JOYA Barcelona 2010 – ECOLES/SCHOOLS/ESCUELAS – Premio ENJOIA’T

SCHOOLS presented at JOYA : 

ESCOLA ARSENAL
La Font 43
Vilafranca del Penedès
08720 Barcelona
Spain
www.arsenal.cat
[phone]

Creativity and thirst for innovation are and have always been essential attributes for developing any kind of professional activity. Arsenal Escola d’Art has always taught its students according to those teaching guidelines.
For more than 35, the School has been a place to learn, work experience and also research of new resources in the field of plastic arts and design.
Companies and institutions, both public and private, have taken advantage of the School since it is a place for creation deeply rooted in the region that provides ideas, designs and products that are given birth inside the School.

Alba Olivella

« Alba Olivella presenta su proyecto final para la escuela Arsenal: Reykjavik. El objetivo es realizar joyas a partir de la fotografía: mediante un estudio previo, Alba realiza una ficha informativa de cada encargo con los recuerdos, emociones y sentimientos que se desprenden de la imagen y hace una “joya abierta” con piezas extraíbles que conforman la colección. « 

ESCOLA D´ART DEL TREBALL
Comte d´Urgell 187
08036 Barcelona (Spain)
www.artdeltreball.cat
[e-mail]
[phone]

 The “Escola d’Art del Treball” is a public local school located in the very centre of the Eixample in Barcelona (in the premises of the Escola Industrial) where courses on plastic arts and design are taught.
Its main goal is to provide the students with all necessary theoretical and task-related knowledge and to enhance their creative and conceptual abilities, as well as to offer them all the essential tools so as to enable them to develop a prospective professional career.
The School is an open space in touch with its environment and the current trends in art, as well as a place that stays engaged with the professional world.

Ingrid Ventura

 1999 Sculpture at the Faculty of Fine Arts (Barcelona) – 2007 Design jewellery at the Escola d’Art del Treball.
She took part in a number of solo and collective exhibitions, the latest at the Museu del Càntir (Argentona, Spain).
Volume, body, overwhelmingness, expressiveness, heaviness, power… all these concepts are closely related to sculpture and transferred to jewellery. Ventura approaches the jewel as if it were a sculpture through combining iron with a precious metal. Iron stays inside silver and comes to the surface through roughness and rust. Then rust starts merging into the softness and brightness of silver.

Volumen, cuerpo, contundencia, expresividad, peso, fuerza… conceptos relacionados estrechamente con la escultura y traspasados a la joya. Ventura trabaja la pieza como si fuera una escultura mediante la combinación del hierro y el metal noble. El hierro está dentro de la plata y se manifiesta sobre ella a través de la rugosidad i el color del óxido que se va fusionando hasta dar paso a la suavidad i el brillo de la plata.

 

ESCOLA LLOTJA
Ciutat de Balaguer 17
08022 Barcelona
Spain
www.xtec.es/ea-llotja [e-mail]
[phone]

 Llotja Superior School of Art and Design is a public school that falls under the auspices of the Education Department of the Generalitat of Catalunya. Heir to the Escuela Gratuita de Diseño, established in 1715 by the Barcelona Board of Commerce, Llotja is the oldest school of design in Spain..
Its long history has resulted into a school of long tradition, which offers a wide range of specialties and educational levels, of subjects and theoretical, historical, technological, legal, experimental, project-based and practical modules, which make the Llotja Superior School of Art and Design one of the few examples of the interrelationship between different fields of knowledge and artistic creation.

 Aila Jubany

 

 

 » Aila Jubany studied jewellery at Escola Llotja. Awarded in the contest “Insignia del Maestro Artesano 2009” organized by Artesania Catalunya (2009). Travelling exhibition by Artesania Catalunya 2009-2010. Sirk Gener exhibibition at GenLlotja Hall (2009).
Sirk is the result of squeezing emotions, new and old pieces of knowledge, playing with materials and taking risks from an alternative point of view. Her work is inspired in the change that Cirque du Soleil introduced in the traditional patterns of circus: physically different but at the same time, aiming to fascinate the audience. Her pieces are big but also light and flexible, physically and visually, that create a space full of subtle movements, surrounded by light and colour. »

 

 

ESCOLA D´ART I DISSENY DE TARRAGONA
Ctra. De Valls s/n
Zona Educacional
43007 Tarragona
Spain
www.dipta.cat/eadt
[phone]

The Diputació de Tarragona has been giving its support to artistic education for more than 60 years, providing a range of services to many people that has been and are indeed showing interest towards artistic creation and design.
The School provides the students with a wide range of conceptual, visual, technical and artistic aspects that are essential to understand an increasingly demanding and unstable World.
Its identity is built on the basis of working hand by hand with the students, thirst for experimentation and meeting job market demands regarding art and design.

Maria Teresa PIÉ

Maria teresa Pié decided to change her life at the age of 50 and start studying jewellery at the EADT in Tarragona. Since then, she has participated in the photography exhibition of the Diputació de Tarragona in 2007, in Inhorgenta fair in Munich in 2007and 2008 and the Sebima Fair in Mahón (Spain) in 2007 among other events.
Maria Teresa took her inspiration from the four seasons of the Mediterranean countries (spring, summer, autumn and winter) and also the music that Antonio Vivaldi created on the same topic to build her work, which adds certain artistic power to her work.

 

Setmana de la Joieria Contemporània de Barcelona

Dolors Serveto, alumna del taller de joieria, ha estat convidada a participar a “Joyas à la carte”, la plataforma de la Setmana de la Joieria Contemporània de Barcelona que presenta artistes nous al costat de consagrats. Els responsables d’aquest certamen van escollir el projecte final de Serveto per la versatilitat del seu disseny, per la innovació tècnica del mecanisme, per la originalitat de la col·lecció i pels acabats.

 

Per altra banda, la peça Joies en moviment d’Eva Ortín va ser finalista dels Premis Enjoia’t que organitza Orfebres-FAD. Ortín, que ha cursat 1r curs de Joieria Artística, es va inspirar en fotografies d’Edward Muybridge per a la realització del seu disseny.

La Setmana de Joieria Contemporània de Barcelona és l’esdeveniment més rellevant a Catalunya pel que fa a joieria contemporània

 

 

PREMIO ENJOIA’T  / Awards :

Enjoia’t is an activity born 15 years ago with the intention of spreading among the general public, the world of contemporary jewellery making. It is an initiative aimed at giving support and diffusion to the younger generations of emergent creators and to grant recognition to professionals.
It has been, from its origins, a launching platform for many designers since it has awarded them  recognition for their work as well as establishing links with relevant companies in the jewellery making industry.
This event, which is held annually, is the only initiative of its kind in Spain, which strives to diffuse the art of jewellery and encourage fair practices among its creators.
Applicants for the Students Award are Catalina Gibert (Spain, 1973), Olga Vilarrasa (Spain, 1984), María Liliana Ruiz (Colombia, 1974), Begoña Prats (Spain, 1977), Dalia Jurado (Spain, 1979), Almudena Díaz (Spain, 1986), Edu Tarín (Spain, 1984), Aline Berdichevsky (Mexico, 1977), Carolina Martínez (Colombia, 1982), Eva Ortín-Alpiste (Spain, 1984), Jordi Aparicio (Spain, 1982), Laura Gualda (Spain, 1982) and María Díez (Spain, 1980);

and artists applying for the Professional Award are Anna Puig (Spain, 1979), Luís Acosta (Argentina, 1952), Emanuela Deyanova (Netherlands, 1979), Sara Engberg (Sweden, 1969), Nuria Torrente (Spain, 1973) and Marie Niel (France, 1982).

Pamela Pérez Masferrer -  Enjoia´t 2009 Student Award Winner

Pamela Masferrer discovered the jewellery world almost by chance at Massana school thanks to professor Ramon Puig Cuyas and was granted an Erasmus scholarship to study at Escuela Superior de Artes e Design in Porto.
Until now her research has focused on identity and the search for the “self”, analysing the borders between reality and unreality.
Although she is still very young, she has exhibited her work in “La Capella” at Escola Massana (2005), in Artesania Catalunya (2009) and recently with the workgroup Off Massana at Poble Espanyol, through which she obtained a postgraduate scholarship. She has worked in London and nowadays she is established in Barcelona and works for the designer Nuria Ruiz.

Marie-José Hoeboer – Enjoia´t 2009 Professional Award Winner

Marie-José Hoeboer has been creating design jewellery ever since 1991, the year she graduated from the Gerrit Rietveld Academie in Amsterdam.
She uses a wide range of materials and techniques to create surprising jewels. Her works have been exhibited in many galleries, mainly in the Netherlands although also internationally.
The jewellery piece for which she has been awarded with the professional Award in the last edition of ENJOIA’T is a ring with 650 brilliant cut diamonds « sugar ring », her first work with shiny stones and the most successful. 

JOYA 2010 – Barcelona – PREMIOS-AWARDS – 16-17-18 Sept 2010

JOYA :  FAD, Plaza dels Angels 6-5, 08001 Barcelona

* Enjoia´t

El Enjoia’t es una actividad que nació, hace 15 años, con la voluntad de difundir, entre el gran público, el mundo de la joyería contemporánea. Una iniciativa que pretende apoyar y difundir a las jóvenes generaciones de creadores emergentes y dar reconocimiento a los profesionales.
El Enjoia’t ha sido, desde sus inicios, una plataforma de lanzamiento para muchos diseñadores, ya que les ha otorgado un reconocimiento a su trabajo y ha incentivado puentes de comunicación con destacadas empresas del sector. Este acontecimiento, que se celebra anualmente,  es la única iniciativa de esta índole en todo el estado español, en el que se pretende difundir el arte de la joyería y estimular las buenas prácticas entre sus creadores. 

 

Enjoia’t is an activity born 15 years ago with the intention of spreading among the general public, the world of contemporary jewellery making. It is an initiative aimed at giving support and diffusion to the younger generations of emergent creators and to grant recognition to professionals.
It has been, from its origins, a launching platform for many designers since it has awarded them  recognition for their work as well as establishing links with relevant companies in the jewellery making industry.
This event, which is held annually, is the only initiative of its kind in Spain, which strives to diffuse the art of jewellery and encourage fair practices among its creators. 

 

Artistas participantes en el Premio Estudiante/Applicants for the Students Award :  Catalina Gibert (España, 1973), Olga Vilarrasa (España, 1984), María Liliana Ruiz (Colombia, 1974), Begoña Prats (España, 1977), Dalia Jurado (España, 1979), Almudena Díaz (España, 1986), Edu Tarín (España, 1984), Aline Berdichevsky (Méjico, 1977), Carolina Martínez (Colombia, 1982), Eva Alpiste (España, 1984), Jordi Aparicio (España, 1982), Laura Gualda (España, 1982) y María Díez (España, 1980).

Al Premio Profesional se presentan/Artists applying for the Professional Award :  Anna Puig (España, 1979), Luís Acosta (Argentina, 1952), Emanuela Deyanova (Holanda, 1979), Sara Engberg (Suecia, 1969), Nuria Torrente (España, 1973) and Marie Niel (Francia, 1982).

Marie Niel (Fr) – « les fées Minines »

 

jeudi 16 sept. 20h : après délibération, et vote du public, remise du prix ENJOIA’T

 

* INHORGENTA Award

Organizado por Messe München International, la feria inhorgenta está considerada como una de las mejores ferias internacionales de joyería, relojería, gemología, diseño y tecnología del mundo. La feria, que se celebra cada año en Múnich, alcanzó la cifra de más de 31000 visitantes venidos de 84 países en su última edición y continúa creciendo.
Con motivo de la celebración de JOYA, inhorgenta 2011 premiará a uno de los artistas con la oportunidad de participar en la feria como artista invitado, una ocasión única en la vida para que el galardonado entre en contacto con los mejores profesionales del mundo de la joyería.
inhorgenta 2011 se celebrará del 25 al 28 de febrero de 2011 en la New Munich Trade Fair. 

Organized by Messe München International, inhorgenta is considered to be one of the world’s leading international trade fairs for jewellery, watches, gemstones, design and technology. The fair, held every year in Munich, had over 31,000 visitors from 84 countries in its last edition and continues to grow.
On the occasion of JOYA, one of JOYA’s artists will be awarded to attend inhorgenta 2011 trade fair as a guest artist, a once-in-a-life opportunity to the winner to get in touch with the world’s leading professionals in the jewellery market.
inhorgenta 2011 will be held from February 25th to 28th 2011 at the New Munich Trade Fair. 
www.inhorgenta.com
www.messe-muenchen.de
[e-mail]

remise du prix sam. 18 sept., 20h

 

* Premio Internacional  ARTE Y JOYA

The International ARTE Y JOYA prize is back, awarded by Grupo Duplex, the publisher of the magazine that is the doyen and leader in Spain’s sector of publications specialising in jewellery and watches. In the 2009 edition, the prize paid tribute to the renowned figure of Manuel Carrera, the founder of the company Carrera & Carrera, who managed to revolutionise 20th century Spanish jewellery and successfully export it beyond our borders. Now, in the 2010 edition, ARTE Y JOYA is embarking on the second edition of the prize in the quest for new languages that are garnering success and earning international acclaim, youthful propositions that blend creativity and a contemporary sensibility with sound business and commercial backing. 

remise du prix vend. 17 sept., 20h

EXPO ‘Think Twice: New Latin American Jewellery’ – Museum of Arts and Design of New York (USA) – 13 Oct 2010-8 Janv. 2011

Museum of Arts and Design of new York (MAD) – (New York City) -  13-Oct-2010 – 08-Jan-2011 
Think Twice: New Latin American Jewelry Showcases Contemporary Jewelry From The Region For The First Time In a U.S. Museum

« Think Twice: New Latin American Jewelry, presented by the Museum of Arts and Design from October 12, 2010 through January 8, 2011, will feature unique work by nearly 60 jewelry makers, representing over 20 Latin American countries. Among the artists included are the Brazilians Mirla Fernandes, Dionea Rocha Watt, and Claudia Cucchi; Valentina Rosenthal and Walka Studio from Chile; the Argentinians Elisa Gulminelli, Francisca Kweitel, and Silvina Romero; Jorge Manilla, Martacarmela Sotelo and Eduardo Graue from Mexico; and Miguel Luciano from Puerto Rico. 
The show has been guest-curated by the Netherlands-based, Mexican-born architect and historian Valeria Vallarta Siemelink. 
Objects of adornment have played a significant cultural role throughout Latin America’s history, from the spiritually potent jewelry of the pre-Columbians to the eye-catching ornaments worn by Mexican drug gangs to advertise their status and menace. Now a new generation of jewelry makers working outside the field’s conventions are examining how this complex relationship with physical adornment evolved–and why. 
Think Twice aims to bring the audience a clear picture of the landscape of contemporary jewellery in Latin America and its development in the last 10 years, showing the way in which visual artists and jewellery makers born or living in Latin America view and relate, through jewellery, to such a vast and diverse continent. 
The exhibition, conceived by Otro Diseño, is born out of a passion for jewellery as a medium of personal and cultural expression and of the conviction that the fresh, intense and highly creative work of Latin American jewellery makers outstandingly represents and nurtures the culture they live in and therefore greatly enriches and diversifies the international landscape of contemporary jewellery.
“The new Latin American jewelry must be appreciated for what it is. One shouldn’t impose stereotypes or resort to clichés,” says guest-curator Valeria Vallarta Siemelink. “Far from being an imported concept from the West, jewelry-as-art in Latin America is very much a product of the region’s history and its diverse and dynamic modern societies.” 
“This is a very special show,” adds Ursula Neuman, MAD’s jewelry curator. “This jewelry is virtually unknown in the United States. The artists’ realize their sophisticated concepts through intriguing choices of materials and techniques, creating unique works that present a fascinating amalgam of indigenous cultural elements and the latest trends in international contemporary jewelry design.

” To bring clarity to Latin America’s complex culture and history, the exhibition is organized around three themes, addressing the region’s past, its unique fusion of ethnic influences, and its ever-changing socio-political realities. 

History, Memory, Tradition
The tension between tradition and modernity is crucial to Latin American history. Heritage and memory, both personal and collective, are among the subjects expressed by these artists through pre-Columbian and colonial jewelry methods and traditional craft techniques. Take the Colombian Mariana Shuk. She has made a series of rings using traditional ring shanks ordered from mega-jewelry suppliers. She creates a ring by interlacing two identical shanks. Its shape determines which techniques—stone setting, enameling, filigree—she will employ to customize it in the Colombian colonial style. The process has produced a perplexing assortment of rings that confronts past and present, value and insignificance. By contrast, another Columbian artist, Linda Sanchez, creates her jewelry pieces by employing weaving techniques that have been used by an Amazonian tribe since ancient times. 
A Flair for Invention
The artists in this section are some of the boldest jewelry makers anywhere. Skilled at improvisation, they make brilliant use of a rich variety of native materials along with such everyday objects as balloons and drawer handles. A spontaneous attitude and a contrary vision are central to their daring approach. The Mexican Andres Quiñones can make an exquisite choker from sticks of bamboo, a few broken guitar strings, a handful of freshwater pearls and silver wire, all of the materials collected from garbage dumpsters in Mexico City. Colombian Helena Biermann presents Hit the Road, a series of brooches that collect the insects stuck to a car in its 286 km trip from Munchen, Germany to Domaslav, Czech Republic. 
Forging Identity: Latin America as a Source of Inspiration 
These jewelry makers are creating an individualistic language, expressive of who they are and where they come from. Art, religion, money, violence, tradition, family, gender are among the themes that define their lives, uniting their collective and individual identities. Foreign-born artists, who are somehow bound up with Latin America or have had a profound impact upon it, are included in this section. Alcides Fortes, for example, was born in Cape Verde, trained as a gold and silversmith in the Netherlands, and today lives and works in Mexico. He specializes in politically charged jewelry, creating such works as a necklace made out of the porcelain portraits recovered from the graves of a family killed in the Mexican revolution. The piece reveals both an admiration for Mexico’s culture and history as well as a loathing of its corruption, economic disparities, and veiled racism. By transforming the common objects of his native land into fetishized commodities, Miguel Luciano examines how American consumerism has affected Puerto Rican culture. Plantainum, for example, is a series of necklaces and pendants featuring a platinum-covered plantain. The shell is seductive and pristine, but underneath the fruit is rotting. 
Figurative and abstract, conceptual and symbolic, traditional and experimental, contemporary Latin American jewelry is tremendously varied, and it is this diversity that enables it to communicate its ethnicity and to transcend it. » (Klimt02)
Artist list:
Mirla Fernandes (Brasil),Kehisha Castello, Helena Biermann (Col.), Tota Reciclados (Arg.), Udi Lagallina (Bresil), Martacarmela Sotelo (Mex.), Kika Alvarenga (Brasil), Silvina Romero (Arg.), Elisa Gulminelli (Arg.), Zinna Rudman, Célio Braga, Martha Camargo, Maria Paula Amezcua, Magali Anidjar (Arg.), Walka Studio (Chile), Mauricio Lara, Gabriela Horvat (Arg.), Jorge Castañón, Nilton Cunha, Jimena Rios, Thelma Aviani, Alcides Fortes (Cape verde), Samantha Fung, Alex Bourttiea, Marie Pendaries, Renata Porto, Martha Hryc, Teresa Margolles, Paula Isola, Beate Eismann, Aurelie Dellasanta (CH), Giselle Morales, Fiorenza Coredro, Francisca Kweitel (Arg.), Alina López, Ana Paula Campos, Dionea Rocha Watt (Brasil), Eduardo Graue (Mex.), Mariana Shuk (Col.), Stella Bierrenbach, Hugo Celi, Luis Acosta, Isel Mendoza, Dani Soter, Linda Sánchez (Col.), Andrés Fonseca, Ana Videla, Alex Burke, Benjamin Lignel, Alejandra Agusti, Lucia Abdenur, Claudia Cucchi (Brasil), Chequita Nahar, Ariel Kuipfer, Ximena Briceno, Julieta Odio, Guigui Kohon (Esp.), Nuria Carulla, Santiago Ayala, Carlos Martiel, Jorge Manilla(Mex.).

Silvina Romero (Argentina)

Mirla Fernandes (Brasil) – necklace

Celio Braga, Brazil

Aurelie Dellasanta – ‘suicide brooch’ 2007 painted metal, gilded metal, paper

 Francisca Kweitel (Arg.)

Guigui Kohon -’Basura de joyería’ – Jewelry waste 2010

Chequita Nahar Lontai – brooch, 2010, oak, porcelain, string

 

 

 

 

 

Kika Alvarenga (Bresil)

 Jorge Manilla – ‘Palabras’

Jorge Manilla – necklace ‘de votos y ex-votos’

Dionea Rocha Watt (Brazil) – ‘Vanitas’ – image made with silver dust

Claudia Cucchi (Brazil) – Brooch-  Untitled 2005 – Silk, perspex, nylon, emerald

Elisa Gulminelli (Argentina) 

Udi Lagallina (Brasil) – brooch

Gabriela Horvat, Sin titulo necklace 2009

Jorge Castañon, Dos cuencos brooch – nickel silver and wood

Martacarmela Sotelo (Mex.) – collares linea ropa- proceso lineas ropa mezclilla roja

Marta Hryc-  Aplastada – Plata, algodon. 2009

TotaReciclados (Arg) (Marcela Muñiz + Valeria Hasse)

 

Museum of Arts and Design of New York (MAD)
2 Columbus Circle (59th Street and Broadway)
NY 10019 – New York City
United States
Telephone: [phone]
Fax: [phone]
website: www.madmuseum.org
mail: [e-mail]

Joyeros Argentinos

 

COUP de COEUR ! Luis ACOSTA, beyond textile and paper …..

« Como diseñador me interesan particularmente las formas. Cuando descubro una de estas que me atrae la amplío o repito, después, me concentro en probar todas las posibilidades que me brinda esa forma que me ha de servir como base para el desarrollo de un diseño.
Me es importante trabajar con formas y colores. Las primeras me dan la dimensión del trabajo mientras que los segundos me proveen de calidez.
Una de las maneras para concretar esto es ‘jugar’ con una forma y varias capas de material, papel o hilo de papel, de diferentes colores.
La rigidez está dada según la cantidad de capas de material que he cosido juntos. » (Luis Acosta)

———————————————————- 

« As a designer I am particulary interested in form. Once I’ve found a form, I enlarge or repeat it. Then I concentrate on using the possibilities of that form as a basis for the development of a design.
It’s important to work with both shapes and colour. The first gives dimension to the design while the second provides warmth. One way of doing this, is to ‘play’ with a shape and several layers of different coloured materials, which sometimes gives rise to an intriguing hybridization, conjuring up the impression of something plaited.« 

 

Los objetos de papel están confeccionados con la repetición de distintos tamaños de una sola forma.
La rigidéz está dada según la cantidad de capas de papel que se han cosido juntas, siendo estas de distintos colores.
The paper objects were created by repeating a differents sise of a simple basic shape.
differents types of paper, six stichted layers of paper, sewn together – diameter 30 cm, high 5 cm, 2008

Luis Acosta - collier

Luis Acosta - collier

Luis Acosta - pulsera – bracelet

Luis Acosta - pulsera – bracelet

Luis Acosta - pulsera – bracelet

Luis Acosta - pulsera – bracelet

 

COUP de …. BLUES !

 

Luis Acosta – bracelet en papier

« El diseñador textil y de joyas, argentino-holandés, Luis Acosta se graduó en 1988 en el departamento textil de la Academia Gerrit Rietveld de Amsterdam. Es un diseñador inquieto y curioso de las formas. Las busca y descubre, las amplía, las repite, se concentra en probar todas las posibilidades que pueden ser la base para sus diseños. ormas y colores, dimensión y calidez, en cada obra. Capas de papel, colores, y multiplicación de la forma.« 

Lisa JUEN – ‘don’t dream it wear it’ – blue brooch or necklace- Lasercut Stainless Steel, CZ, LED, LED Screen, Plastic, Cable, Light Switch, Battery

Karin Kortenhorst (NL) work ‘consists in jewelry for all parts of the body’

Gioielli di carta – Paper Jewelry – Bijoux de PAPIER

Milano : Gioielli di carta - Progetti di 60 designer – EXPO Milan sept-oct 2009

Organised by Alba Cappellieri, professor of jewellery design at the “Politecnico” of Milan and by Bianca Cappello, jewellery historian, Paper Jewellery: poor jewellery is an exhibition that represents the most complete exhibition dedicated to paper jewellery: 60 designers from all over the world – from Australia to Austria, from Italy to Finland, England, Germany, Belgium, Hungary, Poland – in an unmissable journey through distant cultures under the sign of only one protagonist: paper. Folded, embroidered, plaited, sewn, sponged, pleated, punched, recycled, glued, water-painted, paper takes on unimaginable decorations and shapes: rarefied like Nobuko Murakami’s origami, elegant like Daniele Papuli and Janna Syvanoja’s pleats or the Dutch Nel Linssen’s ruffs, blooming like Sandra di Giacinto’s geometries or materic like Ritsuko Ogura’s textures, joyous like Ana Hagopian’s flowers, the collages by Feroci Design or Andrzej Szadkowski’s spectra, conceptual like the Fritz Maierhofer compositions.

Paper jewellery imposes a reflection on preciousness, no longer entrusted, as with traditional jewellery, to metals and gems but rather to the project that represents the main theme of this exhibition. The vulnerability of paper is suitably pliable to design reflections that are usually far from the world of jewellery like sustainability, ecology, territorial valorisation. Free from exchange values codified by the market paper jewellery explores languages and themes covering many disciplines: ornaments, colours, shapes, surfaces, textures, by transferring influences and aesthetics not only from fashion but also from design. And so, with this aim in mind we have included the works of 5 designers, designers that usually have to measure themselves with internal decoration and lighting, who have produced their paper jewellery especially for this exhibition. They are Deep Design, Giulio Iacchetti, Marco Ferreri, Miriam Mirri, Marco Romanelli with Marta Laudani and Paolo Ulian.

Daniele Papuli - necklace ‘Estesa’ , 2007

Triennale Design Museum presenta Gioielli di carta a cura di Alba Cappellieri e Bianca Cappello, la piu’ completa rassegna dedicata al gioiello di carta attraverso i progetti di sessanta designer provenienti da tutto il mondo .

Caren Hartley  ring    –    Fabrizio Tridenti- anello/ring 2009 -cardboard, paper, resin, pvc

Piegata, ricamata, intrecciata, cucita, spugnata, plissettata, fustellata, riciclata, incollata, acquerellata, la carta assume decori e forme insospettabili : rarefatte come gli origami di Nobuko Murakami, eleganti come i plisse’ di Janna Syvanoja e di Daniele Papuli o le gorgiere dell’olandese Nel Linssen, fiorite come le geometrie di Sandra di Giacinto o materiche come le texture di Ritsuko Ogura, gioiose come i fiori di Ana Hagopian, i collage di Feroci Design o gli spettri del polacco Andrzej Szadkowski, concettuali come le composizioni di Fritz Maierhofer.

Sarah Kate Burgess – do-it-yourself rings

Il gioiello di carta impone una riflessione sulla preziosità, non piu’ affidata, come nel gioiello tradizionale, ai metalli e alle gemme bensi’ al progetto che rappresenta il filo conduttore della mostra.

Ana  Hagopian (ES)

La vulnerabilità della carta si presta a riflessioni progettuali solitamente distanti dal mondo del gioiello come la sostenibilità, l’ecologia, la valorizzazione territoriale.
Libero dal valore di scambio codificato dal mercato il gioiello di carta esplora linguaggi e temi trasversali a molte discipline: l’ornamento, il colore, la forma, la superficie, le texture.

Riccardo Dalisi                                    -       Maria Stella Ivana Riggi

A questo scopo sono stati inclusi i lavori di sei designer, che solitamente si confrontano con l’arredo e la luce, che hanno realizzato i loro gioielli di carta appositamente per la mostra : Matteo Bazzicalupo e Raffaella Mangiarotti [deepdesign], Marco Ferreri, Miriam Mirri, Marco Romanelli con Marta Laudani, Paolo Ulian.

Angela Simone - Neckpiece: Scapigliata 2009- Black cardboard, raffia

Janna Syvanoja (FI)

Opere di : Luis Acosta, Atelier VM, Sarah Kate Burgess, Ela Cindoruk, Riccardo Dalisi, Matteo Bazzicalupo e Raffaella Mangiarotti [deepdesign], Sandra Di Giacinto, Claudia Diehl, Sabina Feroci, Marco Ferreri, Anna Fornari, Maria Rosa Franzin, Noemi Gera, Lisa Grassivaro, Joanne Grimonprez, Ana Hagopian, Andrea Halmschlager, Caren Hartley, Lydia Hirte, Meiri Ishida, Mari Ishikawa, Nathalie Jean, Hu Jun, Nel Linssen, Angelo Lomuscio, Fritz Maierhofer, Beatrix Mapalagama, Miriam Mirri, Nobuko Murakami, Devran Mursaloglu, Kazumi Nagano, Kaoru Nakano, Ritzuko Ogura, Takehide Ozaki, Daniele Papuli, Shari Pierce, Wendy Ramshaw+David Watkins, Erica Spitzer Rasmussen, Ivana Riggi, Romanelli e Laudani, Marjorie Schick, Angela Simone, Peter Skubic, Maurizio Stagni, Deganit Stern Shocken, Janna Syvanoja, Andrei Szadkowsky, Fabrizio Tridenti, Barbara Uderzo, Paolo Ulian, Marion Van Cruchten, Manon Van Kouswijk, Giorgio Vigna, Paper to Pearls, Kiwon Wang, Fiona Wright, Annamaria Zanella, Ina Zeller Bleil e gli studenti del Politecnico di Milano, Accademia di Brera, Accademia di Belle Arti di Firenze.

Nathalie Jean

Ela Cindoruk                           –     Nel Linssen  necklace, 2007       —      Lydia Hirte

Sandra Di Giacinto Necklace: Star rossa/grigia 2008 – Paper

Noémi Gera                    –  Matteo Bazzicalupo e Raffaella Mangiarotti [deepdesign]

ring from Noemi Gera‘s paperjewellery collection (to shop at this address : Redspective.com !)

Giovanna Gariboldi - Necklace: Filigrana 2009 Paper

Myungshin Ko (Accademia di Brera)- Necklace: Struttura – 2009 – Black cardboard

Kaoru Nakano

Kazumi Nagano

Kiwon Wang

Ritzuko OGURA

Manon Van Kouswijk

Luis Acosta

 

 

Triennale Design Museum – Triennale di Milano
viale Alemagna 6
Milano (Italy)
Inaugurazione 15 settembre 2009

 

BOOK/Catalogue expo :

Paper Jewellery/Gioielli di carta – Electa – 2009 -
111 pp + pochette de 6 bijoux de papier prédécoupés
pour les amoureux du bijou en papier : à  AVOIR !
(http://www.electaweb.it/)

 

voir aussi :

* ADOR (Associazione Designers Orafi )

* http://www.frizzifrizzi.it/

* paperfine : bijoux de papier