BIJOU_CONTEMPORAIN

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10/01/2017

EXPO ‘Look What I Did. New Rings by DOT’ – Villa Bengel (DE) – 7 Dec. 2016-7 Mars 2017

Look What I Did. New Rings by DOT

opening Wednesday, 7th of December 2016 from 18 h

Look What I Did. New Rings by DOT 07Dec2016 - 07Mar2017 Villa Bengel Idar Oberstein, Germany

The exhibition shows works from DOT, a recently graduated student of the Masters programme from the Hochschule Trier.  After his graduation this spring, he startet to make a collection of rings, questioning his own and the wearers identity. What is male, what is female? What role plays the artistic expression? And who is the « I » in DOT, who made these Rings?

 Exhibition display. - DOT MELANIN rings: Exhibition display. – DOT MELANIN rings

 

« While viewing the rings you recognize a gender study. Both feminine and masculine forms are expressed by inner containing worlds, of phallus and aggressive forms. A combination of gemstones and metal connect to each other by layers and phases.
Metal that heals a wounded stone, a setting that simulates a gemstone to the human mind. Within you see a complexity of materials, colour and size that creates a sculptural object, however still maintaining its original function as a ring.
« / DOT

 Exhibition display. - DOT MELANIN ring: Exhibition display. – DOT   ring

DOT. Ring: I am sentimental if you know what I mean, love the pieces but can’t stand the scene, 2016. Cacholong, reconstructed agat,  fine silver, glass, borax, charcoal and lead. Photo by: Nima Ashrafi.: DOT. Ring: I am sentimental if you know what I mean, love the pieces but can’t stand the scene, 2016. Cacholong, reconstructed agat,  fine silver, glass, borax, charcoal and lead. Photo by: Nima Ashrafi.

Exhibition display. - DOT MELANIN rings: Exhibition display. - DOT MELANIN rings

Dot Melanin  ring: Dot   ring

Dot Melanin ring: Dot   ring

Dot Melanin rings: Dot Melanin rings

Dot Melanin ring: Dot Melanin ring

Dot Melanin: Dot Melanin rings

 

 

Villa Bengel 
Wilhelmstraße 42a
55743 Idar-Oberstein
Telephone: +49 (0)6781 – 27030
Fax: +49 (0)6781 – 23549
E-Mail:  info@jakob-bengel.de

 

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04/01/2017

EXPO ‘Neuer Schmuck aus Idar-Oberstein – NSAIO 6′ – Stadtmuseum Simeonstift Trier (DE) – 27 Nov. 2016-26 Fevr. 2017

Neuer Schmuck aus Idar-Oberstein – NSAIO 6 

27 novembre 2016 – 26 Febr. 2017
at Stadtmuseum Simeonstift Trier

Neuer Schmuck aus Idar-Oberstein - NSAIO 6

Beginning with the renaissance of gemstones in jewellery design since the 1970s, Ute Eitzenhöfer, Theo Smeets, Lothar Brügel (ret. 2014) and Eva-Maria Kollischan (since 2014) successfully established the Hochschule Trier in Idar-Oberstein as a creative European jewellery centre. To mark the exhibition in the Stadtmusem Simeonstift in Trier on thirty years of the Gemstone and Jewellery Department, the publication shows an exciting selection of works from the last ten years (2006-2016). Works in creative design and photography accompany diverse approaches that exemplify the contemporary use of a reputedly ‘outmoded’ raw material.
In exploring the aesthetic characteristics of the material and the experimental confrontation with its physical qualities, the gemstone’s potential for design comes entirely into its own. Within current discourse it comments ironically, on the one hand, on the unilateral societal ascription as a luxury item; on the other, it functions as a charming and noble object of nature.

 

 

Den Programm-Flyer mit allen Informationen finden sie hier: http://bit.ly/2gaGKhd
Fachrichtung Edelstein und Schmuck: http://bit.ly/2g7u6mK
Stadtmuseum Simeonstift: http://bit.ly/2gaMwQa
Arnoldsche Art Publisher: http://bit.ly/2g7gQ1s

BOOK-catalog exhibition - NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop | nsaio6: BOOK-catalog exhibition – NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop
Catalogue: « nsaio6 – New Jewellery from Idar-Oberstein » • Ute Eitzenhöfer / Theo Smeets • published by Arnoldsche Art Publishers
NSAIO 6 -  - Julia Obermaier. Brooch: Round the corner, 2016. Agate, resin, pigment, stainless steel. 7.5 x 7 x 3 cm. Photo by: Julia Obermaier.: Julia Obermaier. Brooch: Round the corner, 2016. Agate, resin, pigment, stainless steel. 7.5 x 7 x 3 cm. Photo by: Julia Obermaier

NSAIO 6 - Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier: Julia Obermaier   Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier this Sunday the 27th of november there will be a beautiful Vernissage at the Stadtmuseum Simeonsstift in Trier.  You can see a humongous number of amazing Jewellery from current students and alumni from Hochschschule Trier, Campus Idar-Oberstein! And I’m super happy to be part of it! » Julia Obermaier

NSAIO6 - Matthias Dyer (Dipl 2012) necklace lapis lazuli, plastic, varnish, silver, steel 2012: Matthias Dyer (Dipl 2012) necklace lapis lazuli, plastic, varnish, silver, steel 2012

NSAIO6 - Catalina Brenes (MFA 2016) necklace - marble, resin with graphite, textile: Catalina Brenes (MFA 2016) necklace – marble, resin with graphite, textile

 Tabea Reulecke, "Leopard", Halsschmuck, 2014.Tabea Reulecke, « Leopard », Halsschmuck, 2014.

"Kann man das tragen?"  " on peut porter ?"  créations de Idar-OberSTEIN Campus - Photo : Valérie Wagner Valerie Wagner (5. Semester BFA stud.) • Necklace « Monstranz » • plastic, limestone, rock crystal, flax twine • 2016 • ©photo by Michael Müller-  »Kann man das tragen? »   » on peut porter ? »  créations de Idar-OberSTEIN Campus  

Pop-Up Shop im Stadtmuseum:  17 bijoux de designers internationaux qui offrent leurs créations au musée de la ville - collier Maximilien SchröderPop-Up Shop im Stadtmuseum:  17 bijoux de designers internationaux qui offrent leurs créations au musée de la ville – collier Maximilien Schröder

NSAIO6 - Tianqi LI (BFA, 5e semester 2016) -   'Beffchen', Halsschmuck, 2016, Pferdehaar, Stahl  ( 'Beffchen', collier, 2016, acier, crin de cheval): Tianqi Li   (BFA, 5 semester 2016) -  „Beffchen », Halsschmuck, 2016, Pferdehaar, Stahl  ( « Beffchen », collier, 2016, acier, crin de cheval)

 nsaio 6 - Edu Tarin: Edu Tarin

NSAIO6 - Edu Tarin (MFA 2015) brooch 'revival 5' gold plated copper 2012: Edu Tarin (MFA 2015) • brooch « revival 5″ • gold plated copper • 2012 • ©photo by artist

Saleema Sheikh (MFA stud.) • necklace "Shahnaz“ • cement, aluminium, resin, pigment, PVC • 2016 • ©photo by Denise Ebert, Gina-Nadine MüllerSaleema Sheikh (MFA stud.) • necklace « Shahnaz“ • cement, aluminium, resin, pigment, PVC • 2016 • ©photo by Denise Ebert, Gina-Nadine Müller

Qi Wang (MFA stud.) • Objects • syringe, jasper, agate • 2016 • ©photo by artistQi Wang (MFA stud.) • Objects • syringe, jasper, agate • 2016 • ©photo by artist

Yftah Avrahamy ("Dot Melanin") Necklace: Untitled, 2016 Agate, finesilver, fishing wire Yftah Avrahamy / Dot Melanin Necklace: Untitled, 2016 Agate, finesilver, fishing wire

NSAIO6 - Lina Goltsios (BFA 2016) Ring rock crystal, silver, plastic 2016 photo by Cornelia Wruck: Lina Goltsios (BFA 2016) Ring rock crystal, silver, plastic 2016 photo by Cornelia Wruck

NSAIO6 - Stephanie Morawetz (BFA stud.) necklace '60233040' Stephie-Stein, magnets 2014: Stephanie Morawetz (BFA stud.) necklace ’60233040′ Stephie-Stein, magnets 2014

NSAIO 6 - Eva-Maria Reuther (er), Anastasiya Larionova (\  - Edles, Gewichtiges und Freches aus Metall und Edelstein - volksfreund.de: Eva-Maria Reuther (er), Anastasiya Larionova (\  – Edles, Gewichtiges und Freches aus Metall und Edelstein

NSAIO6 - Gabriela Cohn (MFA 2016) necklace 'Tatzia 11' porcelain, silver, pigment 2016 photo by Qi Wang: Gabriela Cohn (MFA 2016) necklace ‘Tatzia 11′ porcelain, silver, pigment 2016 photo by Qi Wang

NSAIO 6 - Ignasi Cavaller Pendant: Meminisse, 2015 Lemon chrysoprase, kevlar thread, 60´s wall plastic, wild olive tree wood, laquer 12 x 12 x 9 cm: Ignasi Cavaller Pendant: Meminisse, 2015 Lemon chrysoprase, kevlar thread, 60´s wall plastic, wild olive tree wood, laquer 12 x 12 x 9 cm

 

 

Stadtmuseum Simeonstift Trier  (City Museum Simeonstift in Trier)
Simeonstr. 60, an der Porta Nigra
54290 Trier (Trèves)
Phone:   + 49 651 – 7181459
Fax   + 49 651 – 7181458
Facebook
stadtmuseum@trier.de

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31/12/2016

EXCHANGE-BIJOU 1 – Julia Obermaier – FULL program !!!

Julia Obermaier

Loooot of new things for this end of year !

An award + exhibition first, 
« There was a  nice opening of the « 1. Förderpreis der Kaufbeurer Künstlerstiftung » at Kreis- und Stadtsparkasse in Kaufbeuren. I’m super happy to be part of that show. If you are around, don’t miss it. It is on until the 5th of january 2017 ! »

Förderpreis Kaufbeuren: Julia Obermaier (BFA 2016) wurde für den « 1. Förder­preises der Kaufbeurer Künstler­stiftung 2016 » nominiert • Gemeinsam mit der Preisträgerin und den beiden anderen Finalistinnen Alexandra Seuß und Nadine Kuffner sind ihre Arbeiten in der Ausstellung « Gedächtnis » zu sehen • Kreis- und Stadt­spar­kasse Kaufbeuren, Ludwigstraße 26 • 17 Dezember 2016 – 05 Januar 2017
(« Prix d’encouragement » (pour Julia Obermaier) cré par la « Kaufbeurer Artiste Fondation » ? puis exposition « en Mémoire » avec les 3 finalistes, Alexandra Seuß, Nadine Kuffner & Julia Obermaier ???? (si j’ai bien compris …)  …)

Oeuvres visibles du 17 Dec. 2016 au 5 Janv. 2017

Bayerischer Kunstgewerbeverein e.V. - Julia Obermaier

julia obermaier -2016  -  http://kaufbeurerkuenstlerstiftung.de/    Julia Obermaier necklace  

Julia Obermaier (BFA 2016 Idar-OberSTEIN) • Necklace • Agate, resin, iron and gold • 2015 •Julia Obermaier (BFA 2016 Idar-OberSTEIN) • Necklace • Agate, resin, iron and gold • 2015 •

« there was a competition in which all former students from the »Staatliche berufsfachschule für Glas und Schmuck » in Neugablonz-Kaufbeuren could apply. It is called « 1. Förderpreis der Kaufbeurer Künstlerstiftung ». Angelika Kern won this price. I also applied and came into he 3 Finalists. Then there was an exhibition of the pieces of the winner, plus the 3 finalists (Nadine Kuffner, Alexandra Seuss and me) – this exhibition show is on until the 5th of january.«   (THANK YOU Julia !!!!!)

***

Then, or also, an exhibition until JANUARY 3th 2017 : Burg2 :
« kugelalarm » Group exhibition with Julia Obermaier (BFA 2016 Idar-Oberstein) et al. • Burg2, Halle16.12.2016 – 03.01.2017, Opening: 16 December 2016, 7 pm
kugelalarm (galerieburg2, Burgstraße 2, 06114 Halle (Saale)
Burg2: http://bit.ly/2hFmoNi

Burg2 - Studentischer Ausstellungsraum

 

AND ……the BEST for the end ???  Neuer Schmuck aus Idar-Oberstein – NSAIO 6 
27 novembre 201626 Febr. 2017
at Stadtmuseum Simeonstift Trier
Simeonstr. 60, 54290 Trèves

Neuer Schmuck aus Idar-Oberstein - NSAIO 6

Den Programm-Flyer mit allen Informationen finden sie hier: http://bit.ly/2gaGKhd
Fachrichtung Edelstein und Schmuck: http://bit.ly/2g7u6mK
Stadtmuseum Simeonstift: http://bit.ly/2gaMwQa
Arnoldsche Art Publisher: http://bit.ly/2g7gQ1s

BOOK-catalog exhibition - NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop | nsaio6: BOOK-catalog exhibition – NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop
« this Sunday the 27th of november there will be a beautiful Vernissage at the Stadtmuseum Simeonsstift in Trier.  You can see a humongous number of amazing Jewellery from current students and alumni from Hochschschule Trier, Campus Idar-Oberstein!
And I’m super happy to be part of it! » Julia Obermaier
Julia Obermaier  Necklace "You will get through it#1" • Agate, resin, pigment and textile • 2016 • ©photo by artistJulia Obermaier  Necklace « You will get through it#1″ • Agate, resin, pigment and textile • 2016 • ©photo by artist

CONGRATULATIONS !

& wish you a FANTASTIC CONTINUATION for 2017 !!!

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31/10/2016

EXCHANGE-BIJOU 1 – Julia Obermaier – coup de coeur « lapidaire »

Julia Obermaier

C’est drôle comme « le hasard fait bien les choses » …. Ou, il n’y a pas de hasard ….Un de mes problèmes majeurs dans ma vie actuelle est ma « distance aux gens » … trop près, trop loin, je ne sais jamais où, comment me situer …. trop au bord, spectateur, voyeur, ou trop « dedans », trop impliqué … J’avais coutume de dire à mes enfants « la liberté de chacun, c’est comme une bulle : tu as ta bulle, qui te protège et t’entoure, mais elle est fragile et se « brise » facilement. Et chacun a la sienne. Il faut réussir à t’approcher des gens de manière à ce que ni ta bulle ni la leur n’éclate. C’est ça la liberté de chacun, c’est ça « ta liberté commence là où fini la mienne ». C’est un délicat jeu d’équilibre » …. Je me rappelle, ils m’écoutaient bouche bée ….. Eh bien c’est exactement de ça que parlent les bijoux de Julia Obermaier ! « The distance between people« , the « Private space » ….. Cette découverte m’apporte une immense émotion, et ce d’autant plus que …. comment dire ? ses bijoux me touchaient, je ne savais pas pourquoi, parce qu’à priori ce n’était pas « mon genre » de bijoux mais plus un « genre », un style de bijoux, très prisé actuellement parmi ce qui vient d’Idar-Oberstein ……

Julia Obermaier – (Sur)face the space.
« Private space. Working area. The distance between people. The distance between the world and me. Space is a really important subject for me. If someone is crossing the borders of my spaces without permission, it causes a bad feeling within me. That is why I try to protect them as much as possible. But in daily life, one cannot always keep direct surroundings and personal space in their preferred way. This is because our outside world is always in relation with other people and circumstances.
To build my own spaces I cut slices out of agate or rock crystal.  They represent rooms, spaces, containers, boxes or little caves. Some of my works have empty spaces with corners or nooks, while others have an inner life through engravings I cut within the pieces. I am generating space which can be filled with ones own personal feelings, perceptions and sensations. I see my work as containers protecting the innermost emotions of the viewer or wearer.
In contrast to the large space around us filled with other people, I see these pieces as a part of ourselves. They are little copies of the viewer or the wearer. The space inside is reserved for what people find within themselves. The outside surrounding, which is not always controllable for us, becomes the protector of what lies within the piece.  The wearer can then decide if and who is allowed to approach the work, take a look or even touch it. The pieces embody ideas of a second skin and soul protector from the outside world.  They are meant to induce a comforting feeling of inner silence for the wearer, that they can use to confront a busy world. »

  Julia Obermaier Brooch: Untouchable, 2016 Agate, resin, pigment, stainless steel 10 x 5.5 x 5.5 cm Photo by: Julia Obermaier Julia Obermaier Brooch: Untouchable, 2016 Agate, resin, pigment, stainless steel 10 x 5.5 x 5.5 cm Photo by: Julia Obermaier

Julia Obermaier  Brooch: Round the corner, 2016  Agate, resin, pigment, stainless steel  7.5 x 7 x 3 cm  Photo by: Julia Obermaier: at Marzee Graduate Show 2016: Julia Obermaier (BFA 2016 Idar-Oberstein)  -  Brooch « Round the Corner » • Agate, resin, pigment and stainless steel • ©photo by artist  

« With her bachelor thesis Julia Obermaier delivers a statement of monumental grandeur. To do so, working mainly in agate and rock crystal, is a matter of concentration and patience as well as of spatial transition. Acquiring an extended awareness of space and volume, in the sense of an architectonic perspective,  paired with an empathical sensibility for the wearers and observers body and mind, and at the same time bordering the restrictions of jewellery is a remarkable feature of Obermaiers process of work. The result is a collection of wearables in gemstone with a high quality of sensitivity. As an object, Obermaiers pieces are intriguing and inviting, as soon as they are worn and in unity with the body, they show an until than almost hidden sensuality. » / Theo Smeets

Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier (selected for Marzee Graduate Show 2016:): Julia Obermaier – Necklace: Come Around, 2016 – Agate, resin, pigment – 27 x 20 x 3.5 cm – Photo by: Julia Obermaier (selected for Marzee Graduate Show 2016)

« Agate is one of my most favorite materials. The huge secrecy and variety of agate as a stone and its use over centuries is attracting me in my work. Studying the layers and druses of agate amazes me and makes me curious. What is happening? What is in there? I want to arise these feelings as well in the wearers and viewers of my pieces. You can find sensitivity, strength and multifaceted sides not just in agates, as well in every other living creature. »

She is member of  « Astonish », a group of young jewellery artists which are current students or recent alumni’s form University of Applied Sciences Trier, Campus Idar-Oberstein.
They were present at SCHMUCK 2016, at  Inhorgenta Munich, 12–15 February 2016, at Internationale Handwerksmesse München,  24 February – 1 March 2016 -

 Julia Obermaier- Untitled (No.3) – Necklace – Agate, Steel, 18kt Gold – 450 x 120 x 70 mm – 2014 – Photo by Julia Obermaier: Julia Obermaier (BFA stud. Idar-OberSTEIN 2016) • Necklace  Untitled (No.3) • Agate, steel, 18k gold • 2014 • 450 x 120 x 70 mm ©photo by Julia Obermaier – #MJW16/ « Astonish »

Julia Obermaier Necklace: Breathe, 2016 Rockcrystal, silver, iron, paint, resin 33 x 18 x 2 cm Photo by: Qi Wang  Julia Obermaier Necklace: Breathe, 2016 Rockcrystal, silver, iron, paint, resin 33 x 18 x 2 cm Photo by: Qi Wang

 Julia Obermaier Necklace: Have a look outside, 2016 Agate, iron, fabric, resin, pigment 26 x 11 x 3.5 cm Photo by: Julia Obermaier: Julia Obermaier Necklace: Have a look outside, 2016 Agate, iron, fabric, resin, pigment 26 x 11 x 3.5 cm Photo by: Julia Obermaier




 

 

 

Etudes
Staatliche Berufsfachschule für Glas und Schmuck Kaufbeuren-Neugablonz
Hochschule Trier, Idar-Oberstein, Germany. BFA stud.   2016
Selected Graduate 2016 at Klimt02
Born in Landau a.d. Isar, Germany. 2009 to 2012 apprenticeship to a goldsmith at staatliche Berufsfachschule für Glas und Schmuck in Kaufbeuren-Neugablonz, Germany. Since 2012 studies Bachelor of Fine Arts in Gemstone and Jewellery at University of Applied Sciences Trier, Department Idar-Oberstein. Made during her studies an exchange semester at the Royal Melbourne Institute of Technology in Melbourne, Australia. Lives and works in Idar-Oberstein, Germany.

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01/10/2016

Bijoux en situation …. Eva Burton – high level desiderata !

Eva Burton, plus que « bijoux en situation » je devrais dire « DESIDERATA en situation » !!!

graduate from  Escola Massana  in 2014
now at Idar-OberSTEIN  (MFA stud.)(Master in Fine Arts))

  »During this time I’ve been in Idar-Oberstein doing my MFA I have been researching different aspects of the concept of « play » in society and how it influences in building the personality of human beings.
I have sailed the deep seas of Freudian concepts, repeating inward the sound « Fort- daaa », understanding this as a magic spell capable of transforming that reality that distresses us into something pleasant. Play has the power to transform confusion and trauma into a situation of enjoyment and connection with ourselves. Play is a ritual that takes place in a sacred place, the magic circle, the backyard of our house, the playground. That magical corner is deeply connected to our unconscious and through its exploration we can get to know more ourselves and we can also find this source of inspiration for our daily lives. Play is an intermezzo in our routine, is an ornament that adds beauty and grace to our lives. Playing is a need, a function of living beings. . Into an imperfect world and into the confusion of life it brings us a temporary, limited perfection. »  (oct. 2016)

 Eva  Burton   2015 ·- Bacon Twist. Necklace, 2014 Pink opal, enameled copper, wild boar teeth, silver: Eva  Burton   2015 ·- Bacon Twist. Necklace, 2014 Pink opal, enameled copper, wild boar teeth, silver

Eva  Burton   nov 2015 -  Drifting chair Brooch. 2013. Reclaimed woods from skate and furniture, enameled copper, paint, silver, paper.: Eva  Burton   nov 2015 -  Drifting chair Brooch. 2013. Reclaimed woods from skate and furniture, enameled copper, paint, silver, paperEva Burton  nov 2015 ·   Morning after party Necklace. 2013 Reclaimed woods from skate and furniture, agate, paint, silver, cotton thread.: Eva Burton  nov 2015 ·   Morning after party Necklace. 2013 Reclaimed woods from skate and furniture, agate, paint, silver, cotton thread

 

 

« Me gusta metaforizar mis experiencias, me gusta romantizar lo cotidiano, me gusta enaltecer los pequeños detalles.
 La palabra “petium” proviene del latín pecium o petium, que significa “trozo de algo roto o fragmento encontrado después de un naufragio”.
 Esta definición le abre paso a un paralelismo entre dos imágenes/escenarios:
 Una es en la orilla del mar frente a los restos de un naufragio expulsados por las aguas. La marea actuando como un motor de transformación, de limpieza, extrayendo de lo profundo aquello que estuvo perdido, olvidado.
 Y por otro lado mi realidad: la vorágine citadina, el consumo desmedido de los humanos que todo lo desechamos se convierte en un torbellino que va escupiendo los residuos de la sociedad. ¿Mi misión? Colectar esa escoria a manera de tesoros, como si fueran caracolas en la orilla; transformarlos, darles una segunda oportunidad, una nueva vida, reutilizar lo que la gente desecha para aportarle algo mío.
 El ambiente circundante me influye, los focos donde pongo  mi atención son diferentes en cada escenario, pero hay un denominador común: los detalles. ¿Por qué poner atención en ellos? Es la observación minuciosa la que nos permite detectarlos. Es esa sensibilidad la que nos permite capturar su esencia y entonces quizá… son los pequeños detalles los que le dan a la vida sostén, sabor, ¿ilusión…?
La mixtura es lo que me completa, quiero encontrar en los opuestos las conexiones y hacerlos dialogar, bailar, distanciar, acercar, jugar…
Mis piezas son como una pócima que combina muchos elementos provenientes de diversos puertos y rincones. Son collages, ensambles. Pero la morfología, la composición, los elementos no son independientes, hay una interacción, están interconectados entre sí a través de su forma, colores, manchas, texturas, líneas, distancias…Se crea un conglomerado donde esta multiplicidad tiene una relación y es la asociación de los elementos que definen un conjunto, a través de los cuales intento reflejar mi  propio mundo.
Castillos de chupetines, pedestales a la hora de la merienda. Columnas verdes, columnas blancas. Ruinas imaginarias. Curvas moderadas. Aristas afiladas. Soles amarillos y soles rosas.
 En mis piezas todo aquello que parece disparatado es posible… Mi manera de componer está asentada en bases lúdicas, instintivas. Voy oliendo los colores y los elementos de un paisaje hogareño… Busco, en definitiva, sentirme como en casa… »

 

Eva  Burton - clorophyll amulet from series "The backyard of my house is special" necklace enamel agate   2015Eva  Burton - clorophyll amulet from series « The backyard of my house is special » necklace enamel agate   2015
 

« I take great pleasure in transforming my experiences into metaphors, adding a romantic view to those slight details that take place in our daily life.
The word “petium” comes from Latin meaning “a piece of something broken or a fragment found after a shipwreck « .
This definition gives way to a parallelism between two images / scenes:
By one side, on the shore of the sea the rests of a shipwreck are revealed by the water. The tide acting as a transformation engine, cleaning, drawing from the deep what had been lost, forgotten.
On the other hand my reality: the vortex of the city, the excessive consumerism of humankind, a tornado of discard that spits out the remains of society.  Which is my mission? To collect these drags as treasures, like shells on the shore. And then transform them, give them a second chance, a new life, reuse what someone considered worthless and leave in it a trace of myself.
The atmosphere of the surrounding affects me, the focus of my attention differs in every setting, but there is a common denominator: The details. Why to put attention to them?  It is the meticulous observation that lets us detect them. It is these sensibilities that allows us to capture their essence and then maybe…are the little details that give us support, taste ….hope …?
The mixture is what fills me.  I want to find the connections in the opposites and make them engage in a dialogue. Make them dance, grow apart, get close, play. My pieces are like a concoction that combines various elements, coming from diverse harbors and corners. They are collages, assemblages. But in the composition the elements are not independent. There is an interaction, they are interconnected through their shape, colour, stains, textures, lines, distances…A conglomeration is created where this multiplicity has a relation and it is the conjunction of the elements that defines a whole, through which I intend to reflect my own world.
Lollypops castles, lemon balustrades. Green columns , white columns. An imaginary ruin. Moderate curves. Sharp edges. Yellow suns and pink suns.
In my pieces everything that seems nonsense it is possible. My way of composing is seated in playful, instinctual bases. I go around smelling the colours and the elements of a homely landscape … Seeking for the “welcome home” feeling… »  (Eva Burton blog)

Eva  Burton earringsEva  Burton earrings

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24/08/2016

30th Marzee International Graduate Show 2016 – Marzee Graduate Prize – And the WINNERS are …..

30th Marzee International Graduate Show 2016

opening Sunday 21 August at 4pm  of the 2016 Annual International Marzee Graduate Show at Galerie Marzee.
During the opening we will also be presenting the Marzee Graduate Prize to this year’s most promising graduates -
The exhibition will be on show until 29 October 2016.

The Marzee International Graduate Show 2016. 30th Marzee International Graduate Show - www.facebook.com/... - opening of this exhibition on Sunday 21 August at 4pm at Galerie Marzee! - exhibition will run from 21 August until 29 October 2016.-  - - - X: (Wei Zhou, Hints  CAFA (Central Academy of Fine Arts), China)

MARZEE GRADUATE PRIZE  2016

The Marzee International Graduate Show is an annual event and the highlight of our exhibition calendar. In organising this unique event, we hope to turn the spotlight on the fantastic work produced by jewellery graduates from all over the world.

Every year the Marzee Graduate Prize is awarded to a selection of the most promising students. The quality of work this year has been exceptional and so we are delighted to announce a record number of prize winners :

Wei Zhou (BA) – CAFA, Beijing, China
Alžběta Dvořáková (MA) – AAAD, Prague, Czech Republic
René Martin – Akademie der Bildenden Künste, Nuremberg, Germany (NOT jewelry)
Yiftah Avraham (MA) – Hochschule Trier, Idar-Oberstein, Germany
Catalina Brenes (MA) – Hochschule Trier, Idar-Oberstein, Germany
Federica Sala (MA) – Alchimia, Florence, Italy
Jongseok Lim (BA) – Kookmin University, Seoul, South Korea
Yenim Park (MA) – Kookmin University, Seoul, South Korea
Katharina Dettar (MA) – RCA, London, UK
Luci Jockel (BA) – RISD, Providence, US

Congratulations to all the winners!

They won the Marzee Graduate Prize 2016 out of a selection of 106 graduates from 70 schools worldwide !!!

Catalina Brenes & Yiftah Avraham -  Marzee Graduate Prize 2016 Catalina Brenes & Yiftah Avraham -  Marzee Graduate Prize 2016 – ©phot. by Galerie Marzee – Only two of the winners, but THE image of youth, beauty, happiness & SUCCESS ! Continue to give us all that beauty you make !

  Marzee Graduate Show 2016: Catalina Brenes (MFA 2016 Idar-Oberstein) • Brooch "22 Uhr" • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang   Catalina Brenes (MFA 2016 (Idar-Oberstein Hochschule Trier)) • Brooch « 22 Uhr » • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang 

Marzee Graduate Prize 2016  Catalina Brenes (MFA 2016) • Neckpiece "16:43" • Carrara white marble, fabric and resin with natural pigments • 2016 • ©photo by Qi WangMarzee Graduate Prize 2016  Catalina Brenes (MFA 2016) • Neckpiece « 16:43″ • Carrara white marble, fabric and resin with natural pigments • 2016 • ©photo by Qi Wang

Marzee Graduate Prize 2016  Yiftah Avraham (MFA 2016) • Neckpiece "Tsunami on Beach, Number 6" • Fine silver, copper, rock crystal, brass, plexiglass, simolux, paint, epoxy, steel, bone and the force of nature • 2016 • ©photo by Yiftah Abraham using Qi's fathers cameraMarzee Graduate Prize 2016  Yiftah Avraham (MFA 2016 Idar-Oberstein, before at Shenkar) • Neckpiece « Tsunami on Beach, Number 6″ • Fine silver, copper, rock crystal, brass, plexiglass, simolux, paint, epoxy, steel, bone and the force of nature • 2016 • ©photo by Yiftah Abraham using Qi’s fathers camera

Yiftah Abraham - untitled, 2016, ring; obsidian, silver, synthetic sapphire, lichen, paint Yiftah Abraham – untitled, 2016, ring; obsidian, silver, synthetic sapphire, lichen, paint

Marzee grad show 2016 - Marzee Graduate Prize 2016  Yiftah Avraham (MFA 2016) • Brooch "Hello Kitty 2" • Bone, epoxy, pvc, simolux, fungus, car paint, steel, fine silver, brass, safety card, key, rock crystal, olive wood, IDF uniform, wedding glass, sabra cactus thorns, dragon fly wings, poetry, sweet potato leaves, sunflower seeds, lichen and the artist´s hair • 2016 • ©photo by Yiftah Abraham using Qi's fathers cameraYiftah Avraham (MFA 2016 Idar-Oberstein) •  Brooch « Hello Kitty 2″ • Bone, epoxy, pvc, simolux, fungus, car paint, steel, fine silver, brass, safety card, key, rock crystal, olive wood, IDF uniform, wedding glass, sabra cactus thorns, dragon fly wings, poetry, sweet potato leaves, sunflower seeds, lichen and the artist´s hair • 2016 • ©photo by Yiftah Abraham using Qi’s fathers cameraKatharina Dettar RCA (Royal College of Art), London  2.1 grams, 2016 installation with ring; stone, gold installatie met ring; steen, goud  Marzee International Graduate ShowKatharina Dettar    (BA 2013Idar-Oberstein, fresh MA graduate of the Royal College of Art) • Installation « 2,1 grams » • 24ct Gold (2,1 g) and shale (1.400 kg) & quartzit (140 kg) • 2016 • ©photo by Guillem Trius
« Awakening Awareness – To magnify a problem, to create dialogues and awake awareness about what lays behind some of the objects that surround us. 3D diagrams that communicate about the material waste of our nowadays goods.
Jewellery, tableware, furniture and silk clothes are present in our daily life, contrary to the unseen raw material we need in order to produce them. »

Katharina Dettar 1000 Moths for a Blouse, 2016, blouse; Bombyx mori moths, silk thread - Marzee Prize 2016: Katharina Dettar 1000 Moths for a Blouse, 2016, blouse; Bombyx mori moths, silk thread -  (BA 2013Idar-Oberstein, fresh MA graduate of the Royal College of Art)

Federica Sala - Alchimia 2016Federica Sala - Controlled Freedom, 2015, necklace; glass, aegirine – Alchimia 2016
Federica Sala at Marzee graduation show 2016Federica Sala at Marzee graduation show 2016
Marzee gradution show 2016-. - Alžběta Dvořákova, The secret of space, 2016, brooch; leather, silver, brass; Academy of Arts, Architecture and Design (AAAD), Prague, Czech Republic:  Alžběta Dvořákova, « The secret space », 2016, brooch; leather, silver, brass – Academy of Arts, Architecture and Design (AAAD), Prague, Czech Republic
Alžběta Dvořákova, "The secret space", 2016, brooch; leather, silver, gold leaf - Academy of Arts, Architecture and Design (AAAD), Prague, Czech RepublicAlžběta Dvořákova, « The secret space », 2016, brooch; leather, silver, gold leaf – Academy of Arts, Architecture and Design (AAAD), Prague, Czech Republic
Alzbeta Dvorakova at Marzee graduation show 2016 - Marzee Prize 2016 - master work "the Secret space" - back of brooch: Alzbeta Dvorakova  – master work « the Secret space » – back of brooch 
Candidate selected student category ENJOIA'T 2016 / The Cages by Wei Zhou: Candidate selected student category ENJOIA'T 2016/ The Cages by Wei Zhou:
  Wei Zhou - The Cages, 2016, necklace; silver, wood, parchment, thread CAFA (Central Academy of Fine Arts), Beijing, China

 Luci Jockel Bloom, 2014, brooch; groundhog skull, fungi, honeycomb, beeswax, steel, brass - Marzee Prize 2016: Luci Jockel,  MFA 16 JM (RISD) -  « Bloom », 2014, brooch; groundhog skull, fungi, honeycomb, beeswax, steel, brass – RISD (Rhode Island School of Design), Providence, US

Jongseok Lim Specimen Series – 8, 2015, brooch; fine silver, sterling silverJongseok Lim Specimen Series – 8, 2015, brooch; fine silver, sterling silver - Kookmin University, Seoul, South Korea

Yenim Park untitled, 2016, brooch; horsehair, stainless steelYenim Park -  untitled, 2016, brooch; horsehair, stainless steel – Kookmin University, Seoul, South Korea

Lage Markt 3 / Waalkade 4
6511 VK Nijmegen, Netherlands
tel +31 24 322 9670
mail@marzee.nl

 

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17/08/2016

EXPO ‘Marzee Graduate Show 2016′ – Marzee Gallery, Nijmegen (NL) – 21 Aout-29 Oct. 2016

30th Marzee International Graduate Show 2016

Please join us on Sunday 21 August at 4pm for the opening of the 2016 Annual International Marzee Graduate Show at Galerie Marzee.

During the opening we will also be presenting the Marzee Graduate Prize to this year’s most promising graduates -

The exhibition will be on show until 29 October 2016.

The Marzee International Graduate Show 2016.

***

Marzee Graduate Show 2016 - Wan Hee Cho jewel(Wan Hee Cho (KR) necklace) RISD (Rhode Island School of Design) in 2013)

Galerie Marzee  -30th Marzee International Graduate Show 2016 -  Wei Zhou, Hints / Untitled, 2016, necklace; silver, greenhide; CAFA, Beijing, China  Wei Zhou, Hints / Untitled, 2016, necklace; silver, greenhide; CAFA (Central Academy of Fine Arts), Beijing, China

30th Marzee International Graduate Show -  [Wei Zhou, Hints  CAFA, China]: Wei Zhou, Hints  CAFA (Central Academy of Fine Arts), China 

  Fan WANG, Sint Lucas Antwerpen - Marzee graduate show 2016  Fan WANGSint Lucas Antwerpen

Alžběta Dvořákova, The secret of space, 2016, brooch; leather, silver, brass; Academy of Arts, Architecture and Design (AAAD), Prague, Czech Republic - Marzee graduation show 2016Alžběta Dvořákova, The secret of space, 2016, brooch; leather, silver, brass – AAAD (Academy of Art, Architecture and Design), Prague, Czech Republic

Luci Jockel, Royal Mourning, 2014, brooch; squirrel skull, lichen, fungi, insect pins, steel; Rhode Island School of Design (RSID), Providence, US - Marzee .... 2016- Luci Jockel, Royal Mourning, 2014, brooch; squirrel skull, lichen, fungi, insect pins, steel – RISD (Rhode Island School of Design), Providence, US

Marzee ..... - Katie Kameen, Terrain, 2016, necklace; found objects, rubber tubing; Indiana University, Bloomington, US: Katie Kameen, Terrain, 2016, necklace; found objects, rubber tubing; Indiana University, Bloomington, US

Tain Jingwen, The winter Solstice, 2016, brooch; silver, oil painting, metal; CAFA, Beijing, China:  - Marzee ....  2016Tain Jingwen, The winter Solstice, 2016, brooch; silver, oil painting, metal; CAFA (Central Academy of Fine Arts), Beijing, China

Federica Sala, Controlled Freedom, 2015, necklace; glass, egirina; Alchimia, Florence, Italy: -  Marzee International Graduate Show 2016 -Federica Sala, Controlled Freedom, 2015, necklace; glass, egirina; Alchimia, Florence, Italy

Ronit Vishovski, Undivided, 2016, brooch; casted glass, wire; Cranbrook Academy of Art, Bloomfield Hills, USA - Marzee graduate show 2016Ronit Vishovski, Undivided, 2016, brooch; casted glass, wire; Cranbrook Academy of Art, Bloomfield Hills, USA

Lena Wunderlich, Whiteness is Blindness, 2016, brooch; brass, acrylic urethane - automotive paint, stainless steel (model: Kamal N.); Rhode Island School of Design (RISD), Providence, USA: - Marzee graduate show 2016 Lena Wunderlich, Whiteness is Blindness, 2016, brooch; brass, acrylic urethane – automotive paint, stainless steel (model: Kamal N.); RISD (Rhode Island School of Design), Providence, USA

Yenim Park, Horsehair Jewelry 4, 2016, brooch; horsehair, stainless steel; Kookmin University, Seoul, South-Korea - Marzee 2016.. - Yenim Park, Horsehair Jewelry 4, 2016, brooch; horsehair, stainless steel; Kookmin University, Seoul, South-Korea

Stephanie O'Leary, Fragments, 2016, necklace; steel, sterling silver, enamelled copper, wenge, neodymium magnets twine; Middlesex University, London, UK - Marzee .... - 2016Stephanie O’Leary, Fragments, 2016, necklace; steel, sterling silver, enamelled copper, wenge, neodymium magnets twine; Middlesex University, London, UK

  Nadja Soloviev - Akademie der Bildenden Künste NürnbergNadja Soloviev Akademie der Bildenden Künste  Nürnberg

Maya Shoshan - Shenkar - MARZEE 2016Maya ShoshanShenkar College of Engineering and Design

Pallavi Verma - jewelry with hair - Jewellery Design Royal Academy of Fine Arts AntwerpPallavi Verma – jewelry with hair – Jewellery Design Royal Academy of Fine Arts Antwerp (Koninklijke Academie voor Schone Kunsten)

Mahvash Salim Raza (MFA 2016 Idar-Oberstein) • Necklace "My Perfect Universe" • Resin, gold, silver and ink on transparency • 2016 • ©photo by Muhammad Ashrafi - Marzee Graduate Show 2016Mahvash Salim Raza (MFA 2016 Idar-Oberstein Hochschule Trier) • Necklace « My Perfect Universe » • Resin, gold, silver and ink on transparency • 2016 • ©photo by Muhammad Ashrafi

[and from   Idar-OberSTEIN  : Yiftah Abraham (MFA 2016), Catalina Brenes (MFA 2016), Ferran Iglesias Baron (MFA 2016), Julia Obermaier (Julia Obm)(BFA 2016) and Mahvash Salim Raza (MFA 2016) are selected for the graduation show]

Marzee Graduate Show 2016: Catalina Brenes (MFA 2016 Idar-Oberstein) • Brooch "22 Uhr" • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang   Catalina Brenes (MFA 2016 (Idar-Oberstein Hochschule Trier)) • Brooch « 22 Uhr » • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang 

Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier (selected for Marzee Graduate Show 2016:): Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier (Idar-Oberstein Hochschule Trier)

Ferràn Iglesias (MFA stud. Idar-Oberstein) • Brooch "Life in Happiness" • Silver, steel and pigment • 2016 • ©photo by Elena GorbunovaFerran Iglesias Baron (MFA stud. Idar-Oberstein Hochschule Trier) • Brooch « Life in Happiness » • Silver, steel and pigment • 2016 • ©photo by Elena Gorbunova

and, from France – Strasbourg – Haute école des arts du Rhin (HEAR)  are selected Solene Dejean  and Camille Ancelin – Honneur aux françaises ! :-)

 Solène Dejean  Ring: PIECES SERIE n°2, 2016  Brass, silver, plexiglass  5 x 8 x 5 cm: Solène Dejean  Ring: PIECES SERIE n°2, 2016  Brass, silver, plexiglass  5 x 8 x 5 cm (Haute école des arts du Rhin (HEAR))

Camille Ancelin (Haute école des arts du Rhin (HEAR) Camille Ancelin (Haute école des arts du Rhin (HEAR)

 

Participating academies and universities:
Australia – MelbourneRMIT (Royal Melbourne Institute of Technology)
Belgium – AntwerpenSint Lucas Antwerpen
Belgium – AntwerpenKoninklijke Academie voor Schone Kunsten
Belgium- HasseltMAD-Faculty
China – BeijingCAFA (Central Academy of Fine Arts)
China – BeijingBIFT (Beijing Institute of Fashion Technology)
Czech Republic – PilsenLadislav Sutnar Faculty of Design and Art (University of West Bohemia)
Czech Republic – PragueAAAD (Academy of Art, Architecture and Design)
Estonia- TallinnEKA (Eesti Kunstiakadeemia)
Finland – LappeenrantaSaimaa University of Applied Sciences
France – LimogesENSA Limoges
France – Strasbourg – Haute école des arts du Rhin (HEAR)
Germany – DüsseldorfHochschule Düsseldorf
Germany – HalleBurg Giebichenstein – Kunsthochschule Halle
Germany – HildesheimHAWK Hildesheim (Hochschule für angewandte Wissenschaft und Kunst)
Germany – Idar-ObersteinHochschule Trier
Germany – MunichAkademie der Bildenden Künste
Germany – PforzheimFachhochschule Pforzheim
Germany – NuremburgAkademie der Bildenden Künste
Israel – JerusalemBezalel Academy of Arts & Design
Israel – Ramat-GanShenkar College of Engineering and Design
Italy – FlorenceAlchimia, Scuola di Gioielleria
Japan – TokyoHiko Mizuno College of Jewelry
South Korea – SeoulKookmin University
Netherlands – MaastrichtMaastricht Academy of Fine Arts and Design
Netherlands – AmsterdamGerrit Rietveld Academie
New Zealand – AucklandManukau Institute of Technology
New Zealand – PoriruaWhitireia Community Polytechnic
Spain – BarcelonaEscola Massana
Sweden – GöteborgHDK (Högskolan för design och konsthantverk)
Sweden – StockholmKonstfack, University of Arts Craft and Design
Switzerland – GenèveHEAD (Haute ecole d’art et de design)
United Kingdom – BirminghamBirmingham City University, School of Jewellery
United Kingdom – EdinburghEdinburgh College of Art
United Kingdom – LondonMiddlesex University
United Kingdom – LondonCentral Saint Martins
United Kingdom – LondonRoyal College of Art
USA – Bloomfield HillsCranbrook Academy of Art
USA – BloomingtonIndiana University
USA – New PaltzState University of New York at New Paltz
USA – ProvidenceRISD (Rhode Island School of Design)
USA – San DiegoSan Diego State University
 

Lage Markt 3 / Waalkade 4
6511 VK Nijmegen, Netherlands
tel +31 24 322 9670
mail@marzee.nl

 

08/05/2016

Gioielli in Fermento 2016 – STUDENTS section – Torre Fornello (IT) – 8-22 Mai 2016

Gioielli in Fermento 2016 Premio Torre Fornello 6a edizione

……… per la 6a edizione, una sezione STUDENTI !!

Contemporary jewellery international competition

* AWARDS : Premio Torre Fornello 2016 – The awarded Artists – 8 Maggio/May 2016
* EXHIBITION : Premio Torre Fornello 2016 – The exhibition opening8/22 Maggio/May 2016
Workshop Seminar
9/10 Maggio/May 2016 (informazioni in arrivo coming soon)

Gioielli in Fermento 2016(Viktoria Munzker “Mother Earth, Madre Terra” for Gioielli in Fermento 2016)

 

Premio Gioielli in Fermento 2016 – Sezione Studenti

L’edizione 2016 del concorso, prevede la sezione speciale dedicata agli studenti (allievi frequentanti – o diplomati nel 2015 – un corso di studi superiori o master ad indirizzo artistico, design del gioiello, tecniche orafe, o equivalente – da specificare in fase di iscrizione) che non abbiano partecipato alla sezione principale di precedenti edizioni di Gioielli in Fermento. 
Medesime le caratteristiche dell’ornamento da realizzare, come per i candidati professionisti (secondo il bando di concorso, con la particolare attenzione al tema di quest’anno).

Il tema del Premio 2016  / The theme of competition  Freedom & Constraint | Libertà e vincolo

Eva Perales Brooch: Feeling for you, 2016 Plastic, wine, water, stainless steel Part of: Gioielli in Fermento 2016 - Premio Torre Fornello VI edition EASD Valéncia, students section Gioielli in Fermento 2016: Eva Perales Brooch: Feeling for you, 2016 Plastic, wine, water, stainless steel  –   EASD Valéncia, students section Gioielli in Fermento 2016

Sezione Studenti | and for the Students section :

* Alchimia Jewellery School Firenze (Italy) Daria Olejniczak
* Campus Idar Oberstein – Hochschule Trier University School for Applied Arts (Germany) Gabriela Cohn, Typhaine Le Monnier
* EASD València – Departament de Joieria (Spain) Ana Monleon Lozano, Azahara Santoro , Bea Ruiz, Eva Perales, Gema Lopez Ciscar, Laura Crovetto, Lidón Guillén Gallén, Miryam Ocaña Navarro De Palencia, Paula Ferrandis Alonso, Sarolt Szilágyi
* Fabrika12 – València (Spain) Camilla Mileto
* IED Design moda e gioiello – Roma (Italy) Serena Lucaccioni
* ITS Cosmo Progettazione e ricerca orafa Vicenza (Italy) Elisabetta Bordigato, Francesca Farina, Alberto Milanese, Silvia Refosco, Chiara Riccò
* Liceo Artistico Pietro Selvatico Padova (Italy)
Elena Citran, Francesca Letizia Guerra, Evelina Marafon
e le Classi 4CD-5CD Laboratori smalti e miniature
* Llotja – Escola Superior de Disseny i d’Art – Catalunya (Spain) Gualba Rojo Agramunt
* Ming-dao University (Taiwan) Huang Chi-Ting
* Tarì Design School – Caserta (Italy) Roberta Benedetto, Giulia Tartarone, Kgaugelo Molope, Gravelle Abrahams, Ayanda Myeza, Themba Mantshiyo, Chiara Esposito, Democracy Maseko, Mandisa Mandy Ndlovu, Sifiso Kumalo, Zinhle Ngcobo, Nhlanhla Treasure, Dorcas Lekhole
* The Glasgow School of Art (UK) Angela Hou Chien-Chia
* Shenkar Jewelry Design Department (Israel) Vika Mayzel
* Universidad del Desarrollo, Magíster de Arte (Chile) Massiel Munoz
* e le immagini dei lavori della Beijing Institute of Fashion Technology (China)
Corso Prof. Mrs. Zhao Yi e Prof. Mr. Hu Jun
Yujing Cheng, Kaixin Chen, Jialiang Fan, Shiyi Gan, Ran He, Weihai Huang, Lu Kuai, Bixin Li, Menglin Li, Mengshi Li, Hongluo Liu, Cheng Lu, Manqi Lu, Yaoyao Pu, Mingqing Qin, Junying Ren, Xnyue Shi, Ting Tang, Tianyu Wang, Yue Wang, Haiyuan Xia, Xueting Yan, Runkang Zhang, Siran Zhang, Qiuting Zhao
 

 award 2016 gioielli in fermento, Sezione Studenti - Student section -Daria Olejniczak – brooch: premio 2016 gioielli in fermento, Sezione Studenti | Student section - 
Daria Olejniczak – brooch 

Vika Mayzel. (SHENKAR)Vika Mayzel. (SHENKAR)

 

COMUNE DI PIACENZA
Gioielli in Fermento ®
gioiellinfermento@gmail.com
T.+39 3358083039
www.gioiellinfermento.com
www.torrefornello.it Ziano Pc Italy
curaduría Eliana Negroni
www.gioeillinfermento.com

http://www.agc-it.org/eventi/

 

con la collaborazione di | in collaboration with
AGC – Associazione Gioiello Contemporaneo
JOYA Contemporary Jewellery Fair Barcelona
Klimt02 Art Jewellery Online
Torre Fornello  www.torrefornello.it

 

 

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17/04/2016

Melting Point 2016 VALENCIA (Spain) – EXPO ‘Formation/Formaciò/Formación’ – EASD, Valencia (SP) – 21 Avril-22 Mai 2016

Al Escola d’Art i Superior de Disseny de València (EASD)

Formation / Formaciò / Formación

Inauguración: jueves 21 a las 12h.

   Melting Point Valencia 2016

 Melting Point 2016

 

18 escuelas europeas ! : Escola d’Art i Disseny Tarragona — AFAD Bratislava (Academy of Fine Arts and Design in Bratislava) — Escola Municipal d’Art Arsenal — University of Lincoln (GB) — Escuela de Arte de Zaragoza — Maden Studio Istambul (TR) — Escola Massana (Barcelona)-Centre d’Art i Disseny — Moholy-Nagy University of Art and Design Budapest — Escuela de Arte de Murcia — Hochschule TrierEscola d’Art La Industrial (Barcelona) — Escola Superior de Disseny Illes Balears — Estonian Academy of ArtsHochschule Pforzheim — EAS de Palencia-Mariano Timón – Llotja-Escola Superior de Disseny i Art Escuela de Arte 3 (Madrid) — Escola d’Art i Superior de Disseny de València
EASD - Escola d’Art i Superior de Disseny de València. Calle Pintor Domingo, 20
Calle Pintor Domingo, 20.
Lunes a viernes: 8 a 21h. Sábado 23: 10 a 14h.

13/04/2016

Melting Point 2016 VALENCIA (Spain) – EXPO ‘SUR o no SUR’ & ‘ASTONISH’ – Centre del Carme, Valencia (SP) – 21-24 Avril 2016

 Sur o no sur y  Astonish se presentan en Melting Point

Melting Point Valencia 2016

SUR o NO SUR -  - Centre del Carme. Calle Museo, 2. Sur o no Sur. Joyería Argentina Contemporánea

Sur o no Sur es un proyecto iniciado por Eva Burton en la ciudad de Barcelona.
Nace de la necesidad de mostrar a nivel internacional la contribución de los argentinos a la disciplina de la Joyería Contemporánea.
Gracias al apoyo de la galerista argentina Mercedes Rodrigo, la exposición fue presentada por primera vez en Octubre 2014 en Galería Siesta durante Joya Barcelona.
Esta primera experiencia tuvo una repercusión muy positiva en el público y logró captar la atención en diferentes sitios de Europa. Así, Sur o no Sur ha sido exhibido por segunda vez en Marzo de 2015 en Galería Silvestre, Tarragona (España). En Mayo de 2015 ha formado parte del Silver Festival en Legnica (Polonia) no sólo en el cartel de exposiciones sino también dentro del marco del Simposio “Boundaries” (“Fronteras”) llevado a cabo durante el festival.
Hoy, luego de dos años de haberse iniciado el proyecto, Sur o no Sur hace una nueva estación de itinerancia con en la Tercera Edición del encuentro internacional de Joyería Contemporánea de Valencia: el Melting Point.

Participan de Sur o no sur Ana WeiszElisa GulminelliEva BurtonJorge Castañón Lucía Mishquila BrichtaGabriela CohnMaría Carelli –  Mercedes Castro CorbatPatricia Rodríguez Rodrigo AcostaSabina Tiemroth.

 Ana WeiszAna Weisz jorge castañon Jorge Castañon

Maria CarelliMaria Carelli

Sabina TiemrothSabina Tiemroth

Eva Burton Brooch: Ganesha Pop, 2014 Woods from piano , skate and furniture, wild boar teeth, antique paper, acrylic paint, resin 17 x 10 x 6.5 cm: Eva Burton  Brooch: Ganesha Pop, 2014  Woods from piano , skate and furniture, wild boar teeth, antique paper, acrylic paint, resin
17 x 10 x 6.5 cm

Lucia BrichtaLucia Brichta

Mercedes Castro CorbatMercedes Castro Corbat

 Astonish Valencia

“Astonish” es un grupo de jóvenes joyeros alumnos o graduados del Campus Idar Oberstein (Universidad de Ciencias Aplicadas de Trier) en el Departamento de Joyería y Talla de Piedra.
Estudiar en Idar- Oberstein no significa sólamente encontrar un lenguaje propio en forma y materia, sino también lidiar con el término “piedra preciosa”. Ya sea que lo amemos, odiemos o abandonemos, nuestra intención con este proyecto en enseñar al mundo diferentes aproximaciones en relación a las piedras.
Luego de tres exposiciones en Alemania durante las ferias Inhorgenta, Internationale Handwerksmesse (Schmuck) en Munich e Intergem en Freiburg, tenemos nuevamente la oportunidad de compartir nuestro trabajo durante la tercera edición del Simposio de Joyería Contemporánea de Valencia conocido como “Melting Point”.

Participan de Astonish:  Dana SeachugaEva BurtonGabriela CohnHelen HabtayJulia ObermaierKatharina ReimannSaerom KongSharareh Aghaei –  Stephie Morawetz

 Eva Burton - Blue melodies through the windowEva Burton – Blue melodies through the window 2015 – Reclaimed woods from cello, chairs and chess, sodalite, crisopras, antique paper, silver, gold, acrylic paint 50 x 10 x 3

Gabriela Cohn - MethapGabriela Cohn – Methap 2016  Porcelain,  oxidize Silver, aluminum 19 x 6 x 41 cm

 Saerom Kong - "Black With Black"  Brooch - Hanji (Traditional Korean paper), Rice, Ebony, Obsidian, Oxidize Silver, Lacquer - 100 x 70 x 50 mm – 2015 - Photo by Saerom Kong Saerom Kong - « Black With Black »  Brooch – Hanji (Traditional Korean paper), Rice, Ebony, Obsidian, Oxidize Silver, Lacquer – 100 x 70 x 50 mm – 2015  

 Sharareh Aghaei - Untitled 02   Sharareh Aghaei – Untitled 02 

ASTONISH - Stephanie Morawetz Brooch: I am precious! #3, 2015 Stephie-Stone, steel: Stephanie Morawetz Brooch: I am precious! #3, 2015 Stephie-Stone, steel

 

 

Centre del Carme
Calle Museo, 2.
46003 VALENCIA
Centralita: 963152024
Web: http://www.consorciomuseos.gva.es/

 

 

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