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06/11/2016

EXPO ‘Triple Parade Exhibitions’ – SHENGXI Art Museum, Tianjin / Gauguin Gallery, Beijing (China) – 10 Nov. 2016-16 Janv. 2017

«Triple Parade Exhibitions» 

SHENGXI Art Museum at Tianjin (China), & then Gauguin Gallery at Beijing

Triple Parade in Tianjin: 10th.NOV – 10th.DEC. 2016
Location: Shengxi Museum of Fine Arts, Tianjin

Triple Parade in Beijing: 17th.DEC.2016 – 16th.JAN.2017
Location: Gauguin Gallery Beijing, Wangjing SOHO.

Triple Parade exhibitions in Tianjin & Beijing Exhibition  /  10 Nov 2016  -  17 Jan 2017 - Tianjin Shengxi Museum of Fine Arts & Gauguin Gallery Beijing

The main exhibition TRIPLE PARADE 2016 -  Dialogue Across You and Me to Them: Creator, Wearer, Viewer  – Central Traveling Exhibition Represented 110 jewellery designers & artists from 14 countries.

The Triple Parade 2016 international annual exhibition is a cultural exchange which is expanded between China and the rest of the world on a multitude of level, devoted to the hardcore awakening in jewellery design, with a very open and contemporary-oriented approach by focusing on the concept of dialoguing.

The pervious themes were: Triple Parade 2015 – Dialogue across Three Countries, Triple Parade 2014 – Dialogue across Three Generations. This year, the term Dialogue across You and Me to Them: Creator, Wearer, Viewer in our theme is vitally important marks the notion of social interaction. We believe that the significance and multiple capacities of the dialogue mark have not been truly recognized. Each of the three roles in a dialogue, which are briefly introduced in the plate sections devoted to them, addresses one perspective on how  » Dialogue » plays a progressive position in the contemporary jewellery design of our period. Jewellery examines how we define self, integration and segregation, the means used for communication – and how these issues are reflected in creative work.

the artists and designers will be part of this year’s TRIPLE PARADE Central Exhibitions are:
Karin JohanssonPaul DerrezLin Cheung — Dinie Besems — Kim Buck Lauren KalmanEzra Satok-WolmanKatja Prins Joo Hyung ParkSofie BoonsChiara Scarpitti Trinidad ContrerasAisegul Telli — Ana Filipa Braganca — Gular MustafaDukno Yoon Hester Popma-Van De Kolk — Joson Thomson – Juan Harnie Marie-Louise Kristensen –  Marion DelarueMinna KarhuRuta Naujalyte Sangji YunSara Gackowska — Lee Yojae — Lee Myungjoo — Hong Kyunghee — Zixuan Feng — Zheng Yu — Haiming Ren — Dingchen He — Zhicheng  Zhou — Wei Zhou — Jingyao Sun — Ye Zhang — Yiping Zeng — Danyi Zhu — Yuxuan Zhu — Anqi Li — Heng Li — Wenqian Li — Muzi Li — Dongdong Zhuang — Jie Sun — Jing Li — Guangyao Yang — Xiao Liang — Yanli Duan — Hangchen Duan — Jinwei Chi — Zhaokun Wang — Jun Hu — Bai Xie — Yi Zhao — Xinan Yu — Hui Guo — Xiaodai Huang — Zhaodan Zhang — Kui Shu — Shijian Zhao — Peter Rust — Kirsi Manninen — Anne Bader — Shaofei Zhang & Qian Wang — Ying Jiang — Lin Ju — Yin Chang — Wenqi Xu — Hongyu Xu — Yan Li — Wenqian Li — Feiyu Lin — Liyin Wang — Weiming Lu — Ma Lu — Quanxia Chen.

Ra Gallery Selection:   Sam-Tho Duong — Monique Vierling — Julian Steimer — Noon Passama — Thanh Truc Nguyen — Floor Mommersteeg — Bogki Min — Peter Hoogeboom — Mirjam Hiller — Karin Herwegh — Hartog & Henneman — Hilde Foks — Reka Fekete — Sarah Enoch — Sylvia Blickman — Paul Derrez.

K.A.U. COLLECTION Selection: Ted NOTEN — Lucy SARNEEL — Birgit LAKEN –Peter HOOGEBOOM — Willem HONING — Gemma DRAPER — Warwick FREEMAN — Bettina SPECKNER — Marc MONZO — Georg DOBLER.

 at TRIPLE PARADE

at TRIPLE PARADE

 » TRIPLE PARADE 2016 will open its door at 10th NOV in Tianjin in China, it embraced the aspirations in a great ambition, setting up an intensive program consisting of exhibitions, publication, workshops, forum, lecture, which included dialogues with international collaboration partners from Netherlands, United States, United Kingdom, China, Denmark, Spain. The exhibition represented an enormous challenge to everyone involved in purely quantitative terms: with over 260 works by more than a hundred designers and artists from 14 countries. 11 experts from 8 countries have been exclusively invited to be in Tianjin as speaker on the Design Forum. The publication consists of 7 groups of interviews, including 14 experts on board, giving perspectives from education, collecting, creating, curating, wearing, and dealing on contemporary jewellery design. I am confident that it will open up new perspectives on the giant, and I would like to invite all the visitors to discover the greatly relevant designs from a field so full of surprises, with such a future ahead of it. » Jie Sun (founder of Triple Parade)

 at TRIPLE PARADE


 

* Shenxi Art Museum
12 Nancheng street
Nankai District -  Tianjin
CHINA

 

* Gauguin Gallery
Wang Jing S O H O Zhong Xin T 2
chaoyang Qu -  Beijing
CHINA

 TRIPLE PARADE

 

EXPO 'Triple Parade Exhibitions' - SHENGXI Art Museum, Tianjin / Gauguin Gallery, Beijing (China) - 10 Nov. 2016-16 Janv. 2017 dans Aisegul TELLI (TR) 14976538_10211135464690832_2617370637365402107_oEnregistrer

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10/09/2016

OFF JOYA 2016 – EXPO ‘CONFLUENCIAS’ – Museo del Modernismo, Barcelona (ES) – 22 Sept.-16 Oct. 2016

OFF JOYA 2016 – « LES CONFLUENCES« /CONFLUENCIAS / CONFLUENCIES

Ramón Casas and Contemporary Jewellery Museo del Modernismo de Barcelona
Opening: 22 September, 19.00h
Press Conference: 21 September, 11.00h
curated by Nichka Emme /The Morning Bark

 

OFF JOYA 2016 - "LES CONFLUENCES" Ramón Casas and Contemporary Jewellery Museo del Modernismo de Barcelona

(Ramon Casas,  « Dama con peineta i mantón », c.1915,   carbon sobre papel, 58×44 cm – Gothsland Galeria D’Art -  …for Jorge Manilla ……)

 

List of paints by R. Casas and Jewellery Artists:
“El petó de bona nit”, 1890, Gigi Mariani (Italy) and Flóra Vági (Hungary).
Recogiendo la ginesta”, 1899, Judy McCaig (Scotland/Spain).
“Dama amb foulard vermell”, 1901, Karin Johansson (Sweden).
Dama con sombrero”, Maria Rosa Franzin (Italy).
“Dama vestida amb gavardina i tocat”, 1899-1903, Flóra Vági (Hungary).
Manola con mantilla”, 1915, Sungho Cho (South Korea).
“Chula con manto y pañuelo rojo”, 1898, Lucia Massei (Italy).
Júlia”, 1915, Kazumi Nagano (Japan).
Figura femenina”, 1898, Lydia Hirte (Germany).
Dama con peineta i mantón”, 1915, Jorge Manilla (Mexico).

Les confluences. Ramon Casas y la joyería contemporánea

« En el marco de la 8ª edición de JOYA Barcelona Art Jewellery Fair, la comisaria y experta en historia del arte Nichka Marobin, comisaria de la muestra, nos presenta el proyecto de “Les Confluences | Las Confluencias”. Nuestro particular homenaje a Ramon Casas continúa: un paso más allá que abasta un territorio híbrido, un diálogo entre la pintura modernista y la joyería artística.

La exposición tendrá lugar del 22 de septiembre al 16 de octubre, donde podremos apreciar un diálogo artístico, confluencia de ideas, patrones, colores y texturas entre las pinturas del artista catalán Ramon Casas y piezas de joyería artística de nivel mundial. El proyecto es el testimonio de la repetición de motivos ornamentales, adornos decorativos y texturas similares mediante la yuxtaposición de piezas de joyería contemporánea y pinturas extraídas directamente del período modernista.
En la muestra se podrá disfrutar de un Ramon Casas, en su Año oficial, enfrentado a diez artistas de diferentes nacionalidades, con su particular visión del universo de la joya contemporánea. Una sinfonía artística de colores, texturas y emociones, que danzan alrededor de las obras de Casas. Las sensaciones que transmiten sus óleos y dibujos atrapan a estos artistas, inspiradas en un Casas más actual que nunca.
Mundos aparentemente diferentes como son la pintura y la joyería artística, el Modernismo y el arte contemporáneo: sutiles broches, brazaletes o pendientes de originales contrastes, encuentran en esta exposición su espacio, su conversación, poética y sugerente. Una muestra que acerca fuentes artísticas de raíz diversa –técnica y culturalmente- para compartir la inagotable capacidad creativa de los artistas y del ser humano. »

cuadros que son joyasen in « Descubrir el Arte« 

The project is the testimony of repeating ornamental motives, decorative ornaments and similar textures by juxtaposing pieces of artistic jewellery and paintings taken directly from the modernist period, is comparing two forms of artistic expression different time and space come together harmoniously together.
An artistic dialogue, confluence of ideas, patterns, colors and textures among the paintings of the Catalan Modernist painter Ramón Casas and art jewelry pieces of 10 renowned artists worldwide.

RECOGIENDO LA GINESTA, c.1899, carbó i cera sobre paper/ carbón y cera sobre papel - Museu del Modernisme de Barcelona  matched with JUDY McCAIGRamon Casas, « Recogiendo la ginesta », c.1899,   carbón y cera sobre papel -Museu del Modernisme de Barcelona
-  matched with jewelry by  JUDY McCAIG

Judy McCaig  Brooch: Across Time and Space I, 2016  Steel, 18ct gold, silver, herkimer diamond crystals, aluminium, paint, perspex.  9.9 x 6.7 x 1 cm: Judy McCaig –   Brooch: Across Time and Space I, 2016  Steel, 18ct gold, silver, herkimer diamond crystals, aluminium, paint, perspex.  9.9 x 6.7 x 1 cm:

RAMON CASAS, Dama amb peineta i mantó/ Dama con pineita y mantón, c.1915, carbó sobre paper/ carbon sobre papel, 58x44 cm – Gothsland Galeria D’Art. JORGE MANILLA (Mexico/Belgium), Who of us has lost the most, 2016 - Mixed media, leather, nylon thread, wood - 45 x 11 x 8 cmRAMON CASAS,  « Dama con pineita y mantón », c.1915,  carbon sobre papel, 58×44 cm – Gothsland Galeria D’Art.
JORGE MANILLA
, « Who of us has lost the most », 2016 – Mixed media, leather, nylon thread, wood – 45 x 11 x 8 cm

OFF JOYA 2016 -  -  confluences - Ramon Casas chica con manto rojo - Lucia Massei bracelet  Ramon Casas « chula con manto y pañuelo rojo » – Lucia Massei Bracelet: Rosso Cionsapevole, 2013
Copper, pigments, mixed media, fine gold  (picture from « Descubrir el Arte« )

RAMON CASAS,   FLÓRA VÁGI  RAMON CASAS,  Dama vestida con gabardina y tocado, 1899-1903,  carbón y pastel sobre papel
FLÓRA VÁGI  , Sun lost in waves, brooch – cedar wood, pigment, acrylic paint, silver, steel – 9 x 5.5 x 2 cm

 Ramon Casas - Manola con mantilla - broche Sungho Cho (en "Descubrir el Arte"):  Ramon Casas – Manola con mantilla – broche Sungho Cho (from « Descubrir el Arte« )

OFF JOYA 2016 - "confluences" - Ramon Casas    / Kazumi nagano:  Ramon Casas « Julia »   / Kazumi Nagano brooch Wowen Linen paper, gold 18kt, nylon thread, 950 slver.  ( picture from « Descubrir el Arte« )

RAMON CASAS, Dama amb foulard vermell/ Dama con Foulard Rojo, c. 1901, Tècnica mixta sobre paper/Técnica mixta sobre papel – 60x45 cm - Museu del Modernisme de Barcelona  KARIN JOHANSSON (Sweden), Sweep, earrings, 2016 - sawing, bending and soldering - 11 cm, gold and acrylicRAMON CASAS,  Dama con Foulard Rojo, c. 1901,  Técnica mixta sobre papel – 60×45 cm – Museu del Modernisme de Barcelona
KARIN JOHANSSON  , Sweep, earrings, 2016 – sawing, bending and soldering – 11 cm, gold and acrylic

 

 

Museo del Modernismo CatalánMMBCN
Carrer de Balmes 48,
08007 Barcelona
mmcat@mmcat.cat
Tel. +34 932722896
Fax +34 932724276

https://twitter.com/MuseuModernisme

Horario : Lunes cerrado / Martes a sábado de 10:30h a 19h / Domingos de 10:30h a 14h
Tuesday to Saturday, 10.30h to 19.00h Sunday, 10.30h to 14.00h Monday closed

The Morning Bark – blo(g)azette on arts and humanities | founded by Nichka Marobin

http://themorningbark.wordpress.com/

 

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23/09/2015

EXPO during JOYA Barcelona OFF 2015 : ‘To Recover’ – Klimt02 Gallery, Barcelona (ES) – 7 Oct.-7 Nov. 2015

exhibition being part of « OFF JOYA » 2015

http://www.joyabarcelona.com/images/Prensa/logo_joya.jpg

To RecoverKlimt02 Gallery

Opening : 7 October from 19 h.

To Recover Exhibition  / 07Oct - 7Nov2015 Klimt02 Gallery  (Ted Noten Superbitch Bag, 2000 / Superbitch Bag Revisited, 2015)

Artist list   Simon CottrellKarl FritschGésine HackenbergKarin JohanssonJiro KamataSari LiimattaStefano MarchettiTed NotenNoon Passama –  Annelies PlanteydtTore SvenssonLisa WalkerManon van Kouswijk

Manon van Kouswijk Pearl Grey necklace, 2008 / Pearl Grey Revisited necklace, 2015 Glass elements (saucer, hand formed cup handle with attached glass beads), diverse glass and plastic beads, polyester thread, glue.  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015.: Manon van Kouswijk Pearl Grey necklace, 2008 / Pearl Grey Revisited necklace, 2015 Glass elements (saucer, hand formed cup handle with attached glass beads), diverse glass and plastic beads, polyester thread, glue.  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

The original « Pearl Grey » of 2009 was an assemblage work consisting of found and made elements of porcelain, glass, wood, plastic and pearl. It referenced a traditional cup and saucer of which the cup had been magically replaced by a bead necklace. For this new work I have translated that idea to the typology of a glass ‘saucer and cup’. It is again a combination of found and made elements but this time the work is completely transparent; almost like an x-ray of it’s predecessor

Gésine Hackenberg Still Life, 2009 / Pink Balancing Glass brooch, 2015 Glass by Theresienthal, silver  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015.: Gésine Hackenberg Still Life, 2009 / Pink Balancing Glass brooch, 2015 Glass by Theresienthal, silver  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

The ‘Still Life’ Brooches that I have made between 2009 and 2012 can be seen as a contemporary interpretation of 17th and 18th century Dutch Still Life paintings. This subject was preferable used to portray items of daily life that were emotionally and economically significant for people of that time.  Within my ‘Still Lifes’, I sliced existing glasswork and rearranged them into new compositions. They represented a perfect translation of the three dimensional to the two dimensional, the realistic vista of the glasses to the medium of jewellery. The body is taking on the role of the canvas as it were…  Within the new work I explored another way of looking at tableware than in a static composition: I wanted to express a certain precarious dynamic that is inherent to drinking glasses during a sociable meal. I tried to catch this moment of a glass tumbling, undecided yet if it is going to fall or stay upright.

 Sari Liimatta But I love Him object, 2005 / But they don´t love him pendant, 2015 Glass beads, metal link, thread (polyamide), a plastic toy  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015.: Sari Liimatta But I love Him object, 2005 / But they don´t love him pendant, 2015 Glass beads, metal link, thread (polyamide), a plastic toy  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

Just as men are not just men, and women just women, meat is never just meat. It has it´s past and origin, a story which is so often simply forgotten. Living creatures which are very much alive until they are nothing more than materials, for those who still choose to use them. Even the life before their death is so often more than problematic, as we all know. As we all know.

 Annelies Planteijdt Beautiful City - Pink Stairs necklace, 2001 / Beautiful City-Pink Stairs Black Crystal necklace, 2015 Gold, Tantalum, pigment  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015.: Annelies Planteijdt Beautiful City – Pink Stairs necklace, 2001 / Beautiful City-Pink Stairs Black Crystal necklace, 2015 Gold, Tantalum, pigment  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015 

 I started to re-consider a piece from 2001, that never has been sold, although I liked it very much, ‘Beautiful City – Pink Stairs’.  This piece is really symmetrical, so I decided to look for a way to separate it in two parts and finish both parts in a different way, in order to get two different pieces. I have re-collected parts of other (unsold) pieces from about the same time (1999 and 2000) and have been re-approaching and re-thinking them: I made ‘Crystals’ with them, like I did in my most recent work. So I have been mixing time and thinking. And size: the sizes I used earlier were different from the sizes I used in the later ‘Beautiful City’ series, they wouldn’t have fit. But because the ‘Crystals’ are liquid (they adapt to the square) the size of the elements was not importantanymore. So I could re-take these old pieces into the new time now, I have re-used them, re-connected them.
This ‘expansion’ offered me more possibilities: I re-used the material I already had without loss of material or time. The possibility to re-make the old pieces still exists. And it gave me two new pieces. So I multiplied my possibilities. A new life.

 Noon Passama Formal Research - A necklace, 2015 / Formal Research - H rings, 2015 Rigid clay, silver, gold  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015.: Noon Passama Formal Research – A necklace, 2015 / Formal Research – H rings, 2015 Rigid clay, silver, gold  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

 Formal Research – A necklace (2015) composing of six chain units is the starting point of the group of six rings. A closed-end loop of each ring was divided in sections, one / two / three /… / six, by the difference between the fat and thin parts. The works were made under the following keywords: dividing / sequencing / sizing.
Formal Research initially focused on one classical type of jewellery: the chain. The project is mainly about the form of each connecting chain unit and how the unit connects to its neighbours.
During the sculpting process, the shapes were transformed because of them being in the hand and through time. I did not edit the outcomes and will present the rings as they are. The try-outs are the finals and vice versa.

 Stefano Marchetti Untitled brooch, 2007 / Untitled Revisited brooch, 2015 Silver, silver and titan powder, epoxy resin  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015.: Stefano Marchetti Untitled brooch, 2007 / Untitled Revisited brooch, 2015 Silver, silver and titan powder, epoxy resin  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015.:

 In the Nineties, in the making of the older brooch, my goal was to control the metal, to have the metal do whatever I wanted. In this latest brooch, made a few days ago, I let instead the metal take control over myself, and let it take me wherever its will would go.

Tore Svensson Mr. T brooch, 2011 / Mr. T Revisited brooch, 2015 (5 different versions) Veneer wood, acrylic paint, silver  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015.: Tore Svensson Mr. T brooch, 2011 / Mr. T Revisited brooch, 2015 (5 different versions) Veneer wood, acrylic paint, silver  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

The reason why I chosen my self-portrait, is that it is probably one of my most well known pieces of jewellery. It is made in steel and etched.  The material and techniques I mostly work with. For the Re-version I saw out the silhouette in 2 mm veneer, divided the image in 3 parts and painted them in similar but for each piece different colours, before I glued them together. The fact that they are divided in three parts, with the dark sawing-line between, gives them a comic-like impression.
This impression is even emphasised by the bigger size, which is possible by the lightness of the material, and is completely different from the original steel-one. While the surface of the steel-portrait and other previous work was the key technology for building the image, the colour for some years been a part of my jewellery.

 

To revisit, remake, salvage, reinterpret, adapt, convert, converse, rethink…
  Why have we asked some of the artists we work with as gallery owners to reinterpret one of their works? We could say it’s because we’re interested in talking about time. And by “revisiting” we mean discussing the notion of time. But in what way? That’s the question.
Time passes, it is made, interpreted, felt and suffered, it escapes, drifts away, becomes trapped or stretched, sometimes it is intelligently ignored and, why not, it is exercised. Reinterpreting a work, a fiction or precis is a way of addressing time, a way of exploring a landscape in order to try and understand it. And we thought this exercise would provide an interesting opportunity to discuss time.
Revisiting in order to reflect… an exercise for the artist.
  Are there any changes in these artists’ works? Should there be? Is time involved? Without a shadow of a doubt, the answer is yes. But that barely scrapes the surface of what we want to know.
We’re more likely to find out what we want to know if the work enables us to answer questions such as: What kind of time is involved? Is there any usefulness? Is there any spirituality? Are there any aesthetics? Is there any abstraction? Is there any progress?
The exhibition is also designed to be understood through an analysis of the different types of answers provided by the works as a whole. As you will see, there are answers that simplify, offering minor changes, non-answers, coherent answers (if you have prior knowledge of the artist’s trajectory), inspired answers, uninventive answers… As we have said, evaluating the “revisits” as a whole provides additional knowledge.
When it comes down to it, what we most value is the sensation we observe and feel when the artist takes some distance and moves away from the centre stage in an attempt to provide an answer. As observers, we believe this circumstance helps to achieve universality and thus provide an intellectual satisfaction, that of communicating and objectifying the creation to the full in order to express and play with a more authentic reality.
Revisiting in order to look afresh… the viewer’s exercise.
We switch from observation to understanding, and vice versa. We observe in order to find differences between similar things and we understand when we find similarities between different things. Accustomed as we are today to viewing several pieces in a highly random fashion, pausing to stop in order to take a fresh look at a work “inaugurated” some time ago is another exercise we wish to propose. This exercise may help us assimilate better in this era of accumulation and, on occasions, superficiality. There can be no doubt that the way in which a work attracts and engages us is based on the knowledge we may have of it.
Knowledge without criticism is an indication of the end of everything. Yet, on the other hand, what can be said of criticism without knowledge? Are we capable of enjoying what these workers of art offer us? Will we be capable of evaluating what they show us? Can we offer knowledge-based criticism? Frankly, we find there is a lack of humility on the part of the viewer. And we’re all viewers.
Let’s enjoy this opportunity.

 

 

Klimt02 Gallery
Riera de Sant Miquel 65
08006 -  Barcelona
Monday to Friday / 11 -14 and 16-19 h.

 

 

 

13/06/2015

EXPO ‘Black on Black’ – Manchester Art Gallery (GB) – 20 Juin-9 Oct. 2015

 « Black on Black » held in the Manchester Art Gallery from 20 June to 9 October 2015

Curated by Jo Bloxham

Black on Black

with :  Karin JohanssonJorge ManillaGeorg DoblerMelanie IsverdingAgnes LarssonSondra ShermanBettina SpecknerTore SvenssonKarin SeufertPatricia DominguesJulia Maria KünnapStephen BottomleyLore LangendriesJivan Astfalck Philip Sajet – Florian LadstaetterJose Antonio Moralejo

 Sondra Sherman - Rorschach Corsage: Belladonna II, 2015 steel, 750auSondra Sherman - Rorschach Corsage: Belladonna II, 2015 steel, 750au
Sondra Sherman will show 3 brooches from the ‘Rorschach Corsage’ series.

Sondra Sherman  BACK VIEW w/o pin stem Rorschach Corsage: Papaver Somniferum, Brooch 2015 steelSondra Sherman  BACK VIEW w/o pin stem Rorschach Corsage: Papaver Somniferum, Brooch 2015 steel

Jose Antonio Moralejo - rings - 'Black on Black" exhibition at Manchester Art GalleryJose Antonio Moralejo – rings

Lore LangendriesLore Langendries brooch

Philip Sajet - black ring  (& red neckpiece)Philip Sajet – black ring  (& red neckpiece)(photo The Morning Bark)

 

 Manchester Art Gallery
Mosley Street
Manchester M2 3JL  – UK
Tel: 0161 235 8888

15/04/2015

EXPO ‘Soundtrack by Karin Johansson’ – Klimt02 gallery, Barcelona (ES) – 15 Avril-15 Mai 2015

Soundtrack by Karin Johansson

15Apr2015 – 15May2015 Klimt02 Gallery Barcelona, Spain

Opening: April 15th from 19:30 h

The gallery presents on the second solo show of the swedish artist in Barcelona eleven new necklaces following her research on the archeology of city life. Anodized aluminum, rhodinated silver, acrylic and round shapes are the new elements introduced in these works.

Soundtrack by Karin Johansson 15Apr2015 - 15May2015 Klimt02 Gallery Barcelona, Spain(Karin Johansson – Necklace: Alva, 2015 Anodized aluminium, gold, acrylic)

On Karin Johansson words:
 » I use my senses as tools. By using the different senses while in a constant move I perceive the places that surrounds me. The city becomes the source of inspiration to create. In my world wearable signs, that together gives the beat of a city. »

Coincidences and Unexpected Patterns: the City as it is.
It’s there to be used: the cities we live in, the streets we walk on, the buzz of coffee house conversations, the mysterious in-between-places, the empty bus-shelters, the mesmerizing shopwindows, We travel from one place to another, from home to work, sometimes feeling a bit lost, and suddenly we discover the beauty of small things, a piece of string, a plastic bag, some broken glass. Leftover details, the archeology of city life. Maybe a piece of paper is laying there on the floor of the tram, with something written on it, but most of the message is eaten up by the weather and the flow of time. Still we find it meaningful, a secret communication system talking directly to us. There is so much going on in the city, but you have to train your ears and eyes to discover it: the hidden rhythms, the languages underneath the surface, the correspondances between past and present.

 This is what takes place in the jewellery of Karin Johansson. The objects are inspired by materials found on the street; strings, plastic things, foil, trash. An alchemical process in putting the pieces together, using assymetrical combinations to create a sense of movement. The one who wears them give them new meanings, new life, and this dialogue with the unknown is essential. It’s the sound of the city in jewellery form, a soundtrack to the life of rhizomes, dream patterns, walking around without purpose, meeting and parting. There’s a particular joy to her objects, in the bright colours – yellow, dark orange, lilac, cerise, turquoise – in the way they play with form, giving space for non-linear energies. The objects are related to abstract patterns. Unfinished music, to be continued, reordered.    
Magnus Haglund, Writer and critic, based in Gothenburg Sweden

 Karin Johansson Necklace from Soundtrack series - Klara, 2015 Aluminium, gold, acrylic, silverKarin Johansson Necklace from Soundtrack series – Klara, 2015 Aluminium, gold, acrylic, silver

Soundtrack by Karin Johansson.    Necklace: Hamlet, 2015 Gold, acrylic 85 cm Photo by: elStudioKarin Johansson.    Necklace: Hamlet, 2015 Gold, acrylic 85 cm Photo by: elStudio

 

Klimt02 Gallery
Riera de Sant Miquel, 65
08006 -  Barcelona
SPAIN
tel 00 34 933687235
klimt@klimt02.net

 

25/02/2015

During SCHMUCK 2015 – EXPO ‘From the Coolest Corner – Nordic Jewellery’ – Galerie Handwerk, Munich (DE) – 6 Mars-18 Avril 2015

From the Coolest Corner – Nordic Jewellery

Galerie Handwerk 

Inauguration 5 March 2015 – 18.30 hAusstellungseröffnung Donnerstag, 5. März 2015, um 18.30 Uhr

from the coolest corner  (Lilian Eliassen Necklace: Every Road Is Just Another Way Home, 2012 Casting clay, silver)

 AND SEMINAR « Re-Public Jewellery« 
Freitag, 13. März 2015, von 10 bis 15 Uhr in der Galerie Handwerk.
Die Teilnahme ist kostenfrei.
Anmeldung erforderlich bis zum 5. März 2015 über galerie@hwk-muenchen.de oder über die Telefonnummer 089 5119-296. Nähere Informationen unter www.coolestcorner.no .
The seminar Re-public Jewellery will be held at Galerie Handwerk Friday 13 March. Four international speakers will analyze different aspects of social potential in contemporary jewellery: Liesbet Bussche (B), Helen Carnac (GB), Nanna Melland (N), Yuka Oyama (N/D). The seminar is produced by Martina Kaufmann, Prof. Ingjerd Hanevold and Prof. Anders Ljungberg at Oslo National Academy of the Arts, Metal and Jewellery Department in collaboration with The National Museum of Art, Design and Architecture and the Norwegian Association for Arts and Crafts.
The presentations made in this seminar will moderated by Sofia Bjørkmann and Prof. Anders Ljungberg. Together with the speakers and the panel-participants they will investigate strategies to convey and communicate jewellery art in public space.
Time: Friday 13 March 2015, 10 – 15
Place: Galerie Handwerk, Max-Joseph-Straße 4, Munich (map)Registration: The seminar is free of charge, but requires a registration with the Galerie Handwerk. Please register via email galerie[at]hwk-muenchen.de or phone
+49-89-5119-240 or -296.
Maximum number of participants are 90 people.
Full program in pdf

From the Coolest Corner: Nordic Jewellery presents an exciting and broad range of the contemporary studio jewellery created in the Nordic countries. From the Coolest Corner: Nordic Jewellery has a three-fold aim: to present the newest and most advanced contemporary Nordic jewellery, to intensify the discourse on today’s jewellery and strengthen the knowledge about this field, and to consolidate Nordic jewellery’s position in national and international arenas.
Jewellery will be presented in 3 different ways: a touring exhibition, a comprehensive book and an international Seminar Re-Public Jewellery, all shedding new light on the importance of this art. Denmark, Estonia, Finland, Iceland, Norway and Sweden will be the main collaborators in this project.
The touring exhibition From the Coolest Corner was opened at The National Museum – The Museum of Decorative Arts and Design in Oslo in January 2013. It then travelled to The DesignMuseum Finland in Helsinki, The Designmuseum Danmark in Copenhagen, The Estonian Museum of Applied Art and Design in Tallin, The Röhsska Museum of Design and Applied Arts in Gothenburg and The Lithuanian Art Museum in Vilnius.
During “Schmuck 2015” it is shown at the Galerie Handwerk in Munich.
This main exhibition presents 159 works by 61 artists from the Nordic countries including five invited honorary artists and a selected group of artists from Estonia.
The international seminar Re-Public Jewellery will take place on March 13th at the Galerie Handwerk, 10:00-15:00.
To strengthen the interest in and knowledge of art jewellery, artistic tendencies and research within the field will be presented both in the seminar and in the book.
All these different presentations of Nordic studio jewellery together, aim at contributing to reinforce the image of contemporary Nordic Jewellery as expressive, reflexive and “cool”.
The project is a result of a cooperation between the three Norwegian partners (The National Museum –The Museum of Decorative Arts and Design in Oslo, The Norwegian Association for Arts and Crafts and Oslo National Academy of the Arts) and their associated organizers in the Nordic museums of design and decorative arts, the Nordic crafts associations and the national colleges of art and design as well as, of course, our sponsors Nordic Culture Point, Nordic Culture Fund, Arts Council Norway.
The exhibition is sponsored by the Nordic Culture Point, the Nordic Culture Fund, the Arts Council Norway and Galerie Handwerk of the Bavarian Chamber of Crafts

From Dänemark : Julie BachKim BuckAnnette DamKaori Juzu — Marie-Louise Kristensen — Thorkild Harboe Thøgersen — Josephine Winther

  Julie Bach    Julie Bach  -bracelet

  Josephine Winther Josephine Winther Necklaces: Ding, 2011 45 bells, bronze, silver, gold, copper, porcelain, amber,agate

From Estland : Julia Maria KünnapKadri Mälk — Maarja Niinemägi — Kristi Paap — Anna-Maria Saar — Tanel Veenre

  Julia Maria Kuennap    Julia Maria Kunnap  Brooch: From the Middle of a Dream, 2010 Obsidian, gold

  Kadri Mälk Kadri Mälk

From Finnland : Ami Avellán — Aino Favén — Clarice Finell — Janne Hirvonen — Sirja Knaapi — Mervi Kurvinen –  Helena Lehtinen — Mirja Marsch — Anna RikkinenJanna Syvänoja — Monica Wickström

 Janna Syvaenoja Necklace: Untitled I, 2012 Paper, steel wire Janna Syvänoja Necklace: Untitled I, 2012 Paper, steel wire

 Helena Lehtinen  Helena Lehtinen

From Island : Hildur Yr Jónsdóttir — Hulda B. Ágústsdóttir — Helga Ragnhildur Mogensen — Orr-Kjartan Örn Kjartansson & Ástpór Helgason

Helga Ragnhildur Mogensen, ICL Nackstycke "The Red Thread", 2010, drivved, garn, silver. Helga Ragnhildur Mogensen,   Nackstycke « The Red Thread », 2010, drivved, garn, silver

From Norwegen : Liv BlåvarpSigurd Bronger – Linnéa Blakéus Calder — Lillan EliassenElise Hatlø –  Anne LégerKonrad MehusAnna Talbot — Gunnhild Tjåland

Liv Blåvarp: Red Drop, 2011. For this piece Blåvarp was awarded Bayerischer Staatspreis 2012. Photo: Liv BlåvarpLiv Blåvarp: Red Drop, 2011. For this piece Blåvarp was awarded Bayerischer Staatspreis 2012. Photo: Liv Blåvarp

  Anna Talbot (NO) Anna Talbot

From Schweden : Tobias Alm Sara Borgegård ÄlgåBeatrice BroviaNicolas ChengÅsa Elmstam –  Daniela HedmanHanna HedmanKarin Johansson Jenny KlemmingAgnieszka KnapAgnes LarssonKajsa LindbergPaula Lindblom Åsa LocknerMärta MattssonLena OlsonLina PetersonAnnika Pettersson — Margareth Sandström — Sanna SvedestedtTore SvenssonAnna Unsgaard — Peter de Wit — Annika Åkerfelt

  Agnes Larsson  Agnes Larsson

 Märta Mattsson   Märta Mattsson

 

Galerie Handwerk 
Max-Joseph-Straße 4
Eingang Ottostraße
80333 München
Tel. 089 5119-296/240
www.hwk-muenchen.de/galerie
www.facebook.de/galerie.handwerk
6 March ->18 April  (Di.- Mi.- Fr.)  10-18 h., Do. 10-20 h. – 14-16 March 10-15 h.

 

21/03/2014

EXPO ‘Regard sur la Scandinavie’ – Espace Solidor, Cagnes-sur-mer (FR) – 5 Avril- 1er Juin 2014

Bijou contemporain – Regard sur la Scandinavie
Commissaire de l’exposition : Olga Zobel Biro

L’Espace Solidor accueille, du 5 avril au 1er juin 2014, douze artistes scandinaves :
expo scandinavie espace solidor
L’espace Solidor accueille, du 5 avril au 1er juin 2014, douze artistes scandinaves :
Yasar Aydin (SE) – Kim Buck (DK) - Hanna Hedman (SE) – Sarah Hurtigkarl(DK)- Karin Johansson (SE) – Hildur Yr Jonsdottir (IS) – Agnes Larsson (SE) – Sari Liimatta (FI) – Märta Mattsson (SE) – Camilla Prasch (DK) – Tarja Tuupanen (FI) – Runa Vethal Stolen (NO).
Leurs travaux se distinguent par les positions artistiques les plus diverses, un grand savoir-faire artisanal, une maîtrise souveraine d’un large choix de matériaux, mais aussi par la liberté artistique.
Photo de Yasar Aydin.
Yasar Aydin - «Layers of pink» Collier- 2011 poudre de fer , argent, cuir 52cm  x 20cmYasar Aydin – «Layers of pink» Collier- 2011 poudre de fer , argent, cuir 52cm  x 20cm
Hanna Hedman - black bile 2013 serieHANNA HEDMAN« BLACK BILE » 2013
THE BLACK of NIGHT Sarah Vedel HurtigkarlSarah Vedel Hurtigkarl - « metamorphosis » necklace – 2012 – plumes, argent oxydé
Karin Johansson - White Corner (necklace, 2013, "New Places - Abstractions of a City" collection)Karin Johansson – White Corner (necklace, 2013, « New Places – Abstractions of a City » collection)
Hildur Ýr Jónsdóttir (I), necklace Knots, 2010, Herend porcelain, rusted iron chain, 310 x 210 x 40 mm -  http://cargocollective.com/hilduryr -  SPLENDID jewels !!Hildur Ýr Jónsdóttir (I), necklace Knots, 2010, Herend porcelain, rusted iron chain, 310 x 210 x 40 mm

Agnes Larsson - carbo series braceletAgnes Larsson - carbo series – bracelet

Sari Liimatta ~"Sick Sea II" necklace. 2010. | SariLiimatta.netSari Liimatta ~ »Sick Sea II » necklace. 2010.  perles de verre, perles d’eau douce, épingles, argent, jouet en plastique
Marta Mattsson -  new series 'Palindromes'.  "Wing" brooch 2013Marta Mattsson – new series ‘Palindromes’. 2013 – « Wing » brooch – résine, ailes de cigales (cicada wings) argent
Tarja Tuupanen
Tarja Tuupanen - Necklace 2014. Ready-made marble tableware, velour sticker, steelwire. Stonepart 11 x 6,5 x 6,5-3,5 cm, length of the necklace 55 cm.
Camilla Prasch, Ring, 2009Camilla Prasch, stamp Rings, 2009
- Runa Vethal Stolen   "Fractus" - Goldplated steelwire

Runa Vethal Stolen – « Fractus » – Goldplated steelwire

 
 
Espace Solidor 
place du Château
Tél : 04 93 73 14 42
espace.solidor@orange.fr

17/02/2014

SCHMUCK 2014 – 66th International Trade Fair, Munich – 12-18 Mars 2014

Schmuck ‘2014
55th Special Jewellery Show
66th International Trade Fair, Munich
de 12 Mar a 18 Mar 2014

 

This special exhibition is the eldest exhibition of contemporary jewellery work in the world. It takes place since 1959 every year during the International Trade Fair in March. Except the transport cost until Munich the participation in the special show is free of charge for you. Three contributions of Schmuck 2013 will be awarded with the Herbert Hofmann Prize. The prize commemorates Dr. Herbert Hofmann, the founder of the special show in 1959. In addition the jury of the Bavarian States Prize will look at the works in the special show. The Bavarian States Prize is awarded to 10 contri-bution of applied art within all contribution of the International Trade Fair. This prize is awarded with 5.000€.

More than 552 goldsmiths from 43 countries around the globe applied to participate in the special “Schmuck” (Jewellery) show at the International Crafts Fair in Munich next year. This great interest once again confirms the importance of this event in the context of contemporary jewellery-making and the significance attached to it worldwide. An above-average number of applications were received this year from Australia, Japan and Taiwan, but also from New Zealand and Argentina, the latter having been among the applicants for only a few years now. The selection for 2014 was made especially interesting thanks to the many new exhibitors nominated by the curator Jorunn Veiteberg of Copenhagen. Unusually, “Jewellery 2014” features over 25 new exhibitors, who will be represented in this renowned exhibition for the first time.

For the year 2014, a total of 66 participants from 25 nations were invited to exhibit. Numerically most strongly represented are goldsmiths from Germany, the Netherlands, Japan, Australia, Denmark and Sweden. The applicants grow younger by the year, an indicator that even before or immediately after finishing their training goldsmiths seek to compete in our special show, present their work to an interested public, experts, gallery owners and museum curators, and rapidly find their way into the jewellery avant-garde. “Jewellery” is an important venue for making a name for oneself in international goldsmiths’ circles, establishing contacts, and not least, witnessing the award of the prestigious Herbert Hofmann Prize on Saturday.

The special “Jewellery” show is characterized by the choice of certain themes which, in the eyes of curator Jorunn Veiteberg, represent salient traits of current jewellery design. As signs of our times and selection criteria, she sees found objects of metal or wood, things that bear definite marks of use, materials that speak an expressive, earthy language, forms and structures reminiscent of architecture, as well as masks, a tendency to mysticism, and forceful color schemes.

Honored as next year’s Modern Classic will be Dorothea Prühl, a goldsmith who lives in Halle. A teacher at Burg Giebichenstein Art College, she not only helped shape an entire generation of young goldsmiths but, over and above her teaching activity, has created an admirable, original oeuvre that holds a very special place within contemporary jewellery design.

Curator of “Jewellery 2014” is Jorunn Veiteberg, a Norwegian art historian who lives in Copenhagen. An arts journalist and exhibition curator, Veiteberg has taught since 2002 at the National Academy in Bergen, Norway. Since 2013 she has been guest professor at the University of Göteborg, Sweden, and chairwoman of the Norwegian Crafts Association. She has published in the fields of contemporary jewellery and ceramics. Veiteberg says it was a great honor for her to make the selection for “Jewellery 2014.” She was especially impressed by the quality of the submissions and their international range. For her as a Scandinavian, it was an enriching experience to see so many submissions from South Korea, Japan, Argentina, the U.S., and many other countries from around the world.

The Handwerkskammer organizes the special shows Exempla, Talente, Modern Masters and Schmuck at the International Handwerksmesse München with the Herbert-Hofmann-Award 2014 ceremony on Saturday 15th March at 4 p.m. We will show in our Galerie Handwerk the exhibition WUNDERRUMA – Jewellery from New Zealand.

 

Program HERE

 

Patrícia Domingues – Reconstructed MaterialPatrícia Domingues – Reconstructed Material 

Anne Achenbach (DE) — Tobias Alm (SE) — Sawa Aso (JP) — Rut-Malin Barklund (SE) — Peter Bauhuis (DE) — Nicole Beck (DE) — Alexander Blank (DE) — Iris Bodemer (DE) — Bas Bouman (NL) — Sungho Cho (KR) — Eunmi Chun (KR) — Kat Cole (USA) — Annette Dam (DK) –  Rian de Jong  (NL) — Laura Deakin (AU) — Peter Deckers  (NZ/NL) — Paul Derrez (NL) — Bin Dixon-Ward (AU) — Georg Dobler (DE) — Iris Eichenberg (NL/USA/D) — Réka Fekete (HU) — Benedikt Fischer (AT) — Kyoko Fukuchi (JP) — Antje Godglück (NL/D) — Andi Gut(DE) — Gésine Hackenberg  (NL/D) — Cecilia Hecker (RA) — Hanna Hedman (SE) — Akihiro Ikeyama (JP) — Karin Johansson (SE) — Mareike Kanafani (DK) — Beppe Kessler (NL) — Ulrike Kleine-Behnke (DE) — Jun Konishi (JP) — Manon van Kouswijk (NL/AU) — Marie-Louise Kristensen (DK) — Daniel Kruger (DE) — Dongchun Lee (KR) — Sally Marsland (AU) — Sharon Massey (USA) –  Yutaka Minegishi  (JP/DE) — Shelley Norton (NZ) — Maria Nuutinen (FI) — Kristi Paap (EE) – Noon Passama (TH/NL) — Ruudt Peters (NL) — Lina Peterson (GB) — Nicole Polentas (AU) — Jo Pond (GB) — Auba Pont (ES) — Tabea Reulecke (DE) — Patricia Rodriguez (RA) — Mette Saabye  (DK) — Karin Seufert (DE) — Despo Sophocleous (CA/DE) — Christoph Straube (DE) — Jie Sun (CN) — Fumiki Taguchi (JP) — Anna Talbot (NO) — Sabina Tiemroth (RA) — Karola Torkos (DE) — Karen Vanmol (BE) — Gabi Veit (IT) — Andrea Wagner (NL) — Florian Weichsberger (DE/I) — Wen-Miao Yeh (TW)

Retrospektive bei Schmuck 2014: Dorothea Prühl, Deutschland

29/12/2013

SCHMUCK 2014 – OFFICIAL SELECTION – (Munich, Germany) – 12-18 Mars 2014

Schmuck 2014déjà ! … encore !! ……

OFFICIAL SELECTION

Place: Willy Brandt Allee 1 (Munich, Germany)
Management: Wolfgang Lösche
12.Mar.2014 – 18.Mar.2014

Schmuck 2014 - déjà ! encore !!  Place: Willy Brandt Allee 1 (Munich, Germany) Management: Wolfgang Lösche 12.Mar.2014 - 18.Mar.2014  website: www.hwk-m...
 
More than 552 goldsmiths from 43 countries around the globe applied to participate in the special “Schmuck” (Jewellery) show at the International Crafts Fair in Munich next year. This great interest once again confirms the importance of this event in the context of contemporary jewellery-making and the significance attached to it worldwide. An above-average number of applications were received this year from Australia, Japan and Taiwan, but also from New Zealand and Argentina, the latter having been among the applicants for only a few years now. The selection for 2014 was made especially interesting thanks to the many new exhibitors nominated by the curator Jorunn Veiteberg of Copenhagen. Unusually, “Jewellery 2014” features over 25 new exhibitors, who will be represented in this renowned exhibition for the first time.
For the year 2014, a total of 66 participants from 25 nations were invited to exhibit. Numerically most strongly represented are goldsmiths from Germany, the Netherlands, Japan, Australia, Denmark and Sweden. The applicants grow younger by the year, an indicator that even before or immediately after finishing their training goldsmiths seek to compete in our special show, present their work to an interested public, experts, gallery owners and museum curators, and rapidly find their way into the jewellery avant-garde. “Jewellery” is an important venue for making a name for oneself in international goldsmiths’ circles, establishing contacts, and not least, witnessing the award of the prestigious Herbert Hofmann Prize on Saturday.
 
 
Selected Artists: Anne Achenbach, DE –  Tobias Alm, SE – Sawa Aso, JP — Rut-Malin Barklund, SE — Peter Bauhuis, DE — Nicole Beck, DE — Alexander Blank, DE — Iris Bodemer, DE — Bas Bouman, NL  — Sungho Cho, KR — Eunmi Chun, KR –  Kat Cole, USA – Annette Dam, DK — Rian de Jong, NL — Laura Deakin, AU — Peter Deckers, NZ/NL – Paul Derrez, NL — Bin Dixon-Ward, AU — Georg Dobler, DE — Iris Eichenberg, NL/USA/DE — Réka Fekete, HU — Benedikt Fischer, AT — Kyoko Fukuchi, JP — Antje Godglück, NL/DE — Andi Gut, DE — Gesine Hackenberg, NL/DE — Cecilia Hecker, Arg. — Hanna Hedman, SE — Akihiro Ikeyama, JP — Karin Johansson, SE — Mareike Kanafani, DK — Beppe Kessler, NL — Ulrike Kleine-Behnke, DE — Jun Konishi, JP — Manon van Kouswijk, NL/AU — Marie-Louise Kristensen,DK — Daniel Kruger, Südafrika/DE — Dongchun Lee, KR — Sally Marsland, AU — Sharon Massey, USA – Yutaka Minegishi, JP/DE — Shelley Norton, NZ — Maria Nuutinen, FI — Kristi Paap, EE — Noon Passama, TH/NL — Ruudt Peters, NL — Lina Peterson, GB — Nicole Polentas, GR/AU — Jo Pond, GB — Auba Pont, ES – Tabea Reulecke, DE — Patricia Rodriguez, Arg. — Mette Saabye, DK — Karin Seufert, DE — Despo Sophocleous, CA/DE — Christoph Straube, DE — Jie Sun, CN — Fumiki Taguchi, JP — Anna Talbot, NO — Sabina Tiemroth, Arg. — Karola Torkos, DE — Karen Vanmol, BE — Gabi Veit, IT — Andrea Wagner, NL — Florian Weichsberger, DE/IT — Wen-Miao Yeh, TW
 
Retrospektive bei Schmuck 2014: Dorothea Prühl, Deutschland
Honored as next year’s Modern Classic will be Dorothea Prühl, a goldsmith who lives in Halle. A teacher at Burg Giebichenstein Art College, she not only helped shape an entire generation of young goldsmiths but, over and above her teaching activity, has created an admirable, original oeuvre that holds a very special place within contemporary jewellery design.
 
The special “Jewellery” show is characterized by the choice of certain themes which, in the eyes of curator Jorunn Veiteberg, represent salient traits of current jewellery design. As signs of our times and selection criteria, she sees found objects of metal or wood, things that bear definite marks of use, materials that speak an expressive, earthy language, forms and structures reminiscent of architecture, as well as masks, a tendency to mysticism, and forceful color schemes.
 
 
Willy Brandt Allee 1 (Munich, Germany)
Management: Wolfgang Lösche
12.Mar.2014 – 18.Mar.2014
website: www.hwk-muenchen.de
mail: eva.sarnowski@hwk-muenchen.de

27/11/2013

EXPO ‘Repetitions Repeat Repeated’ – gallery Sofie Lachaert, Tielrode (BE) – 10 Nov.-22 Dec. 2013

Repetitions Repeat Repeated

GALLERY SOFIE LACHAERT proudly presents ‘repetitions, repeat, repeated’, an exhibition with 8 designers from different disciplines. All selected for their individuality, for their unique approach of the theme ‘repetitions, repeat, repeated’: conceptual, expressive, formal or regarding content. As actual repetition, as clone, as making or production process.

Repetitions Repeat Repeated

Artists: Unfold — Nikolay SardamovMargo Selby — Lut Laleman – Karin JohanssonPaul Bourgeois — Dirk Vander Kooij — Christina Schou Christensen

Nikolay Sardamov Brooch: Intersections, 2013 Bronze, powder- coated, pearls Photo by Vencislava Vasileva
Nikolay Sardamov Brooch: Intersections, 2013 Bronze, powder- coated, pearls Photo by Vencislava Vasileva

Karin Johansson, Necklace, 2012Karin Johansson – Necklace: Sunny Spot, 2012Gold, enamel, reconstructed white coral, reconstructed pink coral, acrylic photo by Johan Hörnestam

Nikolay Sardamov, Brooch, 2013Nikolay Sardamov - Brooch: Untitled, 2013 – Silver 925 oxidised, brooch   Photo Nikolay Sardamov

 

 

gallery sofie lachaert
St Jozefstraat 30
9140 – Tielrode
Belgium
Telephone: 32 3 711 19 63

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