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08/03/2017

#MunichJewelleryWeek2017 – EXPO (87) – TONE VIGELAND – Die Neue Sammlung – The Design Museum, Munich (DE) – 11 Mars-11 Juin 2017

87 (on map) -

TONE VIGELAND. JEWELLERY – OBJECT – SCULPTURE

at Die Neue Sammlung – The Design Museum, Munich, Germany
Opening 10.03.2017 from 7.00 p.m.
Press conference: 10.03.2017 from 11.00 a.m.

TONE VIGELAND:

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Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri DahlTone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl

 

Scandinavian studio jewelry is inconceivable without her and her works. As early as the beginning of the 1960s Tone Vigeland’s jewelry objects were routinely included in what are today legendary publications and exhibitions, such as the International Exhibition of Modern Jewellery held 1961 in the Goldsmiths Hall London, which first familiarized the public with the emerging art style of studio jewelry. Now, to mark her 80th birthday, Die Neue Sammlung is devoting its first solo exhibition in Europe outside Scandinavia to the grand dame of Scandinavian studio jewelry – 50 years after Vigeland’s first solo exhibition in 1967 in the Kunstnerneshus in Oslo.

  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl

 

 

 

With their flowing shapes Tone Vigeland’s pieces generally fit snugly despite being made of metal. Vigeland oxidizes the light shiny silver until it is as black as iron. Through contact with the skin the silver regains its play with the light, and lent and dreamt of metallic color variations. Every piece becomes individualized through virtue of being worn. Though they stand out for their size and volume, the objects consist of an incredibly large number of tiny hand worked parts – minute pipes twisted from silver wire, precisely cut rectangular and round discs or tiny pellets and rings – so cleverly joined together as to be invisible to the naked eye. Tone Vigeland’s art on the body appears simultaneously modern and archaic.
About the artist:
Born 1938 into one of the most famous artist families of Norway Vigeland’s artistic training began 1955 at the Statens Håndverk-og Kunstindustriskole Oslo (today Kunsthøgskolen in Oslo, National Academy of the Arts). To learn goldsmith work she moved 1957 to the Oslo Vocational School. In 1958 she joined the avant-garde artist cooperative Plus in Frederikstad, where several of the works she designed as a student were produced in series. Earrings worked from a single silver loop, whose restrained simplicity and linearity was typical for the style in Scandinavia after World War II, were successfully produced until 1985. In 1961, Tone Vigeland opened her own workshop, and began producing one-offs. Since then she has produced many world-famous items of jewelry which have been honored with numerous distinctions. These are now on show for the first time in a solo exhibition featuring 150 of her works.
  In a high-profile exhibition in Galerie Riis 1995 in Oslo, Vigeland took an important step into a different dimension – namely art in architectural space – and simultaneously a move away from decorative art that cites the human body. This move from the body to free space seems a huge one, and yet was quite a logical step for Tone Vigeland.
The very highest distinction have accompanied the artistic oeuvre of this extraordinary Norwegian artist: the Prince Eugen Medal from Sweden in 1988, appointment as Commander of the Royal Norwegian Order of St. Olav in 1996, the Anders Jahre Art Prize and in 2008 she received the Golden Ring of Honor from the Association for Goldsmiths’ Art in Hanau.
  The exhibition was realized with the kind support of the Norwegian Ministry of Foreign Affairs in Oslo, the Royal Norwegian Embassy in Berlin, the Royal Norwegian Consulate in Munich and the Danner-Stiftung, and in cooperation with Norwegian Crafts, Oslo.
In January 2018 the exhibition will be on show in Nordenfjeldske Kunstindustrimuseum in Trondheim.

Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl: Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl

 

 

Die Neue Sammlung – The Design Museum
Pinakothek der Moderne, Rotunda,
Türkenstrasse 15
80333 -  Munich
GERMANY
info@die-neue-sammlung.de
tel  49 0 89 27 27 25 0  /49 0 89 27 27 25 561
11.03-11.06


Enregistrer

#MunichJewelleryWeek2017 – EXPO – (36) Precieux Passages – Institut Français, Munich (DE) – 8-13 Mars 2017

(36) Precieux Passages

Institut Français München

Opening Wed. March 8th from 5pm until 9.30pm

(36)  Precieux Passages (Silhouettes, broches Céline Sylvestre)(Silhouettes, broches Céline Sylvestre) (iron, silk thread – 2015 -photo © Matthieu Gauchet)

 

with :   Rodrigo Acosta AriasAngela Bermudez Stella BierrenbachBabette Boucher –  Céline Buffetrille — Patricia DominguesJonathan HensElvira H. MateuUlrike Kampfert Christiane KöhneNadine KuffnerSonia LedosAude MedoriNathalie PerretGalatée Pestre — Linda Pieri –  Janire Roman DiazJanina StüblerCéline SylvestreEdu TarinLaurence VerdierCaro Weiss

 Jonathan Hens - HUMAN 2.0 #8 Necklace - pewter/ latex/ sutures - 2016 PHOTO ©: Tom Van Den WijngaertJonathan Hens – HUMAN 2.0 #8 Necklace – pewter/ latex/ sutures – 2016 PHOTO ©: Tom Van Den WijngaertAngela Bermudes Pöhlmann - La razón poética. Common senses Body Object - Concrete, cat whiskers, steel, rubber, silver - 2016 PHOTO ©: Tania CastroAngela Bermudes Pöhlmann – La razón poética. Common senses Body Object – Concrete, cat whiskers, steel, rubber, silver – 2016 PHOTO ©: Tania Castro

Aude Medori - Les Irremplaçables, Laurence, Pascal et Bonne maman Stomacher - silver, pearl - 2016 PHOTO ©: Aude MedoriAude Medori – Les Irremplaçables, Laurence, Pascal et Bonne maman Stomacher – silver, pearl – 2016 PHOTO ©: Aude Medori

 Galatée PestreGalatée PestreCaro Weiss -Wurm & Stein pendant - recon, jade, silver - 2014 PHOTO ©: CaroCaro Weiss -Wurm & Stein pendant – recon, jade, silver – 2014 PHOTO ©: Caro

 Patricia Domingues - Serie Duality Brooch - Reconstructed Coral, Steel - 2015 PHOTO ©: Manuela Ocaña: Patricia Domingues – Serie Duality Brooch – Reconstructed Coral, Steel – 2015 PHOTO ©: Manuela Ocaña: Edu tarin -Mold B2 Necklace - Yellow jasper, copper, gold - 2016 PHOTO ©: Edu TarinEdu Tarin -Mold B2 Necklace – Yellow jasper, copper, gold – 2016 PHOTO ©: Edu TarinCéline Sylvestre-  broche  Silhouettes Céline Sylvestre-  broche  Silhouettes

Christiane Köhne - gefaltete Linie groß 1 pendant - Copper, Silver 925, guilloche, rosegold plated. - 2014 PHOTO ©: Joachim SchellenbergerChristiane Köhne – gefaltete Linie groß 1 pendant – Copper, Silver 925, guilloche, rosegold plated. – 2014 PHOTO ©: Joachim Schellenberger

Nadine Simone Kuffner - Duktus Rings - tin - 2016 PHOTO ©: Mirei TakeuchiNadine Simone Kuffner – Duktus Rings – tin – 2016 PHOTO ©: Mirei Takeuchi

Rodrigo Acosta- Desformas. Forma Nº1 Brooch - Fabric, brass, cotton thread and steel wire. - 2015 PHOTO ©: Adolfo López: Rodrigo Acosta- Desformas. Forma Nº1 Brooch – Fabric, brass, cotton thread and steel wire. – 2015 PHOTO ©: Adolfo López:

  Stella Bierrenbach - Crack'd Necklace -plaster, wood, metal, paper, resin - 2016 PHOTO ©: stella bierrenbachStella Bierrenbach - Crack’d Necklace -plaster, wood, metal, paper, resin – 2016 PHOTO ©: stella bierrenbach

Précieux Passages is an international exhibition that highlights the contemporary jewellery youth front. It was born in 2013, arising under the determination of three French artists, Pestre, Sylvestre and Verdier. As the first contemporary jewellery festival was about to take place in Paris (becoming le Parcours Bijoux), they wished to show the general public the great diversity of jewellery and were able to invite twenty-two worldwide artists to be part of a major exposition at the Forney library.
 Four years and several exhibitions later, the three artists have become a professional curating team, and many artists of Précieux Passage have won international jewellery awards and recognition. This year the Précieux Passages artists are invited to show their latest pieces at l’Institut Français München, for the second year in a row.

 

Institut français München

Kaulbachstr. 13,
80539 Munich
Opening hours :
08.3. 5pm-9.30pm
09.-10.3. 2pm-8pm
11.-12.3. 11am-6pm
13.3. 11am-5pm

 

 

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