Nueva coleccion « KUBS »
Isabel Tristan - Noves polseres. col·lecció Kubs
Isabel Tristan Sumant peces a la col·lecció Kubs. Collars tricolors.
Isabel Tristan Arracades col·lecció Kubs
Isabel Tristan - Kub…..itos ya ?
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Rafael Luis Alvarez (Argentina)
at Vinte e Três. Joalharia Contemporânea na Ibero-América
Veintitrés. Joyería Contemporánea en Iberoamérica / Twenty-Three. Contemporary Jewelry in Ibero-America
This exhibition is part of the official Past and Present – Lisbon Ibero-American Capital of Culture 2017 commemoration / Exposición incluida en el ámbito de las conmemoraciones oficiales Pasado y Presente – Lisboa Capital Iberoamericana de la Cultura 2017
Opening/Inauguración – 26.06.2017 – 18h00 – 21h00
Sociedade Nacional de Belas Artes – Lisboa (PT) – 27 Juin- 22 Juill. 2017
En la muestra Pasado y Presente en Lisboa Portugal, donde participaré con parte de la colección « Lo que fue escrito » y realizare ademas dos seminarios de Electroformado
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Rafael Luis Alvarez pieza colección «Lo que fue escrito» (PASADO Y PRESENTE) –
hecho con MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), I
ntercaladas hay fotos
Rafael Luis Alvarez pieza colección «Lo que fue escrito» (PASADO Y PRESENTE) – hecho con MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), Intercaladas hay fotos – DETALLE
Rafael Luis Alvarez pieza colección «Lo que fue escrito» (PASADO Y PRESENTE)
Rafael Luis Alvarez broche colección «Lo que fue escrito» – hecho con MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), Intercaladas hay fotos
Rafael Luis Alvarez collar colección «Lo que fue escrito» (PASADO Y PRESENTE) - hecho con MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), Intercaladas hay fotos
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ELECTROFORMADO POR TRES
Entre el 30 de junio y el 11 de julio, Rafael Alvarez realizará tres seminarios de Electroformado, uno en Buenos Aires y dos en Lisboa, Portugal
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Veintitrés. Joyería Contemporánea en Iberoamérica / Twenty-Three. Contemporary Jewelry in Ibero-America
This exhibition is part of the official Past and Present – Lisbon Ibero-American Capital of Culture 2017 commemoration / Exposición incluida en el ámbito de las conmemoraciones oficiales Pasado y Presente – Lisboa Capital Iberoamericana de la Cultura 2017
Opening/Inauguración – 26.06.2017 – 18h00 – 21h00
Sociedade Nacional de Belas Artes
In an age of globalization when artists travel to numerous places, how relevant is their nationality in an artistic context?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
What do we mean when we say that jewelry can identify a people and a culture?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
Why do we mean when we say that a people and a culture can be identified by their jewelry?
Could it nowadays only identify an epoch?
// question the cultural identity and heritage of participating artists
// display works without showing the artists’ names and nationalities
// look at the way jewelry manufacturing undergoes changes and is affected by other materials and techniques
// reflect on concepts of identity and the way our past surfaces in the present
// foster a debate on the response of the public and reveal the artists’ names and nationalities when the event closes
Draw up the themes that PIN elected to embody the Twenty-Three. Contemporary Jewelry in the Ibero-America exhibition to promote a reflection on contemporary manufacturing that will make us re-think the cultural heritage of each artist and the relations this establishes.
Each of the 23 areas that make up the exhibition plan where the pieces are displayed represents a member nation of UCCI – Union of Ibero-American Capital Cities.
The artists’ names and nationalities are not displayed in order that their cultural identity and heritage can be probed and questioned.
The public is invited to seek the origin of each group of artists and interact in loco by trying to discover their nationality – and leave a flag sticker at each area.
Lúcia Abdenur / Luis Acosta / Rodrigo Acosta / Inês Almeida / Sandra Alonso / Rafael Luis Álvarez / Jordi Aparicio / Titi Berrio / Stella Bierrenbach / Anabell Bravo / Catalina Brenes / Ximena Briceño / Eva Burton / Daniela Caro Pérez / Jorge Castañón /Ignasi Cavaller / Hugo Celi / Cristina Celis / Trinidad Contreras / Ángela Cura Méndez / Teresa Dantas / Gemma Draper / Isa Duarte Ribeiro / Nicolás Estrada / Alejandra Ferrer Escobar / Filomeno /Alice Floriano / Sandra Frias / Pamela de la Fuente / Samantha Fung / Catalina Gibert / Carolina Gimeno / Leonor Hipólito / Caco Honorato / Gabriela Horvat / Amira Jalet / Ana María Jiménez / Erika Jordán / Kepa Karmona – Marie Pendariès / Guigui Kohon / Francisca Kweitel / Lorena Lazard / Nina Lima / Maru López / Jorge Manilla / Massiel del Mar (Massiel Mariel Muñoz)/ Caio Marcolini / Carlos Martiel / Simón Mazuera / Renata Meirelles / Marília Maria Mira /Miriam Mirna Korolkovas / Xavier Monclús / Marc Monzó / María Eugénia Muñoz / Lucía Nieves / Inês Nunes – Catarina Dias / Liliana Ojeda / Natalia Olarte / Raquel Paiewonsky / Clara del Papa /Miriam Pappalardo / Renata Porto / Ramón Puig Cuyàs / Tota Reciclados (Valeria Hasse & Marcela Muñiz) / Cristina Roque dos Santos / Kika Rufino / Vania Ruiz / Estela Sàez / Natalia Sarrazín / Marina Sheetikoff / Diana Silva / Inês Sobreira / Rita Soto / Manuela Sousa / Yolanda Sucre / Edu Tarín /Isabel Tristán / Anahí Vallejos / Manuel Vilhena / WALKA (NanoPulgar) / María Ignácia Walker
Luis ACOSTA 
Rodrigo Acosta - brooch
Pamela de la Fuente - « Pullme » (esta pieza es tambien parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018) 
Ramon Puig Cuyas – brooch
Rafael Luis Alvarez broche colección « Lo que fue escrito » - MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), Intercaladas hay fotos 
Jordi Aparicio
Catalina Brenes 
Jorge Castañón 
Catalina Gibert - bracelet
Caco Honorato « Corazón de Greda Negra » de la colección Lloraría a Mares
Amira Jalet *Inferno* Brooch
Jorge Manilla – This was not organically »: Abruptions #8 Brooch Leather, steel, zinc, charcoal 
Miriam Mirna Korolkovas – colar COCAR titanio anodizado e prata 925
María Eugenia Muñoz - colección « Paisajes Constructivos » broche
Necklace by Natalia Sarrazin
Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela
Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)
Massiel Mariel MUNOZ (Massiel Del Mar), collar construido con papel e hilado a mano
Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ 
Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ (detail)
Estela Saez Vilanova
Isabel Tristan · Noves polseres. col·lecció Kubs
WALKA joyas – jewelry – « Cornucopia: Charms for Life », 2017 (Cacho, plata, seda y retrato de la artista portuguesa Maria José Oliveira con su pieza, realizado por Cristina Felipe) 
Eva Ave Burton – «Bouquet para la Condesa Magenta», broche, 2014
ToTa reciclados pieza “Backside 2“
Marília Maria Mira – 1989, Brooch, silver, steel, paper – 1993, In the Clouds, Invitation card.
Photos: Courtesy Maria Marilia Mira.
Ignasi Cavaller (MFA 2015 Idar Oberstein) • Necklace ‘Horus 1′ • Slate, papyrus, silk cord, retractable plastic and synthetic rope • 2017
Simón Mazuera Zambrano - broche de la serie el viaje.
Rita Carolina Soto Ventura (Rita Soto Joyas) pieza Refugios I
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Viktoria MUNZKER self portraits with jewelry ……
Viktoria Munzker self portraits avril 2017
Viktoria Munzker self portraits avril 2017
Viktoria Munzker self portraits avril 2017
Viktoria Munzker self portraits avril 2017
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Jelizaveta Suska
I will show this work in NY where I will have a group exhibition in MAY 2017 through June 25 2017 at RRgallery
Opening artist reception on MAY 3th, 6-8 pm
Jelizaveta Suska. Brooch: Frozen Moment 2, 2015. Polymer, crushed marble, 14 ct gold, titanium, crystal. 5 x 4 x 3 cm. Photo by: Jelizaveta Suska. From series: Frozen Moment
Jelizaveta Suska Brooch: Frozen Moment 7, 2016 Polymer, crushed marble, gold-plated silver, amethyst 5 x 4 x 3 cm Photo by: Jelizaveta Suska From series: Frozen Moment
Jelizaveta Suska – brooch
Jelizaveta Suska - brooch
Jelizaveta Suska – brooch
Jelizaveta Suska -neckpiece
RRgallery
30 Gansevoort St
10014 New York
tel +1 212-226-4513
gallery@reinsteinross.com
http://ReinsteinRoss.com/
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7artistsfor7days2017 in Rome 5 – 16 june 2017 at mydaybydayspace……save the dates with
Lisa Habig – Maura Biamonti – Yiota Vogli – Valeria Martinez – Einav Benzano – Teresa Faris – Nina Lima
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« As a visual artist, my relationship with jewelry is bidirectional. My jewelry is influenced from my artistic research. Observation and painting require the engagement of all of our senses, thus, in my work I draw on memory and therefore on my senses.
Addressing jewelry as micro sculpture, I refer to form, material, colors and texture to conceptualize personal memories and my view of social and cultural issues into art. » Yiota Vogli
Yiota Vogli - Bracelet: Travelling, 2015 – Paper, oxidized brass, oxidized silver 12 x 1 x 12.5 cm
Yiota Vogli – Necklace: Islands, 2015 – Paper, oxidized brass, oxidized silver - From series: Layers of Memory
Yiota Vogli – pendant/ring – Out, 2017 Wood, paint, rhodium plated silver & brass 4.5 x 2.7 x 6.5 cm – From series: Shadows
26-04-2017
Where is your inspiration coming from?
It’s very important to stay mind open. I seek inspiration everywhere; the ideas are always out there. It’s about being in the right state of mind to take the ‘half formed pictures’ and turn them into something that works.
What are you trying to communicate in particular with your artwork?
Making art is a self expression but most is a way to communicate and share ideas or emotions.
Which material you prefer to use and why ?
It depends of the idea I want to communicate! I love working with simple non precious materials like paper or paper pulp combined with metals like silver or oxidized brass.
How much value do you give to researching material for your creations?
Is very important to make a research of the materials you use in every project, to experiment up to the limits of them.
Is it more important for you the process, or the final artwork itself?
Both, but I am enjoying the process a lot! Every piece is a challenge.
Is there an artist you prefer and why ?
There are many, I prefer those works which are simple, brief, concise and direct.
Have you ever thought to collaborate with other artists , or you like to work on your own?
Making art is a lonely procedure, but Yes! I would love the opportunity to collaborate with other artists.
Where do you feel you are at with this last collection?
As an artist I transfer onto my work pictures, stimuli and sentiments.
What have you discovered of yourself, are you satisfied ? Looking deeper inside me… I feel that I am in a good direction!
Two words to describe your last artwork collection.
Unconscious thoughts.
Yiota Vogli - bracelet - Paper, oxidized alpaca, oxidized silver.
Yiota Vogli – ‘arteries & veins’, neckpiece II, copper, paper, sponge, steel, foil, 2015
Myday – byday gallery
Via Luca della Robbia 76
00153 - Rome
ITALY mydaybyday@myday-byday.com
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