BIJOU_CONTEMPORAIN

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13/06/2011

Architectures …………… en broches

 

Poly Nikolopoulou - Breaks - Brooch  SilverPoly NikolopoulouBrooch « Break » – silver, glass

http://www.bodyofart.com/site_media/user/galleries/Karen/karen/homeboaboa-envsrcboawebsitesite_mediaunder-6_1.jpgKaren Vanmol – ‘under construction’ brooch – wood, concrete, cotton, paint, silver
« Karen Vanmol seeks in her work harmony to unite two worlds.
She is looking for a delicate balance between elements of the busy, modern city life and references to the silence and the slowness of nature. Her jewelry combine in a sensitive way clean organic shapes, and building materials with natural materials. Such as ground plans of a house look like farmland, a forests look like skyscrapers, in Karens work blurs the boundary between town and countryside. »

http://www.suzannebeautyman.com/files/gimgs/26_confession.jpgSuzanne BeautymanFoundations & Façades serie – ‘confession’  brooch  2011
(comme ces fenêtres à « rejas » de Séville, ou les moucharabiehs ….)
« …my recent work presents deteriorated architectural forms as objects of adornment. As a series of brooches, they reference jewelry’s historical representation of wealth, while their forms capture degraded fragments of local architecture. Folds and cuts in iron surfaces invite peering into their voids, where delicate patterns set in colored enamel offset the dark metal façade. Reminiscent of wallpaper, the patterned interior surfaces speak of a careful care and consideration put into adorning ones own personal space. Voyeuristic glimpses inside the pieces reveal worn surfaces suggestive of domestic interiors.   » (2010)

http://www.suzannebeautyman.com/files/gimgs/16_1-hall-window.jpg
Suzanne BeautymanFoundations & Façades serie – ‘Hall window’  brooch  2011

Architectures ............... en broches dans Alice Bo-Wen CHANG (Taiwan) Stadtneuplanung_2__2011_bearbeitet-1
Sabine Conrad

Soyeon  Kim, urbanitie seriesSoyeon Kim, urbanitie series

Marlene Beyer projk_urban04Marlene Beyer – brooches: Urban signs 2009 – Polyester resin, polyurethan resin, pigment, silver

Carolina Apolonia - “Heliopolis I” Carolina Apolonia - “Heliopolis I” – brooch- silver, wood, enamel paint 2010

My work reflects my intimate world. Often I construct abstract versions of rooms, buildings, boxes, nests, clusters, and cities that mirror my feelings, dreams, and fears. Some of them relate to memories I have, people in my past, my family history, others to the people around me. Yet others deal with my needs for protection, my fear of being locked in or shut out and my fascination with visible and invisible boundaries and territories. I am intrigued by the process in which walls simultaneously define and shut out space. I love the imperfect, impermanent, and incomplete; cycles of growth and decay, eroded geological structures and abandoned buildings inspire me. I often make unorthodox combinations of materials to create tension and balance. Sometimes I use found objects: quiet mirrors of other intimate worlds.

Paolo-Scura-16.jpgPaolo ScuraUrban inspiration‘ – ‘The city new and old buildings‘ brooch

silvia walz - La casa de LuisSylvia Walz – serie « casitecturas » – « Piso de Alberto » brooch 2008

« En esta serie me dediqué a juntar paredes imaginarias, a construir pequeñas arquitecturas llevables que convocan la memoria a tiempos pasados: a vivencias, experiencias y convivencias. “Las Casitecturas” se convierten en recipientes de sensaciones.
Pequeños laberintos de la memoria, que invitan a paseos imaginarios por sus interiores.
Pasillos, ventanas y paredes, que forman un conjunto y que se comunican entre ellos. Suelos cuyos superficies han sido pisados miles de veces hasta gastarlos. »

silvia walz- La casa de marianne Sylvia Walz« La casa de Mariane » :-)   (bracelet)

Sybille Richter "fields"Sybille Richter – Felder (Fields), 2009 brooch, aluminium, silver 935, uvarovite

Alice bo wen Chang _Brooch red02 Alice Bo-Wen ChangBrooch – Bodyspace/bodyscape series – Silver, aluminium, paint (on Kit&Caboodle)

« Previously trained as an architect, I have always envisioned buildings as machines. Architectural elements are designed to form spaces that manipulate activities and movement. While jewellery cannot divorce itself from the human body, the most intimate space lies in between the body and the object(s). I approach jewellery design as constructing spaces on the topographic contours. »

yu chun chen Yu-Chun Chen – brooch 2008 steel, lacquer, jade, silver, slate

annemie de-corte Annemie De Corte – brooch, 1999 silver

Hyo-rim Lee - brooch Window graduation-2010Hyo-rim Lee – brooch Window  8 2010, sterling silver, glass, PVC, fabrication, C-print (Kookmin University Seoul (KR))

christine matthias Christine Matthias - brooch, 2009 silver

http://www.marzee.nl/galerie/wp-content/gallery/marchetti/smar2010-13.jpg
Stefano Marchetti – brooch, 2010, silver

Michael - 'Flood' - bracelet---sterling silver; pyrex; driftwood (on Kit&Caboodle)Michael - ‘Flood’ – bracelet—sterling silver; pyrex; driftwood (on Kit&Caboodle)

Okinari Kurokawa - rings 2003/2004 gold 835 Okinari Kurokawa – rings 2003/2004  gold 835

14/04/2011

EXPO ‘Tracce del passato nel presente’ – Marijke Studio, Padova (Italy) – 15 Avril-15 Juin 2011

Tracce del passato nel presente
Artists: Christine Matthias, Rudolf Kocéa, Andrea Wippermann

 

EXPO 'Tracce del passato nel presente' - Marijke Studio, Padova (Italy) - 15 Avril-15 Juin 2011 dans Andrea WIPPERMANN (DE) matthias05
Christine Matthias – brooch – silver 2009

Wipperman2011 dans Christine MATTHIAS (DE)Kocea dans Exposition/Exhibition
Andrea Wippermann - brooch ‘Paesaggio Bianco’  Silver  2007
Rudolf Kocéa – brooch ‘wind’ Metal  2010

 

3 orafi formatisi alla Scuola Superiore di Arte e Design di Halle (Germania) con Dorothea Prühl, famosa artista, docente, direttrice a Burg Giebichenstein (1964-2002). Nei lavori degli allievi: Christine Matthias, Rudolf Kocéa, Andrea Wippermann si possono ritrovare, interpretate, la sua filosofia, la sua ‘maniera’ : una certa ‘severità’, asprezza di linguaggio che prevale sui preziosismi, la predilezione del racconto realistico a quello sentimentale, la tendenza alla semplificazione della forma fino all’astrazione. Le loro opere si ispirano alla quotidianità, alla memoria, alla tradizione, eseguite in forme non rifinite, con preferenza per materiali poveri, alla ricerca di una nuova bellezza, più intima, più mentale, che decorativa.

Christine Matthias ad esempio, traduce le antiche grandi fibbie festive del costume regionale in leggere lastre opache poligonali appena bombate, forme dalla forte connotazione astratta contemporanea;

matthias02 dans Gal. Marijke Studio (IT)
Christine Matthias – necklace – silver (Charon Kransen Arts)

in Rudolf Kocéa prevale il desiderio del racconto, egli riduce le immagini della cronaca a segni essenziali aspri, incisi o sbalzati sui metalli, considerando il suo gioiello un supporto materico su cui la labilità della cronaca diventa memoria.

http://www.fh-trier.de/uploads/media/Kocea_Marzee-7.jpeghttp://www.fh-trier.de/uploads/media/Kocea_Marzee-2.jpeg
Rudolf Kocéa 

Andrea Wippermann, (allieva e assistente di Dorothea Prühl), lavora prevalentemente con la tecnica della cera persa (hand-oscillating method).
Strani gioielli spigolosi, in materiali preziosi che non appaiono tali, trattati con perizia e leggerezza, colpiscono per la inaspettata libertà e novità compositiva.
Le nervose strutturine e le frammentate forme organiche cave che compongono la popolazione di questi ‘puzzles’ meccanici, suggeriscono ’malinconici’ relitti abbandonati, buffi insetti, alieni animali, o… futuribili robot.
Audace e sorprendente sintesi di natura e artificio.

 

ExperimantSchmuck_Nov2010_1289998818 dans Italie (IT)
Andrea Wippermann Brosche ‘Rosa Garten’

 

Marijke Studio
Via A.Gabelli , 7
35121 – Padova
Italy
Telephone: + 39 049 663615
Telephone: + 39 3483136216
website: www.marijkestudio.com
mail: marijke@marijkestudio.191.it

 

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