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25/02/2015

During SCHMUCK 2015 – EXPO ‘From the Coolest Corner – Nordic Jewellery’ – Galerie Handwerk, Munich (DE) – 6 Mars-18 Avril 2015

From the Coolest Corner – Nordic Jewellery

Galerie Handwerk 

Inauguration 5 March 2015 – 18.30 hAusstellungseröffnung Donnerstag, 5. März 2015, um 18.30 Uhr

from the coolest corner  (Lilian Eliassen Necklace: Every Road Is Just Another Way Home, 2012 Casting clay, silver)

 AND SEMINAR « Re-Public Jewellery« 
Freitag, 13. März 2015, von 10 bis 15 Uhr in der Galerie Handwerk.
Die Teilnahme ist kostenfrei.
Anmeldung erforderlich bis zum 5. März 2015 über galerie@hwk-muenchen.de oder über die Telefonnummer 089 5119-296. Nähere Informationen unter www.coolestcorner.no .
The seminar Re-public Jewellery will be held at Galerie Handwerk Friday 13 March. Four international speakers will analyze different aspects of social potential in contemporary jewellery: Liesbet Bussche (B), Helen Carnac (GB), Nanna Melland (N), Yuka Oyama (N/D). The seminar is produced by Martina Kaufmann, Prof. Ingjerd Hanevold and Prof. Anders Ljungberg at Oslo National Academy of the Arts, Metal and Jewellery Department in collaboration with The National Museum of Art, Design and Architecture and the Norwegian Association for Arts and Crafts.
The presentations made in this seminar will moderated by Sofia Bjørkmann and Prof. Anders Ljungberg. Together with the speakers and the panel-participants they will investigate strategies to convey and communicate jewellery art in public space.
Time: Friday 13 March 2015, 10 – 15
Place: Galerie Handwerk, Max-Joseph-Straße 4, Munich (map)Registration: The seminar is free of charge, but requires a registration with the Galerie Handwerk. Please register via email galerie[at]hwk-muenchen.de or phone
+49-89-5119-240 or -296.
Maximum number of participants are 90 people.
Full program in pdf

From the Coolest Corner: Nordic Jewellery presents an exciting and broad range of the contemporary studio jewellery created in the Nordic countries. From the Coolest Corner: Nordic Jewellery has a three-fold aim: to present the newest and most advanced contemporary Nordic jewellery, to intensify the discourse on today’s jewellery and strengthen the knowledge about this field, and to consolidate Nordic jewellery’s position in national and international arenas.
Jewellery will be presented in 3 different ways: a touring exhibition, a comprehensive book and an international Seminar Re-Public Jewellery, all shedding new light on the importance of this art. Denmark, Estonia, Finland, Iceland, Norway and Sweden will be the main collaborators in this project.
The touring exhibition From the Coolest Corner was opened at The National Museum – The Museum of Decorative Arts and Design in Oslo in January 2013. It then travelled to The DesignMuseum Finland in Helsinki, The Designmuseum Danmark in Copenhagen, The Estonian Museum of Applied Art and Design in Tallin, The Röhsska Museum of Design and Applied Arts in Gothenburg and The Lithuanian Art Museum in Vilnius.
During “Schmuck 2015” it is shown at the Galerie Handwerk in Munich.
This main exhibition presents 159 works by 61 artists from the Nordic countries including five invited honorary artists and a selected group of artists from Estonia.
The international seminar Re-Public Jewellery will take place on March 13th at the Galerie Handwerk, 10:00-15:00.
To strengthen the interest in and knowledge of art jewellery, artistic tendencies and research within the field will be presented both in the seminar and in the book.
All these different presentations of Nordic studio jewellery together, aim at contributing to reinforce the image of contemporary Nordic Jewellery as expressive, reflexive and “cool”.
The project is a result of a cooperation between the three Norwegian partners (The National Museum –The Museum of Decorative Arts and Design in Oslo, The Norwegian Association for Arts and Crafts and Oslo National Academy of the Arts) and their associated organizers in the Nordic museums of design and decorative arts, the Nordic crafts associations and the national colleges of art and design as well as, of course, our sponsors Nordic Culture Point, Nordic Culture Fund, Arts Council Norway.
The exhibition is sponsored by the Nordic Culture Point, the Nordic Culture Fund, the Arts Council Norway and Galerie Handwerk of the Bavarian Chamber of Crafts

From Dänemark : Julie BachKim BuckAnnette DamKaori Juzu — Marie-Louise Kristensen — Thorkild Harboe Thøgersen — Josephine Winther

  Julie Bach    Julie Bach  -bracelet

  Josephine Winther Josephine Winther Necklaces: Ding, 2011 45 bells, bronze, silver, gold, copper, porcelain, amber,agate

From Estland : Julia Maria KünnapKadri Mälk — Maarja Niinemägi — Kristi Paap — Anna-Maria Saar — Tanel Veenre

  Julia Maria Kuennap    Julia Maria Kunnap  Brooch: From the Middle of a Dream, 2010 Obsidian, gold

  Kadri Mälk Kadri Mälk

From Finnland : Ami Avellán — Aino Favén — Clarice Finell — Janne Hirvonen — Sirja Knaapi — Mervi Kurvinen –  Helena Lehtinen — Mirja Marsch — Anna RikkinenJanna Syvänoja — Monica Wickström

 Janna Syvaenoja Necklace: Untitled I, 2012 Paper, steel wire Janna Syvänoja Necklace: Untitled I, 2012 Paper, steel wire

 Helena Lehtinen  Helena Lehtinen

From Island : Hildur Yr Jónsdóttir — Hulda B. Ágústsdóttir — Helga Ragnhildur Mogensen — Orr-Kjartan Örn Kjartansson & Ástpór Helgason

Helga Ragnhildur Mogensen, ICL Nackstycke "The Red Thread", 2010, drivved, garn, silver. Helga Ragnhildur Mogensen,   Nackstycke « The Red Thread », 2010, drivved, garn, silver

From Norwegen : Liv BlåvarpSigurd Bronger – Linnéa Blakéus Calder — Lillan EliassenElise Hatlø –  Anne LégerKonrad MehusAnna Talbot — Gunnhild Tjåland

Liv Blåvarp: Red Drop, 2011. For this piece Blåvarp was awarded Bayerischer Staatspreis 2012. Photo: Liv BlåvarpLiv Blåvarp: Red Drop, 2011. For this piece Blåvarp was awarded Bayerischer Staatspreis 2012. Photo: Liv Blåvarp

  Anna Talbot (NO) Anna Talbot

From Schweden : Tobias Alm Sara Borgegård ÄlgåBeatrice BroviaNicolas ChengÅsa Elmstam –  Daniela HedmanHanna HedmanKarin Johansson Jenny KlemmingAgnieszka KnapAgnes LarssonKajsa LindbergPaula Lindblom Åsa LocknerMärta MattssonLena OlsonLina PetersonAnnika Pettersson — Margareth Sandström — Sanna SvedestedtTore SvenssonAnna Unsgaard — Peter de Wit — Annika Åkerfelt

  Agnes Larsson  Agnes Larsson

 Märta Mattsson   Märta Mattsson

 

Galerie Handwerk 
Max-Joseph-Straße 4
Eingang Ottostraße
80333 München
Tel. 089 5119-296/240
www.hwk-muenchen.de/galerie
www.facebook.de/galerie.handwerk
6 March ->18 April  (Di.- Mi.- Fr.)  10-18 h., Do. 10-20 h. – 14-16 March 10-15 h.

 

08/01/2013

EXPO ‘FROM THE COOLEST CORNER’ – National Museum of Art, Architecture & Design, Oslo (Norway) – 19 janv.-21 Avril 2013

FROM THE COOLEST CORNER - Nordic Jewellery

from the coolest corner

From the Coolest Corner – Nordic Jewellery presents groundbreaking and fresh jewellery from Northern Europe, a comprehensive selection of current works by artists from Denmark, Finland, Iceland, Norway, Sweden and the Baltic States. The best and most innovative Scandinavian art jewellery is presented, assessing its possibilities and potential at the beginning of the twenty-first century.
The project presented in this publication, culminating in a symposium and a travelling exhibition, challenges stereotypical notions of northern European art jewellery. Do the typical Nordic trends of the nineteen-nineties still apply today? Indeed are there currently any general trends at all in Scandinavian design? Or has the orientation towards international design become so dominant that there are no longer any regional characteristics?
Renowned experts have made a selection of representative works, as a basis for researching the role of northern European jewellery in the context of international art.

With 160 works by artists from Denmark, Finland, Iceland, Norway, Sweden and the Baltic States, this publication considers the significance, strategies and trends of Nordic jewellery art in the early twenty-first century. Expert authors present the backgrounds, developments and characteristics of the contemporary jewellery.

Authors| jury: Liesbeth den Besten (NL) – Widar Halén (NO) – Love Jönsson (SE) – Päivi Ruutiainen (FI) – Jorunn Veiteberg (DK/NO)

Helga Ragnhildur MogensenHelga Ragnhildur Mogensen, Island, neck piece The Red Thread, 2010, driftwood, thread, sterling silver

Exhibition(s)  at
* The National Museum of Art, Architecture and Design, Oslo, Norway 19.1. to 21. 4. 2013,
afterwards at the
* Designmuseum Danmark, Copenhagen // The Danish Design Museum, Copenhagen, DK
* the Design Museum, Helsinki // The Design Museum, Helsinki, Finland (nov. 2013-Jan 2014)
* The Estonian Museum of Applied Art and Design, Tallinn, Estonia
* the Röhsska Museum of fashion, design & decorative arts, Gothenburg , Sweden
* at Galerie Handwerk, Munich, March 2015 // Galerie Handwerk , München, Germany during ‘Schmuck’ 2015

Further information: www.coolestcorner.no

Touring plan

EXHIBITION

Includes a parallel program with 15 exhibitions and events all over Oslo in the winter of 2013
Oslo (NO)
Copenhagen (DK)
Helsinki (FI)
Tallinn (EE)
Gothenburg
Munich
19 January – 21 April 2013
28 June – 15 September 2013
29 November 2013 – 12 January 2014
7 March – 11 May 2014
31 May – 21 September 2014
March 2015

19th January -  21st April 2013:
Nasjonalmuseet for kunst, arkitektur og design, Oslo, Norway – Kunstindustrimuseet
www.nasjonalmuseet.no13.06. – 15.09.13:
Designmuseum Danmark, København in Danmark
designmuseum.dk10th October – November 2013:
Design Museum in Helsinki, Helsinki in Finland
www.designmuseum.fiJanuary to April 2014:
Röhsska museet, Göteborg in Sweden
www.designmuseum.seMarch 2015
Galerie Handwerk, München in Germany during „Schmuck“

 

Participants: 

The following 61 artists have been invited to participate in the exhibition:
Denmark: Annette DamMarie-Louise KristensenKaori Juzu - Josephine Winther – Julie Bach – Thorkild Thøgersen
Finland: Ami Avellán – Aino Favén – Clarice Finell – Janne Hirvonen – Sirja Knaapi – Mervi Kurvinen – Mirja Marsch – Anna RikkinenJanna Syvänoja – Monica Wickström
Iceland: Hulda B. Ágústsdóttir – Ástþór & Kjartan for Orr – Hildur Ýr Jónsdóttir – Helga Ragnhildur Mogensen
Norway: Liv BlåvarpSigurd Bronger – Linnea Calder – Lillan Eliassen – Elise Hatlø – Anne Léger – Anna Talbot – Gunnhild Tjåland
Sweden: Tobias AlmBeatrice BroviaNicolas Cheng – Åsa Elmstam – Daniela Hedman – Hanna Hedman – Karin Johansson – Jenny Klemming – Agnieszka KnapAgnes Larsson – Kajsa Lindberg – Paula LindblomÅsa LocknerMärta Mattsson – Lena Olson – Lina PetersonAnnika Pettersson – Margareth Sandström – Sanna SvedestedtAnna Unsgaard – Peter de Wit - Sara Borgegård Älgå – Annika Åkerfelt
Estonia: Julia Maria KünnapMaarja Niimagi – Kristi Paap – Anna-Marie Saar – Tanel Veenre

Guests of Honour :
The jury decided to invite jewellers who had and are still having a great impact on the artistic development of the jewellery scene in their country :
Denmark: Kim Buck  //  Finland: Helena Lehtinen  //  Norway: Konrad Mehus   //  Sweden: Tore Svendson // Estonia: Kadri Mälk

Anna Talbot (NO), necklace Oh My Deer, 2011 (expo "from the coolest corner" Anna Talbot (NO), necklace Oh My Deer, 2011

Kim Buck (DK)_Bonsai I-V_2012 ringer Kim Buck (DK) – « Bonsai I-V » 2012 ringer

Designmuseum Danmark - FROM THE COOLEST CORNER - "Pumpous" 2011 by Kim Buck « Pumpous » 2011 by Kim Buck

Konrad Mehus (NO)_Birds nest_2003 Konrad Mehus (NO) – Birds nest – 2003

"untitled" Janna Syvänoja, Finland.  Shown at the exhibition at the National Museum.  http://www.coolestcorner.no/ Janna Syvänoja, Finland – « untitled »

Every Road Is Just Another Way Home by Lillan Eliassen, Norway. Lillan Eliassen, Norway – « Every Road Is Just Another Way Home »

Tore Svensson - not classic typology of portrait –medaillons Tore Svensson – not classic typology of portrait –medaillon/brooch

Elise Hatlø -   Grandma sings the bluesElise Hatlø -   Grandma sings the blues Agnieszka Knap (SWE) "anatomy_of_fear" 2011_enameloncopper_Agnieszka Knap (SWE) « anatomy of fear » 2011 enamel on copper Feet from the Ground Series by Daniela Hedman. Daniela HedmanFeet from the Ground Series


Helena Lehtinen (FIN)_Gardens_2012 halskjede

Helena Lehtinen (FIN)  – Gardens – 2012 halskjede

Hedmann Hanna (SWE) "While_they_await_extinction"  (Spheniscus magellanicus) halskjede 2011

Hanna Hedmann (SWE) – « While_they_await_extinction »  (Spheniscus magellanicus) halskjede 2011

Julia Maeia Kunnap (Est.) "from the middle of a dream" brooch 2010 Julia Maria Kunnap (Est.) « from the middle of a dream » brooch 2010

Sigurd Bronger -Norway, Fan Brooch, 2009, gold-plated brass, steel, enamel paint, 80 x 25 mm Sigurd Bronger -Norway, Fan Brooch, 2009, gold-plated brass, steel, enamel paint

‘Breaking the Ice’ symposium with theorists, artists and representatives of galleries, museums and other establishments, on the subject of the present and future of jewellery art, to be held in January 2013 in Oslo/Norway.

 

There will be a wide range of jewellery events taking place in various locations in Oslo in January 2013. We are working with the following galleries:

  • Galleri Expo Arte – young graduate jewellery students from abroad
  • Galleri Format Oslo – Jewellery from The Netherlands and New Zealand
  • RAM galleri – Camilla Luihn ‘The cloud, the wave and the koi remix’
  • Kunsthåndverkerne i Kongensgate – ‘Lightspot’
  • Kunstnerforbundet – Ingjerd Hanevold
  • Vigeland Museet – ‘Aftermath’
  • BRUDD – ‘Yours Sincerely’
  • Galleri Seilduken – KL!NK presents ‘The Black of Night’
  • Window Exhibition at Fritjof Nansens Plass

There will also be arranged several exhibitions at the Oslo National Academy of the Arts.

More information about the program (pdf)

Lillan EliassenLillan Eliassen, Norway, neck piece « Courage », 2012, casting clay, copper

"very guilty" brooch Kadri Malk Kadri Mälk, (Guest of Honour Estonia), brooch « Very Guilty », 2010, Siberian jet, black rhodium plated with white gold, spinel, tourmalines


The National Museum of Art, Architecture and Design, Oslo, Norway
The Museum of Decorative Arts and Design
St. Olavs gate 1
Oslo

Martina Kaufmann (Project Leader)  : martina.kaufmann@gmail.com

09/09/2011

EXPO ‘THE RING – jewel forever’ – Hnoss Gallery, Gothenburg (Sweden) – 9 Sept.-9 Oct. 2011

Classé dans : Adam PAXON (UK),Alexander BLANK (DE),Andi GUT (CH),Anette KRAEN (DK),Anna UNSGAARD (SE),Annelies PLANTEYDT (NL),Aud Charlotte HO SINDING (SE),Barbara PAGANIN (IT),Bas BOUMAN (NL),Beppe KESSLER (NL),Bettina SPECKNER (DE),Birgit LAKEN (NL),Bruce METCALF (US),Castello HANSEN (SE),Christoph ZELLWEGER (CH),Esther KNOBEL (PL),Exposition/Exhibition,Gal. Hnoss (SE),Gemma DRAPER (ES),Georg DOBLER (DE),Gijs BAKKER (NL),Hanna HEDMAN (SE),Helena LEHTINEN (FI),Ineke HEERKENS (NL),Iris NIEUWENBURG (NL),Jamie BENNETT (US),Jantje FLEISCHHUT (NL),Jenny KLEMMING (SE),Jiro KAMATA (JP),Johanna DAHM (CH),Kadri MALK (EE),Karin JOHANSSON (SE),Karin SEUFERT (DE),Karl FRITSCH (DE),Kasia GASPARKI (DK),Katja PRINS (NL),Kim BUCK (DK),Klara BRYNGE (SE),Konrad MEHUS (NO),Kristi PAAP (EE),Lin CHEUNG (UK),Lina PETERSON (SE),Lucy SARNEEL (NL),Manuel VILHENA (PT),Marc MONZO (ES),Mari ISHIKAWA (JP),Maria YLANDER (SE),Mia MALJOJOKI (FI),Mikiko MINEWAKI (JP),Mona WALLSTROM (SE),Nel LINSSEN (NL),Norman WEBER (DE),Otto KUNZLI (CH),Per SUNTUM (DK),Peter BAUHUIS (DE),Peter HOOGEBOOM (NL),Peter SKUBIC (YU),Petra SCHOU (SE),Pia ALEBORG (SE),Ramon PUIG CUYAS (ES),Rian de JONG (NL),rings,Ruudt PETERS (NL),Sara BORGEGARD (SE),Sebastian BUESCHER (DE),Sigurd BRONGER (NO),Silke TREKEL (DE),Sonia MOREL (CH),Suede (SE),Tarja TUUPANEN (FI),Terhi TOLVANEN (NL),Tore SVENSSON (SE),Ulrika SWARD (SE),Vera SIEMUND (NL),Verena SIEBER-FUCHS (CH),Warwick FREEMAN (NZ),Xavier Ines MONCLUS (ES) — bijoucontemporain @ 0:04

THE RING – the most common piece of jewellery can be full of meaning, a personal statement sometimes showing itself as a technical miracle or purely decorative and beautiful. It can demand attention, be an invitation to play, be filled with tears and secrets – and is to be worn for one day or for ever.
In homage to the ring Galleri Hnoss has invited all the jewellery artists exhibited in the gallery since the start in 1997 to produce one ring each. The result is now to be seen in the exhibition THE RING – jewel forever. The show consisting of over one hundred rings is a vibrant collection of different expressions, thoughts and forms

http://h-stew.com/wp-content/uploads/ring1.jpg

In connection with the exhibition on September 9 we are also arranging aseminar : The Ring – jewel forever. The theme is the ring seen from different perspectives. We are very proud to announce the speakers: Anna Schetelich from Galerie Oona, Germany, Professor Otto Kunzli, Germany, and Manuel Vilhena, jewellery artist from Portugal. Moderator is Love Jönsson, crafts critic and guest lecturer at HDK, University of Gothenburg. The seminar is a collaboration between Galleri Hnoss and the Department of Jewellery Art at HDK, with support from Gothenburg Crafts Association, Estrid Ericsson’s Foundation, Wilhelm and Martina Lundgren Fund, and the family Wikanders Foundation.

Artist list:
Ingierd Hanevold, Norway — Lena Bergestad–Jonsson, Sweden — Per Suntum, Denmark — Kim Buck, Denmark — Christer G. Jonsson, Sweden — Peter De Wit, Sweden — Otto Künzli, Germany — Andreas Treykorn, Germany — Verena Siber-Fuchs, Swizerland — Margareth Sandström, Sweden — Karin Johansson, Sweden – Sigurd Bronger, Norway — Esther Knobel, Israel — Tore Svensson, Sweden — Anette Kraen, Denmark — Beppe Kessler, Netherlands — Mona Wallström, Sweden — Ari Turunen, Finland — Synnøve Korssjøen, Norway — Konrad Mehus, Norway — Onno Boekhoudt, Netherlands — Ulrika Swärd, Sweden — Rian de Jong, Netherlands — Christoph Zellweger, Switzerland — Helena Lehtinen, Finland — Helena Sandström, Sweden — Jamie Bennett, USA — Lotta Åström, Sweden — Karen Ihle/ Jens Eliasen, Denmark — Johanna Dahm, Switzerland — Petra Schou, Sweden — Adam Paxon, Scotland — Bruce Metcalf, USA — Eva Dora Lamm, Denmark — Ruudt Peters, Netherlands — Barbara Paganin, Italy — Kasia Gasparski, Denmark — Annelies Planteydt, Netherlands — Kadri Mälk, Estonia — Lena Olson, Sweden — Tarja Tuppanen, Finland — Manuel Vilhena, Portugal — Castello Hansen, Denmark/Sweden — Gijs Bakker, Netherlands — Cecilia Johansson, Sweden — Gunilla Grahn, Sweden — Vera Siemund, Germany — Karl Fritsch, Germany — Nel Linssen, Netherlands — Margaret West, Australia — Lars Sture, Norway — Kerstin Ringedal, Sweden — Fabrice Schaefer, Switzerland — Lucy Sarneel, Netherlands — Elise-Ann Hochlin, Norway — Georg Dobler, Germany — Katja Prins, Netherlands — Ramon Puig Cuyás, Spain — Xavier Monclús, Spain — Mah Rana, England — Peter Bauhuis, Germany — Silke Trekel, Germany — Terhi Tolvanen Finland/Netherlands — Svenja John, Germany — Jivan Astflack, England — Anna Unsgaard, Sweden — Charlotte Sinding, Sweden — Sonia Morel, Switzerland — Pia Aleborg, Sweden — Marc Monzó, Spain — Andi Gut, Switzerland — Anna Martinsson, Sweden — Ulrich Reithofer, Austria/Netherlands — Peter Hoogeboom, Netherlands — Mari Ishikawa, Japan/Germany — Annika Åkerfelt, Sweden — Karin Seufert, Germany — Peter Scubic, Austria — Lina Petersson, Sweden/England — Sara Borgegård, Sweden — Erik Kuiper, Netherlands — Ineke Heerkens, Netherlands — Bettina Speckner, Germany — Sebastian Buescher, England/Tyskland — Warwick Freeman, New Zealand — Iris Neuwenburg, Netherlands — Jiro Kamata, Germany/Japan — Anne-Marie Bernhardt, Sweden — Hanna Hedman Sweden — Lin Cheung, England — Bas Bouman, Netherlands — Birgit Laken, Netherlands — Norman Weber, Germany — Gemma Draper, Spain — Kristi Paap, Estonia — Alexander Blank, Germany — Klara Brynge, Sweden — Mia Maljojoki, Finland/Germany — Jenny Klemming Sweden — Jantje Fleischhut, Netherlands — Mikiko Minewaki, Japan — Carolina Claesson, Sweden — Linda Marie Karlsson, Sweden — Maria Ylander, Sweden — Åsa Christensson Sweden

http://www.konstepidemin.se/hnoss/Ringen/THE-RING---jewel-forever_Onno-Boekhoudt.jpg

Onno Boekhoudt (NL) – ring – Mixed media

EXPO 'THE RING - jewel forever' - Hnoss Gallery, Gothenburg (Sweden) - 9 Sept.-9 Oct. 2011 dans Adam PAXON (UK) Peter-Hoogeboom--tearsBruce-Metcalf2011Ring dans Alexander BLANK (DE)
Peter Hoogeboom  –  Bruce Metcalf  

Jiro-Kamata-ps_jirokamata dans Andi GUT (CH)Gijs-Bakker332_YouCantHaveItAllRing dans Anette KRAEN (DK)
 Jiro Kamata  –  Gijs Bakker

Ramon-Puig-Cuy%C3%A0s-1400---2011- dans Anna UNSGAARD (SE)Ruudt%20Peters-ABBAS-1 dans Annelies PLANTEYDT (NL)
Ramon Puig Cuyas  —   Ruudt Peters

Bettina-SpecknerIMG_8101 dans Aud Charlotte HO SINDING (SE)1a,-Johanna-Dahm,-Double-fingerring,-CLAY, dans Barbara PAGANIN (IT)
Bettina Speckner –  Johanna Dahm

Marc-Monzo-IMG_8910 dans Bas BOUMAN (NL)Synnove-Korssjoen-P4280071 dans Beppe KESSLER (NL)
Marc Monzo  –  Synnove Korssjoen

Jenny%20Klemming-garden dans Bettina SPECKNER (DE)NelLinssen_7days_12 dans Birgit LAKEN (NL)
Jenny Klemming  –  Nel Linssen

Annika-Akerfelt_Ring dans Bruce METCALF (US)Katja-Prins---KP-Inventarium-2 dans Castello HANSEN (SE)
Annika Åkerfelt  –    Katja Prins

Barbara-Paganin---promenade dans Christoph ZELLWEGER (CH)Ineke-Heerkens---Groei-gewoel dans Esther KNOBEL (PL)
Barbara Paganin  –  Ineke Heerkens

Fabrice-Schaefer-ring-Owl-2007-titanium-fine-gold dans Exposition/ExhibitionBirgit-Laken-Wing-Ring-oxidized-silver-2011-DSC05247b dans Gal. Hnoss (SE)
Fabrice Schaefer  —   Birgit Laken

Beppe%20Kessler%20-%20thimble-better-picture dans Gemma DRAPER (ES)Christoph-Zellweger-01_pi+ao dans Georg DOBLER (DE)
Beppe Kessler  –   Christoph Zellweger

 

Esther-Knobel---e dans Gijs BAKKER (NL)Hanna-Hedman---3 dans Hanna HEDMAN (SE)
Esther Knobel  —   Hanna Hedman

Anette-Kr%C3%A6n-For-Better-and-Worse-1-NY dans Helena LEHTINEN (FI)Kim-Buck---Pumpous-ring-Kim-Buck-2011 dans Ineke HEERKENS (NL)
Anette Kræn  –  Kim Buck

Manuel-Vilhena---MV-Ring-Hnoss-1 dans Iris NIEUWENBURG (NL)Lena-Olson---Flower-Lena-Olson dans Jamie BENNETT (US)
Manuel Vilhena  —   Lena Olson

Mia-Maljojoki---MIAring1 dans Jantje FLEISCHHUT (NL)Otto-Kunzli-_04_Hana-bi%28Einzelring%29 dans Jenny KLEMMING (SE)
Mia Maljojoki  —   Otto Künzli

Mari-Ishikawa---Ring-Ishikawa dans Jiro KAMATA (JP)Petra-Schou---PetraSchouFunnels dans Johanna DAHM (CH)
Mari Ishikawa  –  Petra Schou

Sigurd-Bronger---DSC_0094 dans Kadri MALK (EE)Terhi-Tolvanen---Ring-Aurore-2-Terhi-Tolvanen dans Karin JOHANSSON (SE)
Sigurd Bronger  —   Terhi Tolvanen

Rian-de-Jong---rian dans Karin SEUFERT (DE)Verena-Sieber-Fuchs---1.ring dans Karl FRITSCH (DE)
Rian de Jong  - Verena Sieber-Fuchs

 Tore-Svensson---DSC_0025 dans Kasia GASPARKI (DK)Kerstin-Ringedal---DSC_0020 dans Katja PRINS (NL)
Tore Svensson  —   Kerstin Ringedal

Andreas-Treykorn-DSCN1537 dans Kim BUCK (DK)Andi-Gut-Andi_gut_ring-Nylon dans Klara BRYNGE (SE)
Andreas Treykorn  —   Andi Gut

Carolina-Claesson-fingertoppsring-nara dans Konrad MEHUS (NO)Charlotte-Ho-Sook-Sinding-fagel dans Kristi PAAP (EE)
Carolina Claesson  –  Charlotte Ho Sook Sinding

Annelies-Planteydt-red-colourful-crystal-phase-1 dans Lin CHEUNG (UK)Castello-Hansen dans Lina PETERSON (SE)
Annelies Planteydt  –  Castello Hansen

Ingjerd-Hanevold-hanevold dans Lucy SARNEEL (NL)Eva-Dora-Lamm-_MG_0099 dans Manuel VILHENA (PT)
Ingjerd Hanevold  –  Eva Dora Lamm

Helena-Sandstrom-zinkring-sidan-1 dans Marc MONZO (ES)Helena-Lehtinen-LEHTINEN_RING2011 dans Mari ISHIKAWA (JP)
Helena Sandström  –  Helena Lehtinen

Jens-Eliasen-hnoss2 dans Maria YLANDER (SE)Karen-Ihle-hnoss1 dans Mia MALJOJOKI (FI)
Jens Eliasen  –  Kare Ihle

Kristi-Paap-Paap_RING_12_01 dans Mikiko MINEWAKI (JP)Mona-Wallstrom-Mona-Wallstrom-Spirit-I dans Mona WALLSTROM (SE)
Kristi Paap  –  Mona Wallstöm

Lucy-Sarneel-CLEARING-_-Lucy-Sarneel dans Nel LINSSEN (NL)Jivan-Astfalck-theniceandthenotnice dans Norman WEBER (DE)
Lucy Sarneel  —   Jivan Astfalck

Lina-Peterson-Yellow-Ring-Lina-Peterson-a dans Otto KUNZLI (CH)Karin-Seufert-355 dans Per SUNTUM (DK)
Lina Peterson  –  Karin Seufert

Lotta-Astrom-Lot_038 dans Peter BAUHUIS (DE) Kasia-Gasparski-Smykker07skygge%281%29 dans Peter HOOGEBOOM (NL)

Lotta Åström  —   Kasia Gasparski

Mikiko-Minewaki-MIKIKO-RING dans Peter SKUBIC (YU)Linda-Marie-Karlsson-01-lindamarie-ring dans Petra SCHOU (SE)
Mikiko Minewaki  —   Linda Marie Karlsson

Norman-Weber-Schaustuck12 dans Pia ALEBORG (SE)Per-Suntum-avirginring_persuntum01 dans Ramon PUIG CUYAS (ES)
Norman Weber  —   Per Suntum

Pia-Aleborg-pia_aleborg dans Rian de JONG (NL)Silke-Trekel-157-RGB dans rings

Pia Aleborg  —   Silke Trekel

Peter-Bauhuis-bz43hnoss dans Ruudt PETERS (NL)Peter-de-Wit-hnoss2-peter dans Sara BORGEGARD (SE)

Peter Bauhuis  —   Peter de Wit

Sara-Borgegard-Alga-Ring-Hnoss dans Sebastian BUESCHER (DE) Tarja-Tuupanen-TUUPANEN_RING2011 dans Sigurd BRONGER (NO)

Sara Borgegård Älgå  —   Tarja Tuupanen

Erik%20Kuiper-SealwaxHNOSS dans Silke TREKEL (DE)Xavier-Monclus-RingWheel1 dans Sonia MOREL (CH)
Erik Kuiper —   Xavier Monclús

Kadri-Malk-hunting_field12 dans Suede (SE)Ulrika-Sward-Ulrika-Sward dans Tarja TUUPANEN (FI)
Kadri-Mälk  —   Ulrika Swärd

Anne-Marie-Bernhardt-ring1 dans Terhi TOLVANEN (NL)Alexander-Blank-DSC_0022 dans Tore SVENSSON (SE)
Anne-Marie-Bernhardt  —   Alexander Blank

Georg%20Dobler-IMG_2464 dans Ulrika SWARD (SE)Peter-Skubic-11-DSC_0039 dans Vera SIEMUND (NL)
Georg Dobler   —   Peter Skubic

Jantje%20Fleischhut%20.0,5Ring_1 dans Verena SIEBER-FUCHS (CH)Adam-Paxon-DSC_0050 dans Warwick FREEMAN (NZ)
Jantje Fleischhut  –  Adam Paxon

Gemma-Draper-IMG_0483 dans Xavier Ines MONCLUS (ES)Lin-Cheung-%27A-pair-of-wedding-rings-for-the-average-man-and-the-average-woman%27
Gemma Draper  –  Lin Cheung

Hnoss Gallery
Konstepidemin
413 14 – Gothenburg
Sweden
Telephone: +46 31 41 09 19
Fax: +46 31 41 09 19



16/04/2010

Contemporary Swedish Jewellery – bijoux de Suède

Parfois je vous présente des expositions dont la date est largement dépassée … mais dont le thème -et l’intérêt- dépassent largement la date !
En particulier, parmi mes « recherches italiennes », une série d’expositions « par pays » qui nous permet un tour de l’Europe des plus intéressants !

A 2005 touring exhibition showing the works in Italy of fifteen Swedish jewellery artists.
The selection of the artists was made on the basis of conceptual work that could reflect the c
ountries’ culture, nature, climate and general characteristics, representative of the Scandinavian way of interpreting life.

Contemporary Swedish Jewellery - bijoux de Suède dans Agnieszka KNAP (PL) svedesi
Sonja Ekman

« Contemporary Swedish Jewellery«  is curated by Marie-Josè van den Hout, the director of Galerie Marzee in Nijmegen Netherlands and it is touring five countries and 7 venues.
Appreciating that van den Hout considers rings small sculptures, and necklaces akin to drawings and paintings, helps us understand her curatorial decisions.
The fifteen artists selected for this exhibition can be loosely considered part of the Scandinavian ‘New Jewellery’ movement; so we see work displaying the visually provocative expression that is its hallmark. No
longer do these makers tie their inspiration exclusively to nature and geometry, they absorb and rework the multiple modes of expression that contemporary popular culture emits.
These pieces discuss perception, identity, social interaction, art theory, philosophy and sociology; consider the artistic statement of each piece asides to its wearable functionality. Van den Hout has chosen outspoken, more conceptual pieces, where we find form replaced by content. Be aware of self-referential comment on the Swedish traditions of nature and romanticism, and see this less design-orientated approach as refreshing as it is challenging.
Witness Aud Charlotte Ho Sinding‘s grand rubber jewellery, in particular her birds ‘carried’ by the wearers hand; defiantly sculptural, they question the bond between us and nature.

Aud%20Charlotte%20Ho%20Sook%20Sinding dans Anna UNSGAARD (SE)
Aud Charlotte Ho Sindingbirds ‘carried’ by the wearers hand – rubber

The relationship between us and the actual material, is provoked by Ulrika Swärd‘s sound pieces. Her work gives proof to organic source materials – such as metal and pearls – not necessarily being the only starting point. In contrast, Charlotte Skalegård and Anna Unsgaard‘s work echoes the perfectionist goldsmith techniques of past generations; in so much as their work is imbued with a real sense of artist’s labour. Although their choice of materials may be stainless steel and copper, the detailed textile techniques used reference the artistic process in a very clear way.

Ulrika%20Sward dans Aud Charlotte HO SINDING (SE)Charlotte%20Skalegard dans Castello HANSEN (SE)
Ulrika Swärd - sound pieces (euh… « coussin péteur » ??)
Charlotte Skalegård

Agnieszka Knap‘s leaf and flower shaped pendants have a porous enamel surface giving a scorched appearance; an interesting juxtaposition of the beautiful with the distressed

Agnieszka%20Knap dans Charlotte SKALEGARD (SE)
Agnieszka Knap

Dental plaster is the unexpected material involved in Ida Forss‘s work, look out for her witty teeth necklaces. This humorous theme runs to Sissi Westerberg‘s brooches and bracelets, melting as they do over pocket lips. Tobias Andersson‘s badges in various precious and semi-precious materials will make you smile too.

Ida%20Forss dans Gal. Flow (UK) Sissi%20Westerberg dans Gal. Marzee (NL)
Ida Forss                              –         Sissi Westerberg

Tobias%20Andersson dans Ida FORSS (SE)
Tobias Andersson

Karin Johansson, Mirjam Norinder and Mona Wallström are all showing necklaces, but each so different to the next, in terms of both material and content. Similarly, Castello Hansen and Tore Svensson‘s rings could not be more different and unique

Karin%20Johansson dans Karin JOHANSSON (SE)Mirjam%20Norinder dans Mirjam NORINDER (SE)Castello%20Hansen dans Miro Sazdic LOWSTEDT (SE)Tore%20Svensson dans Mona WALLSTROM (SE)
Karin JohanssonMirjam Norinder  — Castello Hansen ring –  Tore Svensson rings

Miro%20Sazdic%20Lowstedt dans Sissi WESTERBERG (SE)

Mona%20Wallstrom dans Sonja EKMAN (SE)

Miro Sazdic Lowstedt               –                     Mona Wallström

 (THANKS to Flow gallery for report & information)

Artistes présentés : Tobias Andersson — Sonja Ekman — Ida Forss — Castello Hansen — Karin Johansson — Agnieszka Knap — Miro Löwstedt — Mirjam Norinder — Aud Charlotte Ho Sook Sinding — Charlotte Skalegård — Tore Svensson — Ulrika Swärd — Anna Unsgaard — Mona Wallström — Sissi Westerberg

«  Beauty becomes complicated
Compared to the development in countries like the Netherlands, Germany and Great Britain, Swedish art jewellery was long marked by slow changes and preservation of traditional craftsmanship qualities.
The new jewellery movement gained widespread acclaim in Sweden only in the late 1980s. However, since the entry of this new and liberated approach in regards to materials, techniques and themes, its application has often been cautious.
The vulgar, grotesque and in other ways visually provocative expressions have only in recent years made its way into the Swedish jewellery scene. Today, nature and geometry are seriously trailing behind as the preferred sources of inspiration, in favour of contemporary popular culture and its wide-ranging modes of expression.
In this meaning the development in Swedish jewellery has clear parallels to movements in other artistic fields, not only in the realm of craft. As the domain expands towards discussions on perception, the making of the identity and social interaction, the relation to art theory, philosophy and sociology is becoming increasingly important.
Form is replaced by content.
There has also been a shift in working methods in the sense that the jewellers increasingly often formulate clearly defin ed thematic projects, which are left behind upon completion as they move on to the next project.
The artistry becomes a stretch of events rather than a continuous flow. This poses challenges to an audience that has become accustomed to appreciate gradual development and refinement of expressive means.
Additionally, to a growing extent many young jewellers make embodiments of examinations, events and meetings rather than concrete jewellery. This dematerialization of the art object carries clear references to the art of the 60s and 70s, along with influences from the virtual dimensions and communication patterns in contemporary society as well.
It is important to remember that the Swedish body of artists has become increasingly international. Many of the artists in the exhibition have studied abroad and several of them are born in countries other than Sweden.
Compared to most other branches of Swedish craft, the jewellery artists have been actively partaking in the international exchange arena, partly as a result of having been schooled by university teachers with foreign backgrounds and frequent participation in workshops abroad.
That the aim is shifting focus away from a nationally defined style is evident.
In this context it is worth noting that some jewellers still favour moti fs that expressively side with the famed Nordic sense of nature. Today however, this is rarely simply a result from unreflecting romanticism or tradition. Many pieces based on natural forms hold double meanings: they are not only referring to nature but also become commentaries to the tradition of nature romanticism itself.
In Sweden, this tradition may be traced back to the poetry of the 18th century, and reached its most significant form during the era of nationalist flirtation in the past centurial turn. Today, the Swedish relationship to nature is mirrored and retold through channels such as advertising and popular culture. To the artists, the nature theme lends itself as a mean to relate to questions on identity, tradition and change.
Karin Johansson may serve as an example of an artist who forwards parts of the nature-oriented tradition, but in the form of a personal world of imagery with many idea sources. In the geometrical forms that dominate her jewellery, flowers, leaf forms and other references to the natural world are often present.
However, there is an affinity to an unobtrusive and emotional sphere established here as well, where a subtle play of opposites takes place, between the concealing and the advancing, between isolation and interaction.
In many aspects however, it is the human body that has become the unifying basis to the jewellers. The fact that the object of jewellery, positioned in the interface between the individual’s body and society, offers unique access to current discussions within a number of cultural contexts is more or less a truism.
To the young Swedish jewellery artists, the subject of the body is not so much an art historical motif as it is a thematic assessment of it as a concept and social phenomena. The jewellers tend to relate to the body as a changeable quantity, shaped by the rules and values of the external world as well as by the individual’s feelings and yearning for expression.
Every once in a while, the unexpected or even unpleasant presses through the conventional beauty. Teeth, fingers and eyes may appear as motifs, with evident references to the state of interchangeability that body parts have today. Cloning in the medical sciences, as well as today’s frequently exposed fascination for plastic surgery, both form foundations for artistic themes.
That this fits well into the international trend of jewellery as well as the visual arts hardly needs mentioning.
In Aud Charlotte Ho Sook Sinding‘s sculptural rubber jewellery, with their somewhat ghostly depictions of flowers and birds, a contradictory bond between human and nature transpires. The carrier must subject to Aud Charlotte Ho Sook Sinding’s voluminous pieces of jewellery, resulting in the appearance of nature getting the upper hand.
In this sense the objects join up with the discussion on the relationship between carrier and object. Who in this relationship is the carrier of expression?
If the jewellers whose theme is the body have set beauty aside, there are others that consciously choose the beautiful as a mode of communication. Beauty can be emotionally moving and create reactions: as an object with historical ties to desire and seduction, the pretty piece of jewellery opens up to associations of power and submission.
Beauty becomes complicated in the complex process of personal interpretation and projections. The contradictions are often readily present in the artistic manifestation of the beautiful. In Agnieszka Knap‘s leaf and flower shaped pendants, the beautiful balances on the verge of a violent expression. The porous enamel surfaces can give a scorched impression, like human bodies whose keepers have burnt them in the sun for the sake of vanity.
The enamelling, a traditional goldsmith technique, becomes a paradoxical way of communication in a contemporary context. In a text about her work, Agnieszka Knap states that beauty is an instrument and that her jewellery « is about making the viewer associate with certain feelings, situations or memories. « I don’t tell concrete stories, but through the choice of colour and form I want to invoke a personal story in the viewer. »
This goal may seem vague, but is representative of a young generation of artists that are anxious to avoid locking the audience’s relationships to an interpretations of their work to established models. The emphasis is placed on the intimate relationship between the piece of jewellery and its carrier.
Perhaps a common tendency in young art is traceable here, one that aims to avoid too substantial pretences. Meetings and events – creating new contexts formed by the individual viewer’s own life experiences – is more important than the universal autonomy of the art piece.
The relationship to the materials offers another access point to the review of Swedish art jewellery in this exhibition. Over the past two decades a gradual change has occurred regarding the choice of materials. Metals, stones and pearls are no longer the obvious starting point.
Some of the pieces by Ulrika Swärd are examples of how even sound can be an element in the production. Organic and in other ways frail materials are also used by many jewellers and the characteristics of the material then itself turns into a carrier of meaning. Brittleness can be used as a metaphor for the perishability of life and a reminder of that we must take care with the most fragile and valuable of all – human relationships.
In many pieces, not only the materials emerge carriers of meaning, but the time factor as well. Some examples are Charlotte SkalegŒrd and Anna Unsgaard‘s detailed textile techniques that charge the objects with time – a true scarcity in our day.
The prosaic materials, thin wire made of stainless steel and copper respectively, are not inherently valuable, but the time that has been invested in the manufacturing process makes the pieces lavish, and therefore alluring objects. In contrast to many older and perfectionist goldsmith techniques, the traces of artist’s labour are clearly perceptible.
The artistic process and its stretch into the time dimension becomes a motif itself. In Anna Unsgaard‘s pieces the material carries obvious references to communication as well. The copper wire is recycled from old telephone lines. In the age of wireless communication, the copper wires provide a link to a recent past, yet at the same time articulate a reminder of the communicative aspect in the particular act of carrying a piece of jewellery.
 » (Love Jšnsson Craft and design critic)

Anna Unsgaard- galerie Alternatives
Anna Unsgaard