EXPO ‘Vera Siemund: Goldsmith Laureate’ – Gold Hall of the German Goldsmiths’ House, Hanau (DE) – 30 Janv-4 Mai 2014

Vera Siemund : Goldsmith Laureate

Every two years since 2004, the City of Hanau has appointed a Goldsmith Laureate who is the guest in the Brothers-Grimm-city for six weeks. The Society for Goldsmiths’ Art makes the invitation, the Staatliche Zeichenakademie provides the workspace, and the Goldsmiths’ House presents the works produced in Hanau in an exhibition.

The jury elected Vera Siemund of Hamburg as the Goldsmith Laureate of the City of Hanau for the year 2013.

Vera Siemund – Necklace, 2013 – Enameled Cooper, steel – Photo by MiriamYousif-Kabota

With her art jewelry, Vera Siemund impressively revives the architecture of past periods, and thus can be counted among the most fascinating goldsmith artists of the present. In the summer of 2013, as the fifth Hanau Goldsmith Laureate, she was a guest at the Staatliche Zeichenakademie in Hanau, where she was active artistically and gave a workshop for the students. From January 30th until May 4th, 2014, this artist from Hamburg will display around fifty of her works created between 1999 and 2013 in the Gold Hall of the Goldschmiedehaus Hanau. They stem from Vera Siemund’s analysis of “Architecture and Ornament” and her enthusiasm for the extravagant richness of form in the Historical Revival Periods. During her sojourn at the Zeichenakademie, she was inspired by such buildings as the Berlin Cathedral and the architecture of theaters and opera houses, including the baroque Comoedienhaus Wilhelmsbad.

The artist skillfully helped herself to individual elements, which she transmuted and placed into a new context. “I like the thought of readopting of themes that are in themselves a quote from earlier periods. The boundaries between my model and the original to which it refers are blurred in quoting it once again,” says Vera Siemund. She prefers to work in copper and steel, a material popular in the 19th Century.
Born in Essen in 1971, Vera Siemund received her training at the Staatliche Zeichenakademie in Hanau from 1991 to 1995, followed by studies at the renowned College of Art and Design at Halle under Professor Dorothea Prühl. Siemund opened her own studio in Hamburg in 2003. Following a four-year residence in The Hague, she returned to Hamburg in 2011.
Important galleries in Europe and the USA have devoted one-man-shows to Vera Siemund, and the artist has taken part in group exhibitions all over the world. Her works are included in notable public collections including that of the Museum of Art and Industry in Hamburg, the Metropolitan Museum of Art in New York and the Danner-Foundation in Munich, among others. The artist has received many awards. In 2002, she won the first prize in the competition Nature and Time by the Society for Goldsmiths’ Art and the German Goldsmiths’ House. In the same year, she was awarded the second prize in the Youth Promotion Competition for Jewelry, Hollow- and Flatware organized by the Society for Goldsmiths’ Art in co-operation with the Bertha Heraeus and Kathinka Platzhoff Foundation.

Vera Siemund – Brooch, 2011, 2012 – Steel, enamelled cooper – Photo by MiriamYousif-Kabota

Vera Siemund – Necklace, 2013 – Steel – Photo by MiriamYousif-Kabota

 

 

Gold Hall of the German Goldsmiths’ House
Altstädter Markt 6
D 63450 – Hanau
Germany
Telephone: [phone]
Fax: [phone]
website: www.museen-hanau.de
website: www.gfg-hanau.de
mail: [e-mail]

BIJOUX with a HOLE ….

un trou …. pas juste un trou, mais une cassure, une brisure, une faille, un « défaut », une « petite destruction », une blessure, un manque, un « manqué » …

Mais aussi une ouverture, une fenêtre …. vers un ailleurs, vers un « regard sur soi », vers une introspection, vers ce qu’on a (d’)enfermé et qu’on laisse (enfin) sortir/voir/respirer/s’épancher ….

Comme le dit Joo Hyung Park, « Beauty (is) in Imperfection » ….. Même discourspour Brooke Marks-Swanson : « « I am drawn to the beauty of things imperfect, impermanent and incomplete. …..  My object is to cause the viewer to speculate, imagine and to investigate… »

Ulrike Kämpfert – ‘ouverture’ collier – 2013 – argent, opale de lait, feuille d’or (expo « Précieux passages » Circuits Bijoux Paris 2013 )

Andy Cooperman   brooch Coeur, 2010 – Sterling, 18k, brass, ping pong ball, velvet ; fabricated, fused, melted – 2 x 3/8 inch – Photo: Andy Cooperman

Kristin Mitsu Shiga  – Count Brooch (Sterling, wool, steel)

Liana Pattihis brooch  (not only a « hole », but a lack …) Sandra Llusà  « lo Imposible » Pendant Textile, gold-plated nickel silver and bronze

Joo Hyung Park - melted series detail of a brooch – From « Beauty in imperfection » collection. Brooch, Brass, sterling silver 2013, 2010

Joo Hyung Park – From ‘Beauty in imperfection’ collection. Brooch, Brass, sterling silver 2013, 2010

Demitra Thomloudis – brooch (BACK) -  Section, 2012 -  Cement, brass, copper, sterling silver, steel, powder coat, fiber, pigment; fabricated, soldered – 3 x 3 x 3 in. -  Photo: Demitra Thomloudis

Biba Schutz ring

Kelvin J Birk – big claw ring in oxidized silver with crushed stone cluster

Emanuela Duca Magma cuff – Blackened sterling silver, diamonds, green amethyst.

Annamaria Zanella  Brooch: Combustion 2009  Silver, gold, resin, wood shavings, titanium, glass  Photo Giulio Rustichelli

Linda Ezerman – Ring, unique piece, handmade  sterling silver blackened, cold enamel

Gigi Mariani - Orecchini serie In the box – Argento, oro giallo 18kt, niello patina – 2011  

Demitra Thomloudis – « Reconstructed: Square Interior » (2013) – Brooch – cement, plywood, sterling silver, nickel silver, resin, pigment. Picture courtesy of the artist

Brooke Marks-Swanson - back of a brooch – copper, fabricated and painted   

« I am drawn to the beauty of things imperfect, impermanent and incomplete. Aerial photographs of hurricanes above water are stunning and seductive. The soft spiral and eye inform of terror and devastation. My object is to cause the viewer to speculate, imagine and to investigate,in a personal way, those issues relative to a sense of beauty, which drives the focus

of my research. »    

Vera Siemund, brooch, 2012, enamelled copper, steelsawn, mounted, enamelled (printed portrait/ornament) -

73 x 100 x 42 mm – green ornamented lamp shape covered with a fragment of a rose window, inside a photo portrait

(here the « hole » is clearly mounted as a WINDOW….)

Angela Bermudez  all that you need to LOOK INSIDE …..

Ángela Bermúdez (viruthiers) « Grand Voyeur » et « déjà Vu » – broches 2012, plata  – (serie Turismo de interior) …. (histoires de VISION …)

Daniel DiCaprio – ‘Inheritance’ blackwood & silver brooch

Andrea Piñeros - a ring with a hole …. that allows to discover the « real » jewel : your own skin

EXPO ‘Papallona / Mariposa / Butterfly’ – Museu de Ciències Naturals de Granollers, Granollers (Spain) – 29 Nov. 2013 – 2 Mars 2014

Papallona / Mariposa / Butterfly

Museu de Ciències Naturals de Granollers

Check the online catalogue here

Paticipating artists:
Adriano Castoro — Alexander Blank — Ana Toledo — Andrea Wagner – Anne Wiedau — Annika Lange — Arek Wolski — Atsuko Fujishima — Attai Chen — Atty Tantivit — Beate Klockmann — Bernhard Schobinger — Bruno Sievering Tornow — Chiara Scarpitti — Christina Karababa — Cristina Martí Mató — Chang Wei Hsuan — Dana Seachuga — David Bielander — Davide Zambon — Diana Tipoia — Donald Friedlich – Edu Tarín — Emi Fukuda — Eva Burton — Fanny Agnier – Felieke Ven Der Leest – Florie Dupont — Francesca Ferrario — Gabi Dziuba — Gésine Hackenberg — Grego García — Gregory Larin — Hans-Joachim Härtel — Hector Lasso – Helen Britton — Herman Hermsen — Horst Feiler – Hu Jun — Jiro Kamata — Jordi Sànchez – Karina Lazauskaite — Karl Fritsch – Karolina Bik – Katharina Dettar — Kathleen Fink — Katja Prins – Kecskés Orsolya – Kvetoslava Flora Sekanova — Lisa Walker – Maarja Niinemägi — Manon Van Kouswijk – Manuel Vilhena — Mari Ishikawa – María Mamkaeva – Marina Elenskaya/Christian Van Der Kaap — Marta Roca Solé — Martin Wipperfürth — Martina Pont — Martina Tornow — Melanie Isverding — Mirei Takeuchi — Montserrat Lacomba — Natalie Luder – Nicolás Estrada – Nina Sajet –  Noon Passama – Otto Künzli — Patrícia Domingues — Pavel Opocenský — Peter Skubic — Petr Dvorak – Petra Zimmerman — Philip Sajet – Ramon Puig Cuyás — Robean Visschers – Rosa Nogués Freixas — Rudolf Kocea — Ryuichiro Nakamura –  Sandra Murray – Sara Shahak – Sehee Um –  Silvia Walz — Simone Knust –  Slawomir Fijalkowski — Stefan Heuser — Stefan Todorov – Stefano Marchetti — Surasekk Yushiwat — Suzan Rezac — Tabea Reulecke — Taweesak Molsawat — Terhi Tolvanen –  Theodora Vasilopoulou –  Therese Hilbert — Thomas Dierks — Ulrich Reithofer – Uta Feiler — Vera Siemund — Volker Atrops — Xavier Monclús.

Arek Wolski – Brooch: Untitled, 2013 -  Steel pins

Philip Sajet – ring  Papallona/Butterfly, 2013  Niello on silver, enamel on silver, gold

Ulrich Reithofer – Ring: Grey on green with gold butterfly, 2013 – Jade, rock crystal, gold leaf

Marta Roca Solé – Pendant: Madame butterfly, 2013 – Glued newspaper, oxidised silver, cotton thread

 Fanny Agnier – « papallona » ring

Beate Klockmann - ‘papallona d’or’ brooch 

Christina Karababa (GR) ‘crisalide’ pendentif

 Karolina Bik -  ‘graphium’ ring – peridot, argent oxydé

Montserrat Lacomba - broche ‘papallona blanca’ – cobre, esmalte

Katharina Dettar - brooch – labradorite, or

Gesine Hackenberg – ‘papallona de mandarina’ brooch – cuivre

 

Museu de Ciències Naturals de Granollers
Carrer de Palaudàries 102
08402 – Granollers
Spain
Telephone: [phone]
website: www.museugranollersciencies.org
mail: [e-mail]

Des P’tits trous, encore des p’tits trous ….

« Des P’tits trous, encore des p’tits trous ….
des p’tits trous, des p’tits trous, toujours des p’tits trous
Des trous d’seconde classe
Des trous d’première classe »
(« le poinçonneur des Lilas » – Serge Gainsbourg)

  Mathilde QUINCHEZ  Pendentif Elytre –
Son travail sera exposé pendant les « Circuits Bijoux » à L’age d’or  26, rue du Docteur Magnan 75013 Paris  Du 17 au 20 Octobre 2013

Monika Brugger broche

Monika Brugger – Fragile – brooch – silver

Haruka Oe -silver ring 2007

Haruka Oe -silver ring 2007

Rossella Cigognetti Tornquist Brooch (detail) Her work is particularly inspired by natural elements: surfaces like bark, wood, or structural elements from the animal kingdom, such as animal bones

Nevin Arig  Brooch: Return to the roots 2009  Chiseled silver, coral, pearl, gold halite

Sara Bran – using lace techniques with gold  

Julie Blyfield  Brooch: Shell 2011  Sterling silver

Leanne Ryan  (Perth, Western Australia)  Training and Further Education (TAFE) Central, Perth.  Brooch  Fine Silver, Sterling Silver, Raw silk cocoons, Seed pearls.  Approx. W 5.5cm x H 4cm  Photographer: Matt Reed

Leanne Ryan -Pendant  Sterling Silver, Heishi ‘Vulcanite’ Trade Beads, Raw silk cocoons – cut & edges dyed, silk cord.  Approx. diam. 6cm

Ursula Woerner – 2te heimat    

Ángela Bermúdez « Contigo & disancia » fermall/brooch

(recién graduada por la EASD de Valencia,  es portada en el blog Des del Sud con sus piezas de Proyecto Final del CFGS de Joyería, dirigido por la profesora Heidi Schechinger, en el curso 2011/2012)

Ángela Bermúdez (serie Turismo de interior)

Angela Bermudez (Viruthiers) ‘Media Pension’ broche 2012, plata

Angela Bermudez (Viruthiers) « Final de Trayecto » broche 2012, plata

Trinidad Contreras (BORAX08001)

Trinidad Contreras Brooch  (BORAX08001)

Trinidad Contreras brooch

Dana Hakim My Four Guardian Angels Brooch

Anya Pinchuk – Bloomington, Indiana  – silver brooch

Patricia Nowogrodski,  1001 Nights Brooch, Cooper, Black Oxide, Zircon.

Vera Siemund, necklace, 2011, enamelled steeldrilled, sawn, embossed, enamelled, mounted – 220 x 260 x 35 mm – steel hemispheres, red enamelled inside, drilled pattern   sawn portrait

Deganit Stern-Schocken  Necklace 2012  Silver, stainless steel, polystyrene

Eric De Gesincourt  earrings   from a ping pong ball

Dana Hakim, « My Four Guardian Angels, The Blue Series », Brooch 02, 2012         Iron, black mirrored plastic, cotton threads, paint, lacquer. 250X180X20 mm (from Bezalel Academy)

Lebanese designer Malaika Najem‘s Child Soldier collection

Malaika Najem – detail

Marjorie Simon First Thoughts on Miami Foliage Neckpiece

Maya Kini  

Julie Usel. Tear me Apart. 69 rings in copper: 1 in silver, ring box   

Romi Bukovec – wood – painted (several times) and brushed

Liangchao Shao (China)   – experiment : necklace – straws (BIAD)

EXPO ‘Iris Bodemer and Vera Siemund’ – Galerie Marzee, Nijmegen (NL) – 3 Mars-22 Mai 2013

Iris Bodemer and Vera Siemund

Iris Bodemer  Brooches (20 Brooches) : Relief I  – 2013  Silver  26 x 36.5 x 1 cm 

Iris Bodemer  Brooches (4 of the 20 brooches): Relief I, 1, 2, 6, 9/20 2013  Silver  5 x 10 x 1 cm

Iris Bodemer  Neckpiece: Words 2013  Steel, parcel string, tape  15 x 38 x 2.5 cm

Vera Siemund, brooch, 2012, Brooch, enamelled copper, steel – mounted, enamelled, sawn – 60 x 100 x 45 mm – lamp shape outside blue, inside white basin like, covered with a steel lace

Vera Siemund – brooch, 2012, Brooch, steelsawn, mounted -  sawn portraits in historicised shapes of jewellery, hanging drops

Vera Siemund – brooch, 2012, enamelled steel, silver embossed, sawn, enamelled (printed portrait), mounted – 70 x 100 x 35 mm – hemisphere covered with a rose window, inside a portrait, mounted on a floor plan

Vera Siemund, brooch, 2013, Brooch, enamelled copper, steel – mounted, enamelled, sawn75 x 125 x 60 mm – floral lamp shade with a green/white enamel cover, mounted on a floor plan sawn in steel, a silhouette of a cathedral as background

Vera Siemund – Necklace, 2013,  enamelled copper, steel mounted, enamelled, sawn, handmade chain – 220 x 300 x 40, one element  60 x 100 x 40 mm – blue lamp-shades, inside white like a basin, one shape covered with a sawn lace ornament

 

Galerie Marzee
Lage Markt 3 Waalkade 4
6511 VK – Nijmegen
Netherlands
Telephone: [phone]
Fax: [phone]

EXPO ‘Mariposa/papallona/Butterfly’ – Amaranto joies, Barcelona (ES) – 4 Avril-18 Mai 2013

Mariposa/Papallona/Butterfly

Una exposición comisariada por PHILIP SAJET

 55 creadores = 55 mariposas

Philip Sajet

“There are as many butterflies as that are people, probably even many more.

Mystica tells us, that departed souls sometimes return as butterflies to comfort and reasure us.

But whatever the case, one thing is sure in this life they live short.

They are light and extremely agile and in the eyes of some are considered as very beautiful

The only animal who looks alive while not being it.

That is their tragedy. To be pinned on a board. 

The butterfly for the artist is also a metaphor for life.

How big or small, how light or heavy do you make it?

It was my personal curiosity to ask artists whose work fascinate / intrigue me to show me their Butterfly.

Yes almost as intimate as this question sounds, so intimate in a way it is.”   Philip Sajet

*

Petr Dvorak - Garnet/garnet/Butterfly 

My garnet/garnet/titanium butterfly is a transformation of my perception of the world, my vision of impressions, desires and illusions. Within each of us is a butterfly

Peter Skubic - Butterfly  2013

The pieces is a butterfly in my still. It means the reflecting steel-sheats makes the piece as well as invisible,
because mirrors are invisible. You can only see the reflection of the surface and the colour and imagine spaces.
I make it from a suggestion of Philip Sajet.

Patricia Domingues  Descanso – broche Fotografía Manuel Ocaña

 Ramon Puig Cuyàs – “Rerum natura I”

Vera Siemund
I always liked to mix different quotations in my pieces.

To do a butterfly seemed to be very easy, but suddenly this insect really gave me problems. It became so serious but at the same time too sweet. I had to leave nature immediately and go back to the topics I am familiar with.

Manon Van Kouswijk Butterfly.

Originally made for the 10 year anniversary of PEAH, a jewellery label run by Felix Lindner and Samantha Font-Sala.

Fanny Agnier Butterfly

Philip Sajet

Andrea Wagner – Lepidoptera Reef Enclave

Lisa Walker

Robean Visschers – butter-fly brooch

As a child I was already wondering how « things » got their name. Sometimes a word or a name is a combination of 2 or more words. also in the case of the Butterfly. Why?? I combined a pack of butter with a fly. Quess what? It doesnt look like a butterfly. For me its a strang name for a beautiful animal.

Silvia Walz -   Morpho con alas desplegadas –

El morpho es una mariposa azul que vive la mayor parte del tiempo en el bosque con las alas plegadas. Sin embargo cuando esta en búsqueda de compañero, sale de su escondite, desplega las alas y vuela en lo alto.

Atty Tantivit – Lepidopterophobia

Gregory Larin

Florie Dupont

 Eva Burton Heteroneuma

Tabea Reulecke

Beate Klockmann   Gold Butterfly

Grego García

 

Edu Tarin  – Alas

La crisálida dejó su esqueleto olvidado para ver nacer las alas de mariposa. Alas que llevará a través del viento. Alas que el cuerpo posee y que maneja a su antojo.

Chang Wei Hsuan

Manuel Vilhena  The brooch comes with a book, The book is (ia a way) the statement for the piece. Fotografía Neumuller

Surasekk Yushiwat Butterfly Effect. The keyword of this product come from question “Butterfly colors this world but how they color anyone who wear t-shirts ?”. The graphic of butterfly effect come from difference movements during daily routine activity of wearer in each days, so there are no cliché graphical.

 

Amaranto joies
Sant Domènec 23
08012 Barcelona
tel. [phone]
[e-mail]
www.amarantojoies.com

 

 

EXPO ‘Play of Form and Color’ – The Deutsches Goldschmiedehaus, Hanau (DE) – 20 Janv.-14 Avril 2013

Play of Form and Color – New Directions in Enameled Jewelry

 

Artists:  Ralph Bakker — Nilton Alves Cunha — Beate Eismann — Uta Feiler — Stephanie Fleck — Sylke Alma Klopsch — Esther Knobel — Tabea Reulecke — Jacqueline Ryan — Isabell Schaupp — Danni Schwaag — Vera Siemund — Silke Trekel — Jessica Turrell — Christian Wuytack

  Isabell Schaupp  Brooch: Flugobjekt – Hummel 11 2012  Enamel, copper, foto, silver, agate, plastics  Photo: Isabell Schaupp

Ralph Bakker  Earrings: Earjewelsgreen 2012  Gold, silver, enamel  Photo: Michael Anhalt

Esther Knobel  Brooch: Magnet-Series 2011  Enamel, copper, found objects  Photo: Tamir Niv

Tabea Reulecke  Necklace: Wenn die Mäuse auf dem Tisch tanzen 2012  Enamel, copper, oxidised silver  Photo: Manuel Ocana Mascaró

 

The Deutsches Goldschmiedehaus
Altstädter Markt 6
63450 – Hanau
Germany
Telephone: [phone]
Fax: [phone]
website: www.gfg-hanau.de
website: www.hanau.de/kultur/museen
mail: [e-mail]

EXPO ‘Die Renaissance des Emaillierens’ – Galerie Handwerk, Munich (DE) – 9 mars-14 avril 2012

Sonderöffnung Die Renaissance des Emaillierens – Internationaler Schmuck und Gerät, — Galerie Handwerk

Das Emaillieren gehört zu den klassischen Gold- und Silberschmiedetechniken. Das seit über 3500 Jahren bekannte Verfahren stellt eine der ältesten und haltbarsten Methoden dar, Farbe auf Metall aufzubringen und den betreffenden Gegenstand, Schmuck oder Gerät, damit besonders zu akzentuieren.

In der zeitgenössischen Gold- und Silberschmiedeszene hat das Emaillieren in den 1970er und 1980er Jahren eher ein Schattendasein geführt. Seit einigen Jahren erlebt die Technik eine Renaissance. Die Galerie Handwerk in München nimmt dieses Phänomen zum Anlass einer Ausstellung, zu der 41 Gestalter aus 15 Ländern eingeladen wurden. Gezeigt werden Schmuck und Gerät.

Seit den 1990er Jahren spielt Email im Avantgardeschmuck zunehmend eine größere Rolle. Dabei wird mit den unterschiedlichsten Verfahren, Zellenschmelz, Grubenschmelz, Fensteremail, gearbeitet und oftmals auch experimentiert. Viele Goldschmiede haben ihre ganz eigene, persönliche Herangehensweise gefunden. Auffallend ist, dass das Verfahren sehr unkonventionell gehandhabt wird und ganz offensichtlich nicht nur die dem Email klassisch zugeschriebenen Effekte – Farbe, Transparenz, Leuchtkraft – gesucht werden.

Der Aspekt, durch Email Farbe auf das Metall aufzubringen, ist nicht mehr entscheidend, längst sind Lack und Farbe gebräuchlich. Nicht, dass die farblichen und malerischen Möglichkeiten des Emaillierens ihre Wichtigkeit verloren hätten, doch scheint heute die Auseinandersetzung mit der Oberfläche und das Spiel mit ihren reizvollen haptischen Qualitäten der gemeinsame Nenner zu sein.

Email kann transparent, glatt, in kräftigen Farben leuchtend sein und sich durch eine makellose, perfekte Oberfläche auszeichnen. Häufig wird aber auch eine matte oder körnige Oberfläche wie bei Pigmentpulver gesucht, oder die Oberflächen sind aufgebrochen und wirken wie korrodiert.

Beim Gerät hat sich die Verwendung von Email in den letzten 20 Jahren grundlegend geändert. Eine sinnliche Oberflächengestaltung, die ihre Ästhetik häufig in schlichten Formen und monochromen Farben sucht, hat das Figürliche und Ornamentale verdrängt.

Die Ausstellung in der Galerie Handwerk versucht, die unterschiedlichsten Positionen zeitgenössischer Schmuckkünstler zum Thema Email vorzustellen und dabei auf die Aktualität dieser alten Goldschmiedetechnik hinzuweisen. Sie wird wenige Tage vor Beginn der Internationalen Schmuckschau eröffnet und ist ein Teil der umfangreichen Schmuckpräsentationen während der Internationalen Handwerksmesse München.

Artists on the show:

Jamie Bennett, USA| Adrean Bloomard, IT | Stephen Bottomley, GB | Helen Carnac, GB | Bettina Dittlmann, DE | Gemma Drapper, ES | Beate Eismann, DE | Ulo Florack, DE | Christiane Förster, DE | Carolina Gimeno, CL | Christine Graf, DE | Kirsten Haydon, AUS | Hiroki Iwata, JP | Karin Johansson, SE | Ike Jünger, DE | Kaori Juzu, JP | Astrid Keller, DE | Young-I Kim, KR | Nikolaus Kirchner, DE | Jutta Klingebiel, DE | Beate Klockmann, DE | Esther Knobel, IL | Daniel Kruger, ZA | Gualan Liang, CN | Stefano Marchetti, IT | Katharina Moch, DE | Nazan Pak, TR | Francesco Pavan, IT | Ramón Puig Cuyàs, ES | Jacqueline Ryan, IT | Phillip Sajet, NL | Isabell Schaupp, DE | Barbara Seidenath, USA | Vera Siemund, DE | Silke Trekel, DE | Elizabeth Turrell, GB | Jessica Turrell, GB | Graziano Visintin, IT | Agnes von Rimscha, DE | Silvia Walz, ES | Annamaria Zanella, IT .

Francesco Pavan

Francesco Pavan

Bettina Dittlmann

Bettina Dittlmann

Elizabeth Turrell

Katharina Moch

Carolina Gimeno

Silvia Walz                —                   Ramon Puig Cuyàs

Christine Graf

Stephen Bottomley – Deep blue brooch – 2012 – Oxidised silver, enamel, and gold

Annamaria Zanella                —                  Esther Knobel

Beate Klockmann

Christine Graf            —                 Nazan Pak

Adrean Bloomard            —         Jacqueline RyanVera Siemund

Jamie Bennett

Silke Trekel

Downloads : Broschüre zur Ausstellung « Die Renaissance des Emaillierens » ( 3926 kB)

Galerie Handwerk
Max-Joseph-Straße 4
Eingang Ecke Ottostraße
80333 München
Tel. [phone]
[e-mail]
hwk-muenchen.de/galerie

Colliers sortis de la mer ………..

…….. ou tout du moins couleur d’huitres, d’algues et de marées ………

(avec mes remerciements à la Galerie Marzee et à sa galerie de necklaces !)

(à voir aussi : « The NECKLACE show » à la galerie Velvet da Vinci)

Antje Stolz – necklace – 2005

Antje Stolz – necklace « l’heure verte » oxidised copper, hemimorphite, green pigment, plastic- (Idar-Oberstein, Fachhochschule Trier)

Beate Klockmann -  necklace  – iron, enamel, gold – 2008

Annelies Planteijdt - necklace ‘Beautiful city – Green room blue windows’ – gold, titanium, green, blue- 2002

Vera Siemund – necklace, 2004 enamelled copper, silver

Francisca Bauzá Förster - necklace Turquesa 2009, copper, textile, enamel, silver (Fachhochschule Idar-Oberstein)

Sybille Richter - Wiesen (Meadow), 2009 necklace, aluminium, silver 935, agate

Vivi Touloumidi – necklace ‘Particles’ 2010, fine silver, enamel, steel  (Fachhochschule Pforzheim)

Willemijn de Greef - necklace Touw-porselein (Rope-Porcelain) 2009, green yarn, glazed porcelain, hemp cord

Susanna Loew - Steinreich, 2009 necklace, silver 999 and 935, steel wire, marble

Ineke Heerkens - Weelderig Land, 2011, necklace, polyethylene, stainless steel, oxidized silver (photo Eddo Hartmann)

Rotem Fishler – pendant Turkiz 2011, silicone, sterling silver, pigments – (Israel, Shenkar College)

EXPO ‘THE RING – jewel forever’ – Hnoss Gallery, Gothenburg (Sweden) – 9 Sept.-9 Oct. 2011

THE RING – the most common piece of jewellery can be full of meaning, a personal statement sometimes showing itself as a technical miracle or purely decorative and beautiful. It can demand attention, be an invitation to play, be filled with tears and secrets – and is to be worn for one day or for ever.
In homage to the ring Galleri Hnoss has invited all the jewellery artists exhibited in the gallery since the start in 1997 to produce one ring each. The result is now to be seen in the exhibition THE RING – jewel forever. The show consisting of over one hundred rings is a vibrant collection of different expressions, thoughts and forms

In connection with the exhibition on September 9 we are also arranging aseminar : The Ring – jewel forever. The theme is the ring seen from different perspectives. We are very proud to announce the speakers: Anna Schetelich from Galerie Oona, Germany, Professor Otto Kunzli, Germany, and Manuel Vilhena, jewellery artist from Portugal. Moderator is Love Jönsson, crafts critic and guest lecturer at HDK, University of Gothenburg. The seminar is a collaboration between Galleri Hnoss and the Department of Jewellery Art at HDK, with support from Gothenburg Crafts Association, Estrid Ericsson’s Foundation, Wilhelm and Martina Lundgren Fund, and the family Wikanders Foundation.

Artist list:
Ingierd Hanevold, Norway — Lena Bergestad–Jonsson, Sweden — Per Suntum, Denmark — Kim Buck, Denmark — Christer G. Jonsson, Sweden — Peter De Wit, Sweden — Otto Künzli, Germany — Andreas Treykorn, Germany — Verena Siber-Fuchs, Swizerland — Margareth Sandström, Sweden — Karin Johansson, Sweden – Sigurd Bronger, Norway — Esther Knobel, Israel — Tore Svensson, Sweden — Anette Kraen, Denmark — Beppe Kessler, Netherlands — Mona Wallström, Sweden — Ari Turunen, Finland — Synnøve Korssjøen, Norway — Konrad Mehus, Norway — Onno Boekhoudt, Netherlands — Ulrika Swärd, Sweden — Rian de Jong, Netherlands — Christoph Zellweger, Switzerland — Helena Lehtinen, Finland — Helena Sandström, Sweden — Jamie Bennett, USA — Lotta Åström, Sweden — Karen Ihle/ Jens Eliasen, Denmark — Johanna Dahm, Switzerland — Petra Schou, Sweden — Adam Paxon, Scotland — Bruce Metcalf, USA — Eva Dora Lamm, Denmark — Ruudt Peters, Netherlands — Barbara Paganin, Italy — Kasia Gasparski, Denmark — Annelies Planteydt, Netherlands — Kadri Mälk, Estonia — Lena Olson, Sweden — Tarja Tuppanen, Finland — Manuel Vilhena, Portugal — Castello Hansen, Denmark/Sweden — Gijs Bakker, Netherlands — Cecilia Johansson, Sweden — Gunilla Grahn, Sweden — Vera Siemund, Germany — Karl Fritsch, Germany — Nel Linssen, Netherlands — Margaret West, Australia — Lars Sture, Norway — Kerstin Ringedal, Sweden — Fabrice Schaefer, Switzerland — Lucy Sarneel, Netherlands — Elise-Ann Hochlin, Norway — Georg Dobler, Germany — Katja Prins, Netherlands — Ramon Puig Cuyás, Spain — Xavier Monclús, Spain — Mah Rana, England — Peter Bauhuis, Germany — Silke Trekel, Germany — Terhi Tolvanen Finland/Netherlands — Svenja John, Germany — Jivan Astflack, England — Anna Unsgaard, Sweden — Charlotte Sinding, Sweden — Sonia Morel, Switzerland — Pia Aleborg, Sweden — Marc Monzó, Spain — Andi Gut, Switzerland — Anna Martinsson, Sweden — Ulrich Reithofer, Austria/Netherlands — Peter Hoogeboom, Netherlands — Mari Ishikawa, Japan/Germany — Annika Åkerfelt, Sweden — Karin Seufert, Germany — Peter Scubic, Austria — Lina Petersson, Sweden/England — Sara Borgegård, Sweden — Erik Kuiper, Netherlands — Ineke Heerkens, Netherlands — Bettina Speckner, Germany — Sebastian Buescher, England/Tyskland — Warwick Freeman, New Zealand — Iris Neuwenburg, Netherlands — Jiro Kamata, Germany/Japan — Anne-Marie Bernhardt, Sweden — Hanna Hedman Sweden — Lin Cheung, England — Bas Bouman, Netherlands — Birgit Laken, Netherlands — Norman Weber, Germany — Gemma Draper, Spain — Kristi Paap, Estonia — Alexander Blank, Germany — Klara Brynge, Sweden — Mia Maljojoki, Finland/Germany — Jenny Klemming Sweden — Jantje Fleischhut, Netherlands — Mikiko Minewaki, Japan — Carolina Claesson, Sweden — Linda Marie Karlsson, Sweden — Maria Ylander, Sweden — Åsa Christensson Sweden

Onno Boekhoudt (NL) – ring – Mixed media

Peter Hoogeboom  –  Bruce Metcalf  

 Jiro Kamata  –  Gijs Bakker

Ramon Puig Cuyas  —   Ruudt Peters

Bettina Speckner –  Johanna Dahm

Marc Monzo  –  Synnove Korssjoen

Jenny Klemming  –  Nel Linssen

Annika Åkerfelt  –    Katja Prins

Barbara Paganin  –  Ineke Heerkens

Fabrice Schaefer  —   Birgit Laken

Beppe Kessler  –   Christoph Zellweger

 

Esther Knobel  —   Hanna Hedman

Anette Kræn  –  Kim Buck

Manuel Vilhena  —   Lena Olson

Mia Maljojoki  —   Otto Künzli

Mari Ishikawa  –  Petra Schou

Sigurd Bronger  —   Terhi Tolvanen

Rian de Jong  --  Verena Sieber-Fuchs

 
Tore Svensson  —   Kerstin Ringedal

Andreas Treykorn  —   Andi Gut

Carolina Claesson  –  Charlotte Ho Sook Sinding

Annelies Planteydt  –  Castello Hansen

Ingjerd Hanevold  –  Eva Dora Lamm

Helena Sandström  –  Helena Lehtinen

Jens Eliasen  –  Kare Ihle

Kristi Paap  –  Mona Wallstöm

Lucy Sarneel  —   Jivan Astfalck

Lina Peterson  –  Karin Seufert

Lotta Åström  —   Kasia Gasparski

Mikiko Minewaki  —   Linda Marie Karlsson

Norman Weber  —   Per Suntum

Pia Aleborg  —   Silke Trekel

Peter Bauhuis  —   Peter de Wit

Sara Borgegård Älgå  —   Tarja Tuupanen

Erik Kuiper —   Xavier Monclús

Kadri-Mälk  —   Ulrika Swärd

Anne-Marie-Bernhardt  —   Alexander Blank

Georg Dobler   —   Peter Skubic

Jantje Fleischhut  –  Adam Paxon

Gemma Draper  –  Lin Cheung

Hnoss Gallery
Konstepidemin
413 14 – Gothenburg
Sweden
Telephone: [phone]
Fax: [phone]