BIJOU_CONTEMPORAIN

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02/08/2011

«Cheveu un bijou !!!» hurle la Dame de Coeur

«!Tranchez-lui la tête!!! Cheveu un bijou!!!» hurle la Dame de Coeur, dans Alice …

mais … faut pas se faire de cheveux dans la vie !! ici, on est à un poil du bijou ….. si ce ne sont pas des bijoux au poil !! ;-)

Au-delà du dégoût que peut susciter l’emploi d’un tel matériau (à la « grande époque » du bijou en cheveux, à l’époque Victorienne, mode lancée par la très romantique Reine Victoria, cet engouement eu un grand succès dans les pays anglo-saxons mais suscita du dégoût et un certain rejet en France et dans le reste de l’Europe), ce n’est pas étonnant, à mon sens, qu’il suscite tant d’attrait parmi la jeune génération de bijoutiers : à force d’interroger le rapport du bijou au corps, le corps s’incorpore petit à petit au bijou lui-même.

 

Tiffany Parbs – Extension (2008) – hand woven hair, digital print – photo Terence Bogue: Tiffany Parbs, Piece, 2008:

 Tiffany Parbs – Extension (2008) – hand woven hair, digital print – photo Terence Bogue

« Contemporary art is getting hairy Long and silky; short and curly. Blond, brunette, red or grey. It’s hair and it has an important part in our perceptions of ourselves. It defines gender and visual identity, and is playing an important role lately in art — in jewelry, drawings or in mixed media pieces. Hair has long had a role in the work of artists and artisans. In the Victorian era, creating jewelry from hair became almost as popular as knitting or crocheting.  By using one’s own hair or that of a beloved family member women were able to design bracelets, chains, rings and earrings. Apart from jewelry, mourners would weave hair into decorative, memorial wall hangings. By the early 1900s using hair fell out of fashion. During the past 15 years, however, there’s been a fascination among contemporary artists using skin, nail clippings, urine and hair to create various forms of art. Fascinated with Victorian hair jewelry, artist and jewelry designer Melanie Bilenker has revived the art form. Like the Victorians who kept lockets of hair and miniature portraits painted with ground hair and pigment to secure the memory of a lost love, renders the « quiet minutes, the mundane, the domestic, the ordinary moments » from her own tresses. Bilenker observes various daily activities such as cleaning, bathing, dressing, resting or eating. She chronicles the private moments by setting the camera’s timer and goes about her business which can be anything such as eating chocolate, writing a note or enjoying a Saturday morning breakfast. Once she has the photographed images, Bilenker creates tracings of the forms within ghem with thousands of tiny strands of her own hair – which are eventually fixed in resin.  She meticulously layers several different drawings to give the appearance of depth, one as foreground, another as background.  The entire process takes the course of about a week of laying hairs, mixing resin, and then allowing it to cure.  Says Bilenker, « Once the hairs are set as line drawings within resin, I shape, smooth and polish the exterior.  I then fabricate the jewelry findings and set them.  The piece is then complete. »" (Courtesy Melanie Bilenker and Sienna Gallery)

Melanie Bilenker Jewelry:   Oh, and they're made from human hair.: Melanie Bilenker (courtesy of Sienna Gallery) - miniature portraits painted with ground hair

hair jewelry by Melanie Bilenker: Melanie Bilenker

« Note » by Melanie Bilenker (courtesy of Sienna Gallery) - miniature portraits painted with ground hair: Each line in these drawings by Melanie Bilenker are made using strands of the artist’s own hair! The delicate drawings depict quiet scenes of domestic life which are sealed in Victorian-inspired brooches and rings.

 Galatée Pestre -Broche dans le sens du poil: Galatée Pestre- Le Sens des Bijoux – Broche ‘Dans le Sens du Poil’ – argent, poils, inox (photo by flavorflavy)

galatée Pestre - broche poils: Galatée Pestre- Le Sens des Bijoux – Broche ‘Dans le Sens du Poil’ (detail)

Nicola Scholz  Necklace: Untitled 2006  Pubic hair, gold: Nicola Scholz  Necklace: Untitled 2006  Pubic hair, gold

Rodrigo Acosta - necklace - pelo natural: Rodrigo Acosta – necklace – pelo natural

Rodrigo Acosta Arias  Lo permisivo de tu Dios, 2009.  Pendientes,pelo,latón, plata.  Fotos: Adolfo López      El cabello como armar de seducción y poder en el contexto de las distintas religiones a las que el hombre quiere pertenecer.  El pelo y lo prohibido, el pelo y la sabiduría, el pelo y la lujuria, el pelo y lo permisivo de tu Dios.: Rodrigo Acosta-  « Lo permisivo de tu Dios », 2009.  Pendientes,pelo,latón, plata.  Fotos: Adolfo López  -   El cabello como armar de seducción y poder en el contexto de las distintas religiones a las que el hombre quiere pertenecer.  El pelo y lo prohibido, el pelo y la sabiduría, el pelo y la lujuria, el pelo y lo permisivo de tu Dios

Agnes Larsson, necklace, hair jewelry: Agnes Larsson, necklace, hair jewelry 2015

Agnes Larsson, necklace, hair jewelry - Remains 9, 2015, necklace, calf skin, aluminum, horse hair, 16 x 9 x 1.25 inches ("Agnes Larsson - Remains" EXHIBITION at Ornamentum gallery  August 8 – September 7, 2015 ): Agnes Larsson, necklace, hair jewelry – Remains 9, 2015, necklace, calf skin, aluminum, horse hair, 16 x 9 x 1.25 inches (« Agnes Larsson – Remains » EXHIBITION at Ornamentum gallery  August 8 – September 7, 2015 )

Carolina Hornauer Necklace: The collector 2009 Cotton thread, synthetic cotton, river pearls, silver, patina, steel wire, enamel on cooper, magnets, burned wood, tinted hair, parts constructed, silver ball chain, silver tube textured, stone, silver charcoal (casting piece): Carolina Hornauer Necklace: The collector 2009 Cotton thread, synthetic cotton, river pearls, silver, patina, steel wire, enamel on cooper, magnets, burned wood, tinted hair, parts constructed, silver ball chain, silver tube textured, stone, silver charcoal (casting piece)

Carla Castiajo brooch Auto Portrait, 2007 gold, hair70 x 50 x 10 mm (via Contemporary jewellery - brooches) Carla Castiajo -  brooch « Auto Portrait », 2007 – gold, hair

Carla Castiajo   "horror vacui"  "Full of you"   brooch 6 x 5 x 3 cm   Gold, hair: Carla Castiajo   « horror vacui »  « Full of you »   brooch (back) 6 x 5 x 3 cm   Gold, hair

"Purity" 2008 Tiina Rajakallio - human hair: Tiina Rajakallio « Purity » 2008 – human hair

Monika Strasser – Hair Brooch 2012 - Hair, rubber, silver, steel – Series: On Beauty: Monika Strasser – Hair Brooch 2012 - Hair, rubber, silver, steel – Series: On Beauty

Maho Takahashi - central st Martins 2012 - “Celebration necklace” Human hair, glue: Maho Takahashi  – “Celebration necklace” Human hair, glue - Central st Martins 2012

Noon Passama - KNOBS - graduate project 2010 - Brooch and Lucia King's portrait: photography - DAN/NAD: Noon Passama – KNOBS – graduate project 2010 – Brooch (“Black Hair Knob” brooch, 2010. Antelope fur, sheepskin, silver.) and Lucia King’s portrait: photography – DAN/NAD

Mielle Harvey - Hair Colored Red: 1998, ca. 14in, human hair, dye, bone: Mielle Harvey – Hair Colored Red: 1998, ca. 14in, human hair, dye, bone (série « city tribal amulets »)

Mielle Harvey - City Tribal amulets serie - Blond Hair and Pearls: 1998, ca. 14in, human hair, pearls, 14k gold: Mielle Harvey (série « city tribal amulets« ) – Blond Hair and Pearls: 1998, ca. 14in, human hair, pearls, 14k gold

Marie Pendaries - "Boucle d’or"  Collier. Cheveu et or (hair & gold necklace): Marie Pendariès - Boucle d’or. Collier. Cheveu et or (gold & hair necklace)
Claire Baloge - "mais, vous avez un poil dans la main !"  2005  Hair, silver: Claire Baloge - « mais, vous avez un poil dans la main ! »  2005  Hair, silver
Claire Baloge - "Mes Tendres Poils"  -  2005 - hair, natural fibers, oxydated copper   Claire Baloge - « Mes Tendres Poils »  -  2005 – hair, natural fibers, oxydated copper   
 Marie Masson - necklace Cravate 2011, silver, horse hair, ribbon: Marie Masson – necklace Cravate 2011, silver, horse hair, ribbon
Marie Masson, France Brooch, Toiletrie 04 Hair transplant, 2013 Latex, horse hair, semolina, leather, 7,5 x 5 cm Leatherwork technics, embroidery, jewellery technics. photo : Marie Masson: Marie Masson, France Brooch, Toiletrie 04 Hair transplant, 2013 Latex, horse hair, semolina, leather, 7,5 x 5 cm Leatherwork technics, embroidery, jewellery technics. photo : Marie Masson
Eun Yeong Jeong -'Growth' from Growth series - copper, wool, wood, horse hair: Eun Yeong Jeong -’Growth’ from Growth series – copper, wool, wood, horse hair

Farah Bandookwala  - redhead neckpiece - sterling silver, fake hair    Farah Bandookwala (UK) redhead neckpiece – silver, fake hair

Farah Bandookwala (UK) –  "which one are you today ?" neckpiece 2007 - silver, fake hair  http://farahbjewellery.files.wordpress.com/2010/06/which-one-are-you-today-neckpiece3.jpg?w=460Farah Bandookwala (UK) « which one are you today ? »  neckpiece – 2007 – silver, fake hair 

FARAH BANDOOKWALA -blue hair brooch  Farah Bandookwala (UK) – blue hair brooch

FARAH BANDOOKWALA - platinum ring Farah Bandookwala (UK) « platinum » ring

Sint Lucas Antwerpen School - JOYA 2012 - Sandra Buyck: Sandra Buyck - fake hair neckpiece – Sint Lucas Antwerpen School – JOYA 2012

Clémentine Despocq - 'Vénus' - Parure de corps/Body ornament - Laiton, cheveux synthétiques/ Brass, synthetic hair  - (AFEDAP ) 2010: Clémentine Despocq – ‘Vénus’ – Parure de corps/Body ornament – Laiton, cheveux synthétiques/ Brass, synthetic hair  – (AFEDAP ) 2010

Olivia Creber - "Keeping Schtum" - resin, acrylic, brown horse hair - Edinburgh College of Art 2013: Olivia Creber - « Keeping Schtum » – resin, acrylic, brown horse hair – Edinburgh College of Art 2013

Roxane Amirouche  PERSONA - 2012  Masque de nuit  Laiton, cuir retourné, cheveux synthétiques,  Elastique  crédit photo Patricia Lemaire (diplome AFEDAP 2012): Roxane Amirouche  PERSONA – 2012  Masque de nuit  Laiton, cuir retourné, cheveux synthétiques,  Elastique  crédit photo Patricia Lemaire (diplome AFEDAP Paris 2012)

Ana Carolina Escobar (AFEDAP 2012) "chez moi chez moi" doble 3- cheveux , laiton, film thermopastique, papier: Ana Carolina Escobar (AFEDAP 2012) collier « chez moi chez moi »- cheveux , laiton, film thermopastique, papier

Julia ValleJulia Valle (Bresil) – hairy accessories

Mona Hatoum, Hair Necklace, 1995 - detail "human thoughts may not be what they appear to be at 1st glance, an idea that this necklace, made from the artist's hair, play with": Mona Hatoum, Hair Necklace, 1995 – detail « human thoughts may not be what they appear to be at 1st glance, an idea that this necklace, made from the artist’s hair, play with » 

Castle in the Air / ÕhuLoss.   - Kadri Mälk Brooch: Lossylong, 2013 Darkened silver, human hair, purple spinel: Kadri Mälk (Castle in the Air / ÕhuLoss) Brooch: Lossylong, 2013 Darkened silver, human hair, purple spinelPolly Van der Glas (AU) – hair jewelry – Sterling silver cast human hair plait necklace & Human hair knuckle ring 2008: Polly Van der Glas (AU) – hair jewelry – Sterling silver cast human hair plait necklace & Human hair knuckle ring 2008

Polly van der Glas -'red hair neckpiece' 2008 Polly van der Glas -’red hair neckpiece’ 2008  -oxidised copper, red Human hair, oxidised sterling silver

Polly van der Glas (AU)  -  Since 2005 my work has centered on materials that were once attached to our bodies: human hair, teeth and fingernails. These materials were at one time part of an intimate, elaborate maintenance ritual.: Polly van der Glas (AU)  -  Since 2005 my work has centered on materials that were once attached to our bodies: human hair, teeth and fingernails. These materials were at one time part of an intimate, elaborate maintenance ritual.

Juan Harnie - (MAD) - Hair (2014) Brooches & necklaces. Resin, human hair, elastic band, silver.: Juan Harnie – (MAD) – Hair (2014) Brooches & necklaces. Resin, human hair, elastic band, silver

Juan Harnie - Hair (2014) Brooches & necklaces. Resin, human hair, elastic band, silver.: Juan Harnie – Hair (2014) Brooches & necklaces. Resin, human hair, elastic band, silver

Untitled ("a hairy tale"), Nina Khazani, Human hair, gold-plated brass and linen - Royal College of Art 2012 dregree show: Nina Khazani, Untitled (« a hairy tale ») – Human hair, gold-plated brass and linen – Royal College of Art 2012 dregree show

Anna Schwamborn, who has worked for Alexander McQueen and Vivienne Westwood and is studying at Central St Martins in London, uses real human hair and human ashes mixed with black bone china. Moxern Mourning Jewellery: Anna Schwamborn, who has worked for Alexander McQueen and Vivienne Westwood and is studying at Central St Martins in London, uses real human hair and human ashes mixed with black bone china. Moxern Mourning Jewellery - Mourning jewelry, bracelet, human cremated ashes mixed with black bone china, human hair, « Wearable body pieces including human material « Morning Objects – The collection of objects contains post-mortem memorial pieces which include aspects of a deceased corpse, namely hair and cremated ashes »

Alchimia Gallery presents Chiara Cavallo "Disturbs" - my curly hair, nylon tube, thread: Chiara Cavallo « Disturbs » – my curly hair, nylon tube, thread (Alchimia)

Géraldine Luttenbacher -NOIR comme BASALTE 2015: Géraldine Luttenbacher - at « NOIR comme BASALTE » 2015

Sylvia Burgoa -’Raiponce–La Colère’/'Rapunzel–Anger’ -- Broche et Collier/Brooch and necklace -- Argent, photographies acetate, fil d’or, fil d’argent, cuir/Silver, photographic acetate, gold thread, silver thread, leather: Sylvia Burgoa -’Raiponce–La Colère’/'Rapunzel–Anger’ – Broche et Collier/Brooch and necklace – Argent, photographies acetate, fil d’or, fil d’argent, cuir/Silver, photographic acetate, gold thread, silver thread, leather – 2010

«Cheveu un bijou !!!» hurle la Dame de Coeur dans Agnes LARSSON (SE) Gejaagd-door-de-Wind-Willemstijn-2Francis Willemstijn- Gejaagd door de Wind, Zuiderzeemuseum – 2009 – Collier – Haar (human hair), git, glas, zilver, textiel Collectie Zuiderzeemuseum, Enkhuizen, NL

Francis Willemstijn - bracelet "Hair", from "gone with the wind" - silver, jet, glass, human hair, textile: Francis Willemstijn – bracelet « Hair », from « gone with the wind » – silver, jet, glass, human hair, textile

 Amy Tavern -Forget Me Not sterling silver, spray paint, picture of my father, my father's hair - detail: Amy Tavern - »Forget Me Not » sterling silver, spray paint, picture of my father, my father’s hair – detailAna Goalabré - bagues 'j'aimerais tant passer mes doigts dans tes cheveux' 1997 Ana Goalabré – J’aimerais tant passer mes doigts dans tes cheveux – Cheveux et résine – 1997  tous droits réservés.
« Puisant dans la tradition des bijoux en cheveux, matériau depuis longtemps collecté dans des foires et marchés ou dans l’intimité des familles pour devenir parure, Ana Goalabré se joue de cet usage en coupant une de ses mèches et en y taillant une bague qu’elle envoie à un homme accompagnée de la missive «J’aimerais tant passer mes doigts dans tes cheveux». Cette phrase, appel érotique d’un corps d’artiste, devient le titre d’une série déclinant divers contenus aimants et sensuels, traditionnellement gardés jusqu’alors implicites au nom d’une morale et d’une bienséance rigoureuse et qui tout à coup semblent avoir gagné le droit de dire clairement le désir, qu’il s’agisse de celui d’une mère, d’un père, d’une amante, d’un amant… et ce dans toute sa trivialité. Pourtant, il n’y a aucune charge obscène dans ces bagues. Qu’elles soient très travaillées ou reprennent le mouvement naturel d’une mèche de cheveux, elles nous renvoient à nos jeux tactiles dans les cheveux de l’autre, en fixant le mouvement, image arrêtée puis détachée du corps pour n’en garder que la sensation. »
(Monique Manoha – Actes du colloque international Projections : des organes hors du corps (13-14 octobre 2006)

Rickson Salkeld   Rickson Salkeld – I am interested in the feminine ideal in relation to the female body.  I enjoy creating work that expresses my wish to both conform and  rebel against ideas of femininity. Through various materials and  processes I take from my own body both physically and metaphorically.  Hair can be used to comment on feminine allure and power, while  clear resin is used to symbolize an abundance of tears

 Azahara Santoro - Tricomotealcyalgenfobia- Miedo irracional al pelo de las mariposas de coral plateado. Piezas unicas  Azahara Santoro  (EASD Valencia 2012) -   bagues avec cheveux (rings with hair) 
Tricomotealcyalgenfobia- Miedo irracional al pelo de las mariposas de coral plateado. Piezas unicas

maria ignacia walker - MFA JEWELLERY AND BODY ORNAMENTS Alchimia contemporary jewellery School 2013 - 2015: Maria Ignacia Walker – MFA JEWELLERY AND BODY ORNAMENTS Alchimia contemporary jewellerySchool 2013 – 2015 –   A simple fact of life that María Ignacia Walker obsesses over: The shedding of hair. The obsession – losing them, collecting them, ordering them, measuring them and archiving them. The desire – to preserve these losses – It gives rise to “transcendieron”.  The discourse is not about beauty and it is not about sensuality, not even about cultural symbols that hair carries.  How much hair do you lose constantly, everyday ? How many pieces grow out of your body and die every moment ?  “The transcendents” are a homage to the moments when you lose your hair. Captured and immortalized in the fragility of the porcelain, they give perpetuity and freeze all their expressions in the moment of their detachment from the body. With a threading method, the artist uses horsehair as connectors. They show the lightness, energy and freedom, while demonstrating the real, natural movement of the hair. Together with the act of keeping and protecting the hair in a porcelain form, they are given another life that keeps them present through their absence.

Maria Ignacia Walker  - 2015 - TRASCENDIERON - Materials: Porcelain / Horsehair / Resin / Gold thread / Gold: Maria Ignacia Walker  – 2015 – TRASCENDIERON – Materials: Porcelain / Horsehair / Resin / Gold thread/ Gold

María Ignacia Walker Contemporary Jewellery - 2015 - TRASCENDIERON: María Ignacia Walker  – 2015 – TRASCENDIERON

María Ignacia Walker   - 2015 - TRASCENDIERON: María Ignacia Walker  – 2015 – TRASCENDIERON

Maria Ignacia Walker Trascendieron 1 2015 Necklace-object, 28 x 45 cm, porcelain, horse hair and resin Photo by Marcos Bucco, courtesy of the artist: Maria Ignacia Walker – 2015 – TRASCENDIERON – Necklace-object, 28 x 45 cm, porcelain, horse hair and resin Photo by Marcos Bucco, courtesy of the artist

Maria Ignacia Walker - 2015 - TRASCENDIERON - necklace (detail)Maria Ignacia Walker – 2015 – TRASCENDIERON – necklace (detail)

Sébastien Carré - collection Hair Landscape - 2016: Sébastien Carré – collection Hair Landscape – 2016 broche (bijoux réalisés pour une collaboration avec le blogger Cut by Fred )

MARION DELARUE-FR Mania-Traditional korean lacquer, korean hair. 2011  MARION DELARUE - Mania :

MARION DELARUE — « Mania » – Traditional korean lacquer, korean hair. 2011 « During my stay in South Korea, I was struck by Korean ladies’ habits of playing with their hair fringes. As soon as they had the chance they would roll up their hair by making it slide between their forefinger and their middle finger and then pull on it softly. Since I was often bored during such long classes taught in a language I don’t understand, I spent time observing the students… »

Dionea Rocha Watt Pendant: Protection Locket, 2006 Silver, human hair 3.1 x 5.5 cm Piece for section History, Memory, Tradition: Dionea Rocha Watt Pendant: Protection Locket, 2006 Silver, human hair 3.1 x 5.5 cm Piece for section History, Memory, Tradition (at  « Think Twice: New Latin American Jewellery » 2010-2011)

Dionea Rocha Watt (Brazil) - locket/hair.: Dionea Rocha Watt (Brazil) – locket/hair

Raluca Buzura’s collection, “Hairy Tales” comes out of an imaginary world and it’s a combination of new materials such as polymeric rubber, pumice, artificial leather and artificial hair.   Raluca Buzura, “Hairy Tales”, Romania  Here come the Authors! 7 - 8 November | Sala Dalles | Bucharest: Raluca Buzura’s collection, “Hairy Tales” comes out of an imaginary world and it’s a combination of new materials such as polymeric rubber, pumice, artificial leather and artificial hair.  
at Autor 2015 – 7 – 8 November | Sala Dalles | Bucharest

Salome Lippuner  Neckpiece: Kin Kanshitsu 2008  Black and natural coloured Urushi on hemp-cloth,gold-leaves,horse tail hair  15 x 10 cm: Salome Lippuner  Neckpiece: Kin Kanshitsu 2008  Black and natural coloured Urushi on hemp-cloth,gold-leaves,horse tail hair  15 x 10 cm

REBECCA HANNON-USA Collier  Crin de cheval: REBECCA HANNON-USA Collier  Crin de cheval
REBECCA HANNON-USA -USA  Nest,Horse Hair Twist: REBECCA HANNON-USA -USA  Nest,Horse Hair Twist
AOI KOTSUHIROI AOI KOTSUHIROI - hair neckpiece – cabello humano en conjunto con piedras y pequeños cráneos
AOI KOTSUHIROI - hair neckpieceAOI KOTSUHIROI - hair neckpiece - cabello humano en conjunto con piedras y pequeños cráneos

 Aoi Kotsuhiroi Horse hair, horn, urushi lacquer and buffalo leather Aoi Kotsuhiroi Horse hair, horn, urushi lacquer and buffalo leather Vika Mayzel  (IL) - necklace (silver,wood,fur,leather)   Out of Cage vikamayzel.com: Vika Mayzel  (IL) – necklace (silver,wood,fur,leather)   Out of Cage vikamayzel.com

Lauren Passenti, Cleaning Fish on a Sunday Morning wrist piece, 2009, sterling silver, horse hair, 8 inches diameter: Lauren Passenti, « Cleaning Fish on a Sunday Morning » wrist piece, 2009, sterling silver, horse hair, 8 inches diameter

Eunmi Chun: Eunmi Chun, zebra, 2011, brooch, small intestine of cow, silver, human hair, gold leaf, 120 x 40 x 75 mm, photo: artist

 Brooch by Eun Mi Chun: Giraffe 2011 23 x 8 x 9 cm. Human hair, gold leaf, small intestine of cow, seeds, silver: Brooch by Eun Mi Chun: Giraffe 2011 23 x 8 x 9 cm. Human hair, gold leaf, small intestine of cow, seeds, silver

 

voir également les bijoux de Kerry Howley :

Decouverte : Kerry HOWLEY – Human hair as jewellery

Kerry Howley human hair jewelry - Kerry Howley Attraction/Aversion is a material exploration of how people can feel seemingly opposing emotional responses simultaneously. The necklaces are made of human hair, a familiar material that we take pride in. However once off of the body hair becomes an innate source of aversion.: Kerry Howley human hair jewelry
Kerry Howley Attraction/Aversion is a material exploration of how people can feel seemingly opposing emotional responses simultaneously. The necklaces are made of human hair, a familiar material that we take pride in. However once off of the body hair becomes an innate source of aversion.

 

 

08/03/2011

EXPO ‘TIERPARADE’ – Institut Français de Munich (DE) – 17-20 mars 2011

Contemporary jewelleries made by young artists and students from ESAD de Strasbourg (France)
Exhibition curators: Sophie Hanagarth and Florence Lehmann
Date: 17-19 March 2011
Opening: 18 March 2011, 18:00

A l’occasion de Schmuck’ 11, dans le cadre de la Foire internationale de l’Artisanat de Munich, l’atelier Bijou de l’Ecole supérieure des Arts décoratifs de Strasbourg s’inscrit dans son parcours OFF et s’expose à l’Institut français de Munich. L’atelier Bijou de l’ESAD de Strasbourg est le seul existant au sein d’une école d’art en France. C’est un espace d’exploration et de réflexion sur la pratique du bijou, sa relation avec le corps et son inscription dans le champ de l’art. Il est associé aux ateliers de bois, céramique, livre, textile, métal et verre. La proximité de ces lieux de recherche et de création conduit à une production d’objets délibérément polymorphes. Pour illustrer ces recherches, étudiants et artistes issus de l’École s’emparent des espaces de l’Institut pour proposer des expériences visuelles, mais également tactiles.

EXPO 'TIERPARADE' - Institut Français de Munich (DE) - 17-20 mars 2011 dans Alix TRAN (FR) 71017_203188479708452_7801362_n

Artistes:
Cécile Donche-Gay, Christophe Marguier, Claire Baloge, Joanne Grimonprez, Marthe Lebasque, Carole Deltenre, Lucie St Leu, Marie Pendaries, Hector Lasso, Emilie Losch, Annie Sibert, Pauline Bernard, Sébastien Carré, Clara Denidet, Maxime Leblanc, Amélie Nivet, Alix Tran, Marine Dominiczak, Chloé Durand, Camille Fischer, Emeline Galhac, Maïko Shinagawa, Julia Moroge, Marion DelarueYiumsiri Vatanapindu.

 Shu-Lin WUShu Lin Wu earrings
 Christophe Marguier à no s enfances
Christophe Marguier ‘à nos enfances’ – argent massif flashé or-
2005

Cecile Donche-Gay (ESAD Strasbourg) - paniers de doigt - bague- 2005 - argent, fer tressé
Cecile Donche-Gay (ESAD Strasbourg) – paniers de doigt – bague- 2005 – argent, fer tressé

*Französisches Kulturinstitut
Institut Français de Munich , Salon bleu
Kaulbachstraße 13
München, Germany
Tel: 089 28 66 28 36

Donnerstag, 17. März, 14 Uhr – 19 Uhr
Freitag, 18. bis Sonntag, 20. März, 10 Uhr-19 Uhr
Vernissage am Freitag, 18. März, 18 Uhr

*Ecole Supérieure des Arts Decoratifs, ESAD, Strasbourg (FR)

12/01/2011

PREZIOSA YOUNG 2011 – 30 selected artists for the final

PREZIOSA YOUNG 2011 - 30 selected artists for the final dans Christiane KOEHNE (DE) 167881_10150124987219954_662939953_7934263_5107161_n

PREZIOSA YOUNG 2011

Since 2008 PY is the international competition/exhibition dedicated to young designers chosen for their individual research and the originality of their creations. This project was conceived and coordinated by Giò Carbone, Director of « Le Arti Orafe”, since 1985 Contemporary Jewellery School in Florence

For the 2011’s edition, the Art historian Dr. Maria Cristina Bergesio was called to give a critical contribution for the catalogue and to be responsible for the selection of the participants.
The first selection indicated the 30 finalists from among the 180 participants from all over the world
The international panel in charge of choosing the eight winner artists met in February 2011, during the fair inhorgenta, and was composed by:
*Dr. Petra Hölscher, senior curator at the Neue Sammlung, Monaco Munich, Germany;
*Dr. Wolfgang Lösche, Leiter der Abteilung Messen und Austellungen, Handwerkskultur, Formgebungsberatung, Akademie für Gestaltung, Galerie Handwerk, Munich, Germany;
*Dr. Barbara Schmidt, Director of the Bildungszentrum für Gestaltung in Munich, Germany;
*The artist Helen Britton, Australia;
*Dr. Maria Cristina Bergesio, art critic, Florence, Italy
The jury had chosen the 8 participants for the exhibition 2011, as follow
Dana Hakim, Israel/Italy
Sam Hamilton, Ireland
Hanna Hedman, Sweden
Lisa Juen, China
Heejoo Kim, South Korea
Seul-Gi Kwon, South Korea
Marie Pendariès, Spain
Elena Ruebel, Germany
A special prize (a  2.000 Euro’s voucher for one of the participants, as a contribution for the rental of a booth at Inhorgenta 2012) was awarded by the Exhibition Management of Inhorgenta Fair, partner of PREZIOSA project, to the Korean artist Heejoo Kim

I nomi dei 30 selezionati per la finale.
La giuria internazionale che si riunirà a Monaco di Baviera, durante Inhorgenta 2011, sceglierà gli 8 artisti che parteciperanno alla mostra PREZIOSA YOUNG 2011

The names of the 30 selected artists for the final.
The international jury will meet in Munich (Germany), during Inhorgenta 2011, and will select the 8 artists participating to PREZIOSA YOUNG 2011 exhibition.

Anna Osmer AndersenClaire BalogeChristiane KoehneDana Hakim — Elena RuebelFarrah Al-DujailiHanna HedmanHeejoo KimHyorim Lee — Jihyun LeeJimin KimKatharina MochKelly mcCallumLisa JuenMaria MamkaevaMaria SolorzanoMarie PendarièsMärta MattssonMisun WonNicolas ChengNicole BauerSabine LangSam HamiltonSaori KitaDanni Schwaag Oh SerinSeul-gi KwonShu-Lin Wu — Yi LiuYong Joo Kim.

162628_10150125540404954_662939953_7944795_1411683_n dans Claire BALOGE (FR)
Christiane Koehne

167086_10150125540454954_662939953_7944796_1987684_n dans Dana HAKIM (IL)
Claire Baloge

168473_10150125540779954_662939953_7944807_1200150_n dans Danni SCHWAAG (DE)
Farrah Al-Dujaili

167722_10150125541154954_662939953_7944817_6653338_n dans Farrah AL-DUJAILI (UK)
Katharina Moch

Dana hakim
Dana Hakim

Lisa Juean - preziosa Young 2011Lisa Juen

162603_10150125541419954_662939953_7944822_4625256_n dans Hanna HEDMAN (SE)
Maria Mamkaeva

Marie Pendariès - Preziosa Young 2011Marie Pendariès

165166_10150125541574954_662939953_7944827_6610915_n dans Jimin KIM (S.KR)
Märta Mattsson

168942_10150125541709954_662939953_7944831_2689987_n dans Katharina MOCH (DE)
Nicolas Cheng

165754_10150125541864954_662939953_7944834_6917622_n dans Kelly McCALLUM (UK)
Oh Serin

163118_10150125541924954_662939953_7944836_5038628_n dans Le Arti Orafe (LAO)(IT)
Sabine Lang

SeulGi KwonSeulGi Kwon

165692_10150125542554954_662939953_7944861_6757883_n dans Lisa JUEN (CN)
Yong Joo Kim

Heejoo Kim
Heejoo Kim
Sam Hamilton

Sam Hamilton

08/01/2011

EXPO ‘also known as jewellery’ – Ateliers de Paris, Paris (FR) – 13 janv.-12 mars 2011

Enfin ! cette exposition arrive en France, après son périple autour du monde …

DU 13 JANVIER AU 12 MARS
Also Known As Jewellery  aux Ateliers de Paris

EXPO - AKAJweb


Les Ateliers de Paris vous invitent à découvrir à partir du 13 janvier l’exposition «Also Known As Jewellery», exposition conçue et réalisée par Christian Alandete et Benjamin Lignel pour « la Garantie », association pour le bijou.

EXPO 'also known as jewellery' - Ateliers de Paris, Paris (FR) - 13 janv.-12 mars 2011 dans Amandine MEUNIER (FR) 164321_490022008182_749508182_6045885_3315233_n
scénographie originale par Christian Alandete et Benjamin Lignel


Avec les créations de :
Claire Baloge, Babette Boucher, Brune Boyer-Pellerej, Frédéric Braham, Monika Brugger, Carole Deltenre, Joanne Grimonprez, Sophie Hanagarth, Ulrike Kämpfert, Emmanuel Lacoste, Catherine Le Gal, Florence Lehmann, Christophe Marguier, Amandine Meunier, Jana Natier, Nathalie Perret, Maud Traon.

Claire%20Baloge dans Babette BOUCHER (FR)
Claire Baloge

Amandine%20Meunier dans Benjamin LIGNEL (FR)
Amandine Meunier

Christophe%20Marguier dans Brune BOYER-PELLEREJ (FR)
Christophe Marguier

diaporama_photo  - D9-PERRET_0
Nathalie Perret, Paliceder, 2007. Collier en plâtre et gaze.

 

 

 

Ateliers de Paris
30 rue du Fg Saint-Antoine
75012 PARIS
Tél : 01 44 73 83 50
Fax : 01 44 73 83 56
ateliersdeparisddee@paris.fr

10/09/2010

EXPO ‘aka jewellery’ – Falkenbergs Museum (Sweden) – 11 Sept.-27 Nov. 2010

« Also known as jewelery«  *
17 contemporary French artists
* A project of Christian Alandete & Benjamin Lignel for la Garantie, Association pour le Bijou

EXPO 'aka jewellery' - Falkenbergs Museum (Sweden) - 11 Sept.-27 Nov. 2010  dans Amandine MEUNIER (FR) afficheakajfalkenberg1

 

Claire Baloge, Babette Boucher, Brune Boyer-Pellerej, Frédéric Braham, Monika Brugger, Carole Deltenre, Joanne Grimonprez, Sophie Hanagarth, Ulrike Kämpfert, Emmanuel Lacoste, Catherine Le Gal, Florence Lehmann, Christophe Marguier, Amandine Meunier, Jana Natier, Nathalie Perret , Maud Traon

All images from also known as jewelry at Velvet da Vinci Gallery,
Nathalie Perret- Paliceder, necklace 2007

 

Entitled Also known as jewelery * by French curators Christian Alandete & Benjamin Lignel shows how the participants jewelry artists choose a critical approach to art history, jewelry and crafts traditions. They invite us out from other disciplines such as anthropology, philosophy, film and architecture, questioning the conventional definition of jewelry.Nathalie Perret necklace with plaster powder leaves a shadow on the necklace and the clothes we wear are the shade. Babette Bouchers work revolves around time and memories often based on found objects as a toy or a fragment of a photo. The lost toy has been a sarcophagus and affects the feeling of regret that we can easily recognize. Amandine Meuniers necklace with intricate designs taken from the doors she had seen on his travels is cut in inner tubes – beautiful and sensual.

Other artists raise questions about gender roles and sexuality that Carole Deltenre with his necklace made up of girls respectively boy toys in plastic. In Frédéric Braham projects Cosmetics is a shift.  It is not the user who is attractive but beauty aids become coveted items in the form of natural-looking lipstick, eyeliner and powder box in silver and gold.

Also know as jewelery * has been shown in galleries and museums in the United States and Europe.

All images from also known as jewelry at Velvet da Vinci Gallery,
Babette Boucher- Sarcophagus 2007 -  jet and found object

All images from also known as jewelry at Velvet da Vinci Gallery, All images from also known as jewelry at Velvet da Vinci Gallery,
Amandine Meunier- ‘Roads never travel’ necklace, 2007-08 – rubber hose

All images from also known as jewelry at Velvet da Vinci Gallery,
Carole Deltenre- Necklace – plastic toys -2007

All images from also known as jewelry at Velvet da Vinci Gallery,
Ulrike Kampfert, « Silver Thistle » Brooch 

All images from also known as jewelry at Velvet da Vinci Gallery,
Christophe Marguier, « Esperance de vie de la femme », Necklace 

All images from also known as jewelry at Velvet da Vinci Gallery,
Catherine Le Gal, « Under Over » & « Souvenir » Brooches

All images from also known as jewelry at Velvet da Vinci Gallery,
Monika Brugger, « Marianne as roberts » Brooch

All images from also known as jewelry at Velvet da Vinci Gallery,
Joanne Grimonprez, « Bernicks » Brooch  (photos Galerie Velvet da Vinci)

All images from also known as jewelry at Velvet da Vinci Gallery, All images from also known as jewelry at Velvet da Vinci Gallery,
Emmanuel Lacoste, « Langues » Tongue Jewels

All images from also known as jewelry at Velvet da Vinci Gallery,
Jana Natier, « Barbie » Necklace 

26/08/2010

Bijoux made in « CACALAND » ………….. !!!

 made in « CACALAND » ………….. !!!
Je vous laisse libre à vous d’humer … la tendance !  ;-)

Bijoux made in
Märta Mattsson (SE) – ‘Oh deer’ (tan estilizada es la caca de venado que parece faceteada??) (perles du collier moulées d’après des crottes de cerf ….)

http://dpi.studioxx.org/demo/images/17/AK_Image%206.jpg
Sophie Hanagarth -  « Médaille merdeuse » 2008
Collection « Bijou sur le corps, une nature morte? » – 2000/2008 -  2 Broches Tôle d’acier (boîte de conserve), cuir, acier

Sophie Hanagarth - Vermines, broches, acier inox, fer-blanc, 2001-  -Vermins, brooch, stainlesssteel, tin can, 2001-http://sophie.hanagarth.free.fr/files/gimgs/verbroche.jpg Sophie Hanagarth - Vermines, broches, acier inox, fer-blanc/Vermins, brooch, stainlesssteel, tin can – 2001

« Extension, prolongation, parasites of the body, these jewels are a hymn of our material lives, between power, social identity and belief charge. These jewels are made of an association of popular image, highlighting the relationship with the body . Two oilcans as balls are an association of a wood nodule and the oilcan shape, connected by a wire they hang directly between the legs as a soap or lubricating boxes.« 

http://comeunagazzaladra.files.wordpress.com/2010/07/claire_baloge.jpg
Claire Baloge (FR) -  Camel dung, gold leaf, silk (collier en crottes de chameau … j’adore !!)

I have chosen to use camel dung, because  it’s shape and color. Although the use of camel dung in jewelry may provoke it also links: in those (not so) far-away countries, many people are still using these animals, and their excrement, in daily life, while some others, a few miles away , are smoking the cigars of the oil business. I have chosen to use gold because gold is the referential measurement on which the whole world economy is founded. It remains a major symbol for jewelry, almost everywhere around the world. While camels are traditionally emblems of the noble class, in the nomad society, a clear mark of wealth and importance. It seems to be two different temporalities, which are still sharing the same space, coexisting in the same territories.(Claire Balogeexpo ‘I care a lot’)

http://i40.tinypic.com/1q4rjb.jpg
Frances Wadsworth Jones (UK) - collection called « Heaven Sent »  – …. yes…. Bird shit…that’s exactly what it is.   

Thomasin Durgin - crotte de chien peinte et 'décorée' !!
Thomasin Durgin – « ring_a_day challenge » – pearl and rhinestone encrusted dog poo
(crotte de chien peinte et ‘décorée’ !!)
« I found the poo and decided to put a coat of paint on it so that it would be dry for tomorrow. Then I put on two more coats of paint. Then I found the rhinestones in some old beading supplies and I was so enthralled that before I knew it the damn thing was made« 

Nicola Scholz - Necklace: Untitled 2011 - Horse Manure, gold -  yes, it's ..........Nicola Scholz - necklace- 2011 – Horse Manure, gold

http://a10.idata.over-blog.com/371x375/0/54/25/50/R-pertoire-3/Merda-d-artista.jpg
Piero Manzoni in 1961 « merda d’Artista »
(merci à Christophe Burger pour sa contribution à ce post ! :-) …)

Halász Előd (HU) - HOLY SHIT  brooch Halász Előd (HU) – HOLY SHIT brooch

20/08/2010

EXPO ‘I Care A Lot – Opening’ – Gallery Platina, Stockholm (Sweden) – 2 Sept.-2 Oct. 2010

A Portable Discussion about current issues in the Middle East.
42 juried jewellery artists from 22 countries showing work on the conflict

 Why jewelry?
« Jewelry is an intimate art medium within the private and the public space which offers a personal relationship and an encounter between the wearer ,the viewer audience and the actual jewelry. It is an invitation to start a conversation and it can make a meeting possible. The body is a portable show case and the wearer chooses what and how to exhibit on him/her. Jewelry express the wearer character and sense of humor, it acts as an extension to the wearer personality, indicating his/her group of belonging, it is asking questions or claiming its opinion about the reality in which we live in, about our society, our surrounding and ourselves« 

The project aim is to raise discussion about current issues in the Middle East through an international art exhibition in which jewellery is the chosen media.
42 pieces of artists from 22 countries were selected independently by five international jury members – experts in their fields of studies and practice: Dr. Otto von Busch (Sweden) – Fashion Activist, Love Jonsson (Sweden) – Craft Critic, Prof’ Vered Kaminski (Israel) – Jewellery Artist, Shari Pierce (USA, Germany) – Jewellery Artist, Dr. Nada Shabout (USA,Qatar) – Art Historian

Cause We Care.
The region’s history and present are seeded with continuous violent national, ethnic and other conflicts. In many aspects the Middle East is considered to be one of the most sensitive and unstable regions in the world; strategically, economically, politically, culturally and religiously. It is located in the center of the international politics agenda. Its historical role, its huge reserves of crud oil and its significance for the three largest monotheist religions are usually taken as reasons for the world’s ardent interest in the region. But the attitude towards the Middle East has pasted the point of a keen interest in world affairs. By now it seems clear that the Middle East is perceived, especially by consumers of Western media, as the place where world dramas converge, or – more accurately – collide. It is almost the opposite of the Bermuda Triangle: everything that happens there pops up on our radars.
What is the Middle East? What is the source of our attraction to it? Is it just that it happens to be the most eventful place on earth? What is the nature of our commitment to effecting the future of the region? Do we really care about what goes on there? Do we really care about what goes on anywhere that is elsewhere? Do we care about the Middle East in a way similar to the way we care about how people look at us? Do we care about it the way we care about what people see in us?


Artists : Adam Grinovich, Ana Morais Caldas, Anna Williams, Vivi Touloumidi, Annette Dam, Barbara Deriemaeker, Beatrice Brovia, Burcu Buyukunal, Caitlin Wood, Chloé Durand, Claire Baloge, Dalya Israeli, Deganit Stern Schocken, Einat Leader, Ela Bauer, Ella Wolf, Filomena Praça , Frida Åberg, Gular Mustafa, Hannah Joris, Iacov Azubel, Ingrid Römmich & Veronika Schmid, Jan Turzo, Katja Prins, Kristina Lugonja, Loukia Richards, Malaika Najem, Marieke Van Diepen, Melanie Georgacopoulos, Michal Oren, Michelutti Flavia Eleonora, Midori Ikeda, Miri Admoni, Noga Hadad, Nuria Briones Perez, Sally Von Bargen, Mervat Hakroosh & Rotem Lewinsohn, Tamara Navama, Teresa Milheiro, Ulla Ahola, Machteld Van Joolingen, Vered Babai,

EXPO 'I Care A Lot - Opening' - Gallery Platina, Stockholm (Sweden) - 2 Sept.-2 Oct. 2010 dans Adam GRINOVICH (SE) Jan_TurzoRotem_Mervat dans Annette DAM (DK)
 Jan Turzo - ‘Division’ – Slovakia – 2009
Rotem Lewinsohn & Mervat Hakroosh -  Forbidden Love – Israel, 2010 

Sally_Von_Bargen dans Barbara DERIEMAEKER (BE)Vered dans Beatrice BROVIA (IT)
Sally Von Bargen – Elegy USA, 2008
Vered Babai - Pinched Rings – Israel, 2010

http://comeunagazzaladra.files.wordpress.com/2010/07/claire_baloge.jpg
Claire Baloge (FR) -  Camel dung, gold leaf, silk (collier en crottes de chameau … j’adore !!)

« I have chosen to use camel dung, because  it’s shape and color. Although the use of camel dung in jewelry may provoke it also links: in those (not so) far-away countries, many people are still using these animals, and their excrement, in daily life, while some others, a few miles away , are smoking the cigars of the oil business. I have chosen to use gold because gold is the referential measurement on which the whole world economy is founded. It remains a major symbol for jewelry, almost everywhere around the world. While camels are traditionally emblems of the noble class, in the nomad society, a clear mark of wealth and importance. It seems to be two different temporalities, which are still sharing the same space, coexisting in the same territories. »

Machteld dans Burcu BUYUKUNAL (TR)
Machteld Van Joolingen – The Line

Gallery Platina
Odengatan 68,
Stockholm, Sweden
http://www.platina.se/Pressrelease/Icarealot_press.html
See more www.icarealot.me 

07/07/2010

COUP de … ROUGE at « I Care a Lot » EXPO online

 « I Care a Lot »  online exhibition

EXPO i care a lot

 icarealot is happy to announce about the opening of the exhibition at Platina Gallery, Stockholm : September 2nd, 2010.

More Great news! November 6th 2010 : Our third opening at Gallery Articula, Lisbon, Portugal ;)

 

COUP de ... ROUGE  at thumb445 dans Annette DAM (DK)
Ela Bauer (NL) ‘An’necklace -black & red thread

« This is a huge heart which actually is a huge knot. That is the key feeling in this work; a huge,  screaming (maybe bleeding..), knot- heart. The knot is such a paradoxical form; it consists of “one”, but through an action (of knotting) it becomes “two”, with a heart between them. At the same time it is the ground of endless processes which in themselves are not complex, but all together they create an unsolvable, knotted reality. An un-followable mass of actions and reactions. There is no wrong or right, just a complex, painful situation. » (Ela Bauer)

thumb478 dans Barbara DERIEMAEKER (BE) thumb477 dans Beatrice BROVIA (IT)
Katja Prins (NL)-’Bound by Blood’ Necklace – 2007 – wooden beads, cotton

 » This necklace brings together and mixes various prayer-necklaces, which only differ in detail. Prayerbeads are being used in several religions and they all have their own systematical design. The beads stands for the different prayers and by following the beads you can’t loose track and count while you are praying. The Roman-Catholic church has the ‘rosary”, the Islam has the “tespi”,  Buddhism (Nichiren) has the “juzu”and Tibetan Buddhism has the “mala”. Nowadays we are living in a time of globalization. Worldwide people are connecting more and more, not only economically, but also politically and culturally. Borders are fading and people travel and migrate more than ever. Out of that comes integration of different cultures and religions. Partly because of the not always so very successful integration-policy of many countries, extremism in certain religions also flourishes, conflicts arise. With this/my interpretation of the prayer-necklace I want to bring together all  prayer-necklace and make 1 out of it all.  A contemporary blood red prayer necklace. In my opinion the religions don’t differ so much from one another, they differ mostly in details. That’s what I want to show with this necklace. By bringing together all the prayerbeads, symbolically I want to bring together the different religions and with that the people. The title “Bound by Blood” stands for the idea that on the inside we are all the same. It also refers to the many wars (and with that the shedding of a lot of blood) that have been fought in the name of religion » (Katja Prins (NL))

thumb555 dans Burcu BUYUKUNAL (TR)thumb423 dans Chloe DURAND (FR)
Burcu Buyukunal (TR) -’Terrifying Beauty’ head piece – brass, cubic zirconia – Turkey, 2009

« My work is driven by conventions and societal norms relating to the body prevalent in history both past and present. Plastic surgery, alternative medicine, and ways of predicting the future are belief  systems whose underpinnings I am uncertain of. I use my work to illustrate my inability to reconcile the purposes, needs, and motives of these systems and the people who subscribe to them. As a fairly recent development in mass culture, plastic surgery is a system that suggests attaining beauty popularized by the media. ‘Terrifying Beauty’ focuses on the trends of cosmetic surgery, which  oftentimes impose the conception of Western Beauty, to question conventions of beauty and  challenge the function of jewelry as adornment. I created four pieces distorting the face in an unlikely way, contrasting and contradicting the purpose of traditional jewelry. I want my work to surprise and challenge people to inspire questioning. Suggesting something extreme, unusual, and irrational is one strategy to achieve this. I hope the viewer will immediately ask if they would or would not wear such pieces. I wanted to use gold first but it was expensive for me. So, I used brass that looks like gold in the photos. Then I noticed that material hierarchy was another convention. Thus, using brass supported my idea. My forms simply followed the function of each piece.« (Burcu Buyukunal)

thumb467 dans Claire BALOGE (FR)thumb466 dans Deganit STERN SCHOCKEN (IL)
Iacov Azubel (Argentina) – ‘Maim’ ring – 2009 – Gold filled Silver – Plexiglas – Mobile Water -Air Bubble

« The water in the subject being treated, andcolor global warming » (Iacov Azubel (Argentina))

thumb548 dans Ela BAUER (NL)thumb547 dans Exposition/Exhibition
Vivi Touloumidi (GR) – ‘wet’ necklace -  150 laminated tissues , black ink , tape, nylon

thumb527 dans Filomena PRACA (PT)thumb528 dans Flavia MICHELUTTI (IT)
Tamara Navama (Israel), 2010 -Bracelet -Aluminum, Copper, Epoxy – engraved, photo etching

thumb520 dans Gular MUSTAFA (Iraq)thumb519 dans Iacov AZUBEL (RA)
Sally Von Bargen (USA) – ‘Elegy’ Necklace – Brass, paper, digital photos

« ‘Elegy’ honors the individual men and women who left homes … travelled to Iraq for war and died there. It is about the pain of loss and lies, etched with the words, « lies brought this lament – this elegy of truth – these lost treasures.
Elegy is a monumental neck-piece consisting of over 4200 digital portraits. Each portrait shows one American man or woman who lost life in Iraq during the Bush presidency. Using public  records for the names and photos of the fallen, if no portrait was available a silhouette was used to represent the lost life. Each Elegy portrait is printed on acid-free paper, which was chosen for its workability. The prints were mounted on an intermediate paper layer and sandwiched back-to-back to form a simple 1.5cm x 3cm link.  The links were connected by brass rings and formed into 70 strands which terminate at brass disk. The disc is etched with the words, “lies brought this lament – this elegy of truth -these lost treasures. » (Sally Von Bargen)

 

 

online exhibition : Adam GrinovichAna Morais CaldasAnna WilliamsAnnette Dam – Barbara DeriemaekerBeatrice BroviaBurcu Buyukunal–  Caitlin WoodChloé DurandClaire BalogeDalya IsraeliDeganit Stern SchockenEinat LeaderEla Bauer – Ella Wolf Filomena Praça– Frida ÅbergGular MustafaHannah JorisIacov Azubel– Ingrid Römmich & Veronika SchmidtJan TurzoKatja Prinskristina LugonjaLoukia Richards– Malaika Najem Marieke Van DiepenMelanie GeorgacopoulosMichal OrenFlavia Michelutti — Eleonora Midori — Ikeda Miri AdmoniNoga HadadNuria Briones PerezSally Von BargenMervat Hakroosh & Rotem LewinsohnTamara NavamaTeresa Milheiro– Ulla AholaMachteld Van Joolingen Vered BabaiVivi Touloumidi

 

Icarealot on Facebook

27/02/2010

SCHMUCK 2010 – Munich (DE) 3-9 mars 2010 – PROGRAMME

Classé dans : Adrean BLOOMARD (IT),Alexander BLANK (DE),Allemagne (DE),Amandine MEUNIER (FR),Anna EICHLINGER (DE),Aud Charlotte HO SINDING (SE),Babette BOUCHER (FR),Bettina SPECKNER (DE),Blanka SPERKOVA (CS),Brune BOYER-PELLEREJ (FR),Carole DELTENRE (FR),Catherine LE GAL (FR),Christine GRAF (DE),Christophe MARGUIER (FR),Chuchart SARUNNAYAWATSIN (Thai.),Claire BALOGE (FR),Constanze SCHREIBER (DE),Daniel KRUGER (DE),Elena RUEBEL (DE),Emmanuel LACOSTE (FR),Eunmi CHUN (KR),EVENEMENT / Type of EVENT,Exposition/Exhibition,Fabrizio TRIDENTI (IT),Fiona HERMSE (UK),Flora VAGI (HU),Florence LEHMANN (FR),Florian WEICHSBERGER (DE),Frederic BRAHAM (FR),Gal. Marzee (NL),Gal. Platina (SE),Gal. RA (NL),Gal. Spektrum (DE),Giampaolo BABETTO (IT),Helen BRITTON (AU),Helfried KODRE (AT),Ines SCHWOTZER (DE),Iris EICHENBERG (NL),Jana NATIER (FR),Jessica WORLEY (UK),Joanne GRIMONPREZ (FR),Kadri MALK (EE),Karen PONTOPPIDAN (DK),Karl FRITSCH (DE),Katerina HANDLOVA (CS),Katharina MOCH (DE),Katherine RICHMOND (UK),Kathryn PARTINGTON (UK),Kristiina LAURITS (EE),Lisa JUEN (CN),Luzia VOGT (CH),Lydia HIRTE (DE),Mari FUNAKI (JP),Mari IWAMOTO (JP),Martin PAPCUN (CS),Masayuki NAGATA (JP),Maud TRAON (FR),Melanie ISVERDING (DE),Mia MALJOJOKI (FI),Mikaela LYONS (UK),Mikiko MINEWAKI (JP),Mirjam HILLER (DE),Monika BRUGGER (FR),Monika JAKUBEC (DE),Nathalie PERRET (FR),Nicole BECK (DE),Otto KUNZLI (CH),Patrick McMILLAN (US),Peter BAUHUIS (DE),Petr DVORAK (CS),Piret HIRV (EE),Renate SCHMID (DE),Rickson SALKELD (CA),Robert BAINES (AU),Sam Tho DUONG (VN),Shadi VOSSOUGH (UK),Simon COTTRELL (AU),Sophie HANAGARTH (CH),Susanne ELSTNER (DE),Svatopluk KASALY (CS),Tamsin LEIGHTON-BOYCE (UK),Tanel VEENRE (EE),Tarja TUUPANEN (FI),Therese HILBERT (DE),Tiina RAJAKALLIO (FI),Toni MAYNER (UK),Ulrike KAMPFERT (DE/FR),Vaclav CIGLER (CS),Villu PLINK (EE),Volker ATROPS (DE),Yoko IZAWA (JP) — bijoucontemporain @ 19:57

Schmuck 2010 in München / Jewellery in Munich
Events related to Jewellery during the International Trade Fair

3.-9.3.2010 Neue Messe München I Halle A1 “Handwerk & Design” 9.30-18 h
Sonderschauen der 62. Internationalen Handwerksmesse München. Schmuck 2010,
Exempla 2010 – Keramik, Talente 2010, Meister der Moderne 2010

Frame” Präsentation internationaler Galerien, Galerie Marzee, Galerie Platina, Galerie Ra

* Schatzkammer Australien -Treasure room Australia. Opening: 25.2.,18.30  h.
Galerie Handwerk,
Max-Joseph- Str. 4, 80333 München.
Tel. 089-595584
26.2.-10.4., Di, Mi, Fr 10-18, Do 10-20, Sa 10-13.
So 7.3. Special opening 10-14 h.

SCHMUCK 2010 - Munich (DE) 3-9 mars 2010 - PROGRAMME dans Adrean BLOOMARD (IT) 18038

[Artists:  Helen Aitken-Kuhnen, Robert Baines, Roseanne Bartley, Nicholas Bastin, Julie Blyfield, Helen Britton, Susan Cohn, Simon Cottrell, Anna Davern, Laura Deakin, Mark Edgoose, Mari Funaki, Stephen Gallagher, Kiko Gianocca, Kirsten Haydon, Marian Hosking, Linda Hughes, Johannes Kuhnen Carlier Makigawa, Sally Marsland, Christopher Earl Milbourne, Nina Oikawa, David Phillips, Nicole Polentas. ]

*Giampaolo Babetto. L’Italianità dei Gioielli, 6.3.-30.5. Opening 5.3. 19 h

*Wenn Helden zittern – Tokyo, München, London, 6.-7.3., 10-18, Opening 5.3. 19 h
Alexander Blank, Eunmi Chun, Stefan Heuser, Mari Iwamoto, Jasleen Kaur, Märta Mattson, Hajime Matsuo, Masayuki Nagata, Christopher Thomson-Royds.

http://www.artaurea.com/system/attachments/793/original/Alexander-Blank_evil-ed.png
Alexander Blank- brooch- Silver, plexiglass, rigid foam, lacquer

*Danner-Rotunde. Neu. Kuratiert von Karl Fritsch, ab 6.3. Opening. 5.3. 19 h.
Die Neue Sammlung – The International Design Museum Munich
Barerstrasse 40,
Pinakothek der Moderne, 80333 München,
Tel. 089-272725-0 u. 089-23805-360,
Di-So 10-18, Do 10-20 h

*Nicht dass Du mir von der Bluse fällst. (« Don’t you dare to fall off my blouse! ») 12.2.-10.4. Opening 11.2. 18.30 h,
Broschen von Volker Atrops, Peter Bauhuis, Waltraud Erlacher, Therese Hilbert, Otto Künzli, Karen Pontoppidan, Bettina Speckner.
Galerie für Angewandte Kunst, Bayerischer Kunstgewerbe-Verein e.V.,
Pacellistr. 6-8, 80333 München,
Tel. 089-2901470
Mo-Sa 10-18, Do 4.3. 17-18 h meet the artists, So 7.3. Special opening 11-17 h

(cf article « EXPO ‘Don’t you dare to fall off my blouse!‘ – Gallery for Applied Arts, Munich (DE) – 12 Fevr.- 10 Avr. 2010″)

http://www.designboom.com/contemporary/poorjpg/215.jpg
Bettina Speckner - brooches

> 3.3. Wednesday

19 h: Glas im tschechischen Schmuck. 3.3.-31.3. Opening 3.3. 19 h
Václav Cigler
, Petr Dvorák, Stanislava Grebenícková, Katerina Handlová, Jan Hásko, Svatopluk Kasaly, Jaroslav Kodejs, Zdenka Lastovicková, Martina Mináriková, Martin Papcún, Jirí Sibor, Markéta Sílená, Blanka Sperková.,
Tschechisches Zentrum, Prinzregentenstr. 7,
Mo-Do 10-17, Fr 10-16
3.-4.3. 10-22 h,

(cf article « EXPO ‘Glass in Czech Jewelry – Contemporary Jewelry’ – Munich 3-31 mars 2010« )

> 4.3. Thursday

10 h: bloß keine Steine, « No gems, please ». 4.-7.3
Kerstin Becker, Susanne Elstner, Monika Jakubec, Michaela Köppl, Kristina Kundt, Gabriele von Miller-Lehsten, Daniela Osterrieder, Renate Schmid, Renate Scholz, Ines Schwotzer, Gottlinde Singer, Monika Vesely, Hanni Weber.
galerie GEDOK muc, Elisabethstr. 13 RG, 80796 München,
10-20 h   (http://www.gedok-muenchen.de/galerie_gedok/autoviewer2/index.html)

Susanne Elstner, Brosche
Susanne Elstner, brosche

12 h: Life’s a bench. 4.-7.3
Fiona Jane Hermse, You-Hua Hsieh, Tamsin Leighton-Boyce, Mikaela Lyons, Katharina Moch, Katherine Richmond, Elena Ruebel, Rickson Salkeld, Chuchart Sarunnayawatsin, Ching-Chih Tseng, Shadi Vossough,
Studio K162 Renate Scholz,
Klugstraße 162,
Tel. 089-1577231
Do-Sa 12-19, So 12-16 h              (http://www.lifeisabench.blogspot.com/)

necklace_2+chu dans Alexander BLANK (DE)Mikaela+Lyons+Ecklectika+Collection dans Allemagne (DE)
Chuchart Sarunnayawatsin                     Mikaela Lyons

13 h: Ishikawa, Maljojoki, Steinau-Streinrück, Borgegård, in memoriam Ho Sook Sinding  (Aud Charlotte Ho Sook Sinding). 4.-7.3.,
Frauenstr. 36,
Tel. 0179-2047433, mit Van de Velde im Auto -  13-16 h

9 dans Amandine MEUNIER (FR)
Mia Maljojoki - ‘Lollipops in the woods – Bites from everyday’

16 h: schmuck krönt das schöne. 4.3-7.3
Claudia Milic, Ingrid Römmich, Veronika Schmidt
Schlegelschmuck München, Nordendstr.7a,
Tel. 089-2710071
Do 16-19 h
Fr, Sa 11-18, So 11-14 h

17 h: The Box4.-7.3
Bette, Adrean Bloomard, Förster, Hilbert, Kallfelz, Helfried Kodré, Lisca, Fabrizio Tridenti, Flora Vagi, Luzia Vogt, Weber, Florian Weichsberger
Maurer-Zilioli – Contemporary Arts, Brescia, zu Gast bei
Kunstbüro Reillplast, Amalienstraße 21, 80331 München,
Tel. 0179-1023868,

http://www.arnoldsche.com/images/books/Kodre_20_1.jpghttp://www.embassygallery.co.uk/www.embassygallery.co.uk/fools%20gold/Fools%20Gold/Luzia%20Vogt.jpg
Helfried Kodré (AT) – brooch                     Luzia Vogt – brooch 

Brosche, 2. Preis
Florian Weichsberger - broche

17 h: Dear James. 5.-7.3
Christine Graf, Lisa Juen, Toni Mayner, Patrick McMillan, Kathryn Partington, Jessica Worley.
Atelier Klarastr.1,
Tel. 0160-94957212, .
11-17 h

(cf article « Message in a jewel …..” (chanson bien connue) – “Dear JAMES”)

http://bijoucontemporain.unblog.fr/files/2010/08/dearjamesthejamesexchange.jpg
The JAMES Exchange

18 h: Bettina Dittlmann und Michael Jank. 5.-25.3
Galerie Isabella Hund, Frauenplatz 13,
Tel. 089-29160717
Mo-Fr 11-14 und 15-19, Sa 11-18 h18 h: Dormitory_Bauleitung_Laboratorio. Schmuck im Schlafrock aus 7 Ländern.
Atelier Stach, Welserstr. 29a,
Tel. 0174-8050333,
Fr 5.3. 11-18, Sa 6.3.11-13 h

18-22 h: Sam Tho Duong und Nils Schmalenbach. 4.-9.3
Schmuckgalerie tal20, Tal 20, 80331 München,
Tel: 089-24231491
Mo-Fr 11-19, Sa 10-16 h

18 h: Eternal shine – it´s not a pony. 5.-7.3.
Nicole Beck, Melanie Isverding, Constanze Schreiber, Florian Weichsberger
Projektraum J. Baumeister, Georgenstr. 66, 80799 München
Tel. 0176-23112592
Fr 12-18, Sa 11-16, So 11-18 h

http://www.stfz.art.pl/old/legnica/05szkoly-kat/n-weichsberger-florian.jpg
Florian Weichsberger

 

18.30 h: Daniel Kruger. 4.3.-25.4.
Galerie Biro, Zieblandstr. 19,
Tel. 089-2730686,
Di-Sa 14-18 h

Daniel-Kruger dans Anna EICHLINGER (DE)
Daniel Krüger - brooch

 

19 h: AAVISTUS. 5.-7.3
Tiina Rajakallio, Tarja Tuupanen, Maria Vuorinen.
84 GHz Kultur im Keller, Georgenstr. 84, 80799 München,
Tel. 089-30637911
12-20 h

 

>5.3. Friday

10 h: Across borders. 5.-8.3
Leila Arzaghi, Lydia Hirte, Yoko Izawa, Christiana Jöckel, Sangeun Kim,
Studio Gabi Green, Gollierstr. 17, Tel. 089-54030254
10-18 h

17 h: õhuLoss / luftSchloss / spatialPalace. 5.-7.3
Kadri Mälk, Tanel Veenre, Piret Hirv, Eve Margus-Villems, Kristiina Laurits, Villu Plink
Alter Nordfriedhof, Arcisstr. 45,
Tel. 089- 2720526 (Friedhof),
Tel. 00372-5223595 (Kadri Mälk)
Fr 17-21, Sa-So 12-18 h

(cf article « Estonian jewellery« )

 

17 h: 2 Münchener Goldschmiede +1 junger Star. 5-12.3
Peter Müller, Dagmar Stühler, Mirjam Hiller.
Galerie Stühler bei Winterberg-Kunst, Barerstr. 46, 80333 München,
Tel. 0177-8817633
5.3. 17-23h, 6.-12.3. 12-18 h

17 h: “mine x mine”. 5.-9.3
Mikiko Minewaki und Yutaka Minegishi
WITTENBRINKFuenfhoefe, Theatinerstr. 14,
Tel: 089-25541933
12-19 h

18 h: Cagnes-sur-Mer hors les murs präsentiert Also known as jewellery, 3.-9.3
a travelling exhibition of French contemporary jewellery.
Baloge, Boucher, Boyer-Pellerej, Braham, Brugger, Deltenre, Grimonprez, Hanagarth, Kampfert, Lacoste, Le Gal, Lehmann, Marguier, Meunier, Natier, Perret, Traon.
L’institut Français, Kaulbachstraße 13,
Tel. 089-2866280
9-21 h18 h: Dialogue 8. 5.-7.3
P. Bishai, A, Death, R. Gilbert, B. Humphries, J. Patterson, J. Robinson, P. Scura, Timothy Information Limited, R. Terry, A. Toch.
Kunstgießerei Schwabing, Schleißheimer Str. 72, with 84 GHz,
Fr 18-21 h, Sa-So 12-20 h

19 h: Jewellery Mia Maljojoki bei “Meisterschüler 2010“ 6.-14.3.
Akademie der Bildenden Künste München, Galerie der Künstler, Maximilianstr. 42, 80538 München,
Mi-Sa 14-19 h

20 h: Iris Eichenberg : Birds and flowers of Michigan.  5.3.-24.4
Galerie Spektrum, Theresienstr. 46,
Tel. 089-284590,Di-Fr 13-19, Sa 11-14,
7.3. Special opening12-18 h

http://3.bp.blogspot.com/_wBdnrNK7umQ/SkKCYBvGG2I/AAAAAAAARUs/V1A9iWC-DsM/s320/Iris+E+knitted+piece+copy.jpg
Iris EichenbergBrooch

> 6.3. Saturday

11 h: Returning to the Jewel is a Return from Exile 2. 6.-7.3.
Robert Baines, Karl Fritsch, Gerd Rothmann, präsentiert von Galerie Biro,
Einsäulen-Saal Münchner Residenz, Residenzstr. 1,
Tel. 089-2730686
11-18 h

11 h: 3 x GOLD. 6-8.3.
Florian Buddeberg, Anna Eichlinger, Irene Gonzalez,
Bergmannstr. 28,
Tel. 0173-5926015
Sa u.Mo 11-16, So 11-18 h
Neue Messe München Halle A1, Aktionsbühne

16 h: Talente-Preis Verleihung
17 h: Herbert-Hofmann-Preis Verleihung
20 h: Jewellery Get-together
Augustiner Großgaststätten, Neuhauserstr. 27
Tel. 089-23183257

> 7.3. Sunday

12-19 h: Die Kunst des Abschieds. 31.1.-30.4
Bettina Speckner, Thomas Kammerl und andere…bei Gastroph und Jünger: w e i s s ….über den tod hinaus,
Hans-Sachs-Str. 3,
Tel. 0176-62483342
Mo-Fr 11-19, Sa 11-16 h

12 h: Claus Bury – Maßstabssprünge. 9.3.-13.6.
Die Neue Sammlung – The International
Design Museum Munich, im Neuen Museum für Kunst und Design, Klarissenplatz, 90402 Nürnberg,
Tel. 089-2727250 u. 0911-240200, www.die-neue-sammlung.de,
Di-Fr 10-20, Sa u.So 10-18 h

15-18 h: Finissagentag “Iron Man” 4.2.-7.3
Volker Atrops.
Antiquariat Dieter Zipprich, Zieblandstr. 2, 80799 München
Tel. 02845-609956
Mo-Sa 9-13 h

>> Download the complete program of events
(MERCI à Klimt02)