EXPO/CONCOURS ‘Filo Rosso 2015′ … & the WINNER is …. – Sala Negrisin & Museo Carà, Muggia (IT) / DRAT Gallery & Palazzo del Podestà, Izola (Slovenia) – 12 Dec.2015 – 24 Janv.2016

FILO ROSSO 2015

Le realizzazioni selezionate dalla giuria saranno esposte assieme ai bozzetti presso il Museo d’Arte Moderna «Ugo Carà» o presso la Sala Comunaled’Arte «Giuseppe Negrisin» di Muggia, Trieste (Italia) dal 12 dicembre 2015 al 24 gennaio 2015
e nel mese di maggio 2016 presso il «Palazzo del Prefetto» o  la Galleria Drat a IZOLA  (Slovenia) 

11 Dec. : 17.30 Inaugurazione  MUGGIA (Ts – Italia) – Museo  d’Arte Moderna «Ugo Carà»
11 Dec. :  19.30 Inaugurazione/Otvoritev  IZOLA (Slovenia) Galerija «Drat»

Quest’anno viene inoltre presentato il “coup de coeur”: mostra -mostre- dedicata a Silvia Beccaria (Izola) e a Vered Babai (Muggia), artista israeliana che espone per la prima volta in Italia.

The WINNER of FiloRosso 2015 is Alix Tran and her poetic necklace !!

Alix Tran – Col Claudine, 22x20cm, necklace, linen and brass, 2015.
« Col Claudine (Peter Pan collar), is the contrast between a chaste and white collar, detached from the garment’s body, and the invasion of small precious flies.Flies concentrated on areas of cracks in the tissue, like wounds. Aggregated on a soft material, and loose like a net, that takes them to the trap. They become companion insects. Like a Memento mori. »

Prix FiloRosso  – transmis du dernier gagnant, il sera transmis au prochain gagnant …. fil rouge de la création bijou !

  le jury ! deg à dr : Agatha Ruiz de la Prada, Jean Yves Le Mignot, Vered Badai, Marianne Gassier, Giovanni Micera

 

Non primés mais remarqués, les bijoux suivants :

Biljana Klekackoska (Macedonia) – « The Letter » BROOCH
Techniques: filigree, drawing/writing and aquarelle on silk with iron-fixing silk colors, sowing, oxidization
Materials: silver (925 and fine), silk, steel – Dimensions: 9.6 cm. x 7cm. x 1cm.
« This piece is part of the exploration series wearable memories. This is a “never sent love letter”. It contains everything unsaid to a lover, but worn inside. Now it appeared in a material form, ready to be seen and worn outside. »

Noga Harel – Israel – « Oceanic bloom » NECKLACE Techniques: felting, sewing, reconstructing and assembling. Materials: wool, corals, pearls, crystals, thread, fabric, garlic flowers. Dimensions : 41 cm. x 24 cm. – Depth : 11 cm.
« The work  » Oceanic bloom » deals with the artist’s ability to present simultaneously different characters. In this work I wanted to investigate the wonderful world of the plants.
The result will always be based on reality but full of the inner emotional world of the creator…And at the unique personal perspective… « 

Noga Harel - Israel – « Oceanic bloom » NECKLACE (details)

Heidemarie Herb  – Germany – « Schluesselkinder » – collection time PENDANT
Materials: fabric, silver, mix media, pigment – Dimensions: 12 cm. x 8 cm.
Techniques: textile impregnated in plaster, colorured with pigment
« My work is the expression of the pain of their children that they must often live with greater responsibility of them. A reality of the daily life. » Potographer: Silvana Tili

Heidemarie Herb

 Aleksandra Atanasovski, Slovenija -   « me(n)talna neznost » RING – Materials: silver and gold, red silk. Dimensions: 2.5×1 cm and 25×25 cm red silk Techniques: inprint of finger tip, casting in silver.
« I was oserving the space beetwen a thought and action, how the softnes (of silk) can be tuched, perceved by finger, and how this finger can become metalic in a fraction of a second. »

Sigal Meshorer – Israel – « Missing Embroidery » RING
Materials: Silver 925, White Linen. Dimensions: W-54mm. H-32-42mm.
« The work consists of 2 identical rings.
One with flat white linen fabric, the other with domed white linen.
The fabric sits on a circle on top of the ring, an outer ring holds it in place by pressure.
The fabric imitates either a white stone or a miniature embroidery hoop. »

Et, j’ajouterai, quelques coups de coeur personnels :

Flavia Michelutti – collana con ciondolo « aperto »

Flavia Michelutti - collana con ciondolo « chiuso »

broche « La pelle della mia vita » de Martina Obid Mlakar (front)

broche « La pelle della mia vita » (« Pores of my life ») de Martina Obid Mlakar (back)

Yasmin Vinograd  « The Wave » necklace / silver,silkwork  

Galit Einav necklace (detail)

Jure Kodre ring « In memory » – with a « filo rosso » work in the inside of the ring ….

Jure Kodre ring « In memory »

Huberto Široka (croix de vie – entre croix et sexe ….) (front & back)

Daniela Luzzu (IT) with the necklace « Radici » – tribute to Frida Kahlo

 collier di « BONATI2 » (Nelly & Patrizia Bonati)

collier di « BONATI2 » (Nelly & Patrizia Bonati) (detagli)

 Sandra Kocjancic,  detail

Pour cette édition de FiloRosso il y a plus de 80 artistes inscrits de toutes nationalités confondues: Italie, France, Slovènie, Croatie, Autriche…Etats-Unis, Israel … Quelques noms: Sebastien Carré,  Gigi Mariani, Barbara Uderzo, Lucilla Giovanninetti (Eandare) , etc …… et de très jeunes artistes encore peu connus du public :

avec (liste non certifiée !)  Lucilla Giovanninetti –  Martina Obid Mlakar –  Marco Picciali — Chiara Lucato — Barbara Uderzo — Aude Medori — Tania Palazzi — Roberta Risolo — Jasmina Weiss — Silvia Beccaria –  Patrizia Bonati & Nelly Bonati – Daniela Repetto — Luisa Chiandotto — Sébastien Carré — Romi Bukovec — Tinka Loncar — Aleksandra Atanasovski — Yasmin Vinograd — Gigi Mariani – Maria Chiara Cassarà — Alix Tran — Flora Sica — Laura Volpi — Nataša Grandovec — Huberto Široka — Annie Sibert – Žarko Ognjenovič — Ana Sabolić — Marta Pejoska — Roberta Pavone — Silvia Valenti – Petra Bole — Bibi Klekackoska — Losch Emilie — Monika Šangulin –  Sandra Kocjancic — Inbar Shahak – Galit Einav —  Sara Progressi. — Rosanna Raljević Ceglar (NIIRO Jewelry) -

La manifestazione è promossa dal Comune di Muggia in Italia e dal Comune di Izola in Slovenia è stata reralizzata con il contributo della Provincia di Trieste.  
Tra gli artisti che partecipano il pluripremiato Sébastien Carré , Francia, vincitore tra l’altro del premio  « Giovane creatore » al salone Révelation di Parigi nell’autunno scoroso, Gigi Mariani, Primo Premio nel 2014 a « Joya » a Barcellona o l’industrial design Petra Bole della Slovenia.  Le opere esposte saranno oggetto di una selezione a cura della giuria internazionale composta da:   
Jean-Yves Le Mignot – curatore mostre bijou 
Vered Babai – artista orafa israeliana  
Marianne Gassier – blogger di «bijoux contemporain»  
Giovanni Micera – Direttore della rivista «Preziosa Magazine»  
Agatha Ruiz de la Prada , stilista spagnola che ha fatto del colore e della forma il suo credo conosciuto in tutto il mondo, è la madrina d’eccezione di questa manifestazione.  

Sebastien Carré - broche – proposition pour FiloRosso 2015

 Quest’anno viene inoltre presentato il “coup de coeur”: mostra dedicata a Silvia Beccaria e a Vered Babai, artista israeliana che espone per la prima volta in Italia.

Silvia Beccaria  -  Palazzo del Municipio- Izola- Slovenia

Silvia Beccaria  -  Palazzo del Municipio- Izola- Slovenia

Muggia – Museo U Carà – expo « coup de coeur » Vered Babai

Muggia – Museo U Carà – expo « coup de coeur » Vered Babai

***

Scuola di Musica di Izola « Palazzo Besenghi » – point culminant de la soirée avec cette jeune musicienne de 16 ans …. elle joue depuis 10 ans …. sa musique était tellement belle, elle, elle en devenait encore plus belle, illuminée …. MAGIQUE !!! MERCI !!!

 

 

Museo d’Arte Ugo Carà
Via Roma, 9,
34015 Muggia TS, Italie
tel [phone]

 

Sala Comunale d’Arte «Giuseppe Negrisin»
Piazza Marconi 1
34015 – Muggia Italy
Telephone: [phone]
website: www.benvenutiamuggia.eu
mail: [e-mail]
[e-mail] 
DRAT-GALLERY - Sandra Kocjančič 
Ljubljanska ul.21
6310 Izola Slovenia
tel [phone]

 

 

 

EXPO ‘METAMORPHOSE’ – galerie de la Perle Noire, Agde (FR) – 26 Juin-28 Sept. 2014

Métamorphose

- exhibition that deals with feathers -

La nouvelle exposition organisée par le site des métiers d’art de la Communauté d’Agglomération Hérault Méditerranée met cet été en lumière le travail des artisans d’art sur le thème de la plume déclinée sous ses formes d’expression les plus diverses : costumes, bijoux, accessoires, sculptures, oeuvres peintes…

Vernissage le samedi 5 juillet à 19h, à la nouvelle galerie de la Perle Noire.

Collection Jean-Yves Le Mignot : Andi Arnovitz (Israël) — Vered Babai (Israël) — Jerémy Charlet — Camille Fischer –  Anna Fornari (Italie) — Aviv Kinel (Israël) — Lia Kirel (Israël) — Florence Lehmann (France) — Géraldine Luttenbacher (France) — Mat & Jewski — Flavia Eleonora Michelutti (Italie) — Maguelone Soulages — Agathe Saint Girons (France)

Vered Babai feather rings « l’envol des corbeaux »

Vered Babai feather rings

Vered Babai feather ring

 

Galerie de la Perle Noire
6, Place Molière – 34300 AGDE – France
Tél : [phone]
Horaires d’ouverture :
Du lundi au samedi : 9 h -12 h /14 h – 18 h -

EXPO ‘Filo Rosso X Paris’ – Boutique Agatha ruiz de la prada, Paris (FR) – 20 Sept.-4 Oct. 2013

Parcours du Bijou «Circuit Bijoux» – Paris – à partir de SEPT. 2013

De septembre 2013 à mars 2014

(Barbara Uderzo ring)

du 20 septembre au 4 octobre 2013 FiloRossoXParis présente les bijoux de treize artistes italiens, réalisés au fil des émotions, utilisant le tissu pour tout ou partie. Isabella Bembo, chargée d’exposition, a demandé aux créateurs de donner une nouvelle vie à l’étoffe. Les œuvres représentent autant de paysages intimes, accompagnés d’un bijou inédit créé pour l’occasion.

*

Patrizia Bonati — Elisabetta Dupre — Flavia Fenaroli — Maria rosa Franzin — Rita Marcangelo — Gigi Mariani — Corrado De Meo — Flavia Eleonora Michelutti — Sara Progressi — Chiara Scarpitti — Maurizio Stagni — Barbara Uderzo – Graziano Visintin

Corrado de Meo ring

Flavia Eleonora  Michelutti, Collier Solids Fabric

Flavia  Michelutti – ‘corpi solidi’ spilla

 

Agatha ruiz de la Prada
9, rue Guénégaud
75006 Paris
d u mardi au samedi de 11h à 13h30 et de 14h30 à 19h
entrée libre
Tél. : + 33 (0)1 43 25 86 88
www.agatharuizdelaprada.com

EXPO ‘Filo Rosso 2012′ – Sala Comunale d’Arte « Giuseppe Negrisin », Muggia (IT) – 12 Dec.2012 – 13 Janv. 2013

FiloRosso 2012 – III International Biennial of Contemporary Jewellery
in collaboration with AGC associazione gioiello contemporaneo

The show presents seventy-seven artists from Italy, France, Slovenia, Austria, Bosnia, Croatia, Japan and Iran.

The third edition of FiloRosso wants to be a new opportunity to create both jewelry and meetings. So often tied to the fate, the red wire wants,  more than ever, forge links between the power of invention, the research and a new-fashioned language of the greatest number of artists who express themselves through the creation of contemporary jewelery. Jewelry often talk through the unusual materials and the different approaches used. It takes advantage of metals and materials, showing us a new way to tell stories of everyday life and tales which allow us to daydream.
The «preciousness» is not only the real value of the materials used to create these objects, but also serves to give them off a special aura and convey feelings and a sense of opulence not ever detectable to the human eye.
As in previous editions, the fabric will be the common element – the red thread – in these jewels, the hyphen which allows each artist a new search, a new limit to be exceeded, a new world to discover.
Winner Award FiloRosso 2012: Angelo Verga
« Award-winning work for the highly successful union between the use of the technique and mastery of the use of gold fabric, for its modernity and its wearability. »
Isabella Bembo, Curator

  Flavia Eleonora Michelutti  Collier: In filodiffusione

Rosana Raljević Ceglar  Bracelet ‘PlastikFantastik’

Aline Kokinopoulos

 

Sala Comunale d’Arte « Giuseppe Negrisin »
Piazza Marconi 1
34015 – Muggia
Italy
Telephone: [phone]
website: www.benvenutiamuggia.eu
mail: [e-mail]

 

EXPO ‘textile jewelry II’ – Galeria X, Bratislava (Slovakia) – 27 Juin-25 Aout 2012

Alternatives of Textile jewelry II – Bratislava

 

Blanka Cepková — Silvia Fedorová — Iveta Miháliková — Juraj Opršal — Ľubica Poncik (Lubi_Hany Ľubica Poncik a Hany Kašičková) — Blanka Šperková — Tatiana Warenichová — Christine Keyeux, Belgium — Elisabeth Krampe, Germany — Flavia Eleonora Michelutti, Italy — Deborah Rudolph, Germany — Silke Trekel, Germany — Birgit Schlarmann, Austria — Doris Schmitt, Germany — Dorit Schubert, Germany — Rita de Oliveira Ruivo, Portugal — Tota Reciclados / Valeria Hasse & Marcela Muniz, Argentina

ToTa reciclados ‎ » Theorie Duchamp Mecanique »

 Elisabeth Krampe

Blanka Cepkova

Deborah Rudolph

Flavia Eleonora Michelutti

L’ubica Poncik Rita Ruivo

Dorit Schubert

Christine Keyeux

Tatiana Warenichova & Blanka Sperkova

 

 

 

Galéria X
Zámočnícka 5
Bratislava 811 03
Mobil: 0903 / 751 731
Tel.:02 / 54 43 11 21
Fax: 02 / 45 52 07 47
[e-mail]
[e-mail]
web: www.txt.sk  (Slovak Textile Artists Association TxT)

EXPO ‘I Care A Lot – Opening’ – Gallery Platina, Stockholm (Sweden) – 2 Sept.-2 Oct. 2010

A Portable Discussion about current issues in the Middle East.
42 juried jewellery artists from 22 countries showing work on the conflict

 Why jewelry?
« Jewelry is an intimate art medium within the private and the public space which offers a personal relationship and an encounter between the wearer ,the viewer audience and the actual jewelry. It is an invitation to start a conversation and it can make a meeting possible. The body is a portable show case and the wearer chooses what and how to exhibit on him/her. Jewelry express the wearer character and sense of humor, it acts as an extension to the wearer personality, indicating his/her group of belonging, it is asking questions or claiming its opinion about the reality in which we live in, about our society, our surrounding and ourselves« 

The project aim is to raise discussion about current issues in the Middle East through an international art exhibition in which jewellery is the chosen media.
42 pieces of artists from 22 countries were selected independently by five international jury members – experts in their fields of studies and practice: Dr. Otto von Busch (Sweden) – Fashion Activist, Love Jonsson (Sweden) – Craft Critic, Prof’ Vered Kaminski (Israel) – Jewellery Artist, Shari Pierce (USA, Germany) – Jewellery Artist, Dr. Nada Shabout (USA,Qatar) – Art Historian

Cause We Care.
The region’s history and present are seeded with continuous violent national, ethnic and other conflicts. In many aspects the Middle East is considered to be one of the most sensitive and unstable regions in the world; strategically, economically, politically, culturally and religiously. It is located in the center of the international politics agenda. Its historical role, its huge reserves of crud oil and its significance for the three largest monotheist religions are usually taken as reasons for the world’s ardent interest in the region. But the attitude towards the Middle East has pasted the point of a keen interest in world affairs. By now it seems clear that the Middle East is perceived, especially by consumers of Western media, as the place where world dramas converge, or – more accurately – collide. It is almost the opposite of the Bermuda Triangle: everything that happens there pops up on our radars.
What is the Middle East? What is the source of our attraction to it? Is it just that it happens to be the most eventful place on earth? What is the nature of our commitment to effecting the future of the region? Do we really care about what goes on there? Do we really care about what goes on anywhere that is elsewhere? Do we care about the Middle East in a way similar to the way we care about how people look at us? Do we care about it the way we care about what people see in us?

Artists : Adam Grinovich, Ana Morais Caldas, Anna Williams, Vivi Touloumidi, Annette Dam, Barbara Deriemaeker, Beatrice Brovia, Burcu Buyukunal, Caitlin Wood, Chloé Durand, Claire Baloge, Dalya Israeli, Deganit Stern Schocken, Einat Leader, Ela Bauer, Ella Wolf, Filomena Praça , Frida Åberg, Gular Mustafa, Hannah Joris, Iacov Azubel, Ingrid Römmich & Veronika Schmid, Jan Turzo, Katja Prins, Kristina Lugonja, Loukia Richards, Malaika Najem, Marieke Van Diepen, Melanie Georgacopoulos, Michal Oren, Michelutti Flavia Eleonora, Midori Ikeda, Miri Admoni, Noga Hadad, Nuria Briones Perez, Sally Von Bargen, Mervat Hakroosh & Rotem Lewinsohn, Tamara Navama, Teresa Milheiro, Ulla Ahola, Machteld Van Joolingen, Vered Babai,

 Jan Turzo - ‘Division’ – Slovakia – 2009
Rotem Lewinsohn & Mervat Hakroosh -  Forbidden Love – Israel, 2010 

Sally Von Bargen – Elegy USA, 2008
Vered Babai - Pinched Rings – Israel, 2010

Claire Baloge (FR) -  Camel dung, gold leaf, silk (collier en crottes de chameau … j’adore !!)

« I have chosen to use camel dung, because  it’s shape and color. Although the use of camel dung in jewelry may provoke it also links: in those (not so) far-away countries, many people are still using these animals, and their excrement, in daily life, while some others, a few miles away , are smoking the cigars of the oil business. I have chosen to use gold because gold is the referential measurement on which the whole world economy is founded. It remains a major symbol for jewelry, almost everywhere around the world. While camels are traditionally emblems of the noble class, in the nomad society, a clear mark of wealth and importance. It seems to be two different temporalities, which are still sharing the same space, coexisting in the same territories. »

Machteld Van Joolingen – The Line

Gallery Platina
Odengatan 68,
Stockholm, Sweden
http://www.platina.se/Pressrelease/Icarealot_press.html
See more www.icarealot.me 

COUP de … ROUGE at « I Care a Lot » EXPO online

 « I Care a Lot »  online exhibition

 icarealot is happy to announce about the opening of the exhibition at Platina Gallery, Stockholm : September 2nd, 2010.

More Great news! November 6th 2010 : Our third opening at Gallery Articula, Lisbon, Portugal

 

Ela Bauer (NL) ‘An’necklace -black & red thread

« This is a huge heart which actually is a huge knot. That is the key feeling in this work; a huge,  screaming (maybe bleeding..), knot- heart. The knot is such a paradoxical form; it consists of “one”, but through an action (of knotting) it becomes “two”, with a heart between them. At the same time it is the ground of endless processes which in themselves are not complex, but all together they create an unsolvable, knotted reality. An un-followable mass of actions and reactions. There is no wrong or right, just a complex, painful situation. » (Ela Bauer)

Katja Prins (NL)-’Bound by Blood’ Necklace – 2007 – wooden beads, cotton

 » This necklace brings together and mixes various prayer-necklaces, which only differ in detail. Prayerbeads are being used in several religions and they all have their own systematical design. The beads stands for the different prayers and by following the beads you can’t loose track and count while you are praying. The Roman-Catholic church has the ‘rosary”, the Islam has the “tespi”,  Buddhism (Nichiren) has the “juzu”and Tibetan Buddhism has the “mala”. Nowadays we are living in a time of globalization. Worldwide people are connecting more and more, not only economically, but also politically and culturally. Borders are fading and people travel and migrate more than ever. Out of that comes integration of different cultures and religions. Partly because of the not always so very successful integration-policy of many countries, extremism in certain religions also flourishes, conflicts arise. With this/my interpretation of the prayer-necklace I want to bring together all  prayer-necklace and make 1 out of it all.  A contemporary blood red prayer necklace. In my opinion the religions don’t differ so much from one another, they differ mostly in details. That’s what I want to show with this necklace. By bringing together all the prayerbeads, symbolically I want to bring together the different religions and with that the people. The title “Bound by Blood” stands for the idea that on the inside we are all the same. It also refers to the many wars (and with that the shedding of a lot of blood) that have been fought in the name of religion » (Katja Prins (NL))

Burcu Buyukunal (TR) -’Terrifying Beauty’ head piece – brass, cubic zirconia – Turkey, 2009

« My work is driven by conventions and societal norms relating to the body prevalent in history both past and present. Plastic surgery, alternative medicine, and ways of predicting the future are belief  systems whose underpinnings I am uncertain of. I use my work to illustrate my inability to reconcile the purposes, needs, and motives of these systems and the people who subscribe to them. As a fairly recent development in mass culture, plastic surgery is a system that suggests attaining beauty popularized by the media. ‘Terrifying Beauty’ focuses on the trends of cosmetic surgery, which  oftentimes impose the conception of Western Beauty, to question conventions of beauty and  challenge the function of jewelry as adornment. I created four pieces distorting the face in an unlikely way, contrasting and contradicting the purpose of traditional jewelry. I want my work to surprise and challenge people to inspire questioning. Suggesting something extreme, unusual, and irrational is one strategy to achieve this. I hope the viewer will immediately ask if they would or would not wear such pieces. I wanted to use gold first but it was expensive for me. So, I used brass that looks like gold in the photos. Then I noticed that material hierarchy was another convention. Thus, using brass supported my idea. My forms simply followed the function of each piece.« (Burcu Buyukunal)

Iacov Azubel (Argentina) – ‘Maim’ ring – 2009 – Gold filled Silver – Plexiglas – Mobile Water -Air Bubble

« The water in the subject being treated, andcolor global warming » (Iacov Azubel (Argentina))

Vivi Touloumidi (GR) – ‘wet’ necklace -  150 laminated tissues , black ink , tape, nylon

Tamara Navama (Israel), 2010 -Bracelet -Aluminum, Copper, Epoxy – engraved, photo etching

Sally Von Bargen (USA) – ‘Elegy’ Necklace – Brass, paper, digital photos

« ‘Elegy’ honors the individual men and women who left homes … travelled to Iraq for war and died there. It is about the pain of loss and lies, etched with the words, « lies brought this lament – this elegy of truth – these lost treasures.
Elegy is a monumental neck-piece consisting of over 4200 digital portraits. Each portrait shows one American man or woman who lost life in Iraq during the Bush presidency. Using public  records for the names and photos of the fallen, if no portrait was available a silhouette was used to represent the lost life. Each Elegy portrait is printed on acid-free paper, which was chosen for its workability. The prints were mounted on an intermediate paper layer and sandwiched back-to-back to form a simple 1.5cm x 3cm link.  The links were connected by brass rings and formed into 70 strands which terminate at brass disk. The disc is etched with the words, “lies brought this lament – this elegy of truth -these lost treasures. » (Sally Von Bargen)

 

 

online exhibition : Adam Grinovich — Ana Morais Caldas — Anna Williams — Annette Dam – Barbara Deriemaeker– Beatrice Brovia –Burcu Buyukunal–  Caitlin Wood — Chloé Durand — Claire Baloge –Dalya Israeli– Deganit Stern Schocken– Einat Leader — Ela Bauer – Ella Wolf Filomena Praça– Frida Åberg– Gular Mustafa– Hannah Joris –Iacov Azubel– Ingrid Römmich & Veronika Schmidt –Jan Turzo–Katja Prins — kristina Lugonja– Loukia Richards– Malaika Najem Marieke Van Diepen –Melanie Georgacopoulos –Michal Oren –Flavia Michelutti — Eleonora Midori — Ikeda Miri Admoni –Noga Hadad– Nuria Briones Perez– Sally Von Bargen –Mervat Hakroosh & Rotem Lewinsohn– Tamara Navama –Teresa Milheiro– Ulla Ahola –Machteld Van Joolingen  –Vered Babai– Vivi Touloumidi

 

Icarealot on Facebook

EXPO ‘Filo Rosso’ – Museo d’Arte Moderna, Muggia (Italia) – 4-30 juin 2010

Resultati del concorso : le realizzazioni selezionate dalla giuria andranno esposte, con bozzetti e lavori preparatori presso la sede del Museo d’Arte Moderna “Ugo Carà” di Muggia, in provincia di Trieste.  L’esposizione rimarrà in essere dal 5 giugno al 30 giugno 2010.

Bijoux en textile ou contenant une pièce textile

I gioielli  sono stati realizzati, in parte o interamente, con i tessuti messi a disposizione dall’azienda tessile C&C di Milano

‘Fiori e Spirali’ by « Caracol » (Eleonora Battaggia)

Francesca Gabrielli  – FiloRosso 2010 – collana

Zero43 – « Collana Bla »

Premio FiloRosso a Flavia Michelutti per la sua collana « Cammeo con Vista »

Sandra Kocjancic – ha interpretato la stoffa della C&C-Milano con oro e argernto
Jane Millard, Australia – « Procession », collana in tessuto e metallo

 

 

[e-mail]
[e-mail]
tel. + 39 3388466440
tel. + 39 040 3360340
tel. + 39 3280181622

Museo d’Arte Moderna ‘Ugo Carà’ 
Via Roma 9
Muggia (TS)(Italia) (provincia di Trieste)
Tel [phone]

Filo Rosso 2008