During SCHMUCK 2015 – EXPO ‘The Grass Is Always Greener Overseas’ – Handwerksmesse, Munich (PLATINA Stand) (DE) - 11-17 Mars 2015

The Grass Is Always Greener Overseas

An exhibition curated by Platforma, Bella Neyman and Ruta Reifen in conjunction

with Sofia Björkman, Platina Stockholm

 

DURING SCHMUCK : 11th -17th of March 2015, Handwerksmesse, Munich
PLATINA Stand B1.763 FRAME

THEN , 26th of March – 25th of April 2015, PLATINA – Odengatan 68, Stockholm

 

10 American artist and 10 Swedish from different generations:
Jamie Bennet — Lola Brooks – Robert Ebendorf — Arthur Hash — Matt Lambert — Tara Locklear – Seth Papac — Sondra Sherman — Amy Tavern — Lauren Tickle – Tobias Alm — Peter De Wit — Jenny Edlund — Hanna Hedman — Catarina Hällzon — Li Liang — Agnieszka Knap — Annika Pettersson — Margareth Sandström — Studio Jungfruhuset Christer Jonsson/Lena Bergestad

Jamie Bennett

Arthur Hash

Matt Lambert

Sondra Sherman - Rorschach Corsage: Valeriana_Steel

Tara Locklear

Lauren Tickle

Jenny Edlund

 Li Liang

Catarina Hällzon

Annika Pettersson

Hanna Hedman

Margareth Sandström

 

SCHMUCK : 11th -17th of March 2015, Handwerksmesse, Munich PLATINA Stand B1.763 FRAME 

 

 

Platina

Odengatan 68,

10232 Stockholm – Sweden

 

EXPO ‘Die Renaissance des Emaillierens’ – Galerie Handwerk, Munich (DE) – 9 mars-14 avril 2012

Sonderöffnung Die Renaissance des Emaillierens – Internationaler Schmuck und Gerät, — Galerie Handwerk

Das Emaillieren gehört zu den klassischen Gold- und Silberschmiedetechniken. Das seit über 3500 Jahren bekannte Verfahren stellt eine der ältesten und haltbarsten Methoden dar, Farbe auf Metall aufzubringen und den betreffenden Gegenstand, Schmuck oder Gerät, damit besonders zu akzentuieren.

In der zeitgenössischen Gold- und Silberschmiedeszene hat das Emaillieren in den 1970er und 1980er Jahren eher ein Schattendasein geführt. Seit einigen Jahren erlebt die Technik eine Renaissance. Die Galerie Handwerk in München nimmt dieses Phänomen zum Anlass einer Ausstellung, zu der 41 Gestalter aus 15 Ländern eingeladen wurden. Gezeigt werden Schmuck und Gerät.

Seit den 1990er Jahren spielt Email im Avantgardeschmuck zunehmend eine größere Rolle. Dabei wird mit den unterschiedlichsten Verfahren, Zellenschmelz, Grubenschmelz, Fensteremail, gearbeitet und oftmals auch experimentiert. Viele Goldschmiede haben ihre ganz eigene, persönliche Herangehensweise gefunden. Auffallend ist, dass das Verfahren sehr unkonventionell gehandhabt wird und ganz offensichtlich nicht nur die dem Email klassisch zugeschriebenen Effekte – Farbe, Transparenz, Leuchtkraft – gesucht werden.

Der Aspekt, durch Email Farbe auf das Metall aufzubringen, ist nicht mehr entscheidend, längst sind Lack und Farbe gebräuchlich. Nicht, dass die farblichen und malerischen Möglichkeiten des Emaillierens ihre Wichtigkeit verloren hätten, doch scheint heute die Auseinandersetzung mit der Oberfläche und das Spiel mit ihren reizvollen haptischen Qualitäten der gemeinsame Nenner zu sein.

Email kann transparent, glatt, in kräftigen Farben leuchtend sein und sich durch eine makellose, perfekte Oberfläche auszeichnen. Häufig wird aber auch eine matte oder körnige Oberfläche wie bei Pigmentpulver gesucht, oder die Oberflächen sind aufgebrochen und wirken wie korrodiert.

Beim Gerät hat sich die Verwendung von Email in den letzten 20 Jahren grundlegend geändert. Eine sinnliche Oberflächengestaltung, die ihre Ästhetik häufig in schlichten Formen und monochromen Farben sucht, hat das Figürliche und Ornamentale verdrängt.

Die Ausstellung in der Galerie Handwerk versucht, die unterschiedlichsten Positionen zeitgenössischer Schmuckkünstler zum Thema Email vorzustellen und dabei auf die Aktualität dieser alten Goldschmiedetechnik hinzuweisen. Sie wird wenige Tage vor Beginn der Internationalen Schmuckschau eröffnet und ist ein Teil der umfangreichen Schmuckpräsentationen während der Internationalen Handwerksmesse München.

Artists on the show:

Jamie Bennett, USA| Adrean Bloomard, IT | Stephen Bottomley, GB | Helen Carnac, GB | Bettina Dittlmann, DE | Gemma Drapper, ES | Beate Eismann, DE | Ulo Florack, DE | Christiane Förster, DE | Carolina Gimeno, CL | Christine Graf, DE | Kirsten Haydon, AUS | Hiroki Iwata, JP | Karin Johansson, SE | Ike Jünger, DE | Kaori Juzu, JP | Astrid Keller, DE | Young-I Kim, KR | Nikolaus Kirchner, DE | Jutta Klingebiel, DE | Beate Klockmann, DE | Esther Knobel, IL | Daniel Kruger, ZA | Gualan Liang, CN | Stefano Marchetti, IT | Katharina Moch, DE | Nazan Pak, TR | Francesco Pavan, IT | Ramón Puig Cuyàs, ES | Jacqueline Ryan, IT | Phillip Sajet, NL | Isabell Schaupp, DE | Barbara Seidenath, USA | Vera Siemund, DE | Silke Trekel, DE | Elizabeth Turrell, GB | Jessica Turrell, GB | Graziano Visintin, IT | Agnes von Rimscha, DE | Silvia Walz, ES | Annamaria Zanella, IT .

Francesco Pavan

Francesco Pavan

Bettina Dittlmann

Bettina Dittlmann

Elizabeth Turrell

Katharina Moch

Carolina Gimeno

Silvia Walz                —                   Ramon Puig Cuyàs

Christine Graf

Stephen Bottomley – Deep blue brooch – 2012 – Oxidised silver, enamel, and gold

Annamaria Zanella                —                  Esther Knobel

Beate Klockmann

Christine Graf            —                 Nazan Pak

Adrean Bloomard            —         Jacqueline RyanVera Siemund

Jamie Bennett

Silke Trekel

Downloads : Broschüre zur Ausstellung « Die Renaissance des Emaillierens » ( 3926 kB)

Galerie Handwerk
Max-Joseph-Straße 4
Eingang Ecke Ottostraße
80333 München
Tel. [phone]
[e-mail]
hwk-muenchen.de/galerie

SCHMUCK 2012 – Munich (DE) 14-20 mars 2012 – PROGRAMME

This year 665 applications reached us from all over the world. Dr. Karl Bollmann was invited as juror for Schmuck 2012. He selected 65 jewellery artists. His statement about the jury will be published in the catalogue Schmuck 2012.

Selected artists:

Iacov Azubel (AR), Jamie Bennett (USA), Doris Betz (DE), Alexander Blank (DE), Liv Blåvarp (NO), Frédéric Braham (FR), Helen Britton (AU), Sigurd Bronger (NO), Kim Buck (DK), Jacqui Chan(NZ), Sungho Cho (KR), Octavia Cook (NZ), Georg Dobler (DE), Kiko Gianocca (CH), Lisa Gralnick (USA), Ursula Guttmann (AT), Rebecca Hannon (USA), Mielle Harvey (USA), Mari Ishikawa (JP), Margit Jäschke (DE), Svenja John (DE), Machteld van Joolingen (NL), Beppe Kessler (NL), Sabine Klarner (DE), Beate Klockmann (DE), Esther Knobel (IL), Daniel Kruger (ZA), Birgit Laken (NL), Kristiina Laurits (EE), Florence Lehmann (FR), Lieglein Grandpa Wooley (DE), Felix Lindner (DE), Xiao Liu (CN), Jana Machatová (SK), Mia Maljojoki (FI), Jorge Manilla (MX), Margherita de Martino Norante (IT), Mikiko Minewaki (JP), Nazumi Nagano (JP), Ritsuko Ogura  (JP), Karla Olšáková (CS), Pavel Opocensky (CS), Martin Papcun (CS), Kathryn Partington (UK), Francesco Pavan (IT), Ruudt Peters (NL), Karen Pontoppidan (DK), Ramon Puig Cuyàs (ES), Philip Sajet (NL), Katsura Sasaki (JP), Pedro Sequeira (PT), Karin Seufert (DE), Jiri Sibor  (CS), Despo Sophocleous (CA), Bettina Speckner (DE), Gisbert Stach (DE), Tore Svensson (SE), Janna Syvanoja (FI), Carine Terreblanche (ZA), Catherine Truman (AU), Tanel Veenre (EE), Graziano Visintin (IT), Francis Willemstijn (NL), Petra Zimmermann (AT).

 

Klassiker der Schmuck 2012
Jens Rüdiger Lorenzen, Deutschland

This year there will be a retrospective exhibition of the work of a « Modern Classic » designer. In 2012 the chosen designer is the German goldsmith Jens Rüdiger Lorenzen. Together with Francesco Pavan, Lorenzen was the first goldsmith to be awarded the Herbert Hofmann Prize, back in 1973. The award presentation ceremony, which this year is being held on Saturday, 17 March 2012, is always one of the highlights at SCHMUCK. Lorenzen, who was born in 1942 in Hagen, Westphalia, taught at the « Staatliche Zeichenakadamie » in Hanau from 1974 to 1985, while also acting as a visiting lecturer at the « Hochschule für Gestaltung » in Pforzheim, at which college he then, in 1985, took up an appointment as a professor. He continued to teach there in the jewellery design department until retiring in 2008.

Jens Rüdiger Lorenzen - Silber mit Pergament

 

 

After the Internationale Handwerksmesse, SCHMUCK will as usual be setting off abroad, this time to Valencia in Spain. Each year since 2006 the exhibition has been hosted in a range of countries, among them Australia (RMIT Gallery, Melbourne), Great Britain (Birmingham City University), Poland (Municipal Art Gallery, Lódz), Italy (Oratorio di San Rocco, Padua), the US (Museum of Arts and Design, New York) and the French town of Cagnes-sur-Mer (Espace Solidor).

 

FAIR PLAN

 

 Programme

Wednesday, 14. March 2012
11 Uhr GEDOKFormART 2011, Klaus Oschmann Preis, Preisträgerinnen: Michaela Kirchner, Gabriele von Lehsten, Maria Verburg und 18 weitere Künstlerinnen der GEDOK galerieGEDOKmuc, Elisabethstraße 13 RG, 80796 München  – 14.-20.3. — 11-19 Uhr und nach Vereinbarung — Tel. [phone]

Preisträgerinnen: Michaela Kirchner, Gabriele von Lehsten, Maria Verburg, Kerstin Becker, Barbara Butz, Susanne Elstner, Elke Fischer, Barbara Hattrup, Barbara Heigert und Cornelia Moebs, Katja Höltermann, Christiana Joeckel, Traudel Lindauer, Angelika Link, Elvira Martens, Daniela Osterrieder, Ulrike Scriba,
Martina Sigmund-Servetti, Margit Tabel, Monika Vesely, Hanni Weber, Elke Wolf.

 

17-20 Uhr Steirischer Umtrunk, kunst.wirt.schaft  –  Graz bei KASU, Theresienstr. 19 (Eingang Fürstenstraße) – Fremde Federn-Wortschmuck nach einem Text von Clemens J.
Setz. Schmuckarbeiten von 36 internationalen Künstlern, 14.-16.3 Do, Fr 11-19 Uhr,
Tel. [phone] und 0043 6991212 0590

18 Uhr Neo Materialista, Unk Kraus, Claudia Rinneberg –
Galerie Artefakt, www.artefakt-muenchen.de, Hans-Sachs-Str. 13, 80469 München.
14 Mars-14 avril – Mo-Fr 11-19; Sa 11-15 Uhr

Unk Kraus - Blüten-Folien-Kolliers

18 Uhr Living room, www.hotdock.sk, Concept of big brother phenomenon transformed into creative process / Live process of creation and installation of jewellery objects is opened to the audience with live stream internet presentation — 14.-17.3. 11-18 Uhr

Mini Artist-Residency will be comprised of 8 professional young artists from Slovakia. They will create a collective art stage as their adaptation to Munich Schmuck context.  Artists:    Mária Nepšinská – Jan Guga – Hanka Polívková – Slávka Ondrušová – Pavol Prekop – Kristýna Španihelová – Andrea Ďurianová – Rudolf Rusňák – Tatiana Warenichová – Jan Michalisko

19 Uhr « 151″ – neue Schmuckideen von Akiko Kurihara & Mari Iwamoto, Akiko Kurihara, Mari Iwamoto  –  Micheko Galerie, www.micheko.com, Theresienstr. 18, 80333 München.  — 14.-18.3. Do-Sa 11-19, So 11-16 Uhr, Tel [phone]

Akiko Kurihara - ring ring – 18Kgold, silver925

Mari Iwamoto - ring

19 Uhr „4D Zeitgenössischer Schmuck“, Alena Hesounova, Lucie Houdkova, Karla Olsakova, Katerina Rezacova  –  Tschechisches Zentrum, Prinzregentenstraße 7, 80538 München.
14 Mars-13 Avril Do-Fr 10-17,  — Sa 10-14, So 12-16, ab 19.3. Mo-Do 10-17, Fr 10-16 Uhr — Tel. [phone]

21 Uhr Schmuck-Show 2012, Schmuck braucht den Körper! Auftaktevent unter Mitwirkung von Künstlern und Galerien, die während der kommenden Tage in München ausstellen — Konzeption: Olga Zobel Biro und Kinga Zobel –
MaximiliansForum, Passage für interdisziplinäre Kunst, Fußgängerunterführung in der Maximilianstraße/ Ecke Altstadtring, 80539 München. www.maximiliansforum.de

“Schmuck-Show 2012” is a jewellery presentation with professional models, set in an exceptional light and sound design. With the cooperation of several artists who exhibit their works at different places in Munich during these ‘Jewellery Days’, on the evening before the start of the trade fair jewellery is being presented directly on the body. The jewellery stirs emotions and prompts diverse conversations. At the bar, artists, jewellery lovers and laymen meet; there is room for an animated exchange. The project has been initiated by Olga Zobel Biro

Akihiro Ikeyama – Mobile Gallery Eine mobile Ausstellung auf einem Fahrrad — 14.-19.3.
Informationen zu den Haltestellen: www.akihiroikeyama.com

a travelling exhibition of jewellery pieces displayed in a bicycle trailer.

Akihiro Ikeyama Schmuckobjekte

Thursday, 15. March 2012
11-18 Uhr I am sorry, there’s no group, curated by Peter Vermandere, Merte Van de Perre, Reverend R.T. Ampee, Dave Renpermeter,  –  Schraudolphstr. 16, 80799 München.  — 15.- 18.3. 11-18 Uhr, Tel. [phone]

12 Uhr Life’s a bench: meddle, Fiona Hermse, Tamsin Leighton-Boyce, Mikaela Lyons, Katharina Moch, Katherine Richmond, Elena Ruebel plus three guests Farrah Al-Dujaili, Kathryn Partington, Fliss Quick  –  Galerie im Raum, Herzog-Rudolfstr.9 — Do-Sa 12-18, So 12-14 Uhr

 

KATHARINA MOCH

FARRAH AL-DUJAILI

KATHERINE RICHMOND

13-18 Uhr Playlist, Doris Betz und Henriette Schuster, — Geschäft, Rothmundstr. 6, 80337 München. www.henrietteschuster.com –  Do, Fr, So 13-18 Uhr,  — Tel. [phone]

Henriette Schuster – « Haus » – gold – 2004

13-18 Uhr MURMURation, Silke Fleischer, Adam Grinovich, Dana Hakim, Hanna Joris, Jorge Manilla, Peter Vermandere, downstairs, Ulo Florack, Caroline von Steinau-Steinrück, in the car, Stephen Gallagher, Willy van de Velde  — Frauenstr. 36, 80469 München — 15.-18.3 -Tel. [phone]

15-20 Uhr A flock of pillars on parade, Carina Chitsaz-Shoshtary, Emma Price, Barbara Schrobenhauser — Seidl villa Nicolaiplatz 1b, 80802 München. 16.-18.3.  — Tel. [phone]

‘Bridal’ (necklace) by Carina Chitsaz-Shoshtary

16 Uhr Beetlemania, Christina Köhler, Melanie Nützel, Renate Scholz, Christina Weck, — Studio K162 Renate Scholz, Klugstr. 162 (U1 Gern). — 15.-18.3. Do-Sa 16-21, So 12-18 Uhr

16 Uhr Bodenstation, Katharina Baur, Jasmin Hess, Susanne Kunz, Sabine Roth, Caroline Weiss. — Gartensalon, Türkenstr. 90, 80799 München. — 15.-18.3.

17-19 Uhr Katalogpräsentation Einen Fehler machen, alle Fehler machen, ordentlich Fehler machen, Stephanie Müller, Klaus Erich Dietl, Masayo Oda, Gülcan Turna, Mari Ishikawa, Mirei Takeuchi — Kunstarkaden, www.muenchen.de/kunstarkaden Sparkassenstr. 3, 80331 München – 22.2.-24.3-

17 Uhr 3stations. www.3stations.de ,
The Sound of Silver & Brooches para las Chicas, Students of the Royal Academy of Fine Arts Antwerp.
Galerie Elsa Barenyi Welserstr.1, 81373 München. — 15.-18.03. — Tel. [phone]

What’s in a Frame? Gisbert Stach, Jorge Manilla, Ursula Guttmann, Deganit Stern Schocken, Nedda El-Asmar, Arek Wolski and many friends, Welserstr. 15, 81373 München. — Tel. [phone]

Arek Wolski

Pin up, Lisa Björke, Francisca Bauzá, Märta Mattsson, Deborah Rudolph, Nina Sajet,
Welserstr. 29a, 81373 München. — Tel. [phone]

17-21 Uhr In the Forest 2012, Hanna Liljenberg, Pernilla Persson, Sanna Svedestedt, Karin Roy Andersson — Schwedische Kirche, Schwanthalerstr. 60, 80336 München. — Entrance from the inner court yard, second floor, — 16.-18.3.  — Tel. [phone]

17-22 Uhr Francisca Bauzá und Isabell Schaupp,
Schmuckgalerie Tal20, Tal 20, 80331 München. www.galerie-tal20.de –  15.-19.3.

17-19 Uhr Maß und Zahl, Babette von Dohnanyi — Schlegelschmuck, Nordendstr. 7a Eingang Ecke Adalbertstr., 80799 München. www.schlegelschmuck.de — 16.-18.3. — Tel. [phone]

17-21 Uhr Totem on the Sideline, Alexander Blank  –  Galerie Artikel3, Luisenstr. 68, 80798 München — 16.-18.3.  – Tel.[phone]

Alexander Blank

18 Uhr KL!NK from Norway, Anna Talbot, Elise Hatlø, Runa Vethal Stølen, Anne Leger, Toril Bonsaksen, Helena Linkosuonio, Hedda Bjerkeli, Kjetil Aschim, Trond Johansen, Ingrid Holand, Benedicte Lyssand and Silje Bergsvik, www.klinkmetall. — Boque auf Croque, Sonnenstr. 22, 2nd floor, 80331 München. –  Initiated by Norwegian Association for Arts & Crafts, — 16.-19.3.

Elise Hatlø

Helena J. Linkosuonio‘s work (left) -  Benedicte Lyssand‘s work (right). The artist group KL!NK (klinkmetall.no/) exhibited in Munchen during Schmuck. Photo: André Gali

 

18 Uhr No Stone unturned, Volker Atrops — Antiquariat Dieter Zipprich, Zieblandstr. 2, 80799 München — 15.3.-5.4. — Mo-Fr 11-13,14-18.30 Uhr

Buchpräsentation (BOOK presentation), Eine Auswahl von Schmuckereignissen zur Zeit der Internationalen Handwerksmesse – Events related to Jewellery during the International Trade Fair –  So.18.3. 16-18 Uhr – Tel. [phone], Tel. [phone]

18.30 Uhr GLEE, Lisa Walker, — Galerie Biro, Zieblandstr.19, 80799 München www.galerie-biro.de,
17.3.-28.4. — Sonderöffnungszeiten 16.-18.03. 11-18 Uhr

18.30 Uhr slanted for granted, Nicole Beck, Melanie Isverding, Despo Sophocleous, –
Projektraum J. Baumeister, Georgenstr. 66, 80799 München. — 16.-18.3.

19 Uhr A in R, Nine London Makers: Riccardo Bovo, Isabelle Busnel, Dan Hilldrup, Mara Irsara, Elisabeth Auriol Peers, Maria Piana, Marina Skia, Luca Eszter Rományi, Deborah Werbner –
84 GHz Kultur im Keller, Georgenstr. 84, 80799 München, www.84GHz.de — 15.-18.3. — Tel. [phone]

19 Uhr 8together! Zwei Wiener Schmuckkollektive- schmuckstelle & STOSSimHIMMEL präsentieren ihre neuesten Arbeiten. Claudia Steiner, Katie Gruber, Katharina Schmid, Eva Tesarik, Caroline Ertl, Michelle Kraemer, Viktoria Münzker, Birgit Wie. — Galerie GestalterBund, Holzstr. 22, 80469 München. — 15.-18.3.

 

Friday , 16. March 2012
11 Uhr ABECEDARIUM von Peter Bauhuis, Buchpräsentation (BOOK presentation)  mit einer Fotoarbeit von Katharina Gaenssler,  — Einführung durch Liesbeth den Besten, — Galerie Handwerk, Max- Joseph-Str. 4, 80333 München. — Tel. [phone]

11-18 Uhr Carl Weishaupt – Florian Biehler, zehn Generationen Silberschmiede in München –
Promenadenplatz 13, 80333 München. — 16.-17.3. — Fr, Sa 10-18 Uhr

11-13 Uhr Suspended, curated by Laura Bradshaw. Works by Farrah Al-Dujaili, Karin Roy Andersson, Luz Arias, Laura Bradshaw-Heap, Alice Bo-Wen Chang, Melanie Codarin White, Andrea Coderch, Joana Cunha, Michelle Kraemer, Robert Longyear, Natalia Macia Bove, Margherita de Martino Norante, Rhona McCallum, Laura McGrath, Geraldine Nishi, Jo Pond, Rebecca Skeels, Jessica Turrell, Anna Helena Van De Pol de Deus –  Studio Gabi Green, Gollierstr.17, 80339 München. — 14.-18.3. Tel. [phone]

12 Uhr BAVARIAN feat DK, Florian Buddeberg, Anna Maria Eichlinger, Annette Dam, Marie-Louise Kristensen — Bergmannstr. 28, 80339 München. — 16.-19.3. — Fr 12-14, Sa 9.30-13, So 13-16, Mo 9-13 Uhr

16-18 Uhr Returning to the Jewel is a Return from Exile, Nr. 5, Robert Baines, Karl Fritsch, Gerd Rothmann, kuratiert von Galerie Biro, Einsäulensaal der Münchner Residenz, Residenzstr. 1, 80333 München — 17.-18.3.

16-18 Uhr Aperitivo, hoffertig, Christiane Förster, Maurer Zilioli-Contemporary Arts, Brescia [e-mail], bei Kunstbüro reillplast, Amalienstr. 21, 80333 München. [e-mail] — 15.-18.3. — Do-So 10-19 Uhr, — Tel. [phone]

16 Uhr Nora Rochel: Neuen Schmuck, — Almstadt Schmuck, Reichenbachstr. 25, 80469 München.
16.-18.3 –  Tel. [phone]

17-18 Uhr meet the artist, Künstlergespräch mit Michael Becker,
Bayerischer Kunstgewerbe- Verein e.V., Galerie für Angewandte Kunst, www.kunsthandwerk-bkv.de, Pacellistr. 6-8, 80333 München

17-19 Uhr Aperitivo, Two installations, Elisabeth Altenburg, Wolfgang Rahs,
Maurer Zilioli-Contemporary Arts, Brescia, [e-mail], bei Galerie Jordanow, Fürstenstr. 11, 80333 München. [e-mail], — 15.-18.3. — Do-So 10-19 Uhr, — Tel. [phone]

17-19 Uhr Wittenbrink zeigt Schmuck – Simon Cottrell, Mielle Harvey and Wittenbrink Charms, by 14 Contemporary Jewellery Artists WittenbrinkFuenfHoefe, www.galeriewittenbrink. de, Theatinerstr.14, 80333 München. — 17.-24.3. 10-19 Uhr, — Tel. [phone]

18 Uhr Seltene Erden, Rike Bartels, Laurenz Stockner, — Galerie Isabella Hund, Frauenplatz 13, 80331 München. www.isabella-hund.de, — 16.3.-7.4. — Mo-Fr 11-14, 15-19, Sa 11-16 Uhr

18-21 Uhr Dialogue 12, Petra Bishai, Laura Cave, Sophie Hall, Elsa Hedberg, Buddug Wyn Humphreys, Maarit Liukkonen, Vicky King, Therese Morch-Jorgensen, Paolo Scura, Margot Sevadjian, Ana Simoes, Rachel Terry, Timothy Information Limited — Kunstgießerei München, Schleißheimerstr. 72, 80797 München with 84GHz, www.84GHz.de, 16.-18.3. — Tel. [phone]

18 Uhr Ruudt Peters – Corpus und 30 Jahre Galerie Spektrum –
Doris Betz, Helen Britton, Attai Chen, Anton Cepka, Saskia Detering, Georg Dobler, Iris Eichenberg, Jürgen Eickhoff, Kyoko Fukuchi, Thomas Gentille, Herman Hermsen, Mari Ishikawa, Rian de Jong, Vered Kaminski, Esther Knobel, Winfried Krüger, Florence Lehmann, Stefano Marchetti, Suska Mackert, Mia Maljojoki, Nanna Melland, Ted Noten, Ruudt Peters, Karen Pontoppidan, Marianne Schliwinski, Peter Skubic, Graziano Visintin, Arek Wolski, — Theresienstr.46, 80333 München. – 16.3.-28.4. Sa 11-14, –
So 13-18, Mo 13-19 Uhr, — Tel. [phone]

19 Uhr Vernissage Ädellab – The State of Things. Konstfack Stockholm. Schmuck.
Die Neue Sammlung – The International Design Museum Munich, Barerstr. 40, Pinakothek der Moderne, 80333 München. www.die-neue-sammlung.de — 17.3.-29.4. — Di-So 10-18, Do 10-20 Uhr, –
Tel. [phone] und 089 23805360

 

Saturday, 17. March 2012
15 Uhr Everyone‘s a winner! Neue Messe München Halle A1, Schmuckbar, Bekanntgabe der Hauptpreise der Schmucktombola der Klasse Otto Künzli, www.schmuckklasse.de — Kunstakademie München  –
Neue Messe München Halle A1, Aktionsbühne

15.30 Uhr „hello“, Buchpräsentation mit Alexandra Bahlmann,
Bayerischer Kunstgewerbe-Verein

16 Uhr Talente-Preis Verleihung
16 Uhr Neuerscheinungen von ARNOLDSCHE Art Publishers: Peter Bauhuis- ABECEDARIUM, Liesbeth den Besten-On Jewellery, Tanel Veenre-Castle in the Air
17 Uhr Herbert-Hofmann-Preis Verleihung
19 Uhr Goldschmiedetreffen, Augustinerkeller, Arnulfstr. 52, 80335 München. www.augustinerkeller.de
Tel. [phone]

 

 

Sunday, 18.March 2012 
10-14 Uhr Sonderöffnung Die Renaissance des Emaillierens – Internationaler Schmuck und Gerät, — Galerie Handwerk, www.hwk-muenchen.de/galerie, Max-Joseph- Str. 4, 80333 München.
Tel. [phone]

Francesco Pavan

11 Uhr Lecture by Marjan Unger: Freedom has its limitations. Jewelry now, seen from a Dutch perspective,
Ernst von Siemens-Auditorium, Die Neue Sammlung – The International Design Museum Munich, www.die-neue-sammlung.de, Barerstr.40,
Pinakothek der Moderne, 80333 München.
Tel. [phone] u. 089 23805360

11-17 Uhr Sonderöffnung Michael Becker – Bewegung und Farbe,
Bayerischer Kunstgewerbe- Verein e.V., Galerie für Angewandte Kunst, www.kunsthandwerk-bkv.de, Pacellistr. 6-8, 80333 München.
14-15 Uhr Galerieführung mit Michael Becker,
Tel. [phone]

13-16 Uhr meet the artists Baculum, Helena Lehtinen, Eija Mustonen, Karen Pontoppidan, Miro Sazdic, Nelli Tanner, Tarja Tuupanen,
Deutsches Jagd und Fischerei Museum,
Neuhauserstr. 2, 80331 München.
Täglich 9.30-17 Uhr

14-17 Uhr Mia Maljojoki: Crossing the Line, Performance, Installation in Zusammenarbeit mit Monica Gomis, Judith Hummel, Eduardo Navarro, Mimosa Pale und anderen. In Kooperation mit Galerie Spektrum. — MaximiliansForum, Passage für interdisziplinäre Kunst, Fußgängerunterführung in der Maximilianstr./Ecke Altstadtring, 80539 München

16-19 Uhr Vernissage Français Jewellery From Words: Collectif GLA, Galatée Pestre, Laurence Verdier et Aude Medori, — Institut Français, www.institutfrancais.de, Kaulbachstr. 13, 80539 München.
18.-20.3. So 10-19, — Mo, Di 11-18 Uhr, — Tel. [phone]

und außerhalb der Stadt: Nisslmüller-Skubic, — Galerie Anna Pirk, Seestr. 24, 83700 — Rottach-Egern am Tegernsee, Tel. [phone], www.anna-pirk.de, — 13.3.-24.3. –
Di-Sa 11-19 Uhr oder nach Vereinbarung, Eröffnung Samstag, 10.3. ab 17 Uhr

 

 

 

 

Schmuck 2012
Willy Brandt Allee 1
Messegelände
81829 – Munich – Germany

website: www.hwk-muenchen.de
mail: [e-mail]

Telephone: [phone]
Fax: [phone]

EXPO ‘THE RING – jewel forever’ – Hnoss Gallery, Gothenburg (Sweden) – 9 Sept.-9 Oct. 2011

THE RING – the most common piece of jewellery can be full of meaning, a personal statement sometimes showing itself as a technical miracle or purely decorative and beautiful. It can demand attention, be an invitation to play, be filled with tears and secrets – and is to be worn for one day or for ever.
In homage to the ring Galleri Hnoss has invited all the jewellery artists exhibited in the gallery since the start in 1997 to produce one ring each. The result is now to be seen in the exhibition THE RING – jewel forever. The show consisting of over one hundred rings is a vibrant collection of different expressions, thoughts and forms

In connection with the exhibition on September 9 we are also arranging aseminar : The Ring – jewel forever. The theme is the ring seen from different perspectives. We are very proud to announce the speakers: Anna Schetelich from Galerie Oona, Germany, Professor Otto Kunzli, Germany, and Manuel Vilhena, jewellery artist from Portugal. Moderator is Love Jönsson, crafts critic and guest lecturer at HDK, University of Gothenburg. The seminar is a collaboration between Galleri Hnoss and the Department of Jewellery Art at HDK, with support from Gothenburg Crafts Association, Estrid Ericsson’s Foundation, Wilhelm and Martina Lundgren Fund, and the family Wikanders Foundation.

Artist list:
Ingierd Hanevold, Norway — Lena Bergestad–Jonsson, Sweden — Per Suntum, Denmark — Kim Buck, Denmark — Christer G. Jonsson, Sweden — Peter De Wit, Sweden — Otto Künzli, Germany — Andreas Treykorn, Germany — Verena Siber-Fuchs, Swizerland — Margareth Sandström, Sweden — Karin Johansson, Sweden – Sigurd Bronger, Norway — Esther Knobel, Israel — Tore Svensson, Sweden — Anette Kraen, Denmark — Beppe Kessler, Netherlands — Mona Wallström, Sweden — Ari Turunen, Finland — Synnøve Korssjøen, Norway — Konrad Mehus, Norway — Onno Boekhoudt, Netherlands — Ulrika Swärd, Sweden — Rian de Jong, Netherlands — Christoph Zellweger, Switzerland — Helena Lehtinen, Finland — Helena Sandström, Sweden — Jamie Bennett, USA — Lotta Åström, Sweden — Karen Ihle/ Jens Eliasen, Denmark — Johanna Dahm, Switzerland — Petra Schou, Sweden — Adam Paxon, Scotland — Bruce Metcalf, USA — Eva Dora Lamm, Denmark — Ruudt Peters, Netherlands — Barbara Paganin, Italy — Kasia Gasparski, Denmark — Annelies Planteydt, Netherlands — Kadri Mälk, Estonia — Lena Olson, Sweden — Tarja Tuppanen, Finland — Manuel Vilhena, Portugal — Castello Hansen, Denmark/Sweden — Gijs Bakker, Netherlands — Cecilia Johansson, Sweden — Gunilla Grahn, Sweden — Vera Siemund, Germany — Karl Fritsch, Germany — Nel Linssen, Netherlands — Margaret West, Australia — Lars Sture, Norway — Kerstin Ringedal, Sweden — Fabrice Schaefer, Switzerland — Lucy Sarneel, Netherlands — Elise-Ann Hochlin, Norway — Georg Dobler, Germany — Katja Prins, Netherlands — Ramon Puig Cuyás, Spain — Xavier Monclús, Spain — Mah Rana, England — Peter Bauhuis, Germany — Silke Trekel, Germany — Terhi Tolvanen Finland/Netherlands — Svenja John, Germany — Jivan Astflack, England — Anna Unsgaard, Sweden — Charlotte Sinding, Sweden — Sonia Morel, Switzerland — Pia Aleborg, Sweden — Marc Monzó, Spain — Andi Gut, Switzerland — Anna Martinsson, Sweden — Ulrich Reithofer, Austria/Netherlands — Peter Hoogeboom, Netherlands — Mari Ishikawa, Japan/Germany — Annika Åkerfelt, Sweden — Karin Seufert, Germany — Peter Scubic, Austria — Lina Petersson, Sweden/England — Sara Borgegård, Sweden — Erik Kuiper, Netherlands — Ineke Heerkens, Netherlands — Bettina Speckner, Germany — Sebastian Buescher, England/Tyskland — Warwick Freeman, New Zealand — Iris Neuwenburg, Netherlands — Jiro Kamata, Germany/Japan — Anne-Marie Bernhardt, Sweden — Hanna Hedman Sweden — Lin Cheung, England — Bas Bouman, Netherlands — Birgit Laken, Netherlands — Norman Weber, Germany — Gemma Draper, Spain — Kristi Paap, Estonia — Alexander Blank, Germany — Klara Brynge, Sweden — Mia Maljojoki, Finland/Germany — Jenny Klemming Sweden — Jantje Fleischhut, Netherlands — Mikiko Minewaki, Japan — Carolina Claesson, Sweden — Linda Marie Karlsson, Sweden — Maria Ylander, Sweden — Åsa Christensson Sweden

Onno Boekhoudt (NL) – ring – Mixed media

Peter Hoogeboom  –  Bruce Metcalf  

 Jiro Kamata  –  Gijs Bakker

Ramon Puig Cuyas  —   Ruudt Peters

Bettina Speckner –  Johanna Dahm

Marc Monzo  –  Synnove Korssjoen

Jenny Klemming  –  Nel Linssen

Annika Åkerfelt  –    Katja Prins

Barbara Paganin  –  Ineke Heerkens

Fabrice Schaefer  —   Birgit Laken

Beppe Kessler  –   Christoph Zellweger

 

Esther Knobel  —   Hanna Hedman

Anette Kræn  –  Kim Buck

Manuel Vilhena  —   Lena Olson

Mia Maljojoki  —   Otto Künzli

Mari Ishikawa  –  Petra Schou

Sigurd Bronger  —   Terhi Tolvanen

Rian de Jong  --  Verena Sieber-Fuchs

 
Tore Svensson  —   Kerstin Ringedal

Andreas Treykorn  —   Andi Gut

Carolina Claesson  –  Charlotte Ho Sook Sinding

Annelies Planteydt  –  Castello Hansen

Ingjerd Hanevold  –  Eva Dora Lamm

Helena Sandström  –  Helena Lehtinen

Jens Eliasen  –  Kare Ihle

Kristi Paap  –  Mona Wallstöm

Lucy Sarneel  —   Jivan Astfalck

Lina Peterson  –  Karin Seufert

Lotta Åström  —   Kasia Gasparski

Mikiko Minewaki  —   Linda Marie Karlsson

Norman Weber  —   Per Suntum

Pia Aleborg  —   Silke Trekel

Peter Bauhuis  —   Peter de Wit

Sara Borgegård Älgå  —   Tarja Tuupanen

Erik Kuiper —   Xavier Monclús

Kadri-Mälk  —   Ulrika Swärd

Anne-Marie-Bernhardt  —   Alexander Blank

Georg Dobler   —   Peter Skubic

Jantje Fleischhut  –  Adam Paxon

Gemma Draper  –  Lin Cheung

Hnoss Gallery
Konstepidemin
413 14 – Gothenburg
Sweden
Telephone: [phone]
Fax: [phone]

Innovation in ENAMEL jewelry – Research project by Jessica Turrell

The Innovation in Enamel Jewellery database is one of the outcomes of the Arts and Humanities Research Council (AHRC)  funded three-year fellowship Innovation in Vitreous Enamel Surfaces for Jewellery.

As part of the research project extensive research was undertaken to identify a group of internationally prominent contemporary jewellers whose practice demonstrates an open and innovative approach to the use of enamel. When complete the database will feature images and supporting information on the work of approximately 30 artists. The aim of the database is to highlight the potential of enamel as an expressive and contemporary medium as well as serving as an important research tool.

The database, which is fully searchable, focuses exclusively on enamel jewellery and complements the existing archive ICVEA (International Contemporary Vitreous Enamel Archive) that is also hosted by the University of the West of England and which includes a broad range of contemporary enamel work.

Currently the database features the work of the following artists:
Carola Bauer – Germany
Jamie Bennett – USA
Stacey Bentley – UK
Patrizia Bonati – Italy
Stephen Bottomley – UK
Jessica Calderwood – USA
Lydia Feast – UK
Mirjam Hiller – Germany
Ike Junger – Germany
Kaori Juzu – Denmark
Ann Little – UK
Lianna Pattihis – UK
Jacqueline Ryan – Italy
Isabell Schaupp – Germany
Vera Siemund – The Netherlands
Marjorie Simon – USA
Elizabeth Turrell – UK
Jessica Turrell – UK
Annamaria Zanella – Italy
The following artist will be added in early autumn 2010:
Jennaca Davies – USA
Carolina Gimeno – Spain
Christine Graf – Germany
Sangeun Kim – UK
Natalia Pinchuck – USA
Barbara Seidenath – USA

 Jessica Turrell

 

 

 Innovation in Vitreous Enamel Surfaces in Jewellery

(UWE – University of the West England – Bristol – AHRC (Arts and Humanities Research Council) Vitreous Enamel Research Project)

Awarding body: Arts and Humanities Research Council
Awarded to: Jessica Turrell
Project duration: 1.09.2007 – 31.08.2010

introduction:
The research project is based on the premise that there is huge and largely unexplored potential for innovation within the field of enamelled jewellery. By taking both a practice-led and theoretical approach the aim of the project has been to identify factors that might hinder innovation and present a series of alternative approaches that encourage a more experimental and open-minded approach to enamel.

Research Context
The practical aspects of the research project were underpinned by theoretical and contextual research into the place of enamel in contemporary jewellery practice. This included a wide-ranging visual and literature survey. Web-based research combined with a series of visits to individual practitioners in the USA and Europe as well as to significant exhibitions and collections in Europe, the UK and USA, provided a broad overview of current enamel jewellery practice. This contextual research led to the identification of a number of contemporary jewellers for whom enamel forms a significant part of their practice. A methodology was developed by which the output of these jewellers was analyzed and then allocated to one of three distinct categories. These were as follows:

Skilled (fine) – broadly work that concentrates on traditional enamelling techniques to create work for a mainstream or commercial market.

New – where the work itself engages with contemporary ideas but where enamel is used simply to add a paint-like layer of colour to the surface of the piece using only basic techniques.

Innovative – where the two practices overlap and the artist is able to demonstrate both a k

A selected group of individuals, identified through this process as falling into the Innovative category, were then invited to submit images and supporting written material to the new Innovation in Vitreous Enamel Surfaces in Jewellery database that operates alongside (and is complimentary to) the existing International Contemporary Vitreous Enamel Archive (ICVEA) currently held by the Enamel Research Unit at the University of the West of England, Bristol.

Link to Innovation in Enamel Jewellery database

The contextual and theoretical aspects of the project are examined in depth in an article for Craft Research entitled Surface and Substance – a call for the fusion of skill and ideas in contemporary enamel jewellery.
The article is available online at the following site: craft research journal online

Discussion Forum
A variety of approaches have been taken in order to stimulate debate and comment regarding the place of enamel in contemporary jewellery practice. The first of these was a discussion forum entitled ‘Innovation in Enamel’ which has involved a number of internationally prominent enamel artists all of whom demonstrate a non-traditional approach to their enamel practice. The central aim of this forum has been to highlight the potential of enamel as an innovative medium and to stimulate debate about the aesthetic, conceptual and practical considerations that govern the use of enamel in contemporary jewellery practice. The forum has operated as a members’ only project, meaning that the site can only be accessed by registered members and they alone are able to view the content and submit comment. The rational for this was to encourage those involved to freely discuss their ideas without the constraints of operating within a public arena.

Selected extracts and a summary of the discussions threads can be accessed here.

In addition to the forum site, Jessica has initiated a discussion strand -‘Surface and substance: the place of enamel in contemporary jewellery practice’, which appears on the International Art Jewellery Online Community, Klimt02 – www.klimt02.net/blogs

These two discussion strands have informed the written and theoretical aspects of the research and the production of a number of case studies.
Case Studies
The case studies feature artists who were chosen as representative of a broad and diverse range of approaches to enamel :

Stephen Bottomley, Yellow Drape Neckpiece, Laser-cut steel and enamel -(Photo: John K. McGregor)

Liana Pattihis, Coral Red Snake Chain Brooch 2009

Isabell Schaupp, Brooch, Enamel, copper, silver, 2009

Christine Graf, 2010

In order to 

promote innovative enamel jewellery to the widest possible audience Jessica is currently curating a significant international exhibition that will feature a group of jewellers identified for their innovative use of enamel. The show will begin its tour at Contemporary Applied Arts in London in late 2011, and will then travel to a number of venues across the UK including to the Ruthin Craft Centre in Wales.

Practical and Technical Research

The focus of the practical element of the research has been an investigation into the use of innovative and experimental enamelling techniques in the production of contemporary jewellery. Methods and approaches more usually associated with large-scale and panel enamelling and industrial processes have been adapted for use in wearable pieces. This investigation is supported by the development of a range of techniques that allow for the creation of three-dimensional forms that can be successfully enamelled.
The practical and technical aspects of the research fall into two main categories, these are the production of three-dimensional forms capable of being enamelled in the round and the development of enamelling techniques suitable for application to these three-dimensional forms.

Three-dimensional form trials

Initial research involved investigations into the use of three-dimensional forms created using traditional forming, construction and joining methods. The most commonly used joining technique is the use of high melting-point (or hard) silver solders. The received wisdom is that it is not possible to enamel directly over a soldered joint as the solder will discolour the overlying enamel and can in some cases cause it to come away from the soldered joint. In order to test this theory, extensive investigations were undertaken into the use of a group of silver alloy solders, which were tested for their stability and the effect that they had on the subsequent layer of fired enamel.

Although some solders gave better results than others they all visibly interfered with the enamel they were directly in contact with in some way.

As an alternative to the use of solders, fusion and laser welding were investigated. Both these methods use high levels of accurately directed heat to achieve a fused joint that does not require any additional solder. Although, to differing degrees, both of these techniques created a satisfactory join over which enamel could successfully be applied without too many problems the equipment required was not easily accessible, required outside assistance and was expensive to trial. For these reasons this avenue of research was not pursued.
It seemed that a seam free object should prove the ideal form over which to apply the enamel. There are a number of small-scale silver and copper-smithing techniques that can be employed to raise a seam-free hollow form from a flat sheet of meta,l but such methods are technically demanding and particularly difficult on a small scale. Thus this avenue of research was also rejected. Instead, the technique of electroforming seemed to offer a versatile and accessible method for the creation of 3D forms, and it became clear that a detailed investigation of the technique would prove to be the most productive strand of research.

To this end bespoke electroforming equipment was researched, designed, and built, and a series of tests undertaken. Research and trials were carried out to establish the most suitable materials and methods of production of base forms upon which metal might be deposited during the electroforming process.

Discussions took place with colleagues from the 3D Research Laboratory within the CFPR into the possibilities of creating mandrels using rapid prototyping techniques, and the indicative trials that were carried out to ascertain the suitability of the RP process to create electroforming mandrels and the potential for the medium with which the object is printed both to withstand the process and be easily removed as a core prior to enamelling. As a direction for further research these initial trials hold a lot of promise.
This collaborative strand of research was documented in a poster presentation given during the IMPACT 7 conference in 2009.

In order for the electroforming process to occur it is necessary that the surface of the object to be electroformed is able to conduct an electrical current. As a number of non-conductive materials had been identified as appropriate to this research it was therefore necessary to undertake a further series of trails to establish the most suitable electro-conductive coatings for the purposes of the project.

The final experiments in the production of the underlying electroforms was to trial all the variable of the electroforming process itself to establish the best method for the creation of a smooth and stable form of an appropriate surface and structure that would withstand the application of enamel.

Enamelling trials
In order to develop methods for the application of enamel to the three-dimensional forms resulting from the first strand of investigation, a comprehensive series of tests for the application and adhesion of jewellery and industrial enamel to two and 3D surfaces was undertaken. Stilting and firing methods for 3D objects enamelled in the round were also investigated. Methodology for the recording of technical tests has been developed and trialed and a standardized format has been developed, informed by these trials, which has been used to record the results of all tests undertaken.

Practical Outcomes
On completion of the practical trials a group of jewellery pieces were created using the methods established as most appropriate in the realization of a defined personal aesthetic. These pieces were exhibited at Contemporary Applied Art in London during June and July 2010.

Jessica Turrell- Electroformed and enamelled pendants

Jessica Turrell- Electroformed and enamelled pendants

 

Dissemination
The practical and theoretical outcomes of the project were disseminated by a number of methods throughout the period of the research.

symposium:
A symposium was held at the Bower Ashton Campus, University of the West of England in July 2010:
Read a review of the symposium here – http://www.iom3.org/news/enamoured-enamel

SUMMARY:
Addressing an audience composed of professional makers, academics, researchers and students the symposium examined the place of enamel within contemporary jewellery practice, celebrating its potential as an exciting and innovative material. At a time when increasing numbers of contemporary jewellers are rediscovering enamel this event offered a timely opportunity for the sharing of information and ideas plus a chance to network and take part in debate.

 

Conclusion
The ultimate aim of the project has been to demonstrate the potential of enamel as an exciting and innovative material and to thus affect a change in the commonly held perception that enamel is a medium not readily associated with contemporary jewellery practice. It is anticipated that the dissemination of the outcomes of the research project Innovation in Vitreous Enamel Surface for Jewellery will go some way towards the creation of an environment where the innovative potential of the material is more widely recognized, both by the jewellery community and within art education, thus allowing a more ambitious and rigorous enamel practice to flourish.

 

Visit the CAA exhibition page at http://www.caa.org.uk/exhibitions/archive

Jessica Turrell

« The intimate scale of jewellery is a central factor in my practice. I strive to create work that has a tactile delicacy and that rewards the wearers close attention with an intricate and detailed surface. Over recent years I have developed an experimental approach to enamel by which I seek to create work that moves away from traditional jewellery enamel practice in order to achieve a more ambiguous and expressive surface quality. » (Jessica Turrell)

Exhibitions 2010 – Showcasing a New Collection of Enamel Jewellery :  18 June – 17 July 2010, London

 

Elizabeth Turrell – cross Badges (exhibition « The Enamel Experience », Velvet da Vinci Gallery, 2008)