EXPO ‘Marzee Graduate Show 2016′ – Marzee Gallery, Nijmegen (NL) – 21 Aout-29 Oct. 2016

30th Marzee International Graduate Show 2016

Please join us on Sunday 21 August at 4pm for the opening of the 2016 Annual International Marzee Graduate Show at Galerie Marzee.

During the opening we will also be presenting the Marzee Graduate Prize to this year’s most promising graduates -

The exhibition will be on show until 29 October 2016.

***

(Wan Hee Cho (KR) necklace) RISD (Rhode Island School of Design) in 2013)

Wei Zhou, Hints / Untitled, 2016, necklace; silver, greenhide; CAFA (Central Academy of Fine Arts), Beijing, China

Wei Zhou, Hints  CAFA (Central Academy of Fine Arts), China 

  Fan WANG,  Sint Lucas Antwerpen

Alžběta Dvořákova, The secret of space, 2016, brooch; leather, silver, brass – AAAD (Academy of Art, Architecture and Design), Prague, Czech Republic

Luci Jockel, Royal Mourning, 2014, brooch; squirrel skull, lichen, fungi, insect pins, steel – RISD (Rhode Island School of Design), Providence, US

Katie Kameen, Terrain, 2016, necklace; found objects, rubber tubing; Indiana University, Bloomington, US

Tain Jingwen, The winter Solstice, 2016, brooch; silver, oil painting, metal; CAFA (Central Academy of Fine Arts), Beijing, China

Federica Sala, Controlled Freedom, 2015, necklace; glass, egirina; Alchimia, Florence, Italy

Ronit Vishovski, Undivided, 2016, brooch; casted glass, wire; Cranbrook Academy of Art, Bloomfield Hills, USA

Lena Wunderlich, Whiteness is Blindness, 2016, brooch; brass, acrylic urethane – automotive paint, stainless steel (model: Kamal N.); RISD (Rhode Island School of Design), Providence, USA

Yenim Park, Horsehair Jewelry 4, 2016, brooch; horsehair, stainless steel; Kookmin University, Seoul, South-Korea

Stephanie O’Leary, Fragments, 2016, necklace; steel, sterling silver, enamelled copper, wenge, neodymium magnets twine; Middlesex University, London, UK

 Nadja Soloviev -  Akademie der Bildenden Künste  Nürnberg

Maya Shoshan - Shenkar College of Engineering and Design

Pallavi Verma – jewelry with hair – Jewellery Design Royal Academy of Fine Arts Antwerp (Koninklijke Academie voor Schone Kunsten)

Mahvash Salim Raza (MFA 2016 Idar-Oberstein Hochschule Trier) • Necklace « My Perfect Universe » • Resin, gold, silver and ink on transparency • 2016 • ©photo by Muhammad Ashrafi

[and from   Idar-OberSTEIN  : Yiftah Abraham (MFA 2016), Catalina Brenes (MFA 2016), Ferran Iglesias Baron (MFA 2016), Julia Obermaier (Julia Obm)(BFA 2016) and Mahvash Salim Raza (MFA 2016) are selected for the graduation show]

Catalina Brenes (MFA 2016 (Idar-Oberstein Hochschule Trier)) • Brooch « 22 Uhr » • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang 

Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier (Idar-Oberstein Hochschule Trier)

Ferran Iglesias Baron (MFA stud. Idar-Oberstein Hochschule Trier) • Brooch « Life in Happiness » • Silver, steel and pigment • 2016 • ©photo by Elena Gorbunova

and, from France – Strasbourg – Haute école des arts du Rhin (HEAR)  are selected Solene Dejean  and Camille Ancelin – Honneur aux françaises !

 Solène Dejean  Ring: PIECES SERIE n°2, 2016  Brass, silver, plexiglass  5 x 8 x 5 cm (Haute école des arts du Rhin (HEAR))

Camille Ancelin (Haute école des arts du Rhin (HEAR)

 

Participating academies and universities:
Australia – Melbourne – RMIT (Royal Melbourne Institute of Technology)
Belgium – Antwerpen – Sint Lucas Antwerpen
Belgium – Antwerpen – Koninklijke Academie voor Schone Kunsten
Belgium- Hasselt – MAD-Faculty
China – Beijing – CAFA (Central Academy of Fine Arts)
China – Beijing – BIFT (Beijing Institute of Fashion Technology)
Czech Republic – Pilsen – Ladislav Sutnar Faculty of Design and Art (University of West Bohemia)
Czech Republic – Prague – AAAD (Academy of Art, Architecture and Design)
Estonia- Tallinn – EKA (Eesti Kunstiakadeemia)
Finland – Lappeenranta – Saimaa University of Applied Sciences
France – Limoges – ENSA Limoges
France – Strasbourg – Haute école des arts du Rhin (HEAR)
Germany – Düsseldorf – Hochschule Düsseldorf
Germany – Halle – Burg Giebichenstein – Kunsthochschule Halle
Germany – Hildesheim – HAWK Hildesheim (Hochschule für angewandte Wissenschaft und Kunst)
Germany – Idar-Oberstein – Hochschule Trier
Germany – Munich – Akademie der Bildenden Künste
Germany – Pforzheim – Fachhochschule Pforzheim
Germany – Nuremburg – Akademie der Bildenden Künste
Israel – Jerusalem – Bezalel Academy of Arts & Design
Israel – Ramat-Gan – Shenkar College of Engineering and Design
Italy – Florence – Alchimia, Scuola di Gioielleria
Japan – Tokyo – Hiko Mizuno College of Jewelry
South Korea – Seoul – Kookmin University
Netherlands – Maastricht – Maastricht Academy of Fine Arts and Design
Netherlands – Amsterdam – Gerrit Rietveld Academie
New Zealand – Auckland – Manukau Institute of Technology
New Zealand – Porirua – Whitireia Community Polytechnic
Spain – Barcelona – Escola Massana
Sweden – Göteborg – HDK (Högskolan för design och konsthantverk)
Sweden – Stockholm – Konstfack, University of Arts Craft and Design
Switzerland – Genève – HEAD (Haute ecole d’art et de design)
United Kingdom – Birmingham – Birmingham City University, School of Jewellery
United Kingdom – Edinburgh – Edinburgh College of Art
United Kingdom – London – Middlesex University
United Kingdom – London – Central Saint Martins
United Kingdom – London – Royal College of Art
USA – Bloomfield Hills – Cranbrook Academy of Art
USA – Bloomington – Indiana University
USA – New Paltz – State University of New York at New Paltz
USA – Providence – RISD (Rhode Island School of Design)
USA – San Diego – San Diego State University
 

 

 

 

Galerie Marzee

Lage Markt 3 / Waalkade 4
6511 VK Nijmegen, Netherlands

tel [phone]

[e-mail]

http://www.marzee.nl

 

EXPO ‘Carolina Gimeno – portable pleasures’ – Degree exhibition – Konstfack, Stockholm (SE) – 15-25 Mai 2014

Carolina Gimeno – portable pleasures

 Konstfack Degree Exhibition 2014

« My project is being shown in S7 Seminargatan, together with the works of othersBachelors . Come to visit us !! »

Konstfack presents the 2014 degree candidates: artists, designers, craftspeople and art educators. All 177 degree projects, both master’s and bachelor’s, exhibited at the same time.
Degree exhibition 2014
Thur May 15–Sun May 25

 

Portable Pleasures: When Intimacy becomes Public

« The series of jewels, Portable Pleasures seeks to challenge the notions of intimacy and the public realm, two aspects that are involved in the act of wearing jewellery in society.

In my Master’s project, I investigate how jewellery, intended as an ‘apparatus’ of communication and disorientation, offer both to the wearer and viewer, to challenge social conventions in regards to the feminine and the masculine. What happens when a shape reminds us of an intimate area of the human body and is displaced to the public sphere, in the form of a jewel?

The act of decorating the body with these jewels leaves the viewer with no choice but to cross the boundary of the wearer’s intimacy. Can this act create a new order of connectivity and communication between the wearer of a jewellery piece and the viewer that is forced to confront it ? »

Carolina Gimeno - portable pleasures

« it looks like vaginas! , but they are not, the are electroformed and enamelled worn socks, I have collected from more than hundred of people….« 

Necklace: Portable Pleasures, When Intimacy becomes Public, 2014
Copper, silver, vitreous enamel, leather

 

Konstfack University College of Arts, Crafts and Design
Visiting address :
LM Ericssons väg 14, Stockholm
Postal address :
Box 3601
126 37 Hägersten
Sweden
Phone
[phone]

Degree exhibition 2014
Thur May 15–Sun May 25
Mon–Fri 12pm–7pm
Sat–Sun 12pm–4pmWelcome to the exhibition opening on May 15, 12pm–8pm
Inauguration at 4pm

EXPO ‘Entwined’ – Konstfack, Stockholm (SE) – 11-18 Avril 2013

Entwined – a group exhibition  Students at Ädellab, Konstfack were asked to take an experiential approach to the theme chains and links, producing jewelryart.    The result will be exhibited at Konstfack, with an opening/vernissage on the 11th of April from 5pm. A speech from professor Karen Pontoppidan will be made at 6pm.

A chain is a series of connected links which are typically made of metal. But it can also be a food chain, mountain chain or a chain of thought. It is in this wider sense the students have approached the theme.

Opening on the 11th of April at 17.00. Speech by professor Karen Pontoppidan at 18.00
Opening hours is weekdays between 9.00 and 16.00 until the 18th of April

Konstfack
Lm Ericssons Väg 14,
126 37 Stockholm

COUP de COEUR : Lina PIHL

« My interest lies in our cultural and socially constructed relationship to the body in the western world. The realm of norms, rules and laws that creates the complex structure which constitute the body and the traditional position of adorning and decorating the body with the use of jewelry for power, status, wealth, identity and beauty.
Like a cross-section of this indivisible unity, my jewelry breaks up these structures of body, norms, culture and society and shows them in a new light of form, context and meaning. By turning it into jewelry, a piece of tradition, history and interpretation, it also turns it into a discourse and perhaps a new understanding.
“Everything exists eternally in the same space and time. It is only our state of consciousness and our mental and physical abilities that cause us to “plug in” or “plug out”.”  (Marina Abramovic) » Lina PIHL

Lina Pihl « Bodies of society » -necklace in Bioresin, coral, cotton, gild silver, gild plated copper 2010

Lina Pihl - « Bodies of society » – brooch in copper, silver plated/oxidized, silicone, silver, dental wire 2010

Lina Pihl – Bodies of society -brooch in copper, silver plated, silver, paint, flock, dental wire – 2010

Lina Pihl- « Identity » (Master graduation work from 2012) – Necklace – Bioresin, iron powder, acrystal, steel, cotton fabric. 2012

COUP de COEUR : Young Geum Cho « Performing Shell »

Young Geum Cho « Performing Shell »

« Once, I asked a shop assistant in a Tiffany’s store if I could get one of their boxes. The assistant flustered. I actually expected such reaction as I knew that the package nowadays is not a mere wrapping box.
Packaging is regarded as being as significant as the actual substance of commercial products. Even more so, packaging has become more significant than the actual content.
I combine jewellery and packaging in my jewellery work in order to make my own statement about the relationship between surface and substance in commercial culture.
With my artistic statement about packaging, I am shaping a critical discussion on the overwhelming illusion of consumption related to brand myths in commercial culture. »

(Konstfack Degree Exhibition 2012)

 

Konstfack Degree Exhibition 2012 – 16-27 Mai 2012

Konstfack Degree Exhibition 2012Wed May 16 — Sun May 27

 “Art is spirituality in drag” is a quote from the American artist Jennifer Yane. Although I see few parallels between her artistic work and Ädellab, the quote fits the degree projects of the nine graduating students perfectly.
Their chosen themes vary: Illusions, Identity, Raw Beauty or The Meaning of the Handmade – just to mention a few. These might seem typical subjects for contemporary jewellery or corpus investigations, but there is nothing stereotypical about the final work of the graduates at Ädellab. What they produce is anchored in an authentic discourse with the subjects and this includes theoretical underpinning of the theme. It also includes answering the question of what relevance their work can have in our culture, since the making of artistic work is not about thinking something up, it is in fact the opposite – it is about creating awareness of the given.
The given in this case is nothing less than the world in which we live, and it is up to each individual artist to define their subject of interest within the endless possibilities.
Within an educational framework, however, each graduating artist needs to adjust to the rather fake reality of an examination. The task is to fulfil learning outcomes, to follow deadlines and simultaneously be able to create a body of work from which they can launch their careers.
For an observer of the artistic work created the task is much more beautiful: it is to engage with the nine individual perceptions of the world. And even if the stories told do not reveal themselves immediately, you can always enjoy the drag!« 
Karen Pontoppidan, Professor of Jewellery and Corpus Art

 

Brice Garrett – « [In]flux »

« We live in a current state of flux. Among the transitions come new unfamiliar spaces. It’s the position of being in-between the familiar and the foreign, amid the habitual and the uncertain. Familiarizing and acclimating in this state is a process stimulated by perception. Among this state of flux, can jewellery contribute to this process of making one feel at home?  » Brice Garrett

Mia Larsson – « Moving Matter »

  »There is no such thing as either man or nature now only a process that produces the one within the other and couples the machines together.”* (*Giles Deleuze and Felix Guattari)
“Things, non humans, nature having equal significance as us, humans. They should also be an active part of mediating meaning and connections. Therefore we need to mobilize nature from the background.”*  (*Bruno Latour)
My work is a material study out from theories that share views on material and nature where materials are described as active, intelligent and interdisciplinary; part of the same continuum as us. This indicates a kind of material related ecology.
Jewellery could express believes, connects people and could be used as protection with talismanic powers.
I have chosen to work with nacre from the shell of the blue mussels and oysters. Relating it to jewellery is my way of investing and expressing the material. »  Mia Larsson

Monika Strasser – Hair Brooch (Photo: Christian Gloor)

  »On Beauty » : « People hunting for beauty often forget the beauty of life. Beauty often generates pressure in society.
The objects refer visually to the process of beautification and to its daily rituals. These objects make a statement about and make one aware of the beauty craze. They also refer to natural beauty and the changes caused by the passing of time. » Monika Strasser

 

Mikael Årsjö : « The Illusion that Jewellery Offers Us » : voir article COUP de COEUR : Mikael Årsjö, « The Illusion that Jewellery Offers Us »

Mikael Årsjö

 

Young Geum Cho – Performing Shell

Young Geum Cho : « Performing Shell » : voir article COUP de COEUR : Young Geum Cho « Performing Shell »

Lina Pihl – Identity (Necklace) Bioresin, iron powder, acrystal, steel, cotton fabric.

Lina Pihl : « Identity Construction »    (voir article)

 

 

Konstfack University College of Arts, Crafts and Design
LM Ericssons väg 14,
126 37 Hägersten, Sweden

COUP de COEUR : Mikael Årsjö, « The Illusion that Jewellery Offers Us »

Mikael Årsjö, « The Illusion that Jewellery Offers Us »

« In the process of beginning my Master’s project, I looked at historical case studies and examples of jewellery from different time periods. Finding that the aspect of illusion has been ever present in jewellery, and still is, I wanted to highlight the correlation between material choice and illusion in jewellery. By predominantly using the material aluminum and referencing the historical technique of chainmailling, I have made a series of jewellery that aims to highlight the desire we have to protect ourselves.
I believe that although the reason for wearing protective jewellery today differs from the historical past, our appreciation of the thought of wearing something that truly offers protection, remains.
My work aims to show jewellery which gives an illusion that if worn, it could truly offer protection.  »

(Konstfack Degree Exhibition 2012)

Mikael Årsjö
Mikael Årsjö

Mikael Årsjö

Mikael Årsjö

Mikael Årsjö

SCHMUCK 2012 – « Ädellab – The State of Things » – Die Neue Sammlung /The International Design Museum, Munich (DE) – 17 Mars-29 Avril 2012

Ädellab – The State of Things. Konstfack Stockholm. Schmuck.
Die Neue Sammlung –

The starting point is the human body which is construed as the link between the person’s outer and inner worlds – this concept defines the design approach taken at Ädellab, the Dept. of Jewelry at the Konstfack Stockholm, University College of Arts, Crafts and Design. On the basis of the existing Dept. of Metals, Ädellab was founded in 2004 by Dutch jewelry artist Ruudt Peters and has since 2006 been emphatically influenced by Danish jewelry artist Karen Pontoppidan, who is head of Ädellab by now. The department¿s methodology cuts across both geographical borders and artistic ideas. Ädellab has made a name for itself with a decidedly contemporary approach that explores the possibilities afforded by the medium of jewelry as an important and independent form of expression today. A persons own ideas, observations, fascinations and obsessions can just as much be lent form as can emotions, issues of identity or interpersonal debate.

Karen Pontoppidan comments: ‘The final-year projects undertaken by exam students are not a matter of fulfilling an educational task, but demonstrate the individual need for expression that spawns creation. The artistic expression and therefore the work of the graduates cannot therefore be understood only in terms of intrinsic logic or the wish to understand the existence of the state of things. The work was created because an artist, a human being with experiences, feelings, dreams and failures, wanted the pieces to be.‘
Exhibition curated by Karen Pontoppidan

 » Ädellab – The State of Things, works by students from Konstfack Stockholm.  This show was set up using red ropes that snaked down a hallway to the back and all became tangled together in one giant ball under a white neon sign. Each rope had the work of one artist so the viewer had to follow the rope along to discover them. There was a great variety and experimentation of materials in these works, I believe there were some made from dried sweet potatoes. »

Yasar Aydin, Brooch, 2011. Steel, leather, glass

Bernhard Stimpfl-Abele – Brooch: « Orange Evolution 103″  2012 – Fine silver/polystyrene, electro formed

Bernhard Stimpfl-Abele- Brooch « Lemon Explosion » 2012 – Fine silver/polystyrene, electro formed

 

 

The International Design Museum Munich
Barerstr. 40
Pinakothek der Moderne,
80333 München.
www.die-neue-sammlung.de – 
Tel. [phone] und 089 23805360
– Di-So 10-18, Do 10-20 Uhr, –

 

Lange Nacht der Schmuckkunst – Wien (Austria) – 8-11 Nov. 2011

„LANGE NACHT DER SCHMUCKKUNST“ in  ganz Wien
Dienstag, 8. November 2011, von 17 -  24 Uhr

 Lange Nacht der Schmuckkunst in Wien

Vernissage: 8. November 2011, von 17-24 Uhr Franz Luttenberger wird ab 19 Uhr am Klavier spielen
Öffnungszeiten: 9., 10. und 11. November 2011, von 15 – 20 Uhr
Petr Dvorak wird mit seinen in letzter Zeit entstandenen Schmuckstücken bei Florian Wagner zu Gast sein. Für seinen Schmuck hat er eine neuartige Granat/Glas-Termofusion entwickelt, die er mit Titankostruktionen verbindet.
Es werden auch Schmuckstücke von Astrid Gold, Jacqueline Lillie, Gerti Machcek, Bao Toan Puls und Florian Wagner gezeigt.
45 Galerien und Werkstätten zeigen in der Wiener Innenstadt ihre aktuellen Schmuckkreationen! Eine ereignisreiche Schmucknacht in Wien, weitere Informationen unter

http://www.schmuckkunstwien.at/
http://www.floschmuck.at/?flo=contact
http://dvorakart.com/index.php?page=gallery

 

 

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„Jewellery Night“ at gallery V+V

Ädellab is the Jewellery and Corpus program at Konstfack University College for Arts, Crafts and Design, Stockholm.
Ädellab was founded in 2004 by prof. Ruudt Peters and together with the current professor Karen Pontoppidan Ädellab has developed a reputation for offering a fresh approach to art education.
As a natural part of the education questions of quality are discussed among the students. What is good jewellery? can it be defined out from size, form, material, tradition or personal attachment? Well aware that no such measurements can be used as a norm, Ädellab has developed the concept of an office for jewellery quality control, as a slightly ironical comment to our hunger for quality proof but also as an invitation into the mind of Ädellab.

At the „Jewellery Night“ at gallery V+V we hope to create an interactive, joyful and fruitful discussion about
the many different aspects of jewellery that excite us.
We invite the visitors to bring their jewellery and get a evaluation of their pieces the „Ädellab-way“.
Welcome! 
Galerie V&V
Bauernmarkt 19 (unter der Ankeruhr)
1010 Wien
T+43 1 5356334, F+43 1 810212140; 0699/14093221;
www.galerievundv.at, www.kunstnet.or.at/V+V, [e-mail]
www.schmuckkunstwien.at, www.galerienrundgang.at
Di – Mi - Do 15-19, Fr 11-18, Sa 11-17 Uhr
sowie nach tel. Vereinbarung, montags geschlossen

 

 

 

Annual MARZEE selection of GRADUATE WORK JEWELLERY 2011 (NL) – 7 Aout-24 Sept. 2011

SELECTION of WORKS to see HERE

Jade Drakes and her dogs – Brooch, electroformed copper. Gold plated

Satita Rojpojjanarat and her « Thai clouds »

 Nadege Roscoe’s intimacies

(THANKS to Alchimia blog for pictures !)

Alla Malova Guy - necklace Post Fossil 2011, ceramics, metal chain, flocking, epoxy resin, iron, magnet – Switzerland, Geneva, HEAD

Antje Stolz – necklace Steinlos I (Stoneless) 2010, stone veneer, enamel lacquer, oxidised silver, lead, coral cement  – Germany, Idar-Oberstein, Fachhochschule Trier

Agata Bartos – necklace Storytellers – Precious Buttons 2011, porcelain, epoxy resin  – Netherlands, Arnhem, ArtEZ

Bell Zhou – necklace Protect 2011, glass, silver, gems, paint, seed, copper, yellow plastic thread, steel  – Beijing Institute of Fashion Technology

Andrêa Martins - brooch Shadow of Truth 2011, silver, cord, fishing line  – Portugal, Senhora da Hora, ESAD

Marine Stampfli - bracelet Paradoxes 2011, silver, cotton, resin  – Switzerland, Geneva, HEAD

Satita Rojpojjanarat – brooch 2011, silk, nylon, magnet  – Italy, Florence, Alchimia, Scuola di Gioielleria

Hanna Liljenberg (MA) – brooch 2011, black paper, shellac, silver  – Sweden, Gothenburg, HDK

Alice Bo-Wen Chang (MFA) – necklace Bodyspace/bodyscape series 2011, silver, gold plated copper, copper  – UK, Edinburgh College of Art

Mariko Sumioka (BA) – necklace Bamboo Necklace 2011, oxidised copper, enamel on copper, kimono, gold-plated steel cable  – UK, Edinburgh College of Art

David Choi (MA) – brooch 2011, steel, oxidised silver  – USA, New Palz, State University of New York (SUNY)

Younghee Hong – brooch Drawn to Nature #2 2011, polymer filament, plastic price tags, silver – USA, Bloomfield Hills, Cranbrook Academy of Art

Anne Achenbach - necklace Kuh (Cow) 2011, zinc coated steel  – Germany, Dusseldorf, Fachhochschule

Sachiyo Higaki – necklace 2010, wood, thread  – Germany, Idar-Oberstein, Fachhochschule Trier

and ………..

Marcos Guzman (BA), Catherine Da Costa (BA), Inari Kiuru (BA), Bin Dixon-Ward (BA), from Australia, Melbourne, Royal Melbourne Institute of Technology (RMIT)  –  Marleen Henot, Sofie De Bakker, Hannes Groffy, from  Belgium, Hasselt, Provinciale Hogeschool Limburg — Ren Kai, Liu Xiao, from China, Beijing, Central Academy of Arts — Alena Hesounová, Karla Olsáková, from  Czech Republic, Prague, AAAD Academy of Art, Architecture and Design — Kadi Kübarsepp, Liina Lõõbas, Katrin Kosenkranius, Kadi Kübarsepp, from  Estonia, Tallinn, Eesti Kunstakadeemia — Krista Ruohonen, from Finland, Lappeenranta, South Carelia Polytechnic — Marie Masson, from France, Limoges-Aubusson, l’École Nationale Supérieure d’Art (ENSA) — Julie Connellan (MA), from  Ireland, Dublin, The National College of Art and Design (NCAD) — Laura Alvarado, Ricarda Tesch, from  Germany, Dusseldorf, Fachhochschule — Sabine Conrad, from Germany, Idar-Oberstein, Fachhochschule Trier –  Hyoun Jung Sung, from Germany, Halle, Burg Giebichenstein, Hochschule für Kunst und Design –  Stefan Heuser, from Germany, Munich, Akademie der Bildenden Künste — Laura Rittlinger (BA), Michaela Prange (BA), Yasutaka Okamura (BA), from Germany, Pforzheim, Fachhochschule — Yael Nissan, Rotem Fishler, from Israel, Ramat-Gan, Shenkar College of Engeneering and Design — Keren Grinfeld, Shir Pins, from Israel, Jerusalem, Bezalel — Carissa Hsu, from Italy, Florence, Alchimia, Scuola di Gioielleria — Makoto Tachihara, Koji Toyama, Haruka Masuda, from Japan, Tokyo, Hiko Mizuno College of Jewelry — Morgane de Klerk, Atsuno Takase, Benedikt Fischer, Marina Elenskaya, from Netherlands, Amsterdam, Rietveld Academie — Jie Sun, from Nederlands, Amsterdam, Sandberg Instituut — Iris Verstappen, from Netherlands, Maastricht, Academie Beeldende Kunsten — Jessica Winchcombe, Julia Middleton, from New Zealand, Porirua, Whitireia Polytechnic –  Ilse-Marie Erl, from New Zealand, Auckland, Aotearoa, Unitec — Typhaine Le Monnier (MA), Maria Emília Martinho (BA), from Portugal, Lisbon, AR.CO — Ji-hye Lee, Jihyun Lee, Heon-Joo Ji, Heejoo Kim, from South Korea, Seoul, Kookmin University — María Saura Estruch, María Sol González Martínez, from Spain, Barcelona, Escola Massana — Barbora Hainzová, from Slovakia, Bratislava, Academy of Fine Arts and Design — Malin Peter (BA), Xiang Dai (MA), Charlotte Maslov (BA), Mikael Sellersjö (MA), from Sweden, Gothenburg, HDK — Katrin Spranger (MA), from Sweden, Stockholm, Konstfack — Hannah Fewtrell-Bolton, Xiaohan Ren, from UK, Birmingham Institute of Art and Design BIAD — Jenny Laidlaw (MA), Vershali Jain (MA), from UK, Edinburgh College of Art — Ruth Reifen, Mariah Tuttle, from USA, Providence, RISD — Allyson Bone (MA), Allison Ullmer (MA), from USA, New Palz, State University of New York (SUNY) –

many mant THANKS to Gallery Marzee for their pictures !!!

Galerie Marzee
Lage Markt 3
6511 VK Nijmegen
The Netherlands

Phone [phone]

Fax [phone]