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04/09/2016

EXPO ‘BASALT- Volcanic bijoux’ – Geological Museum, Ramat Hasharon (IL) – 26 Sept. 2016-31 Janv. 2017

BASALT- Volcanic bijoux -

Soon in the  Geological Museum  -

Opening on Monday September 26th, 20h30

An international exhibition that reunites 25 artists from Europe and Israel who have created jewelry especially for this show, utilizing basalt as the central motif.
Taking into consideration the unique properties of this igneous rock – its natural structure, color and texture – the artists have created pieces that provoke questions about preciousness, esthetics, mythology and beliefs.
The exhibition was originally shown in Agde, France (a city built from basalt) in 2015 and was re-curated for the Geological Museum in Ramat HaSharon. / Jean-Yves Le Mignot, Curator, Rachel Sasporta, Curator in charge

BASALT- Volcanic bijoux -  Soon in the Geological Museum. :

« Taking into consideration the unique properties of this igneous rock – its natural structure, color and texture – the artists have created pieces that provoke questions about preciousness, esthetics, mythology and beliefs. « 

Artist list :    Vered Babai — Christian Balmer — Yakov Bloch — Brune BoyerEsther BrinkmannSeliena Coyle –  Johanna DahmClara DenidetGeorg Dobler Marine DominiczakPia FarrugiaSophie HanagarthNaama HanemanNoga Harel — Lia Kirel — Florence Lehmann — Taïr Delia Littman — Stefano Marchetti –  Eliane MichelRenzo PasqualeRamon Puig CuyàsPhilip SajetIlona SchwippelAnnamaria Zanella


Marine Dominiczak - "Noyade au Cap d'Agde".  EXPO noir comme basalteMarine Dominiczak – «Noyade au Cap d’Agde» Copper, basalt, patinated bronze, hemp rope  20 x 9 x 8 cm and …. VERY HEAVY !

 Annamaria Zanella Ring: Monolite, 2016 Basalt 3.8 x 1.8 x 3.6 cm Photo by: Marco Furio Magliani: Annamaria Zanella Ring: Monolite, 2016 Basalt 3.8 x 1.8 x 3.6 cm Photo by: Marco Furio Magliani

 Ramon Puig Cuyàs Brooch: Metamorphic, 2016 Nickel silver, basalt, ColorCore, acrylic painting, reconstructed pink choral 8 x 6.1 x 1 cm Photo by: Ramon Puig Cuyàs:  Ramon Puig Cuyàs Brooch: Metamorphic, 2016 Nickel silver, basalt, ColorCore, acrylic painting, reconstructed pink choral 8 x 6.1 x 1 cm Photo by: Ramon Puig Cuyàs

 Stefano Marchetti Ring: Untitled, 2016 Gold, basalt-resin 4 x 2.5 x 3 cm Photo by: Stefano Marchetti: Stefano Marchetti Ring: Untitled, 2016 Gold, basalt-resin 4 x 2.5 x 3 cm Photo by: Stefano Marchetti

  Georg Dobler Brooch: Untitled, 2016 Silver, basalt, red paint  11 x 3.5 x 1 cm Photo by: Georg Dobler: Georg Dobler Brooch: Untitled, 2016 Silver, basalt, red paint  11 x 3.5 x 1 cm Photo by: Georg Dobler

Vered Babai Pendant: Black orchids, 2015 Basalt, resin, polymer 7 x 6 x 2 cm Photo by: Vered BabaiVered Babai  Pendants: Black orchids, 2015 – Basalt, resin, polymer  7 x 6 x 2 cm Photo by: Vered Babai

Sophie Hanagarth - "Dyke" 2015 -basalt; resin  13/7/3 cm -expo BASALT - Sophie Hanagarth   »Dyke » 2015 – basalt, resin  13/7/3 cm

Lia Kirel - NOIR comme BASALTE: Lia Kirel

expo BASALT - Christian Balmer-'Spitzberg' 2016-forged iron, white gold, silver, basalt, diamond: Christian Balmer - ‘Spitzberg’ 2016- forged iron, white gold, silver, basalt, diamond

expo BASALT - Yakov Bloch- 2015- basalt, silver, polymer: Yakov Bloch - 2015 – basalt, silver, polymer 11x5x1,6cmexpo BASALT - Seliena Coyle-Carraig Dubh #1-2015 silver, image on Di-bond, basalt, steel: Seliena Coyle  brooch « Carraig Dubh #1″-2015 silver, image on Di-bond, basalt, steel 10x10x6cm
Taïr Delia Littman. Ring: The trail, 2016. Basalt, silver, gold plated, 24k gold leafs, resin, polymer. 3 x 3.5 x 2.5 cm. Photo by: Vered Babai.Taïr Delia Littman. Ring: The trail, 2016. Basalt, silver, gold plated, 24k gold leafs, resin, polymer. 3 x 3.5 x 2.5 cm. Photo by: Vered Babai

Renzo Pasquale. Brooch: BAS-ALT, 2016. Basalt, gold, steel. 8.7 x 6.1 x 1.5 cm. Photo by: Marco Furio Magliani.Renzo Pasquale. Brooch: BAS-ALT, 2016. Basalt, gold, steel. 8.7 x 6.1 x 1.5 cm. Photo by: Marco Furio Magliani.

 Philip Sajet ring at "BASALT" Philip Sajet ring for « BASALT »

 

Programme

A conference on contemporary jewelry will be held before the opening at Yad Lebanim, 3 HaMahteret st, Ramat HaSharon.

19:00   Welcome and greetingsRachel Sasporta, curator in charge.
19:10   Behind the scenes: nursing, staging, curating contemporary jewelery - Nicole Brémond, marketing and communication, luxury goods (Paris)
19:40   Eyes sink into stone: my work and other stories - Johanna Dahm, contemporary jeweler (Zürich)
20:30   Exhibition opening in the Geological Museum.

Admission is free.

 

The Geological Museum
12 Hapalmach st
Ramat HaSharon -  Ramat Hasharon
ISRAEL
geo.museum@ramat-hasharon.muni.il
Phone: 972 03 5497185


Enregistrer

23/12/2015

EXPO/CONCOURS ‘Filo Rosso 2015′ … & the WINNER is …. – Sala Negrisin & Museo Carà, Muggia (IT) / DRAT Gallery & Palazzo del Podestà, Izola (Slovenia) – 12 Dec.2015 – 24 Janv.2016

FILO ROSSO 2015

Le realizzazioni selezionate dalla giuria saranno esposte assieme ai bozzetti presso il Museo d’Arte Moderna «Ugo Carà» o presso la Sala Comunaled’Arte «Giuseppe Negrisin» di Muggia, Trieste (Italia) dal 12 dicembre 2015 al 24 gennaio 2015
e nel mese di maggio 2016 presso il «Palazzo del Prefetto» o  la Galleria Drat a IZOLA  (Slovenia) 

11 Dec. : 17.30 Inaugurazione  MUGGIA (Ts – Italia) – Museo  d’Arte Moderna «Ugo Carà»
11 Dec. :  19.30 Inaugurazione/Otvoritev  IZOLA (Slovenia) Galerija «Drat»

Quest’anno viene inoltre presentato ilcoup de coeur”: mostra -mostre- dedicata a Silvia Beccaria (Izola) e a Vered Babai (Muggia), artista israeliana che espone per la prima volta in Italia.

Filo Rosso 2015:

The WINNER of FiloRosso 2015 is Alix Tran and her poetic necklace !!

 Alix_Tran_Premio_Filo_Rosso Alix TranCol Claudine, 22x20cm, necklace, linen and brass, 2015.
« Col Claudine (Peter Pan collar), is the contrast between a chaste and white collar, detached from the garment’s body, and the invasion of small precious flies.Flies concentrated on areas of cracks in the tissue, like wounds. Aggregated on a soft material, and loose like a net, that takes them to the trap. They become companion insects. Like a Memento mori. »

Prix FiloRossoPrix FiloRosso  – transmis du dernier gagnant, il sera transmis au prochain gagnant …. fil rouge de la création bijou !

  jury - Ruiz_prada_LeMignot_Babai_gassier_micerale jury ! deg à dr : Agatha Ruiz de la Prada, Jean Yves Le Mignot, Vered Badai, Marianne Gassier, Giovanni Micera

 

Non primés mais remarqués, les bijoux suivants :

  Biljana Klekackoska (Macedonia) brooch 'the letter' seta, argento, acciaio, colore: Biljana Klekackoska (Macedonia) – « The Letter » BROOCH
Techniques: filigree, drawing/writing and aquarelle on silk with iron-fixing silk colors, sowing, oxidization
Materials: silver (925 and fine), silk, steel – Dimensions: 9.6 cm. x 7cm. x 1cm.
« This piece is part of the exploration series wearable memories. This is a “never sent love letter”. It contains everything unsaid to a lover, but worn inside. Now it appeared in a material form, ready to be seen and worn outside. »

 Noga Harel - Israel Title : Oceanic bloom NECKLACE Techniques: felting, sewing, reconstructing and assembling. Materials: wool, corals, pearls, crystals, thread, fabric, garlic flowers. Dimensions : 41 cm. x 24 cm. - Depth : 11 cm.: Noga Harel – Israel – « Oceanic bloom » NECKLACE Techniques: felting, sewing, reconstructing and assembling. Materials: wool, corals, pearls, crystals, thread, fabric, garlic flowers. Dimensions : 41 cm. x 24 cm. – Depth : 11 cm.
« The work  » Oceanic bloom » deals with the artist’s ability to present simultaneously different characters. In this work I wanted to investigate the wonderful world of the plants.
The result will always be based on reality but full of the inner emotional world of the creator…And at the unique personal perspective… « 

Noga Harel (IL)  - photo M.Gassier - - Oceanic bloom" NECKLACE Techniques: felting, sewing, reconstructing and assembling. Materials: wool, corals, pearls, crystals, thread, fabric, garlic flowers. Dimensions : 41 cm. x 24 cm. - Depth : 11 cm.: Noga Harel (IL) (detail) - photo M.Gassier - - Oceanic bloom" NECKLACE Techniques: felting, sewing, reconstructing and assembling. Materials: wool, corals, pearls, crystals, thread, fabric, garlic flowers. Dimensions : 41 cm. x 24 cm. - Depth : 11 cm.:

Noga Harel - Israel – « Oceanic bloom » NECKLACE (details)

Heidemarie Herb Germany Title: Schluesselkinder - collection time PENDANT Materials: fabric, silver, mix media, pigment Dimensions: 12 cm. x 8 cm. Techniques: textile impregnated in plaster, colorured with pigmentHeidemarie Herb  – Germany – « Schluesselkinder » – collection time PENDANT
Materials: fabric, silver, mix media, pigment – Dimensions: 12 cm. x 8 cm.
Techniques: textile impregnated in plaster, colorured with pigment
« My work is the expression of the pain of their children that they must often live with greater responsibility of them. A reality of the daily life. » Potographer: Silvana Tili

Muggia Museo U Carà - FiloRosso 2015-  Heidemarie Herb: Heidemarie Herb

 Aleksandra Atanasovski, Slovenija -   me(n)talna neznost RING Materials: silver and gold, red silk. Dimensions: 2.5x1 cm and 25x25 cm red silk Techniques: inprint of finger tip, casting in silver.:  Aleksandra Atanasovski, Slovenija -   « me(n)talna neznost » RING – Materials: silver and gold, red silk. Dimensions: 2.5×1 cm and 25×25 cm red silk Techniques: inprint of finger tip, casting in silver.
« I was oserving the space beetwen a thought and action, how the softnes (of silk) can be tuched, perceved by finger, and how this finger can become metalic in a fraction of a second. »

Sigal MeshorerSigal Meshorer – Israel – « Missing Embroidery » RING
Materials: Silver 925, White Linen. Dimensions: W-54mm. H-32-42mm.
« The work consists of 2 identical rings.
One with flat white linen fabric, the other with domed white linen.
The fabric sits on a circle on top of the ring, an outer ring holds it in place by pressure.
The fabric imitates either a white stone or a miniature embroidery hoop. »

Et, j’ajouterai, quelques coups de coeur personnels :

Flavia Michelutti - Muggia Museo U Carà - FiloRosso- : Flavia Michelutti – collana con ciondolo « aperto »

 Flavia Michelutti (chiuso): Flavia Michelutti - collana con ciondolo « chiuso »

  broche de Martina Obid Mlakar (front) - FiloRosso 2015broche « La pelle della mia vita » de Martina Obid Mlakar (front)

 -  broche "La pelle della mia vita" de Martina Obid Mlakar (back) - FiloRosso 2015broche « La pelle della mia vita » (« Pores of my life ») de Martina Obid Mlakar (back)

Yasmin Vinograd - Muggia Museo U Carà - FiloRosso 2015- Yasmin Vinograd  « The Wave » necklace / silver,silkwork  

Galit Einav (detail)Galit Einav necklace (detail)

Jure Kodre ring - FiloRosso 2015: Jure Kodre ring « In memory » – with a « filo rosso » work in the inside of the ring ….

Jure Kodre ring - FiloRosso 2015: Jure Kodre ring « In memory »

Huberto Široka (croix de vie) - Muggia Museo U Carà - FiloRosso 2015-  :  Huberto Široka (back):

Huberto Široka (croix de vie – entre croix et sexe ….) (front & back)

 Daniela Luzzu with the necklace "Radici" - tribute to Frida Kahlo: Daniela Luzzu (IT) with the necklace « Radici » – tribute to Frida Kahlo

 collier di "BONATI2" (NELLY E PATRIZIA Bonati) collier di « BONATI2 » (Nelly & Patrizia Bonati)

Muggia - Sala Negrisin - collier di BONATI2 NELLY E PATRIZIA: Muggia - Sala Negrisin - collier di BONATI2 NELLY E PATRIZIA:

collier di « BONATI2 » (Nelly & Patrizia Bonati) (detagli)

 Sandra Kocjancic,  detail Sandra Kocjancic,  detail

Pour cette édition de FiloRosso il y a plus de 80 artistes inscrits de toutes nationalités confondues: Italie, France, Slovènie, Croatie, Autriche…Etats-Unis, Israel … Quelques noms: Sebastien CarréGigi Mariani, Barbara Uderzo, Lucilla Giovanninetti (Eandare) , etc …… et de très jeunes artistes encore peu connus du public :

avec (liste non certifiée !)  Lucilla Giovanninetti –  Martina Obid Mlakar –  Marco PiccialiChiara LucatoBarbara UderzoAude MedoriTania PalazziRoberta RisoloJasmina WeissSilvia Beccaria –  Patrizia Bonati & Nelly Bonati Daniela RepettoLuisa ChiandottoSébastien CarréRomi BukovecTinka LoncarAleksandra AtanasovskiYasmin VinogradGigi Mariani Maria Chiara CassaràAlix TranFlora SicaLaura VolpiNataša GrandovecHuberto ŠirokaAnnie Sibert Žarko OgnjenovičAna SabolićMarta PejoskaRoberta PavoneSilvia Valenti Petra BoleBibi KlekackoskaLosch EmilieMonika Šangulin –  Sandra KocjancicInbar Shahak Galit Einav —  Sara Progressi. — Rosanna Raljević Ceglar (NIIRO Jewelry) -

La manifestazione è promossa dal Comune di Muggia in Italia e dal Comune di Izola in Slovenia è stata reralizzata con il contributo della Provincia di Trieste.  
Tra gli artisti che partecipano il pluripremiato Sébastien Carré , Francia, vincitore tra l’altro del premio  « Giovane creatore » al salone Révelation di Parigi nell’autunno scoroso, Gigi Mariani, Primo Premio nel 2014 a « Joya » a Barcellona o l’industrial design Petra Bole della Slovenia.  Le opere esposte saranno oggetto di una selezione a cura della giuria internazionale composta da:   
Jean-Yves Le Mignot – curatore mostre bijou 
Vered Babai – artista orafa israeliana  
Marianne Gassier – blogger di «bijoux contemporain»  
Giovanni Micera – Direttore della rivista «Preziosa Magazine»  
Agatha Ruiz de la Prada , stilista spagnola che ha fatto del colore e della forma il suo credo conosciuto in tutto il mondo, è la madrina d’eccezione di questa manifestazione.  

FiloRosso 2015 -Sebastien Carré - broche  front: Sebastien Carré - broche – proposition pour FiloRosso 2015


 Quest’anno viene inoltre presentato ilcoup de coeur”: mostra dedicata a Silvia Beccaria e a Vered Babai, artista israeliana che espone per la prima volta in Italia.

Silvia Beccaria  -  Palazzo del Municipio- Izola- SloveniaSilvia Beccaria  -  Palazzo del Municipio- Izola- Slovenia

Silvia Beccaria  -  Palazzo del Municipio- Izola- SloveniaSilvia Beccaria  -  Palazzo del Municipio- Izola- Slovenia

Vered Babai - broochesMuggia – Museo U Carà – expo « coup de coeur » Vered Babai

Muggia - Museo U Carà - expo "coup de coeur" Vered BabaiMuggia – Museo U Carà – expo « coup de coeur » Vered Babai

***

Scuola di Musica di Izola "Palazzo Besenghi" - point culminant de la soirée avec cette jeune musicienne de 16 ans .... elle joue depuis 10 ans .... sa musique était tellement belle, elle, elle en devenait encore plus belle, illuminée .... MAGIQUE !!! MERCI !!! Scuola di Musica di Izola « Palazzo Besenghi » – point culminant de la soirée avec cette jeune musicienne de 16 ans …. elle joue depuis 10 ans …. sa musique était tellement belle, elle, elle en devenait encore plus belle, illuminée …. MAGIQUE !!! MERCI !!!

 

 

Museo d’Arte Ugo Carà
Via Roma, 9,
34015 Muggia TS, Italie
tel +39 040 927 8632

 

Sala Comunale d’Arte «Giuseppe Negrisin»
Piazza Marconi 1
34015 – Muggia Italy
Telephone: +39 403360340
website: www.benvenutiamuggia.eu
mail: ufficio.cultura@comunedimuggia.ts.it
info.filorossobijoux@gmail.com 
DRAT-GALLERY - Sandra Kocjančič 
Ljubljanska ul.21
6310 Izola Slovenia
tel +386 41 952 918

 

 

 

08/12/2015

EXPO/CONCOURS ‘Filo Rosso 2015′ – Sala Negrisin & Museo Carà, Muggia (IT) / DRAT Gallery & Palazzo del Podestà, Izola (Slovenia) – 12 Dec.2015 – 24 Janv.2016

FILO ROSSO 2015

At MUGGIA (Ts -Italia)  [Museo d'Arte Moderna "Ugo Carà " & Galleria Comunale "Giuseppe Negrisin"] and at IZOLA  (Slovenija) ["DRAT" gallery, "Palazzo Manzioli" & "Palazzo del Podestà"]

Le realizzazioni selezionate dalla giuria saranno esposte assieme ai bozzetti presso il Museo d’Arte Moderna «Ugo Carà» o presso la Sala Comunaled’Arte «Giuseppe Negrisin» di Muggia, Trieste (Italia) dal 12 dicembre 2015 al 24 gennaio 2015
e nel mese di maggio 2016 presso il « Palazzo del Prefetto » o  » la Galleria « Dart » a IZOLA  (Slovenia) nel mese di maggio 2016.

Filo Rosso 2015:

Quest’anno viene inoltre presentato ilcoup de coeur”: mostra dedicata a Silvia Beccaria e a Vered Babai, artista israeliana che espone per la prima volta in Italia.

11 Dec. : 17.30 Inaugurazione  MUGGIA (Ts – Italia) – Museo  d’Arte Moderna «Ugo Carà»
11 Dec. :  19.30 Inaugurazione/Otvoritev  IZOLA (Slovenia)  «Galerija «Drat»

VENERDI 11 dicembre
ORE 14 _ 16 MUGGIA
selezione premi FiloRosso
a seguire trasferimeto a IZOLA
ORE 17 IZOLA
Inaugurazione DRAT Gallery
Palazzo del Podestà
ORE 18.30 trasferimento Muggia
ORE 19.00 inaugurazione Museo Carà

FiloRosso Bijoux è un concorso biennale dedicato al gioiello contemporaneo che presenta in una mostra finale i gioielli realizzati in parte o totalmente con il tessuto. I tessuti, gentilmente concessi dalla C&C-Milano, vengono inviati ai partecipanti secondo le loro scelte. Le opere realizzate vengono in seguito esposte presso gli spazi del Museo d’Arte Moderna “Ugo Carà” di Muggia a Trieste e presso la Galleria “Drat” e gli spazi della città di Izola, in Slovenia, creando un evento internazionale (PreziosaMagazine)

Palazzo del Municipio, Izola - SloveniaPalazzo del Municipio, Izola – Slovenia

FiloRosso est un concours à titre gratuit ouvert aux artistes et aux jeunes créateurs pour la réalisation d’un bijou avec  l’utilisation du tissu.
Le tissu est donné aux participants par la société italienne C&C-Milano, qui est spécialisée dans la création de tissus pour la haute couture et l’ameublement.
Le concours aboutit à une exposition des meilleurs travaux, sélectionnés par un jury, au Musée d’Art Moderne de la ville de Muggia (Trieste).  Dans les précédentes éditions, en 2008 et en 2010, on a vu la participation d’artistes de 16 pays différents avec une centaine d’ouvrages exposés.
Pour cette édition de FiloRosso il y a plus de 80 artistes inscrits de toutes nationalités confondues: Italie, France, Slovènie, Croatie, Autriche…Etats-Unis, Israel … Quelques noms: Sebastien Carré, Agathe Saint-Girons, Gigi Mariani, Barbara Uderzo, Lucilla Giovanninetti (Eandare) , etc …… et de très jeunes artistes encpre peu connus du public :

avec (liste non certifiée !)  Lucilla Giovanninetti –  Martina Obid Mlakar –  Marco PiccialiChiara LucatoBarbara UderzoAude MedoriTania PalazziRoberta RisoloJasmina WeissSilvia Beccaria –  Patrizia Bonati Daniela RepettoLuisa ChiandottoSébastien CarréRomi BukovecTinka LoncarAleksandra AtanasovskiYasmin VinogradGigi Mariani Maria Chiara CassaràAlix TranFlora SicaLaura VolpiNataša GrandovecHuberto ŠirokaAnnie Sibert Žarko OgnjenovičAna SabolićMarta PejoskaRoberta PavoneSilvia Valenti Petra BoleBibi KlekackoskaLosch EmilieMonika Šangulin –  Sandra KocjancicInbar Shahak Galit EinavNelly BonatiSara Progressi. — Rosanna Raljević Ceglar (NIIRO Jewelry) -

 filorosso 2015 _  IZOLA _ Slovenija "DRAT" galleryfilorosso 2015 -  IZOLA (Slovenia) « DRAT » gallery

La manifestazione è promossa dal Comune di Muggia in Italia e dal Comune di Izola in Slovenia è stata reralizzata con il contributo della Provincia di Trieste.  
Tra gli artisti che partecipano il pluripremiato Sébastien Carré , Francia, vincitore tra l’altro del premio  « Giovane creatore » al salone Révelation di Parigi nell’autunno scoroso, Gigi Mariani, Primo Premio nel 2014 a « Joya » a Barcellona o l’industrial design Petra Bole della Slovenia.  Le opere esposte saranno oggetto di una selezione a cura della giuria internazionale composta da:   
Jean-Yves Le Mignot – curatore mostre bijou 
Vered Babai - artista orafa israeliana  
Marianne Gassier – blogger di « bijoux contemporain »  
Giovanni Micera – Direttore della rivista « Preziosa Magazine »  
Agatha Ruiz de la Prada , stilista spagnola che ha fatto del colore e della forma il suo credo conosciuto in tutto il mondo, è la madrina d’eccezione di questa manifestazione.  

 FiloRosso 2015 -Sebastien Carré - broche  front:

Sebastien Carré - broche – proposition pour FiloRosso 2015

Yael Friedman necklace - FiloRosso 2015 - Yael Friedman necklace « Hoops » Collana, tessuto, filo

FiloRosso 2015 - Biljana Klekackoska (Macedonia) brooch 'the letter' seta, argento, acciaio, colore: Biljana Klekackoska (Macedonia) brooch ‘the letter’ seta, argento, acciaio, colore

Lucilla Giovanninetti per FiloRosso 2015: Lucilla Giovanninetti per FiloRosso 2015Rosanna Raljević Ceglar (Niiro jewelry) bracelet: Rosanna Raljević Ceglar (Niiro jewelry) bracelet

 Quest’anno viene inoltre presentato ilcoup de coeur”: mostra dedicata a Silvia Beccaria e a Vered Babai, artista israeliana che espone per la prima volta in Italia.

Silvia Beccaria at Agatha Ruiz de la Prada / Filo Rosso oct 2015: Silvia Beccaria at Agatha Ruiz de la Prada / Filo Rosso oct 2015

Vered Babai - broochesVered Babai – brooches

Vered Babai - brooch - to be exhibited at FiloRosso 2015 - Quest’anno viene inoltre presentato il “coup de coeur”: una mostra dedicata a Silvia Beccaria e a  Vered Babai, artista israeliana che espone per la prima volta in Italia. La partecipazione prevede più di un centinaio d’artisti provenienti da vari paesi: Italia, Francia, Austria, Slovenia, Croazia, Spagna, Germania, Israele: Vered Babai - brooch

 

 

Museo d’Arte Ugo CaràVia Roma, 9,
34015 Muggia TS, Italie
tel +39 040 927 8632

 

Sala Comunale d’Arte «Giuseppe Negrisin»
Piazza Marconi 1
34015 – Muggia Italy
Telephone: +39 403360340
website: www.benvenutiamuggia.eu
mail: ufficio.cultura@comunedimuggia.ts.it
info.filorossobijoux@gmail.com 
DRAT-GALLERY - Sandra Kocjančič 
Ljubljanska ul.21
6310 Izola Slovenia
tel +386 41 952 918

 

 

03/06/2015

EXPO ‘Noir comme Basalte’ – galerie de la Perle Noire, Agde (FR) – 5 Juin-31 Oct. 2015

Dans l’exposition « Noir comme Basalte » à la galerie de la Perle Noire à Agde (exposition proposée par Jean-Yves Le Mignot) Vernissage le 17 juin 2015 18h

Exposition du site des Métiers d'Art - Galerie de la perle noire Agde

 « Noir comme basalte » est la trentième exposition de la galerie de la Perle Noire installée en Agde depuis 2001. Les artisans d’art rendent cette année hommage à la couleur noire  de la roche basaltique omniprésente sur notre territoire et plus particulièrement à Agde où les anciens volcans ont façonné les paysages. Justement appelée « Perle noire de la Méditerranée », Agde doit en effet aux coulées basaltiques la couleur de ses monuments, le sable noir de ses plages. Pour croiser ces deux caractéristiques majeures qui ancrent la ville dans un paysage et une histoire, l’exposition montre principalement des bijoux et des parures… noirs, qui seront accompagnés de sculptures et de tableaux… à dominante noires. Près de 50 créateurs ont travaillé sur ce projet : 32 créateurs de bijoux et 3 sculpteurs internationaux (France, Italie, Suisse, Israël, Irlande, Grande-Bretagne) ont été sélectionnés,  parmi lesquels des artistes de renommée internationale comme Florence Lehmann, Géraldine Luttenbacher, Verena Sieber-Fuchs, ou Nathalie Decoster pour ne citer qu’eux, ainsi que 15 peintres et sculpteurs régionaux. Pour cette exposition, un partenariat a été réalisé avec la carrière des Roches Bleues à Saint Thibery : les bijoux réalisés par les créateurs seront pour moitié réalisés à partir de basalte provenant de la carrière. 

 **

Avec l’aimable participation de : Catherine Abrial (FR) — Vered Babaï (IL) — Brune Boyer (FR) — Yacob Bloch (IL) — Ève-Marie Boinay (FR) — Véronique Buri (FR) –  Sébastien Carré (FR) — Seliena Coyle (IRL) –  Marion Delarue (FR) — Marine Dominiczack (FR) — Clara Denidet (FR) –  Galit Einav (IL) –  Karen Gay (FR) — Sophie Hanagarth (FR/CH) — Joanne Grimonprez (FR) — Lia Kirel (IL) — Florence Lehmann (FR) — Noa Liran (IL) –  Emilie Losch (FR) – Ludmila F. (FR) — Géraldine Luttenbacher (FR) — Aude Medori (FR) — Astrid Meyer (FR) – Éliane Michel (FR) –  Agathe Saint Girons (FR) — Ilona Schwippel (CH) — Annie Sibert (France)  — Véronique Selleret (FR) — Verena Sieber-Fuchs (CH) – Dan Thévenaz (FR) — Yiumsiri Vantanapindu (FR) — Alix Tran (FR) — Inbar Shahak (IL)    

Sébastien Carré," Rancœur ", 2015 Collier sautoir, Coton, perles rocaille, Onyx, pellicule de filmSébastien Carré, » Rancœur « , 2015 Collier sautoir, Coton, perles rocaille, Onyx, pellicule de film « La douleur provoquée par la rancœur est due aux souvenirs, c’est donc naturellement que j’ai voulu retranscrire ce coté piquant par l’usage de la pellicule de film qui a permis de suspendre un instant alors devenu souvenir matérialisé. Je considère cependant que ce sentiment est une cage de laquelle nous pouvons tenter de nous échapper. Après tout ses barreaux n’ont pas l’air bien solide …« 

Sébastien Carré - "Le Bon Cœur " 2015  Brassière Broche, Cœur en Basalte, Laque Japonaise, Grenat, Onyx, Perles rocailles, bois, nacre & structure en coton perles rocaille et dentelle de nylonSébastien Carré – « Le Bon Cœur  » 2015  Brassière Broche, Cœur en Basalte, Laque Japonaise, Grenat, Onyx, Perles rocailles, bois, nacre & structure en coton perles rocaille et dentelle de nylon « Dans mon univers je choisis d’interpréter l’expression « un cœur de pierre » de façon positive. Celui qui portera dans son cœur (sentiments) une attention particulière pour les pierres saura reconnaitre sa propre place au sein d’un monde bien plus grand que sa portée personnelle. Le bon coeur dans notre société aura donc réussi à comprendre que nous devons nous éprendre de tout ce qui nous entoure pour commencer à apprécier ses semblables. » « Tant qu’il y aura des abattoirs il y aura des champs de bataille  » Léon Tolstoï

Marion Delarue - Cracheh I, réalisé en 2011, qui sera exposé à "noir... comme Basalte!"Marion Delarue – « Cracheh I », réalisé en 2011

Marion Delarue - expo "noir comme basalte" - Cosmic fusion, en basalte et porcelaine noire fusionnés Marion Delarue -   « Cosmic fusion », en basalte et porcelaine noire fusionnés

Marine Dominiczak - "Noyade au Cap d'Agde".  EXPO noir comme basalteMarine Dominiczak – « Noyade au Cap d’Agde »

Aude Médori -  - Collier "Anfractuosité de lave" (non porté) EXPO noir comme basalteAude Médori -  – Collier « Anfractuosité de lave »

Aude Médori - Symbolon de basalte  - EXPO noir basalteAude Médori - Symbolon de basalte

 Yiumsiri Kaï Vantanapindu - Clin d'oeil, 2015 Porcelaine noire,miroire, acier et tissuYiumsiri Kaï Vantanapindu -   « Clin d’oeil », 2015 Porcelaine noire,miroire, acier et tissu

 Yiumsiri Kaï Vantanapindu - Clin d'oeil, 2015 Porcelaine noire,miroire, acier et tissu Yiumsiri Kaï Vantanapindu – « Clin d’oeil », 2015 Porcelaine noire,miroir, acier et tissu

Yiumsiri Kaï Vantanapindu - "Éclipse", 2015 Basalte, porcelaine noire, acier et tissuYiumsiri Kaï Vantanapindu – « Éclipse », 2015 Basalte, porcelaine noire, acier et tissu

Annie Sibert  - bague "Pavage(s)" - EXPO Noir basalteAnnie Sibert  – bague « Pavage(s) » Vered Babai - EXPO "NOIR ... Basalte"Vered Babai pendants - Basalt, polymer and black pigment – About 6/5 cm

Sophie Hanagarth - NOIR comme BASALTESophie Hanagarth

Alix Tran - Collier en basalte, laiton et ruban de satin - NOIR BASALTE - Alix Tran – Collier en basalte, laiton et ruban de satin Alix Tran -   Collier, attaches de pin's, laiton recouvert de cuivre oxydé. NOIR BASALTE - Alix Tran -   Collier, attaches de pin’s, laiton recouvert de cuivre oxydé

Verena Sieber Fuchs - NOIR comme BASALTEVerena Sieber Fuchs

Lia Kirel - NOIR comme BASALTELia Kirel

Géraldine Luttenbacher -NOIR comme BASALTEGéraldine Luttenbacher

Geraldine LuttenbacherGéraldine  Luttenbacher

 Geraldine Luttenbacher

 Galit Einav (IL)   One "ethnic" piece "Enigma" necklace Galit Einav -   « ethnic » piece : « Enigma » necklace

 Galit Einav (IL) .    "Amulet"  neckpiece Galit Einav –   « Amulet »  neckpiece

Inbar Shahak - crochet basalt flowers - NOIR BASALTE exhibitionInbar Shahak – crochet basalt flowers

Inbar Shahak - crochet basalt flowers -detail -  NOIR BASALTE  exhibitionInbar Shahak – crochet basalt flowers -detail

Noa Liran ....Something new is sprouting Noa Liran ….Something new is sprouting

Noa Liran - noir comme basalteNoa Liran

nOIR COMME bASALTE - aGATHE sT gIRONSAgathe St Girons – pendentif & broche

 

 

Nouvelle Galerie de la Perle Noire
6, Place Molière – 34300 AGDE
Tél : 04.67.26.94.12
www.metiersdart.cahm.net
Horaires d’ouverture : Du lundi au samedi : 9 h -12 h /14 h – 18 h

24/06/2014

EXPO ‘METAMORPHOSE’ – galerie de la Perle Noire, Agde (FR) – 26 Juin-28 Sept. 2014

- exhibition that deals with feathers -
La nouvelle exposition organisée par le site des métiers d’art de la Communauté d’Agglomération Hérault Méditerranée met cet été en lumière le travail des artisans d’art sur le thème de la plume déclinée sous ses formes d’expression les plus diverses : costumes, bijoux, accessoires, sculptures, oeuvres peintes…
Vernissage le samedi 5 juillet à 19h, à la nouvelle galerie de la Perle Noire.
Photo de Vered Babai.
Collection Jean-Yves Le Mignot : Andi Arnovitz (Israël) — Vered Babai (Israël) — Jerémy Charlet — Camille Fischer –  Anna Fornari (Italie) — Aviv Kinel (Israël) — Lia Kirel (Israël) — Florence Lehmann (France) — Géraldine Luttenbacher (France) — Mat & Jewski — Flavia Eleonora Michelutti (Italie) — Maguelone Soulages — Agathe Saint Girons (France)
Vered Babai feather ringsVered Babai feather rings « l’envol des corbeaux »
Vered Babai feather ringsVered Babai feather rings
Vered Babai feather ringVered Babai feather ring
 
Galerie de la Perle Noire
6, Place Molière – 34300 AGDE – France
Tél : 04.67.26.94.12
Horaires d’ouverture :
Du lundi au samedi : 9 h -12 h /14 h – 18 h -

26/01/2014

EXPO ‘Telling Tales’ – Art House gallery, Mevasseret Zion (Israel) – 31 Janv.- 28 Fevr. 2014

« Telling Tales« , curated by Jennifer Navva Milliken & Yael Friedman -

Narratives in Contemprary Metal and Jewelry Art

The exhibition presents new works by 22 artists who work primarily in metals, silversmithing, or conceptual art jewelry. Participating artists responded to a curatorial call for artistic interpretations of the stories and fables that have shaped and influenced them. What happens when artists translate the world’s oldest tales into works of art ? The exhibition explores the role of fairy tales, legends, myths, and fables in shaping cultural mores and values, and the influence these time-honored narratives — ranging from the fantastical to the pedagogical to the sternly moralistic — have had on our contemporary existence.
exhibition "Telling Tales", curated by Jennifer Navva Milliken & Yael Friedman - 31 January 2014 in Mevaseret Zion, Yasmin st. 123 Israel. 22 artists are participating : Dina Abargil, Michal Oren, Yakov Bloch, Adar Goldferb, Anat Golan, Ohada Hay-gordon, Naama Haneman, Yasmin Vinograd, Edda Vardimon Gudnason, Daniel Zelig, Hadas Levin, Noa Liran, Sigal Meshorer, Noa Nadir, Shir Pins, Maayan Agmon, Lia Kirel, Dania Chelminsky, Merav Rahat, Kobi Roth, Yaron Shmerkin and Vered Babai

What happens when artists translate the world’s oldest tales into works of art? The exhibition explores the role of fairy tales, legends, myths, and fables in shaping cultural mores and values, and the influence these time-honored narratives — ranging from the fantastical to the pedagogical to the sternly moralistic — have made on our contemporary existence.

22 artists are participating :  Dina AbargilMichal Oren – Yakov Bloch — Adar Goldferb — Anat Golan –  Ohada Hay-gordon — Naama Haneman — Yasmin Vinograd — Edda Vardimon Gudnason — Daniel Zelig — Hadas Levin — Noa Liran — Sigal Meshorer — Noa Nadir — Shir Pins — Maayan Agmon-Kehati — Lia Kirel — Dania Chelminsky — Merav Rahat — Kobi Roth — Yaron Shmerkin – Vered Babai

 

Noa Liran's "Hansel and Gretl" .................Noa Liran‘s « Hansel and Gretl » is a solution to the design problem faced by Grimm’s infamous brother-sister team. Answering the curatorial call for interactions with non-precious materials, the artist meticulously wrapped popcorn with foil chocolate wrappers, protecting the make-shift trail markers from the hungry birds of the forest. As the pieces accumulated, Liran strung them together, continuing right up until the opening of the exhibition. Her work, as much about the tale it serves as it is about processes of inspiration and creation, illustrates parallels between storytelling and art-making

 Noa Liran http://interaliaprojects.com/wp-content/uploads/2012/09/noaliran-pop3.jpg Noa Liran « Hansel and Gretl »

anat golan White Steed 1  Anat Golan – « Off with Her Head, » from this series of 3 wearable medallions -
In her work for « Telling Tales, » Anat Golan investigated the tropes of the hero and the heroine in legends and fairy tales and found the gap between archetypal standards of character (particularly in female prototypes) and reality to be unsettlingly divergent. Identifying 2 heroines and a villainess based on their particular virtues and flaws, she created medals of honor for each; the resulting composite personality offers a more authentic portrait of an idiosyncratic contemporary heroine, who — like fairy-tale heroes — has overcome obstacles, suffered loss, and survived to tell the tale.
Daniel Zelig "Hansel & Gretel"  (exhibition "Telling Tales")Daniel Zelig « Hansel & Gretel »
Hadas Levin, "The Tin Man" (exhibition "Telling Tales")Hadas Levin, « The Tin Man »
Edda Vardimon Gudnason - For the Telling Tales exhibition -  illustration of The Red Shoes by H. C. Andersen
Edda Vardimon Gudnason, « The Red Shoes, » from the series « Hans Christian Andersen: Fairy Tales »
Copper, enamel (overglaze), Danish cotton string (photo: Nir Friedman)
Dania Chelminsky "EGG Ring" Eggshells, epoxy, gold leaf (photo: Dania Chelminsky)Dania Chelminsky « EGG Ring » Eggshells, epoxy, gold leaf (photo: Dania Chelminsky)


Art.Mevasseret gallery
Zion, Yasmin st. 123 Israel.
tel 052-6808606
art.mevasseret@gmail.com

31/08/2013

EXPO ‘A change of seasons’ – Galerie Hebert, Paris (FR) – 21 Sept.-13 Oct. 2013

Parcours du Bijou «Circuit Bijoux» – Paris – à partir de SEPT. 2013

De septembre 2013 à mars 2014

bannière Circuits Bijoux

« A change of seasons » exhibition will take place in Galerie Hebert, Paris, on September 21
The exhibition, composed of objects and photos, will last until October 13
 The exhibition is taking part of the ‘Circuts Bijoux’
"A change of seasons" exhibition will take place in Galerie Hebert, Paris, on September 21 The exhibition composed of objects and photos and will last until October 13  The Gallery address: 18 Pont Louis Phillippe st Wednesday-Sunday from 14:00-19:00  The exhibition is taking part of the 'Circuts Bijoux'
La Galerie Hebert confie son espace à Vered Babaï du 21 septembre au 13 octobre prochain.
L’exposition a pour titre «A change of seasons». Avec cette série de bijoux, Vered Babaï tente de capturer une impression, un sentiment, qu’évoque la nature en elle, notamment la beauté dénudée des arbres l’hiver, faite de stabilité et de la fragilité à la fois.
 Vered Babaï
Vered Babai : A Change of Seasons  A branches jewelry series that will be exhibit as well on "A Change of Seasons -  exhibition that will take place in Galerie Hebert, Paris, on September 21 The exhibition composed of objects and photos and will last until October 13  The Gallery address: 18 Pont Louis Phillippe st Wednesday-Sunday from 14:00-19:00  The exhibition is taking part of the 'Circuts Bijoux'Vered Babai  branches jewelry series

Fallen fibers from palm trees, leaves, and twigs are subjected to the same processes as metals in the hands of the artist, resulting in forms that are evocative and delicate yet surprisingly robust and tensile. The inherent qualities of the raw material, unmarred despite the artist’s technical manipulations, are revealed in natural forms that hark to simpler times and display a yearning for connections with nature, lost or interrupted over time.

Vered Babaï
Vered Babai  branches jewelry series
Vered Babai, Circuits, 2012  Photo: ©Vered Babai
Vered Babai - "a change of seasons"
Vered Babai – « a change of seasons » new serie of work
Vered Babai - "a change of seasons"
Vered Babai – « a change of seasons » new serie of work

Vered Babai - "a change of seasons"

Vered Babai – « a change of seasons » new serie of work

Vered Babai - "a change of seasons"
18 rue du Pont Louis Philippe
75004 Paris
Wednesday-Sunday from 14:00-19:00

01/05/2013

EXPO ‘Through Sources’ – Camões Instituto da Língua e Cooperação, Lisbon (PT) – 2 Mai-7 Juin 2013

Lisboa: Exposição “Por entre as fontes” (through sources), joalharia israelita contemporânea

As a member of the « Inyanim Group » Dana Seachuga (MA stud) will show some of her work at the exhibition « Through Sources » • Camões Instituto da Língua e Cooperação, Lisbon • 2 May – 7 June • Opening: 2 May, 6 pm.

As a member of the "Inyanim Group" Dana Seachuga (MA stud) will show some of her work at the exhibition "Through Sources" • Camões Instituto da Língua e Cooperação, Lisbon • 2 May - 7 June • Opening: 2 May, 6 pm.

about the « Inyanim Group »:
« The Inyanim Group operates in the fields of jewelry-making and jewelry design. Its aim is to create a platform of creative opportunity and legitimacy for the individuals within the group and within a wider social context.
Inyanim was formed by graduates of the two leading Israeli art and designschools, Bezalel and Shenkar which, while championing different, often opposing views regarding design and art, have much in common. The Inyanim Group seeks to influence the public discourse surrounding the role of design in society through the unique and underrepresented field of jewelry design.
The eleven members of the group meet regularly for a process of thinking, listening and creating – like rehearsals before a performance. In ongoing exhibitions, the group then displays its latest “harvest” of works, thus opening a window onto their creative process. »

Vered Babai –  Shirly Bar-AmotzRory HooperAviv KinnelGregory LarinTehila Levi-HyndmanMichal OrenKobi RothDana SeachugaDeganit Stern-Schocken Edda Vardimon-Gudnason

Gregory Larin 'hearts'Gregory Larin ‘hearts’ 

Gregory Larin 'hearts' (detail)Gregory Larin ‘hearts’ (detail of a neckpiece) Photo by Yoav Reinshtein

Dana Seachuga - série “Hunting for Vera”,Dana Seachuga – série “Hunting for Vera”

Dana Seachuga (MA stud.) • Brooch “Wing 250212” • From the series "Hunting for Vera" • 2012 • Glass shards, mother of pearl, silver, steelDana Seachuga – Brooch “Wing 250212” • From the series « Hunting for Vera » • 2012 • Glass shards, mother of pearl, silver, steel

Deganit Stern-Schocken  Necklace 2012  Silver, stainless steel, polystyreneDeganit Stern-Schocken  Necklace 2012  Silver, stainless steel, polystyrene

Shirly Bar-Amotz -  Brooch: From the series “Happy Days” 2012  Sterling silver, brass, Teflon plating, rhodium plating, zircon gems, epoxy resin  5.5 x 6x 3.2 cmShirly Bar-Amotz -  Brooch: From the series “Happy Days” 2012  Sterling silver, brass, Teflon plating, rhodium plating, zircon gems, epoxy resin

Edda Vardimon-Gudnason - 'copropalia' ringsEdda Vardimon-Gudnason – ‘copropalia’ rings

Edda Vardimon-Gudnason - 'copropalia' ringsEdda Vardimon-Gudnason – ‘copropalia’ rings … coprolite is fossils of animals dung ….

Vered Babai - 'circuits'Vered Babai – ‘circuits’

michal orenMichal Oren cube : brooch : 2010 / silver, paint and stainless steel

Rory Hooper 'boxes & cases'Rory Hooper ‘boxes & cases’

 

Camões – Instituto da Língua e Cooperação
Avenida da Liberdade, 270
Lisboa 1250-149
Portugal
icgeral@camoes.mne.pt
tel +351 213109100 /32/37/75/

15/08/2012

EXPO ‘Foreign body’ – Allenby 94, Tel-Aviv (IL) – 16-31 Aout 2012

« Foreign Body: Giving Jewelry a Second Look »

Foreign Body: Giving Jewelry a Second Look features the work of 15 Israeli jewelers who demonstrate an unfaltering commitment to individual expression through highly-developed techniques in jewelry-making. The works in the exhibition challenge traditional, mainstream attitudes toward this ancient practice with surprising investigations on scale, wearability, materials, and narrative or critical content, positioning the body as a locus for unfamiliar encounters between jewelry object and wearer

*

Shiri Avda, "The Mechanism of Reading," 2010-12Shiri Avda, « The Mechanism of Reading, » 2010-12

Merav O RothMerav O Roth

Edda Vardimon necklace via Gallery LoupeEdda Vardimon necklace

 

Allenby 94,
65813 Tel Aviv-Jaffa
info@interaliaprojects.com

https://www.facebook.com/foreignbodyexhibition

tel 00 972 54-744-2224

07/06/2012

EXPO ‘I am an Other’ – Eretz Israel Museum, Tel Aviv (IL) – 10 Juin-20 Nov. 2012

« I am an Other »

The sixth exhibit of Israeli jewelry deals with the perception of « the other self, » or the alter ego. Fifty-three artists participating in the exhibit set out on an inner journey, the process resulting in diverse expressions: virtuosic jewelry-makers who are usually meticulous in their work chose to free themselves of the constraints and make room for expression ; some used organic materials; some turned to figurative creation, thus giving the human form an expression of « the other self, » while other artists chose the abstract to convey biographical moments. Some preferred the multitude so as not to focus the idea of « the other self » on a single item, while others preferred simplification and catharsis. It appears that the majority of Israeli jewelry-makers do not wear the jewelry they create, and some wear no jewelry at all. For this exhibit they created jewelry for themselves.

Israeli Jewelry - Shenkar

« The selection of an abstract concept for this exhibition – Alter Ego (the Self as Other) — generated an extensive and riveting dialogue with participating artists. The process that resulted engendered layered and varied works that reflect the multi-faceted nature of this concept.  The underlying premise the artists were invited to consider was the notion that the ornamental artifact — an intimate object placed directly on the body — can represent parts of the Self, including its inverse or hidden elements.  The ornament also draws the gaze of others; the visual cues it offers subtly influence other forms of communication.
The roots of the term alter ego come from ancient Greek philosophy.  When Zeno of Cittium, founder of the Stoic school of Greek Philosophy, was asked, “what is a friend?” he responded: “allos ego,” that is, alter ego.  In a similar vein, Aristotle suggested that a friend should be treated like a second self.  Over time, the word ego came to mean “I” in Latin.  In the modern era, Sigmund Freud extended the word’s meaning when he defined it as a central element of the psyche.  The alter ego has been seen by psychology mainly as the inversion of the way the Self normally presents itself publicly.  But the notion remains vague and elusive.
The alter ego has many cultural expressions: in pop and rock music, where artists embody fictional figures through which they can present new and experimental musical content; in the world of Comics, where an everyday person turns into a superhero; in literature that deals with two sets of personalities within a single person, and more.  Philosophers discussed the alter ego in the context of reciprocal relations, and as part of the effort to understand the Self.  As it turns out, scientists have found that a “mirror neuron network” in the brain allows us to experience the Other’s gestures as though they were our own, so that observing others is an inseparable element of self-understanding.
After they were introduced to the varied cultural manifestations of the alter ego, the jewelry makers were invited to design a jewel that would reflect their own alter ego.  Some artists chose to shed the rigid discipline that characterizes their virtuoso work, and allowed chance to influence the artifact, suggesting an alter ego that is out of control; others chose a figurative image of a face or person meant to convey a miniaturized Self, or created prostheses and additions to the face, embodying aspects of the self that go unexpressed in daily life; several chose animals to convey the complex relation with the Other – an ally or a distant and threatening figure.  Others chose images suggesting motion, such as boats representing sailing from the exterior inwardly and vice versa.  Some artists worked with abstract forms generated from a clear, personal context, forms that permitted a different self to momentarily show through; others worked with round shapes that express the Yin Yang principle and with it the notion that we must harmonize the contradictory elements of the self.  Finally, several artists related to the written word or a writing implement as a way to represent either the Self or the alter ego.
It seems that the exhibition highlights the fact that jewel-craft – a realm of intricate detail – spans a great deal of conceptual space.  Jewelers contract entire worlds into physical artifacts measured in centimeters, but the variety of responses engendered in the vast arena surrounding a single idea is near infinite. » Nirith Nelson,  Curator


The participating artists are:  Merav Oster-RothMichal OrenBianca Eshel GershuniEla BauerVered Babai — Jakob Bloch — Shirly Bar-Amotz — Naama Bergman — Tal Gur — Lena Dubinsky — Nirit DekelEdda Vardimon Gudnason — Noga Hadad — Dana HakimAttai ChenDoron TaubenfeldMicha Yehieli – Shachar Cohen — Tehila Levi Hyndman — Hadas Levin — Gregory Larin — Leonie Philpot — Einat Primo — Gad Charny — Yaacov Kaufman — Ilan Korren — Vered KaminskiEsther Knobel — Doron Rabina — Reddish (Naama Steinbock & Idan Friedman) — Galya Rosenfeld — Kobi Roth — Ifia Rousak — Sivan ShoshanDeganit Stern Schocken

Merav OsterGraduated 2010Graduate WorkMerav Oster-Roth

Esther Knobel, Medals (EXPO Tel-Aviv )Esther Knobel,  Medals

Dana Hakim, My Four Guardian Angles (from the Blue Series) (EXPO Tel-Aviv)Dana Hakim, My Four Guardian Angles (from the Blue Series)

Vered Kaminski, untitled (EXPO Tel-Aviv)Vered Kaminski, untitled

Merav Oster Rot,  20% shipwreck (EXPO Tel-Aviv)Merav Oster Rot,  20% shipwreck

Tehila Levi Hindman - Subala (EXPO Tel-Aviv)Tehila Levi Hindman – Subala
Shirly Bar-Amotz, Wheat (EXPO Tel-Aviv)Shirly Bar-Amotz, Wheat

Bianca Eshel-Gershuni | ביאנקה אשל-גרשוני  Bianca Eshel-Gershuni – Earring, ca. 1980 – Shell, aluminum foil, feathers, metal, glass beads
Deganit Stern Schocken | דגנית שטרן שוקןDeganit Stern Schocken – Body piece, 1993 – Nickel silver, stainless steel, silver, paper, shell

  Gregory Larin | PhantomGregory Larin – Phantom

Attai chenAttai Chen

Google Erath Brooch by Kobi Roth    "Kobi Roth creates small landscapes, in a series of loose stains and figurative images. The foundation of his works allows an equal role in the manipulation of solder and raw materials used in traditional jewelry: gold, silver, precious stones, enamel, etc."Kobi RothGoogle Earth Brooch 

EINATPRIMOEinat Primo chains

wood_ring by Vered Babai - Jewellery from Tel AvivVered Babai  – wood ring

Angel Pendant by Edda Vardimon-Gudnason   (IL)  -   "Edda Vardimon-Gudnason works reflect the quest for equilibrium between contradictions: The incidental vs. the intentional; the emotional vs. the rational; enigma and ambivalence vs. a statement. Personal symbols, brought forth through a reductive process toward an abstraction that resemble the inspirational sources of nature."Edda Vardimon-Gudnason  – Angel Pendant

EXPO 'I am an Other' - Eretz Israel Museum, Tel Aviv (IL) - 10 Juin-20 Nov. 2012 dans Attai CHEN (IL)Michal Orenon the contrary (from the series “thinking about places”) : 2009 / oxidized silver

dekel_large2 dans Bianca ESHEL GERSHUNI (IL)

Nirit Dekel

Sivan Shoshan (IL) (Bezalel school)Sivan Shoshan

Micha Yehieli (IL)  http://www.michayehieli.comMicha Yehieli

Doron Taubenfeld (IL) - recycling collectionDoron Taubenfeld  – recycling collection ring

 

 

2 Haim Levanon St., Ramat Aviv, Tel Aviv 69975
mirit@eretzmuseum.org.il

 
BOOK
book_womanstales dans BOOKS / BIBLIO
Women’s Tales FOUR LEADING ISRAELI JEWELERS – The first comprehensive study of Israeli contemporary jewelry by focusing on careers of four of its leading women jewelers: Bianca Eshel-Gershuni, Vered Kaminski, Esther Knobel, and Deganit Stern Schocken. Text: Davira Taragin, AlexWard Helen W. Drutt English 128 pages, 80 color plates 2006, English
12