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24/02/2014

EXPO ‘Maquina’ – Showcase 20a, Munich (DE) – 12-18 Mars 2014

SCHMUCK 2014 – Munich – 12-18 Mars 2014

Maquina – window display – 12-18 mars

***24h WINDOW DISPLAY*** OPENING 13. 03. — 17H
EXHIBITION 12. 03. — 18. 03.2014

during SCHMUCK :Maquina - window display - 12-18 mars
During SCHMUCK 2014 « Máquina » presents the work of a group of jewellery-makers eager to explore the potential of achieving new contemporary jewellery styles. They translate their creative ideas into tangible pieces of adornment by merging a range of modern production techniques, with traditional craftsmanship methods to materialize their vision.
 

Laura Alvarado - lost & foundLaura Alvarado - lost & found

EXPO ‘Maquina’ – Showcase 20a, Munich (DE) – 12-18 Mars 2014 dans Allemagne (DE) animation_01Daniel Michel – There Is No Single Story – 2010- polyamid (Selective Laser Sintering), lenticular print
This ring changes its colors if you change your or the rings position.
Same things are different. The impression you get depends on your position, your point of view, your socialisation, your associations. 

http://maryvonnewellen.com/
Karin Maisch - Fachhochschule Düsseldorf, Germany - necklace, Kaleidoscope, the folded one, 2013, rubber, fabric, steel, magnet, paintKarin Maisch (Fachhochschule Düsseldorf) – necklace, Kaleidoscope, the folded one, 2013, rubber, fabric, steel, magnet, paint
 GUN-GUN #10, Polyamid, Silver, Christina Karababa, 2013Christina Karababa, GUN-GUN #10, Polyamid, Silver,  2013
phylicia gilijamse Andclose - Necklace, 2013 Every link of this chain is different but they all have in common that they consist of two incomplete parts. Only when the two parts come together can the link be closed.Phylicia Gilijamse – Andclose – Necklace, 2013 Every link of this chain is different but they all have in common that they consist of two incomplete parts. Only when the two parts come together can the link be closed.
the pins huh! by anne achenbach
 Anne Achenbach pins – rosa klapprad serie
Denise Julia Reytan, Schmuckdesign, jewelry Berlin 2011Denise Julia Reytan, Schmuckdesign, Berlin 2011
 
 
Showcase 20a
Donnersbergerstraße 20a
80634 München
24/24 Uhr, window display

REACH THE EXHIBITION : U-Bahn, bus and tram stop Rotkreuzplatz S-Bahn Station Donnersbergerbrücke Tram and bus stop Donnersbergerstraße

28/10/2010

Mais où est donc passée la religion ??????

Le bijou, support politique, support religieux, « support d’idées » « tout court » ?

souvent, ces bijoux traduisent une « double » religion : l’idée de religion ‘classique, transmise par la forme de la croix, puis celle d’autres « religions », plus modernes diront-nous, transmisses par le matériau : l’adoration du « dieu informatique », du « dieu consommation » (le coca ? l’amérique ? la nourriture ? l’argent ? ) …..

D’autre fois, la croix est juste une structure comme une autre, mais particulièrement attirante : la « structure primaire » je dirais …..

Mais où est donc passée la religion ?????? dans Amazing Animal (FI)
Daniel Michel - New Traditional Jewellery 2007 at Sieraad Art Fair

http://www.vam.ac.uk/images/image/19272-large.jpg
David Poston- ‘The Real Thing’ – pectoral cross 2004 – Steel on a wooden frame – V&A Museum

« This cross uses recycled Coca Cola bottle tops, gathered in Rwanda and laser-welded over a wooden frame. Dr David Poston who made the cross, has worked in Africa for many years, teaching blacksmithing techniques to rural communities under the auspices of the United Nations. In a statement about the piece, Poston posed a series of questions which the viewer might like to consider, such as:
‘Is there anything inherently offensive in the piece? If someone were to choose to take offence, would this be because of any statement genuinely inherent to the piece or a reflection of their own position, prejudices and asssumptions?’
‘If the juxtaposition of cross and Coca Cola is offensive, to whom and why?’
‘What do used Coca Cola bottle tops imply or represent? In this context, what is the significance of their coming from Rwanda?’
‘How great is the difference between the two symbols? Do they now both represent brands?‘ »(David Poston)

very_important_detail dans Carole DELTENRE (FR)http://www.kunstbanken.no/images/artitude-mona-wallstrom140.jpg
Mona Wallstrøm « 20 very important things to remember » – detail of ankle piece

 

 

 dans Chloe DURAND (FR)
Carole Deltenre- komboloi for women – silver

« related to the traditional rosary, the komboloi is a Greek traditionnal object only used by men. Here it consist of the clitores -cast in silver- of 19 women » – cet objet/bijou est JUBILATOIRE !

http://4.bp.blogspot.com/_qJ2Ue84Do-U/TAD144gSrQI/AAAAAAAAALw/nSbSf8vKHHY/s1600/Supplice+exquis+chapelet+en+chocolat+chloe+durand.jpg
Chloé Durand (FR) – « Supplice exquis » – chapelet en chocolat + laiton

« Considérer le bijou comme un moyen d’expression au même titre que la photographie, la vidéo…
Des bijoux porteurs de messages, des bijoux politiques, des bijoux qui interrogent, des bijoux engagés
Je m’amuse à détourner les objets, à associer des matériaux tels que l’os, le béton, ou encore le chocolat, avec les métaux propres à la bijouterie (or, argent…).
J’utilise ces moyens pour dénoncer un fait, pointant du doigt les failles de notre société où l’individu et le collectif s’affrontent sans cesse…
Un regard ironique sur les comportements humains. »(
Chloé Durand)

61126_149530145085782_149497855089011_233060_2376810_n dans Constanze SCHREIBER (DE)59944_149531141752349_149497855089011_233074_7439063_n dans Daniel MICHEL (DE)
Chloé Durand – A Dieu… Adieu ?- Broche en argent + médaille de baptême en or + béton teinté

71704_457336734242_160154969242_5274879_3716451_n dans David POSTON (UK)
Emmanuel Lacoste‘ s Opening nite (by LNY) par AKAun… steack crucifié (pour la bonne cause ?) … mais peut-on parler de « bijou » ?

http://www.maricazottino.com/public/rozancius.jpg1-9%20%20f-rozan-f dans Emmanuel LACOSTE (FR)
Solveiga & Alfredas Krivičiai- rozancius- ‘Rossary for homo consumer’ 55 coins, hematite, ready made

« “…if jewellery is art, can it really remain indifferent to the cultural, technological and social changes taking place at the moment in the society?… Can jewelery react actively to social processes? Can it be socially engaged? Or maybe these days jewellery can, albeit indirectly, express people’s aspiration and phobias, actively and perhaps even dramatically react to the “now”…« 

http://static.velvetdavinci.com/images/ebendorfring1web.jpg
Robert Ebendorf Ring (« 200 rings » exhibition at Velvet da Vinci Gallery)

maria_nuutinen
Maria Nuutinen Object ‘Passio’ (pìncushion), 2003 (she belongs to « Amazing Animal » group)

usko dans Eric LOUBSER (ZA)
Maria Nuutinen 

http://2.bp.blogspot.com/_dDiJ3Beteq0/SzzS_TZuQeI/AAAAAAAAFL8/YwzjjM5SdBM/s400/Kate+Barton.jpg
Kate BartonNew Structure Brooch – oxidised stg, 9ct Y gold, wood, glue, paint, 2009

« I am inspired by structures, building plans, diagrams, underground pipes and wires, sparkling gems, Morse code, semiotics, secrets and machines. » (Kate Barton)

thumb478 dans Frank TJEPKEMA (NL)
thumb477 dans Kate BARTON (NZ)
Katja Prins (NL)-’Bound by Blood’ Necklace – 2007 – wooden beads, cotton

« This necklace brings together and mixes various prayer-necklaces, which only differ in detail. Prayerbeads are being used in several religions and they all have their own systematical design. The beads stands for the different prayers and by following the beads you can’t loose track and count while you are praying. The Roman-Catholic church has the ‘rosary”, the Islam has the “tespi”, Buddhism (Nichiren) has the “juzu” and Tibetan Buddhism has the “mala”. Nowadays we are living in a time of globalization. Worldwide people are connecting more and more, not only economically, but also politically and culturally. Borders are fading and people travel and migrate more than ever. Out of that comes integration of different cultures and religions. Partly because of the not always so very successful integration-policy of many countries, extremism in certain religions also flourishes, conflicts arise. With this/my interpretation of the prayer-necklace I want to bring together all prayer-necklace and make 1 out of it all.  A contemporary blood red prayer necklace. In my opinion the religions don’t differ so much from one another, they differ mostly in details. That’s what I want to show with this necklace. By bringing together all the prayerbeads, symbolically I want to bring together the different religions and with that the people. The title “Bound by Blood” stands for the idea that on the inside we are all the same. It also refers to the many wars (and with that the shedding of a lot of blood) that have been fought in the name of religion. «  (Katja Prins)

http://www.pin.pt/pin2/images/stories/pin/2005_aoe_hab05.jpgmos /> Bling Bling medallion » width= »260″ height= »357″ /><br />
<font size=Frank Tjepkema - pendant ‘bling bling’ 2002- gold plated stainless steel- label « Chi Ha Paura…? »

« This medallion in the shape of a decorated cross is made out of paper-thin layers of gold-plated steel perforated to reveal logos like those of Coca Cola, Diesel, Kleenex and Gucci. » ………………………….

Contemporary South African Studio Jewelry from the Stellenbosch Area at Velvet da Vinci Gallery,
Eric Loubser – Pendant

constanze dans Katja PRINS (NL)
Constanze Schreiber, in opdracht van New Traditional Jewellery -2007  (photo Francis Willemstijn)

 

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