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23/01/2017

EXCHANGE-BIJOU 2 – Yafit Ben Meshulam – « Lacuna », La Galeller, Sevilla (SP) – 17 Fevr.-20 Avril 2017

LacunaYafit Ben Meshulam

La Galeller

finalmente !!! problemas de aduana solucionados !! Inauguracion Viernes 17 FEBR. 20H Inauguración Exposición Yafit Ben Meshulam

INAUGURACIÓN  VIERNES 20 DE ENERO A LAS 20H !!!!!!
WILL PROBABLY be in FEBRUARY because of CUSTOMS PROBLEMS !!! APOLOGIZE !!

Yafit Ben Meshulam  - Lacuna  2017

Lacuna es un espacio entre los elementos.
Una tranquila prolongación entre una nota musical y la siguiente.
Un hueco en el texto que deja espacio para la imaginación. »

« LACUNA is a space between elements
A quiet elongation between one musical note to the next
A gap in the text that leaves room for imagination
The cocoon left behind when a caterpillar turns into a butterfly. . »

Yafit Ben Meshulam es diseñadora y joyera, vive en Tel Aviv, Israel. Se graduó en B.DES en diseño de joyas en la distinguida Shenkar Colegio de ingeniería y diseño en Tel Aviv.
Para Yafit sus joyas son objetos tridimensionales únicos, cada una contiene la carcasa de un elemento que una vez existió … y ahora en su lugar, una laguna – sólo un recuerdo de lo que fue.
Las formas únicas de sus diseños se formaron como si eliminara un « momento congelado » de un paso en el proceso de diseño. El espacio permanece entre el material que originalmente era y la forma que llegó a ser. Con su imaginación, este espacio permite vislumbrar los elementos que fueron arrancados y escondidos durante este intrigante « momento congelado ».
En cada colección utiliza una variedad de técnicas y tecnologías, que dan expresión al concepto de sus diseños. Meticulosamente añade texturas, colores y acabados a las impresiones en 3D y joyería moldeada, de modo que la superficie y los espacios interiores están decoradas por los pequeños detalles.

Yafit Ben Meshulam -  aya-wind 2017Yafit Ben Meshulam -    2017

Yafit Ben Meshulam -    2017Yafit Ben Meshulam -    2017

Yafit Ben Meshulam -   2017Yafit Ben Meshulam -   2017

Yafit Ben Meshulam  - Lacuna  janvier 2017 ·   KAMMI NECKLACE  Yafit Ben Meshulam  – Lacuna  janvier 2017 ·   KAMMI NECKLACE 

 
 
La Galeller

calle siete revueltas, 20
41004 Seville (Spain)

+34 854 52 06 02
www.lagaleller.com/
de Lunes a Viernes de 10:30 a 13:30  de 17:00 a 20:30

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21/01/2017

EXCHANGE-BIJOU 2 – Tal EFRAIM – Connectionary

Tal Efraim

Discovered when the Final Project Presentation 2016 at Shenkar

« By documenting details such as day-to-day mechanical joints, swivels, hinges and physical connections of objects in my sketchbook, I create my own private alphabet, which will later be transformed into the language of my designs.
My pieces are all one of a kind – whilst I can make to order any piece several times, each will be a little different due to the nature of handwork and craft.
»

« her work is driven out of her sketchbook, where she documents the world around her, creating a « dictionary » of design possibilities. Her work is made of gold, silver, porcelain and a variety of gemstones. »

Connectionary video :

Image de prévisualisation YouTube

HOW MUCH I LOVE these sketchbooks, all this amount of tiny treasures she is the only to know the WHY? … like secret formulas …. secret connections, secret addendas …. tiny marvels ….

Tal EFRAIM - Connectionary sketchbook, 2016. Photo by Tal Mohr: Tal EFRAIM - Connectionary sketchbook, 2016. Photo by Tal Mohr

Tal Efraim its all about the details  gold earrings rubies pearls ... pic of the day    Tal Efraim its all about the details  gold earrings rubies pearls … pic of the day

« Are other areas besides jewellery, present in your work?
My most recent collection Connectionary consists of handmade porcelain, treated as gemstones. Creating these porcelain centre pieces allowed me to explore the world of ceremic art and ceramic production. In general, my inspiration derives from day-to-day mechanical joints such as swivels, hinges and physical connections of objects, meanings I often explore different areas as part of my design process. » (Klimt02 interview)

 Tal Efraim Necklace: Target, 2016 Silver, porcelain, rutilated quartz,textile string 12 x 7 x 1 cm Photo by: Ilan Besor From series: Connectionary: Tal Efraim Necklace: Target, 2016 Silver, porcelain, rutilated quartz,textile string 12 x 7 x 1 cm Photo by: Ilan Besor From series: Connectionary

Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor From series: Connectionary: Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor
From series: Connectionary

Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor From series: Connectionary  Detail view: Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor From series: Connectionary  Detail view

Tal Barash Efraim - Jewelry Design Dept. Shenkar   juillet 2016  Tal Barash Efraim – Jewelry Design Dept. Shenkar   juillet 2016 

 

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12/01/2017

COUP de COEUR – Aurelia Yeomans – rough & wild !

Classé dans : Aurelia YEOMANS (AU),Australie (AU),COUP DE COEUR,RMIT (AU) — bijoucontemporain @ 23:46

Aurelia Yeomans Contemporary Jewellery

artwork selected for the graduate exhibition 2016 at Gallery Marzee

Études : Gold and Silversmithing à RMIT University

Aurelia Yeomans Contemporary Jewellery - Brooch | 2016 Enamel, mild steel, slate, stainless steel.Aurelia Yeomans   – Brooch | 2016 Enamel, mild steel, slate, stainless steel.
« A piece I made last year -furthering my application of vitreous enamel on steel. This piece had over 20 firings in the kiln; a slow build up of layers that allowed me to explore subtle variation of colour. Now destined for an upcoming exhibition in France. »

Aurelia Yeomans Contemporary Jewellery - mild steel, enamel, slate, glass. Handmade and kiln fired. - JOYA 2016 Alliages Permanent 2016Aurelia Yeomans  - mild steel, enamel, slate, glass. Handmade and kiln fired. – JOYA 2016 Alliages Permanent 2016

Aurelia Yeomans - A pair of earrings I made recently during my artist residency - The iron is a relatively new material making its way into my workAurelia Yeomans – juill. 2016 – « A pair of earrings I made recently during my artist residency – The iron is a relatively new material making its way into my work, an important part of my time overseas in Germany. The gold hooks are a hammered, textured style I created many years ago in the beginning of my time at university as an effective way of cold joining materials together. »

Aurelia Yeomans -  2015 | mild steel, enamel, pyrite, ink, 18ct gold Aurelia Yeomans -  2015 | mild steel, enamel, pyrite, ink, 18ct gold necklace

Aurelia Yeomans -  Here is a little detail of my work for my graduate exhibition  Aurelia Yeomans -  Here is a little detail of my work for my graduate exhibition – nov 2015 | mild steel, enamel, pyrite, ink, 18ct gold necklace

 Aurelia Yeomans Contemporary Jewellery Page aimée · 1 novembre 2015 ·   Manipulating #stone  Fascinated by its natural formation in the earth through minerals, heat and pressure.Aurelia Yeomans Contemporary Jewellery  - nov. 2015 · Manipulating #stone – fascinated by its natural formation in the earth through minerals, heat and pressure.

Aurelia Yeomans Contemporary Jewellery - mars 2016Aurelia Yeomans Contemporary Jewellery – mars 2016

Aurelia Yeomans - brooch - at Alliages permanent selection 2017Aurelia Yeomans – brooch – at Alliages permanent selection 2017

 

 

10/01/2017

EXPO ‘Look What I Did. New Rings by DOT’ – Villa Bengel (DE) – 7 Dec. 2016-7 Mars 2017

Look What I Did. New Rings by DOT

opening Wednesday, 7th of December 2016 from 18 h

Look What I Did. New Rings by DOT 07Dec2016 - 07Mar2017 Villa Bengel Idar Oberstein, Germany

The exhibition shows works from DOT, a recently graduated student of the Masters programme from the Hochschule Trier.  After his graduation this spring, he startet to make a collection of rings, questioning his own and the wearers identity. What is male, what is female? What role plays the artistic expression? And who is the « I » in DOT, who made these Rings?

 Exhibition display. - DOT MELANIN rings: Exhibition display. – DOT MELANIN rings

 

« While viewing the rings you recognize a gender study. Both feminine and masculine forms are expressed by inner containing worlds, of phallus and aggressive forms. A combination of gemstones and metal connect to each other by layers and phases.
Metal that heals a wounded stone, a setting that simulates a gemstone to the human mind. Within you see a complexity of materials, colour and size that creates a sculptural object, however still maintaining its original function as a ring.
« / DOT

 Exhibition display. - DOT MELANIN ring: Exhibition display. – DOT   ring

DOT. Ring: I am sentimental if you know what I mean, love the pieces but can’t stand the scene, 2016. Cacholong, reconstructed agat,  fine silver, glass, borax, charcoal and lead. Photo by: Nima Ashrafi.: DOT. Ring: I am sentimental if you know what I mean, love the pieces but can’t stand the scene, 2016. Cacholong, reconstructed agat,  fine silver, glass, borax, charcoal and lead. Photo by: Nima Ashrafi.

Exhibition display. - DOT MELANIN rings: Exhibition display. - DOT MELANIN rings

Dot Melanin  ring: Dot   ring

Dot Melanin ring: Dot   ring

Dot Melanin rings: Dot Melanin rings

Dot Melanin ring: Dot Melanin ring

Dot Melanin: Dot Melanin rings

 

 

Villa Bengel 
Wilhelmstraße 42a
55743 Idar-Oberstein
Telephone: +49 (0)6781 – 27030
Fax: +49 (0)6781 – 23549
E-Mail:  info@jakob-bengel.de

 

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04/01/2017

EXPO ‘Neuer Schmuck aus Idar-Oberstein – NSAIO 6′ – Stadtmuseum Simeonstift Trier (DE) – 27 Nov. 2016-26 Fevr. 2017

Neuer Schmuck aus Idar-Oberstein – NSAIO 6 

27 novembre 2016 – 26 Febr. 2017
at Stadtmuseum Simeonstift Trier

Neuer Schmuck aus Idar-Oberstein - NSAIO 6

Beginning with the renaissance of gemstones in jewellery design since the 1970s, Ute Eitzenhöfer, Theo Smeets, Lothar Brügel (ret. 2014) and Eva-Maria Kollischan (since 2014) successfully established the Hochschule Trier in Idar-Oberstein as a creative European jewellery centre. To mark the exhibition in the Stadtmusem Simeonstift in Trier on thirty years of the Gemstone and Jewellery Department, the publication shows an exciting selection of works from the last ten years (2006-2016). Works in creative design and photography accompany diverse approaches that exemplify the contemporary use of a reputedly ‘outmoded’ raw material.
In exploring the aesthetic characteristics of the material and the experimental confrontation with its physical qualities, the gemstone’s potential for design comes entirely into its own. Within current discourse it comments ironically, on the one hand, on the unilateral societal ascription as a luxury item; on the other, it functions as a charming and noble object of nature.

 

 

Den Programm-Flyer mit allen Informationen finden sie hier: http://bit.ly/2gaGKhd
Fachrichtung Edelstein und Schmuck: http://bit.ly/2g7u6mK
Stadtmuseum Simeonstift: http://bit.ly/2gaMwQa
Arnoldsche Art Publisher: http://bit.ly/2g7gQ1s

BOOK-catalog exhibition - NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop | nsaio6: BOOK-catalog exhibition – NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop
Catalogue: « nsaio6 – New Jewellery from Idar-Oberstein » • Ute Eitzenhöfer / Theo Smeets • published by Arnoldsche Art Publishers
NSAIO 6 -  - Julia Obermaier. Brooch: Round the corner, 2016. Agate, resin, pigment, stainless steel. 7.5 x 7 x 3 cm. Photo by: Julia Obermaier.: Julia Obermaier. Brooch: Round the corner, 2016. Agate, resin, pigment, stainless steel. 7.5 x 7 x 3 cm. Photo by: Julia Obermaier

NSAIO 6 - Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier: Julia Obermaier   Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier this Sunday the 27th of november there will be a beautiful Vernissage at the Stadtmuseum Simeonsstift in Trier.  You can see a humongous number of amazing Jewellery from current students and alumni from Hochschschule Trier, Campus Idar-Oberstein! And I’m super happy to be part of it! » Julia Obermaier

NSAIO6 - Matthias Dyer (Dipl 2012) necklace lapis lazuli, plastic, varnish, silver, steel 2012: Matthias Dyer (Dipl 2012) necklace lapis lazuli, plastic, varnish, silver, steel 2012

NSAIO6 - Catalina Brenes (MFA 2016) necklace - marble, resin with graphite, textile: Catalina Brenes (MFA 2016) necklace – marble, resin with graphite, textile

 Tabea Reulecke, "Leopard", Halsschmuck, 2014.Tabea Reulecke, « Leopard », Halsschmuck, 2014.

"Kann man das tragen?"  " on peut porter ?"  créations de Idar-OberSTEIN Campus - Photo : Valérie Wagner Valerie Wagner (5. Semester BFA stud.) • Necklace « Monstranz » • plastic, limestone, rock crystal, flax twine • 2016 • ©photo by Michael Müller-  »Kann man das tragen? »   » on peut porter ? »  créations de Idar-OberSTEIN Campus  

Pop-Up Shop im Stadtmuseum:  17 bijoux de designers internationaux qui offrent leurs créations au musée de la ville - collier Maximilien SchröderPop-Up Shop im Stadtmuseum:  17 bijoux de designers internationaux qui offrent leurs créations au musée de la ville – collier Maximilien Schröder

NSAIO6 - Tianqi LI (BFA, 5e semester 2016) -   'Beffchen', Halsschmuck, 2016, Pferdehaar, Stahl  ( 'Beffchen', collier, 2016, acier, crin de cheval): Tianqi Li   (BFA, 5 semester 2016) -  „Beffchen », Halsschmuck, 2016, Pferdehaar, Stahl  ( « Beffchen », collier, 2016, acier, crin de cheval)

 nsaio 6 - Edu Tarin: Edu Tarin

NSAIO6 - Edu Tarin (MFA 2015) brooch 'revival 5' gold plated copper 2012: Edu Tarin (MFA 2015) • brooch « revival 5″ • gold plated copper • 2012 • ©photo by artist

Saleema Sheikh (MFA stud.) • necklace "Shahnaz“ • cement, aluminium, resin, pigment, PVC • 2016 • ©photo by Denise Ebert, Gina-Nadine MüllerSaleema Sheikh (MFA stud.) • necklace « Shahnaz“ • cement, aluminium, resin, pigment, PVC • 2016 • ©photo by Denise Ebert, Gina-Nadine Müller

Qi Wang (MFA stud.) • Objects • syringe, jasper, agate • 2016 • ©photo by artistQi Wang (MFA stud.) • Objects • syringe, jasper, agate • 2016 • ©photo by artist

Yftah Avrahamy ("Dot Melanin") Necklace: Untitled, 2016 Agate, finesilver, fishing wire Yftah Avrahamy / Dot Melanin Necklace: Untitled, 2016 Agate, finesilver, fishing wire

NSAIO6 - Lina Goltsios (BFA 2016) Ring rock crystal, silver, plastic 2016 photo by Cornelia Wruck: Lina Goltsios (BFA 2016) Ring rock crystal, silver, plastic 2016 photo by Cornelia Wruck

NSAIO6 - Stephanie Morawetz (BFA stud.) necklace '60233040' Stephie-Stein, magnets 2014: Stephanie Morawetz (BFA stud.) necklace ’60233040′ Stephie-Stein, magnets 2014

NSAIO 6 - Eva-Maria Reuther (er), Anastasiya Larionova (\  - Edles, Gewichtiges und Freches aus Metall und Edelstein - volksfreund.de: Eva-Maria Reuther (er), Anastasiya Larionova (\  – Edles, Gewichtiges und Freches aus Metall und Edelstein

NSAIO6 - Gabriela Cohn (MFA 2016) necklace 'Tatzia 11' porcelain, silver, pigment 2016 photo by Qi Wang: Gabriela Cohn (MFA 2016) necklace ‘Tatzia 11′ porcelain, silver, pigment 2016 photo by Qi Wang

NSAIO 6 - Ignasi Cavaller Pendant: Meminisse, 2015 Lemon chrysoprase, kevlar thread, 60´s wall plastic, wild olive tree wood, laquer 12 x 12 x 9 cm: Ignasi Cavaller Pendant: Meminisse, 2015 Lemon chrysoprase, kevlar thread, 60´s wall plastic, wild olive tree wood, laquer 12 x 12 x 9 cm

 

 

Stadtmuseum Simeonstift Trier  (City Museum Simeonstift in Trier)
Simeonstr. 60, an der Porta Nigra
54290 Trier (Trèves)
Phone:   + 49 651 – 7181459
Fax   + 49 651 – 7181458
Facebook
stadtmuseum@trier.de

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31/12/2016

EXCHANGE-BIJOU 1 – Julia Obermaier – FULL program !!!

Julia Obermaier

Loooot of new things for this end of year !

An award + exhibition first, 
« There was a  nice opening of the « 1. Förderpreis der Kaufbeurer Künstlerstiftung » at Kreis- und Stadtsparkasse in Kaufbeuren. I’m super happy to be part of that show. If you are around, don’t miss it. It is on until the 5th of january 2017 ! »

Förderpreis Kaufbeuren: Julia Obermaier (BFA 2016) wurde für den « 1. Förder­preises der Kaufbeurer Künstler­stiftung 2016 » nominiert • Gemeinsam mit der Preisträgerin und den beiden anderen Finalistinnen Alexandra Seuß und Nadine Kuffner sind ihre Arbeiten in der Ausstellung « Gedächtnis » zu sehen • Kreis- und Stadt­spar­kasse Kaufbeuren, Ludwigstraße 26 • 17 Dezember 2016 – 05 Januar 2017
(« Prix d’encouragement » (pour Julia Obermaier) cré par la « Kaufbeurer Artiste Fondation » ? puis exposition « en Mémoire » avec les 3 finalistes, Alexandra Seuß, Nadine Kuffner & Julia Obermaier ???? (si j’ai bien compris …)  …)

Oeuvres visibles du 17 Dec. 2016 au 5 Janv. 2017

Bayerischer Kunstgewerbeverein e.V. - Julia Obermaier

julia obermaier -2016  -  http://kaufbeurerkuenstlerstiftung.de/    Julia Obermaier necklace  

Julia Obermaier (BFA 2016 Idar-OberSTEIN) • Necklace • Agate, resin, iron and gold • 2015 •Julia Obermaier (BFA 2016 Idar-OberSTEIN) • Necklace • Agate, resin, iron and gold • 2015 •

« there was a competition in which all former students from the »Staatliche berufsfachschule für Glas und Schmuck » in Neugablonz-Kaufbeuren could apply. It is called « 1. Förderpreis der Kaufbeurer Künstlerstiftung ». Angelika Kern won this price. I also applied and came into he 3 Finalists. Then there was an exhibition of the pieces of the winner, plus the 3 finalists (Nadine Kuffner, Alexandra Seuss and me) – this exhibition show is on until the 5th of january.«   (THANK YOU Julia !!!!!)

***

Then, or also, an exhibition until JANUARY 3th 2017 : Burg2 :
« kugelalarm » Group exhibition with Julia Obermaier (BFA 2016 Idar-Oberstein) et al. • Burg2, Halle16.12.2016 – 03.01.2017, Opening: 16 December 2016, 7 pm
kugelalarm (galerieburg2, Burgstraße 2, 06114 Halle (Saale)
Burg2: http://bit.ly/2hFmoNi

Burg2 - Studentischer Ausstellungsraum

 

AND ……the BEST for the end ???  Neuer Schmuck aus Idar-Oberstein – NSAIO 6 
27 novembre 201626 Febr. 2017
at Stadtmuseum Simeonstift Trier
Simeonstr. 60, 54290 Trèves

Neuer Schmuck aus Idar-Oberstein - NSAIO 6

Den Programm-Flyer mit allen Informationen finden sie hier: http://bit.ly/2gaGKhd
Fachrichtung Edelstein und Schmuck: http://bit.ly/2g7u6mK
Stadtmuseum Simeonstift: http://bit.ly/2gaMwQa
Arnoldsche Art Publisher: http://bit.ly/2g7gQ1s

BOOK-catalog exhibition - NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop | nsaio6: BOOK-catalog exhibition – NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop
« this Sunday the 27th of november there will be a beautiful Vernissage at the Stadtmuseum Simeonsstift in Trier.  You can see a humongous number of amazing Jewellery from current students and alumni from Hochschschule Trier, Campus Idar-Oberstein!
And I’m super happy to be part of it! » Julia Obermaier
Julia Obermaier  Necklace "You will get through it#1" • Agate, resin, pigment and textile • 2016 • ©photo by artistJulia Obermaier  Necklace « You will get through it#1″ • Agate, resin, pigment and textile • 2016 • ©photo by artist

CONGRATULATIONS !

& wish you a FANTASTIC CONTINUATION for 2017 !!!

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09/12/2016

EXPO ‘New Tastes – Twelve New Graduates’ – Kath Libbert Jewellery Gallery (UK) – 10 Nov. 2016–29 Janv. 2017

New Tastes


Twelve New Graduates

 New Tastes Twelve New Graduates - kath libbert jewellery gallery- 10th Nov - 29th Jan 2017Darcey Skelly,  Space Cows From Space)

 Twelve New Graduates
Delectable jewellery, metalwork and silversmithing! Our annual pick of the most delicious new talents selected from all across the UK and Ireland!

Kath Libbert Jewellery Gallery, which this year celebrates twenty years at Salts Mill, Saltaire, has selected and exhibited the work of new graduates since its inception. In numerous cases these emerging talents have gone on to gain wide acclaim for their work, and many continue to be represented by the gallery. For the exhibition New Tastes Kath serves up twelve sumptuous collections cooked up by new graduates from all over the UK and Ireland:  ‘Spotting and then supporting the work of cutting edge new graduates has always been extremely central to the ethos of the gallery.  Forging a career straight out of college is really challenging. Now, more than ever, it is vital to exhibit and encourage these incredibly talented jewellers and metalsmiths at this formative stage in their careers.’

 
Wanshu Li, Edinburgh College of Art -
Rob Anderson, Sheffield Hallam University - already a winner, bagging the prestigious 2016 Business Design Centre New Designer of the Year Award for his Japanese ceramic inspired ‘family’ of earthy steel vessels entitled ‘Heavy Hands’. Their meditative beauty arises from his carefully considered making process – a wonderfully tactile collection with great presence.
Hayley Brooks, Duncan of Jordanstone College of Art and Design, Dundee -
Chen Cheng, Birmingham School of Jewellery -
Sheng Zhang, Birmingham School of Jewellery

Room for more?

We are also delighted to serve up collections byFrancesca Lobb, Manchester School of Art; Felicity Lynden, University of Edinburgh;  Freya Alder, Glasgow School of Art; Stephanie O Leary, Middlesex University, London; Michaela Murrain, De Montfort University, Leicester, and Amanda Denison, Winchester School of Art.

 ***

Wanshu Li, Edinburgh College of Art‘Go with the Glow’ is a taste explosion – sensual, soft to the touch jewels, in a riot of fluorescent UV reactive nylon wire, inspired by raves, laser light shows, and jellyfish!
« My jewellery is focused on exploring the multisensory experience and making tactile wearable pieces, which involve different sensory experiences such as vision, sound, and touch. The inspiration for the jewellery series “Go with the Glow” stems from capturing the moving moments in the natural world. I was deeply attracted by free-swimming marine animal. For example jellyfish, which is soft, light, and glowing with the characteristics of amazing colours. I was also fascinated by dancing, rave party and laser light show.
I developed my work by experimenting with acrylic, moving beads, UV reactive nylon wire, UV light and fluorescent paints resulting in light-weighted tactile, colourful and playful pieces. The nylon wires under UV light creates an amazing fluorescent effect and provide a pleasant visual enjoyment for the wearers and viewers. Moreover, the pieces create subtle sounds, following freely with the movements of the body. »

Education
2009-2013 | BA Jewellery and Silversmithing College of Art and Design, Beijing University of Technology
2014-2016 | MFA Jewellery and Silversmithing  Edinburgh College of Art

Wanshu Li, Edinburgh College of Art - ‘Go with the Glow’- bangle in acrylic, seed beads, fluorescent plastic tube and nylon wire. Photo by Shannon Tofts  Wanshu Li, Edinburgh College of Art – ‘Go with the Glow’- bangle in acrylic, seed beads, fluorescent plastic tube and nylon wire. Photo by Shannon Tofts 

Wanshu Li, Edinburgh College of Art - ‘Go with the Glow’- brooch in acrylic, seed beads, fluorescent plastic tube and nylon wire. Photo by Shannon Tofts Wanshu Li, Edinburgh College of Art - ‘Go with the Glow’- brooch in acrylic, seed beads, fluorescent plastic tube and nylon wire. Photo by Shannon Tofts

Wanshu Li, Edinburgh College of Art - ‘Go with the Glow’- pendant in acrylic, seed beads, fluorescent plastic tube and nylon wire. Photo by Shannon Tofts  Wanshu Li, Edinburgh College of Art - ‘Go with the Glow’- pendant in acrylic, seed beads, fluorescent plastic tube and nylon wire. Photo by Shannon Tofts 

Wanshu Li, Edinburgh College of Art - ‘Go with the Glow’- ring in acrylic, seed beads, fluorescent plastic tube and nylon wire. Photo by Shannon Tofts   Wanshu Li, Edinburgh College of Art – ‘Go with the Glow’- ring in acrylic, seed beads, fluorescent plastic tube and nylon wire. Photo by Shannon Tofts 

Amanda Denison, Winchester School of Art
« I am inspired and intrigued by the traces left behind through dilapidation and decay and by the marks stamped on the urban environment.  And I am drawn to repeated elements that distort and change. 
I have a fine art background and this influences my approach to jewellery making. I live and work in West London and take numerous photographs of the details I discover as I walk the streets. These are incorporated into my work through mark making and drawings on my enameled surfaces.
I enjoy the challenge of working with industrial materials and traditional processes to create distinctive hand made art Jewellery. I like to work with steel and to add silver accents. I incorporate enamels and patinas to add colour but my palette is subtle and restrained. After kiln firing my enamels are deconstructed and the shiny finish is abraded. This creates richly degraded surfaces with subtle areas of hue and tone and a smooth matt finish. Where patches of bare steel are revealed they are encouraged to rust.  Each piece is unique for although I can repeat the processes there is always an element of chance and no two pieces are ever exactly the same. »

Amanda Denison, Winchester School of Art. - Enamelled steel necklace on silver chain  -  : Amanda Denison, Winchester School of Art. – Enamelled steel necklace on silver chain

Amanda Denison, Winchester School of Art - Double enamelled steel brooch -  .: Amanda Denison, Winchester School of Art – Double enamelled steel brooch

 

Michaela Murrain, De Montfort University, Leicester
« My work is all about colour, shape and repetition. The idea of taking plain white, flat pieces of fabric and manipulating them to create wearable sculpture is what excites me as a maker. I am inspired by the bold characteristics of neck adornment within African culture and from this I created my ‘Chunk and Loop’ jewellery collection where I have translated subtle elements, such as the placement of colour and scale, to create tactile, vibrant yet sophisticated, contemporary wearables. »

Michaela Murrain, De Montfort University, Leicester - ‘Chunk and Loop’ necklace in hand dyed cotton Michaela Murrain, De Montfort University, Leicester – ‘Chunk and Loop’ necklace in hand dyed cotton

 

Stephanie O Leary, Middlesex University, London
« Drawn to the simplicity and elegance of clean lines in architectural design, Stephanie O’Leary is influenced by geometric structures which jut-out, protrude or extend from the existing ‘frame’ of their environment. Specifically scaffolding, cranes and power lines.
Scaffolding: “a temporary structure used to support the construction, maintenance and repair of buildings”.
What some may perceive as a temporary ugliness protruding out of the natural urban environment; she is drawn to its linear design, the contrast between permanence and degradation, and the transient nature of its construction.
Formed from various different components, scaffolding can be assembled in various different ways to integrate with and support a building; the structure can be assembled, disassembled, relocated and assembled again. In this sense, over time, the structure is in a constant state of flux, moving around the city.
By focussing on this dynamic, O’Leary uses universal hinges and industrial materials to create kinetic urban structures, which mimic the minimalist and fragmented aesthetic of London.
In combination with found objects, industrial and precious materials, O’Leary forms connections and links between discarded objects, material connotations and their environment in relation to urban cityscapes. »

Stephanie O Leary, Middlesex University, London - ‘Fragments’ – necklace in enamelled copper, steel, silver with fragment pieces encased in scaffolding inspired frames on articulated wooden chain  Stephanie O Leary, Middlesex University, London – ‘Fragments’ – necklace in enamelled copper, steel, silver with fragment pieces encased in scaffolding inspired frames on articulated wooden chain 

Stephanie O Leary, Middlesex University, London - ‘Roof Truss Brooch’ in wood, steel and brass  Stephanie O Leary, Middlesex University, London – ‘Roof Truss Brooch’ in wood, steel and brass 
  »Scaffolding: “a temporary structure used to support the construction, maintenance and repair of buildings”. « 

 

Chen Cheng, Birmingham School of Jewellery – inspired by ballet, Chen’s delightfully playful series of rings and brooches seem alive, dancing on the body – every element of her finely manipulated metal wire mini sculptures move as the wearer moves.
« Chen Cheng believes that contemporary jewellery is interactive because it demands a response, which can either be physical or emotional. Through kinetic movement and visual interaction, her work is designed to be explored.
“My pieces invoke play. Every element is movable, and this quality enhances the physical movement of the wearer”.
Combining her own aesthetic and working style, Chen has taken inspiration from shapes and moving modes found in the human body, which are also expressed through modern and traditional ballet dancing. Applying this motion to express the mystique and magical forms of the human body was the key determining process in her jewellery design.
Using fine wire and simple metal shapes to create the minimal forms allows the audiences to pay close attention to the movement of the work. Akin to dancing, each piece’s “performance” holds its own surprise in style and character.
Chen hopes that her work will encourage the wearers to touch, feel and discover the meaning behind her work. She hopes that through a deeper appreciation of such interaction, jewellery can be better understood and more people would be able to appreciate the different expressions and styles of contemporary jewellery. »

Dancing On My Own - kinetic ring -  Chen Cheng, Birmingham School of Jewellery;: Chen Cheng, Birmingham School of Jewellery – Dancing On My Own – kinetic ring

  "dancing on my own" kinetic ring -  Chen Cheng, Birmingham School of Jewellery;: Chen Cheng, Birmingham School of Jewellery – Dancing On My Own – kinetic ring

Chen Cheng - Dancing on my own kinetic broochChen Cheng, Birmingham School of Jewellery – Dancing On My Own – kinetic  brooch 

Chen Cheng (CN) - Dancing On My Own - kinetic ring - Chen Cheng, Birmingham School of Jewellery – Dancing On My Own – kinetic  ring

 

Francesca Lobb, Manchester School of Art
« Through the exploration of body adornment and personal possessions my practice primarily focusses around how an object evokes personal comfort for its owner. Through interrogation of pre-owned objects and our interaction with our personal belongings, my works emphasis is on the user’s experience. By observing these interactions I question how the design of an object can entice an individual to explore the piece and how this can provoke the wearer to form a personal attachment to the item.
Producing small scale objects with close attention to detail, I question how the user will interact with each piece. Creating intricate designs that evoke engagement, generates an individual narrative upon each item through the user’s choice of how it is worn.
Exploration of traditional techniques within jewellery and metal work is integral within my practice to produce individual handmade items, which also allows myself as a maker to form a personal connection to each piece throughout its creation. »

 Francesca Lobb, Manchester School of Art - ‘Watchmaker’s Brooch’ – from ‘Explore’ Collection.  Worn on the inside of the jacket to reflect the significance of the user's personal choice. Brass, chain, stainless steel and corked glass vials - Francesca Lobb, Manchester School of Art - ‘Watchmaker’s Brooch’ – from ‘Explore’ Collection.  Worn on the inside of the jacket to reflect the significance of the user’s personal choice. Brass, chain, stainless steel and corked glass vials

‘Watchmaker’s Brooch’ - from ‘Explore’ Collection in brass, chain, stainless steel and corked glass vials - ; Francesca Lobb, Manchester School of Art;: Francesca Lobb, Manchester School of Art - ‘Watchmaker’s Brooch’ - from ‘Explore’ Collection in brass, chain, stainless steel and corked glass vials

Francesca Lobb, Manchester School of Art - ‘Watchmaker’s Brooch’ – from ‘Explore’ Collection in brass, chain, stainless steel and corked glass vials 

 

Darcey Skelly, National College of Art and Design, Dublin‘Voyages of the Starship Stetson’ – a collision of two iconic fictional genres, Sci-Fi and the Western, paired in a crazy creation of her own imagining. Her concept, if the Cowboys of the Old West found a way to propel themselves into Space to colonise a planet. Darcey describes herself as ‘an illustrative maker’, a storyteller who aims to show there is more to a piece than meets the eye!

 Darcey Skelly, National College of Art and Design, Dublin  Space Cows From Space - Necklace   Darcey Skelly, National College of Art and Design, Dublin  Space Cows From Space – Necklace

Sheng Zhang, Birmingham School of Jewellery – winner of the New Designers Goldsmiths’ Company Silversmithing Award 2016  is influenced by minimalist art and contemporary architecture. Shafts of light slice through finely crafted incisions in his series of supremely elegant geometric brooches and vessels – all darkly oxidised with glinting gold edges.
« Sheng Zhang is influenced by minimalist art and inspired by contemporary architecture. His passion concentrates on the exploration and expression of the relationship between internal and external spaces with significant contrasting elements such as forms, textures and colours.
The collection involves the utilisation of highlighted incisions and openings to imply and emphasise the link of internal and external space, as well as introducing light as an indicator of different spaces to allow the viewer to look through and explore the entire piece. This also strengthens the visual response, captures attention and produces curiosity for the viewer.
By employing simple geometric forms and contrasting colours, Sheng demonstrates a minimal style and visual language, which reflects his personality, philosophy and personal aesthetic.
Each piece is unique as a result of a carefully controlled and purposely structured making process. All the pieces are hand made in metal with appropriate techniques including plating and oxidising. The collection consists of functional and non-functional items. »

Sheng Zhang, Birmingham School of Jewellery - ‘Inside Out’ – brooches in oxidised gilding metal Sheng Zhang, Birmingham School of Jewellery – ‘Inside Out’ – brooches in oxidised gilding metal

Sheng (Shawn) Zhang Brooch: Sheng Zhang Brooch – gilding metal, oxidising 2016

Felicity Lynden, University of Edinburgh - 'Ruins' necklace in resin embedded with iron oxide and steel mesh, with white metal and stainless wire Felicity Lynden, University of Edinburgh – ‘Ruins’ necklace in resin embedded with iron oxide and steel mesh, with white metal and stainless wire

 

Freya Alder, Glasgow School of Art
« I am a designer, maker and jeweller based in Glasgow. My work tends to be informal, relatively un-precious and playful. I recently graduated from the design school at Glasgow School of art specialising in silversmithing and jewellery.
This work originally sprang from my love of illustrating the female form. I enjoy the long linear lines that so quickly represent a woman. With something like five strokes of a pen one can conjure a form, and a character within that form.
The subject of the nude woman is fraught with conflicts. The female form is often reductively objectified and generally devalued. I want my work to have a humour and an informality that isn’t often afforded to the subject of the naked women or indeed the discipline of jewellery »

Freya Alder, Glasgow School of Art - Brass Ladies – brooches hand pierced in brass Freya Alder, Glasgow School of Art – Brass Ladies – brooches hand pierced in brass

Freya Alder, Glasgow School of Art - Brass Ladies – brooches hand pierced in brass - The subject of the nude woman is fraught with conflicts. The female form is often reductively objectified and generally devalued. I want my work to have a humour and an informality that isn't often afforded to the subject of the naked women or indeed the discipline of jewellery: Freya Alder, Glasgow School of Art – Brass Ladies – brooches hand pierced in brass – The subject of the nude woman is fraught with conflicts. The female form is often reductively objectified and generally devalued. I want my work to have a humour and an informality that isn’t often afforded to the subject of the naked women or indeed the discipline of jewellery

Hayley Brooks, Duncan of Jordanstone College of Art and Design, Dundee - the peaceful expansive landscapes of the Scottish wilds are captured in her sensitive collection of chokers and bangles – microscopic details of lichen covered rocks appear in richly textured soft silicone contrasting with sleek silver – ‘a personal souvenir – enabling the wearer to carry with them something of the peace and solace found in the Scottish landscape.’
« The Scottish landscape provides peacefulness, an opportunity to free your mind, and access to silence. A stark contrast to the every day hustle and bustle of city life. Through photography I capture things that interest me ranging from the textures and details in the rocks found at my feet to the wider expansive landscapes that give us a sense of place. I am interested in the natural reflection of the landscape in the details of the rocks – the macroscopic in the microscopic!
Through this innovative collection of contemporary jewellery I aim to raise awareness of the beauty of the Scottish landscape, as I want other people see what I can see in the rocks and stones. These immensely wearable pieces, combine alternative materials such as silicone and precious metal, and also act as a personal souvenir – enabling the wearer to carry something of the peace and solace found in the Scottish landscape. »

Hayley Brooks, Duncan of Jordanstone College of Art and Design, Dundee - Choker in silicone, anodised aluminium and silver -  Hayley Brooks, Duncan of Jordanstone College of Art and Design, Dundee: -  Choker in silicone, anodised aluminium and silver -

Hayley Brooks Duncan of Jordanstone College of Art & Design, Dundee – Choker in silicone, anodised aluminium and silver 

 

New Tastes introduces twelve new jewellery graduates: Wanshu Li, Edinburgh College of Art; Hayley Brooks, Duncan of Jordanstone College of Art and Design, Dundee; Chen Cheng, Birmingham School of Jewellery; Rob Anderson, Sheffield Hallam University; Sheng Zhang, Birmingham School of Jewellery; Darcey Skelly, National College of Art and Design, Dublin; Francesca Lobb, Manchester School of Art; Felicity Lynden, University of Edinburgh; Freya Alder, Glasgow School of Art; Stephanie O Leary, Middlesex University, London; Michaela Murrain, De Montfort University, Leicester; Amanda Denison, Winchester School of Art.

 

KATH LIBBERT JEWELLERY GALLERY
Salts Mill, Saltaire,
Bradford BD18 3LA. – UK
Tel/Fax 01274 599790.
info@kathlibbertjewellery.c…
www.kathlibbertjewellery.co.uk

OPEN DAILY 10 – 5.30 MON – FRI and 10 – 6 AT WEEKENDS

 

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07/12/2016

EXCHANGE-BIJOU 1 – Juan HARNIE – Aesthetical Injection(s)

everywhere in december !!! CELEBRITY ???…….

In 2016, he continues his experimentation with a new serie, « Aesthetical Injection » : Designing this collection Juan Harnie used medical materials to create attractive, floral looking jewellery. Juan has always seen beauty in materials that have little to no aesthetical value to others. These materials in particular are usually linked to unpleasant situations like hospitals and doctor visits, but now they are taken out of this context and made into uncanny pieces of jewellery.
Juan got his inspiration from flowers and plants, which always seem to please the eye of the beholder. Even when a plant or flower turns out to be hazardous, poisonous or possibly deadly, at first people will always attribute positive feelings towards seeing them. Contradictory, syringes that are designed to administer medicine and in fact heal people are met with fear, disgust and a general feeling of unease. Using these syringes in colourful, floral pieces of jewellery, mimicking the shape and colour of the ever-so-loved flower, might just make people reconsider their initial feelings towards syringes and see the beauty the designer saw in them.
In addition to the syringes, sterile medical gauze is used either to imprint the silver backs of the pieces or being drenched in coloured polyurethane and moulded into organic sculptured shapes sprouting silverwork and gemstones. This medical gauze once again fulfils its original purpose: being worn on the body and thus soothing an inner ache. »

Materials used for « Aesthetical Injection«  series : syringes, polyurethane, zirconia, brass, silver, gauze, resin

Juan Harnie: Juan Harnie ‘Aesthetical Injection’ -

'Aesthetical Injection' - Brooch/necklace - 2016 - Polyurethane, syringes, brass, medical gauze - Juan Harnie: Juan Harnie - ‘Aesthetical Injection’ – Brooch/necklace – 2016 – Polyurethane, syringes, brass, medical gauze

 Juan Harnie    - Scar(r)ed (2015) -'aesthetical injection' collection. - jewels made with medical gauze, syringes, polyurethane and silver: Juan Harnie  – Scar(r)ed (2015)  brooch -’aesthetical injection’ collection. – jewels made with medical gauze, syringes, polyurethane and silver

Juan Harnie - -'aesthetical injection' collection. - jewels made with medical gauze, syringes, polyurethane and silver: Juan Harnie - -’aesthetical injection’ collection. – jewels made with medical gauze, syringes, polyurethane and silver

Juan Harnie - -'aesthetical injection' collection. 2016 - jewels made with medical gauze, syringes, polyurethane and silver: Juan Harnie - -’aesthetical injection’ collection. 2016 – jewels made with medical gauze, syringes, polyurethane and silver

Juan Harnie - 'Still Scar(r)ed?' - Brooch - 2016 - Polyurethane, silver, syringes, zirconia, medical gauze, brassJuan Harnie - ‘Still Scar(r)ed?’ – Brooch – 2016 – Polyurethane, silver, syringes, zirconia, medical gauze, brass

  *

​Juan harnie DECEMBER 2016 exhibitions : 

galerie BEYOND‘Unlikely Beauty’ at galerie BEYOND (Antwerp) : Side expo by Juan Harnie (BE) and Ana Margarida Carvalho (PT)
Nov 6 – Dec 11 2016
Some new pieces of the ‘Aesthetical Injection’ collection exhibited. First tim they are shown in an expo.EXCHANGE-BIJOU 1 – Juan HARNIE - Aesthetical Injection(s) dans Belgique (BE) 1f642 :) The expo is called ‘Unlikely Beauty’.

'Unlikely Beauty' at galerie BEYOND - Juan Harnie pins: ‘Unlikely Beauty’ at galerie BEYOND - Juan Harnie Tiepins – Silver/Syringe/Resin

Juan Harnie - Tiepin - 2015 - Silver/Syringe/Resin Juan Harnie – Tiepin – 2015 – Silver/Syringe/Resin

Juan Harnie: Juan Harnie - Tiepin (worn) – 2015 – Silver/Syringe/Resin

*

« 12th Jewelry Award Expo » :
* Diamond Museum, 18/11/2016-05/01/2017, Bruges (BE)

Katelijnestraat 43 8000 Brugge Belgique

12th Jewelry Award Expo: DiamondLand, 21/09-10/10/2016, Antwerp (BE) Tour & Taxis, 17/10-13/11/2016, Brussels (BE) ​Diamond Museum, 18/11/2016-05/01/2017, Bruges (BE)This 12th edition of the Jewelry Award exhibits the 23 best jewels of the graduation students of seven different Jeweler schools . Contest theme is “Geometrical imperfection”

**

«Triple Parade Exhibitions»  10/11/2016-16/01/2017,
at  Gauguin Gallery, BEIJING
From 17th December to 16th January 2017
(at Shenxi Art Museum Tianjin was from 10th to 27th November 2016)

Triple ParadeThe main exhibition TRIPLE PARADE 2016 - Dialogue Across You and Me to Them: Creator, Wearer, Viewer represents 79 designers and artists

the artists and designers will be part of this year’s TRIPLE PARADE Central Exhibitions are:
Karin Johansson, Paul Derrez, Lin Cheung, Dinie Besems, Kim Buck, Lauren Kalman, Ezra Satok-Wolman, Katja Prins, Joo Hyung Park, Sofie Boons, Chiara Scarpitti, Trinidad Contreras Chaparro, Aisegul Telli, Ana Filipa Braganca, Gular Mustafa, Dukno Yoon, Hester Popma-Van De Kolk, Joson Thomson, Juan Harnie, Marie-Louise Kristensen,  Marion Delarue,  Minna Karhu,  Ruta Naujalyte,  Sangji Yun,  Sara Gackowska, Lee Yojae, Lee Myungjoo, Hong Kyunghee, Zixuan Feng, Zheng Yu, Haiming Ren, Dingchen He, Zhicheng  Zhou, Wei Zhou, Jingyao Sun, Ye Zhang, Yiping Zeng, Danyi Zhu, Yuxuan Zhu, Anqi Li, Heng Li, Wenqian Li, Muzi Li, Dongdong Zhuang, Jie Sun, Jing Li, Guangyao Yang, Xiao Liang, Yanli Duan, Hangchen Duan, Jinwei Chi, Zhaokun Wang, Jun Hu, Bai Xie, Yi Zhao, Xinan Yu, Hui Guo, Xiaodai Huang, Zhaodan Zhang, Kui Shu, Shijian Zhao. Peter Rust, Kirsi Manninen, Anne Bader, Shaofei Zhang & Qian Wang, Ying Jiang, Lin Ju, Yin Chang, Wenqi Xu, Hongyu Xu, Yan Li, Wenqian Li, Feiyu Lin, Liyin Wang, Weiming Lu, Ma Lu, Quanxia Chen.

Gauguin Gallery
Wang Jing S O H O Zhong Xin T 2
chaoyang Qu -  Beijing
CHINA

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02/12/2016

EXPO ‘Nomen Nescio’ – Piazza del carmine 29, Firenze (IT) – 2-3 Dec. 2016

Nomen Nescio

MFA GRADUATION SHOW - by  Carla Movia

Alchimia Contemporary Jewellery School Florence

Opening 2 december 18:00-21:00

& 3 December 17:00-20:00

Nomen Nescio – Carla Movia

Nomen Nescio, from latin nomen-name and nescio-I don’t know, is an installation of 300 brooches, all made out of the same material – discarded tin cans.
It is the nameless and forgotten crowd that the jewellery artist Carla Movia addresses with her work, a reflection on stereotypes and prejudice.
100 trashed tin cans transformed into jewellery state that redemption is a possibility.
They are meant as a symbol of hope, the invisible and the rejected placed on the body and worn with pride to be noticed.
In this spirit, one series of brooches supports Oxfam Italia’s campaign Stand as One.
A percentage of the sales will be donated to give help and protection to the millions of people forced to flee conflict, disaster and poverty.

Alchimia contemporary Jewellery school in Firenze   -  proud to announce that our MFA graduate Carla Movia has been selected to Talente 2017 with her graduation work! #alchimia #contemporaryjewellery #talente2017: MFA graduate Carla Movia has been selected to Talente 2017 with her graduation work!

Alchimia contemporary Jewellery school in Firenze - proud to announce that our MFA graduate Carla Movia has been selected to Talente 2017 with her graduation work! #alchimia #contemporaryjewellery #talente2017: Alchimia contemporary Jewellery school in Firenze – proud to announce that our MFA graduate Carla Movia has been selected to Talente 2017 with her graduation work

 proud to announce that our MFA graduate Carla Movia has been selected to Talente 2017 with her graduation work! #alchimia #contemporaryjewellery #talente2017: proud to announce that our MFA graduate Carla Movia has been selected to Talente 2017 with her graduation work

 

Carla Movia (born in 1989 in Trieste, Italy) is a contemporary jewellery maker currently based in Florence. She holds a BFA (2014) and completing an MFA in Contemporary Jewellery and Body Ornament from Alchimia Contemporary Jewellery School in Florence tutored by Dutch artists Ruudt Peters and Lucy Sarneel.

 

 

Piazza del Carmine, 29,
50124 Firenze FI, Italia Enregistrer

30/11/2016

EXCHANGE-BIJOU 2 – Carlos SILVA – Tests and Experiments

Carlos SILVA

Expérimentation(s), expérimentation(s), & expérimentation(s) !!
D’ailleurs un de ses albums de photos s’intitule « Tests and Experiments » et on dirait que c’est vraiment ça son « leitmotiv », le « truc en plus », ce qui l’éclate ! le matière de prédilection, en tout cas celle autour de laquelle il tourne et retourne, c’est le bois …. le naturel …. auquel, petit à petit, il ajoute des « produits dénaturés » de la « civilisation » (plastiques, goudron, mousse synthétique pour déco, plâtre….)

Here are some « experiments », as an « appetizer » ! ;-)

Carlos Silva - bracelet - wood, silver leaf: Carlos Silva – bracelet – olive tree wood, silver leaf – 2014

« “A subject that is beautiful in itself gives no suggestion to the artist. It lacks imperfection.” – Oscar Wilde
In our daily lives we come across many elements that hold a hidden beauty. 
I feel I am rarely attracted by the immediate beauty of nature. It is in its minor flaws, irregularities and asymmetries I find true expression. 
 In my work I create jewelry that can translate this seemingly random nature. I use many organic shapes, and use techniques which allow me to replicate these unique shapes, their natural formations and imperfections, because therein lies their true beauty. »
Carlos Silva-  Projects - CASA - school project 2011-12 - necklace - wooden pegs: Carlos Silva-  Projects – CASA – school project 2011-12 – necklace – wooden pegs
PURE | Carlos Silva: Carlos Silva - PURE – 2014 · – Necklace – wood, plaster and cotton thread
Carlos Silva - necklace - olive wood, natural leather, nylon thread -    mai 2014 ·   Colar | Necklace  madeira de oliveira, cabedal natural e fio de nylon olive wood, natural leather and nylon thread: Carlos Silva – necklace – olive wood, natural leather, nylon thread -  2014
Carlos Silva  - Necklace  - Copper, stone and cotton thread 60X40X15 mm: Carlos Silva  – Necklace  – Copper, stone and cotton thread 60X40X15 mm
Carlos Silva -  2016-   'Frozen Fragments' Necklace - cork, plaster and cotton: Carlos Silva -  2016-   ‘Frozen Fragments’ Necklace – cork, plaster and cotton
***
*
 Xmas 2016 - IngalleryBCNINRED
Jewelry Group Exhibition
Opening December, 12th
@ Ingallerybcn
C/ Penèdes, 3, Barcelona
Carlos Silva - ring shot noel 2016New exhibition INRED coming soon, stay tuned !!! ring shot !!!

 

 

 

 

*Studies : Curso de Joalharia no AR.CO Lisboa – Centro de Arte e Comunicação Visual | Lisboa | Portugal de 2009 a 2013
*Board Member of PIN - Portuguese Association of Contemporary Jewelry
*AJF Ambassadorfor Portugal
*Collaborates with the Project Pavilion 31 of the Psychiatric Hospital Lisbon with the artists of Atelier CHPL Arts
*[be.de.lite@gmail.com]

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