EXCHANGE-BIJOU 2 – Reka Lőrincz – EXPO « PEARLS UPSIDE DOWN » at REVERSO galeria, Lisbonne (PT) – 28 Nov. 2017- 10 Janv. 2018

Reka Lőrincz

PEARLS UPSIDE DOWN

Opening: Saturday, 25 November, 17:00 — 20:00.

28 November – 10 January 2018

with : Ana Margarida Carvalho — Birgit Laken –  Claudia Hoppe –  Carlos Silva – Daniel Kruger –  Danni Schwaag –  Dulce Ferraz –  Grego Garcia –  Herman Hermsen –  Joanne. T –  Laura Frazão Matos – Lauren Kalman –  Leonor Hipólito –  Marta Costa Reis –  Masako Hamaguchi –  Nikolay Sardamov – Paula Crespo –  Philip Sajet – Réka Lörincz –  Sophie Hanagarth – Stephanie Jendis –  Tanel Veenre –  Terhi Tolvanen –  Kaori Juzu  ……   among others…

« What about the pearls and their necklaces? From symbol of wealth and opulence to symbol of sobriety, from fantastic jewelery, sensual and transgressive to model of bourgeois modesty, the pearls surround us in multiple scenarios and multiple senses.
Beside the quiet collar of the grandmothers, we have Louise Brooks’s or Emmanuelle’s, alongside the puritanical collar of the typical North American executive (the only permissible jewel in the almost masculine uniform), we have the excessive adornments of the rajas of India, not to mention the earring of the girl from Vermeer, or from a corsair turned into a virginal little girl’s earring.
The pearl is born, like Venus, from a shell, but we do not recognize in it the same erotic and libertarian appeal. The pearl was domesticated. It is today a symbol of purity, chastity and restraint and, let’s face it, boring!
Can contemporary jewelery claim as its own the “stone” wich seems so classic and conservative today? »
Marta Costa Reis, 2017  for Galeria Reverso

 Reka Lorincz « Sunday cleaning »  2017  #gold #clean #mood #housewife #sculpture

Reka Lorincz – Monday to Sunday 2 – brooch    #doctor #jewellery #healingwithstones   #handmade   #wearableart #pearl #girlpower 

Reka Lorincz -  Take the brooch and run! II  brooch  #pearl  #handmade #jewellery #gold #hunter #mouse #trap

Reka Lorincz -  Full Cargo – necklace      #wearableart #pearl #girlpower #truck   #woman #wear 

Reka Lorincz - Don’t take care! brooch  

Reka Lorincz  - Don’t take care -  necklace 

 

 

Galeria Reverso 
Rua da Esperança, nº 59 / 61,
1200 – 655 Lisboa, Portugal
tel [phone]

EXCHANGE-BIJOU 2 – Reka Lőrincz – « Supercalifragilisticexpialidocious » at Putti Art Gallery, sept. 2017

Reka Lőrincz

5 new pieces on show at Putti Art Gallery  during September 2017 (08-27 Sep 2017) :  Supercalifragilisticexpialidocious. Jewellery is not only jewellery

(next exhibition : 2018: Fair  07 Mar 2018 – 13 Mar 2018  Schmuck 2018.)

« On the border of kitsch and consume Réka Lörincz from Budapest and Gisbert Stach from Munich show a colourful kaleidoscope of works defining field of jewellery in a new creative way »
«  There are many misunderstandings in the common meaning of jewellery and in the thinking of what jewellery should be.
On the border of kitsch and consume Réka Lörincz from Budapestand Gisbert Stach from Munich show a colourful kaleidoscope of jewellery, objects, installations and films where they try to define and enlighten the field of jewellery in a new humoristic, critical and philosophical way.
Both are doing as well collaborations in making jewellery pieces.

 
Réka Lörincz’s jewellery is playing with the colourful world of plastics and toys that she is deforming by absurd and surrealistic elements into amazing jewellery pieces. Their objects are pretending to have a function. But by combining abstract materials the visitor is surprised by the humour and colourfulness of the installation. Reka Lorincz has studied in Hungarian University of Craft and Design, has shown her works in various group and personal exhibitions around the world. » (Klimt02)

 

COCO ! sort de ce corps !!!!

 Réka Lörincz Brooch: Don’t take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paint

Réka Lörincz Necklace: Don’t take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paint Réka Lörincz Brooch: Monday to Sunday, 2017 Pearl, champagne quartz, mystic topaz, sapphire, ruby,  rhodium – plated brass, plastic, stainless steel, mountain crystal, citrine

Exhibition display.  -   Réka Lörincz Brooch: « Monday to Sunday »

Réka Lörincz Object: Pearl grinder, 2015 Pearl, alloy, wood, metal foil

Réka Lörincz Object: Must Have, 2017 Pearl, shovel, epoxy, textile 

Réka Lörincz Necklace: Pearl truck, 2015 Pearl, goldplated brass, alloy, plastic, epoxy

Réka Lörincz Brooch: Perfect woman, 2015 Gold plated cooper, pearl, plastic 7.5 x 10 x 1.5 cm

 Réka Lörincz Brooch: Pearl can, 2015 Gold plated cooper, pearl, stainless steel ø 6 cm

 Reka Lorincz - Hommage à Coco Channel -  necklace – pearl, duct tape 2015

 

 

 

Education:
2012 Workshop with Gemma Draper – Antwerpem
2011 Symposium in Bratislava – Atelier EM
2010 Semmelweis University – Department of applied Psychology
2007 Workshop with Ted Noten – BIAD – Birmingham
2004 Diploma
2002 Erasmus scolarship to Spain, Barcelona
2000 Hungarian University of Craft and Design – Visual educator teacher department
1999- 2004 Hungarian University of Craft and Design – Metal design department
1997-1999 Budai Art technical college – goldsmith department

 

 

 

Putti Art Gallery
16 Mārstaļu iela
1050 -  Rïga
LATVIA

#MunichJewelleryWeek2017 – EXPO (15) – « tog_ther ! » – Kunstpavillon, Munich (DE) – 7-12 Mars 2017

(15) tog_ther ! Fill in: e or a

Kunstpavillon
Opening Tue March 7th at 18:00
« ….Here, the motto is: chairs instead of showcases ! »

EXCHANGE-BIJOU 2 – Réka Lörincz

with :   Peter Bauhuis — Emese Benczúr — David Bielander — Florian Buddeberg – Shirin Damerji — Anna Eichlinger — Susanne Elstner — Sławomir Fijałkowski — Christiane Förster — Réka Lörincz — Daniel Michel – Anna Moll — Pavol Prekop — Nicola Scholz — Kristýna Španihelová — Gisbert Stach – Rose Stach — Norman Weber – Arek Wolski — Christoph Zellweger

*

Jewellery exhibitions are often presented in sterile glass cabinets. This leads to a distance between object and viewer and limits the freedom, which could develop in this sensual encounter.
Here, at the exhibition tog_ther !, curated by Gisbert Stach and Rose Stach, the motto is: chairs instead of showcases!
Twenty international author jewellery artists gather with their extraordinary objects in dialogue with strongly individualistic seats, from weight benches to a sandbag wall.
A potently interactive chair by Christoph Zellweger from Switzerland; a self-portrait stool by Arek Wolski from Warsaw; cheap pretense and reality from two female Budapest artists; and David Bielander Thonet chair sausage links, are among what’s to find.
Two female artists from Budapest play with cheap pretence and reality. Emese Benczúr forms the words “LET IT SHINE” on a rainbow-coloured surface using ear studs, while Réka Lörincz presents grooming gloves with enticingly glittering golden nails on a lavatory lid in her piece of art titled  Woman at Work. David Bielander, a native of Basel now living in Munich, even transforms the chair itself into a jewellery object by removing elements of the curved armrest of a Thonet chair and shaping them into sausage necklaces, explaining that the sausages had always been present in these chairs and he has now “set them free”!

Réka Lörincz – grooming gloves with enticingly glittering golden nails on a lavatory lid in her piece of art titled  Woman at Work.

 Réka Lörincz Object: Woman at Work, 2016 Gloves, artificial fingernails Photo by: Áron Weber

David Bielander, Thonet (Sausages) 2007 Necklace made from one original Thonet no.14 chair bentwood, paint Foto©Dirk Eisel

 Nicola Scholz, 2015 Necklace intestine, gold 22 x 24 x 12 cm Foto©Mirei Takeuchi

Gisbert Stach, Superhero Videostill 2016 Sparklers, Silver Foto©Rose Stach

 

Kunstpavillon
Alter Botanischer Garten
Sophienstraße 7A
Munich
Wed–Sun 11:00–17:00
Finissage Sun 12.3. 14:00-17:00
Artist Talk Sun 12.3. 15:00

 

EXCHANGE-BIJOU 2 – Reka Lőrincz – you are what you eat

Reka Lőrincz

Un humour jubilatoire, grinçant, décapant, à tout va, qui dénonce, montre du doigt, ce qu’on mange, ce qu’on avale -mentalement comme physiquement- , ce qu’on croit ou qu’on veut nous faire croire ……

« Jewellery design means the interpretation of today’s world to me. A sort of communication between the outside world and that of my own. Making the invisible visible. Through my jewels I am contemplating the tangled variety of the universe. Heaps of emotions and thoughts pass through my mind through the impulses of the environment which I examine and turn them into objects. I am intrigued by the street. What exactly means what I see. Through my objects I mainly tried to reflect the difference between that of the shown and the real world which can sometimes look appealing, fake or even dangerous. »

Avec tous les médicaments que j’avale (merci mon diabète !!! …) je commencerai par cette broche qui m’enchante !!! entre « boulimie du médoc » et « boulimie du bijou » ……

Reka Lorincz, Pearl pills, brooch – silver, pearl, stainless steel, plastic 2015

Reka Lorincz, diamond pills, brooch – gold plated copper, aluminium, swarovski   2013

Réka Lörincz. Brooch: Pearl can, 2015. Gold plated cooper, pearl, stainless steel. ø 6 cm

 

« Budapest-based Reka Lörincz is an award-winning artist who typically expresses social criticism – such as concerns with commercialisation, mass production and popular culture –through 3D objects.
Her ‘Too Much is Not Enough” collection  is the perfect example.

Populated with symbols of 1950s diner culture, which are then translated into kitsch and colourful crystal gem-studded jewellery, it’s designed to amuse as much as they provoke. » (Adorn)

Reka Lorincz -  « Too Much is Not Enough » (bone) brooch -2013 – gold plated copper, plastic, gold foil, swarovski crystal

 Reka Lörincz comments on consumerism -  You are what you eat -  « Too Much is Not Enough » hamburger brooch 2013 – gold plated copper, plastic, gold foil, swarovski crystal

Réka Lőrincz  2013 – Ice cream II brooch – plastic, gold plated copper, swarovski

Reka Lorincz, brooch, You are what you eat – gold plated brass, stainless steel, pearls

et ce bijou-ci, par pur plaisir jubilatoire !

Reka Lorincz - Hommage à Coco Channel -  necklace – pearl, duct tape 2015

 

Studies
2012                 Workshop with Gemma Drapper, Antwerpen
2011                 Symposium – Atelier Em, Bratislava
2010-2012      Semmelweis University – Department of Applied Psychology, Budapest
2007                Workshop with Ted Noten – BIAD, Birmingham
2002                Erasmus scholarship – ELISAVA, Barcelona
2000-2005     Hungarian University of Craft & Design – Department of Visual Educator Teacher, Budapest
1999-2004     Hungarian University of Craft and Design – Department of Metal Design, Budapest
1997-1999       Art School of Buda – Department of Goldsmith, Budapest

 

During SCHMUCK 2016 : EXPO ‘The BOX’ – Galerie Biró Junior, Munich (DE) – 25-28 Fevr. 2016

Galerie Biró Junior in cooperation with Bella Neyman & Ruta Reifen from Platforma, New York
THE BOX
#39 – curator: Platforma, Bella Neyman & Ruta Reifen, New York

 Artists:  Sofia Björkman, SW — Réka Lörincz, HU — Bruce Metcalf, USA –  Gisbert Stach, DE — Demitra Thomloudis, USA – Timothy Veske-McMahon, USA
The curators of  The Box posed a unique challenge to a select group of artists. Take 5 readymade materials purchased at the dollar store & give value to something invaluable by creating 3 wearable pieces of jewelry. This challenge feeds into the contemporary jewelry artists’ interest in working with non-precious & alternative materials.
The group includes three American and three European artists. They are Bruce Metcalf, Demi Thomloudis, Timothy Veske-McMahon, Sofia Björkman, Réka Lörinz and Gisbert Stach.
Each artist received a box containing five standard size white envelopes, a small white towel, three white erasers, three CDs, and a can of Diet Coke. The materials were chosen because they are all white and echo a metaphorical blank page. These items can also be manipulated in multiple ways.

 Réka Lörincz necklace for THE BOX

pendant by Sofia Björkman – part of THE BOX exhibition during SCHMUCK 2016

brooch by Sofia Björkman – part of THE BOX exhibition

Demitra Ryan-Thomloudis – Brooch: Hollow Formed Cement, resin, cloth, diet coke can, CD, paint, Nickel silver – for the BOX exhibition

Bruce Metcalf -  Second brooch for « The Box. » Made from a Diet Coke can, envelopes, plexiglass, moonstone, glass cabochon, and silver. Height 4 1/2″ »

 

Galerie Biró Junior
Freiraum , Pestalozzistraße 8,
80469 München
Thu-Sat 11:00 – 18:00, Sun 12:00-15:00
www.galerie-biro.de

 

 

 

 

Take a HORSE, get a conversation piece …….

Take a HORSE, carefully cut it in pieces, and you get a neck-piece ….. no, a conversation-piece …..

for my part, I was fan of  THIS « Horses » ! :

Izabella Petrut -  « Blood on the ground » necklace – Innocent project – plastic toy, acrylic paint, copper, silk thread, varnish, 2013

The “Innocent” project gives me the chance to express an issue I am very much concerned with: the abuse against animals. The plastic toys are a way of representing an innocence that can only imply the horrible things that could / might have happened. I cut the animal toys the way butchers do, whilst others I use in twisted positions. After that I melt them, creating situations that I imagine they end up in. I paint them in lively colors that are not specific to those animals and this way the first impression of the audience is of a happy piece of jewelry and only then, after a closer examination, they truly see the animal and its suffering. Most of them are hand painted so that every brush stroke I make allows me to connect with that animal and feel it’s pain. The electroformed pieces represent the animals that live in cold metal cages, while the silk represents a natural material that stands for blood (red silk) and the darkness of the night (black silk). By creating more feminine pieces of jewelry I am trying to nurture those animals’ suffering.
1% of all money made from selling these pieces of jewelry will be donated to an animal shelter.
Materials: plastic toys, electroformed, alpaca, silver, paint, varnish, onyx, silk, pigments, copper, gold leaf. Izabella Petrut

Izabella Petrut -  Innocent project   – « Horse doing 9 to 5″   necklace – plastic toy, copper, pigment, silk thread, 2013

Izabella Petrut, The Circus, necklace

by Rebecca Hinwood (ACTivate: Un-Earthing Jewellery workshop, Australian National University, School of Art Gold and Silversmithing, Canberra, AU)

Roxana Davidescu ‘con el pensamiento de ella…’ Horse necklace – JOYA Barcelona 2014

Anat Golan – White Steed 1 -

Anat Golan brooch/medallion 2014

Tabea Reulecke – Idar Oberstein – 2004

Levan Jishkariani – Fachhochschule Trier, Idar-Oberstein, Germany – necklace, n.t., 2013, wood, perspex, paper, leather, polymer clay- winne… (Marzee graduate show 2013)

Réka Lörincz  Necklace: The Good the Bad and the Flawless 2011  Plastic, gold, pearl, textile

Anna Davern Brooch: Hunter and Hound, 2006 Copper, found biscuit tin. 8,5 x 3,5 x 0,5 cm Photo: Terence Bogue

Tanel Veenre

Sari Liimatta Object: Expectations, 2006
Glass beads, metal pins, paper price labels with threads, piece of a jewellery, plastic toy
Jewellery sculpture

Felieke van Der Leest  Crazy Horse  Brooch – textile, silver, gold, plastic -   Charon Kransen Arts (SOFA NY 2012)

EXPO ‘Endless Closeness’ – Putti Art Gallery, Rīga (Latvia/Lettonie) – 8 Dec.2014-14 Fevr. 2015

Endless Closeness

Art Gallery PUTTI

(brooch Rallou Katsari)

This show represents the end of a cycle and the beginning of a new period, offering a moment to reflect and look back to the past. In this exhibition maybe the viewer will be able to identify one piece that represents this metaphor for him

A contemporary jewellery exhibition “Endless closeness” will take place in Art Gallery PUTTI from December 8, 2014 until February 14, 2015. Different Latvian and international jewellery artists will present their works, expressing their winter feeling.

 

Artist list :  Andris Lauders — Guntis Lauders – Liisa Hashimoto — Heng Lee — Isabelle Busnel — Julia Maria Kunnap — Rallou Katsari — Réka Lörincz — Gigi Mariani — Māris Auniņš — Māris Šustiņš — Nikolai Balabin — Valdis Brože

Nikolai Balabin Brooch: Fallen Gold silver, patina, leaf gold

Gigi Mariani - ring Parallel Worlds, 2014 – Silver, 18kt yellow gold, niello, patina – Photo by: Paolo Terzi

Rallou Katsari. ring Eavesdrop, 2014 – Silver, rhodium plated, gold plated

Valdis Brože Pin: Untitled Silver 925 oxidized, Gold 750, Opal

 

Putti Art Gallery
16 Mārstaļu iela
1050 – Rīga
Latvia
Telephone: [phone]
Fax: [phone]

website: www.putti.lv
mail: [e-mail]

2014 Shanghai Design Week – EXPO ‘Shanghai Jewelry Art Exhibition’ – Shanghai Exhibition Center (CN) – 9-12 Oct. 2014

2014 Shanghai Jewelry Art Exhibition, October 9-12, 2014

Shanghai Design Week

 

We are very pleased to present the complete list of participating artists in the 2014 Shanghai Jewelry Art Exhibition, October 9-12 2014 :

Ezra Satok-Wolman – Jie Sun — Serena Holm — Inbar Shahak — Ria Lins — Karen Vanmol –  Marina Sheetikoff — Sina Emrich — Anne Luz Castellanos — Lital Mendel — Stephen Bottomley — Mette Saabye — Anna Fornari — Rebecca Rose (US) — Bethamy Linton — Siegfried De Buck — Dana Bloom — Peter Hoogeboom — Felieke Van der Leest – Evan Larson-Voltz — Anne Mondro — Thomas Madden — Susan Holt — Tanel Veenre – Melissa Cameron — Holland Houdek — Margherita Marchioni — Annette Dam — Karin Roy Anderson — Reka Lorincz — Nicole Taubinger — Jen Townsend — Bas Bouman — Linda Ezerman — Isabella Liu — Joanne Garner — Anshu Hu — Yu Hiraishi – Wendy McAllister – Terhi Tolvanen — Charlotte Gorse (UK) — Juliette Bigley — Mara Irsara (IT) — Ellie Corp — Steven Follen — Ayano Nakajima (JP) — Haruko Sugawara — Nagai Junko — Michie Kitada — Mami Katsuki — Ingjerd Hanevold

In addition to the exhibition, a lecture series will be presented featuring presentations by Machtelt Shelling (Ubi Gallery), Evan Larson-Voltz (Wayne State University), and Ezra Satok-Wolman (Atelier Hg). To register for the lectures or find more information about the scheduled events, please use the following links

Jichang Chai, « Welcome on Board » brooch, 2014 - Aluminum, copper, nature screens

Shao Hong En, Brooch, 2014 -Silver, gem

Li Sang, Necklace, 2014 – Silver

Ezra Satok-Wolman, The Golden Ratio, medallion, 2014 – 791 (19k) yellow gold, 750 (18k) white gold, synthetic ruby spheres, silk
6.1 x 6.1 x 0.85 cm – Fabricated, Kumihimo braid – Back view

Isabella Liu, Pieces, 2014 - Mending- One Brooch in a Midi Ceramic Pottery, 2014 – Ceramic, gold plated metal – 13 x 10.4 x 3.9 cm -  Object and jewellery

Felieke van der Leest, Brooch, Jumbo Star Brother, 2007 – Plastic animal, textile, silver, cubic zirconium – 12 x 17 x 7 cm

Inbar Shahak, - Woodland patina necklace, 2014 – Etched brass leaves, mix green patina with oxidize silver plating

Annette Dam Brooch: Finding a safe way down, 2012 Silver, brass, wood, epoxy, fringes, elastic band, clips

Anne Luz Castellanos – Anillos Ramas

 

 

Shanghai Exhibition Center, West Hall

http://awards.jwcenter.net/

http://www.creativecity.sh.cn/2014/news2.aspx

http://www.fashionshanghai.com.cn/Article/ArticleDetail.aspx?ID=8834

 

 

EXPO ‘RULE THE WORLD’ – Friends of Carlotta, Zurich (CH) – 19 Juin-5 Sept. 2014

RULE THE WORLD, a juried exhibition at Friends of Carlotta in Zurich, Switzerland, curated by Bruna Hauert.

Welcome to our world of lived-out deficiencies and psychopaths!

What are the adornments of dictators, despots, and the plain delusional ? What do they need in order to let their real personalities shine through ? What tools do tyrants have to show that they are in charge ?

Despoten sind – bei aller Einfalt – ein sehr facettenreiches Trüppchen. Sie wollen nicht nur geliebt werden. Nein, sie wollen ehrlich und echt geliebt werden. Notfalls mit Gewalt.
Doch: Womit schmücken sich DiktatorInnen, Grössenwahnsinnige, Möchtegerns und Trauminöds? Womit präsentieren sie sich, damit ihre wahre Persönlichkeit im richtigen Licht erstrahlt? Womit zeigen GrosskotzInnen, TyrannInnen und zu Höherem Berufene, dass die Macht mit ihnen ist? Besitzt der Mächtige Objekte der Macht weil er mächtig ist? Oder ist er mächtig, weil er Objekte von magischer Macht besitzt?
Und: Was gönnt der Despot sich selbst in einer launigen Minute? Welcher Schmuck feiert mit ihm in der Stunde seines Triumphes? Womit verwöhnt er seine Untertanen, damit sie sich ihm leichter unter tun? Und wie kann ich ihm huldigen, damit er meine wahre Liebe und somit seinen wahren Wert erkennt?
Diese und andere Fragen zum Thema RULE THE WORLD beherrschen das Thema der nächsten jurierten Schmuckausstellung bei Friends of Carlotta.
Willkommen in der Welt der gelebten Defizite und der Psychopathen in Bestform!
Ich freue mich auf die Pracht der Macht und darauf, Sie an der Vernissage vom 19. Juni 2014 ab 17h begrüssen zu dürfen. Oder an jedem anderen Tag während der Ausstellung. Herzlich  Bruna Hauert

Despite their simple-mindedness, despots are a very diverse little group. All they want is
to be loved. Or rather, they want honest and real love. By force, if need be.
However, what do dictators, megalomaniacs, wannabes and the delusioned adorn themselves with? What do they use to cast their personalities in a positive light? What do fat cats, tyrants and those destined for greater things use to demonstrate that the force is with them? Do the powerful own objects of power because they are powerful? Or are they powerful because they own objects with magic powers?
What’s more: What do despots treat themselves to when they’re in a foul mood? Which pieces of jewellery are there to share the hours of victory with them? What do they spoil their subjects with in order to make them more eager to subdue themselves? And how must I worship these despots so that they recognise my pure love and therefore their true value?
These and other questions on how to RULE THE WORLD will be the dictating subject of the
next juried jewellery exhibition at Friends of Carlotta.

Joo Hyung Park

 

- Annette Altenburger (DE) — Jessica Andersen (USA) — Christine Annau (DE) — Miriam Arentz & Annika Schindler (DE) — Ela Bauer (NL) — Nicole Beck (DE) — Stefan Behnke & Miriam Gradl (DE) — Brigitte Berndt (DE) — Marlene Beyer (DE) — Wolfram Beyer (DE) — Laura Bradshaw-Heap (UK) — Rachael Colley (UK) — Jennifer Crupi (USA) — Martina Czunczeleit (DE) — Laura Deakin (DE) — Saskia Derksen (DE) — Saskia Detering (DE) — Sam Tho Duong (DE) — Beate Eismann (DE) — Tanja Emmert (DE) — Ricarda Enderweit (DE) — Katja Fischer (CH) — Su Foster, Patsy Kay Kolesar & Simone Richmond (CA) — Katja Fox (DE) — Andrea Fretz (CH) — Yael Friedman (IL) — Helen Friesacher-Borst (DE) — Claudia Frisch (DE) — Masako Fukuda (JP) — Sam Gassman (USA) — Friederike Glück (DE) — Miriam Gonnissen (DE) — Nicole Grandics (USA) — Bénédicte Gross (CH) — Tamara Grüner (DE) — Christian Guthmann (DE) — Bruna Hauert (CH) – Stephanie Hensle (DE) — Jasmin Hess (CH) — Tomoko Hori (UK) — Mara Induni (CH) — Bettina Jakob (CH) — Florence Jaquet (CH) — Léonie Jeanrenaud (CH) — Edda Andrée Jessel (DE) — Leonore Jock (DE) — Udo Jung (DE) — Masumi Kataoka (USA) — Verena Klette (DE) — Luitgard Korte (DE) — Michelle Kraemer (AT) –  Unk Kraus (DE) — Martina Lang (DE) — Gregory Larin (IL) — Tracy Lee Black (USA) — Alisa Letsius (RU) — Reka Lorincz (HU) — Inés Mantel (CH) — Gigi Mariani (IT) — Laura Martínez (ES) — Susanne Matsché (DE) — Esther Mattille (CH) — Jennifer Merchant (USA) — Katharina Moch (DE) — Jillian Moore (USA) — Julika Müller (DE) — Viktoria Münzker (AT) — Nick Mullins (USA) — Elisabeth Mundwiler (CH) — Deanna Ooley (USA) — Ossi Oswald (DE) — Joo Hyung Park (KT) — Nadine Pawusch (DE) — Lina Peetz (DE) — Izabella Petrut (AT) — Annika Pettersson (SE) — Carmen Pfanner (AT) — Yvonne Raab (DE) — Daniel Ramos (DE) — Sarah Reinhard (CH) — Begoña Rentero (ES) — Claudia Römer (DE) — Sabine Roth (DE) — Vicky Saragouda (UK) — Nils Schmalenbach (DE) — Naoko Iyoda Schneeberger (CH) — Verena Schreppel (DE) — Nicole Schuster (DE) — Anna Silberstein (DE) — Eva Sörensen (DE) — Katrin Spranger (UK) — Johanna Stäss (DE) — Simone Strauss (DE) — Rebecca Strzelec (USA) — Eva Tesarik (AT) — Myung Urso (USA) — Viveka Valentin (DE) — Otto Van Winkle Peterstein (IE) — Barbara Vogl (DE) — Maria Volokhova (DE) — Andrea Wagner (NL) — Heike Walk (DE) — Heike Wanner (AT) — Caro Weiss (DE) — Klaus Weisser (CH) — Angelika Wolpert (DE) — Grandpa Wooley (DE) — Diana Zeiler (DE)

EXPO virtuelle / virtual exhibition here

Jennifer CRUPI power gesture

Luitgard Korte - ring

Gregory Larin  ‘Nice to meat you’ necklace – brass, textile, polymer

Andrea Wagner

Florence Jaquet

Jasmin Hess brooches « Love is what you PUT IN my heart » Brosche Holz, Textil, Garn, Silber

Tamara Grüner

Brigitte Berndt – « man Eater »

Tanja Emmert

Jillian Moore   « PHASELOS »
The obscenely over sized piece did not hang like a pendant. It framed her face and seemed to cradle her body. It required a formal posture and bearing that teased out an air of decorum she was not always prone to pulling off. A hybridization of legume, embryo, and organ, the piece could not be more ripe. It‘s glossy surface, and speckled edges felt less like a thing made than a thing born. To the starving masses it was a promise of fertility, but to her enemies it was a reminder that she might gut them at amoment‘s notice

 Johanna Stäß

Yael Friedman

 Gigi Mariani
« I wanted to think of a jewel that affirm strength and power. in which the tyrant will exhibit their achievements represented by balls enclosed between cubes, like columns that recall the force of power.
A potential rosary made to be shown to confirm the ego and emphasize his power.
Object to show, but that becomes amulet and creates safety to the wearer »

Nick Mullins

Bruna Hauert

Bruna Hauert

 Izabella Petrut
« Jewelry to live every deficiency to the fullest extent. I choose to use a female and a male despot, creating two characters and two scenarios. They both compete for power, adoration, attention and they use the same weapons: the Penis, a symbol of power and dominance. My characters have a lot of insecurities for which they have to overcompensate with decoration and dubious behavior. The Penis becomes a symbol of desire and the despots see it as the object of their desire. The Penis becomes a cult object. Queen of all queens carries around a small wooden Penis pendant as a symbol of her dominance over men. It looks modest, unimportant and not too cared for. It is a trophy.
King of all kings carries around a wooden Penis to show he is the biggest, strongest and most precious of all. The piece is carved out of balsa wood and carefully finished. The piece is really easily imprinted if one doesn’t handle it with care, just like the King’s ego. The way it is worn, as a brooch on the shoulder, is disturbing for the wearer as well as for the viewer. »

Katharina Moch

Sam Tho Duong neckpiece

Jennifer Merchant

Begoña Rentero

 

Friends of Carlotta Bruna Hauert,
Neumarkt 22
8001 Zurich
Tel [phone]
http://www.foc.ch

EXPO ‘Dream as Morning’ – Art gallery Putti, Riga (Latvia) – 20 Janv.-22 Mars 2014

« SAPNIS KĀ RĪTS” -  »Dream as Morning »
Putti Art Gallery (Rīga, Latvia)

White mist
Kindly caressed
Dream as a morning
(J. Anmanis)

Artists:  Andris Lauders — Catalina Brenes — Catalina Gibert — Flora Vagi — Gigi Mariani — Guntis Lauders — Jānis Vilks — Laura Cadelo Bertrand — Liisa Hashimoto — Māris Auniņš — Māris Šustiņš — Reka Lorincz – Valdis Brože — Valentina Caprini

Catalina Gibert -  Brooch: M.A.R., 2013 – Linen canvas, acrylic paint, water colors, gold, steel
10,5 x 5,5 x 2 cm

Laura Cadelo Bertrand -  « le pettegole »

Flora Vagi – Necklace

Guntis Lauders - Ring: Old man’s wisdom – 2013 – Silver, mammoth tusk, ebony, citrine
2,5 x 4,5 x 4,5 cm

Gigi Mariani – Ring: What will be? – 2013 – Silver, 18ct yellow gold, niello, patina
6,5 x 2 x 2 cm

Liisa Hashimoto – Necklace: Untitled, 2013 – Silver 925

Réka Lörincz -  Brooch: Too much is not enough, 2013 – Plastic, Swarovski crystals, 24ct gold foil, gold plated copper, oil paint
4 x 7,5 x 7,5 cm

Valdis Brože – Necklace: Indeterminate, 2013 – Pyrites, topaz, silver 925

Valentina Caprini earrings 2013

 

 

Art gallery Putti
16 Mārstaļu iela
1050 – Rīga
Latvia (Lettonie)
tel  [phone]
Fax: [phone]
website: www.putti.lv
mail: [e-mail]