EXPO during JOYA Barcelona OFF 2015 : ‘To Recover’ – Klimt02 Gallery, Barcelona (ES) – 7 Oct.-7 Nov. 2015

exhibition being part of « OFF JOYA » 2015

To Recover -  Klimt02 Gallery

Opening : 7 October from 19 h.

(Ted Noten Superbitch Bag, 2000 / Superbitch Bag Revisited, 2015)

Artist list   Simon Cottrell — Karl Fritsch — Gésine Hackenberg — Karin Johansson — Jiro Kamata — Sari Liimatta — Stefano Marchetti — Ted Noten — Noon Passama –  Annelies Planteydt — Tore Svensson — Lisa Walker — Manon van Kouswijk

Manon van Kouswijk Pearl Grey necklace, 2008 / Pearl Grey Revisited necklace, 2015 Glass elements (saucer, hand formed cup handle with attached glass beads), diverse glass and plastic beads, polyester thread, glue.  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

The original « Pearl Grey » of 2009 was an assemblage work consisting of found and made elements of porcelain, glass, wood, plastic and pearl. It referenced a traditional cup and saucer of which the cup had been magically replaced by a bead necklace. For this new work I have translated that idea to the typology of a glass ‘saucer and cup’. It is again a combination of found and made elements but this time the work is completely transparent; almost like an x-ray of it’s predecessor

Gésine Hackenberg Still Life, 2009 / Pink Balancing Glass brooch, 2015 Glass by Theresienthal, silver  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

The ‘Still Life’ Brooches that I have made between 2009 and 2012 can be seen as a contemporary interpretation of 17th and 18th century Dutch Still Life paintings. This subject was preferable used to portray items of daily life that were emotionally and economically significant for people of that time.  Within my ‘Still Lifes’, I sliced existing glasswork and rearranged them into new compositions. They represented a perfect translation of the three dimensional to the two dimensional, the realistic vista of the glasses to the medium of jewellery. The body is taking on the role of the canvas as it were…  Within the new work I explored another way of looking at tableware than in a static composition: I wanted to express a certain precarious dynamic that is inherent to drinking glasses during a sociable meal. I tried to catch this moment of a glass tumbling, undecided yet if it is going to fall or stay upright.

 Sari Liimatta But I love Him object, 2005 / But they don´t love him pendant, 2015 Glass beads, metal link, thread (polyamide), a plastic toy  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

Just as men are not just men, and women just women, meat is never just meat. It has it´s past and origin, a story which is so often simply forgotten. Living creatures which are very much alive until they are nothing more than materials, for those who still choose to use them. Even the life before their death is so often more than problematic, as we all know. As we all know.

 Annelies Planteijdt Beautiful City – Pink Stairs necklace, 2001 / Beautiful City-Pink Stairs Black Crystal necklace, 2015 Gold, Tantalum, pigment  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015 

 I started to re-consider a piece from 2001, that never has been sold, although I liked it very much, ‘Beautiful City – Pink Stairs’.  This piece is really symmetrical, so I decided to look for a way to separate it in two parts and finish both parts in a different way, in order to get two different pieces. I have re-collected parts of other (unsold) pieces from about the same time (1999 and 2000) and have been re-approaching and re-thinking them: I made ‘Crystals’ with them, like I did in my most recent work. So I have been mixing time and thinking. And size: the sizes I used earlier were different from the sizes I used in the later ‘Beautiful City’ series, they wouldn’t have fit. But because the ‘Crystals’ are liquid (they adapt to the square) the size of the elements was not importantanymore. So I could re-take these old pieces into the new time now, I have re-used them, re-connected them.
This ‘expansion’ offered me more possibilities: I re-used the material I already had without loss of material or time. The possibility to re-make the old pieces still exists. And it gave me two new pieces. So I multiplied my possibilities. A new life.

 Noon Passama Formal Research – A necklace, 2015 / Formal Research – H rings, 2015 Rigid clay, silver, gold  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

 Formal Research – A necklace (2015) composing of six chain units is the starting point of the group of six rings. A closed-end loop of each ring was divided in sections, one / two / three /… / six, by the difference between the fat and thin parts. The works were made under the following keywords: dividing / sequencing / sizing.
Formal Research initially focused on one classical type of jewellery: the chain. The project is mainly about the form of each connecting chain unit and how the unit connects to its neighbours.
During the sculpting process, the shapes were transformed because of them being in the hand and through time. I did not edit the outcomes and will present the rings as they are. The try-outs are the finals and vice versa.

 Stefano Marchetti Untitled brooch, 2007 / Untitled Revisited brooch, 2015 Silver, silver and titan powder, epoxy resin  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015.:

 In the Nineties, in the making of the older brooch, my goal was to control the metal, to have the metal do whatever I wanted. In this latest brooch, made a few days ago, I let instead the metal take control over myself, and let it take me wherever its will would go.

Tore Svensson Mr. T brooch, 2011 / Mr. T Revisited brooch, 2015 (5 different versions) Veneer wood, acrylic paint, silver  New work designed for Klimt02 Gallery in occasion of the exhibition To Recover, Barcelona, October 2015

The reason why I chosen my self-portrait, is that it is probably one of my most well known pieces of jewellery. It is made in steel and etched.  The material and techniques I mostly work with. For the Re-version I saw out the silhouette in 2 mm veneer, divided the image in 3 parts and painted them in similar but for each piece different colours, before I glued them together. The fact that they are divided in three parts, with the dark sawing-line between, gives them a comic-like impression.
This impression is even emphasised by the bigger size, which is possible by the lightness of the material, and is completely different from the original steel-one. While the surface of the steel-portrait and other previous work was the key technology for building the image, the colour for some years been a part of my jewellery.

 

To revisit, remake, salvage, reinterpret, adapt, convert, converse, rethink…
  Why have we asked some of the artists we work with as gallery owners to reinterpret one of their works? We could say it’s because we’re interested in talking about time. And by “revisiting” we mean discussing the notion of time. But in what way? That’s the question.
Time passes, it is made, interpreted, felt and suffered, it escapes, drifts away, becomes trapped or stretched, sometimes it is intelligently ignored and, why not, it is exercised. Reinterpreting a work, a fiction or precis is a way of addressing time, a way of exploring a landscape in order to try and understand it. And we thought this exercise would provide an interesting opportunity to discuss time.
Revisiting in order to reflect… an exercise for the artist.
  Are there any changes in these artists’ works? Should there be? Is time involved? Without a shadow of a doubt, the answer is yes. But that barely scrapes the surface of what we want to know.
We’re more likely to find out what we want to know if the work enables us to answer questions such as: What kind of time is involved? Is there any usefulness? Is there any spirituality? Are there any aesthetics? Is there any abstraction? Is there any progress?
The exhibition is also designed to be understood through an analysis of the different types of answers provided by the works as a whole. As you will see, there are answers that simplify, offering minor changes, non-answers, coherent answers (if you have prior knowledge of the artist’s trajectory), inspired answers, uninventive answers… As we have said, evaluating the “revisits” as a whole provides additional knowledge.
When it comes down to it, what we most value is the sensation we observe and feel when the artist takes some distance and moves away from the centre stage in an attempt to provide an answer. As observers, we believe this circumstance helps to achieve universality and thus provide an intellectual satisfaction, that of communicating and objectifying the creation to the full in order to express and play with a more authentic reality.
Revisiting in order to look afresh… the viewer’s exercise.
We switch from observation to understanding, and vice versa. We observe in order to find differences between similar things and we understand when we find similarities between different things. Accustomed as we are today to viewing several pieces in a highly random fashion, pausing to stop in order to take a fresh look at a work “inaugurated” some time ago is another exercise we wish to propose. This exercise may help us assimilate better in this era of accumulation and, on occasions, superficiality. There can be no doubt that the way in which a work attracts and engages us is based on the knowledge we may have of it.
Knowledge without criticism is an indication of the end of everything. Yet, on the other hand, what can be said of criticism without knowledge? Are we capable of enjoying what these workers of art offer us? Will we be capable of evaluating what they show us? Can we offer knowledge-based criticism? Frankly, we find there is a lack of humility on the part of the viewer. And we’re all viewers.
Let’s enjoy this opportunity.

 

 

Klimt02 Gallery
Riera de Sant Miquel 65
08006 -  Barcelona
Monday to Friday / 11 -14 and 16-19 h.

 

 

 

EXPO ‘ SIMON COTTRELL – timbre’ – Sienna Patti, Lenox (USA) – 27 Juin-19 Juill. 2015

 SIMON COTTRELL -  timbre 

June 27 – July 19, 2015
reception June 27 4-6pm

 (Simon Cottrell Paired Uneven Double Pendant, 2015 Monel, woven nylon cord )

The specific combination of qualities within a sound that distinguishes it from other sounds of the same pitch and volume is its ‘timbre’. While Simon Cottrell‘s works are tangible and far less transient than any sound can ever be, this term which defines the inherent small differences within similarities seems more than apt to apply. The ongoing and slowly shifting use of certain preset parameters with only a singular material, monel, and an achromatic palette, has become his formal language. Working within this sameness has lead him to focus more closely on the possible variances within those systems of working, and heightens the sensitivity to relationships between tiny details within one piece or acrosspast works.

Simon Cottrell Down Bud II Brooch, 2015 Monel, Stainless steel, powdercoating, bio-phosphorescence 3 x 3 x 2 in.

“I have no need to hurry or progress in leaps and bounds. Each piece is conceived primarily for an existence in collaborating with a wearer towards their communication of self. From a wearer’s perspective, prior relationships between other earlier works of mine are insignificant. As ever my work retains a decisive avoidance of direct allusions or clearly resolved representation. This is not so much by thorough pre-­‐planning, rather by only allowing coy suggestions of subjects to repeatedly rise in a responsive and intuitive process of making, and then continuing countering those subjects. The result usually evokes something between anything and nothing.”

Simon Cottrell Double Circles, Fingers Brooch, 2013 Monel, Stainless steel 2 3/4 x 1 1/4 x 1 3/4 in.

Simon Cottrell brooch

 Simon Cottrell Three drops, Hard Blunt Brooch, 2013 Monel, Stainless steel 2 1/2 x 2 x 1 1/8 in.

 

Simon Cottrell is an Australian artist based in Canberra. In 1997 he completed a Bachelor of Fine Arts, with Honours in Gold and Silversmithing at the Royal Melbourne Institute of Technology (RMIT). In 2005 he was awarded an RMIT University Scholarship for a Master of Arts by Research. He has been teaching since 2001 and is currently a Lecturer and Researcher at the Australian National University, and has also been invited to teaching workshops, giving seminars and lectures at institutions around the world. Since 1996 he has exhibited extensively in over 120 exhibitions, in Australia, New Zealand, Germany, USA, Japan, The Netherlands, UK, Malaysia, France, Thailand, Canada, Italy, India, Spain and China. Selected Public Collections Auteur Bijou Collection City of Cagnes-­‐sur-­‐Mer, France. Art Gallery of South Australia, Adelaide, Australia. National Gallery of Victoria (NGV) Melbourne, Australia. National Gallery Of Australia, Canberra, Australia.

 

 

 

 

Sienna Patti

80 Main Street
Lenox, MA 01240 USA
[phone] 8386

[e-mail]

Schmuck 2015 – PROGRAMME – Munich (DE) – 11-17 Mar 2015

SCHMUCK 2015

Schmuck Event-Programm 2015

This year 63 artists have been selected from 23 different countries and this year Modern Classic is Karel Novak from Czeck Republic. Have an overview of the selected works as well as last year awarded artists. This special exhibition is the eldest exhibition of contemporary jewellery work in the world. It takes place since 1959 every year during the International Trade Fair in March

Karel Novák  1996  Lenticular   Ring

***

Artist list :  Ulla Ahola — Nicole Beck — Sofia Björkman — Becky Bliss — Jim Bove – Helen Britton — Beatrice Brovia — Kim Buck — Florian Buddeberg – Jorge Castañon – Mercedes Castro Corbat — Eunmi Chun — Kat Cole – Simon Cottrell — Paul Derrez – Katharina Dettar — Maria Diez –  Carolina Dutari — Jantje Fleischhut — Sol Flores – Kyoko Fukuchi — Emi Fukuda — Aran Galligan — Christine Graf – Stanislava Grebenickova — Mirjam Hiller – Nils Hint — Junwon Jung — Kaori Juzu — Christiana Jöckel — Kimiaki Kageyama — Minna Karhu — Merle Kasonen – Merlin Klein — Anne Leger — Hadas Levin — Li Liang — Gigi Mariani — Sharon Massey — Mikiko Minewaki — Neke Moa — Carla Movia — Kazumi Nagano — Karel Novak — Karla Olsakova — Pavel Opocensky — Martin Papcun — Ruudt Peters — Katja Prins — Ramon Puig Cuyàs — Anne-Marie Rebillard – Lucy Sarneel  –  Pedro Sequeira — Martina Singerova — Arnaud Sprimont – Yuki Sumiya — Tore Svensson — Georgina Trevino — Jessica Turrell — Karen Vanmol  — Julia Walter — Asami Watanabe – Annamaria Zanella — Manon van Kouswijk

(* in BLUE : see posts about their jewelry)

 ***

The SCHMUCK is an international exhibition that has been taking place in Munich for more than 50 years. It combines works of established artists and promising newcomers in the area of contemporary jewellery design and is the meeting place for collectors, jewellery lovers and museum curators from Germany and abroad. Organized as a worldwide contest, the works are chosen by an internationally renowned curator each year, this time by Eva Eisler, professor at the Prague Academy of Arts, Architecture and Design (AAAD). “Presenting works at the SCHMUCK is an honor for any jewellery designer“, says Dieter Dohr, Management Board Chairman of the GHM Gesellschaft für Handwerksmessen mbH. That is also why this time, more than 600 gold smiths and jewellery designers from Germany and abroad applied for the special show. In spring 2015, contributions by 63 artists from 21 countries will finally be on display. This time, Karel Novak from the Czech Republic will be honored as the classic of modern art. Highlight of the SCHMUCK will be the awarding of the Herbert-Hofmann-prizes on Saturday, 14 March 2015 at 5 pm on stage in hall B1. On this day, a jury will select the three best works of the SCHMUCK. Each year, a number of accompanying events group around the special show at the Internationale Handwerksmesse in Munich galleries, museums and cultural institutes.

***

At the Fair  (Pavilion B1) 

11 – 17 March /  9:30 – 18:00 h. Special Shows at the 67th International Trade Fair in Munich.

• Schmuck 2015, Talente 2015, Exempla 2015 « Forum der Meister », Meister der Moderne 2015
• Frame with Galerie Marzee, Platina, Ra, Rosie Jäger, Chrome Yellow Books

FRAME : cf During SCHMUCK 2015 – EXPO ‘The Grass Is Always Greener Overseas’ – Handwerksmesse, Munich (PLATINA Stand) (DE) – 11-17 Mars 2015
FRAME : cf During SCHMUCK 2015 – EXPO ‘In Between by Sigurd Bronger’ – Galerie RA (NL) – 11-17Mars 2015

 

14 March /

• 16.30 h. Talente-Prize
• 17 h.  Herbert-Hofmann-Prize 2015, www.ihm-handwerk-design.com

  At Munich (Featured events) 

•  Galerie Handwerk 

  5 March / 18.30 h – « From the Coolest Corner – Nordic Jewellery »
6 March ->18 April  (Di.- Mi.- Fr.)  10-18 h., Do. 10-20 h. – 14-16 March 10-15 h.
Max-Joseph-Str. 4, 80333 Munich
www.hwk-muenchen.de/galerie
www.facebook.de/galerie.handwerk
cf During SCHMUCK 2015 – EXPO ‘From the Coolest Corner – Nordic Jewellery’ – Galerie Handwerk, Munich (DE) – 6 Mars-18 Avril 2015

  13 March / 10-15 h « Re-public Jewellery« .

Seminar produced by Martina Kaufmann, Prof. Ingjerd Hanevold and Prof. Anders Ljungberg, lectures: Yuka Oyama, Liesbet Bussche, Nanna Melland, Helen Carnac

Registration required. Max-Joseph-Str. 4, 80333 Munich Tel. [phone]

http://www.coolestcorner.no/exhibition/munich.html

  15-17 h/ « Please sign here« 

Mobil Location: stunts in public space by ALLA, Emil Kristoffer Gustavsson, A 5 and Anna-Maria Saar and Nils Hint.

alla_pleasesignhere

• Die Neue Sammlung –The International Design Museum Munich, Pinakothek der Moderne

13.March / 19h « Anton Cepka – Kinetischer Schmuck » – 14.March.->7.June
http://www.die-neue-sammlung.de/
 cf during SCHMUCK 2015 – EXPO ‘Anton Cepka – Kinetischer Schmuck’ – Die Neue Sammlung /International Design Museum, Munich (DE) – 14 Mars-7 Juin 2015

(Anton Cepka – Kinetic Jewelry – brooch)

« Harebutai. A grand occasion. The Hiko Mizuno College of Jewelry Tokyo zu Gast in der Neuen Sammlung, Hiko Mizuno College invited by Die Neue Sammlung »
14.->22. March – Di.-So. 10-18, Do. 10-20 h

https://www.facebook.com/events/

cf During SCHMUCK 2015 – EXPO ‘Harebutai’ – Die Neue Sammlung – The International Design Museum Munich (DE) – 14-22 Mars 2015

Harebutai.  The Hiko Mizuno College of Jewelry Tokyo

 

15.March / 11 h
« Toni Greenbaum: MAG to SNAG: American Studio Jewelry, 1940-1970« 

(lecture)
Barerstr. 40, 80333 Munich Tel. [phone]
www.Die-neue-Sammlung.de

Facebook

• Bayerischer Kunstgewerbeverein e.V., Galerie für Angewandte Kunst

26.February / 18.30 h
« Doerthe Fuchs –Schmuck-Handlun »
« Meet the Artist“ with Doerthe Fuchs on 13.March., 16-18 h and 15.March., 14-15 h
27.February.->18.April., Mo.-Sa. 10-18 h
Pacellistr. 6-8, 80333 Munich Tel. [phone]
www.bayerischer-kunstgewerbeverein.de

• Villa Stuck

12.March / 17-19 h

“GlAmour“, »GlAmour Empfang », Giampaolo Babetto, Robert Baines, Gabi Dziuba, Karl Fritsch, Daniel Kruger, Gerd Rothmann, Philip Sajet, Robert Smit, Lisa Walker.
Curated by Olga Zobel Biró
7.March->6.April, 12.3., 17-19 h
Prinzregentenstr. 60, 81675 Munich Tel. [phone]
www.villastuck.de
cf EXPO ‘glAmour’ – Villa Stück, Munich (DE) – 7 Mars-6 Avril 2015

• MaximiliansForum – Passage für Kunst und Design

18-22 h / « On the elementary power of jewellery oder Schmuck als Urgewalt“, Eine mediale Rauminstallation von Gisbert Stach mit Videoarbeiten von Pavol Prekop/Jana Minarikova und Gisbert Stach. Eröffnung mit der Aktion « Wurfmesser » von Gisbert Stach Unterführung Maximilianstr./Altstadtring
12.March. -> 25.April. – 24 h window display
Tel. [phone]
www.maximiliansforum.de

  

At Munich (Other events – by date)  

Monday, 9. March 2015

11 h / Galerie Biró Junior zu Gast bei Galerie Jordanow

« GBJ Projekt 3« , Catarina Hällzon, Heejoo Kim, Réka Lörincz, Nolia Shatki, Flóra Vági

9->21 March, Mo.-Sa. 11-18, So.11-15 h

Zieblandstr. 19, 80799 Munich Tel. [phone]

www.galerie-biro.de

 

Tuesday, 10. March 2015

10-18 h /  Galerie Wittenbrink

“Einzelausstellung: Hermann Jünger – Zu Ehren von Hermann Jünger“ (with catalogue)

10.->17.March., Di.-Sa. 10-18 h, Do. 10 -20 h.

Türkenstr. 16, 80333 Munich Tel. [phone]

www.galeriewittenbrink.de

facebook

18 h / Akademie Galerie

« Ich bin keine Vase« ; Jing Yang

U-Bahn U3/U6, Station Universität Zwischengeschoss

11.->17.March., Mi.-Sa. 11-18 h, So. 12-18 h

Tel. [phone]

Jing Yang Pendant: Ich bin keine Vase, 2014

19-21 h / Super + Centercourt Gallery

« paper-plastic-metal-stone« , Emi Fukuda, Clementine Edwards, Gillian Campbell Deery, Katie Jayne Britchford

9->17.March., Mo.-Fr. 12-17 h, Sa./So. 14-17 h

Adalbertstr. 44, 80799 Munich Tel. [phone]

www.centercourt.gallery

19-22 h / Kunsthaus Maximilian

« Zeichen der Zeit – Timeperception« , Hatara-project, Annea Lounatvuori & Christine Jalio

Maximilianstr. 54, 80538 Munich

10->14.March., Mi.-Fr. 10-19 h, Sa. 11-16 h

Tel. [phone]

www.kunsthaus-maximilian.de 

http://instagram.com/hataraproject

https://www.facebook.com/hataraproject/timeline

19 h / kunstarkaden Ein Kunstraum der Stadt München

« Schmuck/Objekte/Video“ Martin Papcùn, Merlin Klein, Pedro Sequeira, Junwon Jung

Sparkassenstr. 3, Munich

11.March->11.April., So.15.March. 16-20 h, Di.-Sa. 13-19 h

Tel. [phone]

www.muenchen.de/kunstarkaden

www.facebook.com/kunstarkaden

19 h / Maurer Zilioli – Contemporary Arts zu Gast bei Kunstbüro reillplast

« Quodlibet« , Christiane Förster, Norman Weber

Amalienstr. 21, 80333 Munich

10.->15.March., 14-19 h Tel. [phone]

www.maurer-zilioli.com

 

Wednesday, 11. March 2015

10-19 h / WITTENBRINKFUENFHOEFE

Diana Dudek

Theatinerstr. 14, 80333 Munich

11.->17.March., Mo-Sa. 10-19 h Tel. [phone]

www.galeriewittenbrink.de

facebook

11-19 h / Galerie Artefakt

« Porzellanschmuck« , Silke Trekel

Hans-Sachs-Str. 13, 80469 Munich

11.->21.March., Mo.-Fr. 11-19 h, Sa. 11-15 h Tel.[phone]

www.artefakt-muenchen.de

15-22 h / GalerieGEDOKmuc

« Black Box« , Susanne Elstner, Susanne Holzinger, Christiana Jöckel, Kirsten Plank, Monika Vesely

Schleißheimer Str. 61, 80797 Munich

11.->15.March., Do. 11-22 h, Fr.-So. 11-19 h, Tel.[phone]

www.gedok-muc.de

Kirsten Plank

16-20 h / Steinstr. 59

« Blanco« , Aaron Patrick Decker, Anke Huyben, Steven Gordon Holman,Christie Schellings, Babs Zwanink

Steinstr. 59, 81667 Munich

11.->15.March., Do.-So. 11-17 h Tel. [phone]

www.weareBLANCO.blogspot.com

cf During SCHMUCK 2015 – EXPO ‘Blanco’ – Steinstr. 59, Munich (DE) – 11-15 Mars 2015

16 h / Vintage Design M. Müller

« aire negro« , Alejandra Solar. Introduction by Brigitte Betz

Fraunhoferstr. 41, 80469 Munich

11.->17.March., 11-19 h, Tel. [phone]

www.airenegro.com

cf During SCHMUCK 2015 – EXPO ‘Aire Negro’, Vintage Design M. Müller, Munich (DE) – 11-17 Mars 2015

16 h / Walking exhibition « MAD exhibitionists« ,

master students of the MAD-Faculty, PXL, Hasselt

Students: Jill Lenaerts / Juan Harnie / Margot Declerck / Liesje Merken / Senna Fransen / Sofie Van Belle / Billie Van Nieuwenhuyzen / Liu Zhaoan

exact times and locations on facebook: MAD exhibitionists

Tel. [phone]

cf During SCHMUCK 2015 – EXPO ‘MAD Exhibitionists’, Munich (DE) – 11-16 Mars 2015

17 h / Türkenstr. 78, RGB, 1. Stock

« Winner Winner Vertical Dinner« , Samira Götz, Nadine Kuffner, Janina Stübler

80799 Munich,

12.->15.March., Do. 11-21 h, Fr. 11-19 h, Sa. 11-15 h, So. 11-18 h

Tel. [phone]

www.futureplayground.de

Facebook

18-21 h/ Sommer-Solheim

« Is this my place? », Arkivet group : Hilde Dramstad, Elsie-Ann Hochlin, Camilla Luihn, Putte Helene Dal, Heidi Sand

Gaßnerstraße 21, 80639 Munich

Thursday March 12th -> Sunday March 15th from 12-18.

www.sommer-solheim.de/eng/contact.html

http://arkivetkunst.weebly.com

18-20 h / Antiquariat Zipprich

« Yesterday’s Papers«   by Volker Atrops special guest: Manon Van Kouswijlk

Zieblandstr. 2, 80799 Munich

12.->20.March., Mo.-Fr. 11-13/14-18 h, Sa.11-13 h

Tel. [phone] [phone]

www.bund-fuer-gestaltung.de

www.antiquariat-zipprich.de

18 h / Francoise Heitsch

“This is so contemporary ’’, Joohee Han, Naama Bergman, Shachar Cohen

Amalienstr. 19, 80333 Munich

12->16.March., Do-Mo. 12-19 h Tel. [phone]

http://www.francoiseheitsch.de/

18-21 h / Galerie P 13 bei Carl Weishaupt

“Farbige Preziosen“, Historischer Emailschmuck (Story of the enameled jewelry)

Promenadeplatz 13, 80333 Munich

12.March.->13.June., Di.-Fr. 11-18 h, Sa. 11-16 h Tel. [phone]

www.carlweishaupt.de

18 h / Micheko Galerie

« Möbius« , Akiko Kurihara, Misato Seki

18.30-19 h performance by Japanese drummer group TAMPOPO japanische Trommel-Musik und Tanz

Theresienstr. 18, 80333 Munich

11.->21.March., 11-20 h Tel. [phone]

www.micheko.com

http://www.akiko-kurihara.com/

18.30 h / Gallery Kobeia
« Bubble Land« , Bench 886 Ten Contemporary Jewellery Artists from Taiwan
Luisenstr. 49, 80333 Munich
12.->15.March.,Do.-So. 11-17 h Tel.[phone]
www.bench886studio.weebly.com
cf During SCHMUCK 2015 – EXPO ‘Bubble Land’ – Gallery Kobeia, Munich (DE) – 11-15 Mars 2015

19-22 h / Galerie Weltraum

« Mythen/Myths 2015 » A contemporary insight in precious Greece

Rumfordstr. 26, 80469 Munich

11.->17.March., Mi.-Mo. 14-20 h

www.myths2015.de

cf During SCHMUCK 2015 – EXPO ‘Mythen/Myths 2015′ – Galerie Weltraum, Munich (DE) – 11-17 Mars 2015

19 h / Berliner Fenster

« Schmuck-Objekte-Seezeichen« , Susanna Kuschek, Julika Müller, Ludwig Menzel

Aventinstr.11, 80469 Munich

11.->15.March., Do.-Fr. 14-18, Sa.-So. 12-18 h,

Tel [phone]

www.susannakuschek.de

www.ludwig_menzel.de

www.nstp.de/bojen.htm

19 h / Tschechisches Zentrum   (Munich Czech Centre)

« Schnitt/Incision« , Stanislava Grebeníčková, Kateřina Matěchová, Pavel Opočenský, Jana Střílková, Jiří Šibor, Karel Votipka

Prinzregentenstr. 7, 80538 Munich

12->15.March. 10-18 h, 16.3.-3.4., 10-17 h

Tel. [phone]

http://munich.czechcentres.cz/

facebook

 

19 h / Elisabethstr. 16 Rgb.
« HANG« , Adam Grinovich, Heejoo Kim, Hyorim Lee, Nora Rochel, Julia Walter
Elisabethstrasse 16 Rgb, 80796 Munich
12.->15.March., Do.-Fr. 10-20 h, Sa.-So. 10-18 h
Tel. [phone]
cf During SCHMUCK 2015 – EXPO ‘HANG’ – Elisabethstr. 16 Rgb., Munich (DE) – 12-15 Mars 2015

Thursday, 12. March 2015

10-17 h / Geschäft

« Conglomerate« , Laura Deakin, Doris Betz, Mielle Harvey, Henriette Schuster

Rothmundstr. 6, 80337 Munich

13.->15.March., Fr.-So. 10-17 h Tel. [phone]

www.henrietteschuster.com

Facebook

11-20 h / Schmuck in Gern Renate Scholz

« Welcome to Steinerberg« , Claudia Steiner + Ingrid Berg

Klugstr. 162, 80637 Munich

13.-14.March., Fr.-Sa. 11-18 h

www.claudia-steiner.at

10-12 h / Studio Gabi Green

« SENSEability« , 14 artists: Drew Markou, Elin Flognman, Helena Johansson Lindell, Josefine Rønsholt Smith, Kirsty Pearson, Laura Rose, Lena Lindahl, Libby Ward, Lore Langendries, Olivia Monti Arduini, Panjapol Kulpapangkorn, Ria Lins, Rachel Darbourne, Victoria Pearce

Gollierstr. 17, 80339 Munich

12.->15.March., Do. 10-20 h, Fr. 10-18 h, Sa./So. 9.30-18 h

Tel. [phone]

www.facebook.com/SENSEability2015

cf During SCHMUCK 2015 : EXPO ‘SENSEability’ – Studio Gabi Green, Munich (DE) – 12-15 mars 2015

11 h / Saffeels

« Equilibrium« , Babette von Dohnanyi

Barerstr. 63, 80799 Munich

12.->15.March., Do.-Fr. 11-19 h, Sa. 10-18 h, So. 10-17 h

Tel. [phone]

www.saffeels.com

11-17 h / Bowling Alley (Kegelbahn) at the Theresa, Grill *Restaurant * Bar

“Bowling for Success” Andrea Coderch Valor, Anja Eichler, Beate Eismann, Silke Spitzer, Gabi Veit, Zindzi Wijminga

Theresienstr. 29, 80333 Munich

12.->14.March, Do./Fr. 11-17, Sa. 10-13 h

Tel.[phone]

www.facebook.com/anja.er

11-18 h / Atelier von Gierke-Berr

12.->15.March, Do.-So. 11-18 h

* Microphilia, Carina Chitsaz-Shoshtary, Annamaria Leiste

Schraudolphstr. 16, 80799 Munich

Tel. [phone]

http://www.where-to-put-it.com

* Adansonia digitata, Arnaud Sprimont, Silke Fleischer, Carine van Landeghem, Peter Vermandere

Schraudolphstr. 16, 80799 Munich

Tel. [phone]

www.petervermandere.com

cf During SCHMUCK 2015 – EXPO ‘ADANSONIA DIGITATA’ – Schraudolphstraße 16, Munich (DE) – 12-15 Mars 2015

12 h. 14 h. 16 h. / Windfall GmbH

The Postcon Project:  Do You Speak Jewellery? CONTEMPORARY JEWELLERY TEACHING RE-FURBISHED. INTRODUCING Manuel Vilhena, Flora Vagi

Amalienstr. 81a, 80799 Munich

12.->15.March., 11-17 h, Tel. [phone]

www.postcon.com

18-20 h/ Deutsches Jagd- Und Fischereimuseum

Trophies // In the Reign of Coyote. Cameron Andersen, Jane Dodd, Aliyah Gold, Steven Gordon Holman, Akihiro Ikeyama, Lore Langendries, Märta Mattsson, Kerianne Quick, Anna Talbot, Tanel Veenre, Mallory Weston.

Neuhauser Strasse 2, .

March 11->16 – Wed 9:30 – 15:30, Thu 9:30 – 21:00, Fri – Mon 9:30 – 17:00

https://www.facebook.com/events/1407311132903160

cf During SCHMUCK 2015 – EXPO ‘Trophies / In the Reign of Coyote’ – Deutsches Jagd- Und Fischereimuseum, Munich (DE)- 11-16 Mars 2015

19 h / 84 GHz

« Consequence« , Hibernate, Helena Lehtinen, Eija Mustonen, Tarja Tuupanen

Georgenstr. 84, 80799 Munich

13.->15.March., Fr.-So. 12-20 h Tel. [phone]

www.schmuck.84GHz.de

www.hibernate.fi

https://www.facebook.com

cf During SCHMUCK 2015 – EXPO ‘CONSEQUENCE – Hibernate’ – 12-15 Mars 2015

20 h / Galerie Biró

“Something New and Something Old”, Daniel Kruger

Zieblandstr. 19, 80799 Munich

13.->15.March., 11-18 h, Sa.-So. 11-15 h Tel. [phone]

www.galerie-biro.de

 Daniel Kruger 

21-3 h / Lost Weekend, Book Store + Café

“Current Obsession Paper Launch Party” 12th of March 2015 in Munich/ Starting at 20:00

Schellingstr. 3, 80799 Munich

www.current-obsession.com

13-19 h / Adalbertstr. 11

« Union« , Jose Bravo, Nelly van Oost

Adalbertstr. 11, 80799 Munich

12.->15.March., 11-19 h Tel. [phone]

http://www.nellyvanoost.com/

https://www.facebook.com/events/

cf Mars 2015During SCHMUCK 2015 – EXPO ‘Union’ – Adalbertstr.11, Munich (DE) 12-15 Mars 2015

14 h / Internationale Handwerksmesse München,

« Handwerk & Design« , Halle B1, Aktionsbühne

Silber-Sommer-Galerie Tafelgerät – Zeitgenössische Positionen: « usable – unusable » /

Symposium: Statements; ‘usable-unusable‘ at Munich.

Vorträge von: Andreas Fabian, Ma´ayan Pesach, Beate Leonards

Tel. [phone]

[e-mail]

15-18 h / Zu Gast in der Hefnerstrasse 11

« Answering Pravu« , David Clarke, Fredrik Ingemansson, Henrik Brandt, Karen Pontoppidan, Magnus Liljedahl, Miro Sazdic, Pravu Mazumdar, Tobias Birgersson

Hefnerstr. 11, 81541 Munich

12.->15.March., Do. 15-18, Fr. 10-17, Sa. 10-12, So. 13-18 h

Tel. [phone]

15-19 h / Margaritifera

« am um in« , Studenten aus Düsseldorf Halle, Hildesheim, München, Pforzheim

and Wismar :

Samira Götz, Annamaria Leiste, Carla Mayerhofer, Kvetoslava Flora Sekanova, Nelly Stein, Martina Singerová, Sarah Schuschkleb, Lea Klein, Elisa Sophia Herrmann, Sophie Baumgärtner, Julia Bergmann, Maria Konschake, Isis Maurer, Stefan Pejunk, Annika Heilmann, Luisa Fastabend, Katharina Hetzelein, Marie Grewenig, Julia Krämer, Niklas Link, Jannik Löffler, Franziska Behlert-Pohl, Linda Gehrig, Katharina Tannous

Meindlstr. 4, 81373 Munich

12.->15.March., Fr.-So. 11-18 h

Tel. [phone]

http://margaritifera.de/

15-19 h / 3stations

« Fault Line » Inyanim Group, Aviv Kinnel, Dana Seachuga, Deganit Stern-Schocken, Edda Vardimon-Gudnaon, Gregory Larin, Kobi Roth, Michal Oren, Rory Hooper, Shirly Bar-Amotz

Welserstr. 15 UG, Fr.-Sa. 10-18, So. 10-14 h

Tel [phone]

www.3stations.de

Gregory Larin fault_line

« Work », Students of the Academy of Fine Arts and Design Bratislava

Welserstr. 29-31

« A Touch of Steel« , Students of the Royal Academy of Fine Arts Antwerp

Welserstr. 11 UG, 81373 Munich

12->15 March, Do. 15-19, Fr./Sa. 10-18, So. 10-14 h

3Stations

cf During SCHMUCK 2015 – EXPO ‘A Touch of Steel’ – 3Stations, Munich (DE) – 12-15 Mars 2015

« Oscure Sacrifice« , Jorge Manilla and Jonathan Hens, Dimitar Stankov

Welserstr. 11 UG, 81373 Munich

12.->15.March., Do.15-19 h, Fr./Sa.10-18 h, So. 10-14 h

www.3stations.de

cf During SCHMUCK 2015 – EXPO ‘Oscure Sacrifices II’ – 3stations, Munich (DEà 12-15 Mars 2015

16 h / Institut Cervantes

« En Tránsito« , EASD Valéncia, Escola Massana Barcelona

Alfons-Goppel-Str. 7, 80539 Munich

11.->15.March., Mi. 10-18 h, Do. 10-19, Fr./Sa. 10-18, So. 10-17 h,

Tel. [phone]

www.munich.cervantes.es

cf  During SCHMUCK 2015 – EXPO ‘En Tránsito’ – Cervantes Institute, Munich (DE) – 11-15 Mars 2015

16-19.30 h / Windfall GmbH

« Other deLights » Flora Vagi

Amalienstr. 81a, 80799 Munich

12.->15.March., 11-17 h, Tel. [phone]

www.floravagi.net

16-19 h / Web up Media

« Looking for Michael« , Kinga Huber, Orsolya Kecskés, Krisztina Stomfai, Fanni Vékony

Kreuzplätzchen 6, 81669 Munich

12.->15.March., Do.-So. 11-18 h

Tel. [phone]

www.looking-for-michael.blogspot.hu

16-19 h Almstadt Schmuck Nicole Schuster

Reichenbachstr. 25, 80469 Munich

12.->14.March., Do.-Sa. 11-19 h

Tel. [phone]

www.almstadt-schmuck.de

16-20 h Schmuckgalerie tal20

Tabea Reulecke, Danni Schwaag

Tal 20, Radlsteg, 80331 Munich

12.->16.March., Mo.-Fr. 11-19, Sa. 10-16 h

Tel. [phone]

www.galerie-tal20.de

16-21 h Kunstpavillon

« Lux is the Dealer« , Alexander Blank, Kiko Gianocca, Stefan Heuser, Melanie Isverding, Jiro Kamata, Noon Passama

Sophienstr. 7a, 80333 Munich

12.->16.March., Fr. So. Mo. 11-18 h, Sa. 11-16 h

Tel. [phone]

www.kunstpavillon.org

cf During SCHMUCK 2015 – EXPO ‘Lux is the Dealer ‘ – Kunstpavillon, Munich (DE) – 12-16 Mars 2015

17-20 h / HUIJ

« Hypnostone I₄ O« , Yiftah Avraham, Pia Groh, Typhaine le Monnier, Stephanie Morawetz, Katja Köditz

Westendstr. 49, 80339 Munich

12.->15.March, Do.-Sa. 14-19 h, So. 14-16 h

Tel. [phone]

https://www.facebook.com/events/

17-21 h / Galerie Spektum

« Terra Mutantica“, Attai Chen & in the windowcase “Jenseits der Bücherwand/Beyond the wall of books“, Marianne Schliwinski

Theresienstr. 46, 80333 Munich

12.March.->25.April., Di.-Fr. 13-19, Sa. 11-14 h

Tel. [phone]

www.galerie-spektrum.de

Attai Chen

17- 21 h / ARTikel 3 Galerie ARTikel 3

« Falling into Place« , Despo Sophocleous

Luisenstr. 68, 80798 Munich

12.->15.March., Fr. 11-18, Sa. 11-16, So.11-18 h

Tel. [phone]

17-19 h / Schlegelschmuck

« Zabo Paradise« , Akademie der bildenden Künste, Nürnberg

Nordendstr. 7a/ Adalbertstr., 80799 Munich

12.->15.March., Fr.-Sa. 11-19 h, So. 14-16 h

Tel. [phone]

www.schmuckundgerät.de

www.schlegelschmuck.de

17-20 h / BCA Friday Gallery

« Objection« , Zoe Arnold, Inderjeet Sandhu, Laurie Schram, Mariko Sumioka

Frauenstr. 18, 80469 Munich

12.->16.March., Do. 17-20, Fr./Sa. 11-20, So. 11-18, Mo. 11-14 h

Tel. [phone]

www.objectionschmuck.wordpress.com

17-21 h / Nr.10

« km 609« , Sofia Beilharz, Maren Düsel, Claudia Lassner, Lynne Philippe

Schraudolphstr. 10, 80799 Munich

12.->14.March., Fr./Sa. 14-19 h

18-21 h / Ingo Maurer Showroom

“Heller Wahnsinn“ Helen Britton

Kaiserstr. 47, 80801 Munich

12.-14./ 17.March., Di-Fr 11-19, Sa 11-16 h

Tel. [phone]

www.ingo-maurer.com

18 h / Kleines Spiel with 84 GHz

« The Light Side » Dialogue Collective ‘In The Spotlight.’
Petra Bishai, Isabelle Busnel, Sophie Hall, Buddug Wyn Humphreys, Vicky King, Maarit Liukkonen, Rachel Terry, Timothy Information Limited, Deborah Werbner, Anet Wrobel

Neureutherstr. 12, 80799 Munich

13.->15.March., 12-20 h Tel. [phone]

www.schmuck.84GHz.de

dialoguecollective.co.uk

18-21 h / Atelier Sunkler

« Beloved Stangers« , Nicole Beck

Neureutherstr. 15, 80799 Munich

12.->15.March., Fr. 12-18, Sa. 12-16, So. 12-18 h

Tel. [phone]

http://www.nicole-beck.com

Nicole Beck

18 h / Büro Hermann

« Salto Mortale« , Judith Pschibl, Nicola Scholz, Barbara Schrobenhauser

Heßstr. 27, 80798 Munich

13.->14.March., Fr.-Sa. 11-18, So. 10-15 h,

Tel. [phone]

http://www.flachware.de/barbara-schrobenhauser/ / http://www.nicolascholz.de/ /
http://www.flachware.de/judit-pschibl/

cf During SCHMUCK 2015 – EXPO ‘Salto Mortale’ – Büro Hermann, Munich (DE) – 12-14 Mar 2015

19-20 h / Café Clara

« Ojalá » 20 h Tombola/raffle, Alejandra Koreck, Patricia Gallucci, Sabina Tiemroth

Isabellastr. 8, 80798 Munich

10.->17.March., 10-19 h,

Tel. [phone]

www.facebook.com/ojala.jewelry

19 h / Munikat Projekte

« What Misses Names« , Rebekka Kraft, Linda Lenssen, Mirei Takeuchi

Gabelsbergerstr. 26, 80333 Munich

13.->15.March., Fr.-So. 14-19 h,

Tel. [phone]

www.munikat.de

 

Friday, 13. March 2015

15-18 h / Atelier Diana Dudek

« Silber aus dem See« , Robert Kis and Diana Dudek Wörthstr. 23/I.St., 81667 Munich

Fr.-Sa. 15-18 h  – Tel. [phone]

www.dianadudek.de

www.robertkis.de

15h  / Werkstatt Galerie München

WHO’s WHO, Jewellery & Metal Exhibition by second-year Jewellery & Metal students from the Royal College of Art -

students :Haydee Alonso, Joanne Bowles, Nana Dawson, Kaat de Groef, Carrie Dickens, Emily Goodaker, Georgina Howling, Oya Kozacioglu, Lisa Krause, Yunjung Lee, Bo Kyeong Lee, Chai Ling Lin, Patricia Lip, Hongang Lu, Revekka Moustaki-Zei, Victoria Shennan, Gwen Wei, Mengfei Zhang, Sindy Zhou, Yup Sun Jang, Cherry Tainhui Jiang

Opening 13.03.2015 15:00 – Zentnerstrasse 3, Munich – 13.00 – 18.30

12.03 ->15.03.2015

http://www.rca.ac.uk/

15-19 h / MaximiliansForum – Passage für Kunst und Design

15h / « Wurfmesser“ von Gisbert Stach

17 h / « Happy Hour“, Réka Lörincz

Unterführung Maximilianstr./Altstadtring Tel. [phone]

16 h / Internationale Handwerksmesse München, « Handwerk & Design »

Aktionsbühne Silber-Sommer-Galerie Tafelgerät – Zeitgenössiche Positionen, « usable – unusable« , Vorträge von: Tobias Birgersson, Simone ten Hompel Messegelände, Munich

Tel. [phone]

[e-mail]

16 h / Aperitivo Maurer Zilioli – Contemporary Arts zu Gast bei Kunstbüro reillplast

« Quodlibet« , Christiane Förster, Norman Weber

Amalienstr. 21, 80333 Munich

9.->15.March., 14-19 h Tel. [phone]

www.maurer-zilioli.com

17 h / Aperitivo Maurer Zilioli – Contemporary Arts

« Robert Smit – Schrittmacher« 

Luisenstr. 45/I, 80333 Munich

25.February.->18.April.

Eröffnung 25.February., 18.30, Mi.-Fr. 14-19, Sa.11-16 h

www.maurer-zilioli.com

17h / Lot62 with 84 GHz

« Objects, continued (From my Microwave with love) » Enrica Prazzoli

Schleißheimerstr. 62, 80333 Munich

12.->15.March., Do., Sa., So. 12-20 h

Tel. [phone]

www.schmuck.84GHz.de

18 h / Kunstgießerei München with 84 GHz

« Nature Morte« , Ketli Tiitsar, Kristi Paap,

Schleißheimerstr. 72, 80797 Munich

14.->15.March., Sa./So. 12-20 h

Tel. [phone]

www.schmuck.84GHz.de

www.ketlitiitsar.com

18-21 h / Galerie Isabella Hund, Schmuck

« The nature of structure« , Jacqueline Ryan

Frauenplatz 13, 80331 Munich

14.March.->4.April., Di.-Fr., 11-14/15-19 h, Sa. 11-16/18 h

Tel. [phone]

www.isabella-hund.de

19-22 h / iRRland

« Arbeitsgruppe Oblomow« 

Bergmannstr. 8, 80339 Munich

13.->17.March., Fr. 19-22 h, Sa./So. 16-22 h, Mo./Di.

Tel [phone]

www.volxvergnuegen.org

 

Saturday, 14.March 2015

11 h / Münchner Residenz, Einsäulensaal

“Returning to the juwel, is a return From exile, Nr. 8”, Robert Baines,Karl Fritsch, Gerd Rothmann

Residenzstr. 1, 80333 Munich

Sa./So. 11-18 h

Tel. [phone]

www.galerie-biro.de

12 h / MaximiliansForum – Passage für Kunst und Design

12 h / »Lightning Jewellery »,  Pavol Prekop

15-19 h / Aktion „Wurfmesser“, Gisbert Stach

Messegelände München, Halle B1

16.30 h / Talente-Preis - Verleihung 2015

17 h / Herbert-Hofmann-Preis -Verleihung 2015

17 – 20h /Art Jewelry Forum 2014 award followed by Shows and Tales –Buchpräsentation

19 h / Goldschmiedetreffen

21-22 h /Sasebo Konzert

Arnulfstr. 52, 80335 Munich

Augustinerkeller Tel. [phone]

20 h / Glockenbachwerkstatt with 84 GHz

“Live!“, Punk Music by Scrotum Clamp Jewellery From The Dialogue Collective

Blumenstr. 7, 80331 Munich

Tel. [phone]

www.schmuck.84ghz.de  

https://www.facebook.com/

Sunday, 15. March 2015 

11 h / Neue Sammlung – The International Design Museum Munich, Pinakothek der Moderne Lecture Toni Greenbaum: MAG to SNAG: American Studio Jewelry, 1940-1970 Barerstr. 40, 80333 Munich

Tel. [phone]

www.Die-neue-Sammlung.de

Facebook: on.fb.me/1ildaBl

10-15 h / Galerie Handwerk

« From the Coolest Corner – Nordic Jewellery« 

15.->16.March

Max-Joseph-Str. 4, 80333 Munich

Tel. [phone]

14-15 h / Bayerischer Kunstgewerbe-Verein e.V., Galerie für Angewandte Kunst

Meet the artist « Doerthe Fuchs – Schmuck – Handlung« 

Pacellistr. 6-8, 80333 Munich

Tel. [phone]

  Outside Munich City 

17 h / Galerie Anna Pirk Anuschka Walch-Kunze
Saturday, 7.March
Seestr. 24, 83700 Rottach-Egern am Tegernsee
10.->21.March., Di.-Sa. 11-19, So. 15.March., 14-18 h
Tel. [phone]
www.anna-pirk.de

15 h / Buchheimmuseum
Sunday, 15.March
Meet the artist « JAC & Friends auf dem Promenadendeck »
Am Hirschberg 1, 82347 Bernried
16.November.->22.March., Di.- Fr. 10-17 h
Tel. [phone]
www.buchheimmuseum.de

 

 

Willy Brandt Allee 1

Messegelände 81829 -  Munich GERMANY

[e-mail]

Tel  [phone]  // 0049 89 5119 248

Website Handwerkskammer für München und Oberbayern

 

 

 

 

 

 

 

 

EXPO ‘Give Me A Spoon’ – ATTA Gallery, Bangkok (Thailand) – 2 Oct.-9 Nov. 2014

Give Me A Spoon - – ATTA Gallery (Bangkok, Thailand)

« Give Me A Spoon” is the result of a challenge proposed by the curator Vipoo Srivilasa, in his residence at Canada. Vipoo Srivilasa wanted to withdraw the artists from their comfort zone, translating their practice into a new kind of work. The result are very different pieces, with a mix of techniques and processes but they’re all spoons.

 » It all started in September 2013 with my residency in Canada, where I challenged all of the residents to a spoon competition. The spoons created during this competition travelled to an exhibition in Kansas City and are now off to Boston with my OBJECT: SPOON project.
As all this was happening, ATTA Gallery saw a potential of a spoon exhibition in Bangkok.
I am excited to work with ATTA Gallery to stage an exhibition that explores the notion of spoon as wearable art. The exhibition features artists who work in different media from around the world. The idea is to challenge artists to create something that they do not normally create and exercise their creativity by translating their practice into a new kind of work. Most importantly, it is for the artists to have fun! »  Vipoo Srivilasa, Curator

 

Artist list

Albert Yonathan Setyawan — Atty Tantivit — Caroline Cheng — Chumpon Utayophat –  Cyrus Tang — David Clarke — Gabriella Bisetto & Christopher Boha — Jorge Manilla — Hadrian Mendoza — Louise Saxton — M.L. Pawinee Sukhaswasdi Santisiri — Marianne Hallberg — Maureen Williams — Mutlu Baskaya — Nayoung Im — Nucharin Wangpongsawasd — Poly Nikolopoulou — Pornprasert Ryo Yamazaki — Prang Lerttaweewit — Prayut Sirikul –  Simon Cottrell — Takeng Pattanopas & Pim Sudhikam – Tithi Kutchamuch — Ulrich Reithofer — Vicki Grima — Vinit Koosolmanomai — Wasinburee Supanichvoraparch — Yiumsiri Vantanapindu — Yusee Kensaku

David Clarke, Spoon - Pewter,  EPNS (Electroplated Nickel Silver Spoon)

Jorge Manilla Spoon: Untitled, Silver

Prayut Sirikul Spoon: Embroidery Beads, silver

Simon Cottrell Spoon: Untitled Silver +10% Zinc alloy, Monel, Recycled woven nylon cord

Gabriella Bisetto and Christopher Boha Spoon: Untitled Glass and magnet

Yiumsiri Kaï Vantanapindu wearable spoons

 

 

ATTA Gallery
O.P. Garden, Unit 1109 4,6 Soi Charoenkrung 36 Charoenkrung Road,
Bangrak Bangkok,
10500, Thailand
www.attagallery.com
mail: [e-mail]
tel + 662 238 6422

 

 

 

EXPO ‘Pensieri Preziosi 9 : Contemporary Australian Jewellery’ – Oratorio di San Rocco, Padova (Italy) – 30 Nov. 2013 – 23 Fevr. 2014

Pensieri Preziosi 9 : Contemporary Australian Jewellery 

Oratorio di San Rocco (Padova, Italy) 30-Nov-2013 – 23-Feb-2014

 This exhibition allows visitors to get to know, appreciate and examine highly original works created by eight specially chosen artists who have studied at the most important University of Design on the continent of Australia, under the guidance of Prof. Robert Baines”, notes Andrea Colasio, the Municipal Councillor for Culture. Robert Baines is Emeritus Professor at the RMIT University of Melbourne, and together with Nicholas Bastin, Simon Cottrell, Kirsten Haydon, Linda Hughes, Christopher Milbourne, Nicole Polentas and Katherine Wheeler, they have created an exhibition with about one hundred works that will give the Italian public the chance to get to know and appreciate the styles of Australian research goldsmithing.
The works selected for this exhibition use poor materials alongside precious gold, with original and unusual working techniques that combine tradition and innovation: they are conceptually complicated pieces which aim to express each individual artist’s thoughts, feelings and artistic reflection of both the past and the present.
According to Baines, the “poetry of making” needs a tòpos, a real and metaphorical “place” where you can create jewellery. In this search for the tòpos, the artist identifies and indicates four major areas for his students to focus on in order to design and create contemporary jewellery. The tòpos of the “found object”, namely remnants of industrial materials, discarded objects from everyday life, collected and reused by offering them a new dimension and new life; the tòpos of intimate space, personal and private, one’s own body, the home, individual and subjective memories; the tòpos of public space, streets, exteriors and architecture; and the tòpos of history and culture which is inevitably linked to history and personal thoughts.
Australian contemporary jewellery is mainly conceptual, displaying skilful technical experimentation in its use of materials, with a keen focus on personal and collective history, as well as elegant forms with echoes linked to the past but also to modern daily life. At times this produces abstract, fantastical and poetic results which often have a veil of nostalgic irony.
This conceptual process often leads to interpretations that unwind like true stories, real or surreal tales where the works of art are the main characters within a careful and well-thought-out procedure of research and planning.

Artists: Robert Baines — Nicholas Bastin – Simon Cottrell — Kirsten Haydon — Linda Hughes — Christopher Milbourne — Nicole Polentas — Katherine Wheeler

Robert Baines, Brooch: The Oz Brooch, 2003 – Silver powder coat – 2.0 x 7.5 x 7.5 cm
Broaching it Diplomatically: A Tribute to Madeleine K. Albright. Property of the artist.  Photo by Garry Sommerfeld

Simon Cottrell, Brooch: Blobs and white tubes, 2006 – Monel alloy, powdercoat, phosphorescent pigment, stainless steel
4.0 x 7.0 x 6.0 cm – Private collection – Photo by Mark Ashkanasy

Kirsten Haydon, Brooch: Ice valleys, 2009 – Enamel, photo, copper, reflector beads, silver, steel
9.0 x 13.0 x 1.5 cm – Property of the artist – Photo by Jeremy Dillon

Linda Hughes, Brooch: Nicholas 2 pendant (after Giotto), 2013 -  Laminate, wood, silk, silver
9.0 x 7.5 x 1.5 cm – Property of the artist – Photo by Argonaut Design

Nicole Polentas, Brooch (brooch ???) : The Dunes of Orthi Ammos and The Drosoulites, 2011 – Sterling silver, coral, paint, photo, plastic, poly-putty, stainless steel – 8.0 x 11.0 x 5.5 cm – Property of the artist -  Photo by Jeremy Dillon

Katherine Wheeler -  Ring: Flightless, 2013 – Porcelain, fine silver, paper, thread, polyvinyl acetate, paint – 8.5 x 9.5 x 6.0 cm – Property of the artist  - Photo by Katherine Wheeler

Christopher Earl Milbourne, Brooch, Trinity Aquarium with Outdoor Exhibit, 2013
Sterling silver, silver alloys, pearl, paint, epoxy resin – 7.0 x 8.0 x 6.0 cm – Property of the artist
Photo by Jeremy Dillon

 

 

Oratorio di San Rocco

Oratorio di San Rocco
Via S. Lucia
35139 – Padova
Italy
Telephone: [phone]

website: padovacultura.padovanet.it

mail: [e-mail]

EXPO ‘Dialogue’ – Galerie Noel Guyomarc’h, Montréal (Québec, Canada) – 5-28 April, 2013

‘Dialogue: International Exhibition Contemporary Jewellery by Emerging Artists‘

L’univers du bijou contemporain évolue de manière fulgurante depuis une trentaine d’années. Cependant toujours  peu connu du grand public, ce champ relativement nouveau progresse en marge de la joaillerie traditionnelle en rassemblant de créateurs de la relève dont les démarches novatrices contribuent à l’enrichissement de la pratique ainsi qu’à son rayonnement international.

Cette exposition exceptionnelle intitulée Dialogue, rassemble les œuvres de 22 jeunes créateurs d’Allemagne, d’Australie, du Danemark, des États-Unis, du Japon, des Pays-Bas, de Suède et du Canada. La diversité des propositions permet d’entrevoir les maintes possibilités créatives et expressives dans le domaine du bijou contemporain. La collection réunit l’art de façonner, valorise les matériaux utilisés, fait preuve d’originalité et d’expérimentation, reflète l’esprit du temps et une vision du monde, mais aussi questionne le métier et les valeurs inhérentes du bijou. Le titre de l’exposition exprime le dialogue de l’artiste avec la matière et le concept, l’œuvre et le spectateur.

Des œuvres  de cette nouvelle génération de créateurs se retrouvent déjà dans plusieurs collections muséales internationales en autres Andrea Wagner au Musée des beaux-arts de Montréal, Despo Sophocleous de Halifax et Laura Deakin à la Pinakothek der Moderne Museum de Munich. Récemment, Les collections du Schmuck Museum de Pforzheim et du Röhsska Museum de Suède se sont enrichis de créations de Märta Mattsson. De nombreux prix ont également récompensé et salué leur travail d’exception.

 

Du 3 mai au 16 juin, le Harbourfront Centre de Toronto accueillera l’exposition dans le cadre des conférences de la Society of North American Goldsmiths.

 

 

Tobias Alm | Beatrice Brovia & Nicolas Cheng | Simon Cottrell | Laura Deakin | Gabrielle Desmarais | Arata Fuchi | Adam Grinovich | Arthur Hash | Kaori Juzu | Masumi Kataoka | Anya Kivarkis | Agnes Larsson | Mia Maljojoki | Märta Mattsson | Martin Papcún | Natalya Pinchuk | Despo Sophocleous | Jie Sun | Anthony Tammaro | Annie Tung | Andrea Wagner

Simon Cottrell  – Broche 2013 – Broche en monel 400 et acier inoxydable /Brooch in monel 400 and stainless steel

Adam Grinovich, Hail 3/Fourth Prayer, 2011 – Collier en goudron, cuir, acier, chapelets/Necklace in tar, leather, steel, rosaries

 Arata Fuchi -  Wild flower Ring Oxidized silver 950, Oxidized silver powder, silver powder, Fine gold, Palladium Pulverization

Kaori Juzu – brooch 2010 enamel, copper, 14kt gold

Martin Papcun – Innerspaces, 2011    Broche en polyurethane, argent, titane    Brooch in polyurethane, silver, titanium

Despo Sophocleous « Movement in place », Collier en bois, acier, peinture, laiton

Gabrielle Desmarais   White Canvas, 2011   Necklaces   shibuichui, wood, paint, cotton, pearls

Natalya Pinchuk – Broche en laine, argent, cuivre, émail, plastique, cuir, fil ciré, acier inoxydable, or 22kt / Brooch in wool, silver, copper, enamel, plastic, leather, waxed thread, stainless steel, 22K gold

Galerie Noel Guyomarc’h (Montréal – Québec, Canada)
www.galerienoelguyomarch.com
4836 BOUL. ST-LAURENT
MONTRÉAL, QC | H2T 1R5
[e-mail]

EXPO ‘Bilk on Tour – Australian jewellery’ – Incinerator Gallery, Victoria (AU) – 15 Sept.-21 Oct. 2012

Bilk on Tour – Australian jewellery

 

A touring exhibition from Canberra featuring jewellery, glass and metal.

Bilk on Tour is an exhibition curated by designer and teacher Helen Aitken-Kuhnen of Bilk Gallery  in Canberra, surveying the field of Australian jewellery design and metal-smithing, featuring over 30 artists.  It will travel to the
Incinerator Art Space in Willoughby, Sydney (31 Oct 2012-25 Nov 2012), after the exhibition at the Incinerator Gallery.

(Jill Hermans brooch)

ARTISTS:  Alice Potter — Alison Jackson — Carlier Makigawa — Christopher Robertson — Cinnamon Lee — Dore Stockhausen — Eliza Gregerson — Eugenie Keefer Bell — Sophia Emmett — Helen Aitken-Kuhnen — Janice Vitkovsky – Jess Dare – Jill Hermans — Johannes Kuhnen — Kath Inglis — Kirstie Rea — Lan Nguyen-Hoan — Marcus Foley — Mark Edgoose — Mark Vaarwerk — Mel Douglas — Tanja Taglietti — Mio Kuhnen — Mel George — Melissa Cameron — Michelle Taylor — Nicholas Bastin — Clare Belfrage — Tom Rowney — Sarah Rothe — Scott Chaseling — Klaus Moje — Simon Cottrell — Sarah Murphy — Ximena Natanya Briceño — Sue Lorraine — Vicki Mason — Robert Foster.

Melissa Cameron. Ray, 2012. Stainless steel, vitreous enamel, 925 silver fixings.

Mark Vaarwerk – brooch orange 53mm materials: expanded polystyrene food box, polystyrene vacuum cleaner casing, permanent marker ink, stainless

Carlier Makigawa Brooch 2011  Oxidised silver, coral

Sue Lorraine  Beetle  Brooch 2012  heat coloured mild steel, vinyl record

Michelle Taylor, « Upon the horizon » brooch

Marcus Foley -  Organic Geometry 2012 – yellow & white gold, zircon

Jess Dare – « Tinker, Tailor, Soldier, Sailor » brooch – 2011 – Lampwork Glass, Sterling Silver, Stainless Steel, Powder Coated Copper, Titanium

Jill Hermans, Shibuichi Brooch, 2011. Shibuichi, stainless steel pin. Photo by Gabe Anderson

Simon Cottrell  Brooch: Doubled Double Circles And Over 2012  Monel, stainless steel

Kath Inglis – chartreuse shard neckpiece  – hand cut from a single piece of PVC

 

BILK GALLERY12 Palmerston Lane, Manuka
Canberra – AU

https://bilkgallery.wordpress.com/

 

Incinerator Gallery
180 Holmes Road,
Moonee Ponds, VICTORIA.
Australia 3039
tel [phone]

 

Incinerator Art Space
Willoughby, Sydney

EXPO ‘Once More, With Love’ – studio2017, Waterloo, Sydney (AU) – 31 Juill.–18 Aout 2012

Once More, With Love

Many people are unaware of the darker side of jewellery production – the ethical issues, including the exploitation of workers, damage to the environment, resource depletion, as well as health issues for jewellers themselves. As makers of jewellery we acknowledge that our field interacts with complex notions of ‘want’ versus ‘need’. Hence we are aware of the importance of taking responsibility for how our individual practices may affect the needs and livelihoods of communities and environments globally.

 

Once More, With Love is a not-for-profit travelling jewellery exhibition raising concepts of sustainability, recycling and ethical production. The project involves over 30kg of unwanted jewellery items donated by the Australian public which have been reworked ‘with love’ for this exhibition by a diverse selection of twenty one contemporary jewellers all with a proven interest in ethical making and recycled materials.  The works created for Once More, With Love propose a potential new life cycle for materials, while creating space for reflecting on their origins. The project is an opportunity for people to experience what creative minds can do with recycled materials in an everyday studio context.

The Once More, With Love project was started in 2010 by Suse Scholem, a contemporary jeweller from Melbourne who is passionate about sustainability and the power of art and community engagement. Suse was inspired by the activities of the American group Ethical Metalsmiths, who have significantly increased ethical/sustainability awareness in the American jewellery industry.  The Once More, With Love project grew from the success of a Melbourne-based jewellery recycling project organised by Suse.  As interest in the project grew, a significant number of jewellers became involved, and internationally respected jewellery artist Simon Cottrell, took on the role of co-curator. Along the way, the project has attracted significant patrons such as Dr Kevin Murray, Vice President of the World Craft Council, Asia Region, and Katie Scott Director of Gallery Funaki, Melbourne.

After Sydney, the exhibition will be heading to Canberra in October 2012 and then to Melbourne in early 2013.

In addition to the touring exhibition, the Once More, With Love project will involve events in each host city incorporating community discussions; as well as an ongoing website www.oncemorewithlove.com with information about issues relevant to the ethical sustainable implications of jewellery resources. The entire project was conceived with the aim of bringing the entire breadth of the jewellery community together to enter a dialogue around sustainable/ethical practice.  The project will be culminating in a weekend seminar in Melbourne Autumn 2013 which is still in planning

 

The artists involved in Once More, With Love include:
Zoe Brand — Melissa Cameron — Sarah Carlson — Simon Cottrell — Anna Davern — Sian Edwards — Karin Findeis — Susan Frisch — Jill Hermans — Alison Jackson — Tassia Joannides — Julie Kiefel — Ali Limb — Vicki Mason — Regina Middleton — Sean O’Connell — Suse Scholem — Vicky Shukuroglou — Ute Roseler — Melinda Young — Mark Vaarwerk.

Melinda Young’s process (1,2,3) :

Melinda Young 1

Melinda Young 2 – ‘Grid neckpiece’ 925 Silver, Turquoise, Howlite, Acrylic Mirror, Epoxy, Silk Thread

Melinda Young 3 – ‘Scatter neckpiece’ Lapis Lazuli, Sodalie, Scrap Acrylic, 925 Silver, Silk Thread

Zoe Brand – ‘Between Sydney/Canberra’ used postal bag

Regina Middleton – ‘sylvia’s pin’ : electrical wire, shell, coral, freshwater pearls, cultured pearls, fake pearls, + other mystery bag materials, silver, steel pin

 

 

Studio 20/17
2 Danks St, Waterloo, Sydney

 

Gallery Bilk

12 Palmerston Lane, Manuka
Canberra

EXPO ‘The Year was 2006′ – Studio2017, Waterloo NSW (AU) – 19-30 Juin 2012

‘THE YEAR WAS 2006‘

An exhibition of 100 jewellery pieces made in 2006

2006. It was a common year that started on a Sunday. John Howard was PM and Pluto was no longer classified as a planet. It is often bandied about that art is a reflection of our society; intrigued, we set out to find what 2006 might have looked like in terms of contemporary jewellery. 100 jewellers from across the globe have been invited to present one piece of jewellery they made 6 years ago. Presented as a salon hang, this exhibition will showcase an incredibly diverse array of jewellery and will give an overall snapshot of what these jewellers were thinking, making and the materials they were using all those years ago in 2006.

Alice Potter — Alice Whish — Alida Cappelletta — Amy Renshaw — Andrew Welch — Barbara Cotter — Bernadette Trainor — Beatriz Ruiz — Birgit Laken — Claire McArdle — Coconut Lu — Bridget Kennedy — Danielle Butters — Danielle Sweeney — Deborah Rudolph — Diane Beevers — Elfrun Lach — Elfi Spiewack — Emma Fielden — Erin Timony — Francine Haywood — Heidemarie Herb — Helen Mok — Ilse-Marie Erl — InSync Design — Jacomien Labuschagne — Jandy Pannell — Jane Millard — Jane Pollard — Jane Reynolds — Jasmine Matus — Jennifer Gehbauer — Jessica McMullen — Jessica Morrison — Jessica Page — Judy McCaig — Julie Usel — Julie Kiefel — Justine Austine — Karen Thompson — Karin Jakobsson — Karina Hunnerup — Karola Torkos — Kate Barton — Kath Inglis — Katrina Freene — Kelly McCallum — Kim Ebbeck — Linda Blair — Linda Van Niekerk — Lisa Furno — Luke-John Matthew Arnold — Madeleine Clark — Manuela Gandini — Mark Vaarwerk — Melanie Ihnen — Melinda Young — Melissa Cameron — Mervi Kurvinen — Michelle Kelly — Michelle Taylor — Minnette Michael — Mirca Maffi — Miriam Andraus Pappalardo — Nadine Smith — Naomi Schwartz — Paula Rodrigues — Phoebe Porter — Rachel Bell — Radka Passianova — Renee Damiani — Robi Szalay — Rudee Tancharoen — Sandy Marker — Shan Shan Mok — Sharon Fitness — Sharon Massey — Shauna Mayben – Shimara Carlow — Sian Edwards — Simon Cottrell — Sonya Scott — Stefanie Koelbel — Stephen Gallagher — Susan Frisch — Susanna Dwyer — Suzanne Esser — Szilvia Gyorgy — Tatjana Panyoczki — Teresa Faris — Vernon Bowden — Vicki Mason — Ximena Natanya Briceño — Zoe Brand

Susan Frisch – Flowering Gum Brooch 

Alice Potter – spotty necklace

Elfrun Lach – ‘Corallium Rubrum’ necklace – natural red coral branches

Shimara Carlow bangle

Birgit Laken -   Big Thumbnail, pendant hard fabric, 2006

 

Studio2017
6b/ 2 Danks St
Waterloo NSW 2017  (AUSTRALIA)
Ph/fax: [phone]
Open: Tues – Sat 11 – 6pm
Email – [e-mail]

Simon COTTRELL – are we looking at small machines, or … animals ?

‘I create objects that address their nature or utility only by achieving an honesty towards it. I often use shapes that present various allusions while never overtly depicting any single subject. These pieces are drawn from an attempt to embody two subtle paradoxes… the possibilities of a tenuous calm or of complex simplicities. The edges of simple forms are broken so that the defining outline is unclear; simple allusions to nature are broken by an obvious man-made production.’ (Simon Cottrell at Gallery Funaki)

Simon Cottrell - brooch ‘Five dimples two whites and a tail’ 2007 – Monel, stainless steel, plastic coating

« In recent work I am aiming to trigger various quiet yet resonant contradictions that blur our abilty to make clear sense of the things we see. There is both simplicity and complexity, static and growth, volume and lightness, randomness and order, monotone and dynamic, tension and calm, in the forms and structural details. Initially appearing quite austere, the more time we engage with each piece the less definitive they become. If there is a possibility of a clear line between my work being perceived as one way or another, I will often try to sit on that line. Exactly where that line lies however all depends on the attentiveness of the viewer. When we are presented with forms that are evocative of something familiar yet ambiguous, our curiosity is triggered and our visual engagement is lengthened…  it is never clear, are we looking at small machines or floral bouquets?… monsters or clouds?… plants or animals ? » (Simon Cottrell on NoovoEditions)

Simon Cottrell (Australia) – ‘Six tall dimples radiating through/behind’ brooch – 2008

Simon Cottrell - ‘Back and forth in tempers’ brooch -  2010  (from his page on kit&caboodle)

Simon Cottrell - ‘Bang in/at plant’ – Brooch- monel with powder-coating-  2008

Simon Cottrell -  object ‘Awkward’ 2005 – Monel (15 x 15 x 13 cm )

Simon Cottrell -  brooch ‘Tall dimple, blobs’ 2007 – Monel stainless steel
Simon Cottrell -  brooch ’100mm deep concave circle’ 2008 – Monel enamel paint

Simon Cottrell -  brooch ‘Variable focus black’ 2007 Monel (chemical blackened), stainless steel

 

« What we might see as being ‘simple’ always has an underlying ‘complexity’. What we sense as being ‘calm’ is in actual fact, only a balance of ‘tensions’ at a level beneath our immediate perception. Our perception of things as being one way or another depends on the level of our sensory attentiveness.
The visual ‘simplicity’ of a single leaf contains a complexity within its moisture laden cellular structure. It could also be said that each singular cell is ‘simple’ in relation to the complex structure it lies within. And of course further again that singular cell has a deeper atomic complexity in relation to the singularity of the cell in itself.
Complex or simple…Calm or tense…Serious or playful…Ordered or random… Blurred or clear… Singular or multiple… Static or growing…Flat or with volume…Man-made or natural…
If there is a clear line between my work being one way or another, I will often try to sit on that line.
Exactly where that line lies however, all depends on the attentiveness of the viewer.
The degree of our sensory attentiveness of course plays a fundamental role in the human creative process.
It is sensory attentiveness that enables us to understand the nature of cause and effect within the production of material artifact. It allows us to absorb the delicacies of the methods used and the intricate details of their specific outcomes.
Every new physical manipulation of material, or thought about compositional elements is informed by a bank of previous insights which allows a kind of prediction as to what will happen, and sets up further questions as to the potentials for future possibilities.
By simply gaining more insight into the nature and manner of our pre-thought perception it gives greater clarity into how and what has been done and also to what may be done next within the creative process.
While my work is of course a direct embodiment of my own mental/physical processes, it is also devised as a metaphor for the inherent nature of the processes themselves.
Neither my work nor I will ever scream a definitive manifesto of our aims and intentions. I am not really attempting to tell you anything. I am simply materialising my view of the ‘nature of things’, which in turn is just giving you something to look at, and hopefully bringing you in closer.
Getting used to looking closely at small things, will always leads us to look even closer at larger things. «