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04/11/2010

SIERAAD Art Fair 2010 – Amsterdam – 4-7 Nov. 2010

Sieraad : International jewelry art fair  in Amsterdam. The fair will include the 50 best entries for the international design contest New Traditional Jewellery and the presentation of « Inspirations »

SIERAAD Art Fair 2010 - Amsterdam - 4-7 Nov. 2010:

This year the theme of SIERAAD Art Fair as well as of the New Traditional Jewellery design contest is TRUE COLOURS. A brilliant concept, for it calls for new artistic exploration on the part of designers and a search for their own creative roots.

In the meantime 200 jewellery artists have registered to show their work at SIERAAD, which is the largest number of participants since the beginning of the fair. From November 4 through 7 they will show the wide range of their creativity to the public in the Gasholder on the Westergasterrein in Amsterdam. The fair will include the 50 best entries for the international design contest New Traditional Jewellery.

 

Participants 2010

Alexa – Maria Klahr
Amanda Caines
Anat Sapir Glass Jewellery Design
Anke AMO Akerboom
Atelier Bloedjes
Atelier Hanneke Paumen
Atelier Luz
Atelier Myrthe
Atelier: Akelei
Atelier: Kunst in Zilver
Atelier: MB
Aurifex Goldschmiede
Babette von Dohnany
Camara Gallery
Cees Post
Christiane Köhne
Creative Jewellers on show
Daniele Geargeoura
Danielle Vroemen
Do Collection
Dominique Trinephi
Dorit Schubert
Dubbelop
Edelsmederij Orzini
Edelsmid Annelies Schroder
Eelco Veenman
Eva Baum
Eva Schreuder
Fabienne Vuilleumier
Fachhochschule Trier
Fairytale jewellery
H.H. Huang
HAL 1 Design
Hanneke Wels-Davelaar
Hartog en Henneman
Hester Zagt
Ines de Booij
Irish Talents
Isabell Schaupp
Jacomijn van der Donk
Jantine Kroeze
John Artistizabal C.
Josef Koppmann
Julia Funk
Julia Miltenberger Schmuckdesign
Kircher Schmuck
L* sieraden
Label 17.01 accessories
Lady Indira
LALABEYOU
Leen Heyne
Liuba Jewels
Loet Gescher
M10 Sieraden en Ontwerp
Malu Berbers
Marc Lange
Marian Sturkenboom
Mayza Joao Design
Miguel Gomez Romero
Mirjam Jakubowski en Rene Vlasblom
Misun Won
MOYA
Nele Content
Nirit Dekel
Nora Rochel
Patricia Thomazo
Paulien Schipper
Peggy Bannenberg
Petra Eberz
Ra-books
Ramjuly
Renate Pukis en Tobias Ueberschaer
Robine Ehrenburg
Sabine Müller
Sabine Scheubele
Saimaan AMK | Saimaa University of Applied Sciences
Sally Collins
Sarah Herriot Design
Sarah Kobak Edelsmid
Sarit Assaf
Serena Kyung-Hyun Park
Sieraad in Perspectief
Simone Brewster
Spitzenstücke
Stephanie Hensle
Tamara Grüner
Tove Rygg
Ulrike Poelk
Uta Knoop Schmuckdesign
Ute Decker Sculptural jewellery
Ute van der Plaats
van Jansen
Yoriko Mitsuhashi
Zehava Hashai-Spellman
Zita Jansen edelsmid

 UTA KNOOP -DE ‘ Tas: Uta Knoop 2. Uta Knoop -  necklace

SIERAAD Art Fair 2010 - Amsterdam - 4-7 Nov. 2010 dans Amanda CAINES (UK) Pulverization-22
Arata Fuchi (at Creative Jewellers on show)- Ring – silver : silver powder : oxidized silver powder : fine gold : fine silver

Mirjam Dreher Schmuckdesign: Mirjam Dreher and Penkaar Abova at/from Fachhochschule Trier

Uli RappUli Rapp - new creations for SIERAAD

Fabienne Vuilleumier - broche 'Villa Dutoit 3': Fabienne Vuilleumierbroche « Villa Dutoit »

Enregistrer

11/10/2010

SIERAAD Art Fair, international jewellery design fair – Amsterdam (NL) – 4-7 Nov 2010

SIERAAD Art Fair

list of participants 2010

SIERAAD

« People wear jewellery for very different reasons – from habit or from a form of self- respect, when one has to dress for a certain occasion, but also in memory of a beautiful moment or a certain person. Jewellery is also worn simply because one is happy to be alive, from the need for something new and in anticipation of things to come. Just as people wear jewellery for different reasons, they also differ in taste and physical appearance. Some people can spend more money on jewellery than others. But where is a contemporary selection to be found that, as far as diversity is concerned, surpasses all other forms of presentations in the way of ideas, materials and price range?

SIERAAD Art Fair, international jewellery design fair - Amsterdam (NL) - 4-7 Nov 2010 dans Alexa-Maria KLAHR (DE) sieraad2

SIERAAD was set up in 2001 as a platform for people who have chosen a fantastic profession in which they can realize all their ideas but who, being self- employed, have only limited possibilities to put their work on the market. The need for such a platform is apparent from the growing number of participants from many different countries who would like to present themselves. This year the work of independent jewellery designers from more than ten countries will be on show. The direct confrontation with the public does not only serve a necessary, economic purpose – it may also result in some feedback regarding the content of their work, which in turn may lead to new developments.
Realizing this edition of SIERAAD Art Fair means that the ideal form of the fair has been realized at the same time. With its characteristic outline and beautiful open space the former gasholder on the premises of the Amsterdam WesterGasfabriek is the right spot with the right atmosphere. The location is spacious enough to create an individual place for each designer while still maintaining the coherence. The fair displays jewellery in all its manifestations and furthermore, presents a small number of goldsmiths that design silver plate.

What goes for vases or paintings goes for jewellery as well – enough is never really enough. Obligations and restrictions are self-imposed values. What really matters is the joy that can be experienced from a work of art. Apart from the wealth of forms and colours, what is especially important are the associations one may have with it and the way one can live with it. That is why the fair is just as interesting for people who seldom buy jewellery as for collectors of these items of cultural significance. Unique objects in a variety of price ranges are to be found here as well as jewellery made in small numbers.
By means of a few centrally located presentations the range of the concept ’jewellery’ is shown. This year it will be an exhibition in which jewellery designers write history, entitled “Medieval Mystery solved”. Jewellery can also symbolize loss and sorrow, which becomes clear from the impact of “Bomb Wreck Jewellery”. As organisers of this fair, Astrid Berens and Maarten Bodt are aware that an increase in new talent is crucial for the profession of jewellery design. Therefore, this year they offer space to students of the section Jewellery & Product Design of the College of Arts in Maastricht. Using new computer technology jewellery designers associated with the Formativ from Düsseldorf make unexpected possibilities and jewellery tailored to the individual visible and tangible. For those who want to increase their knowledge about jewellery there will also be a stand with books on this subject.
In short, everybody can find something to his liking on this edition of SIERAAD Art Fair, if only, for starters, a personal remembrance of this confrontation with the many-sidedness of contemporary jewellery
. »
(Marjan Unger, art historian and publicist)

 dans Anat SAPIR (IL)

 
   
   
 

02pet_ringe dans Annika PETTERSSON (SE)
Alexa-Maria Klahr (DE)

Anat Sapir Glass Jewellery Design
Anat Sapir - glass jewelry 

http://nieohneseifewaschen.files.wordpress.com/2011/01/brosche_rosa-fischernetzb.jpg
Christiane Köhne (DE) - Brosche ‘rosa Fischernetz’ plastikblumen

Dorit Schubert
Dorit Schubert (DE)

 dans Atty TANTIVIT (Thai.)
Fabienne Vuilleumier (FR) – ‘Villa Dutoit’ bracelet

H.H. Huang
Hsiu-Hsuan Huang Painted Necklace, 2007 (Turquoise, canvas, oil paint)

Isabell Schaupp
Isabell Schaupp

Jacomijn van der Donk
Jacomijn van der Donk

Julia Funk, Kragen, 'Die Orientierungslose'
Julia Funk (DE), Kragen, ‘Die Orientierungslose’

006 dans Carolina GIMENO (Chili)
Malu Berbers

Entry
Nora Rochel (DE)

01_3772 dans Christiane KOEHNE (DE)
Ramjuly‘  (Emanuela Deyanova & Antoaneta Petrova) – rings

Sally Collins
Sally Collins (UK) ‘Make Do And Mend’ collection

 dans Denise Julia REYTAN (DE)
Stephanie Hensle (DE) – brooch-  iron, silver plated with magnetic plastic gemstones

Tamara Grüner
Tamara Grüner

silberdisctnecklacecollction dans Dora HARALAMBAKI (GR)

Tove Rygg (CH)

 

 

 

Uli 
Uli Rapp (NL)

Ute Decker Sculptural jewellery
Ute Decker

con_blausilb dans Dorit SCHUBERT (DE)
Uta Knoop (DE) ‘confetti’ necklace

 

NEW TRADITIONAL JEWELLERY GROWS INTO A BIENNIAL EVENT
THEME INTERNATIONAL DESIGN CONTEST AND EXHIBITION IN 2010: TRUE COLOURS
Starting with the fourth edition, New Traditional Jewellery (NTJ) will become a biennial event. The three preceding editions of this international design contest and the ensuing travelling exhibitions have been proof of the success of this project and its right to exist. The quality requirements as to the nature and scope of and entries for the event are becoming increasingly strict. In order to meet these requirements in a professional manner NTJ will become a biennial design contest.
The next edition will be in 2010. For the design contest and exhibition 2010 the technical jury of New Traditional Jewellery (NTJ) has chosen the theme ‘True Colours’ because literally as well as figuratively this theme offers considerable scope for inspiration.
The 2010 theme: ‘True Colours’
Showing your true colours means that you show what your real attitudes and qualities are. You can approach True Colours from a social perspective; society is full of topical colour coding. Other examples may be found in heraldry, folklore and science.
True Colours refers to colours and pigments. Over the centuries the palette of art history has been determined by precious mineralogical and biological pigments that were obtained from ground semi-precious stones, processed metals, and earth, seeds and plants – materials that did not always bear the test of time; in the course of time white lead e.g. turned black.
The link between the theme ‘True Colours’ and contemporary jewellery design is obvious. From time immemorial the significance and appreciation of jewellery have pre-eminently been determined by colour.
From the use of gold or silver to enamels and mineralogical and biological stones: colour is a language. In the seventies and eighties it became manifest how rich this language is. The application of textiles and Perspex in jewellery led to a new form language and use of colour – an important stage in the emancipation of contemporary jewellery design.
True Colours is about the history, meaning, value, magic and power of the language of colour.
The importance of NTJ
For every edition of New Traditional Jewellery an inspiring theme is chosen. Participants are challenged to reshape historical or traditional jewellery. They do not submit just their design – they must also submit pictures and information about the historical or traditional ornament on which their concept is based.
This is the characteristic added value of NTJ: past and present are bridged by artists in a very personal way. A technical jury selects fifty to seventy designs which are on show in an exhibition during the SIERAAD fair, where the winners of NTJ are also officially announced.
When taking part in this contest, jewellery designers from all over the world make use of a new platform where they give shape to their vision of a tradition and a theme. This design contest and the ensuing travelling, international exhibition have become a showcase for developments in contemporary jewellery in the new millennium.
Foundation Art in Business is the initiator of New Traditional Jewellery. Its objective is the promotion of knowledge and appreciation of the art of jewellery in the business world, among private individuals and civil authorities. In this ways FAB wants to bridge the gap between artists and buyers and between tradition and today’s world.

NTJ list of  NOMINEES for 2010

…. among them : Annika Pettersson (SE), Denise Julia Reytan (DE), Floor Mommersteeg (NL), Giovanni Sicuro (IT), Isabell Schaupp (DE), Kirsten Spuijbroek (NL), Tamara Grüner (DE), Thea Clark (US), Willemijn de Greef (NL), Atty Tantivit (Thailand), Carolina Gimeno (Chile), Dora Haralambaki Greece, Fabrizio Tridenti (IT), Vivi Touloumidi (GR), Nicolas Cheng (SE) ………………

Amanda CainesCarolina Gimeno
Amanda Caines (UK)                   —                          Carolina Gimeno (Chili)

36372_133554079997760_129993013687200_284590_1354199_n dans Eily O'CONNELL (IRL)
Dora Haralambaki (Greece) – ceramic jewellery

http://static.dezeen.com/uploads/2010/05/dzn_The-Beauty-of-Nothingness-by-Nicolas-Cheng-1.jpg
Nicolas Cheng – ‘The Beauty of Nothingness’
- brooch – loofah, sponge, cotton

 

 

SIERAAD
WesterGasfabriek
Haarlemmerweg 8-10
1014 BE – Amsterdam (Netherlands/Hollande)
Tel : 00 31 (0)33 4337009
info@platformsieraad.nl
http://www.sieraadartfair.com

24/08/2010

Anat SAPIR – GLASS jewelry

Classé dans : Anat SAPIR (IL),Israel (IL),verre / glass — bijoucontemporain @ 0:02

Anat Sapir (Israel) Anat Sapir was born in 1961. In 1988 she graduated from the Bezalel Art and Design Academy (Israel). She continued her education on goldsmithing techniques at the Bezalel Academy of Art and Design Department of Jewelry and Fashion. In 2000 she did pottery studies with Shulamit Miller. In 2005 she specialized in glass bead making at the Wertzberger Art College.

Anat Sapir Glass Jewellery Design

« When I first came upon glass bead jewelry, the connection was immediate and total. I was particularly attracted by the richness of colors and the translucency, and the great beauty achieved by combining them. I participated in a short workshop (of several hours) on Technique and also perfectioned my skill from books, from the Internet. And especially during what I call “A lot of lamp hours”. In the course of my work I allow myself the freedom of trial and error, which always leads me to new discoveries. For me, glass is both my raw material and inspiration. The process of creation becomes an exploration into the thrilling qualities of the material and into its amazing possibilities. My jewelry is testimony to or Perpetuation of a magical discovery in technique, form and color. The excitement is great, each time anew. I melt the glass in a high-temperature flame and by turning and modelling the liquid material on a mandrel I create the bead, and then carefully and gradually cool it. I mainly create hollow beads. I love the fact that they are big and light, which provides me with room for expression and creativity. » (Anat Sapir )

Anat SAPIR - My DNA necklace 2010
Anat Sapir - My DNA necklace 2010

Anat SAPIR - GLASS jewelry dans Anat SAPIR (IL) 378_9efb9484e971d3103f42fbc00350d482
Anat Sapir“Turquoise Links” necklace – glass, gold-plated spacers

anat20 dans Israel (IL)
Pine-Cone Gray Bracelet Gri Kozalak Bilezik Glass, 22kt gold leaf, flexible silicone cord

anat3 dans verre / glass
Gold Bubbles Bouquet Necklace Altın Balonlu Kolye Glass, 22kt golden leaf, silicone band, flexible silicone cord, gold plated disks

anat18
Multicolor Cups  Necklace Renkli Kaplar Kolyesi Glass, leather cords, gold-filled clasp

anat6anat4
Gold Pine-Cone Eardrop Altın Kozalak Küpe Glass, gold-filled
Red Eardrop / Kırmızı Küpe Glass, gold-filled

 

Actually exhibited at SODAmore, Istanbul (16 juill-28 aout 2010 www.sodaistanbul.com)

30/06/2010

EXPO ‘SODAmore Summer 2010 : Contemporary Art Jewellery Exhibition’ – Nisantasi, Istanbul (Turkey) – 16 Juil.-28 Aout 2010

  SODA, presents 10 contemporary jewellery artists

EXPO - SODAmore

SODAmore Summer 2010: Contemporary Art Jewellery Exhibition consists of an extra-ordinary collection of approximately 60 pieces made of various materials such as glass, metal, silicon, plexiglas, wood, acrylic, plastic and ceramic.

 The works of the internationally acclaimed artists Nevin Arığ, Jahyun Rita Baek, Ela Bauer, Ela Cindoruk, Sina Emrich, Doerthe Fuchs, Peter Hoogeboom, Ted Noten, Anat Sapir and Barbara Stutman present pieces that push the limits of imagination; ceramic teeth aligned on the wrist, vein-like necklaces placed upon the heart and intriguing pendants such as a fly and diamond frozen in acrylic, all gather in Istanbul for the first time.

 The exhibition presents an extensive selection of Contemporary Art Jewellery, which is an internationally rising trend offering art hung not on walls but on the skin.

http://3.bp.blogspot.com/_dDiJ3Beteq0/TEAAwSeaG_I/AAAAAAAAGhQ/7BYlSJHmH44/s1600/Captura+de+pantalla+2010-07-16+a+las+8.47.47.png
Participating artists:

Nevin Arığ (TR/BE)

Born in 1961, Nevin Arığ, graduated from Graphic Design, Fine Arts Academy in Istanbul. Between the years 1995-1998 she studied Contemporary Jewellery at Institut des Arts et Métiers in Brussels. She continued her studies in Silversmithing at IKA, Mechelen and for three years studied Fine Jewellery at Institut des Arts et Métiera. Arığ attended several international exhibitions and was chosen for the “Shoonhaven Silver Award” in 2009.

http://www.nevinarig.com/images/jewellery/noclouds.jpg
Nevin Arığ (BE) ‘no clouds’ brooch

Jahyun Rita Baek
Jahyun Rita Baek is a Korean artist, based in London. She graduated from Rhode Island School of Design in the U.S.A. after which she did her MA at the Royal College of Art in the U.K. She has attended several exhibitions in cities such as New York, London, Hamburg and Florence and has received the Craftmanship and Design Award Gold prize in 2008.

http://www.frizzifrizzi.it/wp-content/uploads/2009/01/rita_baek.jpg
Jahyun Rita Baek jewelry

Ela Bauer
After studying literature and then jewellery design in Jerusalem, Ela Bauer, went to the Rietveld Academy in Amsterdam in 1995. Bauer took master classes at the European Ceramic Centre with Daniel Kruger and Den Bosch. Since 1993 she has participated in several exhibitions at countries such as Japan, Holland, U.S.A., Germany, Italy, Portugal. She also attended significant fairs such as SOFA New York and her works are included in the Museum of Art & Design MAD (New York), Pinakothek der Moderne, Danner Collection (München), Grassi Museum (Leipzig), Textile Museum (Tilburg) and Hiko Mizuno Collection (Tokyo).

http://www.galerie-annickzufferey.com/images/collection/ela_bauer_2.jpg
Ela BauerCollier, silicone, pigments, quartz

 

Ela Cindoruk
Born in 1963, Ankara, Turkey, lives and works in Istanbul. Having received a Bachelor of Arts Industrial Design degree at Middle East Technical University, she later studied Jewellery and Metals at Parsons’ School of Design in New York. Ela Cindoruk is current partner of ‘elacindoruknazanpak’ jewelry studio and gallery in Istanbul, which she co-founded in 1993. Alongside her work as a jewellery maker, she has designed products and lecturing at Istanbul Bilgi University and Istanbul Technical University. As a jewellery maker and designer Ela Cindoruk, participates both national and international exhibitions and her work is showcased at galleries throughout the world. Exhibition highlights include “Turkish Delight” Exhibition in Pergamon Museum in 2008 Berlin, the V & V Gallery “orna-mental” Exhibition in 2007 Vienna, Wallpaper* GlobalEdit06 in Milan, participated fashion shows/exhibitions “Garde-robes” and “Gooood Food” both at the Saint-Etienne International Design Biennial 2006.

http://www.strandgallery.co.uk/images/jewellery/ElaCindoruk001.jpg
Ela Cindoruk – paper brooch

Sina Emrich (DE)
Sina Emrich was born in Frankfurt/Main in Germany in the year 1977. She graduated from the School for Goldsmiths and Watchmakers, Pforzheim in 2001. She continued her studies in Germany and the UK. Since 2008 she is working on the project “Schmucknomadin/Jewellery Nomad-weltlernen/worldlearning”. She has attended several international exhibitions and received awards such as the Honorable Mention at the 6th Chenongşu, International Craft Competition in 2009 and First Prize at the “Ambertrip Art Jewellery Contest” in 2008.
blog : schmucknomadin.wordpress.com

EXPO 'SODAmore Summer 2010 : Contemporary Art Jewellery Exhibition' - Nisantasi, Istanbul (Turkey) - 16 Juil.-28 Aout 2010 dans Anat SAPIR (IL) 6131_1138295452340_1075994113_30436835_2831544_n
Sina Emrich- three dimensional wood elements

Doerthe Fuchs
 (DE)
Doerthe Fuchs was born in Tübingen, Germany. In 1986 she graduated from the Painting Academy and specialized in Goldsmiths. She continued her studies in Munich till 1986. Between the years 2002 and 2004 she studied Art Therapy. Since 1989 she works in her own studio in Munich.

http://www.doerthe-fuchs.de/images/os1_big.jpg
Doerthe Fuchs
 earrings

Peter Hoogeboom (NL)
Dutch designer Peter Hoogeboom, graduated from the Gerrit Rietveld Academy in 1992. Since 1989 he has had several exhibitions in European and Asian countries, also in Australia and New Zealand, in the U.S.A. and Canada. He has had publications in many magazines and books over the years. His work is included in private and public collections such as Museum of Ceramic Art Het Princessehof (Leeuwarden) and Museum of Modern Art (Amhem).

http://1.bp.blogspot.com/_4Jks94Lms2o/SPh_NjLAeoI/AAAAAAAAA1g/O8ZqopGDOqM/s400/ceramica.jpg
Peter Hoogeboom ceramic jewelry

Ted Noten (NL)
After graduating from the Rietveld Academy in 1990, Ted Noten began producing his first pieces of contemporary jewellery. From 2001 onwards he attended several solo and group exhibitions and has work in numerous private collections. Apart from his group exhibitions in Tokyo at the Museum of Contemporary Art and Collect Art Fair at London, he had solo exhibitions at the Stedelijk Museum at Amsterdam and SOFA New York. His designs are included in collections such as the Victoria and Albert Museum (London), Droog Design (Amsterdam), Museum Boijmans Van Beuningen (Roterdam) and Musée des Arts Decorative (Montreal). Ted Noten has received awards such as Harrie-Tillie and Françoise van den Bosch.

http://www.design.nl/sbeos/images/image.php?nid=11908&actions=resize,590,350
Ted Noten – Ice necklace


Anat Sapir
(IL)
Anat Sapir was born in 1961. In 1988 she graduated from the Bezalel Art and Design Academy. She continued her education on goldsmithing techniques at the Bezalel Academy of Art and Design Department of Jewelry and Fashion. In 2000 she did pottery studies with Shulamit Miller. In 2005 she specialized in glass bead making at the Wertzberger Art College.

378_9efb9484e971d3103f42fbc00350d482 dans Barbara STUTMAN (CA)
Anat Sapir“Turquoise Links” necklace – glass, gold-plated spacers

Barbara Stutman (CA)
Born in Montreal, Barbara Stutman studied Fine Arts and Art History at the Montreal Museum of Fine Arts, the Saidye Bronfman Center and Concordia University. Stutman’s jewellery has been exhibited in galleries and museums throughout Canada, the United States, Europe and Asia and has been written about in newspapers, professional journals, catalogues and books. Her work is in the permanent collections of the Musée national des beaux-arts du Québec in Quebec City, the Montreal Museum of Fine Arts, the Koch Ring Collection in Switzerland and the Museum of Arts and Design in New York City.

http://irisjewelry.it/files/2009/10/gioielli-by-barbara-stutman.jpg

Barbara Stutman jewelry - 

 

 

SODA
Sakayik Sokak No: 37/1
34365 – Nisantasi – ISTANBUL (Turkey)
Telephone: +90 212 231 89 88
Telephone: +90 530 936 78 98
website: www.sodaistanbul.com
mail: soda@sodaistanbul.com

 

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