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15/10/2014

EXPO ‘Distant Relations: Jewelry between East and West’ – Two Cities Gallery, Shanghai (China) – 7-29 Oct. 2014

Distant Relations: Jewelry between East and West -
Two Cities Gallery (Shanghai)
Management: Shannon Guo and Anja Eichler

The exhibition establishes the connections between the East and West. Despite the distance, the show reveals how sometimes we’re close to the distant ones and how jewellery makes this bridge between continents. Distant Relations: Jewelry between East and West

 This Jewelry Exhibition consists of 15 International and Chinese artists. The five young Chinese artists have studied abroad and adapted the Western philosophy of contemporary jewelry concept, and they are trying to create their works with their own cultural Chinese heritage. On the other hand, some of our Western artists on exhibit had lived in China or other cultures and were influenced by the globalization of our modern world.

Artists:  Brigitte Adolph — Alice Bo-Wen ChangEsther BrinkmannBifei Cao – Xiang Dai — Laura DeakinAnja EichlerMing Gu – Jutta Haase — Peter HogeboomJulia Maria Künnap Jorge ManillaKarin Roy Anderson – Lei Shen — Shiqian Zhao (Tina Chao ?)

Karin Roy Andersson - Catching Big Fish, 2013 - Recycled plastics, textileKarin Roy Andersson – Catching Big Fish, 2013 Recycled plastics, textile

Karin Roy Andersson - Catching Big Fish, 2013 - Recycled plastics, textileKarin Roy Andersson

 Ming GUMing Gu

Esther Brinkmann - broochesEsther Brinkmann – brooches

Alice Bo-Wen ChangAlice Bo-Wen Chang

   Peter Hoogeboom, Necklace, "red lantern" 2014Peter Hoogeboom, Necklace, « red lantern » 2014

Laura Deakin - Pearl SeriesLaura Deakin – Pearl Series

Tina ChaoTina Chao

Tina ChaoTina Chao

 

Two Cities Gallery  
20 Shaoxing Road   (is a 5 minute walk north of Metro Line 9, Dapuqiao station)
200020 -  Shanghai

website: www.twocitiesgallery.com
mail: info@twocitiesgallery.com

 

20/07/2014

EXPO ‘RULE THE WORLD’ – Friends of Carlotta, Zurich (CH) – 19 Juin-5 Sept. 2014

RULE THE WORLD, a juried exhibition at Friends of Carlotta in Zurich, Switzerland, curated by Bruna Hauert.

Welcome to our world of lived-out deficiencies and psychopaths!

What are the adornments of dictators, despots, and the plain delusional ? What do they need in order to let their real personalities shine through ? What tools do tyrants have to show that they are in charge ?

Rule the World

Despoten sind – bei aller Einfalt – ein sehr facettenreiches Trüppchen. Sie wollen nicht nur geliebt werden. Nein, sie wollen ehrlich und echt geliebt werden. Notfalls mit Gewalt.
Doch: Womit schmücken sich DiktatorInnen, Grössenwahnsinnige, Möchtegerns und Trauminöds? Womit präsentieren sie sich, damit ihre wahre Persönlichkeit im richtigen Licht erstrahlt? Womit zeigen GrosskotzInnen, TyrannInnen und zu Höherem Berufene, dass die Macht mit ihnen ist? Besitzt der Mächtige Objekte der Macht weil er mächtig ist? Oder ist er mächtig, weil er Objekte von magischer Macht besitzt?
Und: Was gönnt der Despot sich selbst in einer launigen Minute? Welcher Schmuck feiert mit ihm in der Stunde seines Triumphes? Womit verwöhnt er seine Untertanen, damit sie sich ihm leichter unter tun? Und wie kann ich ihm huldigen, damit er meine wahre Liebe und somit seinen wahren Wert erkennt?
Diese und andere Fragen zum Thema RULE THE WORLD beherrschen das Thema der nächsten jurierten Schmuckausstellung bei Friends of Carlotta.
Willkommen in der Welt der gelebten Defizite und der Psychopathen in Bestform!
Ich freue mich auf die Pracht der Macht und darauf, Sie an der Vernissage vom 19. Juni 2014 ab 17h begrüssen zu dürfen. Oder an jedem anderen Tag während der Ausstellung. Herzlich  Bruna Hauert

Despite their simple-mindedness, despots are a very diverse little group. All they want is
to be loved. Or rather, they want honest and real love. By force, if need be.
However, what do dictators, megalomaniacs, wannabes and the delusioned adorn themselves with? What do they use to cast their personalities in a positive light? What do fat cats, tyrants and those destined for greater things use to demonstrate that the force is with them? Do the powerful own objects of power because they are powerful? Or are they powerful because they own objects with magic powers?
What’s more: What do despots treat themselves to when they’re in a foul mood? Which pieces of jewellery are there to share the hours of victory with them? What do they spoil their subjects with in order to make them more eager to subdue themselves? And how must I worship these despots so that they recognise my pure love and therefore their true value?
These and other questions on how to RULE THE WORLD will be the dictating subject of the
next juried jewellery exhibition at Friends of Carlotta.

EXPO - RULE_THE_WORLD -  Joo Hyung ParkJoo Hyung Park
 
- Annette Altenburger (DE) — Jessica Andersen (USA) — Christine Annau (DE) — Miriam Arentz & Annika Schindler (DE) — Ela Bauer (NL) — Nicole Beck (DE) — Stefan Behnke & Miriam Gradl (DE) — Brigitte Berndt (DE) — Marlene Beyer (DE) — Wolfram Beyer (DE) — Laura Bradshaw-Heap (UK) — Rachael Colley (UK) — Jennifer Crupi (USA) — Martina Czunczeleit (DE) — Laura Deakin (DE) — Saskia Derksen (DE) — Saskia Detering (DE) — Sam Tho Duong (DE) — Beate Eismann (DE) — Tanja Emmert (DE) — Ricarda Enderweit (DE) — Katja Fischer (CH) — Su Foster, Patsy Kay Kolesar & Simone Richmond (CA) — Katja Fox (DE) — Andrea Fretz (CH) — Yael Friedman (IL) — Helen Friesacher-Borst (DE) — Claudia Frisch (DE) — Masako Fukuda (JP) — Sam Gassman (USA) — Friederike Glück (DE) — Miriam Gonnissen (DE) — Nicole Grandics (USA) — Bénédicte Gross (CH) — Tamara Grüner (DE) — Christian Guthmann (DE) — Bruna Hauert (CH) – Stephanie Hensle (DE) — Jasmin Hess (CH) — Tomoko Hori (UK) — Mara Induni (CH) — Bettina Jakob (CH) — Florence Jaquet (CH) — Léonie Jeanrenaud (CH) — Edda Andrée Jessel (DE) — Leonore Jock (DE) — Udo Jung (DE) — Masumi Kataoka (USA) — Verena Klette (DE) — Luitgard Korte (DE) — Michelle Kraemer (AT) –  Unk Kraus (DE) — Martina Lang (DE) — Gregory Larin (IL) — Tracy Lee Black (USA) — Alisa Letsius (RU) — Reka Lorincz (HU) — Inés Mantel (CH) — Gigi Mariani (IT) — Laura Martínez (ES) — Susanne Matsché (DE) — Esther Mattille (CH) — Jennifer Merchant (USA) — Katharina Moch (DE) — Jillian Moore (USA) — Julika Müller (DE) — Viktoria Münzker (AT) — Nick Mullins (USA) — Elisabeth Mundwiler (CH) — Deanna Ooley (USA) — Ossi Oswald (DE) — Joo Hyung Park (KT) — Nadine Pawusch (DE) — Lina Peetz (DE) — Izabella Petrut (AT) — Annika Pettersson (SE) — Carmen Pfanner (AT) — Yvonne Raab (DE) — Daniel Ramos (DE) — Sarah Reinhard (CH) — Begoña Rentero (ES) — Claudia Römer (DE) — Sabine Roth (DE) — Vicky Saragouda (UK) — Nils Schmalenbach (DE) — Naoko Iyoda Schneeberger (CH) — Verena Schreppel (DE) — Nicole Schuster (DE) — Anna Silberstein (DE) — Eva Sörensen (DE) — Katrin Spranger (UK) — Johanna Stäss (DE) — Simone Strauss (DE) — Rebecca Strzelec (USA) — Eva Tesarik (AT) — Myung Urso (USA) — Viveka Valentin (DE) — Otto Van Winkle Peterstein (IE) — Barbara Vogl (DE) — Maria Volokhova (DE) — Andrea Wagner (NL) — Heike Walk (DE) — Heike Wanner (AT) — Caro Weiss (DE) — Klaus Weisser (CH) — Angelika Wolpert (DE) — Grandpa Wooley (DE) — Diana Zeiler (DE)

EXPO virtuelle / virtual exhibition here

EXPO - RULE_THE_WORLD_  Jennifer CRUPI power gestureJennifer CRUPI power gesture

EXPO - RULE_THE_WORLD - Luitgard Korte - ringLuitgard Korte - ring

EXPO - RULE_THE_WORLD - Gregory Larin  'Nice to meat you'Gregory Larin  ‘Nice to meat you’ necklace – brass, textile, polymer

Andrea Wagner "Rule the World" Friends of CarlottaAndrea Wagner

EXPO - RULE_THE_WORLD_Florence JaQUETFlorence Jaquet

Jasmin Hess jewels Jasmin Hess brooches « Love is what you PUT IN my heart » Brosche Holz, Textil, Garn, Silber

Tamara GrünerTamara Grüner

EXPO - RULE_THE_WORLD_ - FOC - Brigitte BerndtBrigitte Berndt – « man Eater »

EXPO - RULE_THE_WORLD- Tanja EmmertTanja Emmert

Jillian Moore - at Friends of carlottaJillian Moore   « PHASELOS »
The obscenely over sized piece did not hang like a pendant. It framed her face and seemed to cradle her body. It required a formal posture and bearing that teased out an air of decorum she was not always prone to pulling off. A hybridization of legume, embryo, and organ, the piece could not be more ripe. It‘s glossy surface, and speckled edges felt less like a thing made than a thing born. To the starving masses it was a promise of fertility, but to her enemies it was a reminder that she might gut them at amoment‘s notice

 Johanna Stäß  Johanna Stäß

EXPO - RULE_THE_WORLD_ Yael FriedmanYael Friedman

 EXPO - RULE_THE_WORLD - Gigi MarianiGigi Mariani
« I wanted to think of a jewel that affirm strength and power. in which the tyrant will exhibit their achievements represented by balls enclosed between cubes, like columns that recall the force of power.
A potential rosary made to be shown to confirm the ego and emphasize his power.
Object to show, but that becomes amulet and creates safety to the wearer »

Nick MullinsNick Mullins

Bruna HauertBruna Hauert

EXPO - RULE_THE_WORLD - Bruna HauertBruna Hauert

EXPO - RULE_THE_WORLD - Izabella Petrut Izabella Petrut
« Jewelry to live every deficiency to the fullest extent. I choose to use a female and a male despot, creating two characters and two scenarios. They both compete for power, adoration, attention and they use the same weapons: the Penis, a symbol of power and dominance. My characters have a lot of insecurities for which they have to overcompensate with decoration and dubious behavior. The Penis becomes a symbol of desire and the despots see it as the object of their desire. The Penis becomes a cult object. Queen of all queens carries around a small wooden Penis pendant as a symbol of her dominance over men. It looks modest, unimportant and not too cared for. It is a trophy.
King of all kings carries around a wooden Penis to show he is the biggest, strongest and most precious of all. The piece is carved out of balsa wood and carefully finished. The piece is really easily imprinted if one doesn’t handle it with care, just like the King’s ego. The way it is worn, as a brooch on the shoulder, is disturbing for the wearer as well as for the viewer. »

EXPO - RULE_THE_WORLD -Katharina MochKatharina Moch

Sam Tho Duong for "Rule the World", Friends of Carlotta, ZürichSam Tho Duong neckpiece

Jennifer Merchant, "Rule the World" Friends of CarlottaJennifer Merchant

EXPO - RULE_THE_WORLD_ - Begoña RenteroBegoña Rentero

 

Friends of Carlotta Bruna Hauert,
Neumarkt 22
8001 Zurich
Tel +41 44 261 87 07
http://www.foc.ch

17/02/2014

SCHMUCK 2014 – 66th International Trade Fair, Munich – 12-18 Mars 2014

Schmuck ‘2014
55th Special Jewellery Show
66th International Trade Fair, Munich
de 12 Mar a 18 Mar 2014

 

This special exhibition is the eldest exhibition of contemporary jewellery work in the world. It takes place since 1959 every year during the International Trade Fair in March. Except the transport cost until Munich the participation in the special show is free of charge for you. Three contributions of Schmuck 2013 will be awarded with the Herbert Hofmann Prize. The prize commemorates Dr. Herbert Hofmann, the founder of the special show in 1959. In addition the jury of the Bavarian States Prize will look at the works in the special show. The Bavarian States Prize is awarded to 10 contri-bution of applied art within all contribution of the International Trade Fair. This prize is awarded with 5.000€.

More than 552 goldsmiths from 43 countries around the globe applied to participate in the special “Schmuck” (Jewellery) show at the International Crafts Fair in Munich next year. This great interest once again confirms the importance of this event in the context of contemporary jewellery-making and the significance attached to it worldwide. An above-average number of applications were received this year from Australia, Japan and Taiwan, but also from New Zealand and Argentina, the latter having been among the applicants for only a few years now. The selection for 2014 was made especially interesting thanks to the many new exhibitors nominated by the curator Jorunn Veiteberg of Copenhagen. Unusually, “Jewellery 2014” features over 25 new exhibitors, who will be represented in this renowned exhibition for the first time.

For the year 2014, a total of 66 participants from 25 nations were invited to exhibit. Numerically most strongly represented are goldsmiths from Germany, the Netherlands, Japan, Australia, Denmark and Sweden. The applicants grow younger by the year, an indicator that even before or immediately after finishing their training goldsmiths seek to compete in our special show, present their work to an interested public, experts, gallery owners and museum curators, and rapidly find their way into the jewellery avant-garde. “Jewellery” is an important venue for making a name for oneself in international goldsmiths’ circles, establishing contacts, and not least, witnessing the award of the prestigious Herbert Hofmann Prize on Saturday.

The special “Jewellery” show is characterized by the choice of certain themes which, in the eyes of curator Jorunn Veiteberg, represent salient traits of current jewellery design. As signs of our times and selection criteria, she sees found objects of metal or wood, things that bear definite marks of use, materials that speak an expressive, earthy language, forms and structures reminiscent of architecture, as well as masks, a tendency to mysticism, and forceful color schemes.

Honored as next year’s Modern Classic will be Dorothea Prühl, a goldsmith who lives in Halle. A teacher at Burg Giebichenstein Art College, she not only helped shape an entire generation of young goldsmiths but, over and above her teaching activity, has created an admirable, original oeuvre that holds a very special place within contemporary jewellery design.

Curator of “Jewellery 2014” is Jorunn Veiteberg, a Norwegian art historian who lives in Copenhagen. An arts journalist and exhibition curator, Veiteberg has taught since 2002 at the National Academy in Bergen, Norway. Since 2013 she has been guest professor at the University of Göteborg, Sweden, and chairwoman of the Norwegian Crafts Association. She has published in the fields of contemporary jewellery and ceramics. Veiteberg says it was a great honor for her to make the selection for “Jewellery 2014.” She was especially impressed by the quality of the submissions and their international range. For her as a Scandinavian, it was an enriching experience to see so many submissions from South Korea, Japan, Argentina, the U.S., and many other countries from around the world.

The Handwerkskammer organizes the special shows Exempla, Talente, Modern Masters and Schmuck at the International Handwerksmesse München with the Herbert-Hofmann-Award 2014 ceremony on Saturday 15th March at 4 p.m. We will show in our Galerie Handwerk the exhibition WUNDERRUMA – Jewellery from New Zealand.

 

Program HERE

 

Patrícia Domingues – Reconstructed MaterialPatrícia Domingues – Reconstructed Material 

Anne Achenbach (DE) — Tobias Alm (SE) — Sawa Aso (JP) — Rut-Malin Barklund (SE) — Peter Bauhuis (DE) — Nicole Beck (DE) — Alexander Blank (DE) — Iris Bodemer (DE) — Bas Bouman (NL) — Sungho Cho (KR) — Eunmi Chun (KR) — Kat Cole (USA) — Annette Dam (DK) –  Rian de Jong  (NL) — Laura Deakin (AU) — Peter Deckers  (NZ/NL) — Paul Derrez (NL) — Bin Dixon-Ward (AU) — Georg Dobler (DE) — Iris Eichenberg (NL/USA/D) — Réka Fekete (HU) — Benedikt Fischer (AT) — Kyoko Fukuchi (JP) — Antje Godglück (NL/D) — Andi Gut(DE) — Gésine Hackenberg  (NL/D) — Cecilia Hecker (RA) — Hanna Hedman (SE) — Akihiro Ikeyama (JP) — Karin Johansson (SE) — Mareike Kanafani (DK) — Beppe Kessler (NL) — Ulrike Kleine-Behnke (DE) — Jun Konishi (JP) — Manon van Kouswijk (NL/AU) — Marie-Louise Kristensen (DK) — Daniel Kruger (DE) — Dongchun Lee (KR) — Sally Marsland (AU) — Sharon Massey (USA) –  Yutaka Minegishi  (JP/DE) — Shelley Norton (NZ) — Maria Nuutinen (FI) — Kristi Paap (EE) – Noon Passama (TH/NL) — Ruudt Peters (NL) — Lina Peterson (GB) — Nicole Polentas (AU) — Jo Pond (GB) — Auba Pont (ES) — Tabea Reulecke (DE) — Patricia Rodriguez (RA) — Mette Saabye  (DK) — Karin Seufert (DE) — Despo Sophocleous (CA/DE) — Christoph Straube (DE) — Jie Sun (CN) — Fumiki Taguchi (JP) — Anna Talbot (NO) — Sabina Tiemroth (RA) — Karola Torkos (DE) — Karen Vanmol (BE) — Gabi Veit (IT) — Andrea Wagner (NL) — Florian Weichsberger (DE/I) — Wen-Miao Yeh (TW)

Retrospektive bei Schmuck 2014: Dorothea Prühl, Deutschland

29/12/2013

SCHMUCK 2014 – OFFICIAL SELECTION – (Munich, Germany) – 12-18 Mars 2014

Schmuck 2014déjà ! … encore !! ……

OFFICIAL SELECTION

Place: Willy Brandt Allee 1 (Munich, Germany)
Management: Wolfgang Lösche
12.Mar.2014 – 18.Mar.2014

Schmuck 2014 - déjà ! encore !!  Place: Willy Brandt Allee 1 (Munich, Germany) Management: Wolfgang Lösche 12.Mar.2014 - 18.Mar.2014  website: www.hwk-m...
 
More than 552 goldsmiths from 43 countries around the globe applied to participate in the special “Schmuck” (Jewellery) show at the International Crafts Fair in Munich next year. This great interest once again confirms the importance of this event in the context of contemporary jewellery-making and the significance attached to it worldwide. An above-average number of applications were received this year from Australia, Japan and Taiwan, but also from New Zealand and Argentina, the latter having been among the applicants for only a few years now. The selection for 2014 was made especially interesting thanks to the many new exhibitors nominated by the curator Jorunn Veiteberg of Copenhagen. Unusually, “Jewellery 2014” features over 25 new exhibitors, who will be represented in this renowned exhibition for the first time.
For the year 2014, a total of 66 participants from 25 nations were invited to exhibit. Numerically most strongly represented are goldsmiths from Germany, the Netherlands, Japan, Australia, Denmark and Sweden. The applicants grow younger by the year, an indicator that even before or immediately after finishing their training goldsmiths seek to compete in our special show, present their work to an interested public, experts, gallery owners and museum curators, and rapidly find their way into the jewellery avant-garde. “Jewellery” is an important venue for making a name for oneself in international goldsmiths’ circles, establishing contacts, and not least, witnessing the award of the prestigious Herbert Hofmann Prize on Saturday.
 
 
Selected Artists: Anne Achenbach, DE –  Tobias Alm, SE – Sawa Aso, JP — Rut-Malin Barklund, SE — Peter Bauhuis, DE — Nicole Beck, DE — Alexander Blank, DE — Iris Bodemer, DE — Bas Bouman, NL  — Sungho Cho, KR — Eunmi Chun, KR –  Kat Cole, USA – Annette Dam, DK — Rian de Jong, NL — Laura Deakin, AU — Peter Deckers, NZ/NL – Paul Derrez, NL — Bin Dixon-Ward, AU — Georg Dobler, DE — Iris Eichenberg, NL/USA/DE — Réka Fekete, HU — Benedikt Fischer, AT — Kyoko Fukuchi, JP — Antje Godglück, NL/DE — Andi Gut, DE — Gesine Hackenberg, NL/DE — Cecilia Hecker, Arg. — Hanna Hedman, SE — Akihiro Ikeyama, JP — Karin Johansson, SE — Mareike Kanafani, DK — Beppe Kessler, NL — Ulrike Kleine-Behnke, DE — Jun Konishi, JP — Manon van Kouswijk, NL/AU — Marie-Louise Kristensen,DK — Daniel Kruger, Südafrika/DE — Dongchun Lee, KR — Sally Marsland, AU — Sharon Massey, USA – Yutaka Minegishi, JP/DE — Shelley Norton, NZ — Maria Nuutinen, FI — Kristi Paap, EE — Noon Passama, TH/NL — Ruudt Peters, NL — Lina Peterson, GB — Nicole Polentas, GR/AU — Jo Pond, GB — Auba Pont, ES – Tabea Reulecke, DE — Patricia Rodriguez, Arg. — Mette Saabye, DK — Karin Seufert, DE — Despo Sophocleous, CA/DE — Christoph Straube, DE — Jie Sun, CN — Fumiki Taguchi, JP — Anna Talbot, NO — Sabina Tiemroth, Arg. — Karola Torkos, DE — Karen Vanmol, BE — Gabi Veit, IT — Andrea Wagner, NL — Florian Weichsberger, DE/IT — Wen-Miao Yeh, TW
 
Retrospektive bei Schmuck 2014: Dorothea Prühl, Deutschland
Honored as next year’s Modern Classic will be Dorothea Prühl, a goldsmith who lives in Halle. A teacher at Burg Giebichenstein Art College, she not only helped shape an entire generation of young goldsmiths but, over and above her teaching activity, has created an admirable, original oeuvre that holds a very special place within contemporary jewellery design.
 
The special “Jewellery” show is characterized by the choice of certain themes which, in the eyes of curator Jorunn Veiteberg, represent salient traits of current jewellery design. As signs of our times and selection criteria, she sees found objects of metal or wood, things that bear definite marks of use, materials that speak an expressive, earthy language, forms and structures reminiscent of architecture, as well as masks, a tendency to mysticism, and forceful color schemes.
 
 
Willy Brandt Allee 1 (Munich, Germany)
Management: Wolfgang Lösche
12.Mar.2014 – 18.Mar.2014
website: www.hwk-muenchen.de
mail: eva.sarnowski@hwk-muenchen.de

17/07/2013

EXPO ‘Seams | Seems’ – MADA gallery, Melbourne (Australia) – 17 Juill.-20 Aout 2013

« Seams | Seems » 17 July – 20 August 2013  Exhibition and symposium curated by Marian Hosking (MADA – Monash University Art Design & Architecture) and Robin Quigley (Rhode Island School of Design).
Seams: bringing together, fitting, joining and overlapping.
Seems: to appear to have a particular quality.

Opening Address 19 July, 6pm Professor Edward Byrne AO, Vice Chancellor & President, Monash University

Seams | Seems 17 July - 20 August 2013
Upcoming exhibition  Seams | Seemswhich is a collaborative alumni exhibition by Rhode Island School of Design (RISD) and Monash University in Australia. This exhibition will represent a diverse selection of jewelry and objects to emphasize and broaden the discourse around where the boundaries lie for jewelry in 2013. The exhibition will be open from this Wed, the 17th of July until the 20th Aug, 2013 at the MADA Gallery, Melbourne in Australia. The opening event will be held on the 19th of July at 6pm.

Right now, our faculties, Robin Quigley and Tracy Steepy are officially in Australia representing the work of the RISD Jewelry and Metalsmithing Alumni and Faculty. They have begun the installation of the exhibition. Thank you so much, Robin and Tracy !! I will update you when I receive more photos from the exhibition.

Here are the participating Artists from RISD: Yoshie EndaKate FurmanYong Joo Kim — Hye Yeon Park — Lauren TickleMariah TuttleMallory WestonRobin Quigley — Tracy Steepy.

From MADA  : Melissa Cameron — Vito Bila — Lousje Skala — Laura DeakinJill Hermans — Biatta Kelly — Christine Scott-Young — Penelope Pollard — Maureen Faye Chauhan — Meredith Turnbull.

Kate Furman   "Reconciled" - brooch -     (2012 MFA in Jewelry + Metalsmithing at Rhode Island School of Design) - -   http://www.katefurman.com
Kate Furman   « Reconciled » – brooch -     (2012 MFA in Jewelry + Metalsmithing at Rhode Island School of Design)

Yong Joo Kim : Brooch, Requisite Variety S2-EV8, Velcro hook and loop fasteners and Sterling Silver, 6” x 8” x 4”, 2013

 Yong Joo Kim : Brooch, Requisite Variety S2-EV8, Velcro hook and loop fasteners and Sterling Silver, 6” x 8” x 4”, 2013

Lauren Tickle, 27, who is based in Brooklyn, New York, painstakingly transformed paper money into intricate brooches, necklaces and earrings.
Lauren Tickle, $12.50 Brooch, US Currency, Silver, Latex, and Monofilament, 2011
YOSHIE ENDA - Presence : Arms - silicone
Yoshie Enda –  Presence : Arms – silicone
Hye Yeon Park's “Grasping at Clouds”
Hye Yeon Park -  “Grasping at Clouds”
Tracy Steepy - steepy plyportraits -  2012 - resin, wood, steel  http://www.siennagallery.com/
Tracy Steepy – steepy plyportraits -  2012 – resin, wood, steel
Laura Deakin brooch.
Laura Deakin brooch
Turnbull_main_large
Meredith Turnbull – Red-and-Green-painted-brooch
Maureen Faye-Chauhan, Octahedral brooch (2011)

Maureen Faye-Chauhan, Octahedral brooch (2011)

MADA Gallery is located at the Caulfield campus of Monash University
MADA Gallery
Building G, Ground Floor
900 Dandenong Rd
Caulfield East Victoria 3145
t+61 3 9903 2882
eMADA.Gallery@monash.edu

13/04/2013

EXPO ‘Dialogue’ – Galerie Noel Guyomarc’h, Montréal (Québec, Canada) – 5-28 April, 2013