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découverte(s) on METALinclinations – APPEL à CANDIDATURE / CALL for ENTRIES pour METALinclinations2 – Deadline 18 Juill. 2010

online Metalsmithing and Jewelry Competition and Exhibition


METAL Inclinations, an International online Metalsmithing and Jewelry Competition and Exhibition (2008-09) is presented by The Society for Midwest Metalsmiths (St Louis, Missouri, USA). This exhibition includes selections of the most exemplary fine metal art created by metalsmiths, silversmiths, goldsmiths and jewelers all over the world. 


pour PARTICIPER à l’expo 2010 :

Call for Entries: Extended Deadline: July 18, 2010
METAL Inclinations2 will debut on the Internet October 31, 2010- and remain online for two years until October 31, 2012.
METAL Inclinations2 International juried all jewelry (jewellery) exhibition for 2010-12 will include selections of the most exemplary fine metal art jewelry created by metalsmiths, silversmiths, goldsmiths and jewelers all over the world. The Society for Midwest Metalsmiths is a not-for-profit organization. Check this site frequently for updated information.
TO ENTER right now, use the Juried Art Services website.
To download a printable PDF of the complete propectus
Start your application process on the Juried Art Services Website.
To ask questions about this exhibition go to the METAL Inclinations Forum:

(Brooch by Gillian Hillerud, a selected artist for METAL Inclinations1)

Chao-Hsien KuoChao-Hsien Kuo
CHAO-HSIEN KUO (Lahti, Finland) – ‘Lilac’ bouquet ring – silver – All parts move, so ring sits comfortably on hand.
‘Lumipallo’ ring – silver – All parts move

« I have been building a garden of my own for many years. A garden of imagination. I collect the seeds of inspiration by taking close-up photographs of flowers and plants, which I encounter in my daily surroundings or during traveling. I like to observe how a bloom is set on the stem, how the petals unwrap to reveal an enclosed surprise and how leaves sprout from branches, from which I can almost hear the popping sounds. I want to capture the gesture of a flower and to depict the energy and liveliness of a plant. » (CHAO-HSIEN KUO (Finland))

Allyson BoneAllyson Bone
ALLYSON BONE (USA) – Pierced Brooch #2 – hand pierced, fabricated oxidized sterling silver
Pierced Ring #5  - oxidized sterling silver

« The work I create is a balance of my desire to create something that is simple and also complex. I want my designs to appeal to a large audience, but I also want to reward those who are curious and investigate further. To accomplish this I include hidden details. Piercing the surface of the metal, I can create intricate surface patterns which often disguise the silhouettes of whimsical creatures. I have found that the process of hiding the iconic outline of a rabbit or a horse in a complicated pattern is very gratifying for me, like telling a secret. » (ALLYSON BONE (USA))

Tura Sugden
TURA SUGDEN (AU/USA) – ‘black Swallowtail’, 2008 – copper, fine silver, imitation rhodium plated, anticlastic raised – (photo Bob Toy)

« Communication between the fields of art and science plays an important role in the advance of both disciplines. A relationship between the two is inevitable. I question both the fear and the acceptance of insectual images, and I have found that working with entomological images and patterns has inspired dialogue and exposed the beauty that insects can inspire and reflect. » (TURA SUGDEN (USA))

Vina Rust Second Place
VINA RUST (USA) – Equisetum Bracelet – Stained Cell Series – sterling silver, 14K gold, liver of sulfur patina, hand-fabricated

« This body of work is concerned with revelation of the interior, with slicing past the surface. Inspired by botanical illustrations and photomicrographs, it has allowed me to both explore the idea of exposing intricate internal structures with devices such as the cross-section or selective staining of cells, and pay tribute to imagery that has cultivated a sense of wonder in me. My influences vary from Rackham illustrations to « ethnic » jewelry, but tend to share a common thread: acute awareness of natural forms, and of the tension between beauty and menace so often found in nature’s defenses. » (VINA RUST (USA))

Vina RustVina Rust
Vina RUST (USA)- Spartina Study (Brooch)- Stained Cell Series – sterling silver, gold, liver of sulfur patina
Vina RUST (USA)- Marram Study (Brooch) – Stained Cell Series – sterling silver, gold, liver of sulfur patina

Diane Falkenhagen
Diane FALKENHAGEN (USA) – Rococo Landscape -Oxidized Sterling Silver, 23 Kt Gold Leaf, 14 Kt Gold, Mixed Media Image on Sterling Silver

« In my mixed media jewelry I combine two-dimensional pictorial space and three-dimensional jewelry forms. Instead of gemstones, pictures form the central elements of my fabricated brooches, lockets and neckpieces. My diminutive pictorial expressions are either invented or borrowed from historical sources. I use a variety of art materials and techniques to create the images which are chosen for their emotional and intellectual impact as well as their aesthetic value. The jewelry forms that support the images are contemporary yet suggestive of historical styles of ornament. They are primarily fabricated from metal, but often incorporate more eclectic materials. » (DIANE FALKENHAGEN (US))

Sun Kyoung Kim
SUN KYOUNG KIM (US) – ‘Pair ‘ – ring for two people – Sterling silver

« The artist creates jewelry that involves participation of public to produce lively experiences for individual participants. The artist’s interactive jewelry invites two or more people and lets them interact with it. The wearers of her work create a truly impromptu performance while interacting with her work. The artist’s work is refined, elegant, and feminine in aesthetic. She employs curved lines in the design and uses precious metal, sterling silver to accentuate the elegance. The artist’s work is more or less intimate and private in that it does not accommodate a large group of people. » (SUN KYOUNG KIM (US))

Sharon Massey
SHARON MASSEY (USA) – steel bracelet

« I am interested in defining preciousness in my work through sentimentality, intimacy, and emotion. I seek to pay homage to goldsmithing traditions through technique and format, while challenging conventional materials and their value. I borrow historical ornamental motifs and reinterpret them to suggest a feeling of familiarity, as well as the passage of time. The content of my work lies in its use of appropriation and material innovation. In my work, I hope to express the value of sentimentality through ornamentation. » (SHARON MASSEY (USA))

Jillian Moore Award of MeritJillian Moore
JILLIAN A. MOORE (US)- ‘Symbogillis’ – electroformed & fabricated copper, nickel-silver, paint and ink
‘Knobbles’ – electroformed & fabricated copper and brass, paint

« My work combines electroforming and fabrication to achieve incidental organic textures as well as smooth biological forms. The surfaces are then painted. Abrasives remove paint from high points in the organic surface, and areas of interest may be printed on. The resulting objects belie their processes and instead reference living creatures of my own invention. » (JILLIAN A. MOORE (US))

Renee Zettle-Sterling
Renee ZETTLE-STERLING (USA) – Object of Mourning #3 – silver, copper, doily dipped in latex paint, rubber casting, fabrication, mix media

 » Objects of Mourning  2007-Present Through this body of work, I am investigating how objects are a source of meaning beyond their physical properties. I am especially interested in how objects help us move through the difficult passage of mourning. During the process of mourning objects can links us to loved ones that have passed or moments in life that are fleeting, such as childhood. The objects that I am creating become an outlet for displacement, emptiness, loss, and sentimentality. » (Renee ZETTLE-STERLING (USA))

Mary Hallam Pearse
MARY HALLAM PEARSE (USA) – ‘That Little Something’ Brooch – Sterling Silver, Fine Metal Paper, Pearls, Glass 2008 Printed, Fabricated

« In my current body of work I seek to examine how jewelry functions as an image, a means to construct desire, and the consequence of transfer from image to object and back to image. Found images are appropriated from a variety of sources, including magazines and various publications then printed on thin sheet of metal paper resembling the historical tin-types. This game of skill requires that the player complete the image by putting the jewels in to the impressions. These pieces are similar to the games children once received as party favors and to the game bagatelle. » (MARY HALLAM PEARSE (USA))

Mary Hallam Pearse
MARY HALLAM PEARSE- ‘Feeding Desire’ – Brooch  2008 Sterling Silver, Fine Metal Paper, Pearls, Glass Fabricated 

Sunyeoul Lee
SUNG-YEOUL LEE (USA)  – ‘Penetration’ – Poly Rope, Resin, Copper, Tool Dip, Powder Coating (Resin Casting, Rubber Coating, Powder Coating, Forming) 2007

« My goal is associating the idea of intimacy in jewelry objects to the body while the rope functions as a vehicle which conveys metaphorical meaning of connection. When the piece is on the body, it seems to penetrate or bind the wearer. I feel that it expresses the physical and conceptual connection between piece and wearer. It is important to me that the wearer can be able to relate to the symbolic meaning of the rope and at the same time feel themselves tied and connected with the rope or knot while wearing my work. » (SUNG-YEOUL LEE (USA) )

Eun Yeong Jeong
EUN YEONG JEONG (USA) ‘read or dead’ – Loofah, Wool, Sterling Silver, Plastic, Stainless Steel. Techniques:Dipped, Dyed, Soldered, Felted, Hand-Fabricated.

« Natural forms, processes and movement inspire me to create jewellery. When a form emerges from different elements, it tends to follow no exact model in which it crystallizes. Materials like stones or life forms like plants all have a different shape and character which has its origin somewhere in a void not comprehendible for the human mind. We try to understand how and under which circumstances they receive a life but the creation of these forms remains invisible for the human eyes. » (EUN YEONG JEONG (USA))


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