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05/03/2018

EXPO ‘‎Hidden curriculum’ – during the MJW 2018 – Atelier Cepissakova, Munich (DE) – 8-11 Mars 2018

 

« ‎Hidden curriculum »

Contemporary jewelry exhibition inside   Munich Jewellery Week  (7–10 March 2018)

Popeye loves Olive  Art Space hosts an exhibition platform during Munich Jewellery Week by inviting a group of 14 Greek artists to meet the Mexican artist Jorge Manilla and to develop a joint project on Hidden Curriculum, Identity and Proxemics. 

Opening: Thursday 08/03/18 @19.00 – 22.00

Popeye loves Olive‎ - Hidden curriculum*

Participating Artists:    Jorge Manilla – Aggelika Diplari – Aggelos Konstantakatos – Anna Vlahos – Antria Prasinou – Artemis Valsamaki – Erato Kouloubi – Ioli Livada –  Joanna Grigoriou – Liana Pattihis – Marina Zachou – Niki Stylianou – Xenia Deimezi – Yakinthi Oikonomou – Yiota Vogli

 

 » Hidden Curriculum*
The Hidden curriculum consists of teaching items which are not officially intended and developed by school and educational system. The educational authorities use the concepts of “hidden curriculum” and “invisible curriculum” to explain teachings and attitudes influenced by these implicit factors (Alavi, Abdollahi and Ahmadi, 2008).
With the intention to explore behaviors, perspectives and attitudes, that the participants adopt during their learning process, in an independent way outside of an institution.
For this exhibition we have decided to take the idea of a Hidden Curriculum and explore in a free but very careful way, issues like gender roles, morals, social class, stereotypes, cultural expectations and personal language.
According to the Austrian artist and architect Hundertwasser, we have five layers of skin. From the innermost to the furthest from the centre: Epidermis, Clothes, Houses, Identity and Earth. Each layer (skin) defines and interacts with the whole human entity.
According to Proxemics, we arrange objects and ourselves in relation to space as it makes us feel more or less comfortable. Individuals naturally maintain a separation that relates to environmental and cultural factors but also to social and interpersonal situations. One could say that proxemics is separated in Intimate, Personal, Social and Public Space/Skins. Moreover, all layers of Space/Skins interact, affect and define each other.
Most importantly, it should be underlined; the above studies claim that Identity is created by social interplay.
According to history, Jewelry serves as a primary means of conveying cultural values. Traditionally, jewels were seen as sacred and precious; however, from the beginning of the 20th century, jewelry has started to be objectified. Jewelry as a result of all human social interactions becomes a product of non-verbal communication.
The process, through which a piece of jewelry is created, is totally connected with the cultural and social background of each jewelry artist. From the selection of materials to the final product, it is needed that all different possibilities and perspectives of this act to be explored.
On the other hand, the viewer interacts both with the maker and the wearer of a piece of jewelry; as jewelry narrates stories and communicates feelings and Identities. 
By comparing fourteen Greek jewelry artists’ work in opposition to that of a Mexican artist and educator; this exhibition seeks to collect information on how hidden curriculum, proxemics and identity are expressed through jewelry.
What kind of space occupies the work of each artist? What kind of skin it represents? « 

 

HIDDEN CURRICULUM - Yiota Vogli Dialogue I Νecklace / Ruthenium plated bronze, alpaca, paper pulp, grains, oxidationsYiota Vogli Dialogue I Νecklace / Ruthenium plated bronze, alpaca, paper pulp, grains, oxidations

Yiota Vogli. Brooch: Dialogue, 2017. silver, alpaca, hand painted silver, paper pulp, acrylics, cotton.Yiota Vogli. Brooch: Dialogue, 2017. silver, alpaca, hand painted silver, paper pulp, acrylics, cotton.

Yakinthi Oikonomou Brooch: Veresé, 2017 Argentium silver, bronze, stainless steel. Photo by: Orestis RovakisYakinthi Oikonomou. Brooch: Veresé, 2017. Argentium silver, bronze, stainless steel.. Photo by: Orestis Rovakis.

HIDDEN CURRICULUM - Yakinthi Oikonomou Home sweet home Brooch / Argentium silver, stainless steelYakinthi Oikonomou Home sweet home Brooch / Argentium silver, stainless steel

Xenia Deimezi. Necklace: FEED ME, 2018. Latex, cotton and polyester thread, brilliant cut white diamond.. 70 x 10 cm. Photo by: Aimilia Balaska. From series: into existence.
Xenia Deimezi. Feed-me  Necklace / Latex, cotton & polyester thread, brilliant cut diamond  - Photo by: Aimilia Balaska. From series: into existence

HIDDEN CURRICULUM - Niki Stylianou. - Landscape #3 Necklace / Hand cut and hand stitched leather, thread, copper, pigments, patina
Niki Stylianou.   Landscape #3  - Necklace / Hand cut and hand stitched leather, thread, copper, pigments, patina  

Niki Stylianou Necklace: Mapping: traces made solid, 2017 Copper, bronze, pigments, patina, cord. Photo by: Niki StylianouNiki Stylianou - Necklace: Mapping: traces made solid, 2017 - Copper, bronze, pigments, patina, cord. - Photo by: Niki Stylianou

HIDDEN CURRICULUM - Antria Prasinou Ephemeral Body Neckpiece / Copper, rice paper, ink, silver, pigments, silk thread – avec Antria Prasinou.
Antria Prasinou. - Ephemeral Body - Neckpiece / Copper, rice paper, ink, silver, pigments, silk thread  

Antria Prasinou Brooch: Liberate the Senses, 2017 Copper, rice paper, ink, silver, pigments, silk thread. Photo by: Konstantinos KostopoulosAntria Prasinou - Brooch: Liberate the Senses, 2017 - Copper, rice paper, ink, silver, pigments, silk thread. - Photo by: Konstantinos Kostopoulos

Liana Pattihis Necklace: Shades of Black, 2017 Copper wire, silver chain, enamel. 89 cm Photo by: Liana PattihisLiana Pattihis - Necklace: Shades of Black, 2017 - Copper wire, silver chain, enamel. 89 cm  Photo by: Liana Pattihis

Erato Kouloubi. Brooch: Food Victim 1, 2018. Pasta, acrylics, epoxy, bronze.. 12 x 16 x 5 cm. Photo by: George Economopoulos. From series: Food Victim  Collection.
Erato Kouloubi Food Victim 1 Brooch / Pasta, acrylics, pigments, silver

Erato Kouloubi Brooch: Food Victim, 2018 Pasta, acrylics, pigments, silver. Photo by: Erato KouloubiErato Kouloubi - Brooch: Food Victim, 2018 - Pasta, acrylics, pigments, silver. Photo by: Erato Kouloubi

HIDDEN CURRICULUM - Aggelika Diplari Garden Brooches Wood, argentium silver, pigments, patina – avec Aggelika Diplari.
 Aggelika Diplari. - Garden  Brooches - Wood, argentium silver, pigments, patina 

Ioli Livada Brooch: Untitled, 2017-2018 Bronze, corn leaves, pigments, threads, sterling silver. Photo by: Fanis Logothetis

Ioli Livada  -  Brooch: Untitled, 2017-2018 - Bronze, corn leaves, pigments, threads, sterling silver. Photo by: Fanis Logothetis

Ioli Livada Brooch: Imaginary Flowers 5, 2018 Bronze, corn leaves, pigments, threads, sterling silver.Ioli Livada - Brooch: Imaginary Flowers 5, 2018 - Bronze, corn leaves, pigments, threads, sterling silver.

Joanna Grigoriou Fragments 3 Brooch / Wood, resin, pigments, stainless steel

Joanna Grigoriou Fragments 3 Brooch / Wood, resin, pigments, stainless steel  

Anna Vlahos Meander 1 Brooch / Sterling silver, stainless steel
Anna Vlahos Meander 1 Brooch / Sterling silver, stainless steel

Artemis Valsamaki Brooch: Keep the Faith, 2017 Copper, silver, acrylic paint. Photo by: Alexis KamitsosArtemis Valsamaki - Brooch: Keep the Faith, 2017 - Copper, silver, acrylic paint. - Photo by: Alexis Kamitsos

 

HIDDEN CURRICULUM - Jorge Manilla Insides  Brooch / Wood, cochayuyo, copper steelJorge Manilla - Insides  Brooch / Wood, cochayuyo, copper steel

Jorge Manilla Object: Untitled, 2018 Cochayuyo, rubber. Photo by: Christian TvibergJorge Manilla  Object: Untitled, 2018 - Cochayuyo, rubber. - Photo by: Christian Tviberg

 

 

 
Atelier Cepissakova 
Ligsalzstrasse 29
80339 Munich / München, Deutschland
- Thursday 08.03.18 [10.00 – 17.00]
OPENING: 19.00 – 22.00
- Friday 09.03.18: [10.00 – 18.00]
- Saturday 10.03.18 [10.00 – 13.00]
- Sunday 11.03.18 [11.00 – 16.00]Contact:
Erato Kouloubi
eratokosmima@yahoo.com
+30 6944871569http://www.munichjewelleryweek.com/event/hidden-curriculum/

11/12/2016

EXPO ‘(Lost) Paradise’ – Alliages, Lille (FR) – 10 Dec.2016 –21 Janv.2017

an exhibition of contemporary jewellery & ceramics proposed by Alliages from Dec. 10th 2016 to Jan. 21st 2017.

Artificial, inanimate, painful, lost … Where is your paradise ?

The opening of the exhibition will be held on Friday Dec. 9th, 2019 at 6 PM

Alliages - (Lost) paradise - dec 2016:

 

Showing works of   Ana Garcia MoyaAnke HuybenCaterina ZancaChing-Ting YangClaudia Steiner Xenia Deimezi – Eero Hintsanen — Eleanor Symms — Emmanuelle Durand — Fabienne Christyn — Gabriela Secarea — Hebe ArgentieriHeidemarie HerbHelmi Lindblom Isabelle BusnelIzabella Petrut Juan Riusech Kristin Beeler — Lucy Morrow — Ludmilla Buga — Mabel PenaMar SanchezMargarita AlonsoMartina Dempf Michelle Kraemer — Nadine Smith — Nanna MellandNicole SchusterPhilip Sajet Rodrigo AcostaRosa BorredáSébastien CarréSelma LealSergio e Stefano Spivach – Sònia Serrano — Victoria IoannidouViktoria Münzker Wiebke Pandikow – Ying Chen.

 

(Lost) Paradise, with Ying Chen(Lost) Paradise, with Ying Chen
« As a jewellery artist, I believe my work is the bridge connecting myself with the outside world, which shows my thoughts, inner feeling and philosophy. What reflect on me from outside? How do I reply to it? I address my answers by making the questions tangible and personal. Fortress Besieged is one of my projects. The whole project is about my thought and feeling of the renovation in my city. “Shikumen”, the typical kind of buildings in Shanghai which I used to live, has been replaced by high-rises. I can not help but doubt, whether the demolition of Shikumen is necessary. Shikumen is like a paradise of all the memories from dwellers who have spent most of their time in Shikumen. However, their opinion was neglected. My work shows my inner struggle and sadness in the journey of finding the right answer. »

(Lost) Paradise, with Selma Leal  (Lost) Paradise, with Selma Leal 
« The piece ‘Danger… woodworm!’ it is part of the exhibition ‘Life in the Urban Paradise’ , which was born from a previous collection, ‘Cities’. Nowadays, urban parks and public gardens are a safe haven. They are green areas where we can relax and recover the energy we nees for life. This piece is a subtle critique our society, because I think the man is the woodworm of the planet. Love the planet is to love ourselves. »

(Lost) Paradise, with Victoria Ioannidou (Lost) Paradise, with Victoria Ioannidou.
« Ominus, Pesimistic,Disapointing, contradicting,negative messages deprive the oxygene from our little but important beings.. However there is a small spark of hope far away that fills our dull lifes with color and light. My own paradise is my concern to strengthen the spark ,prevent and restrain the evil.. »

(Lost) Paradise, with Viktoria Münzker(Lost) Paradise, with Viktoria Münzker
« Breathless attention fills two parts of a complex called life. Tenderness and violence, love and hate, harmony and conflict, birth and death, heaven and hell. The emotional side of my work is based on my personal experiences. Suggestions for the creation of Paradise were my emotional forces, experiences and mental images. Paradise – Garden of Eden from that we were expelled forever, and what we must now create alone. This term, in old Sumerian « Adina » – Garden means a place that seemed to be fruitful… Did we lost it? This land is real, it is an another dimension in this world, the real paradise can’t be lost. It is inside of us. If we believe that we are a part of it, there will always be a place that we call paradise. Jewellery is my art to show the world my own inner self, the inner world where I feel safe and beautiful. It’s the inner paradise that survives only with our power. »

(Lost) Paradise, with Caterina Zanca(Lost) Paradise, with Caterina Zanca
« My paradise is a small space rediscovered in the middle of a chaotic reality, tended to the geometric and formal. A non-enclosed space, but yet communicative with new points of view from different perspectives. Apparently aseptic but a generator of light, ideas, energy, thus of a new life! Il mio paradiso è un piccolo spazio ritrovato fra una caotica realtà, teso alla pulizia geometrica e formale. Uno spazio non chiuso, ma comunicativo di nuovi punti di vista, di diverse prospettive. Apparentemente asettico ma generatore di luce, idee, energia, dunque di nuova vita! »
(Lost) Paradise, with Sergio Stefano Spivach(Lost) Paradise, with Sergio Stefano Spivach
« The Archangel into pieces / THE BODY, THE HEART, THE WING The falling Archangel, crashing into pieces, is the metaphor of man who is walking on a road paved of self-destruction. Falling on lost paradise, The Archangel crashes into pieces: his heart moves from the body in order to survive – aware that his own wing will lead himself safe. On the contrary, the body will wear down gradually. The stone we have used for creating the three parts of The Archangel testifies, with its color and its porosities, the consequences of its own closeness with the human being. »

(Lost) Paradise, with Nanna Melland(Lost) Paradise, with Nanna MellandLost Paradises. In 1977 Bob Marley sang; “Exodus, movement of Jah people!” His words could not fit better for the situation of refugees today. Masses of people in a seemingly endless flow, leaving their home country in search of a better future somewhere else. Paradise lost. Paradise search. I chose to work with the suitcase as an object of our time. A time of flux, of movement, of wanted and unwanted journeys. It can be disturbingly absent or disturbingly present. For the exhibition Lost Paradises, I present a serie of rings called Suitcaserings. Cast in bronze in the lost wax technique, coloured afterwards. You need strength to wear and balance these heavy skin coloured Suitcaserings on your hand, A strong grip to get by in this world of suffering. Of Lost Paradises. »

Sebastien Carré - Lost Paradise(Lost) Paradise, with Sébastien Carré
« Just imagine… Living in a world in which we would not have destroyed our relationship to nature. In which, the society, the moral, the value or our belief would not have put us in a virtual cell. A world of difference, of similarity, of ambiguity but after all isn’t it what is making a more interesting world. Vegetation, Animal, and Mineral are all combined in objects reminiscent of organic forms, the shape of the central figure in all form of shamanism around the world, the Tree that connects us all together. Mixing materials in order to create a symbolic life in an object by using interactive mediums allows me to wake up a body which tends to be more insensitive due to an over-communicativity of society. Let’s hope for a world with more shamanism, more bound between all living forms. Let’s Cherish the diversity in our small world, being together is already a treasure. »

Rosa Borredá -  Lost paradise(Lost) Paradise, with Rosa Borredá
« LOST CIVILIZATIONS Accumulation of different objects left over the centuries that are worn, eroded by time. Ancient architectures with traces of gold leaf and polychromy. Lush vegetation but withered at the same time. Paradise and decay, everything has a place in the lost and imaginary paradises. »

(Lost) Paradise, with Claudia Steiner(Lost) Paradise, with Claudia Steiner
« The earth as the ideal for a happy and content existence, with indescribable natural beauty. Is this still true? This is not the case anywhere in the world. It is precisely our time that makes us doubt whether or not this is indeed true. Everyone has their own ideas of paradise and can explore it in a variety of ways. Sometimes with the look at hidden details sometimes viewed at large. The contrasts of geometric lines and round forms, the uneven surface, reflect the contrasting variety of our earth. The way to the personal paradise in life is different and sometimes requires detours, means unevenness in the life cycle – one up and down – in order to somehow have found his personal ideal of a happy and content life. Not everything is at first sight recognizable as such, some « paradise » requires a longer confrontation with it and will only be discovered in small. »

(Lost) Paradise, with Rodrigo Acosta(Lost) Paradise, with Rodrigo Acosta
« Deconstruct to build again. Giving a new shape to the existent object. Building your space, your place, your habitat, your paradise. Find back your lost paradise. »

(Lost) Paradise, with Xenia Deimezi(Lost) Paradise, with Xenia Deimezi
“The youth love, Pure and unconditional, almost dreamy, full of emotions and passion but also temporary. Now kept as a memory, idealized and distant. My beautiful secret (lost) paradise.”

(Lost) Paradise, with Michelle Kraemer(Lost) Paradise, with Michelle Kraemer
« Up and above in a far away land exploring an unreachable world dreaming of landscapes and possibilities… unreachable but with imagination so close yet so far that’s where I want to go… to be among these ethereal, ephemeral entities to touch them, to make them mine to materialize them into my own imagined reality »

(Lost) Paradise, with Philip Sajet(Lost) Paradise, with Philip Sajet
« paradise is nothing other than time passing sense that we realize that as time passes »

(Lost) Paradise, with Heidemarie Herb(Lost) Paradise, with Heidemarie Herb
« Since some years I’m working on the collection « time ». Keys are like magic tools, they open and close doors,diaries, treasures….they preserve secrets, memories and thoughts. You can meet positive or negative feelings…once again this opposites are attractions in my work. »

(Lost) Paradise, with Fabienne Christyn(Lost) Paradise, with Fabienne Christyn
« I’ll go sleep in the white paradise Where the nights are so long that we forget the time All alone with the wind As in my childhood dreams I will go running in the white paradise Far from the looks of hatred And fighting blood Find whales Talking to silverfish Like, like, like before M.Berger »

(Lost) Paradise, with Nadine Smith(Lost) Paradise, with Nadine Smith
« I live in Wellington and work part time as an artist and nurse. Caring for others has developed my fundamentally humanist philosophy. Fueled by this and the fragility of life, pieces often reference the relationship we have with the developing technological world and how this creates possibilities for enhancement or re-creation of our environment, our lives, even ourselves. Being an avid recycler with magpie tendencies and an active imagination lends itself to a diverse range of work. Medical and other recycled paraphernalia when used out of context can create a tension between the familiar and the unknown. The works aim to intrigue, inviting the audience to reflect and make connections from their own life experiences. »

(Lost) Paradise, with Eleanor Symms(Lost) Paradise, with Eleanor Symms
« Demolition Neckpiece This piece is made using found electrical components gathered at the beach beside Cockenzie coal-fired power station, along the coast from my home. The power station, which dominated the coastline since the 1960s, was demolished in 2015. It was the cause of much pollution, changing the nature of the coastline, creating miles of new land with infill of the spoil it generated and leaving huge ‘lagoons’ of fly ash, some of which are now reserves for birds and wildlife. The power station destroyed a wild, natural coastal habitat, but nature is slowly reclaiming the site. In using found plastic components from the site, which have been sea and weather-worn in combination with silver and opals, I aim to question notions of preciousness and disposability. »

(Lost) Paradise, with Mar Sanchez 2016(Lost) Paradise, with Mar Sanchez
« Return to origin. We yearn for happiness, seek peace, love. And, generally, we seek outside ourselves. I suspect none of this depends on external circumstances. My heart tells me that the lost paradise is inside me, waiting to be found. »

(Lost) Paradise, with Wiebke Pandikow(Lost) Paradise, with Wiebke Pandikow
« Without the ubiquitous plastic our civilization could hardly have become what it is today, but at the same time it is a burden on the environment with far-reaching consequences. Especially plastic bags are an obvious symbol for mindless consumerism and a throw-away society. This makes them so interesting for me to work with, to create from them, with the help of a clothes iron and a soldering iron, textures and structures that recall forms of the natural world which we have set ourselves apart from. Hand-formed leaves form lush necklaces, but they can only ever be pale images of the real thing. We feel safe with plastics, at home and comfortable in our modern paradise of artificiality. But it is the natural world around us which is the real paradise, in danger of becoming a paradise lost. »

(Lost) Paradise, with Mabel Pena(Lost) Paradise, with Mabel Pena
« My natural paradise, my oasis, flows the meandering waters of the Parana River Delta. I find no better place to muse about life and to relax than when I am rowing my boat in this maze of water and rainforest. Every concern or fear seems to vanish while I row my way through this cluster of islands. Nature in all its glory to admire: golden water, green trees and vines and colorful birds. This brooch illustrates the landscape of this Delta, its colors and textures, and the feelings it arises in me. »

(Lost) Paradise, with Isabelle Busnel   (Lost) Paradise, with Isabelle Busnel
« Black jewellery is often associated with mourning jewellery. This collection is inspired by Victorian jewellery and relates to any loss in life, or in Paradise… »

(Lost) Paradise, with Helmi Lindblom(Lost) Paradise, with Helmi Lindblom
« Fruitfully Yours, extinction With this work I focus on today’s paradox: simultaneous population growth and entering the sixth mass extinction. Jewelry from Extinction are silent in comparison to their colorful opposites (Fertility) like extinction is silent in comparison to birth. With color contrast from black balloons I want to put forth the feel of fading away. « 

 

ALLIAGES
ESPACE APACE:ART
111, Bd. Victor Hugo
F-59000 LILLE
Horaires : Mo/Fri : 10-13h & 14-17h – Sa : 10-12h & 12h30-16h30
www.alliages.org
+33(0)3.30.52.68.30

 

 

 

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14/07/2016

BUT …. Xenia Deimezi can also be a SUMMER BLUE DREAM !

Classé dans : COUP DE COEUR,Grece (GR),KRAMA (GR),Xenia DEIMEZI (GR) — bijoucontemporain @ 0:26

Xenia Deimezi, GREEK Chapels for a (GREEK) SUMMER BLUE DREAM
« I live and work in Athens. My work is deeply based in feelings and the sentimental memory of people, expressed through several conceptual art fields and many different ways and actions. »
« The emotion is the feeder of expression. The experiences that engender emotion are the cause of expression, they define us. Another one is the need. Need to communicate. Need for understanding of our own self. This procedure no matter how long it lasts, even it is continuous or automatic and instant, needs immediacy, purity and sincerity.
Nothing is accidental so! Everything happens for a reason.
All communicate! »

Xenia Deimezi 15 juin 2017 -  Greek chapelsXenia Deimezi 15 juin 2017 -  Greek chapels (Aegean island Antiparos)

Xenia Deimezi 15 juin 2017 -  Greek chapels - charmsXenia Deimezi aout 2015 -  Greek chapels – charms/pins (alpaca,color,resin,clay,thread)

Xenia Deimezi 15 juin 2017 -  Greek chapelsXenia Deimezi 15 juin 2017 -  Greek chapels (Aegean island Antiparos)

 Xenia Deimezi 15 juin 2017 -  Greek chapels - charmsXenia Deimezi 15 juin 2017 -  Greek chapels – charms/pin (gold 18k,clor,resin,rubber)

Xenia Deimezi 15 juin 2017 - Krama - Greek chapels: Xenia Deimezi 15 juin 2017 – Krama – Greek chapels

Xenia Deimezi 15 juin 2017 -  Greek chapels - charmsXenia Deimezi 15 juin 2017 -  Greek chapels – charms

Xenia Deimezi 15 juin 2017 -  Greek chapels - charmsXenia Deimezi 15 juin 2017 -  Greek chapels – pendants

Xenia Deimezi 15 juin 2017 -  Greek chapels - charmsXenia Deimezi -  Greek chapels – pendants – aout 2015 (alpaca,color,resin,clay,thread)

Xenia Deimezi -  Greek chapels  Xenia Deimezi -  Greek chapels 

Xenia Deimezi  -aout 2015 -  Greek chapels  Xenia Deimezi  -aout 2015 -  Greek chapels

Xenia Deimezi  -aout 2015 -  Greek chapels - pin (alpaca,color,resin)Xenia Deimezi  -aout 2015 -  Greek chapels – pin (alpaca,color,resin)

Xenia Deimezi 15 juin 2017 -  Greek chapels - necklacesXenia Deimezi  aout 2015 -  Greek chapels – necklaces/pendants

Xenia Deimezi 15 juin 2017 -  Greek chapelsXenia Deimezi 15 juin 2017 -  Greek chapels

Xenia Deimezi 15 juin 2017 -  Greek chapels - charmsXenia Deimezi 15 juin 2017 -  Greek chapels – charms/pins

Xenia Deimezi 15 juin 2017 -  Greek chapels - charmsXenia Deimezi 15 juin 2017 -  Greek chapels – charms

Xenia Deimezi - aout 2015 -  Greek chapelsXenia Deimezi – aout 2015 -  Greek chapels

Xenia Deimezi - aout 2015 -  Greek chapels pendants,  (alpaca,color,resin,clay,thread)Xenia Deimezi - aout 2015 -  Greek chapels pendants,  (alpaca,color,resin,clay,thread)

Xenia Deimezi 15 juin 2017 -  Greek chapelsXenia Deimezi 15 juin 2017 -  Greek chapels (Aegean island Antiparos)

Xenia Deimezi aout 2015 -  Greek chapels -pin  (alpaca,color,resin)Xenia Deimezi aout 2015 -  Greek chapels -pin  (alpaca,color,resin)

Xenia Deimezi :- ξωκλήσια - - greek chapels - / brooches - mars 2015Xenia Deimezi :- ξωκλήσια – - greek chapels – / brooches/pins/charms – KRAMA school -   architecture – « chapels » copper, alpaca, acrylics, resin, rubber

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12/07/2016

Xenia Deimezi, in a PINKY GREEK world…. Ooouch!!!! she says !

Classé dans : DECOUVERTE,Grece (GR),www Klimt02,Xenia DEIMEZI (GR) — bijoucontemporain @ 0:40

Xenia Deimezi, born in Athens Greece.
« I live and work in Athens. My work is deeply based in feelings and the sentimental memory of people, expressed through several conceptual art fields and many different ways and actions. »
« The emotion is the feeder of expression. The experiences that engender emotion are the cause of expression, they define us. Another one is the need. Need to communicate. Need for understanding of our own self. This procedure no matter how long it lasts, even it is continuous or automatic and instant, needs immediacy, purity and sincerity.
Nothing is accidental so! Everything happens for a reason.
All communicate! »

 

education
                _     Metalsmithing and jewelry design at MOKUME school, Athens, Greece.
                 _     Interior Design at Public School of designers, Athens, Greece.
                _     Studies at Krama Institute of Contemporary jewelry,
                       instructors: Poly Nikolopoulou, Yiannis Siotis

 

Xenia Deimezi  - ----- 'Ooouch!!!!brooch 2'----  OOOUCH!!!! How can it be worn... Pull what you wear, your external appearance for a while.... lift your coverage. This is a way out! This is life! Pinned it and keep it so... . Remember you've made a start. You left a hole your pain to drip.... With pain? It may be! - photo:Aimilia Balaska: Xenia Deimezi  – —– ‘Ooouch!!!!brooch 2′—-  OOOUCH!!!! How can it be worn… Pull what you wear, your external appearance for a while…. lift your coverage. This is a way out! This is life! Pinned it and keep it so… . Remember you’ve made a start. You left a hole your pain to drip…. With pain? It may be! – photo:Aimilia Balaska

Xenia Deimezi Brooch: hole in a hole, 2015 Bronze, steel, color, resin 2 x 0.7 x 28 cm Photo by: Balaska Aimilia From series: Ooouch!!!!: Xenia Deimezi Brooch: hole in a hole, 2015 Bronze, steel, color, resin 2 x 0.7 x 28 cm Photo by: Balaska Aimilia From series: Ooouch!!!!

Xenia Deimezi Brooch: Ooouch!!!!Brooch '0, 2015 Bronze, steel, color, resin 10 x 2.5 x 16 cm Photo by: Balaska Aimilia From series: Ooouch!!!!: Xenia Deimezi Brooch: Ooouch!!!!Brooch ’0, 2015 Bronze, steel, color, resin 10 x 2.5 x 16 cm Photo by: Balaska Aimilia From series: Ooouch!!!!

 

 

Xenia Deimezi Earrings: holes, 2015 Bronze, silver, color, resin 1.3 x 0.9 x 10 cm - 2.5 x 0.9 x 13.7 cm Photo by: Balaska Aimilia From series: Ooouch!!!!: Xenia Deimezi Earrings: holes, 2015 Bronze, silver, color, resin 1.3 x 0.9 x 10 cm – 2.5 x 0.9 x 13.7 cm Photo by: Balaska Aimilia From series: Ooouch!!!!Xenia Deimezi - “the procedure” Οbject Leather, fabric, sandpaper, duct tape, plastic net, plastic sheet silicone, iron nails  Athensjewelryweek #2016 #AJW #XeniaDeimezi: Xenia Deimezi – “the procedure” Οbject Leather, fabric, sandpaper, duct tape, plastic net, plastic sheet silicone, iron nails  Athensjewelryweek #2016

Xenia Deimezi Necklace: Jar, 2015 Soft plastic, cotton cords, resin 10.5 x 8 x 58 cm Photo by: Balaska Aimilia: Xenia Deimezi Necklace: Jar, 2015 Soft plastic, cotton cords, resin 10.5 x 8 x 58 cm Photo by: Balaska Aimilia

 

Xenia Deimezi Necklace: fair issue 4, 2012 Leather, plastic, fake eyelashes, latex, silver, resin 21 x 1.5 x 51 cm Photo by: Balaska Aimilia From series: the vanity fair thing: Xenia Deimezi Necklace: fair issue 4, 2012 Leather, plastic, fake eyelashes, latex, silver, resin 21 x 1.5 x 51 cm Photo by: Balaska Aimilia From series: the vanity fair thing

  Xenia Deimezi Necklace: vanity fair issue 2, 2012 Silver, black diamonds brilliant cut, plastic plate, fake hair, latex, fake pearls 12 x 6 x 45 cm Photo by: Balaska Aimilia From series: the vanity fair thing: Xenia Deimezi Necklace: vanity fair issue 2, 2012 Silver, black diamonds brilliant cut, plastic plate, fake hair, latex, fake pearls 12 x 6 x 45 cm Photo by: Balaska Aimilia From series: the vanity fair thing

 

 and because a little of BLACK doesn’t hurt …..

Xenia Deimezi - 'Ooouch !!!!' brooch 3Xenia Deimezi – ‘Ooouch !!!!’ brooch 3 -  Sand paper, silicone, thread, resin, steel
12 x 3 x 12.5 cm -  Photo by: Balaska Aimilia – From series: Ooouch!!!!

 

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03/07/2016

From Greece, I keep an EYE on you !!

charms, Fylaxta (amulets), ex-votos, little chapels, good luck evil eyes …… ALL for bringing you LUCK !
YES ! we are in Greece ……..
and I think of you, all my dear Greek jewellers, during the AJW !

 Greek lucky blue eye keychain Greek lucky blue eye keychain

 "ceramic jewellery Dora Haralambaki" - juin 2016 - Marita Amanatidou PhotographyDora Haralambaki ceramic jewellery  – juin 2016 – Marita Amanatidou Photography

Tree in Blossom - Nefeli Karyofylli - necklace: « Tree in Blossom » / Nefeli Karyofylli – necklace detail

Sofia Zarari Lucky charm  Sofia Zarari Lucky charm

 Victoria Ioannidou, 2015 ,rings,bronze ,silver,burnt acrylics, oxidation.Series "EYE see you": Victoria Ioannidou, 2015 ,rings,bronze ,silver,burnt acrylics, oxidation.Series « EYE see you »

Nefeli Kariofilli /"Tree InBlossom" broochNefeli Kariofilli / »Tree InBlossom » brooch

"Glancing" / necklace bronze, paper mache, acrylics,plastic comb, rubber, silc wire, felt – by Maria Koutmani. - KRAMA: Maria Koutmani (KRAMA school) – « Glancing » / necklace bronze, paper mache, acrylics,plastic comb, rubber, silc wire, felt

 

Maro Vasiliadou - Necklace (2014). Photo by Contemporarty.com: Maro Vasiliadou - Necklace (2014). Photo by Contemporarty.com – Greek ex-votos

Maro Vasiliadou: Maro Vasiliadou - ex-votos brooch

 Eleftheria Spantidaki - Fylaxta means Amulets Colored wire, silk fabric, glass beads  http://www.the2astudio.com/: Eleftheria Spantidaki – Fylaxta (means Amulets) Colored wire, silk fabric, glass beads

Xenia Deimezi Necklace: greek chapels, 2015 Alpaca, clay, resin color, cotton thread 2.5 - 4.5 x 0.5 - 0.7 x 3.5 - 5.5 cm Photo by: Kazaglis Spiros: Xenia Deimezi Necklaces : greek chapels, 2015 Alpaca, clay, resin color, cotton thread 2.5 – 4.5 x 0.5 – 0.7 x 3.5 – 5.5 cm Photo by: Kazaglis Spiros 

 Xenia Deimezi. Brooch: greek chapels, 2015. Alpaca, color resin, plastc. 1.5 - 3 x 1.5 x 4 - 7 cm. Photo by: Kazaglis Spiros.: Xenia Deimezi. Brooch: greek chapels, 2015. Alpaca, color resin, plastc. 1.5 – 3 x 1.5 x 4 – 7 cm. Photo by: Kazaglis Spiros

 Poly Nikolopoulou - 2013 Charm. Necklace: Poly Nikolopoulou – 2013 Charm. Necklace

 Loukia Richards -  Stitch 'n bitch, avril 2011  @ The Theoharakis Foundation, Athens.  I will embroider a few 'talismanic brooches' during the meeting, so if you are curious to find out what I stuff them with, this is your chance.: Loukia Richards -  Stitch ‘n bitch, avril 2011  @ The Theoharakis Foundation, Athens.  I will embroider a few ‘talismanic brooches’ during the meeting, so if you are curious to find out what I stuff them with, this is your chance.

 

 

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28/06/2016

EXPO (during AJW) ‘Art+Jewelry : Intersecting Spaces’ – Melanithros art space, Athens (GR) – 29 Juin-3 Juillet 2016

ATHENS JEWELRY WEEK 2016

*

Group exhbiiton Art + Jewelry : Intersecting Spaces, Athens Jewelry Week

Opening 29/6/2016 @ 19h

Melanithros (art space) Group exhbiiton Art + Jewelry : Intersecting Spaces, Athens Jewelry Week, Opening 29/6/2016,Melanithros (art space)

 

25 selected Greek jewelry designers meet in a common ground aiming to push the boundaries and expand their action, considering jewelry as an Art form.

ARTISTSAggelika DiplariAnastasia KandarakiAntria PrasinouAngelos KonstantakatosAngelica KomisArtemis ValsamakiCorinna KoutouziDemitra ThomloudisDespina PantazopoulouDora HaralambakiEfharis AlepidisElisavet MessiErato KouloubiEvangelia DimitriouIoli LivadaIro KaskaniKaterina GlykaLiana PattihisMarina ZachouNicole PolentasRevekka Moustaki ZeiVictoria IoannidouVivi TouloumidiXenia DeimeziYiota Vogli

  Dora Haralambaki - UNTITLED -  Necklace -  Porcelain, threads, pearls, bronze, acrylics.Dora Haralambaki – UNTITLED -  Necklace -  Porcelain, threads, pearls, bronze, acrylics. Aggelika Diplari  brooch  LOSS [IN A POSITIVE WAY].  Brooch. Wood, agentium silver,acrylics, stainless steel. Aggelika Diplari  brooch  LOSS [IN A POSITIVE WAY].  Brooch. Wood, agentium silver,acrylics, stainless steel

 AnastasiaKandaraki_Living-Ruins-VI_ring Anastasia Kandaraki -  LIVING RUINS VΙ  – Ring – K14 yellow gold, oxidized sterling silver

 ANDRIA-PRASINOU  WHEN I LOST MY PETALS I SAW MY TRUTH  Neckpiece. Βronze, rice paper, resin, acrylics. ANDRIA PRASINOU-  WHEN I LOST MY PETALS I SAW MY TRUTH – Neckpiece. Βronze, rice paper, resin, acrylics.

  Angelos Konstantakatos - DIFFERENCES  Brooch. Mushroom, oxidised silver, resins, colour. Angelos-Konstantakatos   DIFFERENCES – Brooch – Mushroom, oxidised silver, resins, colour

Artemis Valsamaki - THE TEMPLE OF HUMAN ANATOMY  Pendant. Copper, silver, acrylic paint.Artemis Valsamaki – THE TEMPLE OF HUMAN ANATOMY  Pendant. Copper, silver, acrylic paint

Demitra Thomloudis _VIENTO_BLOCK 1 &2  Brooches. Cement, steel, resin, paint, nickel silver, pigment. Cast, fabricated.Demitra Thomloudis -VIENTO_BLOCK 1 &2  Brooches. Cement, steel, resin, paint, nickel silver, pigment. Cast, fabricated

Despina Pantazopoulou  - ARSIS-THESIS  Brooch. Silver 925. Hand fabricated, pierced.: Despina Pantazopoulou  – ARSIS-THESIS  Brooch. Silver 925. Hand fabricated, pierced

Efharis Alepedis |Black and White [necklace] Leather, coral, 18 K yellow gold. Constructed, assembled.: Efharis Alepedis |Black and White [necklace] Leather, coral, 18 K yellow gold. Constructed, assembled

Elisavet Messi - IONMES  Statement necklace. Recycled silver (925), fabric. Entaglement. Compression.Elisavet Messi – IONMES  Statement necklace. Recycled silver (925), fabric. Entaglement. Compression

Erato Kouloubi - MONOMOLECULAR  Neckpiece. Tar, bronze, pigment, plastic bag.Erato Kouloubi – MONOMOLECULAR  Neckpiece. Tar, bronze, pigment, plastic bag

 Evangelia Dimitriou - SUBVERSION Brooch. Bronze, plaster, colour. Evangelia Dimitriou - SUBVERSION Brooch. Bronze, plaster, colour

Ioli Livada - SOUL  Brooch. Sterling silver rhodium plated, ceramic, thread. Cast.Ioli Livada – SOUL  Brooch. Sterling silver rhodium plated, ceramic, thread. Cast

Athens Jewelry Week  -   IRO KASKANI    Rook 2 Pendant Silver, jesmonite, sponge  #Athensjewelryweek #2016 #AJW #IroKaskani Iro Kaskani: Iro Kaskani -ROOK 2  Pendant. Sterling silver, jesmonite, foam. Hand fabricated

Katerina Glyka - WEAPON OR FORTRESS?  Pendant. Stone, bronze, iron, concrete, resin, rope. Mixed media.Katerina Glyka - WEAPON OR FORTRESS?  Pendant. Stone, bronze, iron, concrete, resin, rope. Mixed media

 Liana Pattihis - RED CLIMBING ROSE NECKLACE, Chained Interpretations Collection  Necklace. Silver trace chain, silver light trace chain, silver cable chain, enamel. L105cm Liana Pattihis – RED CLIMBING ROSE NECKLACE, Chained Interpretations Collection  Necklace. Silver trace chain, silver light trace chain, silver cable chain, enamel. L105cm

Marina Zachou WE FEEL WITHOUT CHOOSING  Brooch. Copper, bronze, silver, pvc, varnish.Marina Zachou WE FEEL WITHOUT CHOOSING  Brooch. Copper, bronze, silver, pvc, varnish

Nicole Polentas - THE ORIENTATION  Neckpiece (detail). Sterling silver, copper, resin, glass powder, coral, pearls, paint, alabaster, poly-putty, epoxy, acrylic, image printed on aluminium. Fusion, fabrication, casting.Nicole Polentas - THE ORIENTATION  Neckpiece (detail). Sterling silver, copper, resin, glass powder, coral, pearls, paint, alabaster, poly-putty, epoxy, acrylic, image printed on aluminium. Fusion, fabrication, casting.

RevekkaMoustaki-Zei  ''Topologies'' Brooch Electroformed copper, carbon fibre  Athensjewelryweek #2016Revekka Moustaki Zei - TOPOLOGIES – Brooch – Copper, carbon fibre. Electroformed.

Victoria Ioannidou - EMERGENT MERGING…OR VIOLENT SEPARATION…  Brooch. Paper, Silicone, acrylics,thread, bronze.Victoria Ioannidou – EMERGENT MERGING…OR VIOLENT SEPARATION…  Brooch. Paper, Silicone, acrylics,thread, bronze

Vivi Touloumidi - WHAT WILL KOSMOS SAY?  Brooch. Pumice, stainless steel.Vivi Touloumidi – WHAT WILL KOSMOS SAY?  Brooch. Pumice, stainless steel.

Xenia Deimezi - “the procedure” Οbject Leather, fabric, sandpaper, duct tape, plastic net, plastic sheet silicone, iron nails  Xenia Deimezi - “the procedure” Οbject Leather, fabric, sandpaper, duct tape, plastic net, plastic sheet silicone, iron nails

Yiota Vogli, Islands, Layers of Memory, silver, oxidation, bronze, argentum, paper Yiota Vogli - « Islands », Layers of Memory, silver, oxidation, bronze, argentum, paper

 

 

Melanithros (art space)
4 Zappa str.,
Kallimarmaro
11635 Athènes
Opening hours: 12.00-21.00
tel +30 21 0363 6904
info@melanithros.gr

29/12/2015

EXPO ‘Confabulate’ – Popeye loves olive, Athens (GR) – 5-18 Dec. 2015

CONFABULATE

at Popeye loves olive, 15 Greek jewelry designers confabulate with the Mexican artist Jorge Manilla by taking, as an inspiration, a piece of his work and making their own interpretation.

Opening: Saturday, December 5 at 20.00
confabulate
 
Participating Artists:
Kalliopi Andrikopoulou — Kelly Arnaoutaki — Katerina GlykaXenia Deimezi
Aggelika Diplari Victoria IoannidouErato KouloubiVally KontidisMaria KoutmaniIoanna NatsikouYakinthi OikonomouAntria PrasinouNiki Stylianou — Yannis Tsalapatis — Iryna Voitenko
Niki Stylianou jewel - Jorge Manilla drawings - Photo Credits: Alexis Kamitsos  Niki Stylianou jewel – Jorge Manilla drawings – Photo Credits: Alexis Kamitsos
 Aggelika Diplari  - Photo Credits: Alexis Kamitsos  Aggelika Diplari - Photo Credits: Alexis Kamitsos
Iryna VoitenkoIryna Voitenko Photo Credits: Alexis Kamitsos
Yakinthi Oikonomou  Yakinthi Oikonomou  Photo Credits: Alexis Kamitsos
  Xenia Deimezi  Photo Credits: Alexis Kamitsos  Xenia Deimezi - Photo Credits: Alexis Kamitsos  
Kalliopi Andrikopoulou - Photo Credits: Alexis Kamitsos  Kalliopi Andrikopoulou – Photo Credits: Alexis Kamitsos
 Katerina Glyka è Photo Credits: Alexis Kamitsos  Katerina Glyka - Photo Credits: Alexis Kamitsos
Photo Credits: Alexis Kamitsos –   Yannis Tsalapatis Yannis Tsalapatis  Photo Credits: Alexis Kamitsos 
 Maria Koutmani - Photo Credits: Alexis Kamitsos Maria Koutmani – Photo Credits: Alexis Kamitsos
During Jorge Manilla‘s visit to Athens we will have the pleasure to attend his presentation analyzing important aspects of his work.
Lecture: Thursday, December 3 at 8 @ Popeye Loves Olive
Duration: 1 hour Jorge Manilla // Brooch – What do you want

 

Popeye loves olive
Libona 5, Plateia Agias Eirinis
10560 Athènes
tel +30 21 0867 3461
mail: eratokosmima@yahoo.com
eratojewellery.com
popeyelovesolive.com

 

14/12/2015

EXPO ‘Confabulate’ – Popeye loves olive, Athens (GR) – 5-18 Dec. 2015

Jorge Manilla  

at Popeye loves olive, 15 Greek jewelry designers confabulate with the Mexican artist Jorge Manilla by taking, as an inspiration, a piece of his work and making their own interpretation.

Opening: Saturday, December 5 at 20.00
confabulate
 
Participating Artists:
Kalliopi Andrikopoulou — Kelly Arnaoutaki — Katerina GlykaXenia Deimezi Angelika DiplariVictoria Ioannidou Erato Kouloubi — Vally Kontidis — Maria Koutmani — Ioanna NatsikouYakinthi OikonomouAntria PrasinouNiki Stylianou — Yannis Tsalapatis — Iryna Voitenko
During Jorge Manilla‘s visit to Athens we will have the pleasure to attend his presentation analyzing important aspects of his work.
Lecture: Thursday, December 3 at 8 @ Popeye Loves Olive
Duration: 1 hour
 Jorge Manilla // Neckpiece - My love for you was true Jorge Manilla // Neckpiece – My love for you was true
Jorge Manilla // Neckpiece - You were always looking for someone else Jorge Manilla // Neckpiece – You were always looking for someone else
 Jorge Manilla // Brooch - What do you want Jorge Manilla // Brooch – What do you want
Jorge Manilla // Brooch - It was not just coincidence.. Jorge Manilla // Brooch – It was not just coincidence..
Jorge Manilla / Brooch - Nobody is important for you / Me seguraste que tu no eras asiJorge Manilla / Brooch – Nobody is important for you / Me seguraste que tu no eras asi
Jorge Manilla / Ring - I just gave to you the best of me... Jorge Manilla / Ring – I just gave to you the best of me…
Popeye loves olive
Libona 5, Plateia Agias Eirinis
10560 Athènes
tel +30 21 0867 3461
mail: eratokosmima@yahoo.com
eratojewellery.com
popeyelovesolive.com

30/11/2015

EXPO ‘A dark spark of light’ – Alliages, Lille (FR) – 11 Dec.2015 – 30 Janv. 2016

Inauguration 11 décembre a  18h
 a muestra “A dark spark of light”,
Juan RIUSECH & Thereza PEDROSA, curators of this exhibition, present A DARK SPARK OF LIGHT, where opposites attract and are connected by an invisible thread. There is no light without shadow, good without evil, no happiness without pain. “A dark spark of light” is an invitation to reflect on the beauty of life, in all contradictory and opposing forms in which it manifests itself.
A Dark Spark of Light, en exhibition of contemporary jewellery & ceramics showed simultaneously in ALLIAGES & in Beautiful People Live Art blog from Dec. 12th 2015 to Jan. 30th 2016.
The opening of the exhibition will be held on Friday Dec. 11th, 2015 at 6 PM at ALLIAGES gallery.
 
Artists selected :   Akis GoumasAlina CarpAna Garcia MoyaAngela CiobanuAurelia Yeomans Caterina Zanca — Ching-Ting Yang — Clara del PapaClaudia Steiner — Emmanuelle Durand — Erato KouloubiFabienne ChrystinFranziska HöhneGigi MarianiGili DolinerHebe ArgentieriIsabelle Busnel Izabella PetrutJanny Huang Yokota Jina SeoKatja ToporskiMabel PenaMar SanchezMargarita Alonso Margo NelissenMaria-Rosa Franzin — Noelia Macchi — Rodrigo AcostaRosa Borredá — Roxana Casale — Saerom KongSébastien CarréSofia Björkman — Valérie Ceulemans — Victoria IoannidouViktoria MünzkerXenia Deimezi
Sofia BjörkmanSofia Björkman
Sebastien Carré "rancoeur"Sebastien Carré « rancoeur »
Maria-Rosa Franzin - broochMaria-Rosa Franzin – brooch
Rodrigo Acosta - "Hacer de Ropa" - brocheRodrigo Acosta - « Hacer de Ropa » – broche
Gigi Mariani Gigi Mariani ring 2015
Akis Goumas brooch Akis Goumas brooch
Alina CarpAlina Carp
Rosa Borredá   Rosa Borreda
 Angela Ciobanu - earring Angela Ciobanu – earring
Xenia DeimeziXenia Deimezi
 Aurelia Yeomans (AU)Aurelia Yeomans
Mar SanchezMar Sanchez
Viktoria Münzker Viktoria Münzker
ALLIAGES
111, Bd. Victor Hugo
F-59000 LILLE
Horaires : Lundi-Vendredi : 10h – 17h / Samedi : 10h-16h