SIERAAD Art Fair 2016 – Amsterdam – 10–13 Nov. 2016

SIERAAD Art Fair 2016 – Amsterdam – 10–13 Nov. 2016

 

ALL PARTICIPANTS 2016  here

Here is a little SELECTION :

MYTHS 2016 -  Loukia Richards, Valia Karapidaki, Marietta Karamaria, Maria Rousso, Jacqueline Vugs-Voets, Hadas Levin, Christoph Ziegler and Atelier Myths -  www.myths2015.de - stand 3

  MARION LEBOUTEILLER  French [e-mail] www.marion-lebouteiller.com  stand 65

RIA LINS  Belgium  [e-mail]  www.ria-lins.be  stand 68

HELMI LINDBLOM STRANGE BUT JEWELRY.COM  Finish [e-mail] strangebutjewelry.com  stand 73

YANNICK MUR -  French –   www.yannickmur.fr -  stand 45

VALERIA MARTINEZ – Chilean – www.valeriamartinez.cl -  stand 4

PROCHAINE By: Andra Lupu  Romanian  [e-mail]  stand 87a

RB DESIGN  By: Raluca Buzura  Romanian  [e-mail]  http://ralucabuzura.blogspot.ro/  stand 87c

ZETA TSERMOU  -  Georgia Tsermou – Greek – www.zetatsermou.com - stand 10

ANNA VLAHOS  -  Greek/Australian – annavlahos.com - stand 11

PEGGY BANNENBERG  Dutch  [e-mail]  www.peggybannenberg.nl stand 81

ALEJANDRA SOLAR   Spanish-Mexican  www.alejandrasolar.com stand 21

LOUISE SEIJEN TEN HOORN  Dutch  www.luzzious.com  stand 28

KAROLINA BIK JEWELLERY  Polish www.karolinabik.com  stand 30a

BYTOMSKI/ BYTOMSKA JEWELLERY    Polish  www.by-jewellery.com  stand 30b

LIISA HASHIMOTO  Japanese  www.hinge-dept.com  stand 32b

Joo Hye Kim  South Korean  [e-mail]  stand 88. CSM 2009

Chen Wenting  Chinese  [e-mail]  Stand 88. CSM 2009

RITA BEY YU LIN  American  [e-mail]  www.ritabeyyulin.com  stand 34a

NK STUDIO  Korean   Namkyung Lee  www.nkstudio5.co.uk   stand 39

JO MCALLISTER      British  www.jomcallister.com  stand 44b

ALICE CLARKE British [e-mail] www.aliceclarke.co.uk  stand 42

LINDA EZERMAN  Dutch   [e-mail]  www.lezerman.com stand 52b

JILLIAN MOORE  American  [e-mail] www.jillianmoore.net stand 52a

POPPY PORTER ABSTRACT ARTIST: JEWELLER    British  [e-mail]  www.poppyporter.co.uk  stand 48

YAN-ZE LUO  Taiwanse [e-mail] stand 53d

SHIH-DEA DEBORAH TSENG Taiwanse [e-mail] www.deborahtseng.wix.com/jewellery  stand 53b

HENG LEE Taiwanese [e-mail] www.facebook.com/HengLeeJewelry  stand 53a

JOHN MOORE  British   [e-mail]  www.johnmoorejewellery.com stand 55b

  ATELIER BLOEDJES By  Judith Bloedjes Dutch [e-mail] www.judithbloedjes.nl

  stand 56

  AMY RIDYARD DESIGN British [e-mail] amyridyarddesigns/facebook.com  stand 60

KSENIA VOKHMENTSEVA  Russian [e-mail] www.kseniavoh.com  stand 63

CHRISTINE JALIO Finish [e-mail] www.christinejalio.fi stand70

 

 

 

 

 

SIERAAD 2016
Gasholder Westergasfabriek
Klönneplein 1
1014 DD – Amsterdam – Netherlands
Telephone: [phone]
website: www.sieraadartfair.com
mail: [e-mail]  and on FB

 

Enregistrer

EXPO ‘coOperation – GARNISH’ – Gallery Velvet da Vinci, San Francisco (USA) – 19 Aout-20 Sept. 2015

co-operation – garnish

A collaborative exhibition organized by Brigitte Martin and Rachel Timmins

Artists’ Reception:  Friday August 21, 6-8pm

 A garnish can be anything from an adornment that adds or enhances the body (human or animal) to a functional or nonfunctional object that decorates and spices up a room. This exhibition will ask viewers and participants to examine the idea of a garnish made by 2 different subsets of makers who have come together to create an embellishment that satisfies both.

Participating Artists:    Suzanne Amendolara / Dan DiCaprio — Christiana Byrne / David Lee — Catherine Chandler / Sonya Scott — Brian Ferrell / Jillian Moore –  Heidi Gerstacker / Masumi Kataoka — Emily Gill / Jaime Sawka — Charity Hall / Francesca Vitali – Peter Hoogeboom / Maia Houtman — Nicole Jacquard / Annie Fensterstock — Lauren Kalman / Kipp Bradford –  Satomi Kawai / Nikki Couppee — Thomas Mann / Wayne Werner –  Bruce Metcalf / Evin Dubois — Tom Muir / Caitlin Skelcey — Vincent Pontillo Verrastro / Sharon Massey –  Mette Saabye / Pernille Mouritzen — Marissa Saneholtz /Michael Dale Bernard — Linda Savineau / Steve Shelby — Olga Starostina / Corey Ackelmire — Billie Theide / Brooke Marks-Swanson — Rachel Timmins / Brigitte Martin — Aric Verrastro /Randy Long

 Satomi Kawai & Nikki Couppee, Neogems (Necklace), Plastic, etched copper, resin, pigment, sterling silver, brass, plexiglass, found shells, faux and real pearls, faux silver foil, hologram laminate

Brian Ferrell & Jillian Moore, Clompe Cluster (Brooch), basswood, polymer clay, resin, paint, wax

Peter Hoogeboom & Maja Houtman, Artichoke (Brooch), Ceramics (slipcasting), metalwork (basketry), silversmithing silver, porcelain

Tom Muir & Caitlin Skelcey, Expel, ABS Plastic, Sterling Silver, Automotive Paint and  Clearcoat

Aric & Randy Verrastro & Long, Daydreaming (Neckpiece), Canvas, PLA, sterling silver, copper, enamel, china paint, steel, thread, acrylic paint, poly-fil

Linda Savineau & Steve Shelby, Sluggish Meanderings, Hammer printed brass, 3D printed nylon (SLS), driftwood

Marissa Saneholtz & Michael Dale Bernard, « She was lost to her dreams as flowers cascaded upon her. » (Neckpiece), Copper, steel, aluminum, silver, maple, vitreous enamel, powder coat, lacquer

Vincent Pontillo-Verrastro and Sharon Massey, Plume, Copper, PLA, graphite, enamel, rare-earth magnets

 

Statement from the organizers:
“A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current. The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Each side considers itself superior to the other, seemingly not appreciating the clear advantages, benefits, and experiences each faction brings to the table. Quoting from Damian Skinner’s 2013 SNAG keynote lecture in Toronto:
“We are all family. Sometimes, family members don’t speak with each other, but we still are one big family. Let’s recognize this fact.”
Can our field overcome family division and send a much-needed signal to the metals + jewelry community? We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making. Arriving at this message is the goal of this exhibition.”  – Brigitte Martin and Rachel Timmins

 

Velvet da Vinci
2015 Polk Street,
San Francisco, CA 94109
Phone: [phone]
Email:  [e-mail]
Hours: Tuesday through Saturday, 11am – 6pm, Sunday, 11am – 4pm

 

 

SIERAAD 2014 – International Jewellery Art Fair – Amsterdam (NL) – 6-9 Nov. 2014

SIERAAD  6-9 nov 2014 – Amsterdam

List of participants 2014

 

THE 13TH EDITION OF SIERAAD ART FAIR (SAF) WILL BE THE MOST INTERNATIONAL ONE YET. SAF IS THE ONLY PLATFORM IN THE NETHERLANDS WHERE PROFESSIONAL CONTEMPORARY JEWELLERY DESIGNERS FROM HOME AND ABROAD SELL THEIR WORK DIRECTLY AND IN PERSON. TO ADD LUSTRE TO THIS EDITION OF SAF THERE WILL BE SOME SPECIAL EVENTS AND STRIKING PRESENTATIONS.

La liste des participants commence somptueusement !!! : « Erato Kouloubi, ALCHIMIA Jewellery school in Florence, Alina Carp, Andrea Coderch Valor ……. Catalina Brenes, Catalina Gibert,  …. Wu Ching-Chih, David Choi ……….. Dora Haralambaki, Edith Bellod, ……… Gabrielle Desmarais, George Giannoutsos, etc etc etc pour ne citer que mes préférés ……… la Royal Academy of Fine Arts d’Anvers … (voir la liste (lien ci-dessus)

ceramic jewellery Dora Haralambaki - at stand 84

George Giannoutsos at stand 1

Erato Kouloubi  -  Deconstructing the Faith Ring / Sterling Silver  at stand 1

Niki Stylianou –  » Vessels and Matter II: Metaphors on Courtship, Intimacy and Domesticy » Necklace – Hand cut rubber, silk thread, watercolor – at stand 1

Maria Tsimpiskaki, Corruption collection, brooch, 2014  at stand 1

SO, stand 1 is a « GREEK » stand, with : Maria Tsimpiskaki - Niki Stylianou –  Erato Kouloubi   & George Giannoutsos

Catalina Gibert - Serra_2014 Necklace – at stand 41B

Andrea Coderch Valor - 2011. Silver, wood (bois de violet), silk.  – at stand 41A

Liisa Hashimoto (HINGE Dept.) -  5set Red Seed Ring – at stand 48

Cecile Bertrand – broche « GUN » – at stand 74
stand 74 avec la « dream team » : Cécile Bertrand, Sylvie Jousset & Isabelle Carpentier

Sylvie Jousset -  « catch me cactus » bracelet – Argent, maillechort, vrais cactus & plantes grasses - at stand 74

Nevin Arig – brooch simple5 – at stand 71

Gabrielle Desmarais at stand 75,
sharing with Isabelle Busnel, Edith Bellod and  Eun Mi Kwon

AND

they made a collective necklace !

Isabelle Busnel sharing a stand with Mia Kwon, Gabrielle Desmarais and Edith Bellod and this is our collective necklace

 Eun Mi Kwon (Mia Kwon jewellery) – spring on skin #07 – 2014 – porcelaine  at stand 75

Isabelle Busnel - neckpiece – at stand 75

Edith Bellod – at stand 75

Wu ching-chih- at stand 18

Judith Bloedjes – ring precious triplet 2014 – porcelaine

 

Catalina Brenes  at stand 64

Alina Carp – brooch – at stand 25Lauren Markley -at stand 44

Raewyn Walsh Vessel pendant, 2012 NZ, silver, epoxy, silk thread

Eily O’Connell-  at stand 31

Han-Chieh Chuang – red brick brooch serie – silver, copper, enamel, steel wire – at stand 38

Silvia Beccaria - gorgiera Splendor – 2011 -  at stand 100

Jeehyun Chung

Karolina Bik -  ‘graphium’ ring – peridot, argent oxydé

Linda Ezerman - Necklace with a story

Linda Ezerman - new work ! – Sea Seed Brooches – Balsawood, pigment(powder), laquer and stamen -
SIERAAD 2014 at stand 53

Jillian Moore – at stand 33

Maria Diana, bracciale perle, 2013  (porcelain, stoneware, gold) – at stand 67

Mariko Sumioka

Merav O. Roth Jewelry

Yung Huei, Chao (Taiwan). « Windows Series ». Nickel silver Bracelets (2010) 

stand of Royal Academy of Fine Arts d’Anvers, with Vincent Verstrepen, Elitsa Macheva, Annika Wirken, Elya Tettelin, Josefine Mass, Mara Gabriela Grigoriu :

Annika Wirken

  Vincent Vestrepen

Josefine Mass

stand of Alchimia Contemporary Jewellery School, (stand 101), with :
Daria Borovkova (Russia), Amani Boudargham (Lebanon), Francesco Coda (Italy), Elena Gil (Costa Rica), Sana Khalil (Lebanon),  Daniela Malev (Germany), Lilian Mattuschka (Austria), Carla Movia (Italy), Federica Sala (Italy), Maria Ignacia Walker (Cile)

Federica Sala neckpiece

María Ignacia Walker

 

Westergasfabriek Amsterdam

Klonneplein 1,

1014DD Amsterdam

[e-mail]

tel [phone]

 

 

 

 

 

 

 

 

EXPO ‘RULE THE WORLD’ – Friends of Carlotta, Zurich (CH) – 19 Juin-5 Sept. 2014

RULE THE WORLD, a juried exhibition at Friends of Carlotta in Zurich, Switzerland, curated by Bruna Hauert.

Welcome to our world of lived-out deficiencies and psychopaths!

What are the adornments of dictators, despots, and the plain delusional ? What do they need in order to let their real personalities shine through ? What tools do tyrants have to show that they are in charge ?

Despoten sind – bei aller Einfalt – ein sehr facettenreiches Trüppchen. Sie wollen nicht nur geliebt werden. Nein, sie wollen ehrlich und echt geliebt werden. Notfalls mit Gewalt.
Doch: Womit schmücken sich DiktatorInnen, Grössenwahnsinnige, Möchtegerns und Trauminöds? Womit präsentieren sie sich, damit ihre wahre Persönlichkeit im richtigen Licht erstrahlt? Womit zeigen GrosskotzInnen, TyrannInnen und zu Höherem Berufene, dass die Macht mit ihnen ist? Besitzt der Mächtige Objekte der Macht weil er mächtig ist? Oder ist er mächtig, weil er Objekte von magischer Macht besitzt?
Und: Was gönnt der Despot sich selbst in einer launigen Minute? Welcher Schmuck feiert mit ihm in der Stunde seines Triumphes? Womit verwöhnt er seine Untertanen, damit sie sich ihm leichter unter tun? Und wie kann ich ihm huldigen, damit er meine wahre Liebe und somit seinen wahren Wert erkennt?
Diese und andere Fragen zum Thema RULE THE WORLD beherrschen das Thema der nächsten jurierten Schmuckausstellung bei Friends of Carlotta.
Willkommen in der Welt der gelebten Defizite und der Psychopathen in Bestform!
Ich freue mich auf die Pracht der Macht und darauf, Sie an der Vernissage vom 19. Juni 2014 ab 17h begrüssen zu dürfen. Oder an jedem anderen Tag während der Ausstellung. Herzlich  Bruna Hauert

Despite their simple-mindedness, despots are a very diverse little group. All they want is
to be loved. Or rather, they want honest and real love. By force, if need be.
However, what do dictators, megalomaniacs, wannabes and the delusioned adorn themselves with? What do they use to cast their personalities in a positive light? What do fat cats, tyrants and those destined for greater things use to demonstrate that the force is with them? Do the powerful own objects of power because they are powerful? Or are they powerful because they own objects with magic powers?
What’s more: What do despots treat themselves to when they’re in a foul mood? Which pieces of jewellery are there to share the hours of victory with them? What do they spoil their subjects with in order to make them more eager to subdue themselves? And how must I worship these despots so that they recognise my pure love and therefore their true value?
These and other questions on how to RULE THE WORLD will be the dictating subject of the
next juried jewellery exhibition at Friends of Carlotta.

Joo Hyung Park

 

- Annette Altenburger (DE) — Jessica Andersen (USA) — Christine Annau (DE) — Miriam Arentz & Annika Schindler (DE) — Ela Bauer (NL) — Nicole Beck (DE) — Stefan Behnke & Miriam Gradl (DE) — Brigitte Berndt (DE) — Marlene Beyer (DE) — Wolfram Beyer (DE) — Laura Bradshaw-Heap (UK) — Rachael Colley (UK) — Jennifer Crupi (USA) — Martina Czunczeleit (DE) — Laura Deakin (DE) — Saskia Derksen (DE) — Saskia Detering (DE) — Sam Tho Duong (DE) — Beate Eismann (DE) — Tanja Emmert (DE) — Ricarda Enderweit (DE) — Katja Fischer (CH) — Su Foster, Patsy Kay Kolesar & Simone Richmond (CA) — Katja Fox (DE) — Andrea Fretz (CH) — Yael Friedman (IL) — Helen Friesacher-Borst (DE) — Claudia Frisch (DE) — Masako Fukuda (JP) — Sam Gassman (USA) — Friederike Glück (DE) — Miriam Gonnissen (DE) — Nicole Grandics (USA) — Bénédicte Gross (CH) — Tamara Grüner (DE) — Christian Guthmann (DE) — Bruna Hauert (CH) – Stephanie Hensle (DE) — Jasmin Hess (CH) — Tomoko Hori (UK) — Mara Induni (CH) — Bettina Jakob (CH) — Florence Jaquet (CH) — Léonie Jeanrenaud (CH) — Edda Andrée Jessel (DE) — Leonore Jock (DE) — Udo Jung (DE) — Masumi Kataoka (USA) — Verena Klette (DE) — Luitgard Korte (DE) — Michelle Kraemer (AT) –  Unk Kraus (DE) — Martina Lang (DE) — Gregory Larin (IL) — Tracy Lee Black (USA) — Alisa Letsius (RU) — Reka Lorincz (HU) — Inés Mantel (CH) — Gigi Mariani (IT) — Laura Martínez (ES) — Susanne Matsché (DE) — Esther Mattille (CH) — Jennifer Merchant (USA) — Katharina Moch (DE) — Jillian Moore (USA) — Julika Müller (DE) — Viktoria Münzker (AT) — Nick Mullins (USA) — Elisabeth Mundwiler (CH) — Deanna Ooley (USA) — Ossi Oswald (DE) — Joo Hyung Park (KT) — Nadine Pawusch (DE) — Lina Peetz (DE) — Izabella Petrut (AT) — Annika Pettersson (SE) — Carmen Pfanner (AT) — Yvonne Raab (DE) — Daniel Ramos (DE) — Sarah Reinhard (CH) — Begoña Rentero (ES) — Claudia Römer (DE) — Sabine Roth (DE) — Vicky Saragouda (UK) — Nils Schmalenbach (DE) — Naoko Iyoda Schneeberger (CH) — Verena Schreppel (DE) — Nicole Schuster (DE) — Anna Silberstein (DE) — Eva Sörensen (DE) — Katrin Spranger (UK) — Johanna Stäss (DE) — Simone Strauss (DE) — Rebecca Strzelec (USA) — Eva Tesarik (AT) — Myung Urso (USA) — Viveka Valentin (DE) — Otto Van Winkle Peterstein (IE) — Barbara Vogl (DE) — Maria Volokhova (DE) — Andrea Wagner (NL) — Heike Walk (DE) — Heike Wanner (AT) — Caro Weiss (DE) — Klaus Weisser (CH) — Angelika Wolpert (DE) — Grandpa Wooley (DE) — Diana Zeiler (DE)

EXPO virtuelle / virtual exhibition here

Jennifer CRUPI power gesture

Luitgard Korte - ring

Gregory Larin  ‘Nice to meat you’ necklace – brass, textile, polymer

Andrea Wagner

Florence Jaquet

Jasmin Hess brooches « Love is what you PUT IN my heart » Brosche Holz, Textil, Garn, Silber

Tamara Grüner

Brigitte Berndt – « man Eater »

Tanja Emmert

Jillian Moore   « PHASELOS »
The obscenely over sized piece did not hang like a pendant. It framed her face and seemed to cradle her body. It required a formal posture and bearing that teased out an air of decorum she was not always prone to pulling off. A hybridization of legume, embryo, and organ, the piece could not be more ripe. It‘s glossy surface, and speckled edges felt less like a thing made than a thing born. To the starving masses it was a promise of fertility, but to her enemies it was a reminder that she might gut them at amoment‘s notice

 Johanna Stäß

Yael Friedman

 Gigi Mariani
« I wanted to think of a jewel that affirm strength and power. in which the tyrant will exhibit their achievements represented by balls enclosed between cubes, like columns that recall the force of power.
A potential rosary made to be shown to confirm the ego and emphasize his power.
Object to show, but that becomes amulet and creates safety to the wearer »

Nick Mullins

Bruna Hauert

Bruna Hauert

 Izabella Petrut
« Jewelry to live every deficiency to the fullest extent. I choose to use a female and a male despot, creating two characters and two scenarios. They both compete for power, adoration, attention and they use the same weapons: the Penis, a symbol of power and dominance. My characters have a lot of insecurities for which they have to overcompensate with decoration and dubious behavior. The Penis becomes a symbol of desire and the despots see it as the object of their desire. The Penis becomes a cult object. Queen of all queens carries around a small wooden Penis pendant as a symbol of her dominance over men. It looks modest, unimportant and not too cared for. It is a trophy.
King of all kings carries around a wooden Penis to show he is the biggest, strongest and most precious of all. The piece is carved out of balsa wood and carefully finished. The piece is really easily imprinted if one doesn’t handle it with care, just like the King’s ego. The way it is worn, as a brooch on the shoulder, is disturbing for the wearer as well as for the viewer. »

Katharina Moch

Sam Tho Duong neckpiece

Jennifer Merchant

Begoña Rentero

 

Friends of Carlotta Bruna Hauert,
Neumarkt 22
8001 Zurich
Tel [phone]
http://www.foc.ch

EXPO ‘Jillian Moore: Fruits of my labor’ – Beyond Fashion, Antwerp (BE) – 21 Mars-3 Mai 2014

Jillian Moore : Fruits of my labor

 

 

« For Jillian Moore’s first solo show in Belgium, « The Fruits of My Labor », an assortment of both major works and smaller, ready-to-wear pieces are presented. Regardless of scale, Moore’s work references biological forms of ambiguous origin. As a result, they straddle both the botanical and zoological. The bright colors paired with the thick gloss of her resin technique creates wearable pieces that are always luscious, and often a little vulgar in one way or another. Moore says of her work:
« Our natural tendency to seek out patterns results in a sensitivity to the congruities in biological forms. Deliberate exploitation of these phenomena results in objects that are both ambiguous and evocative. Some are organs removed from the body in which they once belonged, revealing structures with unknown functions. Others are complete specimens tagged with labels. Signs of dissection as well as taxonomy provide evidence of attempts to demystify these new organisms. However, this approach leaves many unanswered questions and highlights the inherent ethical compromise in these methods of understanding.
I choose materials and techniques that are transformative, resulting in objects that do not readily reveal the processes of their making. Copper may be hidden under layers of paint, the only exposed metal oxidized. The electroforming process allows for wax forms to be coated in copper leaving a hollow shell with textural encrustations–evidence of the acretivce nature of the process of building copper on a molecular level. The resin pieces are light in weight, built on a core of carved foam that is strengthened by successive layers of an opaque, water-based composite resin. The clear epoxy resin is then layered with paint to create a depth of surface typically expected of glass work. The slick gloss of the resin further mimics biology. »

Jillian Moore - brooch : Popel, 2009 – Foam, composite and epoxy resin, paint, nickel silver

  Jillian Moore – brooches : Par Lobbe, 2009 – Foam, composite and epoxy resin, fabricated copper, paint, weighted and dyed cord

Jillian Moore – Piece: Porosus, 2011 – Foam, composite and epoxy resin, polymer clay, paint, rubber

 

 

Beyond Fashion
Pourbusstraat 7
2000 – Antwerp
Belgium
Telephone: [phone]
website: www.beyondfashion.be
mail: [e-mail]

SIERAAD 2013 – International Jewellery Art Fair – Amsterdam (NL) – 7-10 Nov. 2013

SIERAAD  7-10 nov 2013 – Amsterdam

List of participants 2013

 (Jillian Moore jewel)

Liisa Hashimoto (Shoe Ring ) – stand #67

Catalina Brenes (rings) – stand #44

Beate Pfefferkorn – goldenes viies

April Wood 

Stephanie Voegele Neon yellow brooch

Min Ji CHO brooch

Isabelle Busnel  Cameo Brooch – silicone – - stand #85

Rita Bey Yu Lin – waiting for blossoming

Margo Nelissen – zaaddooshanger 300

Davide Penso, glass jewelry. 

Mallory Weston

Natsuki Sawai

Linda Ezerman beach in bloom groen 2

Rachel Timmins

Katja Toporski Crucible 4 necklace – 2012 – Steel, Porcelain, Charcoal, Frankincense

Nikki Couppee 

Jillian Moore ring

body-parasite rings by Ming Gu  – (Ming (Miona) Gu, Birmingham (GB)  Nationality: Chinese)

J+ Studio : Five students from Taiwan and China obtained their Master’s degree at the School of Jewellery in Birmingham, England and will now be present at SIERAAD for the first time with an interesting group presentation.  – These 5 jewellers are Ying-Hsun (Zita) Hsu, Ming (Miona) Gu, I Ting (Heather) Ho, Tzu-Jung (Molly) Wu, and Xinrui (Sherry) Yu

SIERAAD ART FAIR

Gashouder WesterGasterrein
Klönneplein 1
1014 DD Amsterdam
the Netherlands

SIERAAD Art Fair 2012 – Amsterdam – 1–4 Nov. 2012

SIERAAD Art Fair, international jewellery design fair – 01.Nov.2012 – 04.Nov.2012

(ring by Serin Oh from Korea, one of the winners of the biennial international design contest New Traditional Jewellery 2010)

This year the poster will feature a ring by Serin Oh from Korea, one of the winners of the biennial international design contest New Traditional Jewellery 2010: True Colours. After the great success of last year another delegation of Korean contemporary jewellery designers will be present at the fair this year – definitely something to look forward to because in our Western eyes these artists give a unique interpretation of their cultural history.

 Pieces from Serin Oh

Vivian Meller brooches

Ute van der Plaats, porselein, zilver en katoen

Kika Alvarenga, ring – silver green turmalines

Lien Hereijgers  VOSTOKRING

Sound jewellery of ceramics, Audiowear consists of a series of musical jewellery made of ceramics, inspired by musical instruments like flutes and xylophones. It is a unique project of Elasticbrand, a design studio in Brooklyn, NY run by the artistic duo Arjen Noordeman and Christie Wright

TZURI GUETA tour du cou chardon -  His organic/futuristic jewellery in silicones refer to biology, neurons, algae and plants. He himself calls it ‘lace fed by silicones’, and he took out a patent on his invention. He also designs fabrics using this unique process which he has sold to all the great couturiers: from Gaultier to Armani and from Vuitton to Dior. His latest achievement is the collaboration with French couturier Stephane Rolland for the 2013 fall/winter collection

 Linda Ezerman  – stand 28 – Necklace, handmade, unique piece  from the series ‘tide land wet beach caught by seaweed’, felt, kelp, miyuki beads, resin, rubber, ink

Uli Rapp, stand 52

Xinrui (Sherry) Yu

Alice Bo-Wen Chang, stand 55

Stefania Lucchetta

Jillian Moore

Ute Decker – snapshot from the bench with new arm sculptures by ute decker for Sieraad, Amsterdam stand 27

Uk Collect_ive stand 35, a new generation of UK Art Jewellers, with Farrah Al-Dujaili –  Laura Bradshaw Heap – Melanie Codarin — Katie Lees — Yu-Ping Lin — Grace Page — Natalie Smith — Anna Wales

Katie Lees

Farrah Al-Dujaili Brooch 2011 -  Copper, enamel paint, watercolour, pencil, pastel – Dimensions: 14cm x 8cm x 5cm

 

SIERAAD 2012
Gasholder WesterGasfabriek
Klönneplein 1
1014 DD – Amsterdam – Netherlands
Telephone: [phone]
website: www.sieraadartfair.com
mail: [e-mail] on FB : https://www.facebook.com/pages/SIERAAD-Art-Fair-international-jewellery-design-fair/106391316050449?ref=hl

ALL PARTICIPANTS here

with, among them :

Alchimia Contemporary Jewellery School in Firenze Italy:
Valentina Caprini IT — Andrea Coderch Valor ES — Patrick Davison GB — Catalina Gibert Nadal ES —  Sam Hamilton IR — Dinah Lee USA — Weronika Marek PL — Izabella Petrut RM — Giulia Savino IT — Anna Helena van de Pohl de Deus USA

 

‘NEW NOMADS’ New Traditional Jewellery 2012

More Info: http://www.newtraditionaljewellery.com

exhibition New Nomads

exhibition New Nomads will be shown during SIERAAD Art Fair, 1 – 4 November 2012, in the Gashouder, WesterGasfabriek, Amsterdam  www.sieraadartfair.com 

For the 2012 design contest and exhibition the professional jury of New Traditional Jewellery (NTJ) has chosen the theme ‘NEW NOMADS’, because both literally and figuratively this theme offers many possibilities for inspiration.

the professional jury of New Traditional Jewellery (NTJ) at (hard !) work ….

The history of jewellery is as old as mankind. While people went in search of parts with the best living conditions they carried their valuables with them, wearing them on their bodies. Jewellery that represents economic and social status, as it still does nowadays in the case of nomadic tribes. The dissemination of religions went hand in hand with an unprecedented range of religious jewellery and ornaments, ranging from small containers for religious texts to reliquaries and portable altars.
To this day, jewellery made of stable materials like gold and gems is the guarantee for your ‘ticket home’ in times of crises or when you have to flee from high-risk areas. Due to the global financial crisis prices of this so-called ‘flight gold’ have skyrocketed. Is there an alternative? Nowadays there are quite different streams of migrants but the principle is the same: people in search of parts with better living conditions. The whole world is on the move, from refugees to tourists, from emigrants to employees of multinationals. And you don’t even have to get up from your chair: Skype e.g. has made videoconferencing into a social medium.
NTJ asks contemporary professional jewellery designers to build bridges between the traditional jewellery of e.g. nomads, pilgrims, explorers, globetrotters, refugees or colonists and possible symbols bearers representing the mobility of the ‘NEW NOMADS’. Check the attachments for conditions and criteria.

all nominees New Nomads:
Ariane Ernst D — Alejandra Solar Mex — Auk Russchen NL — Barbora Dzurakova SK — Casey Fenn UK — Dana Hakim IL — Daniela Malev D — Edu Tarín ES — Hee Won Kang ROK — Heng Lee RC — Hester Popma-van de Kolk NL — Jie Sun CN — Judy McCaig UK — Juliane Keßler D — Katharina Dettar D — Laila Smith UK — Leon Mommersteeg NL — Maria Hees NL — Matthew+Amanda Caines UK — Maryvonne Wellen NL — Minna Karhu FIN — Noa Liran IL — Patricia Domingues P — Peter Vermandere B — Petra Bole SLO — Raewyn Wash NZ — Ricarda Wolf D — Robean Visschers NL — Roseanne Bartley Au/NZ — Sang-Hee Park ROK — Saskia Govaerts B — Sina Wassermann D — Sung-Min Jung ROK — Tabea Reulecke D — Verena Klette D — Vernon Bowden NZ –

The exhibition during SAF: 1-4 november at Gashouder Westergasfabriek Amsterdam

the exhibition “New Nomads” will be then shown in MMKArnhem (museum for Modern Art in Arnhem) ,  November 24. – January 27. 2013!
The next exhibition will be published after the summer.

Maria Hees (NL) – Necklace: foam, porcelain, rubber

Roseanne Bartley (AU/NZ)

Noa Liran (IL)

Robean Visschers ring (winner New Traditional Jewellery 2006)

Robean Visschers – for 2012 competition

Auk Russchen – (NL) Broche ‘Ode’, 2010 (winner for 2010 New Traditional Jewellery « True Colours »)

Sang-Hee Park

Matthew+Amanda Caines – Necklace – Suffolk dump dig pottery figure with Thames

Tabea Reulecke

Jie Sun – from JOYA 2012 (ENJOIAT award) to SIERAAD Art Fair,  nominated piece for New Nomads

EXPO ‘UNEXPECTED PLEASURES’ – NGV International, Melbourne (AU) – 20 Avril-26 Aout 2012

UNEXPECTED PLEASURES

The Art and Design of Contemporary Jewellery

A Design Museum, London touring exhibition
at NGV (National Gallery of Victoria)

Unexpected Pleasures looks at what we mean by jewellery from a number of different perspectives.  Taking as its starting point the radical experiments of the Contemporary Jewellery Movement that challenged a conventional understanding of the language of personal adornment, and looking instead at the essential meanings of jewellery, the exhibition brings together important work from around the world, and looks at it from the point of view of the wearer as well as the maker. Contemporary  Jewellery in this sense is at the intersection of art and design.

Curated by Dr. Susan Cohn for the Design Museum, London with exhibition design by Ab Rogers Design and graphics by Barnbrook.

« UNEXPECTED Pleasures, an exhibition of the world’s ugliest, loveliest, most intriguing contemporary jewellery, opened at the National Gallery of Victoria International yesterday.
 »Everything here is designed to be worn, » said guest curator and jewellery designer Susan Cohn.
Visitors took that as a challenge, moving through 180 dimly lit curiosities by the world’s most radical designers, trying to imagine what it would be like to wear a necklace of glass and ceramic dildos. Or a tubular  »veil » collar like a pearly plastic version of Ned Kelly’s helmet. Or a cluster of rusted bolts and nails on a silver  »Screw Ring ».
 »After procreation and survival, our next instinct as humans is adornment, » Cohn said when asked,  »Why? »
 »Adornment is about attracting a mate, which in turn, is about procreation and survival. »
Some humans, however, obviously require more complex, intellectual adornments than others.  »Yes, some wearers will want something that speaks that way for them, » Cohn said. Among the exhibits was a vast choice of such expression, from the minimalist exquisitry of a grey sunray-pleated yoke, to a clump of small pale  »tumours », photographed bursting through a model’s frock. The latter was in a category of radical ideas.
NGV director Gerard Vaughan said the exhibition offered  »a fresh view of the many meanings associated with jewellery ».
The visiting director of London’s Design Museum, Deyan Sudjic, said it was the result of a  »long, drawn-out, cerebral process », and that is precisely how it felt.
Unexpected Pleasures: The Art and Design of Contemporary Jewellery, is a Design Museum, London, exhibition funded by the Joan and Peter Clemenger Trust.
It is free and runs until August 26, when it will travel to London. (Daily Life.com.au)

Art and design come together through its exploration of the radical experiments of contemporary jewelers who have pushed the boundaries. Navigate your way through the labyrinth of themes; Worn Out (celebrating the experience of wearing jewellery), Linking Links (looks at the way in which narratives are expressed through sub-themes and creative systems) and A Fine Line (offers insight into the origins of contemporary jewellery today) in an exhibition that is not to be missed.

Camilla Prasch – MEGA 2009 – red dyed snap fasteners, nylon thread, silicone discs – Photo: Dorte Krogh

Sally Marsland (AU) – Flat colour, brooches (2002) – epoxy resin mixed with powdered pigment - Photo: Jeremy Dillon

Doug Bucci, USA, Trans-Hematopoietic neckpiece (2010).

Susie Ganch, USA, Yellow dust, brooch (2010)

David Bielander, Scampi, armband/bracelet, 2007

Karl Fritsch Screw ring 2010 silver, nails, screws

 

Karl Fritsch, New Zealand, Steinhaufen, ring 2004

Hyewon Kim -  Torn 1 (2011) – resin, twigs Photo: Myoungwook Huh

Tiffany Parbs – Extension (2008) – hand woven hair, digital print – photo Terence Bogue

Caroline Broadhead, England, Veil, necklace (1983).

Susanne Klemm, « Frozen » necklace, plastic

Blanche TILDEN – Speed, neckpiece  2000  borosilicate glass, titanium, anodised aluminium

Paul Derrez  Pleated Collar  1982  Plastic, steel 

Felieke van der Leest – necklace

Rose necklace by Gijs Bakker: Colour photograph in laminated plastic (1983) 

Dorothea Prühl Habicht (Hawk), 2006 necklace, elm wood – H 40 cm

Noon Passama, Brooch, 2010

 

First on show at the National Gallery of Victoria, Melbourne, 20 April – 26 August 2012, this exhibition will also tour to the Design Museum in London, 5 Dec 2012 – 3 Mar 2013. Melbourne based designer and maker Dr. Susan Cohn (interview with The Age) has curated this exhibition for the Design Museum and is also co-author of the substantial catalogue documenting this event as well contributing to the discussion about contemporary design and making.

 

 

VIDEO

 

NGV International
180 St Kilda Road
Melbourne (AU)
Contemporary Exhibitions
Level G

EXPO ‘Sparkle Plenty 7 – Organ/ism’ – Quirk Gallery, Richmond (USA) – 3 Nov.-24 Dec. 2011

Sparkle Plenty 7 : Organ/ism

 

(Daniel DiCaprio – brooch )

The world is full of life and organisms that thrive in a multitude of ways. From the seemingly mundane to the flat-out bizarre, « things » have found a way to survive. People are both part of the living world, and manipulators of it. An ever-changing world and life’s ability to adapt is the theme for this exhibition. The work presented shows a reverence for these creatures, the inner spark that ignites life, and the ability to survive.

 

PARTICIPATING ARTISTS:
Daniel DiCaprio (courtesy of Charon Kransen Arts) –  Emily Watson –  Hilary Pfeifer –  Jillian Moore — Märta Mattsson (courtesy of Sienna Gallery) –  Masako Ondera –  Masumi Kataoka (courtesy of Charon Kransen Arts) — Satomi Kawai

Märta Mattsson  Beetle Brooch

Masako Onodera : Cluster of Sloughs pendant

Masako Ondera

Jillian Moore

Satomi Kawai : Biorhythm I brooch

Curator Daniel DiCaprio talks about this year’s exhibition at Quirk Gallery (on Art Jewelry Forum) :

« Sparkle Plenty is the annual jewelry exhibition put on by Quirk Gallery in Richmond Virginia.  And this year I was given the opportunity to curate it.  As a jeweler I thought of the exhibitions that have inspired me in the past.  I wanted to create a show that displayed my particular interests in jewelry and other new work that I find exciting.  I also wanted to take this chance to exhibit the work of other young jewelers, most of whom are making these exceptional pieces within the first decade of their professional careers.  These are the ones who inspire me and challenge me to keep working in the studio.  These are some of the artists that I feel add interesting new ideas to the larger art jewelry dialog.  I chose the theme of biologically influenced jewelry, the lifeblood of my own work and the narrative that attracts me to certain pieces. The official prospectus of the show went something like this: “The world is full of life and organisms that thrive in a multitude of ways.  From the seemingly mundane to the flat-out bizarre, “things” have found a way to survive.  People are both part of the living world, and manipulators of it.  An ever-changing world and life’s ability to adapt is the theme for this exhibition.  The work presented shows a reverence for these creatures, the inner spark that ignites life, and the ability to survive.”

From this theme came Organ/ism, a collection of eight jewelers exploring the biological world around us.  Jillian Moore was one of the first artists that came to mind.  Jillian’s work has always appeared to me like animals that have evolved through an alternate reality.  Their existence is imagined into being, and inspired by the creatures that you think couldn’t possibly exist.   They are often presented like taxonomical displays or snapshots of them in mid-autopsy.  This format doesn’t try to provide more answers; rather it adds another layer to the mythology of the creature. Hilary Pfeifer’s work offers a similar interpretation of the biological world, presented “somewhere between humor and curiosity”. Her diminutive and charismatic pieces swarm on gallery walls, displaying the multitude of living adaptations.  Her installations of brooches or necklaces can be like looking through a microscope into a thriving Petri dish, one colonized by single cell cartoons.  These masses of form offer a greater understanding of the individuals, and like Jillian’s work, add an additional layer to a complicated story.

Masumi Kataoka’s work comfortably walks a line between beautiful and disturbing.  Her organ forms, made from actual organs (hog gut and leather), are like a miniature trip to the displays of medical curiosities at the Mutter Museum.  They provoke a curiosity in me that always wants to see what is coming up next.  She has said that her inspiration came from Japanese idioms that express where emotions reside.  This is also expressed in English, when an emotion is felt in your gut or in your heart.

Our shared interest in attraction versus repulsion is an underlying theme of this show.  As you can imagine it would be when jewelers work with dismembered body parts.  Märta Mattsson’s jewelry exemplifies this dichotomy.  She presents wearable objects made from what some people fear the most, insects.  Their electroformed and lacquered bodies are encrusted with cubic zirconias, presenting a glamorous version of what is essentially a dissected insect.  This allows you to confront what it is you find attractive or disturbing about the creature. Masako Onodera also thrives on this theme.  Jewelry emerges from the body like additional appendages from the chest or neck.  Materials like leather, felt and skin-toned found objects make this connection all the more realistic.  Masako’s jewelry addresses the human connection to the living world and our part in its story.

Organ/ism is addressed in a more personal matter with Satomi Kawai’s jewelry.  Her interest lies in the biological rhythm of the female body, the way this connects to culture and more specifically, her own childhood. Materials like wool, cotton and silk relate to Satomi’s own family history, while cellular imagery and bodily forms relate to a larger family.  One shaped by evolution.  Emily Watson approaches this theme from yet another direction.  Her work associates the anatomy and geography of the human race.  The work shows how we are both part of the biological world and manipulators of the environment we live in.

I was nervous as a first time curator about the way everything would come together.  Not just if everyone would agree to participate or if we would be able to meet all the deadlines.  I was concerned with viewers making the same connections that I have made, or alternatively, have I simplified an idea so much that I am beating a dead horse?  Although even that might work well with this theme. »

 

 

Quirk Gallery
311 West Broad Street, Richmond, VA 23220 (USA)
tel [phone]
http://www.quirkgallery.com

EXPO ‘Venus Adorned’ – The Snyderman-Works Gallerie, Philadelphia (USA) – 2 Dec. 2011-3 janv. 2012

Venus Adorned

Bruce Metcalf - Solo Exhibition

On view from December 2, 2011 to January 3, 2011A solo exhibition of new work by Bruce Metcalf.
Reception December 2nd, 5:30-8:30pm

Bruce Metcalf-  Dentate, 5.75″ x 2.5″, Maple, 18k yellow gold, 2011

Bruce Metcalf – Heart Speaking, 5.5″x 2.5″, Maple, 24k gold-plated brass, gold leaf, 2011

——————————————————-
Also featuring work by Jillian Moore On view from December 2, 2011 to January 14, 2012.

Jillian Moore- « Tentaculi« ,  Fabricated and electroformed copper, paint, ink, 2010

Jillian Moore- « Lobus » – Foam, composite & epoxy resin, felt, fabricated copper, paint- 2011

 
The Snyderman-Works Galleries
303 Cherry St, Philadelphia, PA 19106
+1 215.238.9576
http://www.snyderman-works.com