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08/06/2012

EXPO ‘Donning Oxford’ – O3 Gallery, Oxford (UK) – 2 Juin-1er Juill. 2012

DONNING OXFORD

EXPO 'Donning Oxford' - O3 Gallery, Oxford (UK) - 2 Juin-1er Juill. 2012 dans Exposition/Exhibition GetInline-1This exhibition of contemporary fine art jewellery looks to explore and stretch the notions of how or what it is to ‘don’ Oxford. Contributing artists have been selected for their collectively broad approach to jewellery making and will undoubtedly reflect, interpret and respond to this theme in varied and surprising ways.

 

Contributing artists:
Farrah Al DujailiKaren Bartlett — Emily Bullock — Rachael Colley — Sally Collins — Sian Haigh-Brown — Lucy Harvey — Fiona Hermse — Heidi Hinder — Tamsin Leighton-Boyce — Yi Lu — Mikaela LyonsToni MaynerKathryn PartingtonJo Pond — Fliss Quick — Katherine RichmondMiriam RoweNatalie SmithShadi Vossough — Li-Chu Wu

3_72dpi dans Farrah AL-DUJAILI (UK)Farrah Al-Dujaili‘Out-of-the-way-things’ necklace  Copper, enamel paint, acrylic paint, watercolour, beads, acrylic coating.

 

 

Donning Oxford

Li-Chu WuBrooch ‘Plants’ 2011 -Paper, copper, wax, silver plated
 dans Fiona HERMSE (UK)Mikaela LyonsNeckpiece ‘Organic 3′ 2012 – Curtain trim, black fresh water pearls, enameled copper, wax

 

O3 Gallery
03 Gallery
Oxford Castle New Road
Oxford, OX1 1AY
Phone: 01865 246131
Email: sophie.egleton@topgroup.co.uk
Website: www.o3gallery.co.uk
donningoxford@gmail.com
www.donningoxford.blogspot.com
Opening times during exhibitions:
Tues – Fri 12-5pm, Sat & Sun 11am-4pm, Closed Mondays.

14/07/2011

bien surveiller les/ses ARRIERES !!

L’arrière des broches est tellement soigné qu’il est parfois plus beau que le devant, avec en plus cette notion de « trésor caché » rien que pour soi !

bien surveiller les/ses ARRIERES !! dans Alessandra PIZZINI (IT) 28-128-2 dans Aran GALLIGAN (US)
Rebecca Hannon (DE) Rooftops Brooch (& reverse), silver, gold, Plexiglas  2002

168010_1776886469190_1450211589_1863369_4117692_n dans brooches
Montserrat Lacomba- ‘la casa-el mundo’ – brooch – Silver, copper and enamel

180128_1776887229209_1450211589_1863372_6890470_n dans Daniel KRUGER (DE)
Montserrat Lacomba- ‘la casa-el mundo’ – brooch – back !

 dans Ellen JACOBSEN HOLVIK (SE)
Heng LEE – brooch

 dans Heng LEE (Taiwan)
Heng LEE -brooch (back)

http://4.bp.blogspot.com/-AV8gYTdJpXg/TasSVIgeVRI/AAAAAAAAIbE/Vbw9znbi5r0/s1600/Captura+de+pantalla+2011-04-17+a+las+17.53.08.pnghttp://4.bp.blogspot.com/-2ZWlss6hmOw/TasSZKauMII/AAAAAAAAIbI/u7eU-xtbXw8/s1600/Captura+de+pantalla+2011-04-17+a+las+17.53.40.png
Tasso Mattar – brooch (front & back)

http://gioiellocontemporaneo.files.wordpress.com/2011/03/p1010617.jpghttp://gioiellocontemporaneo.files.wordpress.com/2011/03/p1010616.jpg
Alessandra Pizzini  fiori sottomarini effetto Nautilus di plastica e argento

 dans Jasmin HESS (CH) dans Miriam ROWE (US)
Satomi Kawai - Symbiosis Brooch II_back & front – Copper; oxidized and pigment applied, silk thread, sterling silver

 dans Montserrat LACOMBA (ES)

Miriam Rowe – Teacup brooch 2 – Plaster, brass, stainless steel brooch pin

http://4.bp.blogspot.com/_2mWNFD4Jz7A/TSuDLBbO60I/AAAAAAAAAe0/J1r0SmjOypk/s1600/Loveletter.jpg
Miriam Rowe – « Love Letter Brooch »

 dans Rebecca HANNON (DE) dans Satomi KAWAI (JP)
Aran Galligan- pin – Sterling Silver, Copper, Enamel, 2007

http://www.marzee.nl/galerie/wp-content/gallery/hess/hess-ab-remix.jpg

Jasmine Hess – brooch Remix, wood, cotton, steel

224196_193489174030721_100001089208634_529027_1102976_n dans Tasso MATTAR (DE)227981_193489394030699_100001089208634_529028_154647_n
Goldfingers Copenhagen – Institut for ædelmetal / HER, NU & I MORGEN( FB)

brooch+01+2009brooch+2009

Daniel Kruger – Brooch, 2009, front & back

Pinned ImageEllen Jacobsen Holvik - brooches « Dust » Paper & silver.

08/09/2010

EXPO ‘Making Treasure’ – Birmingham City University, Birmingham (UK) – 13-22 Sept 2010

« Making Treasure  »

REALLY, REALLY  …. TREASURES !!!!!!!!!!!!!!  :-)

« Fantastical edible creations, modern re-interpretations of historical decorative arts, rubber glove garments and wearable drawings, a selection of what will be showcased at Making Treasure, the MA Jewellery, Silversmithing and Related Products graduate exhibition opening on September 13th.
The exhibition is the culmination of the intensive one-year long course taught at the renowned School of Jewellery, Birmingham City University.
The international group of makers join together to present new and original work that pushes conventional boundaries that co-exist within sculpture, fashion and fine art. The work exhibited challenges preconceived ideas of what jewellery and objects can be in form, material, function and scale whilst displaying individual aesthetics, design methodologies and artistic points.  »

EXPO 'Making Treasure' - Birmingham City University, Birmingham (UK) - 13-22 Sept 2010 dans BIAD Birmingham (UK) postcard+for+ma+show

Artists:
Farrah Al-Dujaili, Laura Brannon (UK), Li-Chu Wu (Taiwan), Miriam Rowe (US), Ningrui Zhou (China), Xiaorui Zhang (China), Yu-Ching Huang (Taiwan), Yuhan Ye, Hsiang-Lin Lu (Taiwan), Natalie Smith (UK), Simon Pattinson, Yi Lei Li, Yi Liu (China), Yu-Ping Lin (Taiwan), Suchanan Chinanuvathana (Thailand).

 

« Not only is perception of ourselves, of others and the world around us, a source of inspiration, it also invites us into an active and dynamic engagement, which is deeply related to the things we make. Considerations of sculptural form, composition, material, function and aesthetics are enhanced by contemplations of meaning, emotional investments and intellectual content.
The creative work of the makers in this exhibition address aspects of the most vital issues in contemporary applied arts; in their questioning of established ideas of what constitutes adornment, how decoration should be defined and executed, these works engage the eye and the mind simultaneously. They appeal to the intellect, whilst eliciting an instantaneous sensual reaction of pleasure, a desire to touch, hold, use and wear.
MA Jewellery, Silversmithing & Related Products is the overall title of the course. This is however a very limited and traditional description when one considers the wide variety of products that are within the province of the designer who has knowledge and expertise in the area of personal ornaments, body signification and decorative metal objects. The variety of materials, manufacturing techniques and processes available to an artist or designer in this field is far larger and of much greater potential than is indicated by the term ‘jewellery and silversmithing’ and has some affinities with industrial design, fashion design, fine art and sculpture and is often informed by intellectual engagements like general philosophy, conceptualisation or critical theory.
Our course philosophy addresses the existing and potential relationships within this sector, and educates its students to recognize, identify, understand and operate within this diversity. The philosophy of the course is embodied within a structured project programme that requires students to address vocational and academic research in design by applying their developing abilities and interests to a wide range of issues. Design experiences include ideas generation focused through strategies for concept development, the analysis of design problems and reflection on the relationships between personal objectives, cultural values, market identities, prototyping techniques and new technologies, thus enhancing knowledge and understanding, as well as facilitating the formation of professional studio methodologies. «   (Professor Jivan Astfalck, PhD )

 

Farrah Al-Dujaili
My design methodology revolves around the act of drawing
as an intuitive and subconscious process; geometric and organic components ‘grow’ alongside each other to create visual contrasts. Through a palette of feminine and masculine symbols, heavily detailed flowers and geometric shapes and crosshatched lines hybrid forms are created; not overtly floral, but organic and playful.
My making is immersed in metalwork because of the material’s ability to be visually delicate but physically strong. Fragments are created and later constructed to create the idiosyncratic detailing that appears in my drawings. I work within an intuitive mix of drawing and making that crosses over and intertwines.
I apply drawing materials of pencil, crayons and watercolours to a surface of enamel paint. This gives an interesting material link to my design methodology, enforcing the dialogue between drawing and making.

http://4.bp.blogspot.com/_szz00VVY2uE/S_WX_n_qc4I/AAAAAAAAAAs/zgjoqzmtM-g/s1600/mod4necklace.jpg
Farrah Al-Dujaili- Untitled 3,neckpiece, 2010. Copper, spray paint, acrylic paint, pastels, watercolour pencils, paper

 

http://1.bp.blogspot.com/_szz00VVY2uE/S_WXQue_SXI/AAAAAAAAAAc/o-u5VbwnAAQ/s1600/image_three.jpg

Farrah Al-DujailiUntitled 2, Neckpiece, 2010. Copper, spray paint, thread.

 

Hsiang-Lin Lu
Rice is cheap, small, but vital
. I like the taste of rice, and the form of rice. I enjoy playing with the rice grains and placing them into different shapes. They are like bricks creating lush texture and speckled pattern.
In contrast, lace, delicate embroideries, and ribbons present the opulence and craftsmanship of aristocratic fashion. For some people, food is the only object they desire, unlike the ladies of the court who are chasing adorned shoes and beautiful garment or jewellery, the vast number of people need bread and water.
Rice is the food that most of the people in my country rely on. It is the symbol of living, a symbol that is cheap but essential, which is like potato or corn to others. The definition of ‘ordinary’ and ‘luxury’ at different levels of social status is contradictory and interesting. I use this ‘ordinary’ material to describe opulence, and also explore the meaning of value and preciousness in different contexts. The richness and tactile abundance in the texture of rice delivers a deluxe beauty in place of the lace and jewels. I use this cheap material to produce enchanting and original works.

http://1.bp.blogspot.com/_DDARWatdC2g/TFdf2L-fC-I/AAAAAAAAADQ/_OEQPH-fEMc/s1600/Large+Image-Zoe.jpg

Hsiang-Lin Lu- I’ve been doing my final project of MA degree recently. I try to use rice and other combinations to explore the potential of this material. Here is one of them

 

Laura Brannon
‘Deadlights’
I create Jewellery that is grotesque yet intriguing by using rubber, plastics and found objects. Symbols from our collective subconscious, weird imagery of clowns, costumes, monsters and madness have fuelled this idiosyncratic collection.
The objects show elements of play amongst those of fear- this ambiguity can give the viewer an uncomfortable feeling as it requires to engage with two contradictory ideas at the same time. This I find fascinating!
My making process is spontaneous but controlled. I use a wide range of materials including rubber, plastics, foam and found objects. These contrasting textures and clashing colours are amalgamated, allowing the pieces to develop sculpturally. The use of ready-mades gives structure to the work and increases uncanny feelings. We know these ready-mades but when they are positioned within this madness, they offer new perspectives- we have to take a second look.

 dans Exposition/Exhibition
Laura Brannon - furry brooch

 

Li-Chu Wu
Paper has, without doubt, many varied uses. However, multiple layered paper interests me with its subtle movement and tactile qualities. I aim to recreate the link between the material and its original source in the natural environment. Pure and organic elements reveal a delicate and subtle visual language. The pieces function both as wearable pieces of body adornment and as sculptural objects off the body. The soft and subdued tones of colour that I choose give a quiet, calm and contemplative quality to the pieces.
Time is an essential element through the making progress; time, nature and I form my works, meticulous working processes enable me to develop a range of elements, which create the compositions.

http://1.bp.blogspot.com/_7dcqwzhNSnk/TAgqfsfEjII/AAAAAAAAAFc/JftO1V4oG2s/s1600/R0018438-01.jpghttp://4.bp.blogspot.com/_7dcqwzhNSnk/TAgqhUM0onI/AAAAAAAAAF0/EnJ5Y5bhaKQ/s1600/R0018491-01.jpg
Li-Chu Wu- Brooch -paper, copper, paint and stain steel pin
Li-Chu Wu- Necklace -paper, ceramic and wire

 

Miriam Rowe
I am interested in the dialogue created when recognisable forms from the history of European fashion and the decorative arts are combined, changed, and reinterpreted in a modern material.
For this project I chose to focus on material research and development, exploring plaster as a primary material in jewellery. Plaster has long been used in architectural decoration, but the plaster I use has been chemically changed with modern products to create an altered material that is waterproof and suited for use in jewellery production. I explored surface enhancement and advanced construction techniques to further develop the jewellery. I developed my construction methods based on historical plasterwork, adapting these techniques to fit my personal design agenda.
The images and forms I use come directly from my photos and drawings, based on objects seen on my visits to museums and stately homes. My interest in the forms, patterns, and images from the rich history of European design inspires this collection of contemporary jewellery.

http://miriamrowe.files.wordpress.com/2010/06/p1070039.jpghttp://miriamrowe.files.wordpress.com/2010/06/p1070035.jpg
Miriam RoweGrey Ironwork Brooch – Pin detail &  Side

 

Natalie Smith
My work explores the ideas of growth, transformation and disintegration. I find inspiration in surrealist science fiction, which is rich in atmosphere and imagery. Many of the books describe apocalyptic landscapes and alternate worlds that are on the brink of geographical catastrophes. In these dramatic dreamscapes there are no utopias, emphasis is placed on mental explorations and evocative journeys of the isolated humans.
I create my pieces by combining permanent and temporary materials such as textiles and sugar. I like the pieces to have a constantly changing structure and once completed, begin their transient lives. Depending on how they are cared for they may dissolve in humid conditions, change colour or melt like an ice-lolly on a hot day revealing the materials underneath. The evolution of the work is something that interests me greatly. I do not attempt to try and control what happens to the pieces after they are finished. I like an element of surprise.

http://4.bp.blogspot.com/_DJG5GOhrsjY/TC94JKBSUbI/AAAAAAAAAGg/6kYPCOtfuzI/s1600/marvellousmedicine.jpghttp://3.bp.blogspot.com/_DJG5GOhrsjY/S_mZkatKawI/AAAAAAAAADk/xCLaR3vP4Sg/s1600/sprew+lolly+stick.jpg
Natalie Smith – Marvellous Medicine 1 -Brooch – 2010
Natalie Smith -‘Scrumdiddlyumptious’ Brooch, 2010

 

Ningrui Zhou
The theme behind my work is to create a “city in the sky”. My inspiration initially came from a plastic bag flying in the air which I saw when I looked up into the sky .This evoked a good feeling and I began to consider the concept and question of flying; why should jewellery not fly? My work evolved from this to become sculptural objects. I create objects from bamboo and Chinese rice paper, exploring form, shape and structure. The visual use of lines in the pieces, in the installation and images of my work build together an alternative city skyline. I hope people can find a feeling of freedom and escapism in my work. I express this idea by taking photographic views of the city and making short films to tell stories about my flying pieces.

http://4.bp.blogspot.com/_5VAjeGNN0dM/TENpy0uHKWI/AAAAAAAAACQ/CvjbqkPEa8Q/s1600/0001.jpg

 

Simon Pattinson
My work derives from an exploration of the relationship between form and function. I look to create functional objects for the home which challenge and excite the user with designs which are serious yet play on their relationships. I have explored possibilities in form to create objects which invite interaction and arouse interest beyond mere function. Through these ideas I have created families of objects which communicate with one another and belong.
I look for relationships between materials, processes, colours and finishes, in different mediums including ceramics, metal and wood. I have used industrial processes to create some of the objects, whilst others have been developed using paper and card. When people interact with my work I want them to smile, to have fun with the objects, bringing joy to the relationship between object and user.

http://makingtreasure.files.wordpress.com/2010/07/simons-work.jpg

 

Suchanan Chinanuvathana
“Line is a basic element that exists in nature as a structural feature such as branches of a tree, or as surface design, such as striping on a tiger or a seashell. It can also exist by implication, as the edge of forms or its silhouette”. (Joseph A. Gatto 1987)I am interested in linear form and structure; the way in which a simple component can be combined and connected to create complex patterns and forms. All of my pieces are created from only one element “line”. I use a combination of curved lines to create my own three-dimensional forms with my textured wire technique. I use my traditional fine jewellery skills to make sculptural and wearable jewellery by using precious metals with simple colour range to show the purity of the line and the structure. I aim to make each piece appear beautiful from all angles.

http://makingtreasure.files.wordpress.com/2010/07/nancy_mgl7863-_.jpg
Suchanan Chinanuvathana - bracelet 2010 – Mixed media

 

Xiaorui Zhang
My work explores exagerated form and flexible wearability. I am interested in the idea that clothes are usually dominant and jewellery secondary, worn as an accessory to add decoration. My enquiry reverses this concept. To show this emphasis I create large scale jewellery that attracts people’s attention and functions like an item of clothing.
I choose rubber gloves as my material, aiming to transform a mundane everyday item into beautiful and original objects. I explore special dyeing techniques on the rubber gloves. I aim to create a unique aesthetic combination of sculptural construction, dramatic colour and texture. I see my work as visually interesting pieces for every-day wearing.

http://2.bp.blogspot.com/_u_Y-sDRXVWM/TGrl2mBPl9I/AAAAAAAAAFw/-yUOYHjyElU/s1600/debby2-1.jpg
Xiaorui Zhang- Dyed rubber gloves, 14ct plated gold. (showed by flexible wearability)

http://4.bp.blogspot.com/_u_Y-sDRXVWM/TAQ8ToNbVEI/AAAAAAAAACw/FxKMBMz_uHU/s1600/08.jpg
Xiaorui Zhang- Dyed rubber gloves jewelry

Yi Liu
My jewellery investigates notions of mourning and memorial jewellery, souvenirs that remember a loved one and which are a reminder to the living of the inevitability of death. I work predominately in plaster, which communicates a feeling of fragility related to our weak and transitory life.
Life is precious! I chose to work with tones of black, white and gray. These three tones are the background in my work and are combined with the highlights of copper and gold to form a contrast between preciousness and emptiness. I created images on plaster with symbols of death once used in Victorian mourning jewellery such as skulls, skeletons, and human hair, Memento Mori that are a warning against vanity.

http://makingtreasure.files.wordpress.com/2010/07/big-image-16x16-jpg.jpg
Yi Liufound objects, transfer, plaster, electroforming

 

Yi Lei Li
My inspiration comes from nature; the linear structure of plants is fascinating to me. I refine these natural shapes from my photographs of plants by overlaying line drawings. By using metal wire and crochet techniques I transfer graphic shapes into interesting and original three-dimensional structures to make wearable pieces of jewellery.
My collection is like a ‘garden’, every piece is unique with different colour, structure and other contrasts. They express feelings in the same way like in a real garden, where each kind of flower has its own beauty and character though they are different, they can enrich each other and be in harmony. In the process of exploring the linear structures and the balance between each piece and the whole group, I am trying to express the beauty I have found in nature.

http://3.bp.blogspot.com/_mkIgBYP3tmY/TCpMGGWWO2I/AAAAAAAAAAM/FAX2tKeM5ek/s1600/IMG_2783g.jpg
Yi Lei Li- copper wire, spray paint

http://3.bp.blogspot.com/_mkIgBYP3tmY/TFG2T3QQPCI/AAAAAAAAAAs/-3_FMIuETXI/s1600/IMGP3143square2.jpg

 

Yu-Ching Huang
My designs mirror myself and how I have been shaped by the people I have met.
I am looking for an answer to what might be a gentle and considerate.
Could silence be heard, even without talking?
Could virtue be seen, even without showing?
Could people not hurt each other, even though we all flawed?
Sometimes flowers and plants give me part of reply in the symbiotic relationships they have with other plants and organisms. Plants always have their individual characteristics but don’t interfere with each other. Maybe this is the reason I am fascinated by them.
I chose to use zips in my work to show the connections between people, events, things or places. People all want to connect and have graceful relationships like flowers in a garden.

http://1.bp.blogspot.com/_pB5EecEsq-I/TIIoxOlUo7I/AAAAAAAAAEI/H_KbUYrVImE/s1600/autumn-b-2.jpgmywork-4 dans Farrah AL-DUJAILI (UK)
Yu-Ching Huang- Autumn 2 – & ‘Plant our dream’ necklace

 

Yuhan Ye
My work combines popular fashion elements and bold colour which relate to Pop Art. I organise these elements as collage and stylised images of fashion and beauty. I create my own images from these fashion elements using computer software. The colour range within the images helps me to bring my work together as a collection.
Together with the illustrations and bold colours, I have also designed electronic circuits to extend my jewellery into the realms of light and sound. Adding the electronics makes my work more playful and gives an added function which encourages interaction. My illustrations can be illuminated by the light when worn in a dark place. I have also added sound sensors to my work, so that my work can be changed by the volume of the speed of speech and music.

http://3.bp.blogspot.com/_dPCtS6N0r2k/TDO3DUqgFcI/AAAAAAAAABw/8bHVAc48Enk/s1600/IMG_1376.JPG
Yuhan Ye- Light up ring 1

Yu- Ping Lin
My work is process-based and structurally complex. I am never without a sketchbook where my ideas evolve so I am constantly drawing with brush strokes. The inks sometimes bleed into the Chinese rice paper and at other times they develop into more in-depth ideas and detailed images.
I did not set out to be a fashion designer or to create artwork relating to environmental issues but as my portfolio developed and I became interested in both style and ecology. My work tends to focus on inspiration from nature, the notion of folding and pleating, architectural structures, interaction with people and seduction of pattern and colour; the original pleasure captured by the structure of organisms and forms inherent in nature.

 dans Grande-Bretagne (UK)
Yu- Ping Lin - Inherence in nature 5 – ‘mushroom’

http://4.bp.blogspot.com/_XZcHP9U7A_I/TIP4m6d76cI/AAAAAAAAAJQ/Omc7nkUmLmw/s1600/_MG_0074.jpg
Yu- Ping Lin - ‘bloom’

 

Birmingham City University
Vittoria Street
B1 3PA – Birmingham
United Kingdom
Telephone: +44 121 331 5940
website: makingtreasure.wordpress.com
mail: makingtreasure@googlemail.com

16/07/2010

COUP de COEUR ! Miriam Rowe

Classé dans : COUP DE COEUR,Grande-Bretagne (UK),Miriam ROWE (US),www KitandCaboodle — bijoucontemporain @ 1:12

 Miriam Rowe découverte la première fois sur son site où elle demandait très innocemment ce qu’on préférait de ses essais en bijoux : j’ai adoré cette spontanéité, cette … « ouverture » (publier, montrer ce que l’on est en train de créer), si à l’opposé de nos habitudes françaises …. et la voilà que je la re-découvre dans « kit&caboodle » ! :-) c’est un signe !

« I am currently finishing my masters degree at Birmingham City University in Birmingham, England. I did my BFA in Jewelry and Metalworking at the University of Georgia in the USA and also studied jewellery and metalworking in Cortona, Italy. I’ve been really fortunate to be able to study at so many different places and I’ve always enjoyed letting my surroundings inform my work.
My interest in historical fashion and the decorative arts has given me a design agenda to pursue as I make my jewellery: I am interested in taking forms, patterns, and images from the rich history of fashion and decoration and reinterpreting these historical elements in a contemporary way and a modern material.
I am currently exploring the use of plaster as a main material in jewellery- I have figured out a way to modify the plaster so it is waterproof and extremely durable, making it suitable for jewellery production.  »

COUP de COEUR !  Miriam Rowe  dans COUP DE COEUR
 dans Grande-Bretagne (UK)
Lace Necklace – Back (top)  & front (bottom) – which one is best ?

 dans Miriam ROWE (US) dans www KitandCaboodle
Roses necklace

 

 

 

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