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25/02/2017

#MunichJewelleryWeek2017 – EXPO (66) – AAD Schmuckstücke Gioielli – Galerie Carl Weishaupt P13, Munich 9-24 Mars 2017

Classé dans : Barbara PAGANIN (IT),EXCHANGE-BIJOU,Exposition/Exhibition,SCHMUCK (DE) — bijoucontemporain @ 1:54

(66) Adria Alpen Donau/aad Schmuckstücke Gioielli  2017

Adria-Alps-Danube Schmuckstücke Gioielli Jewellery 2017 – 09.03-24.03

EXCHANGE-BIJOU 2 – Barbara PAGANIN

 „Adria Alpen Donau Schmuckstücke Gioielli 2017“:

Fifty goldsmiths currently living and working in the European region between the Adriatic Sea and the River Danube (AAD) will come together to exhibit their latest hand-crafted jewellery designs.The individual aesthetic of the designs combined with the artistic implementation of each goldsmith’s craftsmanship will initiate an intercultural dialog about contemporary jewellery design. Visitors are invited to join the extremely active and thrilling scene of these European goldsmiths, where ideas, feelings, dreams are realized into breath-taking and impressive jewellery.

AAD Catalog 2017

(66) Alpen Adria Donau Schmuckstücke Gioielli aad 2017 - Susanne Elster ringsAlpen Adria Donau Schmuckstücke Gioielli aad 2017 – Susanne Elster rings

 

From Germany:  Coralie Arntz — Alexandra Bahlmann — M. Becker — M. Beer — Susanne Elstner — Bernhard Grassl — E. Jocher — Stephan Kaddick — Leinfelder — Kerstin Lind — Michael Mann — Christian Mühlbauer — Nicolodi — H. Niggl — Sebastian Baron v.d. Recke — Imogen Rizkova — G. Schmelmer — Juliane Schölss — Michael Seubert — Gisbert Stach — Christoph Straube — Satoko Takeichi-Däntl — R. Wilhelm — Ulla Zierer

From Austria:  Petr Dvorak — Elisabeth Habig — Angelina Kafka– Gerti Machacek — Aija Neuner –  Seitner — Florian Wagner

from Italy:  Gian Luca Bartellone — Giorgio Cecchetto — G.Chiarcos — Marcus Frühauf — Doris Gabrielli — Konrad Laimer — Stefania Lucchetta — Martin Messavilla –  Barbara Paganin – Federica Pallaver — Jurgen Pollo — P.Reveane — Alessia Semeraro — Giovanni Sicuro — Silvia Valenti — Janos Gabor Varga — Michele Zanin — Stefano Zanin

SCHMUCK 2017 - Barbara Paganin -  - at AAD exhibition - Open Memory n°22 brooch: Barbara Paganin Open Memory n°22 brooch

SCHMUCK 2017 - Barbara Paganin -   at AAD exhibition - Open Memory n°26 brooch: Barbara Paganin  Open Memory n°26 brooch « biology lesson »

SCHMUCK 2017 - Barbara Paganin - at AAD exhibition   - Open Memory n°19 brooch: Barbara Paganin -  Open Memory n°19 brooch

« in the brooches « Memoria Aperta«  ………..  the artist effectively tests the value of the memories that bind everything and everyone. In this collection, ceramic animals, porcelain dolls, sculpted ivory shapes, woods, glass, miniatures of old photos—unearthed, inherited, and collected relics—are mixed in with incredible reproductions in lost wax of shoes, dresses, tiny tools of daily use, mini-bestiary, and gems. Paganin weaves her thick net of information on a sort of genetic algorithm in which everyone can find their reflection. Each brooch, every necklace starts a story. It’s up to us to choose the plots. »  (By Silvia Valenti on  AJF)

 

 

 

 

Galerie Carl Weishaupt P13
Promenadeplatz 13
Munich – DE
Tue-Sat 11:00–18:00
www.goldschmiedeinnung.de

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20/02/2017

EXCHANGE-BIJOU 1 – Roxy Lentz – new works for spring …..

Classé dans : COUP DE COEUR,EXCHANGE-BIJOU,recup' / recycled,Roxy LENTZ (US),USA — bijoucontemporain @ 4:19

Roxy Lentz

« Conceptual art jewelry from re-purposed metal, wabi-sabi and organic nature. »
LOVE this WILD aspect of her jewelry !!! ……….

Some new work that will be at « Wild Women Wearable Art » and « One of a Kind« .  (One of a Kind, The Mart, Chicago, IllinoisThe 2nd annual Spring Show returns April 28-30!)

« I make my jewelry from metal I find at the thrift store, silver plate trays, brass and sometimes bits and pieces I find while on walks. There is always a bit of rusty bolts and stuff in the bottom of my purse! I love to transform something others thought had no value into wearable art jewelry, you should see what I do with PVC I find from the street. »

Roxy Lentz  bracelet from re-purposed metalRoxy Lentz  bracelet from re-purposed metal

Roxy Lentz - bracelet of re-purposed metal - See the maker mark on the metal? It was on the back of the original silver plate tray.Roxy Lentz – bracelet of re-purposed metal – See the maker mark on the metal? It was on the back of the original silver plate tray.

Roxy Lentz Jewelry -  A silver plate tray from the thrift store, you can see where I sawed out some earrings. The base metal is brass.Roxy Lentz Jewelry-  earrings process – A silver plate tray from the thrift store, you can see where I sawed out some earrings. The base metal is brass.

Roxy Lentz earrings - processRoxy Lentz Jewelry  – process – The earrings with the first fire patina. If I wanted to keep these just like this, I would have to use cold connections. But, for these earrings, I need to shape them and fuse the ends together, so, some of this will go.

Roxy Lentz earrings - processRoxy Lentz earrings – process – The finished earrings. I filed the edges, fused the ends with small bits of silver, and used a wire brush to put a sheen on the surface, and to remove the grime that happened when using the torch. Since I put the torch on the back side, I did preserve some of the beautiful « orange peel » on the front. Now, I could leave these like this, or take a chance and put them in a pickle pot to make them silvery. I like the patina, and I think my customers do too. That beautiful gold sheen on the right side of the right earring, it did it all on its own, that is why these are one of a kind, and uncommon jewelry for independent women.

Roxy Lentz - process to make flower earrings Roxy Lentz - process to make flower earrings

 Roxy Lentz - The finished earrings Roxy Lentz Jewelry  the finished flower earrings. I used silver wire to cold connect the flowers to their base to preserve the patina. You can see that the base metal of this bowl was brass, because of the soft gleam on the edge of the flowers. After soldering on the post I put the brass base in pickle to clean the post, then I put it in a rinse of hydrogen peroxide and white vinegar to clean the fire scale off the brass. Some more buffing with a brass wire brush on the flex shaft. The earrings are about 2 1/2 inch long, and 1 1/2 wide. There are some similar at In Tandem Gallery and Gaia in Winston Salem NC.

(to buy Roxy Lentz jewellery in Tandem Gallery HERE !!)

Roxy Lentz  - Pendant of re purposed silver plate and found pexi-glass.   Roxy Lentz  – Pendant of re purposed silver plate and found pexi-glass.(plexi-glass side)

Roxy Lentz Jewelry - Pendant of re purposed silver plate and found pexi-glass.  Roxy Lentz Jewelry ·  Pendant of re purposed silver plate and found pexi-glass. Available at In Tandem Gallery and Gaia in Winston Salem. One of a kind, so may not look like this one.

Roxy Lentz Jewelry - Drop earrings of re purposed silver plate, silver doo-hickies, and sterling hooks. Each pair is one of a kind Roxy Lentz Jewelry - Drop earrings of re purposed silver plate, silver doo-hickies, and sterling hooks. Each pair is one of a kind è Available at Gaia in Winston Salem and In Tandem Gallery https://www.facebook.com/shopgaiaclothing/

Roxy Lentz - Donut earrings of re purposed silver plate, with sterling hooks. One of a kind, so all are a bit different.  Roxy Lentz Donut earrings of re purposed silver plate, with sterling hooks. One of a kind, so all are a bit different.

Roxy Lentz  pendantRoxy Lentz- Repurposed Silver Plate, Brass Chain and a ton of creativity for this necklace
 - www.InTandemGallery.com/roxy-lentzRoxy Lentz Jewelry

 

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19/02/2017

EXCHANGE-BIJOU 1 – Yiota VOGLI – shades of RED

Classé dans : COUP DE COEUR,EXCHANGE-BIJOU,Grece (GR),Yiota VOGLI (GR) — bijoucontemporain @ 3:09

Yiota VOGLI

Shades of Red …. for the sun, for the blood in our veins, for the joy of life …..

« Jewelry is like a biography. It’s a story that tells many chapters of our life. /  Erin Wasson »

Yiota Vogli - shades of red - textile necklaceYiota Vogli - shades of red – textile necklace
Yiota Vogli - shades of red - Paper palp ring, pumice stoneYiota Vogli - shades of red – Paper palp ring, pumice stone
Yiota Vogli - shades of red  - brooch, paint on brass, steel, Amphorae collection 2014Yiota Vogli - shades of red  – brooch, paint on brass, steel, Amphorae collection 2014
Yiota Vogli - shades of red - Cuff, hardener method on textile, Arteries collection, 2015Yiota Vogli - shades of red – Cuff, hardener method on textile, Arteries collection, 2015
Yiota Vogli - shades of red - brooches, necklaces, silver, cotton, copper, Arteries collection, 2015Yiota Vogli – shades of red – brooches, necklaces, silver, cotton, copper, Arteries collection, 2015
Yiota Vogli - shades of red - paper jewelry earrings silver, bronze,paperfolding Yiota Vogli - shades of red – paper jewelry earrings silver, bronze, paper folding
Yiota Vogli -  Necklace: Beware of Wolf, 2016 Oxidized silver, copper, alpaca, plastic, steel 17 x 34 x 32 cm Photo by: Marita Amanatidou From series: ShadowsYiota Vogli -  Necklace/brooch : Beware of Wolf, 2016 Oxidized silver, copper, alpaca, plastic, steel 17 x 34 x 32 cm Photo by: Marita Amanatidou From series: Shadows
Yiota Vogli - Pendant: Out, 2017 Wood, paint, rhodium plated silver & brass 4.5 x 2.7 x 6.5 cm Photo by: Yiota Vogli From series: ShadowsYiota Vogli - Ring / pendant : Out, 2017 Wood, paint, rhodium plated silver & brass 4.5 x 2.7 x 6.5 cm
Photo by: Yiota Vogli From series: Shadows
« SHADOWS collection, 2016, is the embodiment of a fantasy world populated with shadows, exotic birds, grotesque demons and fairies, an exploration of the aesthetic and literary values of such creatures and the real and symbolic nature of the shadow as an image and a figure.
We are aware of a tiny fraction of the thinking process that goes on in our minds, and we can control only a tiny part of our conscious thoughts. The vast majority of our thinking efforts go on subconsciously.
Thoughts like birds will always hover high in the sky but is our responsibility to prevent the ‘birds’ from landing in our minds. Those creatures become symbolic statements and represent obsessions, our ideas and fears or projections of our subconscious. Based on this approach, they are merely symbolic representations of human psychological states.« 
Yiota Vogli - shades of red - earrings, wood, brass, silverYiota Vogli – shades of red – earrings, wood, brass, silver (guess from the shadows collection)
Yiota Vogli - shades of red - Tube stacked rings, copperYiota Vogli - shades of red – Tube stacked rings, copper
 Yiota Vogli -  necklace, wool, crochet silver wireYiota Vogli -  necklace, wool, crochet silver wire
Yiota Vogli - shades of red - necklace, wool, crochet silver wireYiota Vogli - shades of red – necklace, wool, crochet silver wire
Yiota Vogli - shades of red - Two side brooch, wood, silver, sketches, my alter ego collection,2016Yiota Vogli - shades of red – Two side brooch, wood, silver, sketches, my alter ego collection, 2016

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18/02/2017

EXCHANGE-BIJOU 1 – Julia Obermaier – at « Die Vier » Exhibition(s) Munich

Julia Obermaier

Die Vier  Exhibition  -

* 18- 21 Febr. 2017 at  Inhorgenta  in Munich  – hall C2 – Stand 526
* 8-14 Mars 2017 IHM Internationale Handwerksmesse in Munich – Halle B1 – stand 728
* 19-21 May Eunique in Karlsruhe.

« Four women with a strong language expressed through jewellery have the aim to revive the traditions of stone carving and goldsmithing with a contemporary approach. Idar-Oberstein is the point of encounter from all the members of the group, coming from Costa Rica, Austria and Germany. »

   "Die Vier"  Exhibition  /  18 Feb 2017  -  21 Feb 2017   Inhorgenta:

 

Artist list  : Catalina Brenes — Denise Ebert — Pia Groh — Julia Obermaier

  »Even though each one of them has their own special way of expressing, they believe that presenting their works together, there are even stronger “Our differences disappear when the main motor of our creativity joins. We are four women, four designers, four aesthetics with one language: JEWELLERY.” »

Julia Obermaier. Necklace: Breathe, 2016. Rockcrystal, silver, iron, paint, resin. 33 x 18 x 2 cm. Photo by: Qi Wang. - - . - at  "Die Vier"  Exhibition  /  18 Feb 2017  -  21 Feb 2017   Inhorgenta: Julia Obermaier. Necklace: Breathe, 2016. Rockcrystal, silver, iron, paint, resin. 33 x 18 x 2 cm. Photo by: Qi Wang

Julia Obermaier (Germany), recently opened her own beautiful atelier in Kempten (Allgäu). Julia’s pieces from her Bachelor of Fine Arts at the University of Applied Sciences Trier, Dept. Gemstone and Jewellery in Idar-Oberstein will be on exhibition at Inhorgenta, IHM and Eunique. Come and visit us !!!!

Julia ObermaierWant to know more of Julia Obm follow her in facebook and Instagram or visit her website: www.juliaobermaier.com

  Julia Obermaier« My main subject is about private space. If someone is crossing the borders of my spaces without permission, it causes a bad feeling. I try to protect them as much as possible, but in daily life, one cannot always keep direct surroundings and personal space in their preferred way. Our outside world is always in relation with each other and our circumstances.
I create in my pieces rooms, containers, boxes or little caves. These spaces can be filled with ones own personal feelings, perceptions and sensations. I see my work as containers protecting the innermost emotions of the viewer or wearer, that they use to confront a busy world ».

Julia Obermaier
 Julia ObermaierJulia Obermaier Necklace: The Hug, 2016 Agate, silver, resin, pigment Photo by: Julia Obermaier
presented at TALENTE 2017 – during SCHMUCK – 8-14 mars 2017 -

 

 

Inhorgenta
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY

*

TALENTE
Internationale Handwerkmesse Munich
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY

 

 

 

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07/02/2017

EXCHANGE-BIJOU 1 – Jina SEO – ready for #MunichJewelleryWeek2017 !!

New work from 2017 ….. ready for  #MunichJewelleryWeek2017  !!
«Her practice explores the relationships between body, clothing, sexuality, fetish, and space. »

 New work from 2017.. #MunichJewelleryWeek2017Jina Seo New work from 2017… – beginnings in white …. #MunichJewelleryWeek2017

Jina Seo New work from 2017 ..... ready for  #MunichJewelleryWeek2017  !!: Jina Seo New work from 2017.. – brooch – #MunichJewelleryWeek2017

Jina Seo New work from 2017.. -  First time using white leather. Gets almost translucent when it is wet..Jina Seo New work from 2017.. -  First time using white leather. Gets almost translucent when it is wet..

Jina Seo New work from 2017 ..... ready for  #MunichJewelleryWeek2017  !!: Jina Seo New work from 2017 – brooch -  #MunichJewelleryWeek2017

Jina Seo New work from 2017 ..... ready for  #MunichJewelleryWeek2017  !!: Jina Seo New work from 2017 ….. ready for  #MunichJewelleryWeek2017  !!

Jina Seo New work from 2017 ..... ready for  #MunichJewelleryWeek2017  !!: Jina Seo New work from 2017 – brooch

Jina Seo New work from 2017 ..... ready for  #MunichJewelleryWeek2017  !!: Jina Seo New work from 2017 ….. brooch

Jina Seo New work from 2017 ..... brooch: Jina Seo New work from 2017 ….. brooch

 

Artist Statement
The extraordinary power of objects is obtained, because people believe in them. The more mundane the objects are, the more powerful they become. 
My practice contextualizes the primitive energy that is submerged beneath the layers of garments. When the body is removed, the absence becomes an empty structure. The internal structure is evidence of human existence. It remains full of authentic spirit and fantasy. 
Through the processes of deconstructing and reconstructing materials into symbolic forms, I uncover the hidden intimate and sensual power of humanity. It is a moment when ordinary objects become surreal and uncanny in order to redeem the socially constructed expectations and perceptions.

 

Jina SEO on INSTAGRAM
her WEBSITE

 

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04/02/2017

EXCHANGE-BIJOU 1 – Jelizaveta Suska – Hatara Project, Time Perception Vol.3

Jelizaveta Suska

« So me and my friends are preparing for something really cool and exiting: Hatara project. From Finnish – a cotton candy. Like a sweet cloud, we, a bunch of 14 people, from all over the world will make a show in Munich this year. If you are going there for Schmuck Fare, don’t miss our exhibition, it will be under #36 (on a map)!
I will tell more about each participant as we move closer to the 8h of March – Opening day! Have a look at our project webpage. We looking forward to meet you! »
https://www.facebook.com/hataraproject

Jelizaveta Suska  Hatara project. From Finnish - a cotton candy. Like a sweet cloud,

9-22h, LOVaaS artSPace - 08-11 March

Hatara Project, Time Perception Vol.3“,
with : Marine Dominiczak, Morven Downie, Elin Flogman, Yasuyo Hida, Anke Huyben, Christine Jalio, Helmi Lindblom, Melina Lindroos, Annea Lounatvuori, Sara Malm, Wiebke Pandikow, Jelizaveta Suskaya, Susanna Yläranta, Ginta Zabarovska,

Fürstenstr. 6, 80333 München, 08.-11.03.,
Mi. 19-22h, Do. Fr. 10-19h, Sa. 11-17h,
Tel. +358 445250524, www.facebook.com/hataraproject
„Hatara Project, Time Perception Vol.3 - photo: Ninni VidgrenHatara Project, Time Perception Vol.3 – photo: Ninni Vidgren
Meet the artists taking part in this year’s Munich Jewelry Week exhibition TIME PERCEPTION VOL.3.
Jelizaveta Suska
She was born in Latvia, where she completed her Bachelor degree education in Art Academy of Latvia as a metal designer. At the age of 24 she moved to Gothenburg in Sweden for studying and permanent living. In 2015 she graduated from Academy of Design and Crafts (HDK) at University of Gothenburg.
In year 2016 Jelizaveta received The Herbert Hofmann Prize, and Amber prize at Amberif Award.
‘Frozen Moment’ pieces are a lot about feelings of nostalgia, of a moment in time. In my work, I was looking for materialization of these abstract matters. I based it on associations and feelings. After a period of research, I came up with my own material that the pieces are made of. This material has two main compounds: polymer, that is light and transparent, just like ‘a moment’ and crushed marble, that creates an illusion of a solid stone which I associate with a feeling of nostalgia.
In the beginning of crafting each piece, material is hot and dynamic but in a while it turns still. Like a metaphor of a moment becoming a memory. When looking at my works, people often are saying that they look like ice or unknown minerals.
I question traditional approaches and instead of valuable jewels I celebrate the idea behind the material. That’s why for the rear of the brooches and other supporting details I use valuable metals like gold, gold plated silver and titanium.
In this project, I created more than 200 hundred pieces. I then selected 21 and crafted them into the jewelry.
Find out more about Jelizaveta – www.suska.berta.me
Jelizaveta Suska - brooch "Frozen moments"Jelizaveta Suska – brooch « Frozen moments »
Jelizaveta Suska - brooches "Frozen moments"Jelizaveta Suska - brooches « Frozen moments »

 

Hatara-project was fouded by Annea Lounatvuori & Christine Jalio in the spring of 2014. Their first exhibition was at the Munich Jewellery Week on march 2015 and the second of may at O galleria in Helsinki. The third exhibition was a part of the Munich Jewellery Week 2016 were Christine Jalio and Annea Mikaela participated together with Melina Lindroos, Wiebke Pandikow, Helmi Lindblom and Ginta Zabarovska.

Members:
Annea Lounatvuori
Christine Jalio
Ginta Zabarovska
Melina Lindroos
Helmi Lindblom
Wiebke Pandikow
Jelizaveta Suskaya

 

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03/02/2017

EXCHANGE-BIJOU 1 – Rafael Luis ALVAREZ – KOSMOS en el Museo José Hernandez en Buenos Aires (Argentina) – 10 Fevr.-13 Mars 2017

Rafael Luis Alvarez (ARGENTINA)

COLECCIÓN KOSMOS,UNA COLECCION DE PINTURA, DIBUJOS, FOTOGRAFIA Y JOYERIA

Museo José Hernandez en Buenos Aires (Argentina)

Inauguracion Viernes 10 de febrero 2017 18:30 hs
Rafael Luis Alvarez -  KOSMOS, UNA COLECCION DE PINTURA, DIBUJOS, FOTOGRAFIAY JOYERIA:
El viernes 10 de febrero de 2017 a las 18.30 horas el Museo de Arte Popular José Hernández inaugura la exposición KOSMOS. Joyería, fotografía, dibujo y pintura.
Reconocido como uno de los más destacados orfebres contemporáneos de Argentina, Rafael Álvarez reflexiona acerca de lo sutil y contenedor, lo liviano y etéreo, la intuición, lo fantástico y la imaginación. El cosmos, un gran hueco que se crea a cada instante, nuestro espacio cercano que a cada minuto aparece y desaparece interpelado por sus límites.
Las obras surgen de una búsqueda artística subjetiva, conceptual y material con la intención de querer expresar en la joyería cualidades relacionadas a lo femenino. El metal entonces se presenta como demasiado rígido. La investigación lo lleva por los caminos de la pintura, el dibujo,  la fotografía y el video, y encuentra en el caucho las cualidades deseadas.
Kosmos es un  universo femenino. Gea, Ceres, Maya, Venus, Diana, Metis, Io y Hera son las mujeres que habitan este espacio. Representantes de una estirpe mitológica que al mirar el infinito no se nombran aunque están presentes.
Rafael Luis Alvarez -  KOSMOS –   collarRafael Alvarez – KOSMOS – necklace
Rafael Luis Alvarez -  KOSMOS –   collarRafael Alvarez - KOSMOS – necklace – detail
Rafael Alvarez - KOSMOSRafael Alvarez – KOSMOS
Rafael Alvarez - KOSMOSRafael Alvarez - KOSMOS

 

 

Museo de Arte Popular José Hernández
Av. del Libertador 2373 – CABA – Buenos Aires – Argentina
extensioncultural_hernandez@buenosaires.gob.ar
Téléphone : +54 11 4802-9967

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02/02/2017

EXCHANGE-BIJOU 1 – Jonathan HENS – upcoming exhibitions ! BUSY man !!

Jonathan HENS

Here are the upcoming exhibitions for 2017, with the new collection NIGHTLIGHT SKIN.
It’s an evolution from « HUMAN 2.0 » to « NIGHTLIGHT SKIN« .
Jonathan Hens - NIGHTLIGHT SKIN - janv 2017: Jonathan Hens - NIGHTLIGHT SKIN – janv 2017
Galerie beyond‎Belgians and Swedes - 2017
* BELGIANS AND SWEDES /group exhibition – At Gallery Beyond -
From the 29th of January till the 12th of March 2017
« To connect a certain aesthetic or a style to a nationality might be impossible in a society where the global art scene is only a browser away. But is there something of a local culture that could create a common denominator, and how are art works affected by their surroundings and
audience? »
group expo :  Karen Vanmol, Anneleen Swillen, Jonathan Hens, Tine De Ruysser,
Arnaud Sprimont & Karin Roy Andersson, Anna Norrgrann, Linnéa Eriksson, Hanna Liljenberg and Sanna Svedestedt
*
at Smuck 2017
« NO EXPIRY » /duo exhibition
From the 9th of March till the 12th of March 2017
3 stations – Studio Lofts
Welserstrasse 15 81373 Munich
(3Stations = 81373 München, Welserstr. 11 / 15 / 23 / 29-31)
 9th-12th March 2017 -  15-19h, – „No Expiry“, Dimitar Stankov, Jonathan Hens,
 09.-12.03., Do. 15-19h, Fr. 10-18h, Sa. So. 10-14h,
Dimitar Stankov Tel. +32 495327052, Jonathan Hens Tel. +32 483362484

  *

17-21h30, inStitut françaiS  München "Précieux Passages“, Rodrigo Acosta, Angela Bermudez, Stella Bierrenbach, Babette Boucher, Céline  Buffetrille,  Patricia Domingues,   Jonathan Hens, Elvira H. Mateu,   Ulrike Kampfert, Christiane Köhne, Nadine Kuffner, Sonia Ledos, Aude Medori, Nathalie Perret, Galatée Pestre, Linda Pieri, Janire Roman Diaz, Janina Stübler, Céline Sylvestre, Edu  Tarin, Laurence Verdier, Caro Weiss - Kaulbachstr. 13, 80539 München,  09.-10.03. 14-20h, 11.-12.03:

at Smuck 2017
Précieux Passages /group exhibition
From the 8th till the 13th of March 2017
Institut Français de München - Salon jaune, 1st floor
Kaulbachstraße 13 80539 München
17-21h30
with : Rodrigo Acosta, Angela Bermudez, Stella Bierrenbach, Babette Boucher, Céline  Buffetrille,  Patricia Domingues, Jonathan Hens, Elvira H. Mateu, Ulrike Kampfert, Christiane Köhne, Nadine Kuffner, Sonia Ledos, Aude Medori, Nathalie Perret, Galatée Pestre, Linda Pieri, Janire Roman Diaz, Janina Stübler, Céline Sylvestre, Edu  Tarin, Laurence Verdier, Caro Weiss
  09.-10.03. 14-20h, 11.-12.03
*
European Triennial of Contemporary Jewellery 2017
in WCC-BF, Mons (BE)
Opening on the 20th of October 2017 -
This exhibition will also travel to France and Sweden in 2018

 

NIGHTLIGHT SKIN  STATEMENT
« Jonathan Hens’ striking work speaks of recent developments in today’s world, which has seen a fusion between the banal and the races/ cultures/ subcultures and becomes a place where men and women have merged into androgynous beings.
His designs are the result of an intense search for an alternative identity. Rather than a classic example of beauty, the viewer gets to see Hens’ interpretation of it. He chose the material pewter to create his signature, by engraving, pouncing and printing, he creates a new dimension to the material.
After researching different kinds of sub-and material-cultures/ religion/ races he started to experiment with skins. By confronting those materials together, we can translate it as an extension between all human society.
His dark look mirrors (or reflects) ‘the now’, a place where there is scope for experiment and self- expression. His atypical aesthetic has no truck with traditional techniques. Jonathan Hens creates a visual game between austere forms and a rough edge finish. His work raises many questions, such as what beauty means today and whether or not there is still a difference between the sexes/ humans/ religions and cultures.
Jonathan Hens’ work gives us greater insight into the diversity of our world. »

 

 

 

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01/02/2017

EXCHANGE-BIJOU 1 – Isabel TRISTAN – et les voiles laisser partir …

Classé dans : bois / wood,COUP DE COEUR,Espagne (ES),EXCHANGE-BIJOU,Isabel TRISTAN (ES) — bijoucontemporain @ 1:26

Isabel TRISTAN

… et les voiles laisser partir … vogue à l’âme …. quitté l’année 2016 en douceur pour mieux voguer vers la nouvelle année 2017 ……

Pour Isabel Tristan l’inspiration est allée de l’évier au voilier, ou du voilier, passant par les formes dans l’évier, est arrivées à des « voiles » bijou …. elle cite Picasso pour expliquer son inspiration : “La inspiración existe, pero tiene que encontrarte trabajando” . L’inspiration doit te trouver travaillant …. De « corvée vaisselle », il y a dû y avoir un entrechoc d’images, de souvenirs, de formes …… « Et voilà » !

Inspirations et sources pour la série de pièces « Platos » présentées à l’exposition « Página en Blanco » au dernier « Melting point » 2016 a Valencia …..

Isabel Tristan - PLATOS - Inspiración I - Surcando fregaderos  Isabel Tristan - PLATOS – Inspiration I pour la série « Platos » – Surcando fregaderos (en « naviguant dans les éviers » ….) ………

Isabel Tristan  - PLATOS - Inspiración II - Surcando mares  -Barco realizado por Antonio Tristán, padre de Isabel y quién le enseña la técnica del curvado de la madera)  Isabel Tristan  – PLATOS - Inspiration II – Surcando mares  (en « naviguant sur les mers » ….) ………
 Barco realizado por Antonio Tristán, padre de Isabel y quién le enseña la técnica del curvado de la madera)
bateau réalisé par le père d’Isabel, Antonio Tristan, lequel lui enseigna la technique pour courber le bois, technique qu’elle utilise actuellement pour ses bijoux

Maintenant que les images se sont rencontrées, passé/présent, au travail, le processus de création est enclenché ! « depuis la navigation chaotique d’un plat entre les 4 parois d’un évier jusqu’à la navigation fluide, librement et sans obstacles, traçant ses traversées d’un port à l’autre« 

Isabel Tristan - PLATOS - Proceso I - 2016 Isabel Tristan – PLATOS – Processus I – 2016 

Este proyecto auna 2 aspectos: la evolución de su anterior proyecto Mesas y la necesidad de rendir 1 tributo a su padre, con el que ha compartido hobbies y apredizajes, así como el uso de recursos pictóricos, disciplina que desde siempre ha prácticado
De la navegación caótica y enmarañada de un plato entre las cuatro paredes del fregadero…. al navegar libremente sin obstáculos al fluir en el océano de las naves, trazando travesías de un puerto a otro”Isabel Tristan - PLATOS - proceso II -  Isabel Tristan – PLATOS - Processus II

et le bijou nait ….. il a l’air si simple, si évident …. mais il a fallu tout ce cheminement et que ce fassent ces entrecroisements ….

Isabel Tristan  2016 - Platos I - Broche - madera, alpaca y acrilicosIsabel Tristan  2016 – Platos I – Broche – madera, alpaca y acrílicos

Isabel Tristan - Platos II - Broche - 2016 Isabel Tristan - Platos II – Broche – 2016 – madera, alpaca y acrilicos

 Isabel Tristan  2016 Platos III - Collar: Isabel Tristan  2016 Platos III – Collar

Isabel Tristan - Platos IV,  platos rotos - Broche: Isabel Tristan - Platos IV,  platos rotos – Broche

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