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26/04/2013

EXPO ‘CHAINED’ – Bilk Gallery, Manuka (AU) – 12 Avril-18 Mai 2013

Bilk galleryChained – Thirteen Australian artists interpretation of “The Chain”

he artists have explored the theme in gold, titanium, silver, aluminium, glass, wood, recycled signs, all with an over riding link of movement as they beautifully fit the body.

Opened Friday 12 April until 18 May 2013

Bilk gallery - Chained - Thirteen Australian artists interpretation of “The Chain”

Movement, articulation and a nod to the historical reference to a reoccurring unit: the link. Or better than a string of pearls!
The results are as varied and imaginative as the makers, some are vibrant, others elegant and restrained with simple coloured lines.The artists have explored the theme in gold, titanium, silver, aluminium, glass, wood, recycled signs, all with an over riding link of movement as they beautifully fit the body.
A real chain of events now showing at Bilk Gallery –
Alice PotterBlanche TildenJill Hermans — Johannes Kuhnen — Mark Vaarwerk — Maureen Faye-Chauhan — Michelle Taylor — Nellie Peoples — Phoebe Porter — Sarah Murphy — Sophia Emmett — Sean O’Connell — Tracy Pateman

 

 

Bilk Gallery

12 Palmerston Lane, Manuka
+61 (0)2 6162 2761
Tues – Fri 11.00am – 5.00pm
Sat 11.00am – 4.00pm
Or by appointment

14/06/2012

EXPO ‘The Year was 2006′ – Studio2017, Waterloo NSW (AU) – 19-30 Juin 2012

‘THE YEAR WAS 2006

An exhibition of 100 jewellery pieces made in 2006

The Year Was 2006 Waterloo Australia exhibitions unique custom jewelry custom handmade jewellery exhibitions

2006. It was a common year that started on a Sunday. John Howard was PM and Pluto was no longer classified as a planet. It is often bandied about that art is a reflection of our society; intrigued, we set out to find what 2006 might have looked like in terms of contemporary jewellery. 100 jewellers from across the globe have been invited to present one piece of jewellery they made 6 years ago. Presented as a salon hang, this exhibition will showcase an incredibly diverse array of jewellery and will give an overall snapshot of what these jewellers were thinking, making and the materials they were using all those years ago in 2006.

Alice Potter — Alice Whish — Alida Cappelletta — Amy Renshaw — Andrew Welch — Barbara Cotter — Bernadette Trainor — Beatriz Ruiz — Birgit LakenClaire McArdle — Coconut Lu — Bridget Kennedy — Danielle Butters — Danielle Sweeney — Deborah Rudolph — Diane Beevers — Elfrun Lach — Elfi Spiewack — Emma Fielden — Erin Timony — Francine Haywood — Heidemarie Herb — Helen Mok — Ilse-Marie Erl — InSync Design — Jacomien Labuschagne — Jandy Pannell — Jane Millard — Jane Pollard — Jane Reynolds — Jasmine Matus — Jennifer Gehbauer — Jessica McMullen — Jessica Morrison — Jessica Page — Judy McCaigJulie Usel — Julie Kiefel — Justine Austine — Karen Thompson — Karin Jakobsson — Karina Hunnerup — Karola TorkosKate BartonKath Inglis — Katrina Freene — Kelly McCallum — Kim Ebbeck — Linda Blair — Linda Van Niekerk — Lisa Furno — Luke-John Matthew Arnold — Madeleine Clark — Manuela Gandini — Mark Vaarwerk — Melanie Ihnen — Melinda YoungMelissa Cameron — Mervi Kurvinen — Michelle Kelly — Michelle Taylor — Minnette Michael — Mirca Maffi — Miriam Andraus Pappalardo — Nadine Smith — Naomi Schwartz — Paula Rodrigues — Phoebe Porter — Rachel Bell — Radka Passianova — Renee Damiani — Robi Szalay — Rudee Tancharoen — Sandy Marker — Shan Shan Mok — Sharon Fitness — Sharon Massey — Shauna Mayben – Shimara Carlow — Sian Edwards — Simon Cottrell — Sonya Scott — Stefanie Koelbel — Stephen Gallagher — Susan Frisch — Susanna Dwyer — Suzanne Esser — Szilvia Gyorgy — Tatjana Panyoczki — Teresa Faris — Vernon Bowden — Vicki Mason — Ximena Natanya Briceño — Zoe Brand
Flowering Gum Brooch Susan Frisch – Flowering Gum Brooch 

Alice Potter - spotty-necklaceAlice Potter – spotty necklace

Elfrun Lach - 'Corallium Rubrum' necklace - natural red coral branches, Elfrun Lach – ‘Corallium Rubrum’ necklace – natural red coral branches

carlow bangleShimara Carlow bangle
Birgit Laken -   Big Thumbnail, pendant hard fabric, 2006,Birgit Laken -   Big Thumbnail, pendant hard fabric, 2006

 

Studio2017
6b/ 2 Danks St
Waterloo NSW 2017  (AUSTRALIA)
Ph/fax: 02 9698 7999
Open: Tues – Sat 11 – 6pm
Email – gallery@studio2017.com.au

30/11/2011

ENVIRONNEMENT MODERNE

…. environnement urbain : travaux, béton, ferrailles, échafaudages, palissades, barrières, outillages, machineries, matériaux de construction, lignes, cartes, plans, routes, échangeurs, sens interdits …….. démolition, reconstruction ….  tout cet environnement, même hostile ou menaçant, fascine ….. un moment, le mouvement est arrêté, « photographié », pensé, intériorisé puis réinterprété selon chacun, retraduit, « miniaturisé » pour devenir bijou … une construction nouvelle, en quelque sorte ….

(voir également l’article « Architectures …………… en broches »)

https://fbcdn-sphotos-a.akamaihd.net/hphotos-ak-snc6/216831_1799095064824_1463190155_31833234_6745673_n.jpg

Andrea Zeuner  – Superhighway Brooch 2011  Brass, asphalt crack repair, steel

https://fbcdn-sphotos-a.akamaihd.net/hphotos-ak-snc6/169017_1664548141235_1463190155_31670144_2633674_n.jpg

Andrea Zeuner – Superhighway Neckpiece – Brass, asphalt crack repair, nickel – 2010
http://www.artjewelryforum.org/blog/wp-content/uploads/2011/10/Andrea-Zeuner-Neighborhood-brooch-2011.jpg
Andrea Zeuner Neighborhood Brooch – sterling, copper, raw garnets, wood, steel
http://www.caitiesellers.com/uploads/9/4/1/7/9417841/7436989_orig.jpg
Caitie Sellers Transistor Brooch – sterling & steel
http://farm3.static.flickr.com/2283/1498590815_091f5a4585.jpg
Caitie Sellers topographic brooch – Sterling Silver.
The inside of this brooch is composed of 5 pierced disks to make that image. The top of the brooch screws off so the wearer can take out the slices and do something else with them
http://studio2017.files.wordpress.com/2011/05/phoebe-porter_transit-necklace.jpg?w=420

Phoebe Porter - transit necklace
https://fbcdn-sphotos-a.akamaihd.net/hphotos-ak-ash4/s720x720/317225_10150336064683087_183051793086_8103282_1988267454_n.jpg
Andrea PIneros – Broche CIRCUITOS, 2011. The city, the friends, the family and you – Brass, Cristal, car paint

http://4.bp.blogspot.com/-AtynMaiw3iQ/TfaLgRx0ccI/AAAAAAAAIvM/QrVaLLCw80A/s1600/Ste%25CC%2581phanie+Barbie%25CC%2581+1.jpg
Stephanie Barbié -Lo natural, lo artificial – broche – alpaca, plata, resina, metacrilato
« El mapa de una ciudad, como primera aproximación de un espacio, reune lo artificial y lo natural, lo simbólico y lo real. Confronta imaginación y deseos con vivencia y realidad. Esas piezas surgen de esta confrontación. «

 

http://api.ning.com/files/THyKXncit5ofF7e0dVbdqrTCRyNikOnTJjnOqx4nLOeUsVMHswuZfgzQ8c9OJapSa3K1iFyiZxBhQZqyP8sDCmXgoVM7AFaS/4.Excavator.JPG?width=450&height=600
Michael Dale Bernard Excavator necklace, stainless steel, silver, vinyl tubing, powder coat,  2009
http://api.ning.com/files/sT58LjADvRrVCuYk9yPLpcekJWO3HGNgbEToM5H1ZlP7eGTZaNNF-jk*7aJ*dvf*6IXARaS0b3ZP7uPA6Ia6FeC24Z93B9aj/6.Dozer.jpg?width=737&height=552
Michael Dale Bernard Dozer brooch, one of a pair designed for the Neo-Rococo show. Stainless steel, aluminum, silver, brass, iron pyrite, powder coat, 2010

https://fbcdn-sphotos-a.akamaihd.net/hphotos-ak-ash4/196813_108432992569597_100002086897408_86140_6704666_n.jpg

Maru Lopez – Derrumbe paredes – 200 – Silver,Iron and cement

https://fbcdn-sphotos-a.akamaihd.net/hphotos-ak-ash4/215001_268289776521927_215355561815349_1301253_3203221_n.jpg

Vanessa Arthur - ‘Demolition necklace’ – Reclaimed wood, laminate, copper, wooden beads, gold elastic, 925 silver.
http://thecarrotbox.com/news/2008/0627_2.jpg
http://www.diegobisso.com/img/gallery_big/20.jpg
Diego Bisso – Environmental Jewelry – Marmo (marble)

http://www.artjewelryforum.org/blog/wp-content/uploads/2011/09/03_DiPlacido-e1316529741480.jpg

Dana DiPlacido (2011 graduate from MassArt, Massachusetts College of Art and Design ) – House bracelet, 2011 – stainless steel

http://www.polyvore.com/cgi/img-thing?.out=jpg&size=l&tid=9495000

Robean Visschers  «under-construction» structure ring -Gold, silver (oxidized)- 2006

Robean VISSCHERS ring
Robean Visschers  construction/structure ring

http://27.media.tumblr.com/tumblr_lqsf2b7bn11qaez4go1_400.jpg

Robean Visschers Untitled 2009 Brooch

https://fbcdn-sphotos-a.akamaihd.net/photos-ak-snc1/v2365/204/104/1614757131/n1614757131_141357_2014.jpg

Bin Dixon-Ward – brooch – 2009

https://fbcdn-sphotos-a.akamaihd.net/hphotos-ak-snc6/184643_106689356077294_100002086897408_65403_3128564_n.jpg

Ara Kuo – ‘MAZE’ brooch

http://alicebowenchang.info/images/albums/NewAlbum_6923b/tn_1200_07b797961e1fb814667e55c433fe18af1.jpg.png

Alice Bo-Wen Chang Bodyspace/bodyscape serie – red brooch

http://4.bp.blogspot.com/_MQa6hPsOd8I/TH3JBlr-AXI/AAAAAAAAAiA/hJTmVcmrm6k/s1600/Linda+Hughes_Square+Neckpiece+and+bracelet.jpg

Linda Hughes Square Neckpiece and bracelet

« Colour plays a very important part in your jewellery and it is often bold and bright. Would you consider this a signature style or do see yourself moving towards a different palette in the future?
The palette relates directly to street signage but I do feel free to incorporate other colours and don’t feel inhibited by it.
What ignited your interest in signs? Was it marked by a particular experience or moment?
Some of the urban landscape in Australia seems particularly contrived, like a theatre set. A mixture of international influences all mixed up, often without connecting to the environment. My attention is drawn to signs as ‘street furniture’ if you like, ‘props’. « 

http://1.bp.blogspot.com/_Ow3LKVINnNQ/SjHL_PgNIOI/AAAAAAAACwM/1lgy-xIQyhc/s400/Linda_Hughes-Necklace.jpg

Linda Hughes – Necklace

« In her new body of work, contemporary jeweller Linda Hughes explores the ‘stripe’, historically favoured as a metonym for danger, exclusion and as a device to attract attention. Hazard signage, ubiquitous in the urban landscape, changes when placed on the body as jewellery. In this exhibition, Hughes applies the visual language of the stripe to the sculptural form of the wearable. Displayed against as a series of graphic backdrops, the work explores the tension between body and environment, critiquing the complex theatre of public space. »

http://schoolofartgalleries.dsc.rmit.edu.au/SOAG/exhibitions/2006/its_got_legs/ItsGotLegs3.jpg

Linda Hughesnecklace  – « It’s got legs » exhibition

« Shared Zone, is both the culmination of Linda Hughes master’s research and her first solo exhibition.
Hughes utilises the familiar urban language of invisible everyday objects such as road signs, posts and hazard markings. Juxtaposing these symbols on the body she uses them to define space and create landscape. Her work invites the wearer to become a part of the “theater of the wearable” that arises when the brooches, neckpieces and bangles are placed so as to interact and create their roles – transforming the body into a stage. »

http://monument.squarespace.com/storage/projects-and-practices/Linda01.jpg?__SQUARESPACE_CACHEVERSION=1265586588830

Linda Hughes, Wing Brooch, Red & White Series, 2009, laminate and acrylic. Photography Argonaut Design

https://fbcdn-sphotos-a.akamaihd.net/hphotos-ak-snc6/44924_103262809739695_100001679291868_21042_7611764_n.jpg

Galatée Pestre   sautoir ‘Sens Interdit’ – argent noirci, émail.

http://www.artjewelryforum.org/blog/wp-content/uploads/2011/09/01_Stinson-e1316532915105.jpg

Analiese Stinson (2011 graduate from MassArt, Massachusetts College of Art and Design )- Map Bracelet #2–The Trip to School and the Long Way Home, 2011 silver, fabricated

http://www.artjewelryforum.org/blog/wp-content/uploads/2010/06/Fabrizio-Tridenti-e1276413787397.jpg

Fabrizio Tridenti’s complex structures

http://www.stopstealingmylook.com/wp-content/uploads/2011/08/Bergner-Schmidt-SSML-2.png

Bergner Schmidt – Concrete jewellery

http://www.dmh.org.il/download/pictures/Dekel_Benita.jpg

Benita Dekel, Massconstruction – silver & concrete (ciment)

« Benita Dekel, a graduate of the Department of Jewelry Design at Shenkar College of Engineering and Design (Israël), developed a series of jewelry pieces that combine silver with concrete. The results of the combination of concrete, which we usually associate with heavy, industrial construction, and delicate constructions in silver is that despite being made of concrete the pieces do not appear heavy. The shapes of the pieces, which are very familiar, almost as though they have been taken from various construction sites, manage to surprise both in their shape and new function« 

http://cache.wists.com/thumbnails/6/a9/6a951a84df350578c9bc3d91940b14c2-orig

Todd Pownell – architectural nest

http://api.ning.com/files/Mwvoiobx6JSwRcnfF8i2Y4R65goQ*hdw2-EkmKanaQdR7a5zL*3OtSocLMHHYbo6/spiral_bracelet_new_jas.jpg?width=737&height=567

Donna Veverka – Spiral Staircase bracelet

http://www.apparat.be/blog/wp-content/uploads/2009/05/silviawalz5.jpg

Silvia Walz – série « Casitecturas » Victors Haus – brooch – silver, copper, enamel

http://media-cdn.pinterest.com/upload/38632509273114975_3X5kgMxI_c.jpg

Sabine Conrad – necklace Burnt Future 2011, copper, silver, wood, paint

http://2.bp.blogspot.com/_gBB7-D-dzN8/RyA4jcPSOnI/AAAAAAAAAqk/ZwoBxyYePh4/s1600/071_Knobel.jpg

http://2.bp.blogspot.com/_gBB7-D-dzN8/RyA4jcPSOmI/AAAAAAAAAqc/pfmWW8NzhUw/s400/069_Knobel.jpg

Esther Knobel – 4 brooches From “The Mind in the Hand” series

http://media-cdn.pinterest.com/upload/38632509273181031_LK5Tbew4_c.jpg

Renzo PASQUALE – OLIMPICA – spilla (brooch) – omaggio a Palladio (2008)

http://api.ning.com/files/2fuBN27fUeB4qLCdBFAjg1GiON4vkaaoov6fgOudNetDfgSqq*BG1KEhaEIsXXaDBJbMjRt1I47XG-XTwLBUj9WQLh4upNyh/pic5.jpg?width=600&height=600

Christina Elleni Cox « Changeable Cities » bracelet (on Kit&caboodle)

27/05/2011

EXPO ‘‘Winter’ Neckpieces’ – studio2017, Waterloo, Sydey (AU) – 3 Mai–4 Juin 2011

‘Winter’ Neckpieces
For the 4th year running we will be hosting our successful annual ‘Winter’ group exhibition exploring the breadth, depth, and width of a particular area of jewellery or the body. Our previous winter exhibitions have showcased contemporary brooches. This year the focus will be the neck.

This year we invite a selected number of Australian and International artists to make contemporary versions of this ancient form of self expression. Expect to see works ranging from eye catching, oversized statement pieces, through to delicate pared back jewels. The only limitation will be that the finished work can be worn around the neck.

New work by :

Karin Jacobsson – Karin Findeis — Helena Bogucki — Karen Thompson — Joung-mee Do — Daehoon Kang — Melinda YoungLauren Simeoni Phoebe Porter — Raewyn Walsh (NZ) — Kristin D’agostino Djurdica KesicMelissa CameronElfrun Lach — Leslie Matthews — Bridget Kennedy — Diane Appleby — Farah Bandookwala  (UK) –  Saori KitaZoe Veness – Michelle Taylor — Vernon Bowden — Naomi Stewart — Valerie Odewahn — Melanie Ihnen — Sheridan Kennedy — Maureen Faye-Chauhan

http://studio2017.com.au/wp-content/uploads/2011/02/myoung-tenticular-neckpiece-2-small.jpg
Melinda Young – tenticular-neckpiece

http://studio2017.com.au/wp-content/uploads/2011/02/untitled.jpg
Lauren Simeoni

http://www.melissacameron.net/blog/wp-content/uploads/2011/05/Melissa-Cameron-White-Lace-nonconsecutive-planes-img1-sml.jpg
Melissa Cameron, White Lace – nonconsecutive planes, 2011. Titanium, silk thread

http://www.melissacameron.net/blog/wp-content/uploads/2011/05/Melissa-Cameron-Watery-Gothic-Window-sml.jpg
Melissa Cameron, Watery Gothic Window, 2011. Titanium, 925 silver, stainless steel cable

http://studio2017.files.wordpress.com/2011/05/phoebe-porter_transit-necklace.jpg?w=420
Phoebe Porter - transit necklace

http://studio2017.files.wordpress.com/2011/05/snowflakes-detail.jpg?w=420
Elfrun Lach snowflakes-detail

http://studio2017.files.wordpress.com/2011/05/do.jpg?w=420
Joung-mee Do   – rebirth

http://studio2017.com.au/wp-content/uploads/2010/06/saori-kita-aus-small1.jpg
Saori Kita

 

 

 

 

studio2017 – contemporary jewellery and objects

Studio 20/17
6b/2 Danks St
Waterloo NSW 2017
Ph/fax: 02 9698 7999
www.studio2017.com.au
Tues – Sat 11 – 6pm

 

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