EXPOs ‘FIVE new exhibitions′ – Marzee Gallery, Nijmegen (NL) – 26 Mars-7 Juin 2017

Galerie Marzee

On Sunday 26 March 2017 at 4pm we open five new exhibitions
(Graziano Visintin, untitled 2013 – small sculptures; silver, gold, oxidised copper, niello)

* Juliane Brandes – 4HANDS
– or how much sculpture can jewellery handle
jewellery

Juliane Brandes, Der Club, 2015, brooch; silver

* Willemijn de Greef – Recollection I
installation

Willemijn de Greef, Recollection I, Strawberry, 2012, object; bronze, clay, glaze, rope, wool

* Dana Hakim – Crafted Fear
jewellery

Dana Hakim, Crafted Fear, 2015, necklace; iron nets, threads, paint, lacquer

* Graziano Visintin – The Bright Science of Gold
jewellery

Graziano Visintin, untitled 2017, brooch; copper, glaze, gold leaf, silver

* Het Wilde Oog – Corrie & Joseph
traditional Dutch garments, ‘kraplappen’, adapted by contemporary artists.

Het Wilde Oog/Wout Nooitgedagt, kraplap adapted by Lucy Sarneel

Please join us for the opening of these exhibitions, together with the artists.
The exhibitions are on show through 7 June 2017.

 

 

 

Galerie Marzee

Lage Markt 3 / Waalkade 4
6511 VK Nijmegen, Netherlands

tel [phone]

[e-mail]

http://www.marzee.nl

Enregistrer

Enregistrer

EXPO ‘Dana Hakim: My Four Guardian Angels-the blue series’ – Gallery Marzee, Nijmegen (NL) – 23 Mars-28 Mai 2014

Dana Hakim: My Four Guardian Angels-the blue series

at Marzee

« My Four Guardian Angels – the blue series
The ancient use of amulets as a metaphysical protection against varies dangers (evil eye, demons,hate etc.) is shifted into our post-modern society and our current fears. One of the main fears in our ״fear society״, is the fear from the “other”, the different, the immigrant, the foreigner and the Alien. This body of work comments on the way we perceive the « other » and put an emphasis on our human need to feel protected. As a result, the visual language that was chosen for the collection consists of shapes of aliens-creatures, protection elements and materials that are related and connected with safety. » Dana hakim

Dana Hakim – Neckpiece: My Four Guardian Angels – the blue series, 2012 – Iron Nets, Black Mirrored Plastic, Cotton Threads, Paint, Lacquer – 37 x 22 x 3 cm – Photo: Josef Bercovich

Dana Hakim – Neckpiece: My Four Guardian Angels – the blue series (Detail), 2012 – Iron Nets, Black Mirrored Plastic, Cotton Threads, Paint, Lacquer – 37 x 22 x 3 cm - Photo: Josef Bercovich

Dana Hakim – Bracelet: My Four Guardian Angels – the blue series, 2012 – Iron Nets, Rubber, Reflective Light Threads, Cotton Threads,Paint, Lacquer - 13.5 x 11.5 x 2.5 cm – Photo: Josef Bercovich

Dana Hakim – Neckpiece: My Four Guardian Angels – the blue series, 2012 – Iron Nets, Reflective Light Threads, Cotton Threads, Paint, Lacquer – 47 x 14 x 1.5 cm – Photo: Josef Bercovich

Dana Hakim – Neckpiece: My Four Guardian Angels – the blue series, 2011 – Iron Nets, Paint, Reflective Light Threads, Cotton Threads, Mirrored Plastic, Lacquer -12 x 40 x 2 cm – Photo: Josef Bercovich

Dana Hakim – Brooch: My Four Guardian Angels – the blue series, 2011 – Iron Nets, Threads, Paint, Lacquer – 7 x 5 x 1.5 cm - Photo: Josef Bercovich

Dana Hakim - Brooch: My Four Guardian Angels – the blue series, 2011 – Iron Nets, Paint, Lacquer, Reflective Light Threads
7 x 5 x 3 cm – Photo Josef Bercovich

 

 

Galerie Marzee
Lage Markt 3
6511 VK Nijmegen
The Netherlands

Phone [phone]
Fax [phone]

Preziosa Young Contemporary Jewellery Retrospective 2014 – Palazzo Guinigi, Lucca (IT) – 8 Mai-6 Juin 2014

Preziosa Young Contemporary Jewellery Retrospective 2014

Palazzo Guinigi (Lucca, Italy)

Artists: Daniel Di Caprio — Arata Fuchi — Adam Grinovich – Dana Hakim — Hanna Hedman

Dana Hakim Neckpiece: My Four Guardian Angels – the blue series, 2011 Iron Nets, Paint, Rubber, Reflective Light Threads, Cotton Threads, Lacquer – 32 cm diam- Photo : Josef Bercovich

Daniel DiCaprio - Brooch: Ripening, 2009 – Dyed Lemonwood, 22k Gold, 14k Gold, carved and inlaid- Photo : Daniel DiCaprio

Arata Fuchi – Ring: Heliopause 3, 2008 – Oxidized silver, oxidized silver powder, Oxidized shakudo, fine gold, fine silver

   HANNA HEDMAN 2013

 

 

Palazzo Guinigi
Via Guinigi, 21
51100 – Lucca
Italy
Telephone: [phone]

www.artiorafe.it
mail: [e-mail]

Des P’tits trous, encore des p’tits trous ….

« Des P’tits trous, encore des p’tits trous ….
des p’tits trous, des p’tits trous, toujours des p’tits trous
Des trous d’seconde classe
Des trous d’première classe »
(« le poinçonneur des Lilas » – Serge Gainsbourg)

  Mathilde QUINCHEZ  Pendentif Elytre –
Son travail sera exposé pendant les « Circuits Bijoux » à L’age d’or  26, rue du Docteur Magnan 75013 Paris  Du 17 au 20 Octobre 2013

Monika Brugger broche

Monika Brugger – Fragile – brooch – silver

Haruka Oe -silver ring 2007

Haruka Oe -silver ring 2007

Rossella Cigognetti Tornquist Brooch (detail) Her work is particularly inspired by natural elements: surfaces like bark, wood, or structural elements from the animal kingdom, such as animal bones

Nevin Arig  Brooch: Return to the roots 2009  Chiseled silver, coral, pearl, gold halite

Sara Bran – using lace techniques with gold  

Julie Blyfield  Brooch: Shell 2011  Sterling silver

Leanne Ryan  (Perth, Western Australia)  Training and Further Education (TAFE) Central, Perth.  Brooch  Fine Silver, Sterling Silver, Raw silk cocoons, Seed pearls.  Approx. W 5.5cm x H 4cm  Photographer: Matt Reed

Leanne Ryan -Pendant  Sterling Silver, Heishi ‘Vulcanite’ Trade Beads, Raw silk cocoons – cut & edges dyed, silk cord.  Approx. diam. 6cm

Ursula Woerner – 2te heimat    

Ángela Bermúdez « Contigo & disancia » fermall/brooch

(recién graduada por la EASD de Valencia,  es portada en el blog Des del Sud con sus piezas de Proyecto Final del CFGS de Joyería, dirigido por la profesora Heidi Schechinger, en el curso 2011/2012)

Ángela Bermúdez (serie Turismo de interior)

Angela Bermudez (Viruthiers) ‘Media Pension’ broche 2012, plata

Angela Bermudez (Viruthiers) « Final de Trayecto » broche 2012, plata

Trinidad Contreras (BORAX08001)

Trinidad Contreras Brooch  (BORAX08001)

Trinidad Contreras brooch

Dana Hakim My Four Guardian Angels Brooch

Anya Pinchuk – Bloomington, Indiana  – silver brooch

Patricia Nowogrodski,  1001 Nights Brooch, Cooper, Black Oxide, Zircon.

Vera Siemund, necklace, 2011, enamelled steeldrilled, sawn, embossed, enamelled, mounted – 220 x 260 x 35 mm – steel hemispheres, red enamelled inside, drilled pattern   sawn portrait

Deganit Stern-Schocken  Necklace 2012  Silver, stainless steel, polystyrene

Eric De Gesincourt  earrings   from a ping pong ball

Dana Hakim, « My Four Guardian Angels, The Blue Series », Brooch 02, 2012         Iron, black mirrored plastic, cotton threads, paint, lacquer. 250X180X20 mm (from Bezalel Academy)

Lebanese designer Malaika Najem‘s Child Soldier collection

Malaika Najem – detail

Marjorie Simon First Thoughts on Miami Foliage Neckpiece

Maya Kini  

Julie Usel. Tear me Apart. 69 rings in copper: 1 in silver, ring box   

Romi Bukovec – wood – painted (several times) and brushed

Liangchao Shao (China)   – experiment : necklace – straws (BIAD)

Schmuck 2013 – EXPO ‘This is where they met’ – Platina at Frame, Neue Messe Munchen, Munich (DE) – 6-12 mars 2013

Frame/Galerie Platina, This is where they met.

Messegelände München, Halle B1

09.03. 11-15pm meet the artistas @ Schmuck Bar

Jewellery Sessions 2013 : Beatrice Brovia & Nicolas Cheng –  Sofia Björkman — Helen Carnac — Hilde De Decker, Gemma Draper –  Cristina Filipe — Silke Fleischer — Adam Grinovich — Dana Hakim –  Hanna Hedman — Hannah Joris –  Agnes Larsson — Mia Maljojoki — Mikiko Minewaki — Jorge Manilla — Ruudt Peters

Jewellery Sessions offers an online platform for artists from different disciplines. It aims at starting a dialogue, sharing thoughts, exchanging visions and collaborating freely. Hereby focusing on the synergy between a photograph, a piece of furniture, an installation, a jewellery piece, other artworks, and the way these artforms come together through extended research.
The visual, how you see things, how you approach them, how you view them from various perspectives, is a common denominator in how we work with contemporary jewellery today. In fact, we (from our discipline) are mostly interested in people; in things people create, why they create it, who is interested in it, and how people live with exceptional products of individual makers. Jewellery Sessions sets out to contribute to current debates of the notion of contemporary jewellery today as an artform, and its impact in the discourse of visual art and design. Within this context we present a platform for experimentation, reflection, discussion and display, to become more flexible and interconnected.
For Jewellery Sessions 2013, contemporary jewellery artists /artist groups are invited from Europe, Japan, U.S. , Latin America, … to join. In collaboration with a photographer, with similar artistic visions, these invited jewellery artists work towards a photograph. The image shows a narrative view on jewellery and should represent more than a profile as for example in a catalogue. The project is an artist initiative to investigate in and reflect on « crossover thinking » in applied and visual arts and a research in different forms of presentation or display of contemporary jewellery. 
Curator: Silke Fleischer

Jorge Manilla

Ruudt Peters

Mikiko Minewaki

Adam Grinovitch

Gemma Draper

Hanna Hedman – Black Bile – Self portrait

 

 

Platina at Frame, Neue Messe Munchen
Messegelände Halle B1
81829 – Munich – Germany
website: www.jewellerysessions.com
website: www.platina.se
mail: [e-mail]
mail: [e-mail]

Schmuck 2013 – EXPO ‘Flora eats Fauna’ – Nymphenburg Palace, Munich (DE) – 8-10 Mars 2013

Flora eats Fauna

Who are they?
(Animals? Plants? Organisms? Objects? Bodies? Humans?… Creatures?)
If we are vulnerable, how vulnerable are they?
Who nurtures who? Does life precede death, or does death precede life?
-Flux- 
Come and wander amongst ‘the others’, let yourself get intertwined in a cycle caught between defense and protection, captivating beauty and cruelty.
Discover your own values through their bewildering characteristics. We need each other.

Artists: Nora Rochel — Dana Hakim — Susanne Wolbers — Leonore Jock — Jasmin Matzakow — Stephanie Hensle — Jimin Kim — Hannah Joris.

  Nora Rochel  Necklace: Happy Easter! 2013  Felt, stuffed animal

Jimin Kim  Brooch: Hallucination Flower I 2013  Korean paper, latex

Jasmin Matzakow  Brooch: Arcus 2012  Amaranth-wood, silver, steel, 11x9x2,5 cm, chiselled, mounted

Dana Hakim  Brooch: My Four Guardian Angels 2013  Iron Nets, Rubber, Mirrored Plastic, Paint, Lacquer  The Blue Series  Photo by Josef Bercovich

 

Nymphenburg Palace, Johannissaal in the Orangery
Schloss Nymphenburg
80638 – Munich
Germany
Telephone: [phone]
website: www.susanne-wolbers.de/floraeatsfauna
website: www.floraeatsfauna.de
mail: [e-mail]
mail: [e-mail]

Schmuck 2013 – EXPO ‘TRANSIT’ – Galerie für Angewandte Kunst München (DE) – 1er Mars-13 Avril 2013

see EXPO ‘TRANSIT’ – The Deutsches Goldschmiedehaus, Hanau (DE) – 14 Juin-12 Aout 2012

Transit – Zeitgenössischer Schmuck aus Israel

Von 1. März bis 13. April 2013 in der Galerie für Angewandte Kunst München. -  Eröffnung: 28. Februar 2013, 18.30-20:30 Uhr

Die Ausstellung gibt einen Einblick in den aktuellen Stand des zeitgenössischen Schmucks in Israel. Sie zeigt Qualitäten und besondere Eigenheiten israelischer Schmuckkünstler und die Unterschiede zur mitteleuropäischen Schmuckszene.

Anat Aboucaya Grozovski Brosche, „land(e)scapes“, 2011 Silber, gefundenes Metall, Messing, laminierte Landkarte, Streichhölzer Foto: Etienne Boisrond

Die Ausstellung „Transit“ gibt einen Einblick in den aktuellen Stand des zeitgenössischen Schmucks in Israel. Nach den Stationen im Schmuckmuseum Pforzheim, im Deutschen Goldschmiedehaus Hanau und in der Stiftung Villa Bengel, Idar-Oberstein, zeigt der Bayerische Kunstgewerbe-Verein die von Jürgen Eickhoff (Galerie Spektrum, München) kuratierte Ausstellung in seiner Galerie für Angewandte Kunst.

Vered Kaminski Halsschmuck, 2010, Alpaka, Bronze Foto: Vered Kaminski

Was unterscheidet israelische Schmuckkünstler von ihren deutschen Kollegen? Es sind die Lebensumstände, sagt Iris Fishof, jüdische Kunsthistorikerin und Autorin des Katalogs. „Die politische Situation in der Region spiegelt sich in zahlreichen Werken wider. Manche Künstler machen ein klares Statement und äußern lautstarken Protest, während andere mit leiseren Tönen an die Sache herangehen. Der brisante Fragenkomplex Kriege, Terror, Ungerechtigkeit drückt sich auf unterschiedliche Weise aus. Einige Künstler setzen sich mit dem Leid auseinander und zeigen Mitgefühl mit den Opfern. Andere offenbaren Trauma und Angst. Nicht in allen Arbeiten jedoch sind unmittelbare Spuren der politischen Situation ablesbar. Die Wahl von Medium und Verfahren steht bei einigen Arbeiten der Ausstellung im Vordergrund. Die Werkstoffe sind einfach und schlicht. Diese Anspruchslosigkeit des Materials verbindet sich oft mit einer Ästhetik, die der Tradition der Schmuckgestaltung nicht entspricht. Sie bewegt sich zwischen minimalistischer Einfachheit einerseits und Vulgärem und Trashigem am anderen Ende der Skala“.

Den wichtigsten Beweggrund der Künstler fasst Kurator Jürgen Eickhoff zusammen: „Der politische Einfluss in der Aussage des Schmucks ist bedeutend höher als bei uns. Hier sind vor allem zwei Dingen auffällig: Zum einen ist die politische Situation ein deutliches und direktes Thema für viele Künstler, auch im
Schmuckbereich. Diese „Politisierung“ der Thematik im Schmuck ist in Israel deutlich stärker ausgeprägt als hierzulande. Das zweite ist das Phänomen, dass es eine kontinuierliche Entwicklung gibt, die von vielen getragen wird, die oft nur über wenige Jahre beim Schmuck bleiben und dann zum Design oder zur freien Kunst wechseln. Also eine Beständigkeit der Entwicklung, die nicht unbedingt an immer dieselben Künstler gekoppelt ist.“

Welche Sprache spricht zeitgenössischer Schmuck aus Israel?
„Die Werkstoffe, die die Schmuckmacher verwenden, sind verhältnismäßig schlicht“, resümiert Iris Fishof. „Sie reichen von Silber über recyceltes Papier zu Holz. Gold findet sich kaum. Steine sind rar. Außer Silber kommen ein paar Metalle zur Verwendung, desgleichen Glasperlen, textile und synthetische Materialien und Fundstücke. Diese Schlichtheit der Werkstoffe ist in der israelischen Kunst anerkannt und bekannt als „Want of Matter“.
In vielen Stücken der Ausstellung spürt man die Freude am Experimentieren mit neuen Techniken.
Deutlich zu beobachten ist eine Rückkehr zum Handwerklichen. Sogar industrielle Materialien wie Aluminiumnetz werden mit handwerklichen Verfahren fachgerecht verarbeitet. Die Farbgebung ist im Großen und Ganzen eher gedämpft. Einfarbigkeit, vor allem Grau und ein paar Brauntöne, herrschen vor. Die Farben sind möglicherweise eine Antwort auf die Landschaft
Israels, die zeitweise trocken und karg ist. Leuchtende Farben finden sich, wenn überhaupt, vor allem in Arbeiten mit Email, Epoxitharz und Fundstücken. Die Rückkehr zum Ornamentalen, ein globaler Trend, ist auch im zeitgenössischen Schmuck aus Israel zu beobachten. Blumen und Unkräuter, eine Arabeske, Tiere und sogar ein als politisches Abzeichen getragener Panzer – das sind alles Ornamente. Die Schmuckstücke vermitteln eine neue Ästhetik. Sie haben keinen Glamour und sind nicht verführerisch im herkömmlichen Sinne.
Aber einige strahlen eine poetische Schönheit oder Aura aus, während der Reiz von anderen in ihrem rohen und scheinbar unfertigen Aussehen liegt.“

In der Ausstellung werden Arbeiten gezeigt von:

Shirly Bar-Amotz  — Attai Chen  — Maya Dekel  — Anat Aboucaya Grozovski  — Edda Vardimon Gudnason  – Dana Hakim  — Rory Hooper — Vered Kaminski – Gregory Larin — Einat Leader  — Tehila Levi Hyndman — Ido Noy  — Michal Oren  — Galya Rosenfeld — Kobi Roth — Michal Bar-On Shaish — Deganit Stern Schocken  — Ella Wolf

 Deganit Stern Schocken -  Neckpiece: Heaven on Earth 2008  Tank run over drinks cans, gems

Michal Bar-On Shaish Brosche, „Wire to Net“, 2011 Silber à jour Email Foto: Leoniod Padrul

Attai Chen Brosche, 2010 Papier, Farbe, Holzkohle, Leim, Messing, Edelstahl Foto: Mirei Takeuchi

 

Galerie für Angewandte Kunst – Bayerischer Kunstgewerbe-Verein e.V.
Pacellistraße 6-8,
80333 München,
T. 089 290147-0
www.kunsthandwerk-bkv.de,
Mo bis Sa 10 bis 18 Uhr

EXPO ‘FERROUS’ – Velvet da Vinci Gallery, San Francisco (US) – 1er Mars-14 Avril 2013

FERROUS | Velvet da Vinci Contemporary Art Jewelry and Sculpture Gallery | San Francisco -

March 1 – April 14, 2013

(David Choi bracelet)

Jewelry in a New Iron Age by 60 International Artists

Velvet da Vinci San Francisco exhibition
March 1 – April 14, 2013
Artists’ reception Friday, March 1, 2013 from 6 to 8 p.m.

FERROUS, an exhibition of jewelry using iron, steel, and steel alloys. Although the use of iron dates back more than two thousand years, this humble material is more commonly used for agriculture and industrial purposes than adornment. A significant exception is the Berlin Iron Jewelry of the early 19th century. The Prussian Royal family funded the uprising against Napoleon by encouraging wealthy citizens to exchange their precious gold and silver for intricately fabricated iron jewelry.Intricacy is just one aspect the 60 artists of FERROUS explore with this versatile material. Known for its strength and lightness, the steel and iron jewelry of FERROUS is both rusty and shiny, sheet and wire, bejeweled and modest. The exhibition will take place simultaneously at Velvet da Vinci Gallery in San Francisco and as a virtual exhibition at crafthaus online. In May FERROUS will travel to 18Karat Gallery in Toronto, Canada as part of The Society of North American Goldsmith’s annual conference.

 

 

Participating artists:
Nanz Aalund, USA –  Anne Achenbach, Germany –  Dauvit Alexander, Scotland –  Talya Baharal, USA –  Michael Berger, Germany –  Lisa Bjorke, Sweden –  Aaron Bray, USA –  Elizabeth Callinicos, UK –  Melissa Cameron, USA/Australia –  David Choi, USA –  Kat Cole, USA –  Dialogue Collective, UK –  Andy Cooperman, USA –  Donna D’Aquino, USA –  Jaclyn Davidson, USA –  Ann Catrin Evans, Wales –  Maureen Faye-Chauhan, Australia –  Fekete Réka, NL –  Mirla Fernandes, Brazil –  Peg Fetter, USA –  Rebekah Frank, USA –  Motoko Furuhashi, USA –  Susie Ganch, USA –  Elliot Gaskin, USA –  Janna Gregonis, USA –  Dana Hakim, Israel –  Masako Hamaguchi, UK –  Tom Hill, USA/UK –  Heejin Hwang, USA –  Rob Jackson, USA –  Mary Frisbee Johnson, USA –  Lisa Juen Sinnott, USA –  Satomi Kawai, USA –  Maya Kini, USA –  Amy Klainer, USA –  Jenny Laidlaw, UK –  Lorena Lazard, Mexico –  Roxy Lentz, USA –  Timothy Information Limited, UK –  Kasja Lindberg, Sweden –  Tara Locklear, USA –  Sarah Loertscher, USA –  Drew Markou, UK –  Judy McCaig, Spain/Scotland –  Lindy McSwan, Australia –  Chris Nelson, USA –  Iker Ortiz, Mexico –  Claudio Pino, Canada –  Jo Pond, UK –  Suzanne Pugh, USA –  Meghan Patrice Riley, USA –  Mackenzie Sala, USA –  Natasha Seedorf, USA –  Sondra Sherman, USA –  Marjorie Simon, USA –  Melissa Stiles, USA –  Barbara Stutman, Canada –  Tore Svensson, Sweden –  Sarah West, USA –  Katie Wright, UK

Donna D’Aquino : Red/Black Necklace

 Helen Shirk: Neckpiece

Alexander Dauvit : Three Post-Apocalyptic Cocktail Rings

David Choi Brooch

Maureen Faye-Chauhan: Stainless steel Octahedral brooch

Sarah West – Coney Island/RCA Brooch

Susie Ganch : Pendant

Mirla Fernandes Eu sou a medida II/Fe (I am the measure/Fe) Necklace

Drew Markou Rust and Space Brooch #1

Tara Locklear – Faux Real KJ Lane Replica Earrings

Marjorie Simon First Thoughts on Miami Foliage Neckpiece

Sondra Sherman Study Valeriana Brooch

Barbara Stutman Boutonniere #11

Jennifer Laidlaw No use in crying over spilt milk Necklace (detail)

Lindy McSwan Day 7 NYC v2.1 and v1.2 Brooches

Dana Hakim My Four Guardian Angels Brooch

Meghan Patrice Riley Interstitial II Necklace

Kat Cole 405 Summit Catalog of Belongings Neckpiece

Kat Cole The Land Below – Winter Neckpiece

Sarah Loertscher Structure Neckpiece #13

Amy Klainer Safety Chain Necklace

Suzanne Pugh Brooch

Roxy Lentz Neckpiece

 Lisa Bjorke Frigg Brooch

Reka Fekete Juggling Brooch

 Lisa Juen I Make You Look Successful Brooch/Neckpiece

 Claudio Pino INOX Reverie Ring

Michael Berger Kinetic Ring

Motoko Furuhashi – Sentiment Brooch

Timothy Information Limited -  Gone Brooch

SIERAAD Art Fair 2012 – Amsterdam – 1–4 Nov. 2012

SIERAAD Art Fair, international jewellery design fair – 01.Nov.2012 – 04.Nov.2012

(ring by Serin Oh from Korea, one of the winners of the biennial international design contest New Traditional Jewellery 2010)

This year the poster will feature a ring by Serin Oh from Korea, one of the winners of the biennial international design contest New Traditional Jewellery 2010: True Colours. After the great success of last year another delegation of Korean contemporary jewellery designers will be present at the fair this year – definitely something to look forward to because in our Western eyes these artists give a unique interpretation of their cultural history.

 Pieces from Serin Oh

Vivian Meller brooches

Ute van der Plaats, porselein, zilver en katoen

Kika Alvarenga, ring – silver green turmalines

Lien Hereijgers  VOSTOKRING

Sound jewellery of ceramics, Audiowear consists of a series of musical jewellery made of ceramics, inspired by musical instruments like flutes and xylophones. It is a unique project of Elasticbrand, a design studio in Brooklyn, NY run by the artistic duo Arjen Noordeman and Christie Wright

TZURI GUETA tour du cou chardon -  His organic/futuristic jewellery in silicones refer to biology, neurons, algae and plants. He himself calls it ‘lace fed by silicones’, and he took out a patent on his invention. He also designs fabrics using this unique process which he has sold to all the great couturiers: from Gaultier to Armani and from Vuitton to Dior. His latest achievement is the collaboration with French couturier Stephane Rolland for the 2013 fall/winter collection

 Linda Ezerman  – stand 28 – Necklace, handmade, unique piece  from the series ‘tide land wet beach caught by seaweed’, felt, kelp, miyuki beads, resin, rubber, ink

Uli Rapp, stand 52

Xinrui (Sherry) Yu

Alice Bo-Wen Chang, stand 55

Stefania Lucchetta

Jillian Moore

Ute Decker – snapshot from the bench with new arm sculptures by ute decker for Sieraad, Amsterdam stand 27

Uk Collect_ive stand 35, a new generation of UK Art Jewellers, with Farrah Al-Dujaili –  Laura Bradshaw Heap – Melanie Codarin — Katie Lees — Yu-Ping Lin — Grace Page — Natalie Smith — Anna Wales

Katie Lees

Farrah Al-Dujaili Brooch 2011 -  Copper, enamel paint, watercolour, pencil, pastel – Dimensions: 14cm x 8cm x 5cm

 

SIERAAD 2012
Gasholder WesterGasfabriek
Klönneplein 1
1014 DD – Amsterdam – Netherlands
Telephone: [phone]
website: www.sieraadartfair.com
mail: [e-mail] on FB : https://www.facebook.com/pages/SIERAAD-Art-Fair-international-jewellery-design-fair/106391316050449?ref=hl

ALL PARTICIPANTS here

with, among them :

Alchimia Contemporary Jewellery School in Firenze Italy:
Valentina Caprini IT — Andrea Coderch Valor ES — Patrick Davison GB — Catalina Gibert Nadal ES —  Sam Hamilton IR — Dinah Lee USA — Weronika Marek PL — Izabella Petrut RM — Giulia Savino IT — Anna Helena van de Pohl de Deus USA

 

‘NEW NOMADS’ New Traditional Jewellery 2012

More Info: http://www.newtraditionaljewellery.com

exhibition New Nomads

exhibition New Nomads will be shown during SIERAAD Art Fair, 1 – 4 November 2012, in the Gashouder, WesterGasfabriek, Amsterdam  www.sieraadartfair.com 

For the 2012 design contest and exhibition the professional jury of New Traditional Jewellery (NTJ) has chosen the theme ‘NEW NOMADS’, because both literally and figuratively this theme offers many possibilities for inspiration.

the professional jury of New Traditional Jewellery (NTJ) at (hard !) work ….

The history of jewellery is as old as mankind. While people went in search of parts with the best living conditions they carried their valuables with them, wearing them on their bodies. Jewellery that represents economic and social status, as it still does nowadays in the case of nomadic tribes. The dissemination of religions went hand in hand with an unprecedented range of religious jewellery and ornaments, ranging from small containers for religious texts to reliquaries and portable altars.
To this day, jewellery made of stable materials like gold and gems is the guarantee for your ‘ticket home’ in times of crises or when you have to flee from high-risk areas. Due to the global financial crisis prices of this so-called ‘flight gold’ have skyrocketed. Is there an alternative? Nowadays there are quite different streams of migrants but the principle is the same: people in search of parts with better living conditions. The whole world is on the move, from refugees to tourists, from emigrants to employees of multinationals. And you don’t even have to get up from your chair: Skype e.g. has made videoconferencing into a social medium.
NTJ asks contemporary professional jewellery designers to build bridges between the traditional jewellery of e.g. nomads, pilgrims, explorers, globetrotters, refugees or colonists and possible symbols bearers representing the mobility of the ‘NEW NOMADS’. Check the attachments for conditions and criteria.

all nominees New Nomads:
Ariane Ernst D — Alejandra Solar Mex — Auk Russchen NL — Barbora Dzurakova SK — Casey Fenn UK — Dana Hakim IL — Daniela Malev D — Edu Tarín ES — Hee Won Kang ROK — Heng Lee RC — Hester Popma-van de Kolk NL — Jie Sun CN — Judy McCaig UK — Juliane Keßler D — Katharina Dettar D — Laila Smith UK — Leon Mommersteeg NL — Maria Hees NL — Matthew+Amanda Caines UK — Maryvonne Wellen NL — Minna Karhu FIN — Noa Liran IL — Patricia Domingues P — Peter Vermandere B — Petra Bole SLO — Raewyn Wash NZ — Ricarda Wolf D — Robean Visschers NL — Roseanne Bartley Au/NZ — Sang-Hee Park ROK — Saskia Govaerts B — Sina Wassermann D — Sung-Min Jung ROK — Tabea Reulecke D — Verena Klette D — Vernon Bowden NZ –

The exhibition during SAF: 1-4 november at Gashouder Westergasfabriek Amsterdam

the exhibition “New Nomads” will be then shown in MMKArnhem (museum for Modern Art in Arnhem) ,  November 24. – January 27. 2013!
The next exhibition will be published after the summer.

Maria Hees (NL) – Necklace: foam, porcelain, rubber

Roseanne Bartley (AU/NZ)

Noa Liran (IL)

Robean Visschers ring (winner New Traditional Jewellery 2006)

Robean Visschers – for 2012 competition

Auk Russchen – (NL) Broche ‘Ode’, 2010 (winner for 2010 New Traditional Jewellery « True Colours »)

Sang-Hee Park

Matthew+Amanda Caines – Necklace – Suffolk dump dig pottery figure with Thames

Tabea Reulecke

Jie Sun – from JOYA 2012 (ENJOIAT award) to SIERAAD Art Fair,  nominated piece for New Nomads

Après les « alicaments », les « bijoucaments » ?

Dans la série « allo maman, BOBO ! » ………………

« ‘Pillole’ e ‘blisters’, …. come metafora del nostro tempo, della nostra flebile e paurosa esistenza, qualcosa che entra senza fare rumore ogni giorno nella nostra vita per affievolire il dolore, per scacciare le paure, per allontanare il malumore, per alleggerire il peso sul cuore che ci affligge senza posa: moderno assenzio per offuscare lo spleen dei giorni nostri. » (« Spleen oggi » – Patamagazine)

(voir également les bijoux de Valentina caprini : Belles rencontres à JOYA : Valentina Caprini )

Kalina Chankova – - – jewel(ry) = medicine ?

Fabiana Gadano – Necklace: Elegant dependence  925 silver, beads

Dana Hakim -  impressed beauty  2006, Bezalel Academy of Art and Design, Jerusalem    The project focuses on scars, which leave a type of  engraving of events on our body and soul. The series  offers a different way of remembering, the pain and  the difficulty is also a source of growth and development. What you see is in the eye of the beholder.

Rikke Lunnemann

Octavia Cook – ‘Cure for Cancer’  necklace   2011   -  Brass, stg silver, copper, acrylic, epoxy resin glue, electrical shrink wrap

Charlotte Larsen « Drink your medicine! »  – Velkommen – Officinet 2012

Benjamin Lignel - Ring ‘Happy family Mrs 1999′ – silver, offset printed card box, paper-solidor

Ted Noten – for CHIAPAURA- An alternative to traditional wedding rings, these Wedding Pills are micro-inscribed with the names of the couple and the date of their wedding. They are to be swallowed and recovered from their journey through the body(!!), and can be-reused as a recurring ritual

Frederic Braham, « Bonbons très bons » brooch (P19), 2007, blue and red powder coated metal
« Many of the collections pieces exemplify the conceptually rigorous mission of Chi ha paura…?. Frederic Braham’s Bonbons tres bons (2007) appear candy-coated and succinctly touch on complicated issues of a modern way of life mediated by manufactured medicine. » (Art Jewelry Forum, AJF) (exhibition of « Chi ha paura . . .? » at the San Francisco Museum of Craft + Design mars 2010)

Frédéric Braham – Inner beauty (drinkable jewelery)(exposition « Un vrai bijou » 2005)

Kay Eppi Noelke-  band-aid rings – stainless steel, silver, gold – protective band-aids transformed into jewelry

Konrad Mehus (NO) -  ‘Norwegian Folk medicine’ brooch- silvered bronze -  2005 (Schmuck 2006)

Benjamin Lignel – Happy family NHS (two adhesive rings), 2002 Rubber, gauze, ink
Edition of 300 – (Photo: Joel Degen)

Maria Solórzano (Mexico) – colección de pins « el santo remedio » – todos tenemos problemas pero tods tenemos también su santo remedio

Maria Solórzano -   colección de pins « el santo remedio »

Jill Baker Gower -  Botox Injection Compact, sterling silver; brass; syringe; vial, 2006 (open)

Ewelina Bocian – “emergency pin” – brass & silver etching, medicine – jewellery envelope for a pill

Emmanuel Lacoste -”Human Nature” – Implant – Bullet (2010)

Annette Dam – “A pill a day keeps the baby away” - Bracelets  

Annette Dam – « a pill a day keeps baby away »

Si tout ça ne nous soulage pas de nos divers maux, il ne nous reste plus que nos yeux pour pleurer … mais, heureusement, il y a le bijou ad-hoc pour ça ….

the Eye Jewellery contact lens project by Eric Klarenbeek . It looks dangerous when you wearing it. The Eye Jewellery likes your tears.

Mais, finalement, en fait, n’est ce pas d’un bon gros « hug », d’un bon gros « câlin » dont nous aurions besoin ??

« Big hug » by ArtMind etcetera