EXPO ‘Amor Salvaje’ – Lamadii, Palermo (Argentina) – 1er-30 Nov.- 2012

Amor Salvaje : Silvina Romero – Rita Hampton

Joyería + dibujos + bordados

LA Madii,
Honduras 5254, Palermo, Distrito Federal, Argentinatel [phone]
[e-mail]

EXPO ‘Cruzando Fronteras: del textil a la joya’ – Casa de la Cultura, Buenos Aires (Argentina) – 31 aout-29 sept 2011

 

La muestra de joyería contemporánea textil « Cruzando fronteras: del textil a la joya (2) » curada por Lilia Breyter se presentará en el Fondo Nacional de las Artes, Rufino de Elizalde 2831, a partir del 31 de Agosto.

En esta ocasión, la muestra estará acompañada por dos talleres gratuitos y una mesa redonda sobre joyería contemporánea.

http://deltextilalajoya.blogspot.com/

 

Luis Acosta — María Boggiano — Lilia Breyter — Paula Breyter — Vanina Bujalter — Marina Callis — Paula Dipierro + Gabriela Horvat — Laura Giusti — Elena Iglesias — Juanamaraña (Laura Licandro + Rosa Alcántara) — Ester Kaner — Elida Kemelman — Graciela Lescano — Susana Masabeu — Marina Massone — Bárbara Paz — Mabel Pena — Norma Rinaudo — Jimena Ríos — Silvia Roldán — Silvina Romero — Susana Masabeu — Sabina Wicki — Tota reciclados (Marcela Muñiz + Valeria Hasse)

 

 

Fondo Nacional de las Artes – Casa de la Cultura
Rufino de Elizalde 2831
Buenos Aires, Argentina

EXPO ‘Cruzando Fronteras: del textil a la joya’ – Museo Nacional de Artes Populares de Coyoacán, México – 25 Mai-3 Juill. 2011

JOYERIA TEXTIL ARGENTINA EN LA BIENAL DE MEXICO

La muestra de joyería textil argentina Cruzando Fronteras: del textil a la joya ha sido invitada participar de la VI Bienal Internacional de Arte Textil Contemporáneo WTA- Aire.  La exposición se desarrollará entre el 25 de mayo y el 3 de julio en el Museo Nacional de Artes Populares de Coyoacán, México DF. Esta muestra, curada por Lilia Breyter,  fue presentada en el Museo de Arte Popular José Hernández en noviembre 2010 y participan 21 joyeras argentinas y artistas textiles que han desarrollado su obra alrededor de la joyería textil.

(cf article :  EXPO ‘Cruzando fronteras, del textil a la joya’ – Museo de Arte Popular José Hernández, Buenos Aires (ARg.) – 10 Nov.-5 Dec. 2010)

 

 

 Participan:
María Boggiano, Lilia Breyter, Paula Breyter, Vanina Bujalter, Marina Callis, Paula Dipierro + Gabriela Horvat, Laura Giusti, Elena Iglesias, juanamaraña (Rosa Alcántara + Laura Licandro), Elida Kemelman, Graciela Lescano, Susana Masabeu, Marina Massone, Bárbara Paz, Mabel Pena, Norma Rinaudo, Jimena Ríos, Silvia Roldán, Silvina Romero, tota reciclados (Valeria Hasse + Marcela Muñiz), Sabina Wicki

 

Más información e imágenes aqui

Maria Boggiano – Alegría Collar- Pañolenci, cordón de goma – Fabric felt, rubber strand Termofusión /Thermofusion

Bárbara Paz- ‘Cinco’  Collar – Capullos de gusano de seda Bómbix Mori, plata -Bombix Mori worm cocoon, silver Teñido manual, construcción, enhebrado -Hand dyed cocoons, fabricated, stringed

Mabel Peña  ‘De mares’-From the seas Broche – Plata 999, bronce, caracoles – Fine silver, bronze, seashells Cera perdida, macramé, oxidaciones -Cast, macramé, oxidized

 

 

Museo Nacional de Artes Populares de Coyoacán, México DF

EXPO ‘Cruzando fronteras, del textil a la joya’ – Museo de Arte Popular José Hernández, Buenos Aires (ARg.) – 10 Nov.-5 Dec. 2010

Quand je vous disais « TEXTILE is “in the air” …… air de la chanson ! «  …………..

 

Cruzando fronteras, del textil a la joya

 

 

« La exposición pone de manifiesto la creatividad de joyeras y artistas textiles, quienes presentan obras que demuestran la posibilidad de trascender los tradicionales límites de los oficios, sin perder de vista el objetivo de las joyas: poder ser portadas, lucidas y embellecer a quienes las usen.
El tema en común entre estos trabajos es lo textil, ya sea por los materiales, las técnicas o la referencia de tipo simbólico o conceptual.
La exposición expresa la vigencia del encuentro entre dos mundos aparentemente muy distintos, donde las artistas se animaron a cruzar las fronteras preestablecidas por cada disciplina para unirlas.  » Lilia Breyter

exponen : Lilia & Paula Breyter, Maria Boggiano, Marina Callis, Paula Dipierro, Laura Giusti, Gabriela Horvat, Elena Iglesias, Ester Kaner, Elida Kemelman, Graciela Lescano, JuanaMaraña, Susana Masabeu, Marina Massone, Bárbara Paz, Mabel Pena, Norma Rinaudo, Jimena Rios, Silvia Roldan, Silvina Romero, Tota reciclados (Marcela Muñiz y Valeria Hasse) y los artistas invitados Vanina Bujalter y Luis Acosta.

 

El Jueves 11 de noviembre 19 hs, el artista textil Luis Acosta dará una conferencia, « Diseño de joyas a través de la percepción textil ». (Gaceta Europea)

Luis Acosta – Gorguera/Ruff – Seis capas de papel/Paper, six layers – Cosido a máquina/Machine sewn- 2010

Silvina Romero - Criaturas/Creatures Collar/Neckpiece – Textiles, hilo de seda, guata/Textile fabrics, silk thread, wadding -Bordado, cosido, técnicas experimentales/Embroidered, sewn, experimental techniques

Lilia & Paula Breyter (« PlataTextil ») – Bitono / Bitone Collar / Necklace Hilo de plata 1000, plata 925 / Fine silver wire, sterling silver. Telar manual, tejido de malla tubular, construcción / Manual loom, spool knitting, fabricated

Juanamaraña (Rosa Alcántara + Laura Licandro) – Frida Collar/Necklace – Plata 999/Fine silver Tejido a crochet, costura/Crocheted, sewn

Elida Kemelman – Collar ‘Espuma’ - Neckpiece – Telas antiguas, plata 925, plata 1000, polímero/Antique fabrics, sterling silver, fine silver, polymer. Modelado con textiles, construcción/Modelled in textiles, fabricated

Marina Massone – Panal/Honeycomb Collar/Neckpiece – Chapa delgada de bronce bañado en plata sulfurada/Thin bronze sheet, oxidized silver plated – Plegados y curvados sobre chapa delgada/Plied and bent on thin sheet

Jimena Rios – Brooch ‘My friend is a chicken’ 2003 Silver, fabric

Tota reciclados (Marcela Muñiz y Valeria Hasse) Rojo y Negro/The Red and the Black – Textiles encontrados, pintura acrílica, piezas de Toledo, bronce, alpaca, oro, aluminio/Found textiles, acrylic paint, Toledo´s pieces, bronze, nickel silver, gold, aluminium- Ensamblado/ Assemblage

 

« Ornamentos textiles y las joyas-  historia-
Las joyas han sido utilizadas desde los primeros tiempos de la humanidad tanto como ornamentos míticos, religiosos, simbólicos o seculares.
Los ornamentos -al ser utilizados como signo exterior de riquezas, privilegios, rangos jerárquicos, políticos o religiosos de las personas que lo portaban – en diferentes épocas, formaron parte de los adornos a los muertos y también como ofrenda para los dioses.
La relación entre joyería y arte textil no es un encuentro contemporáneo. Las cuentas y piedras preciosas o semipreciosas se han usado cosidas a ropajes ceremoniales en diferentes culturas.
Uno de los registros escritos más antiguos de la combinación de joyería y textil se encuentra en el capítulo 28, versículo 4 del Éxodo, donde se describe la vestidura sacerdotal, “…y harán el efod de oro, de hilo azul celeste y púrpura y carmesí y lino torcido, trabajado con primor…”
Hay ejemplos de complementación de joyería y textil en el antiguo Egipto, como un brazalete de la Dinastía 18, compuesto por hileras de piedras semipreciosas unidas por hilo de oro.
Los usekh eran collares anchos con forma de cuello usados por la antigua nobleza egipcia sobre los hombros. Generalmente estaban compuestos por piedras preciosas y amuletos conectados con técnicas de tejido.
En sitios arqueológicos de las tribus íberas (siglo II AC) se han encontrado pendientes de hilo de oro enrollado en los extremos y torques (collares usados como insignia) de cables de plata circulares con remate cónico y centro afiligranado de plata.
En el siglo XX las técnicas textiles han sido utilizadas por distintos creadores de joyería que lograron combinar la dureza y frialdad del metal, con la suavidad y calidez de la tela y los hilados.
El uso de materiales no tradicionales en joyería, como hilados de origen animal, vegetal, monofilamento, fibras sintéticas y material reciclado, son objeto de continuas investigaciones.
Esta apertura hacia nuevos materiales y técnicas y el intercambio de conocimiento han creado una integración enriquecedora, constituyendo una importante manifestación cultural de nuestra época, al vincular joyería con diseño y arte textil.  »

Silvina Romero 

 

 

 Museo de Arte Popular José Hernández
Av. del Libertador 2373
1425 Ciudad de Buenos Aires.
Tel. [phone]

EXPO ‘Think Twice: New Latin American Jewellery’ – Museum of Arts and Design of New York (USA) – 13 Oct 2010-8 Janv. 2011

Museum of Arts and Design of new York (MAD) – (New York City) -  13-Oct-2010 – 08-Jan-2011 
Think Twice: New Latin American Jewelry Showcases Contemporary Jewelry From The Region For The First Time In a U.S. Museum

« Think Twice: New Latin American Jewelry, presented by the Museum of Arts and Design from October 12, 2010 through January 8, 2011, will feature unique work by nearly 60 jewelry makers, representing over 20 Latin American countries. Among the artists included are the Brazilians Mirla Fernandes, Dionea Rocha Watt, and Claudia Cucchi; Valentina Rosenthal and Walka Studio from Chile; the Argentinians Elisa Gulminelli, Francisca Kweitel, and Silvina Romero; Jorge Manilla, Martacarmela Sotelo and Eduardo Graue from Mexico; and Miguel Luciano from Puerto Rico. 
The show has been guest-curated by the Netherlands-based, Mexican-born architect and historian Valeria Vallarta Siemelink. 
Objects of adornment have played a significant cultural role throughout Latin America’s history, from the spiritually potent jewelry of the pre-Columbians to the eye-catching ornaments worn by Mexican drug gangs to advertise their status and menace. Now a new generation of jewelry makers working outside the field’s conventions are examining how this complex relationship with physical adornment evolved–and why. 
Think Twice aims to bring the audience a clear picture of the landscape of contemporary jewellery in Latin America and its development in the last 10 years, showing the way in which visual artists and jewellery makers born or living in Latin America view and relate, through jewellery, to such a vast and diverse continent. 
The exhibition, conceived by Otro Diseño, is born out of a passion for jewellery as a medium of personal and cultural expression and of the conviction that the fresh, intense and highly creative work of Latin American jewellery makers outstandingly represents and nurtures the culture they live in and therefore greatly enriches and diversifies the international landscape of contemporary jewellery.
“The new Latin American jewelry must be appreciated for what it is. One shouldn’t impose stereotypes or resort to clichés,” says guest-curator Valeria Vallarta Siemelink. “Far from being an imported concept from the West, jewelry-as-art in Latin America is very much a product of the region’s history and its diverse and dynamic modern societies.” 
“This is a very special show,” adds Ursula Neuman, MAD’s jewelry curator. “This jewelry is virtually unknown in the United States. The artists’ realize their sophisticated concepts through intriguing choices of materials and techniques, creating unique works that present a fascinating amalgam of indigenous cultural elements and the latest trends in international contemporary jewelry design.

” To bring clarity to Latin America’s complex culture and history, the exhibition is organized around three themes, addressing the region’s past, its unique fusion of ethnic influences, and its ever-changing socio-political realities. 

History, Memory, Tradition
The tension between tradition and modernity is crucial to Latin American history. Heritage and memory, both personal and collective, are among the subjects expressed by these artists through pre-Columbian and colonial jewelry methods and traditional craft techniques. Take the Colombian Mariana Shuk. She has made a series of rings using traditional ring shanks ordered from mega-jewelry suppliers. She creates a ring by interlacing two identical shanks. Its shape determines which techniques—stone setting, enameling, filigree—she will employ to customize it in the Colombian colonial style. The process has produced a perplexing assortment of rings that confronts past and present, value and insignificance. By contrast, another Columbian artist, Linda Sanchez, creates her jewelry pieces by employing weaving techniques that have been used by an Amazonian tribe since ancient times. 
A Flair for Invention
The artists in this section are some of the boldest jewelry makers anywhere. Skilled at improvisation, they make brilliant use of a rich variety of native materials along with such everyday objects as balloons and drawer handles. A spontaneous attitude and a contrary vision are central to their daring approach. The Mexican Andres Quiñones can make an exquisite choker from sticks of bamboo, a few broken guitar strings, a handful of freshwater pearls and silver wire, all of the materials collected from garbage dumpsters in Mexico City. Colombian Helena Biermann presents Hit the Road, a series of brooches that collect the insects stuck to a car in its 286 km trip from Munchen, Germany to Domaslav, Czech Republic. 
Forging Identity: Latin America as a Source of Inspiration 
These jewelry makers are creating an individualistic language, expressive of who they are and where they come from. Art, religion, money, violence, tradition, family, gender are among the themes that define their lives, uniting their collective and individual identities. Foreign-born artists, who are somehow bound up with Latin America or have had a profound impact upon it, are included in this section. Alcides Fortes, for example, was born in Cape Verde, trained as a gold and silversmith in the Netherlands, and today lives and works in Mexico. He specializes in politically charged jewelry, creating such works as a necklace made out of the porcelain portraits recovered from the graves of a family killed in the Mexican revolution. The piece reveals both an admiration for Mexico’s culture and history as well as a loathing of its corruption, economic disparities, and veiled racism. By transforming the common objects of his native land into fetishized commodities, Miguel Luciano examines how American consumerism has affected Puerto Rican culture. Plantainum, for example, is a series of necklaces and pendants featuring a platinum-covered plantain. The shell is seductive and pristine, but underneath the fruit is rotting. 
Figurative and abstract, conceptual and symbolic, traditional and experimental, contemporary Latin American jewelry is tremendously varied, and it is this diversity that enables it to communicate its ethnicity and to transcend it. » (Klimt02)
Artist list:
Mirla Fernandes (Brasil),Kehisha Castello, Helena Biermann (Col.), Tota Reciclados (Arg.), Udi Lagallina (Bresil), Martacarmela Sotelo (Mex.), Kika Alvarenga (Brasil), Silvina Romero (Arg.), Elisa Gulminelli (Arg.), Zinna Rudman, Célio Braga, Martha Camargo, Maria Paula Amezcua, Magali Anidjar (Arg.), Walka Studio (Chile), Mauricio Lara, Gabriela Horvat (Arg.), Jorge Castañón, Nilton Cunha, Jimena Rios, Thelma Aviani, Alcides Fortes (Cape verde), Samantha Fung, Alex Bourttiea, Marie Pendaries, Renata Porto, Martha Hryc, Teresa Margolles, Paula Isola, Beate Eismann, Aurelie Dellasanta (CH), Giselle Morales, Fiorenza Coredro, Francisca Kweitel (Arg.), Alina López, Ana Paula Campos, Dionea Rocha Watt (Brasil), Eduardo Graue (Mex.), Mariana Shuk (Col.), Stella Bierrenbach, Hugo Celi, Luis Acosta, Isel Mendoza, Dani Soter, Linda Sánchez (Col.), Andrés Fonseca, Ana Videla, Alex Burke, Benjamin Lignel, Alejandra Agusti, Lucia Abdenur, Claudia Cucchi (Brasil), Chequita Nahar, Ariel Kuipfer, Ximena Briceno, Julieta Odio, Guigui Kohon (Esp.), Nuria Carulla, Santiago Ayala, Carlos Martiel, Jorge Manilla(Mex.).

Silvina Romero (Argentina)

Mirla Fernandes (Brasil) – necklace

Celio Braga, Brazil

Aurelie Dellasanta – ‘suicide brooch’ 2007 painted metal, gilded metal, paper

 Francisca Kweitel (Arg.)

Guigui Kohon -’Basura de joyería’ – Jewelry waste 2010

Chequita Nahar Lontai – brooch, 2010, oak, porcelain, string

 

 

 

 

 

Kika Alvarenga (Bresil)

 Jorge Manilla – ‘Palabras’

Jorge Manilla – necklace ‘de votos y ex-votos’

Dionea Rocha Watt (Brazil) – ‘Vanitas’ – image made with silver dust

Claudia Cucchi (Brazil) – Brooch-  Untitled 2005 – Silk, perspex, nylon, emerald

Elisa Gulminelli (Argentina) 

Udi Lagallina (Brasil) – brooch

Gabriela Horvat, Sin titulo necklace 2009

Jorge Castañon, Dos cuencos brooch – nickel silver and wood

Martacarmela Sotelo (Mex.) – collares linea ropa- proceso lineas ropa mezclilla roja

Marta Hryc-  Aplastada – Plata, algodon. 2009

TotaReciclados (Arg) (Marcela Muñiz + Valeria Hasse)

 

Museum of Arts and Design of New York (MAD)
2 Columbus Circle (59th Street and Broadway)
NY 10019 – New York City
United States
Telephone: [phone]
Fax: [phone]
website: www.madmuseum.org
mail: [e-mail]

Joyeros Argentinos

 

EXPO ONLINE at JEWELLERY SCAPE – TEXTILE section

http://www.jewelleryscape.com

Silvina Romero (Arg.)- necklace ‘Abajo del mar’ textile, fabric, cotton & silk thread

Paulie Schwartz – organza de soie

Sabrina Bottura – ‘black’ ring 2009 – felt, pearl black, silver
Karin Carmeliet

Colleen Baran – Felted Saucer Rings – 2007 – Felt, sterling silver

Elena Lorenzi   – Necklace in twine, coloured metal wire and braid of different colours

Federica Fabiano « Gradient » – necklace made by copper yarn coated with cotton yarn

Cristina Tajè  ‘Rosa, Rosae’ – necklace in felt with applications of copper, tin, iron and brass

Ruth Moore – sealife inspired neckpiece – 2009 – Heat formed synethetic fabrics, plastic beads, cotton thread

Kate CUSACK zipper necklace

Susanna Matsche (DE) – Breast pins – leather, silver, fur

Thomas de Falco (IT) – cotton, wool, silk, leather iron necklace

La Vie en Rose ! « girly tour »

« Quand il me prend dans ses bras
Il me parle tout bas
Je vois la vie en rose.. » (Edith Piaf)

Arthur HASH voit (aussi) la vie en rose !!! …. et c’est KITSCH !!!

Arthur Hash  bracelet  –  ping pong pin  –  Cake Mixer brooch

 

Maiiiiis ……. il n’est pas le seul !!! allez, c’est parti pour un « girly tour » !!

Mette Saabye (DK) – Ring ‘Crystalring’ – silver, salt crystal, paper
Mette Saabye (DK) – Brooch ‘Bumblebee harasses Pink Flower’ – gold, laquer, paper, silver (Gal. Louise Smit)

Dana Seachuga (IL) – ‘Hollow cries’ brooch – deer horn, pearls, nail polish, silver …
Mia Maljojoki (DE) – necklace

Miette (FR)- « envie » necklace, pvc
Mikiko Minewaki (JP)- necklace ‘plachain’ – curlers – (schmuck 2010)
Kate Kusack (US) zipper necklace

Alexia Cohen (US) bracelet
Heather Skowood - love-hate bracelet, silver & pom poms (photo Jonathan Keenan, UK)

Amy Weiks (US) – lick series
Karen Monny (FR) – collerettes soie 2000-01

Julie Bouldoires – b.o. spirales -fleurs – bijou d’un jour avec fleurs fraîches (ou pas) (Gal. Caractere)
Emiko OYE (US) – eclipse pink  Limited Edition bracelet – LEGO, sterling silver, rubber cord

Uli Rapp (NL) – proudly FAKE
Fifi  la Ferraille (FR) – Collier – Pièce unique

Cheryl Eve Acosta (US) – Double Bracelet – expo ‘fibers expanded’ – sterling- nylon bracelet
Helen Britton (AU) – ‘non omne est aurum quod splendet’ (all that glitters is not gold)

Denise Julia Reytan (DE)- neckpiece
Masako ONODERA (US) – Eruption Necklace

 

‘mikeandmaryjewelry‘ ‘ring_a_day » challenge
Brigit Daamen (NL) felt ring
Yoko Izawa  (UK)- veiled ring

Iris Eichenberg (NL)- ‘traenenmeer’ brooch – ‘pink years later’ – copper plated silver, beads, nylon
Terhi Tolvanen (NL)- Hyacinthe Cristalline – broche, 2008 – grape wood- silk, silver, amethyst (long 18cm)

Min-Jii CHO - necklace
Silvina Romero (Arg.) – textile necklace

 

Katerina Handlova (CS) – glass-rocaille, lamp-worked beads ‘coral’ necklace
Christine Bossler (US) ‘Distance’ necklace

 

Eric-Charles Donatien pour Lemarié (FR) – Broche Étoile du Sud-plumes, argent,cristaux
Lisa Juen – Brooch ‘Pink Tradition’ 2009- Steel, nail varnish, rost, glass, silk floss

Mi-Mi Moscow (RU)- necklace « tranquility »
Felicity PETERS (AU) – ‘inspired by the gherkin’, earplugs and silver thread

 

Akiko Kurihara (JP) ring
Susanne KLEMM (CH) – ring ‘sleeping beauty’- ‘orchid’  -silver,cold enamel

 

Johanna Dahm (CH) perspex brooch
Shannon Carney – resin brooch

 

Sarah Keay (UK) pink bangle detail – Silver, monofilament, enamel, plastic.
Katharina Moch (DE) bracelet- plastic (partly glow in the dark) copper, enamel, citrin...

 

Philip SAJET- ‘Precious and stone’ 2008 – gold, rose quartz
Ted NOTEN-’ Fashionista Purple Haze’ necklace- glass, crystal, nylon

Susie Ganch  brooch (SOFA 2009)
Seth Papac  (US) necklace

Chloé Durand - Monocle : laiton doré + gravure laser « ¥€$ » + plexiglass teinté en rose taille diamant
« Monocle qui met en avant la dérision de notre comportement vis à vis de l’argent ; l’obsession que la quête de la richesse engendre en nous, et l’illusion de bonheur qu’elle produit. Avec, je vois la vie en rose… »

 

 

et pour finir en beauté …. des fesses roses … de bonheur !

Brigit Daamen (NL) was recently featured in the exhibition “Fashioning Felt”, at the Cooper-Hewitt National Design Museum. Brigit felts plastic costume jewelry with merino wool and transforms them into precious edgy neck pieces.

Recyclart ….. be greeeeeen ! le monde de la RECUP’

Recyclart

Recyclart est né!  » vous pouvez aller proposer vos propres créations (en cliquant sur “contribute”), et celles que vous croisez sur le net. L’idée finale étant juste de pouvoir inspirer d’autres gens en faisant une bibliothèque d’images liées au recyclage, à la réutilisation, au détournement d’objet, à la customisation, en débordant un peu sur les loisirs créatifs.  »
Excellente initiative!

quelques exemple, bijoux of course !!

« An environmental project in Costa Rica involving making eco-jewelry from recycled materials, for these examples, aluminum beverage-can pull-tabs and frayed strips of recovered cloth remnants. These are made by women responsible for their community recycling programs in remote villages, as a means to demonstrate that “no es basura”: just what can be done with throw-aways, a step in promoting a culture of recycling in this developing country. « 

cans caps necklace

« Voici des créations … réalisées par  Silvina ROMERO, qui réalise des bijoux à partir de récupération de textiles. Elle a commencé voici 4 ans, lors de la crise économique en Argentine, en jouant sur le recyclage, mais par nécessité … Depuis, en transformant ces déchets en petits trésors de création, elle a acquis une belle renommée pour ses travaux uniques, inspirés et surtout complètement dans l’air du temps. Un peu trop loin pour s’en procurer (argentine), mais allez voir son site pour le plaisir des yeux. »

« on continue dans le recyclage d’accessoires de sport en accessoires de mode. Cette fois-ci l’idée nous provient d’Elke MUNKERT, artiste allemande qui revisite les balles de tennis en bijoux, bracelets et bagues pour ces dames« 

moult recyclage dans le monde du bijou !! ) nos créateurs sont écolos en diable !

récup’ de Barbie et LEGO et autres jouets : voir l’article « Retour en enfance – bijoux, joujoux ….. Emiko OYE & autres » (bijoux d’Emiko Oye, de Margaux LANGE, Jana Natier, Tom Binns, « CERAQUOI », Kylie GARTSIDE, ‘UnMicroclima’ … )

 

Emiko Oye‘s limited-edition ‘Pink Martini’ bracelet reuses Legos

Mon amie Catherine JACQUET (FR), sur le site Odexpo, fait des bijoux UNIQUEMENT en récupération de plastiques (tétines de biberons, CDs, rideaux de douche, bouteilles, etc etc !!),

Catherine Jacquet – Collier ‘Goutelettes’- plastique recyclé
Cynthia del GIUDICE  – oversized plastic necklace (2009)

Gulnur OZDAGLAR (Turquie) fait de merveilleux colliers à partir d’ex-bouteilles en plastique, Cynthia del GIUDICE (Argentine) fait des merveilles de poésie à partir de … sacs en plastique, etc etc

 à vous de m’en proposer d’autres, que je ne connais pas encore !!

 

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