EXPO ‘Vinte e Três. Joalharia Contemporânea na Ibero-América’ – Sociedade Nacional de Belas Artes, Lisbonne (PT) – 27 Juin- 22 Juill. 2017

Vinte e Três. Joalharia Contemporânea na Ibero-América

Veintitrés. Joyería Contemporánea en Iberoamérica / Twenty-Three. Contemporary Jewelry in Ibero-America

This exhibition is part of the official Past and Present – Lisbon Ibero-American Capital of Culture 2017 commemoration / Exposición incluida en el ámbito de las conmemoraciones oficiales Pasado y Presente – Lisboa Capital Iberoamericana de la Cultura 2017
Opening/Inauguración – 26.06.2017 – 18h00 – 21h00
Sociedade Nacional de Belas Artes

PIN – Associação Portuguesa de Joalharia Contemporânea‎

 

In an age of globalization when artists travel to numerous places, how relevant is their nationality in an artistic context?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
What do we mean when we say that jewelry can identify a people and a culture?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
Why do we mean when we say that a people and a culture can be identified by their jewelry?
Could it nowadays only identify an epoch?
// question the cultural identity and heritage of participating artists
// display works without showing the artists’ names and nationalities
// look at the way jewelry manufacturing undergoes changes and is affected by other materials and techniques
// reflect on concepts of identity and the way our past surfaces in the present
// foster a debate on the response of the public and reveal the artists’ names and nationalities when the event closes
Draw up the themes that PIN elected to embody the Twenty-Three. Contemporary Jewelry in the Ibero-America exhibition to promote a reflection on contemporary manufacturing that will make us re-think the cultural heritage of each artist and the relations this establishes.
Each of the 23 areas that make up the exhibition plan where the pieces are displayed represents a member nation of UCCI – Union of Ibero-American Capital Cities.
The artists’ names and nationalities are not displayed in order that their cultural identity and heritage can be probed and questioned.
The public is invited to seek the origin of each group of artists and interact in loco by trying to discover their nationality – and leave a flag sticker at each area.

Lúcia Abdenur / Luis Acosta / Rodrigo Acosta / Inês Almeida / Sandra Alonso / Rafael Luis Álvarez / Jordi Aparicio / Titi Berrio / Stella Bierrenbach / Anabell Bravo / Catalina Brenes / Ximena Briceño / Eva Burton / Daniela Caro Pérez / Jorge Castañón /Ignasi Cavaller / Hugo Celi / Cristina Celis / Trinidad Contreras / Ángela Cura Méndez / Teresa Dantas / Gemma Draper / Isa Duarte Ribeiro / Nicolás Estrada / Alejandra Ferrer Escobar / Filomeno /Alice Floriano / Sandra Frias / Pamela de la Fuente / Samantha Fung / Catalina Gibert / Carolina Gimeno / Leonor Hipólito / Caco Honorato / Gabriela Horvat / Amira Jalet / Ana María Jiménez / Erika Jordán / Kepa Karmona – Marie Pendariès / Guigui Kohon / Francisca Kweitel / Lorena Lazard / Nina Lima / Maru López / Jorge Manilla / Massiel del Mar (Massiel Mariel Muñoz)/ Caio Marcolini / Carlos Martiel / Simón Mazuera / Renata Meirelles / Marília Maria Mira /Miriam Mirna Korolkovas / Xavier Monclús / Marc Monzó / María Eugénia Muñoz / Lucía Nieves / Inês Nunes – Catarina Dias / Liliana Ojeda / Natalia Olarte / Raquel Paiewonsky / Clara del Papa /Miriam Pappalardo / Renata Porto / Ramón Puig Cuyàs / Tota Reciclados (Valeria Hasse & Marcela Muñiz) / Cristina Roque dos Santos / Kika Rufino / Vania Ruiz / Estela Sàez / Natalia Sarrazín / Marina Sheetikoff / Diana Silva / Inês Sobreira / Rita Soto / Manuela Sousa / Yolanda Sucre / Edu Tarín /Isabel Tristán / Anahí Vallejos / Manuel Vilhena / WALKA (NanoPulgar) / María Ignácia Walker

Luis ACOSTA Rodrigo Acosta - brooch

Pamela de la Fuente -   « Pullme »  (esta pieza es tambien parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018) Ramon Puig Cuyas – brooch

Rafael Luis Alvarez  broche colección « Lo que fue escrito » - MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), Intercaladas hay fotos Jordi Aparicio

Catalina Brenes Jorge Castañón Catalina Gibert -   bracelet

Carolina Gimeno Jewellery

Caco Honorato « Corazón de Greda Negra » de la colección Lloraría a Mares

Gabriela Horvat

Amira Jalet  *Inferno* Brooch

Lorena Lazard

Jorge Manilla   – This was not organically »: Abruptions #8 Brooch Leather, steel, zinc, charcoal Miriam Mirna Korolkovas – colar COCAR titanio anodizado e prata 925

María Eugenia Muñoz -  colección « Paisajes Constructivos » broche

Necklace by Natalia Sarrazin

Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, telaLiliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)

Massiel Mariel MUNOZ (Massiel Del Mar),  collar construido con papel e hilado a mano

Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ (detail)

Estela Saez Vilanova

Edu Tarin

Isabel Tristan · Noves polseres.  col·lecció Kubs

WALKA joyas – jewelry  – « Cornucopia: Charms for Life », 2017 (Cacho, plata, seda y retrato de la artista portuguesa Maria José Oliveira con su pieza, realizado por Cristina Felipe) Eva Ave Burton – «Bouquet para la Condesa Magenta», broche, 2014

ToTa reciclados  pieza “Backside 2“

Marília Maria Mira – 1989, Brooch, silver, steel, paper – 1993, In the Clouds, Invitation card.
Photos: Courtesy Maria Marilia Mira.

Miriam Andraus Pappalardo

Ignasi Cavaller (MFA 2015 Idar Oberstein) • Necklace ‘Horus 1′ • Slate, papyrus, silk cord, retractable plastic and synthetic rope • 2017

Simón Mazuera Zambrano - broche de la serie el viaje.

Rita Carolina Soto Ventura (Rita Soto Joyas)  pieza Refugios I

 

 

Sociedade Nacional de Belas Artes

Rua Barata Salgueiro, 36

1250-044 Lisbonne (PT)

De lunes a viernes (excepto festivos) de 12h00 a 19h00 y sábados de 14h00 a 20h00

*concept / curatorship / production: PIN (Madalena Braz Teixeira, Cristina Filipe, Carlos Silva, Raquel Soares, Joana Taurino) e Marco Roque Antunes
*production assistants: Beatriz Faustino, Natalia Olarte
*advisory commission:
​​​​​​​​Lúcia Abdenur, Titi Berrio, Eva Burton, Holinka Escudero, Pamela de la Fuente, Catalina Gibert, Carolina Gimeno, Klimt02 (Leo Caballero e Amador Bertomeu), Francisca Kweitel, Jorge Manilla, Natalia Olarte, Clara del Papa, Renata Porto, Ramón Puig Cuyàs, Andreina Rodriguez-Seijas, Estela Sàez, Alberto Soarez Chang, Andrea Tello, Valeria Vallarta Siemelink, Manuel Vilhena, WALKA
*exhibition design: Fernando Brizio
*assistant designers: André Calvão, Rafael Sabino, Davide Mateus
*graphic design: Arne Kaiser

 

Enregistrer

During SCHMUCK 2016 : EXPO ‘A TRIBUTE TO MANFRED BISCHOFF’ – 3stations, Munich (DE) – 24-28 Fevr. 2016

3stations
A TRIBUTE TO MANFRED BISCHOFF   – 43 Students Pay Homage
43 of his former students from 22 countries who will each show a piece at the exhibition, dedicated to Manfred’s golden “Fingerpuppets” by creating their own little version of Manfred, the real golden boy.

#20
Opening 24.02.2016 18:00

« About the exhibition :  A former student, Isabel Dammermann, took it upon herself to make a special event for the teacher Manfred Bischoff who inspired so many. At the same time, she has managed to create a very interesting exhibition that is on display during the Munich Jewellery week 2016. »

43 Students Pay Homage :  Dina Abargil — Noriko Akao — Silvie Altschuler — Rinaldo Alvarez — Katharina Asam — Eunjae Baek — Suzanne Beautyman — Silje Bergsvik — Catalina Brenes — Daniela Boieri — Shannon Carney — Marianne Casmose Denning — Monica Cecchi – Yu- Chun Chen — Sungho Cho — Claudia Costa — Isabel Dammermann — Elisa Deval — Coco Dunmire — Katie Gruber — Joanne Huang — Sayaka Ito — Anastasia Kandaraki — Karin Kato — Rallou Katsari — Michelle Kraemer — Ara Kuo — Siri O. Kvalfoss — Maru Lopez — Martina Mühlfellner — Malaika Najem — Naoka Nakamura — Angela O’Keefe — Selen Özus — Naama Reich – Jimena Rios –Marzia Rossi — Alessia Semeraro — Yoko Shimizu — Yuki Sumiya – Rudee Tancharoen — Flora Vagi — Anne Wiedau

Jewellery artists from 22 countries all over the world come together in a memorial exhibition for Manfred Bischoff who passed away a year ago. At some point or other, they have all been taught by Manfred at Alchimia, contemporary jewellery school in Florence, and have each submitted one piece to the exhibition that honours a great teacher.
German born Manfred Bischoff lived in Tuscany in a house that was in itself a piece of exquisite art. Its magical interior made a natural and perfect framework for his work that has been called by many names: sensual, poetic, lyrical, great, intimate, strong, beautiful, satirical and always surprising. He worked in 22K gold, as pure as he could manage and still maintain a rigidity in the metal that allowed him to execute his ideas in delicate and well crafted pieces, often accompanied with subtle pink coral and drawings.
His dedication to the language of jewellery and his visions were most likely one of the reasons that the Alchimia school managed to become known and respected internationally in a relatively short time span.

 Manfred Bischoff by Manfred Bischoff

Daniela Boieri, « Wind beneath my wings » – « A tribute to Manfred Bischoff » –  photo OHMYBLUE

 Catalina Brenes , « My sheep and I say hi » – « A tribute to Manfred Bischoff » – photo OHMYBLUE

Katie Gruber - « A tribute to Manfred Bischoff » – photo OHMYBLUE

Rudee Tancharoen, « In the memory of Manfred Bischoff »/ A tribute to Manfred Bischoff (photo OHMYBLUE)

Noriko Akao, « M… » – « A tribute to Manfred Bischoff » –  photo OHMYBLUE

 collier Ara Kuo !!!!!!!!!! ‘A tribute to Manfred Bischoff’  (photo Alliages)

The teacher
« As a student at Alchimia, you never really met Manfred until the third year. He was a giant figure who arrived to the narrow street in Florence on Tuesdays. He spent time with the older students, watched the world from behind his sunglasses when he leaned onto the wall at coffee breaks, and then he vanished again.
It was not until you were there yourself – in your final year – that you met the myth and began to appreciate his capacity to engage in your work and to show you how you might develop it. He was a surprisingly selfless teacher, and during critiques in the small classroom he managed to create a space for you and him to engage in a dialogue about your work that was stripped of second agendas and based solely on how he could help you to become a better artist.
It is only later, you come to understand how exceptionally truthful and helpful he tried to be in order to make you grow as a person and as an artist. »

 

 

3stations
Welserstrasse 15,
81373 Munich
Thu, Fri, Sat 10:00 – 18:00, Sun 10:00 – 14:00
www.3stations.de

 

EXPO ‘Subamos los colores/Enhance colours’ – Aram. Espai de Joies, Palma de Majorca (ES) – 19 Sept.-3 Oct. 2015

Subamos los colores | Enhance colours

On Saturday it will be the 2nd stop of the « Enhance Colours » tour during the « Nit de l’Art » in Palma of Majorca.
A night when all the city is invaded by all sort of artistic proposals.
Come and join us.
We are waiting for you at « Aram. Espai de Joies« !!!!

nit del art 2015  palma de mallorca will be the 2nd stop of the Enhance_Colours /Pugem_els_colors tour.

Join us on Saturday, September 19th @AramEspaideJoies !!

 

Exhibition organised by Alchimia alumni collective :

List of participants:
Akiko Ban — Andrea Coderch — Catalina Gibert — Claudia Cucchi — Elena Gil — Francesco Coda — Elisa Deval — Margherita de Martino Norante — Mª Constanza Ochoa — Mª Ignacia Walker — Maru Lopez — Poly Nikolopoulou — Selen Özus — Valentina Caprini  – Yuki Sumiya

 

Claudia Cucchi

Catalina Gibert

Elena Gil

Akiko Ban

Andrea Coderch

Maria Ignacia Walker

Poly Nikolopoulou

Selen Ozus – « Friends » necklace(s) 2013 – silver, porcelain, cotton thread

Valentina Caprini

 

 

Aram. Espai de Joies

Carrer Missió

Missió,

07003 Palma de Majorque

[e-mail]

tel [phone]

aramjoies_blogspot

de dill a div de 10.30 a 14.00 i de 17.00 a 20.30h

EXPO ‘Alchimia: an Anthology’ – SAC Exhibition Gallery, Boston (USA) – 1er Mai-11 Juill. 2015

Alchimia: an Anthology

Reception: Thursday, May 21, 2015 6-8pm

An exhibition that features the work of Alchemists, teachers and students, former and current, to render visible how skill and creativity pass from one generation to the next, from master to apprentice, giving shape to concept and material

Lucia (Lucia Massei, « Hotel Centenario » bracelet, iron, silver, gold, pigments and mixed media, 2014)

Alchimia: an Anthology features work of current and former faculty of the world-renowned jewelry program at the Alchimia School in Florence, Italy, complemented by a juried selection of pieces by alumni and final semester students. The exhibition highlights technical skill and creativity, and shows a breadth materials and processes realized to form masterful pieces. The exhibition gives visitors an opportunity to support student work and see the way faculty inspires new generations of makers.

The exhibition coincides with the annual Society of North American Goldsmiths (SNAG) conference, which will be held in Boston during May 20-23, 2015.

(Anja Eichler  “Collier”)

Works by the following faculty will be shown: Orsetta Andreotti — Giampaolo Babetto — Peter Bauhuis — Paolo Bernardoni — Manfred Bischoff — Daniela Boieri — Doris Maninger – Giovanni Martinelli — Lucia Massei – Ruudt Peters (Keynote Speaker at SNAG Conference) – Marzia Rossi – Manuel Vilhena.

The works of the students have been selected by the Society of Arts and Crafts a non profit organization that has been advocating for artists and craftsmen since 1897. Among them :  Anja Eichler — Sungho Cho — Anna Drexel — Catalina Gibert — Gabi Veit — Isabel Dammermann — Michelle Kraemer — Monica Cecchi – Enrica Prazzoli — Maru López — Andrea Coderch  ……Doris Maninger

Marzia Rossi Necklace: Untitled 2006 Acrylic glass, gold, lapislazuli, shibuishi

Lucia Massei - « Hotel Centenario » bracelet, iron, silver, gold, pigments and mixed media, 2014- photo : Federico Cavicchioli

Anja Eichler  “Collier” 2015 – Hardened quail eggs, brass with 18kt gold leaf, 18kt tubes and spheres, gold plated steel wire 65 cm in length

Sungho Cho “Faces,” 2013 – 24 kt gold Keum Boo, silver, garnet, plastic, found objects 9x6x4 cm

Isabel Dammermann « Roog,” 2013 – Jade and silver 12 x 9 x .5 cm

Catalina Gibert - ‎llimona‬ brooch‬ 

Gabi Veit “Rosengarten,” 2013 – Oxidized silver, garnet 4 x 3 x 2 cm

Anna Drexel  “Untitled,” 2013 – Cement and silver 21 x 21 x 2 cm

Michelle Kraemer -  necklace « starry night »

Michelle Kraemer - necklace « starry night » (BACK)

Enrica Prazzoli « sign language » brooch 

Andrea Coderch and María Eugenia López (Maru lopez)

Daria Borovkova

 

 

SAC Exhibition Gallery
on the second floor, above the SAC Retail Gallery:
175 Newbury Street,
Boston, MA 02116 – USA

ENVIRONNEMENT MODERNE

…. environnement urbain : travaux, béton, ferrailles, échafaudages, palissades, barrières, outillages, machineries, matériaux de construction, lignes, cartes, plans, routes, échangeurs, sens interdits …….. démolition, reconstruction ….  tout cet environnement, même hostile ou menaçant, fascine ….. un moment, le mouvement est arrêté, « photographié », pensé, intériorisé puis réinterprété selon chacun, retraduit, « miniaturisé » pour devenir bijou … une construction nouvelle, en quelque sorte ….

(voir également l’article « Architectures …………… en broches »)

Andrea Zeuner  – Superhighway Brooch 2011  Brass, asphalt crack repair, steel

Andrea Zeuner – Superhighway Neckpiece – Brass, asphalt crack repair, nickel – 2010

Andrea Zeuner – Neighborhood Brooch – sterling, copper, raw garnets, wood, steel

Caitie Sellers Transistor Brooch – sterling & steel

Caitie Sellers topographic brooch – Sterling Silver.
The inside of this brooch is composed of 5 pierced disks to make that image. The top of the brooch screws off so the wearer can take out the slices and do something else with them

Phoebe Porter - transit necklace

Andrea PIneros – Broche CIRCUITOS, 2011. The city, the friends, the family and you – Brass, Cristal, car paint

Stephanie Barbié -Lo natural, lo artificial – broche – alpaca, plata, resina, metacrilato
« El mapa de una ciudad, como primera aproximación de un espacio, reune lo artificial y lo natural, lo simbólico y lo real. Confronta imaginación y deseos con vivencia y realidad. Esas piezas surgen de esta confrontación. «

 

Michael Dale Bernard Excavator necklace, stainless steel, silver, vinyl tubing, powder coat,  2009

Michael Dale Bernard Dozer brooch, one of a pair designed for the Neo-Rococo show. Stainless steel, aluminum, silver, brass, iron pyrite, powder coat, 2010

Maru Lopez – Derrumbe paredes – 200 – Silver,Iron and cement

Vanessa Arthur - ‘Demolition necklace’ – Reclaimed wood, laminate, copper, wooden beads, gold elastic, 925 silver.

Diego Bisso – Environmental Jewelry – Marmo (marble)

Dana DiPlacido (2011 graduate from MassArt, Massachusetts College of Art and Design ) – House bracelet, 2011 – stainless steel

Robean Visschers  «under-construction» structure ring -Gold, silver (oxidized)- 2006

Robean Visschers  - construction/structure ring

Robean Visschers Untitled 2009 Brooch

Bin Dixon-Ward – brooch – 2009

Ara Kuo – ‘MAZE’ brooch

Alice Bo-Wen Chang Bodyspace/bodyscape serie – red brooch

Linda Hughes Square Neckpiece and bracelet

« Colour plays a very important part in your jewellery and it is often bold and bright. Would you consider this a signature style or do see yourself moving towards a different palette in the future?
The palette relates directly to street signage but I do feel free to incorporate other colours and don’t feel inhibited by it.
What ignited your interest in signs? Was it marked by a particular experience or moment?
Some of the urban landscape in Australia seems particularly contrived, like a theatre set. A mixture of international influences all mixed up, often without connecting to the environment. My attention is drawn to signs as ‘street furniture’ if you like, ‘props’. « 

Linda Hughes – Necklace

« In her new body of work, contemporary jeweller Linda Hughes explores the ‘stripe’, historically favoured as a metonym for danger, exclusion and as a device to attract attention. Hazard signage, ubiquitous in the urban landscape, changes when placed on the body as jewellery. In this exhibition, Hughes applies the visual language of the stripe to the sculptural form of the wearable. Displayed against as a series of graphic backdrops, the work explores the tension between body and environment, critiquing the complex theatre of public space. »

Linda Hughes -  necklace  – « It’s got legs » exhibition

« Shared Zone, is both the culmination of Linda Hughes master’s research and her first solo exhibition.
Hughes utilises the familiar urban language of invisible everyday objects such as road signs, posts and hazard markings. Juxtaposing these symbols on the body she uses them to define space and create landscape. Her work invites the wearer to become a part of the “theater of the wearable” that arises when the brooches, neckpieces and bangles are placed so as to interact and create their roles – transforming the body into a stage. »

Linda Hughes, Wing Brooch, Red & White Series, 2009, laminate and acrylic. Photography Argonaut Design

Galatée Pestre   sautoir ‘Sens Interdit’ – argent noirci, émail.

Analiese Stinson (2011 graduate from MassArt, Massachusetts College of Art and Design )- Map Bracelet #2–The Trip to School and the Long Way Home, 2011 silver, fabricated

Fabrizio Tridenti’s complex structures

Bergner Schmidt – Concrete jewellery

Benita Dekel, Massconstruction – silver & concrete (ciment)

« Benita Dekel, a graduate of the Department of Jewelry Design at Shenkar College of Engineering and Design (Israël), developed a series of jewelry pieces that combine silver with concrete. The results of the combination of concrete, which we usually associate with heavy, industrial construction, and delicate constructions in silver is that despite being made of concrete the pieces do not appear heavy. The shapes of the pieces, which are very familiar, almost as though they have been taken from various construction sites, manage to surprise both in their shape and new function« 

Todd Pownell – architectural nest

Donna Veverka – Spiral Staircase bracelet

Silvia Walz – série « Casitecturas » Victors Haus – brooch – silver, copper, enamel

Sabine Conrad – necklace Burnt Future 2011, copper, silver, wood, paint

Esther Knobel – 4 brooches From “The Mind in the Hand” series

Renzo PASQUALE – OLIMPICA – spilla (brooch) – omaggio a Palladio (2008)

Christina Elleni Cox « Changeable Cities » bracelet (on Kit&caboodle)

EXPO ‘NOI9′ – Ilias Lalaounis Jewellery Museum, Athens (Greece) – 9 Nov.-31 Dec. 2011

NOI9 – contemporary jewellery group
9 jewelers / 9 countries / 9 approaches

NOI9 : Anastasia KANDARAKI  — Ara KUO  — Catalina BRENES  — Isabel DAMMERMANN  — Joanne HUANG  — Malaika NAJEM — Maria E. LOPEZ  — Sayaka ITO  — Selen OZUS

Ara Kuo – « PASS ON » Necklace

Selen Ozus

Joanne Huang - ‘Cover & Discover’ Series. Ring. Silver, PVC sheet, silk

Malaika Najem  ebony wood ‘Flora’ bracelet

Ara Kuo « FORTRESS-NIGHT » Brooch

Anastasia Kandaraki  « podikomura » necklace, vintage leather, silk thread, cotton

Catalina Brenes – « verde que te quiero verde «   ring – 2010 – silver, quartz, onix, turquoise

Maru LOPEZ (Maria E. Lopez) – Un beso 2010 – necklace – silver and shibuichi

Sayaka Ito

Isabel Dammermann – « Dyad » brooch

 

 

 

Ilias Lalaounis Jewellery Museum, Athens

Kalisperi 12 Athènes 117 42
Grèce

01-922-1044

Fax: [phone]

[e-mail].

TOUT est bon dans le COCHON !!

A « porky pig » selection ……

Sung-Yeoul Lee – brooch: Growth series 2010 – Cast plastic, sterling silver, copper mesh, gold leaf, pig intestine

Sung-Yeoul Lee – Necklace ‘Growth series’ 2010 – Cast plastic, sterling silver, copper mesh, gold leaf, pig intestine

Marta Mattsson’s brooches- sofa ny highlights part two: märta mattsson’s skins
at SOFA NY was jewelry artist Märta Mattsson, represented by Sienna Gallery.
while it might look like paper, the reality is that each piece is made of skin – goat skin, calf skin and reindeer skin. Repulsion quickly mixed with fascination (dailyartmuse)

Märta Mattsson – Skin flowers Brooches -  Goatskin, walnut wood, silver

Catarina Hällzon – beautiful necklace- Here comes the surprise: it’s the intestines of a pig, tightened around silver

Catarina Hällzon- Necklace 2006 – Material: Intestinal tract from a pig, silver  -detail

Catarina Hällzon – Brooch 2006 Material: Intestinal tract from a pig, silver, thread

Arthur Hash – 2005 Dried Pig’s ear bracelet

Tiffany Rowe- “Made with fresh sheep intestines !”  (bon, c’est pas du cochon, mais on va pas chipoter !!)

Maria Phillips (USA) – “Portrait” Brooches – gut (boyaux) (Velvet da Vinci exhibition)

Stephanie Hensle – MEAT serie

Stephanie Hensle brooch(es)

Stephanie Hensle brooch

Andrea Coderch Valor – necklace – 2010- Silver, plastic, white pearls, black pearls

Andrea Coderch Valor – ring – 2011 – silver, pearls, resin

Ted-Noten- Evening Butterfly ring – 2010

David Bielander – brooch

Nikki Majajas, from the « tenmoregirls » group (Australia)

Jimena Rios

Jaanika PAJUSTE

Jaanika Pajuste  Two in One  Necklace in porcelain, pearls, silver, thread and magnets. Shown with optional ‘Sweets’ magnets

Akiko Kurihara – necklace « thank you for the meat » 2010 – silver, acrylic resin, colour (Marzee Gallery)

and the last two from ALCHIMIA :

« Alchimiajewellery school presents ‘Tastes just like chicken….’ the Quaternitas exhibition 2011, curated by Ruudt Peters.
Michelle Kraemer and Maru Lopez present the final results after a yearlong development under the guidance of their tutor and curator. The work of both started with an exploration of gender, identity, sex, skin, touch, within the borders generated around those concepts by the individual and society.
The artists have worked in a close dialogue and with corresponding materials like fabric, latex, nylon and foam, but the resulting jewellery pieces show clearly their difference in cultural identity and personal interest.
Set up in the beautiful entrance hall of Alchimia, the exhibition is articulated in two installations referring to the display of ‘organic material’ , one related to commerce (the butcher) the other to curiosity and science (the natural history museum).« 

Michelle Kraemer: ‘have you got the guts?’ latex, nylon thights, balsa wood, embroiderie thread

Maru Lopez: ‘pass me the salt’, Fabric, acrylic paint, thread, plastic filling , iron, and shibuichi

EXPO ‘Tastes just like chicken… ‘ – Alchimia Jewellery School, Firenze (IT) – 22 sept.-8 Oct. 2011

Tastes just like chicken…  – Quaternitas Exhibition 2011

Alchimia jewellery school presents ‘Tastes just like chicken….’, the Quaternitas exhibition 2011, curated by Ruudt Peters.

Michelle Kraemer and Maru Lopez present the final results after a yearlong development under the guidance of their tutor Ruudt Peters. The work of both started with an exploration of gender, identity, sex, skin, touch, within the borders generated around these concepts by the individual and the society.
The artists have worked in a close dialogue and with corresponding materials like fabric, latex, nylon and foam, but the resulting jewellery pieces show clearly their difference in cultural identity and personal interest.
Set up in the beautiful entrance hall of Alchimia, the exhibition is articulated in two installations referring to the display of ‘organic material’ one related to commerce (the butcher) the other to curiosity and science (the natural history museum).

Maru Lopez: ‘pass me the salt’, Fabric, acrylic paint, thread, plastic filling , iron, and shibuichi

Michelle Kraemer: ‘have you got the guts?’ – latex, nylon thights, balsa wood, embroiderie thread

 

 

Alchimia, Jewellery School
Piazza Piattelina 3/r
50124 Firenze

‘Noi Nove’ – 9 approaches/ 9 countries/ 9 jewellers

WELCOME to a NEW GROUP  from Alchimia School  :  NOI 9 

« There are right moments in time, right places.Moments when circumstances create a perfect setting for the interchange, sharing, and creating.Where differences become points of growth.
Where growth is supported. Where the collective and individual walk in hand.
Emerging from these circumstances
NOI 9
9 approaches/ 9 countries/ 9 jewellers
one group »

 

Maru LOPEZ (P.Rico) -  Joanne HUANG SHI-PING (Taiwan) – Selen OZUS (TR) – Isabel DAMMERMANN (DE) – Ara KUO (Taiwan) – Catalina BRENES (Costa Rica) -  Anastasia KANDARAKI (GR) – Malaika NAJEM (Liban/FR) – Sayaka ITO (JP)

 

[e-mail]

« PORTRAITS en PIEDs » – « WHO IS THIS JEWELLER ? «

« appel du pied » !        Hey !! ALL of  YOU, JEWELERS !!!
j’ai remarqué que vous aimiez bien prendre … votre PIED !! ou en tout cas des photos de vos pieds !! je voulais faire un « bobinoscope » des créateurs sur mon blog, je vais faire un « pied-de-nez_OH!_scope » !! ENVOYEZ-MOI vos photos en PIEDS !!!!
I saw that you like to take pictures of your feet … so instead of publishing your faces on my blog, to allow people to know « WHO IS THIS JEWELLER ? », I will publish … your feet ! please SEND ME YOUR FEET’s pictures !!   (cet article reste sur le « pied de guerre » !! tout pied est constamment la bienvenue pour augmenter la galerie de portraits ! all « feet’s portrait is anytime welcomed, to increase this picture’s gallery !!!)(summertime is crazy-time, isnt’it ?)

Sylvie Jousset … les doigts de pieds en éventail ! – … et un des ses bijoux (bracelet) – c’est ce qui s »appelle « faire des pieds et des mains » !

Alina Alamorean … c’est le pied (sexy) ! ….. & deux de ses bagues sculpture

Augousta Themistokleous (CY) – une des ses bagues ….. et rougir de plaisir de la tête aux pieds !

ALCHIMIA Jewellery School – là, c’est l’ecole ALCHIMIAde pied … sans cap ! )
mais comment (re)trouver chaussure (créateur)  à son pied ???!!
Sur cette photo : Marianne Casmose Denning (DK), Angela O’Keefe (UK) , Camilla Teglio (IT), Doris Maninger (AT), Eun jea, Marina Elenskaya (RU), Katie Gruber(UK) , Eugenia Ingegno (IT) , Michelle Kraemer (LX)!!!!!!!!!

Marianne Casmose Denning (DK) — Marina Elenskaya (RU) 

Angela O´Keefe (UK) – Rings Untitled 2009 – Diverse materials
Michelle Kraemer (Luxembourg) – brooch

Katie Gruber (UK) – Necklace: Untitled 2009 – Diverse materials

Viktoria Münzker (left), Michelle Kraemer – Viktoria Münzker « C’mon ring » – C’mon !!

UIUC Metals School -  Sur cette photo : Billie Theide (on left) , Kristi Wilson , Eun Yeong Jeong (en bas, celle qui « pointe » tout le monde du pied !), Soyeon Kim (à droite chaussure brune), Keri Kwik (la « nouvelle » à la chaussure rouge !)

Eun Yeong Jeong – ‘vessels of life – growth ‘
Soyeon Kim- Sensual Elegance, 2009 - fine silver, glass, red and pink coral, traditional chain making technique

Keri Kwik (US) – ring – une NOUVELLE découverte ! quel … PIED !!
Billie Theide necklace

avec Hanna Hedman ai perdu (son) pied !! reste plus qu’un doigt ….   - necklace

Susanne Klemm (CH) – « Beach’s feet » !   - … et FABULEUX collier !

 Gary Schott - ‘impatient shoes’, brooch – and IMPATIENT to find a MAN’s foot !!!!!!!!!

Heidemarie Herb - ‘my herbs’ ring

Marta Miguel Martínez-Soria – ‘primeros pasos’ … pour ses chaussettes vertes ou pour son collier ?

 
Galatée Pestre - ses pieds parlent pour elle ! -  broches ‘bulles’ de BD

Aude Médori (FR)- De cette nécessité de mouvement et de la liberté qu’elle implique….

Barbara Paganin – bon… elle est partie en vacances …. – spilla ‘corallo nero’

Catalina Brenes &  Ara Kuo – high heels for graduation day !!

Ara Kuo. Ring ‘brush’, pearls gold

Catalina Brenes – feet’s fan !  « vieni qua » ring – zirconia, plata 925

Maru Lopez - pinky feminity ….. « telling stories » (necklace),  silver

Kathryn Wardill (AU)- 7 Sites, 7 Neckpieces – Studio Ingot6 – 21 Aug 2010 « Stairs of Passion »

Chryssa Damianidou (GR) (c’est ce qu’on appelle le « pied grec » !

Federico Vianello – un créateur tout en PIED ! ….. anello ‘piedi’… « hand made » !

Maricha Genovese (US) – “Diamond Ring” Ring: needle felted wool, thread, sterling silver  

Beth Legg (Scotland) -  larkspur and rosewood brooches

Mirla Fernandes – ….. ou faire des pieds et des mains !

Rachel Timmins – tired feet… after a Ruudt Peters’ workshop ! -silicon rubber bracelets

Corrado de MEO – qualè il gioiello ???

Montserrat Lacomba – ‘Too often we are late’… with our feet …- ‘Far away’ brooch – silver, copper, garnets (for me, Montserrat Lacomba is « Mrs mar de Color Rosa » !! )

une découverte !! (aujourd’hui 21 aout 2010, grâce à Montserrat Lacomba : tout ça pour vous dire que NON, je n’ai pas copié l’idée !) ! lesecond blog deDominika Naborowska : promenades vue(s) des pieds  !!!

Genne Laakso -  « au pied levé ….  » neoprene ‘O’ rings, sterling silver, fishing line, latex, fish hooks, copper, steel, 2009. NJB Photography

Silvina Rio – broche ‘lo invisible’

Daniela Hedman

Agnes Figueres   (du groupe « Bijou5″)- en vert et contre tout ! bague en matériaux de récupération, ligne ‘pétillante’

Tiina Rajakallio – « mini vacations » for feet ! -  necklace 

Patricia Lemaire …qui m’a fait « faire le pied de grue« … pendant qu’elle était « au vert… - ‘Grand Jardin’ maillechort et … (Hte couture – 1998 - pièces conçues et réalisées pour Olivier Lapidus)

Manolya Konuk- comment, au pied levé, faire « pieds » ET « mains » ! bracelet ‘semainier’

Chiara Trentin – piedi « Romani » ! è collana ecobottoni

Frédérique Trinchese – pieds …. cousu(s) main ! Bague/pendentif Cannette

Poly Nikolopoulou

Discrets, les pieds des « FOUR » ! – « FOUR » are the jewelry artists: Hanna Liljenberg, Karin Roy Andersson, Malin Lövgren, Ellen Jacobsen Holvik, from Sweden

Nadine Abdallah – son pied … et ses « poissons-bijoux » en galets

Rosanna RO (« Niiro Jewelry« ) -  pieds d’hiver & Entangled wire necklace

et … TA-DAAM ! mon pied ! et un des bracelets de « charms » que je fais & qui racontent chacun une histoire. Ici « La vie en rouge », excessive ….

BON ! Maintenant, vous savez à quoi ressemblent « vos » créateurs ??!!??
Now you KNOW what your favourite jewellers look like !!