/Awards ENJOIA’T 2016 – Museu Marítim de Barcelona (ES) - 30 Sept. 2016 dans A-FAD (ES) logo_joya

…… and the WINNER is ……………..

AUTOR award - JOYA 2016 Ignasi CavallerIgnasi Cavaller !!

Ignasi Cavalier - Necklace - Wood, plastic wall, plexiglass, silver, elastic stripe. - award AUTOR at JOYA 2016:  Ignasi Cavalier – Necklace – Wood, plastic wall, plexiglass, silver, elastic stripe.

 Ignasi Cavaller - AUTOR award - JOYA 2016Ignasi Cavaller – necklace Silver, plexiglass and wall plastic 60′s

Ignasi Cavaller (MFA 2015 at Idar Oberstein)

« I am obsessed with memories. I am scared of forgetting who I am and where I come from, my roots. I do not want to deny the evolution of my self, but I also want to keep my origins as close as possible. I try to trigger my memories through the materials I use, looking for connections with my past and my ancestors. Asking my self if what I remember is true or just another random creation of my subconscious. I based my collection on a simple but meaningful jewellery object–the locket–creating physically useless containers to give my self the feeling that I am keeping my intangible memories inside it. » Ignasi Cavaller

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29/09/2016

OFF JOYA 2016 – EXPO ‘Acción (Re)Acción’ – Restaurant La Monroe/Filmoteca de Catalunya, Barcelona (ES) – 30 Sept.-2 Oct. 2016

OFF JOYA 2016 – « ACCIÓ (RE) ACCIÓ » (Acción (Re)Acción)

http://www.joyabarcelona.com/images/Prensa/logo_joya.jpg

Restaurant La Monroe, Barcelona/Edifici de la Filmoteca de Catalunya

Opening: 29 September, 19.00h

 

OFF JOYA 2016 - "ACCIÓ (RE) ACCIÓ" Restaurant La Monroe  , Barcelona

avec Jordi Aparicio Mar SanchezRosa GomisBàrbara Arnau –  Béatrice Bizot — Mireia CalafLourdes Freixa

  Singularitat by Lourdes Freixa: « Singularitat » by Lourdes Freixa
Bàrbara Arnau -  Collection: YES, WHY NOT? The pieces shouldn’t fit, but they do. They shouldn’t be together, but they are. Like life, this work is a contradiction. Piece: RING YES, SURE! Silver 925, Samba wood, coating (coffee powder, white glue, latex and rutile titanium dioxide pigment) and synthetic paint. Author: Bàrbara Arnau Photography: Eric Parey Year: 2016 --------------- Colección: SÍ, POR QUÉ NO?: Bàrbara Arnau-Collection: YES, WHY NOT?
Bàrbara Arnau -  Collection: YES, WHY NOT? The pieces shouldn’t fit, but they do. They shouldn’t be together, but they are. Like life, this work is a contradiction. Piece: RING YES, SURE! Silver 925, Samba wood, coating (coffee powder, white glue, latex and rutile titanium dioxide pigment) and synthetic paint. Author: Bàrbara Arnau Photography: Eric Parey Year: 2016 -Colección: SÍ, POR QUÉ NO?
Jordi Aparicio  Jordi Aparicio
ROSA GOMIS - juin 2016 -   Work in progress (copper)Rosa Gomis – juin 2016 -   Work in progress (copper)

Mar Sanchez - retorno al pasado | 2016 - Broche. Madera, resina, cobre esmaltado y acero.Mar Sanchez  retorno al pasado | 2016 – Broche. Madera, resina, cobre esmaltado y acero.
Veo la vida como una sucesión de acciones y re-acciones. A cada acción le suceden muchas posibles re-acciones, y de cada reacción depende la siguiente acción. Estímulo-respuesta, causa-efecto… Este es el aprendizaje. Muchos posibles caminos, muchas posibles ramificaciones y muchas posibles vidas por vivir.
« Back to the source » | 2016 – I see life as a series of actions and re-actions. Each action is followed by many possible re-actions, and of each reaction depends the next action. Stimulus-response, cause and effect… This is learning. Many possible ways, branches and many possible lives to live.

 

 

Restaurant La Monroe / Edifici de la Filmoteca de Catalunya

Plaça de Salvador Seguí 1-9, Barcelona

tel 34 935 67 10 70
filmotecacatalunya@gmail.com

Tuesday to Saturday, 12.00h to 01.00h Sunday, 12.00h to 01.00h

 

28/09/2016

OFF JOYA 2016 – EXPO ‘Feeling Lucky by Helen Britton’ – Klimt02 gallery, Barcelona (ES) – 28 Sept.-28 Oct. 2016

Feeling Lucky by Helen Britton

Feeling Lucky. Stencils and Jewellery by Helen Britton

7 jewels & 7 paintings
Violence, love, riches, sentimentally, humour, wisdom; a friendly companion, a lucky charm…all in 7 jewels and 7 stencils. Don’t miss it. We look forward to meet you !
 Opening: 28 September, 19.30 – 21h 

http://www.joyabarcelona.com/images/Prensa/logo_joya.jpg

*

OFF JOYA 2016 - "FEELING LUCKY, HELEN BRITTON"  (Helen Britton - Brooch: Cat, 2016 – Silver, paint, natural yellow rose cut diamonds – 16 x 8 x 1.5 cm – Photo by: Helen Britton)

On her second solo exhibition at the gallery, Britton will present 7 brooches and 7 stencils. Works reflecting all the effort, humour, joy and failure of our existence. We all live in hope and want luck.

« What have we got here in this work? Violence, love, riches, sentimentally, humour, wisdom; a friendly companion, a lucky charm, an amulet. Hope. The small and the large refrain. Themes of popular culture, the essence of a pop song in solid form. While the figures themselves draw their shapes from the cheapest trinket, the sentiment that they convey reaches into the deepest abyss. I see in these works all the effort, humour, joy and failure of our existence. They are rough signifiers, visually reduced and emotionally condensed. They are also private icons, some accompanying me from my earliest memories, others invested with my own associations, sifted out of the chaos of possibility through fitting into my hunting pattern. We all live in hope and want luck, more than ever at this point in history. »
/ Helen Britton, Munich, 2016

Knife by Helen BrittonHelen Britton - Brooch: Knife, 2016 – Silver, paint  13 x 3 x 1.5 cm – Photo by: Helen Britton

Helen Britton. Brooch: Devil, 2016. Silver, paint. 11 x 6 x 1.5 cm. Photo by…: Helen Britton. Brooch: Devil, 2016. Silver, paint. 11 x 6 x 1.5 cm Photo by: Helen Britton

 Helen Britton Brooch: Clover, 2016 Silver, paint 7.5 x 4.5 x 1.5 cm Photo by: Helen Britton: Helen Britton Brooch: Clover, 2016 Silver, paint 7.5 x 4.5 x 1.5 cm Photo by: Helen Britton

Helen Britton. Brooch: 13, 2016. 18ct yellow gold. 3 x 2 x 1.5 cm. Photo by…: Helen Britton. Brooch: 13, 2016. 18ct yellow gold. 3 x 2 x 1.5 cm

Helen Britton Brooch: Lucky Dick, 2016 18ct yellow gold 6 x 4 x 1.5 cm Photo by: Helen Britton: Helen Britton Brooch: Lucky Dick, 2016 18ct yellow gold 6 x 4 x 1.5 cm Photo by: Helen Britton

 Helen Britton wearing Cat brooch, 2016: Helen Britton wearing Cat brooch, 2016

 

 

 

Klimt02 Gallery
Carrer de la Riera de Sant Miquel 65
08006 -  Barcelona
Tuesday to Friday, 11.00h to 14.00h and 16.00h to 19.00h

 

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27/09/2016

EXPO ‘Swedes and Belgian Blues’ – Gallery Four, Göteborg (SE) – 2 Sept.-1er Oct. 2016

Swedes and Belgian Blues

Four Gothenburg, Sweden

Opening: September 2nd, 17-21

FOUR - Swedes and Belgian Blues

Chocolate, beer and Jean-Claude Van Damme, waffles, the European parliament and Brussels sprouts. Sadly enough people probably also associate Belgium with terror and cattle with breeding problems.
When we think of Belgium we think of jewellery! Not only of the diamonds in Antwerp, but predominantly of the eminent art jewellery scene. Belgium has some of the most famous contemporary jewellery schools, – galleries and – artists. Playful, thought provoking and with an elegant confidence, the art jewellery culture is vibrant and powerful.
Galerie Beyond (formerly Beyond Fashion) is situated in the central parts of Antwerp and has been run by Karin De Buysere and René Darmont for 15 years. The work of the artists that the gallery represents has a conceptual strength and challenges the traditional perception of what jewellery is. The connection to the lively fashion- and art field is unmistakable while classic goldsmithing seams more distant.
The exhibition ”Swedes and Belgian Blues” is a co-operation between Galerie Beyond and Four, showing work by 5 Belgian and 5 Swedish artists. Sweden is also a well-known country in the international jewellery world and we also have an influential fashion scene. Are there any similarities? Are there any differences? To connect a certain aesthetic or a style to a nationality might be impossible in a society where the global art scene is only a browser away. But is there something of a local culture? Swedes and Belgian Blues will be shown in Antwerp in January 2017.

  

Participating artists:
Tine De RuysserJonathan HensArnaud SprimontAnneleen SwillenKaren VanmolKarin Roy AnderssonLinnéa ErikssonHanna LiljenbergAnna Norrgrann – Sanna Svedestedt Carboo.

Karin Roy Andersson - brooch from 2016 made of recycled plastics (from lunch trays), thread and steel - FOUR: Karin Roy Andersson – My brooch from 2016 made of recycled plastics (from lunch trays), thread and steel –
« Since I was a kid I have had a strong interest in animals, especially fish and birds. I love their shape, their movements and the pattern of the feathers and scales, their bodies, faces and exceptional behaviour. The pieces on show at « Swedes and Belgian Blues » are made of plastics collected from garbage containers and ditch-banks. I keep my eyes open when I go to the hairdresser; I search in my friends’ bathrooms and fridges – you have to be observant if you are going to find that perfect jewellery material!

Sanna Svedestedt Carboo-  Building blocks, 2013, necklace made of naturally tanned leather Sanna Svedestedt Carboo -  Building blocks, 2013, necklace made of naturally tanned leatherSanna Svedestedt Carboo works with leather. In this material she create sharp and exact shapes that look heavy but are surprisingly light. Svedestedt Carboo uses old leather shaping techniques and Cuir Bouilli, adding a contemporary expression to a classic craft tradition. With the right touch, boiling hot water and quite a lot of stubbornness, the leather is transformed into the desired form. « I am drawn to the combination of controlled shapes and soft organic flow, and the clash that takes place in the meeting of the two. »

bracelets by Tine de RuysserTine de Ruysser - Dollar Bracelets, 2016,  made of banknotes
Paper money came into existence because people did not want to carry their gold around. Through time the relation between money and gold has been close but the connection has changed. Now we are hesitating about having too much money in our wallets but many of us are happy to show wealth, status or image by wearing gold. For this piece banknotes are used as a precious material. The notes are put together to create an object. The banknotes are not damaged, so the object can be taken apart and returned to the monetary value of the materials. Just like precious metals.

 Anneleen Swillen - Weights pending 2, 2016, necklace made of resin, plaster, concrete, cotton, rubber and natural stonesAnneleen Swillen – Weights pending 2, 2016, necklace made of resin, plaster, concrete, cotton, rubber and natural stones
Inspired by the way daily goods are consumed and (re)presented, Anneleen Swillen draws attention to the intrinsic but often unnoticed qualities of everyday objects. Weights, pending is an artistic research into both formal and functional potential of disposable packaging for object and jewellery design.  The necklace is composed of pairs of various pendants that differ in weight, shape and size. Both sides of the necklace can be shifted and scaled in search for a balance – or imbalance – when worn. Carrying these weights as a collection of charms around the neck and shoulders does not go unnoticed for the wearer or the viewer.

Anna Norrgrann - Necklaces made of aluminium and nylon threadAnna Norrgrann – Necklaces made of aluminium and nylon thread
« I’m attracted to the qualities in different kinds of metal that make them perform in various ways, depending on the treatment. I see my work as collaboration between these qualities in the material and my own technical skills. m attracted to the qualities in different kinds of metal that make them perform in various ways, depending on the treatment. I see my work as collaboration between these qualities in the material and my own technical skills. » – Anna Norrgrann

Karen Vanmol - AKA #Iseefaces, brooches -made of wood, laminate and steelKaren Vanmol - AKA #Iseefaces, brooches -made of wood, laminate and steel
« The human mind has the desire to name things. Our brains are so eager to recognize patterns and correlations they see them where there are none. Have a closer look at Karen Vanmol’s brooches and let us know what you see. »

Hanna Liljenberg - Untitled, brooches, 2016- made of black burned iron, oil paint, varnish and steelHanna Liljenberg - Untitled, brooches, 2016- made of black burned iron, oil paint, varnish and steel
« My jewellery is in constant collision between the organic and the rigidly constructed. In this project I wanted to simplify the construction of my jewellery to the greatest extent, and I have been working with old painting techniques to produce light in the darkness. Having previously worked with repetitions of one single form, I have now tried to shape one sprawling piece into a cohesive unit. » – Hanna Liljenberg

Jonathan Hens - Human 2.0 #1, #4 and #5, necklaces made of pewter, suture and latex  Jonathan Hens – Human 2.0 #1, #4 and #5, necklaces made of pewter, suture and latex 
 - Jonathan Hens designs are the result of an intense search for an alternative identity. Rather than a classic example of beauty, the viewer gets to see Hens’ interpretation of it.

Linnéa Eriksson- Connect, necklace 2016 made of steel, oxidized silver and spray paint.Linnéa Eriksson- Connect, necklace 2016 made of steel, oxidized silver and spray paint.
Linnéa Eriksson’s work is a reflection of her surroundings. She finds inspiration in pieces of metal or in the feeling of a heavy beat. « It is a combination of traditional jewellery crafts and the modern street expression. »

 Arnaud Sprimont  - Microbiota 1, brooch, 2016 -made of polyurethane resin, steel and pigments.Arnaud Sprimont  – Microbiota 1, brooch, 2016 -made of polyurethane resin, steel and pigments. 
Supported both by a scientific and empirical observation of the cells and patterns of the living, Arnaud Sprimont investigates an invisible and frightening universe.  The exploration of the strong ties that exist between human being and nature is the heart of his approach and of his will to define himself, in nature and in harmony with it, as microbiotes living in symbiosis with their host.
 

Nordhemsgatan 74,
Göteborg (Sweden)
+46 73 086 42 49
New ppen hours! Wed, Thu, Fri 12-18, Sat 12-16

 

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26/09/2016

EXPO ‘Núria Álvarez de Lara – Arianna Russo’ – Galería CONTEXT, Sant Cugat del Vallès (Barcelona – ES) – 15 Sept.-30 Oct. 2016

 NÚRIA ÁLVAREZ DE LARA ARIANNA RUSSO

Exposició de Ceràmica a CONTEXT

inauguración: sábado 17 de septiembre a las 12,30 h.

Nuria Alvarez de Lara - CONTEXT

Esta exposición se enmarca dentro del programa Cerámica. Arte y Vida con motivo  del 47º Congreso y Asamblea General de la Academia Internacional de la Cerámica que se lleva a cabo en Barcelona del 12 al 16 de septiembre de 2016, donde Sant Cugat es ciudad colaboradora.
Para esta ocasión, presentamos una muestra de la joyera y ceramista Núria Álvarez de Lara, que incluye una selección de sus trabajos más representativos desde 1986 a 2016.
Paralelamente, la ceramista Arianna Russo, nos presenta una selección de objetos en porcelana de su serie Topografías.

 Nuria Alvarez de Lara - pulseras, argent i ceràmica.Nuria Alvarez de Lara – pulseras, argent i ceràmica

NÚRIA ÁLVAREZ DE LARA - collarNuria Álvarez de Lara – Collar « C0310.2″ – ceràmica, atzabeja

Núria Álvarez de Lara  -  Collar "C351.3" -  plata, ceràmica, topazi - CONTEXT Galeria -Núria Álvarez de Lara  -  Collar « C351.3″ -  plata, ceràmica, topazi

 Núria Álvarez de Lara - Arracades "A325.4" - plata, gres, corall- 160€: Núria Álvarez de Lara – Arracades « A325.4″ – plata, gres, corall

  Núria Álvarez de Lara -   Collar "C325.2" - plata, corall, gres - 750€ - CONTEXT  Núria Álvarez de Lara -   Collar « C325.2″ – plata, corall, gres

Núria Álvarez de Lara -  Collar "C509.2"  - plata, porcellana, granats - CONTEXT Galeria -  Núria Álvarez de Lara -  Collar « C509.2″  – plata, porcellana, granats

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Arianna Russo, bols Topography 2, porcellanaArianna Russo, bols Topography 2, porcellana

 

 

 

Galería CONTEXT
C/Viñolas, 10
08173 Sant Cugat del Vallès (BCN) Spain
T 0034 935 893 806
http://www.context.cat/
galeria@context.cat
dimecres a divendres (wednesday to friday) 11-13h30/17h30-20h – sábado (saturday) 11-14hEnregistrerEnregistrer

25/09/2016

OFF JOYA 2016 – EXPO ‘Jeemin Jamie Chung – ‎The Presence’ – Amarantojoies, Barcelona (ES) – 28 Sept.-29 Oct. 2016

OFF JOYA 2016 – at Amarantojoies

Opening: 28 September  à 19:00 – 21:00

JOYA: Barcelona Art Jewellery Fair 2016 Fair  /  29 Sep 2016  -  01 Oct 2016 - Jeemin Jamie Chung is the Winner of JOYA Barcelona 2015 with her collection “Two drops”, she was selected over 50 individual artists.- she is now in 2016 the guest artist:

Jeemin Jamie Chung (South Korea, 1983 -one of her jewels on the pic.), JOYA Award winner 2015.
Her collection “Two drops” was the winner of the last edition of JOYA, she was selected over 50 individual artists. Jamie has a background of living in diverse cultures where her inspiration comes from. She graduated from Kookmin University, M.F.A Metalwork & Jewelry / Seoul, Korea in 2010.) She currently runs a studio in Seoul, Korea.
This year she is the invited artist of JOYA, and will present her second experimental work “Presence” a talk about the presence through different forms, where presence and existence are something that is not realized unless revealing itself. AND has this solo exhibition at Amarantojoies!
« The idea is to let my audience to think of the theme Presence once in their life/me, about why and how things exists. »

Jeemin Jamie Chung I Art Jewellery‎The Presence | Solo Exhibition - AmarantoJoies

« My works can be defined from the interests and the background of my life with constant new meetings, farewells, and adapting to diverse cultures.
I like to create and show my beliefs and values throughout my work. In my previous works I have expressed nature, in particular the form and structural changes as a plant grows, into movable Art Jewelry.
With the same context and interests I have changed my approach to the works I create. I have been focusing on improvising the ideas of presence into my Art Jewelry. The works I wanted to present is a reflection of me partly revealing the moments of my life… »

« One day, an idea had made me curious, curious about the existence of the nonexistent. The nonexistent form that can be translated into my own way by giving boundaries to irregular changes. This theme has challenged me to express my way of thinking.  I was fascinated by the existence of the invisibleness. It clearly does not show the existence itself, but it reveals through other forms. 
 This exhibition will be the first step in my way of showing the invisibleness. I will continuously think and question myself about this theme, which will lead to my next series in the future. 
Now, I would like to ask my audience, have you thought about the existence of the nonexistent? »

  Jeemin Jamie Chung Brooch: Two drops, 2015 Brass: Jeemin Jamie Chung Brooch: Two drops, 2015 Brass

jeemin jamie chung -  at Joya 2015Jeemin Jamie Chung -  at Joya 2015

 Jeemin Jamie Chung  at Legnica-2016  Jeemin Jamie Chung  at Legnica-2016

jeemin-jamie-chung  brooch - AmarantoJoies: Jeemin Jamie Chung -  brooch -at  AmarantoJoies

jeemin-jamie-chung ring - amarantojoies: Jeemin Jamie Chung -  ring -at  AmarantoJoies

jeemin jamie chung.brooch: Jeemin Jamie Chung . brooch

jeemin jamie chung . brooch untitled2 2015: Jeemin Jamie Chung . brooch untitled2 2015

 

 Jeemin Jamie Chung, Joya 2016 jury member interviewed by Klimt02

 

Graduate of Kookmin University College of Design, Metalwork & Jewelry, Seoul, Korea. MFA Diploma in 2010. In 2004/05 stay at Sheffielfd Hallam University Metalwork & Jewelry (Exchange Program). In 2005-2012 presented works at group exhibitions all over the world, among other in France, Japan, korea, Great Britain. She was also an author of individual exhibitions in Korea (2009-2012). Her works was published in „500 Wedding Rings”, Marthe Le Van, Lark Brooks, NY, U.S.A, 2007.

 

 

Amarantojoies
Carrer de Sant Domènec, 23,
08012 Barcelona  , Espanya
Tuesday, 11.00h to 14.30h and 17.00h to 22.30h
Wednesday to Saturday, 11.00h to 14.30h and 17.00h to 20.30hEnregistrer

24/09/2016

EXPO ‘Darrera El Mirall’ – Sala Perill, Barcelona (ES) – 28 Sept.-1er Oct. 2016

« Darrera El Mirall » (Behind the Mirror)  – nueva propuesta del grupo Joyas Sensacionales en la que se retrata a sí mismo, las joyas que nos devuelve el espejo …

 Inauguración miércoles 28 de septiembre de las 18: 00 / Wednesday 28 of October : Opening at 18h

Retratos y auto-retratos convertidos en joyas ….. vale la pena, os esperamos la semana que viene en la Sala Perill !
Our new exhibition at Sala Perill with portraits and self-portraits turned into jewellery. Open from Thursday – Saturday 11h-20h

 Durantes la semana de JOYA, en Sala Perill

"Darrera El Mirall" -   grupo Joyas Sensacionales  del 28 de septiembre al 1 de octubre de 2016

Alicia Giráldez – Carla Garcia – Carme Roher – Clara NiubóFátima TocornalGemma CanalLola GratacósLourdes CarmeloMontse BasoraNicole DeusterNuria AngurenRamon Puig Cuyas —  Silvia Walz —  Xus Anglès

 Ramon Puig Cuyas - Broche sobre ensablaje: Alpaca, esmaltes, plásticos, papael, cartón y otros materiales. "Auto-retrato".Ramon Puig Cuyas - Broche sobre ensablaje: Alpaca, esmaltes, plásticos, papael, cartón y otros materiales.
« Auto-retrato ».

Ramon Puig Cuyas - Broche sobre ensablaje: Alpaca, esmaltes, plásticos, papael, cartón y otros materiales. "Retrato a Alicia Giraldez".Ramon Puig Cuyas – Broche sobre ensablaje: Alpaca, esmaltes, plásticos, papael, cartón y otros materiales.
« Retrato a Alicia Giraldez ».

Ramon Puig Cuyàs  - Broche sobre ensablaje: Alpaca, esmaltes, plásticos, papael, cartón y otros materiales. "Retrato a Carme Roher".Ramon Puig Cuyàs  – Broche sobre ensablaje: Alpaca, esmaltes, plásticos, papael, cartón y otros materiales.
« Retrato a Carme Roher ».

 

Sala Perill
Avinyó 46, Pral 2ª,
Barcelona
abierto de Jueves a Sábado de 11-20 horas
http://www.joyas-sensacionales.com/

 

JOYA 2016 – selected artists – BBB&B with Isabelle Busnel

Selected artists at JOYA 2016Isabelle Busnel

 


« Rhinestones and pearls set in grey and black silicone: this is my new investigation into classic jewellery. Victorian necklaces, stomachers, Berlin iron jewellery…the past is full of treasures. This new collection is about revisiting these pieces, with a twist in terms of materials, shapes and colours. »

BBB&B ??? yes ! BLACK, BOLD,  BEAUTIFUL … by BUSNEL !

 

Isabelle Busnel brooch siliconeIsabelle Busnel  brooch Stomacher -  silicone

Isabelle Busnel   septembre 2016 -  New Black ans White collection. Brooch Isabelle Busnel   sept 2016 -  New Black ans White collection. Brooch – silicone,  magnet

 Isabelle Busnel - sept 2016 - New Black ans White collection. Brooch #siliconejewellery #magnetjewellery #blackandwhitejewellery: Isabelle Busnel - sept 2016 – New Black ans White collection. Brooch silicone 

 

Isabelle Busnel brooches - ROYAL APPOINTMENT The Dialogue Collective: Isabelle Busnel brooches « stomachers » – really BOLD, isnt’it ?

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23/09/2016

VOIR ROUGE avec Galit EINAV project – 1500 matches

Classé dans : COUP DE COEUR,Galit EINAV (IL),Israel (IL),recup' / recycled — bijoucontemporain @ 0:02

Galit EINAV project – 1500 matches

ce projet de Galit Einav mérite d’être soutenu ! et en plus, sa ténacité, sa créativité, son imagination, qui ne flanchent pas, et qui donnent du BEAU !! CHAPEAU !!

Une seconde par jour.
Chaque femme est unique en son genre – mais il y a des femmes qui n’existent pas. Elles sont translucides, instruments, disparues destinées à être uniquement utilisées. Le projet de plus de 1500 allumettes et d’introduire chaque jour une allumette pour elles. Prendre une seconde par jour. Non pour «L’ user et la jeter».

 

Galit Einav - 1500 matches project -  no.669Galit Einav – 1500 matches project -  no.669 (back)
Galit Einav - 1500 matches project -  no.669 (front)Galit Einav – 1500 matches project -  no.669 (front)

I publish every day a single match. My project consists of 1500 inimitably manipulated matches, which represent the voiceless victims of women trafficking

Tackling Domestic Violence & Slavery, on the International Day for the Elimination of Violence Against Women – November 26th  (asafeworldforwomen)

Galit Einav, 50, decided to make a change in her life and learn jewelry design at the  Shenkar College of Engineering and Design. The college is located in a very shady area of the stock market building.

« In the four years I’ve been learning in Shenkar*, I could not ignore its surroundings: cafes, shops, and area of visible institutes, hidden institutes, many employed women who [were] brought forcibly. And no one cares. My dissertation was devoted to these women. [My] Motif of ‘Use and Throw’ turned matches into women, feelings, pendants, plugs, wires, and pearls.
Every woman is a one of a kind – but there are women who are not, who are transparent, traded, missing and are for use only. In my project of more than 1,500 matches, I will present one match everyday – for them.”
“For the sake of these women”, says Galit, « hold a second every day …”

Galit Einav - 1500 matches project -  no.670Galit Einav - 1500 matches project -  no.670 (front)

Galit Einav - 1500 matches project -  no.670 (back)Galit Einav - 1500 matches project -  no.670 (back)

Galit Einav - 1500 matches project -  no.635 Galit Einav – 1500 matches project -  no.635

Galit Einav - 1500 matches project -  no.635 (back)Galit Einav – 1500 matches project -  no.635 (back)

  Galit Einav - 1500 matches project -  no.621Galit Einav – 1500 matches project -  no.621

Galit Einav - 1500 matches project -  no.631Galit Einav – 1500 matches project -  no.631

 

 

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22/09/2016

COUP de COEUR : CRACK !! (non, pas « crac boum hue » ….)

Classé dans : Catalina GIBERT NADAL (ES),COUP DE COEUR,Espagne (ES),JOYA (ES) — bijoucontemporain @ 17:15

Catalina Gibert « last » collection « CRACK »

« last » because it is from 2015, and even if it’s name is ‘CRACK » and I (now) « CRAQUE » (fall in sudden love) for it, it took me time to « craque » : was so used (and addicted) to her primary & violent colors … this sudden black & white  leaved me speechless ….

«  »There is a crack, a crack in everything
That’s how the light gets in » #LeonardCohen » (oui ! et PAS le « crac boum hue » de Jacques Dutronc !)

During the period of JOYA 2016 Barcelona, you will find her last work at the exhibition 3 / TRES at Ingallerybcn   28 sept-29 oct. 2016

Catalina Gibert -  Crack_2015 Necklace linen canvas · paintCatalina Gibert -  Crack_2015 Necklace linen canvas · paint

Catalina Gibert -  2015 ·   #crack #broochCatalina Gibert -  2015 ·   #crack #brooch – linen canvas, acrylic paint, water colours, steel

Catalina Gibert -  2015 ·   #crack #broochCatalina Gibert -  2015 ·   #crack #brooch – linen canvas, acrylic paint, water colours, steel

Catalina Gibert -  2015 · #crack #light #b_n #b_w #workinprogressCatalina Gibert -  2015 · #crack #light #b_n #b_w #workinprogressCatalina Gibert -  2015 · #crack #light #b_n #b_w #workinprogress

Catalina Gibert -  2015 · #crack #light #b_n #b_w #workinprogress

 Catalina Gibert -  2015 · #crack #light #b_n #b_w #workinprogress crack in blueCatalina Gibert -  2015 ·   #crack #brooch detail

Catalina Gibert -  2015 · #crack #light #b_n #b_w #workinprogress crack in blue

Catalina Gibert Crack  2015  brooch - toile de lin, peinture acryl., acier: Catalina Gibert -  2015-  #crack #brooch – has been exhibited in Montpellier France at Studio411 Galerie « Transmission » exhibition

 

 

 

 

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