Première classe au SalonWho’s next 6-9 juillet 2013 Porte de Versailles
avec entre autres : Tzuri Gueta
Tzuri Gueta
La Mollla (Tiziana Redavid), Monies, Hervé van der Straeten, Babylone/Jean-Paul gaultier Bijoux, Dominique Denaive, etc …. (voi liste des participants)
Uli Rapp :
collectionneuses « déjantées », mes amies, mes consoeurs ….. 
portrait avec tendresse
Giant, bold, impressive neckpieces !
Prolific jewellery collector, Tuan Lee showcased a necklace by Adam Paxon (crafts council UK)
Anne Graham, adorned with a huge necklace of fabricated paper (Art Jewelry Forum)
Nancy Yoneyama … with Seth Papac necklace (Velvet da Vinci)
MARZEE at KunstRAI 2013 – Dorothea Pruhl necklace ‘Vögel’ Birds 2003, cherry wood
at COLLECT 2012. photo Sophie Mutevelian
Iris Apfel has bought (& wears) pieces from Kathleen Nowak Tucci
Iris Apfel – Arm candy…..the bangles or Alexis Bittar??
Sheila Hicks wearing one of her textile creations
Collectionneuse at JOYA 2012 ! collier de Francesco Coda (Alchimia)
and .. hum ! me … with my huge Uli Rapp necklace ! (2011) – textile & rubber & screenprinting
SIERAAD Art Fair, international jewellery design fair – 01.Nov.2012 – 04.Nov.2012
(ring by Serin Oh from Korea, one of the winners of the biennial international design contest New Traditional Jewellery 2010)
This year the poster will feature a ring by Serin Oh from Korea, one of the winners of the biennial international design contest New Traditional Jewellery 2010: True Colours. After the great success of last year another delegation of Korean contemporary jewellery designers will be present at the fair this year – definitely something to look forward to because in our Western eyes these artists give a unique interpretation of their cultural history.
Pieces from Serin Oh
Vivian Meller brooches
Ute van der Plaats, porselein, zilver en katoen
Kika Alvarenga, ring – silver green turmalines
Lien Hereijgers VOSTOKRING
Sound jewellery of ceramics, Audiowear consists of a series of musical jewellery made of ceramics, inspired by musical instruments like flutes and xylophones. It is a unique project of Elasticbrand, a design studio in Brooklyn, NY run by the artistic duo Arjen Noordeman and Christie Wright
TZURI GUETA tour du cou chardon - His organic/futuristic jewellery in silicones refer to biology, neurons, algae and plants. He himself calls it ‘lace fed by silicones’, and he took out a patent on his invention. He also designs fabrics using this unique process which he has sold to all the great couturiers: from Gaultier to Armani and from Vuitton to Dior. His latest achievement is the collaboration with French couturier Stephane Rolland for the 2013 fall/winter collection
Linda Ezerman – stand 28 – Necklace, handmade, unique piece from the series ‘tide land wet beach caught by seaweed’, felt, kelp, miyuki beads, resin, rubber, ink
Uli Rapp, stand 52
Xinrui (Sherry) Yu
Alice Bo-Wen Chang, stand 55
Stefania Lucchetta
Jillian Moore
Ute Decker – snapshot from the bench with new arm sculptures by ute decker for Sieraad, Amsterdam stand 27Uk Collect_ive stand 35, a new generation of UK Art Jewellers, with Farrah Al-Dujaili – Laura Bradshaw Heap – Melanie Codarin — Katie Lees — Yu-Ping Lin — Grace Page — Natalie Smith — Anna Wales
Katie Lees
Farrah Al-Dujaili Brooch 2011 - Copper, enamel paint, watercolour, pencil, pastel – Dimensions: 14cm x 8cm x 5cm
SIERAAD 2012
Gasholder WesterGasfabriek
Klönneplein 1
1014 DD – Amsterdam – Netherlands
Telephone: 00 31 (0)33 4337009
website: www.sieraadartfair.com
mail: aberens@sieraadartfair.comand on FB : https://www.facebook.com/pages/SIERAAD-Art-Fair-international-jewellery-design-fair/106391316050449?ref=hl
ALL PARTICIPANTS here
with, among them :
Alchimia Contemporary Jewellery School in Firenze Italy:
Valentina Caprini IT — Andrea Coderch Valor ES — Patrick Davison GB — Catalina Gibert Nadal ES — Sam Hamilton IR — Dinah Lee USA — Weronika Marek PL — Izabella Petrut RM — Giulia Savino IT — Anna Helena van de Pohl de Deus USA
‘NEW NOMADS’ New Traditional Jewellery 2012
More Info: http://www.newtraditionaljewellery.com
exhibition New Nomads will be shown during SIERAAD Art Fair, 1 – 4 November 2012, in the Gashouder, WesterGasfabriek, Amsterdam www.sieraadartfair.com
For the 2012 design contest and exhibition the professional jury of New Traditional Jewellery (NTJ) has chosen the theme ‘NEW NOMADS’, because both literally and figuratively this theme offers many possibilities for inspiration.
the professional jury of New Traditional Jewellery (NTJ) at (hard !) work ….
The history of jewellery is as old as mankind. While people went in search of parts with the best living conditions they carried their valuables with them, wearing them on their bodies. Jewellery that represents economic and social status, as it still does nowadays in the case of nomadic tribes. The dissemination of religions went hand in hand with an unprecedented range of religious jewellery and ornaments, ranging from small containers for religious texts to reliquaries and portable altars.
To this day, jewellery made of stable materials like gold and gems is the guarantee for your ‘ticket home’ in times of crises or when you have to flee from high-risk areas. Due to the global financial crisis prices of this so-called ‘flight gold’ have skyrocketed. Is there an alternative? Nowadays there are quite different streams of migrants but the principle is the same: people in search of parts with better living conditions. The whole world is on the move, from refugees to tourists, from emigrants to employees of multinationals. And you don’t even have to get up from your chair: Skype e.g. has made videoconferencing into a social medium.
NTJ asks contemporary professional jewellery designers to build bridges between the traditional jewellery of e.g. nomads, pilgrims, explorers, globetrotters, refugees or colonists and possible symbols bearers representing the mobility of the ‘NEW NOMADS’. Check the attachments for conditions and criteria.
all nominees New Nomads:
Ariane Ernst D — Alejandra Solar Mex — Auk Russchen NL — Barbora Dzurakova SK — Casey Fenn UK — Dana Hakim IL — Daniela Malev D — Edu Tarín ES — Hee Won Kang ROK — Heng Lee RC — Hester Popma-van de Kolk NL — Jie Sun CN — Judy McCaig UK — Juliane Keßler D — Katharina Dettar D — Laila Smith UK — Leon Mommersteeg NL — Maria Hees NL — Matthew+Amanda Caines UK — Maryvonne Wellen NL — Minna Karhu FIN — Noa Liran IL — Patricia Domingues P — Peter Vermandere B — Petra Bole SLO — Raewyn Wash NZ — Ricarda Wolf D — Robean Visschers NL — Roseanne Bartley Au/NZ — Sang-Hee Park ROK — Saskia Govaerts B — Sina Wassermann D — Sung-Min Jung ROK — Tabea Reulecke D — Verena Klette D — Vernon Bowden NZ –
the exhibition “New Nomads” will be then shown in MMKArnhem (museum for Modern Art in Arnhem) , November 24. – January 27. 2013!
The next exhibition will be published after the summer.
Maria Hees (NL) – Necklace: foam, porcelain, rubber
Roseanne Bartley (AU/NZ)
Noa Liran (IL)
Auk Russchen – (NL) Broche ‘Ode’, 2010 (winner for 2010 New Traditional Jewellery « True Colours »)
Matthew+Amanda Caines – Necklace – Suffolk dump dig pottery figure with Thames
Tabea Reulecke
Jie Sun – from JOYA 2012 (ENJOIAT award) to SIERAAD Art Fair, nominated piece for New Nomads
Jeehyun Chung – Roof and I 2 – Argent, coton, élastique
Uli Rapp (2011) – textile & rubber, screenprinting
Maud Traon – « Spiky Black » ring, 2011 Argile, pierres synthétiques, vernis, paillettes
Gabrielle Desmarais – ringSieraad : International jewelry art fair in Amsterdam. The fair will include the 50 best entries for the international design contest New Traditional Jewellery and the presentation of « Inspirations »
This year the theme of SIERAAD Art Fair as well as of the New Traditional Jewellery design contest is TRUE COLOURS. A brilliant concept, for it calls for new artistic exploration on the part of designers and a search for their own creative roots.
In the meantime 200 jewellery artists have registered to show their work at SIERAAD, which is the largest number of participants since the beginning of the fair. From November 4 through 7 they will show the wide range of their creativity to the public in the Gasholder on the Westergasterrein in Amsterdam. The fair will include the 50 best entries for the international design contest New Traditional Jewellery.
Participants 2010
Uta Knoop - necklace
Arata Fuchi (at Creative Jewellers on show)- Ring – silver : silver powder : oxidized silver powder : fine gold : fine silver
Mirjam Dreher and Penkaar Abova at/from Fachhochschule Trier
Uli Rapp - new creations for SIERAAD
Fabienne Vuilleumier – broche « Villa Dutoit »
Enregistrer
SIERAAD Art Fair
« People wear jewellery for very different reasons – from habit or from a form of self- respect, when one has to dress for a certain occasion, but also in memory of a beautiful moment or a certain person. Jewellery is also worn simply because one is happy to be alive, from the need for something new and in anticipation of things to come. Just as people wear jewellery for different reasons, they also differ in taste and physical appearance. Some people can spend more money on jewellery than others. But where is a contemporary selection to be found that, as far as diversity is concerned, surpasses all other forms of presentations in the way of ideas, materials and price range?
SIERAAD was set up in 2001 as a platform for people who have chosen a fantastic profession in which they can realize all their ideas but who, being self- employed, have only limited possibilities to put their work on the market. The need for such a platform is apparent from the growing number of participants from many different countries who would like to present themselves. This year the work of independent jewellery designers from more than ten countries will be on show. The direct confrontation with the public does not only serve a necessary, economic purpose – it may also result in some feedback regarding the content of their work, which in turn may lead to new developments.
Realizing this edition of SIERAAD Art Fair means that the ideal form of the fair has been realized at the same time. With its characteristic outline and beautiful open space the former gasholder on the premises of the Amsterdam WesterGasfabriek is the right spot with the right atmosphere. The location is spacious enough to create an individual place for each designer while still maintaining the coherence. The fair displays jewellery in all its manifestations and furthermore, presents a small number of goldsmiths that design silver plate.
What goes for vases or paintings goes for jewellery as well – enough is never really enough. Obligations and restrictions are self-imposed values. What really matters is the joy that can be experienced from a work of art. Apart from the wealth of forms and colours, what is especially important are the associations one may have with it and the way one can live with it. That is why the fair is just as interesting for people who seldom buy jewellery as for collectors of these items of cultural significance. Unique objects in a variety of price ranges are to be found here as well as jewellery made in small numbers.
By means of a few centrally located presentations the range of the concept ’jewellery’ is shown. This year it will be an exhibition in which jewellery designers write history, entitled “Medieval Mystery solved”. Jewellery can also symbolize loss and sorrow, which becomes clear from the impact of “Bomb Wreck Jewellery”. As organisers of this fair, Astrid Berens and Maarten Bodt are aware that an increase in new talent is crucial for the profession of jewellery design. Therefore, this year they offer space to students of the section Jewellery & Product Design of the College of Arts in Maastricht. Using new computer technology jewellery designers associated with the Formativ from Düsseldorf make unexpected possibilities and jewellery tailored to the individual visible and tangible. For those who want to increase their knowledge about jewellery there will also be a stand with books on this subject.
In short, everybody can find something to his liking on this edition of SIERAAD Art Fair, if only, for starters, a personal remembrance of this confrontation with the many-sidedness of contemporary jewellery. » (Marjan Unger, art historian and publicist)
Alexa-Maria Klahr (DE)
Anat Sapir - glass jewelry
Christiane Köhne (DE) - Brosche ‘rosa Fischernetz’ plastikblumen
Dorit Schubert (DE)
Fabienne Vuilleumier (FR) – ‘Villa Dutoit’ bracelet
Hsiu-Hsuan Huang Painted Necklace, 2007 (Turquoise, canvas, oil paint)
Julia Funk (DE), Kragen, ‘Die Orientierungslose’
Nora Rochel (DE)
‘Ramjuly‘ (Emanuela Deyanova & Antoaneta Petrova) – rings
Sally Collins (UK) ‘Make Do And Mend’ collection
Stephanie Hensle (DE) – brooch- iron, silver plated with magnetic plastic gemstones
Tove Rygg (CH)
Uli Rapp (NL)
Uta Knoop (DE) ‘confetti’ necklace
NEW TRADITIONAL JEWELLERY GROWS INTO A BIENNIAL EVENT
THEME INTERNATIONAL DESIGN CONTEST AND EXHIBITION IN 2010: TRUE COLOURS
Starting with the fourth edition, New Traditional Jewellery (NTJ) will become a biennial event. The three preceding editions of this international design contest and the ensuing travelling exhibitions have been proof of the success of this project and its right to exist. The quality requirements as to the nature and scope of and entries for the event are becoming increasingly strict. In order to meet these requirements in a professional manner NTJ will become a biennial design contest.
The next edition will be in 2010. For the design contest and exhibition 2010 the technical jury of New Traditional Jewellery (NTJ) has chosen the theme ‘True Colours’ because literally as well as figuratively this theme offers considerable scope for inspiration.
The 2010 theme: ‘True Colours’
Showing your true colours means that you show what your real attitudes and qualities are. You can approach True Colours from a social perspective; society is full of topical colour coding. Other examples may be found in heraldry, folklore and science.
True Colours refers to colours and pigments. Over the centuries the palette of art history has been determined by precious mineralogical and biological pigments that were obtained from ground semi-precious stones, processed metals, and earth, seeds and plants – materials that did not always bear the test of time; in the course of time white lead e.g. turned black.
The link between the theme ‘True Colours’ and contemporary jewellery design is obvious. From time immemorial the significance and appreciation of jewellery have pre-eminently been determined by colour.
From the use of gold or silver to enamels and mineralogical and biological stones: colour is a language. In the seventies and eighties it became manifest how rich this language is. The application of textiles and Perspex in jewellery led to a new form language and use of colour – an important stage in the emancipation of contemporary jewellery design.
True Colours is about the history, meaning, value, magic and power of the language of colour.
The importance of NTJ
For every edition of New Traditional Jewellery an inspiring theme is chosen. Participants are challenged to reshape historical or traditional jewellery. They do not submit just their design – they must also submit pictures and information about the historical or traditional ornament on which their concept is based.
This is the characteristic added value of NTJ: past and present are bridged by artists in a very personal way. A technical jury selects fifty to seventy designs which are on show in an exhibition during the SIERAAD fair, where the winners of NTJ are also officially announced.
When taking part in this contest, jewellery designers from all over the world make use of a new platform where they give shape to their vision of a tradition and a theme. This design contest and the ensuing travelling, international exhibition have become a showcase for developments in contemporary jewellery in the new millennium.
Foundation Art in Business is the initiator of New Traditional Jewellery. Its objective is the promotion of knowledge and appreciation of the art of jewellery in the business world, among private individuals and civil authorities. In this ways FAB wants to bridge the gap between artists and buyers and between tradition and today’s world.
…. among them : Annika Pettersson (SE), Denise Julia Reytan (DE), Floor Mommersteeg (NL), Giovanni Sicuro (IT), Isabell Schaupp (DE), Kirsten Spuijbroek (NL), Tamara Grüner (DE), Thea Clark (US), Willemijn de Greef (NL), Atty Tantivit (Thailand), Carolina Gimeno (Chile), Dora Haralambaki Greece, Fabrizio Tridenti (IT), Vivi Touloumidi (GR), Nicolas Cheng (SE) ………………
Amanda Caines (UK) — Carolina Gimeno (Chili)
Dora Haralambaki (Greece) – ceramic jewellery
Nicolas Cheng – ‘The Beauty of Nothingness’ - brooch – loofah, sponge, cotton
SIERAAD
WesterGasfabriek
Haarlemmerweg 8-10
1014 BE – Amsterdam (Netherlands/Hollande)
Tel : 00 31 (0)33 4337009
info@platformsieraad.nl
http://www.sieraadartfair.com
‘In Stock’ the jewellery pop-up store in a hardware shop coat is a blessed concept initiated by the three Dutch designers Ineke Heerkens, Jantje Fleischhut, Jeannette Jansen since 2009. This project of an unconventional display of contemporary jewellery design shows work, which lingers on the edge of design and art. Around seventy renowned international designers produce for this concept multiples in an edition of five – still mostly handmade.
For the display, blister packaging on perforated wooden walls is used, price labels, cash register, a supermarket trolley at the entrance.
After popping up in cities like Munich and Amsterdam, ‘In Stock’ is coming to Asia (Taipei) during the Taiwan Designers’ Week 2010 with the help of the two guest curators Yu-Chun Chen and Min-Ling Hsieh.
at FABRIK Creative Project Space
1F, No3, Ln31
Shaoxing N. St.
Zhongzheng Dist., Taipei City 100 – Taiwan
For more info please contact :
ineke_heerkens@planet.nl
jantje@jantjefleischhut.com
jj@jeannettejansen.com
participants : Annelies Planteijdt, Akiko Ban , Andrea Wagner, Anna Rikkinen, Beppe Kessler, Birgit Laken, Chequita Nahar, Claudio Bracco, Constanze Schreiber, Danni Schwaag, Dionea Rocha Watt, Doris Maninger, Ela Bauer, Eric Hu, Yun-Hsiang, Floor Mommersteeg, Gitte Nygard, Henriette Schuster, Hilde De Decker, Hsiu-Hsuan Huang, I Ting Wang, Ineke Heerkens, Jacomijn Van Der Donk, Jantje Fleischhut, Jeannette Jansen, Jorge Manilla, Julia Walter, Karin Seufert, Kathleen Janvier, Katja Prins, Kim Buck, Kuan Lin Liu, Lucia Massei, Lucy Sarneel, Luzia Vogt, Maaike Ebbinge, Machteld Van Joolingen, Manon Van Kouswijk, Maria Hees, Märta Mattsson, Mia Maljojoki, Mikiko Minewaki, Min-Ling Hsieh, Mirei Takeuchi, Monique Van Bruggen, Nanna Melland, Natalie Luder, Nina Helms, Noemie Doge , Pauline Wiertz, Pei-Chi Hung, Peter Hoogeboom, Ruudt Peters, Sarah Enoch, Sarah Mesritz, Sasson Kung, Silke Fleischer, Stefanie Condes, Stella Bierenbach, Susan Pietzsch, Susanne Klemm, Suska Mackert, Suzanne Van Oirschot, Szu-Min Kuo, Tabea Reulecke, Tanel Veenre, Atelier Ted Noten, Ting-Ting Tsao, Tomomi Arata, Ulrike Rapp, Ursula Woerner, Xiao Lin Cai, Yen-Yi Chen, Yu-Chun Chen.
Mirei TAKEUCHI (JP) – Necklace
Hsiu-Hsuan HUANG – Hair Necklace
Szu-Min KUO - ‘Distortion’ Ring
Kuan LIN LIU - ‘On the hill’ Necklace
Floor MOMMERSTEEG (NL) – Brooch
Annelies PLANTEIJDT (NL) – ‘Beautiful city’ Necklace
Jorge MANILLA (Mex) – ‘ex votos for a serial killer’ Necklace
Jacomijn VAN DER DONK (NL) – ‘Penseelketting’ Necklace
Tomomi ARATA - Brooch
Min-Ling HSIEH – ‘Take a break’ Ring
Tanel VEENRE – Earrings
Pauline WIERTZ – Earrings
Peter HOOGEBOOM – ‘One for the Road’ Bracelet-Container
Ela BAUER – Netted ring
Danni SCHWAAG - Pearlsring
Suzanne VAN OIRSCHOT – ‘Tin Heroes’ Brooch
I Ting WANG - ‘Connection’ Brooch
Mia MALJOJOKI- ‘Frozen fireworks’ Necklace
Jantje Fleischhut – « Nylon Rings »
Beppe KESSLER - Collier
Akiko Ban ring
More info: http://www.instock-taiwan.blogspot.com/
Ting-Ting TSAO – ‘Origami’ Brooch
« Metalsmiths » dreams come true – Peggy Hung & Ting Ting Tsao
Peggy Hung and Ting Ting Tsao , both graduates of Tainan National University of the Arts, are friends who decided to create their own brand following their studies in metalsmithing and jewellery design. The duo is now running an unusually playful label to release their artistic talents ………. The label « Bomb Metal & Fry Jewelry » (BMFJ) was established in 2005 and has been quickly emerging in Taipei as an innovative brand that excels in jewellery design and visual merchandising with a personal touch
For more info please contact
ineke_heerkens@planet.nl
jantje@jantjefleischhut.com
jj@jeannettejansen.com
| . |
« She’s a dimestore diamond
Shines like the real thing…
dimestore diamond«
(Beth Ditto – Gossip)
(dimestore diamond = diamant « de prisunic » …)
and ….. According to the first lady of glamour, Marilyn Monroe, « You can wear your heart on your sleeve, but you can wear a diamond anywhere. »
Like Diamond or « gem-shaped » rings, or jewelry …..
Emmanuel Lacoste (FR) , bague ’7 péchés capitaux – ORGUEIL’ -le plus gros solitaire de la planète-symbole universel, signe extérieur de richesse par excellence…plus le diamant est gros plus l’ego est développé …
Marta HRYC (PL) (ex-eleve Jorge Manilla) - ‘size matters‘ rings
Sarah Holden (US), Sterling silver solitaire ring, 2010, sterling silver, brass
Sarah Holden (US) - Thread Diamond Solitaire – Machine embroidered, both diamond & band – cotton thread -
to SHOP on Etsy
Sarah Holden (US) - Huge Diamond Neckpiece – 3D machine embroidered diamonds… truly a girl’s best friend! Takes two weeks to make and can be made in a variety of colors, but the diamonds are fo-eva!
Sarah Holden (US) - Huge Diamond Neckpiece – 3D machine embroidered diamonds… – detail
« Selda Okutan ‘Like Diamond’ series, which features not just metal gems but also gem-shaped bands » (discovered on the « carrotbox » blog at first)
Selda Okutan (TR) 2010 collection rings
Selda Okutan (TR) ‘Sweet Heart Frame Rings’ – to SHOP on her website
Yael Friedman, White Elephants, 2008, constructed paper
Violaine ULMER – bague « diamant » porcelaine émaillée
Maricha Genovese (US) – « Diamond Ring » Ring: needle felted wool, thread, sterling silver (discovered on carrotbox)
Maricha Genovese « Under Pressure » Necklace: needle felted wool, thread, sterling silver
Katie Rearick (US)- Gut Ring – Sterling Silver, Gut, Steel, Citrine – « Gnaw » series
‘diamond’ ring – Sterling Silver, Steel, Gut – (discovered on « the carrotbox »….. !!!)
‘Gnaw’ – Steel, Gut, Silk
Anna STEINEROVA (PL) – bague- perspex et ……
Stéfanie Condes (BE) – ring
Viola Vecchi (IT) - anello in titanio (Fotos : Fondazione Politecnico di Milano) - (EXPO ‘Titani Preziosi »)
Renate Schmid (DE) – ring – (EXPO ‘no gems please’)
Uli Rapp (NL) – ‘diamonds explosion’ – Screenprinted textile necklace
Uli Rapp – screen printed diamonds necklace
Uli Rapp – Diamondbrooch – textile, rubber, screenprinting
Philip Sajet – Collier Rouge 2 2006 – Gold, glass - diamond structures
« Lors de sa première exposition à la galerie TACTILe, en février 2001, Philip Sajet nous avait fait découvrir ses «répliques uniques», copies de diamants … »
Galit Shivek Bar (from the Jewelry Department of Shenkar Academy, Israel, 2008)
 |
 |
 |
 |
 |
||
|---|---|---|---|---|---|---|
 |
 |
 |
 |
Ellie Murphy (UK) - diamants revisités …..
Sabine Lang (DE) – kindheit (bague en tissu) (Childhood time)
Sabine Lang (DE) ‘Lebensmitte’ ring (Middle age time)
Sabine Lang (DE) diamond skeleton ring (Ageing time)
« The three ages of life were presented by three pieces of jewellery: three different rings with a stone.
Childhood: A huge, oversized ring made of fabric invites the young to touch it. It’s soft and pillowy, something to play with. For an adult the ring is the size of a bangle and could be worn thus.
Middle age: A great rock crystal shows us luxuriance and vitality. This ring stands for prime of life. The zircon below the rock crystal makes the sparkle and glamour more intensive.
Ageing: At the end there is just the frame left. The skeleton of a ring symbolises the momentariness of our lives and all things. » (Sabine Lang (DE))
Jennifer Kellogg (US) – ‘Diamond’ white gold ring
Jennifer Kellogg – ’26 Diamond Necklace’
‘Ufo Products’ (Yuho Fukuhara, JP) Acrylic Cube Diamond Rings
Ufo Products’ (Yuho Fukuhara, JP) ‘diamond’ rings
Marc MONZO (ES) – brooch ‘Big Solitaire’ silver, circonia, steel. 2005-2006
Alissia Melka Teichroew (AMT Jewelry)(NL/US)- silver & acrylic « diamond » rings - a playful twist on the classic Tiffany setting
Alissia Melka-Teichroew (NL/US) – References from iconic jewellery, including luxury brands such as Bulgari and Cartier, can be found in the forms of the Jointed Jewels
« Jewelgraphy card » You can never have enough bling! designed by Naoko Fukuoka for D-BROS, a graphic design studio based in Tokyo (à « shopper » sur « uponafold.com«
Louise Billgren (DK) - Neckpiece « Go For The Power OF The Big Rocks » – Soap (!!!), rope
Kim Buck (DK) – diamond ring (2005) - unfolding solitaire ….
Thomas Feichtner (AT) – ‘filio’ ring – silver – the ring is a one off piece that uses the same geometry of a cut gemstone.
K. bo SONNE – “diamond #1″ ring – lion yarn (??), silver
K. bo SONNE – “diamond #2″ ring – textiles, silver
This exhibition represents the extraordinary work being produced today by artists who use plastics as a foundational element in their pieces. These are pieces that span the realms of the sublime and the humorous. Whether meant for everyday adornment or making a specific statement, for telling a story or giving straightforward aesthetic pleasure, this exhibition demonstrates the vast range of possibilities that plastic affords.
TRANSMUTATIONS/MATERIAL REBORN is curated by Susan Kasson Sloan who recently jurored Lark Book’s « 500 Plastic Jewelry Designs – A Groundbreaking Survey of a Modern Material. » Kasson Sloan teaches at the 92nd Street Y in NYC.
voir aussi article : EXPO ‘Transmutations : Material Reborn’ – Facèré Gallery, Seattle (USA) 5-24 MAY 2010
nella galleria Handwerk una mostra sui diversi modi di usare le perle
dal 18 giugno al 31 luglio 2010
(oeuvre de Kasimir Oppermann (DE)
« Die Perle ist durch ihre schimmernde Oberfläche, die Ebenmäßigkeit ihrer Rundung – oder gerade gegenteilig durch die bizarren Formen – und ihre geheimnisvolle Entstehung bestimmt. Ihre Schönheit, ihr Glanz und ihre weiße Farbigkeit ließen sie zum Attribut der Göttin Venus werden.
Schon früh wurde die Perle in verschiedenen Kulturkreisen im Schmuck verarbeitet und mit symbolischem Wert belegt. Sie war zudem Zeichen für Macht, Status und Reichtum. In jüngerer Vergangenheit wurde die Perle in der Perlenkette zum grossbürgerlichen Statussymbol und geriet darüber etwas ins Abseits. In den letzten Jahren lässt sich nun ein neues Interesse an der Perle erkennen: Am Beispiel der Perle wird nicht nur über die traditionellen Funktionen von Schmuck reflektiert, sondern es werden auch neue innovative Formen der Gestaltung mit der Perle erprobt.
Die Ausstellung der Galerie Handwerk München beschäftigt sich mit diesen ungewöhnlichen Formen der Gestaltung nicht nur im Medium des Schmucks, sondern auch in der Installation, dem Bild und dem Objekt. Im Vordergrund steht jedoch der Schmuck.Werke von 43 internationalen Künstlern werden präsentiert, um einen
Überblick über die verschiedenen Tendenzen bei diesem aktuellen Thema zu geben. Nach einer jahrelangen Vernachlässigung der Perle, gerade im Bereich des Autorenschmucks, fällt nun ein intensives Interesse dafür auf. Dieses wurde auch wieder in der Sonderschau ›Schmuck‹ auf der Internationalen Handwerksmesse 2010 in München deutlich. Nach einer langen Zeit, in der Minimalismus, eine gewisse architektonische Konstruktionsweise und Funktionalität bei der Gestaltung von Dingen bzw. eine stark persönlich und kritisch geprägte Auffassung beim Schmuck im Mittelpunkt standen, ist nun wieder eine neue Freude an der Pracht und dem Reichtum, ein Rückgriff auf Ornamente und eine Formensprache festzustellen, die dem Barock entlehnt ist. Vor diesem Hintergrund scheint dann auch die Beschäftigung mit der Perle, deren Gestaltung im Barock einen Höhepunkt erfuhr, keinesfalls erstaunlich.
Perlen aus verschiedenen Materialien und der Reichtum in ihrer Formgebung werden an Beispielen internationaler Schmuckkünstler vorgestellt. Es sind Arbeiten aus Australien, Belgien, Deutschland, Finnland, Frankreich, Großbritannien, Italien, Japan, den Niederlanden, Norwegen, aus Österreich, der Schweiz, der Tschechischen Republik und den USA vertreten.«
Carmen Hauser
Jacqueline I. Lillie (FR/AT)
Alors je vous le dit de suite : hélas, je ne comprends pas un traitre mot de l’allemand …. et le charabia généré par les « outils traducteurs » ne m’aide pas franchement …. je vous le laisse (ci-dessous) rien que pour rire un peu …. 
La perle est, par sa surface miroitante, la régularité de leur cycle – ou tout simplement le contraire prévue par les formes bizarres – et leur origine mystérieuse. Leur beauté, leur éclat et leur couleur blanche, ils sont laissés à l’attribut de la déesse Vénus.
Déjà Früh la perle dans les différentes cultures a été générée dans les bijoux et recouvert d’une valeur symbolique. Elle était aussi un symbole pour le pouvoir, le statut et la richesse. Dans un passé récent, la perle dans le collier à grossbürgerlichen symbole de statut et quelque chose est tombé en désuétude. Ces dernières années, peut maintenant détecter un nouvel intérêt pour la perle: l’exemple de la perle est non seulement à refléter les fonctions traditionnelles de bijoux, mais aussi de tester de nouvelles façons novatrices de la conception à la perle.
L’exposition traite de la Galerie Handwerk Munchen à ces formes particulières d’organisation non seulement dans le milieu des bijoux, mais aussi dans l’installation, l’image et l’objet. L’objectif, cependant, est le règne de 43 Schmuck.
Données comme numéro un dans les différentes tendances du présent . Après des années de négligence, en particulier dans le domaine des bijoux d’auteur, la perle suscite maintenant un vif intérêt. Ce fut encore plus évident dans l’émission spéciale « Bijoux » à la Foire commerciale internationale 2010 de Munich. Après un long moment, le minimalisme d’une certaine manière, la construction architecturale et de fonctionnalité dans la conception des choses et une vue très personnelle et critique dominé les bijoux dans le centre se trouvait, est aujourd’hui à nouveau une joie nouvelle dans la grandeur et la richesse, un Rückgriff ornements sur un formulaire et la langue afin de déterminer le baroque est dérivé. Dans ce contexte, la tâche semble à la perle, la conception d’un pic dans le baroque appris à ne pas surprenant.
Perles de divers matériaux et de la richesse dans leur conception sera présenté avec des exemples de Schmuckkünstler internationale.
Annelies Planteijdt (NL) – Laura Deakin (AU/DE) – Lucy Sarneel (NL)
Stephanie Jendis (DE) – Karin Seufert (DE) – David Bielander (CH/DE )
Alexandra Bahlmann (DE) – Evert Nijland (NL) –Ulla Ahola (FI)
Mirei Takeuchi (JP/DE) — Jacqueline I. Lillie (FR/AT) — Sam Tho Duong (VN/DE)
Francis Willemstijn (NL) — Katja Schlegel (DE)
Barbara Paganin - anemone rosso e bianco
Barbara Paganin - corallo nero
Barbara Paganin - rami di corallo nero
Barbara Paganin - geode — zucca (à droite)
Barbara Paganin - reef
Artists:
Ulla Ahola, FI — Isabelle Azaïs, BE — Alexandra Bahlmann, DE — Peter Bauhuis, DE — David Bielander, CH/DE — Célio Braga, BR/NL — Laura Deakin, AU/DE — Diana Dudek, DE — Sam Tho Duong, VN/DE — Petr Dvorák, CZ/AT — Shige Fujishiro, JP/DE — Line Garlind, NO — Karen Gilbert, USA — Jens Gussek, DE — Stephan Hampala, AT — Katerina Handlová, CZ — Carmen Hauser, DE — Susan Hoge, USA — Stephanie Jendis, DE — Maki Kawawa, JP — Florence Lehmann, FR — Wolli Lieglein, DE — Jacqueline I. Lillie, FR/AT — Outi Martikainen, FI — Julie Mollenhauer, DE/NL — Dorothee Neumann, DE — Evert Nijland, NL — Kasimir Oppermann, DE — Barbara Paganin, IT — Michael Petry, USA/UK — Annelies Planteijdt, NL — Katja Prins, NL — Uli Rapp, DE/NL — Lucy Sarneel, NL — Isabell Schaupp, DE — Katja Schlegel, DE — Danni Schwaag, DE — Helga Seimel, DE — Karin Seufert, DE — Etsuko Sonobe, JP — Mirei Takeuchi, JP/DE – Tarja Tuupanen, FI — Francis Willemstijn, NL
Galerie Handwerk
Max-Joseph-Straße 4
Eingang Ottostraße
80333 – München (Germany)
Tel : +49 89 595584
Fax + 49 89 595544
website: www.hwk-muenchen.de/galerie
mail: galerie@hwk-muenchen.de
en ce qui concerne les créateurs travaillant la PERLE, voir les articles précédents :
les anglais parlent de « pearl » pour LA perle, et de beads pour LES perles (de verre, de bois, de tissu …) ça simplifie les choses …..
