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23/01/2017

EXCHANGE-BIJOU 2 – Yafit Ben Meshulam – « Lacuna », La Galeller, Sevilla (SP) – 17 Fevr.-20 Avril 2017

LacunaYafit Ben Meshulam

La Galeller

finalmente !!! problemas de aduana solucionados !! Inauguracion Viernes 17 FEBR. 20H Inauguración Exposición Yafit Ben Meshulam

INAUGURACIÓN  VIERNES 20 DE ENERO A LAS 20H !!!!!!
WILL PROBABLY be in FEBRUARY because of CUSTOMS PROBLEMS !!! APOLOGIZE !!

Yafit Ben Meshulam  - Lacuna  2017

Lacuna es un espacio entre los elementos.
Una tranquila prolongación entre una nota musical y la siguiente.
Un hueco en el texto que deja espacio para la imaginación. »

« LACUNA is a space between elements
A quiet elongation between one musical note to the next
A gap in the text that leaves room for imagination
The cocoon left behind when a caterpillar turns into a butterfly. . »

Yafit Ben Meshulam es diseñadora y joyera, vive en Tel Aviv, Israel. Se graduó en B.DES en diseño de joyas en la distinguida Shenkar Colegio de ingeniería y diseño en Tel Aviv.
Para Yafit sus joyas son objetos tridimensionales únicos, cada una contiene la carcasa de un elemento que una vez existió … y ahora en su lugar, una laguna – sólo un recuerdo de lo que fue.
Las formas únicas de sus diseños se formaron como si eliminara un « momento congelado » de un paso en el proceso de diseño. El espacio permanece entre el material que originalmente era y la forma que llegó a ser. Con su imaginación, este espacio permite vislumbrar los elementos que fueron arrancados y escondidos durante este intrigante « momento congelado ».
En cada colección utiliza una variedad de técnicas y tecnologías, que dan expresión al concepto de sus diseños. Meticulosamente añade texturas, colores y acabados a las impresiones en 3D y joyería moldeada, de modo que la superficie y los espacios interiores están decoradas por los pequeños detalles.

Yafit Ben Meshulam -  aya-wind 2017Yafit Ben Meshulam -    2017

Yafit Ben Meshulam -    2017Yafit Ben Meshulam -    2017

Yafit Ben Meshulam -   2017Yafit Ben Meshulam -   2017

Yafit Ben Meshulam  - Lacuna  janvier 2017 ·   KAMMI NECKLACE  Yafit Ben Meshulam  – Lacuna  janvier 2017 ·   KAMMI NECKLACE 

 
 
La Galeller

calle siete revueltas, 20
41004 Seville (Spain)

+34 854 52 06 02
www.lagaleller.com/
de Lunes a Viernes de 10:30 a 13:30  de 17:00 a 20:30

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21/01/2017

EXCHANGE-BIJOU 2 – Tal EFRAIM – Connectionary

Tal Efraim

Discovered when the Final Project Presentation 2016 at Shenkar

« By documenting details such as day-to-day mechanical joints, swivels, hinges and physical connections of objects in my sketchbook, I create my own private alphabet, which will later be transformed into the language of my designs.
My pieces are all one of a kind – whilst I can make to order any piece several times, each will be a little different due to the nature of handwork and craft.
»

« her work is driven out of her sketchbook, where she documents the world around her, creating a « dictionary » of design possibilities. Her work is made of gold, silver, porcelain and a variety of gemstones. »

Connectionary video :

Image de prévisualisation YouTube

HOW MUCH I LOVE these sketchbooks, all this amount of tiny treasures she is the only to know the WHY? … like secret formulas …. secret connections, secret addendas …. tiny marvels ….

Tal EFRAIM - Connectionary sketchbook, 2016. Photo by Tal Mohr: Tal EFRAIM - Connectionary sketchbook, 2016. Photo by Tal Mohr

Tal Efraim its all about the details  gold earrings rubies pearls ... pic of the day    Tal Efraim its all about the details  gold earrings rubies pearls … pic of the day

« Are other areas besides jewellery, present in your work?
My most recent collection Connectionary consists of handmade porcelain, treated as gemstones. Creating these porcelain centre pieces allowed me to explore the world of ceremic art and ceramic production. In general, my inspiration derives from day-to-day mechanical joints such as swivels, hinges and physical connections of objects, meanings I often explore different areas as part of my design process. » (Klimt02 interview)

 Tal Efraim Necklace: Target, 2016 Silver, porcelain, rutilated quartz,textile string 12 x 7 x 1 cm Photo by: Ilan Besor From series: Connectionary: Tal Efraim Necklace: Target, 2016 Silver, porcelain, rutilated quartz,textile string 12 x 7 x 1 cm Photo by: Ilan Besor From series: Connectionary

Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor From series: Connectionary: Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor
From series: Connectionary

Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor From series: Connectionary  Detail view: Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor From series: Connectionary  Detail view

Tal Barash Efraim - Jewelry Design Dept. Shenkar   juillet 2016  Tal Barash Efraim – Jewelry Design Dept. Shenkar   juillet 2016 

 

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22/11/2016

EXCHANGE-BIJOU 2 – Tal EFRAIM – TREASURES from Shenkar

Tal Efraim

Discovered when the Final Project Presentation 2016 at Shenkar

« Tal Efraim is a graduate of Shenkar College of Engineering, Design and Art. Currently living and working from Israel, her work is driven out of her sketchbook, where she documents the world around her, creating a « dictionary » of design possibilities. Her work is made of gold, silver, porcelain and a variety of gemstones. » (Klimt02)

« My pieces are a translation of how I view the world, especially the many details that I take note of. By exposing my work, I feel as if I can share my perspective with others. When my pieces are purchased it is a great honor, as well as helps me explore the definition of what wearable art is all about. / Tal Mohr »

Tal Barash Efraim - Final Project Presentation 2016 at ShenkarTal Efraim – Final Project Presentation 2016 at Shenkar – neckpiece

Shenkar 2016 - Tal Barash Efraim - Final Project Presentation Tal fraimShenkar 2016 – Final Project Presentation  - neckpiece

Tal Barash Efraim - closeup of my my design  Tal Efraim - closeup of my my design 

 Tal Barash Efraim - Jewelry Design Dept. Shenkar  juillet 2016  - brooch Tal Efraim - Jewelry Design Dept. Shenkar  juillet 2016  – brooch

Tal Efraim, Brooch: Heart, 2016, Fine Silver, 925 silver, porcelain, pearls, 9.5 x 9.5 x 1 cm  From series: Connectionary. Photo by: Ilan Besor Tal Efraim –   Brooch: Heart, 2016, Fine Silver, 925 silver, porcelain, pearls, 9.5 x 9.5 x 1 cm  From series: Connectionary. Photo by: Ilan Besor
« What piece or work has given you the most satisfaction? « As part of my collection Connectionary, I designed a broche titled Heart. It captures my aesthetical view of what jewellery art is all about; having a great amount of details, being made of a variety of materials, and yet still consisting of an overall look that is very clean. »

«  By documenting details such as day-to-day mechanical joints, swivels, hinges and physical connections of objects in my sketchbook, I create my own private alphabet, which will later be transformed into the language of my designs.
My pieces are all one of a kind – whilst I can make to order any piece several times, each will be a little different due to the nature of handwork and craft.« 

 

Tal Efraim interviewed by Klimt02

(when you discover that « your discovery », « your « coup de coeur »" is not anymore (yet !!) « yours ….. :-( & :-) )

 

* 2017 Exhibition  06-15 Oct 2017  XI Florence Biennale of Art.  Fortezza da Basso, Florence, Italy
* Education:
2012-2016 Jewelery Design BA, Shenkar College of Engineering, Design and Art, Ramat Gan, Israel
2007 Design & Technology Major, Masada College, Sydney, Australia
* Group Exhibitions:
2016 Glasses Design Exhibition in Opticana Glasses Museum, Tel Aviv, Israel
2016 Graduate Show Exhibition, Shenkar, Ramat-Gan, Israel 
* Grants, Awards and Residences:
2015 H. Stern excellence award in Jewelry Design for high achievements, Shenkar College

 

Image de prévisualisation YouTube

 

 

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20/11/2016

EXCHANGE-BIJOU 2 – Yafit Ben Meshulam – fil rouge à suivre …..

 Yafit Ben Meshulam

Decouverte à Joya 2016,  de suite elle fut pour moi les «bijoux du Petit Poucet» …  avec son « Yoshi lapel pins set » …. ;-)

De la céramique, matte, blanche et douce et lisse, et des éléments textiles, comme de petits encarts moelleux, brodés de fils rouges aux motifs « ethniques », appartenant au folklore mondial, qui rappellent …. un « déjà-vu », un « déjà connu », vous savez, la « blouse roumaine », la « nappe de mamy », les serviettes brodées de « tante Ursule » ….. ces broderies faites au fil rouge, le fil rouge du souvenir …. Ce sont ces creux, remplis de « tendre » -ou pas-  qu’elle appelle ses « lacuna » (du nom de sa marque, « Lacuna jewellery« ) : un « creux », « a space between elements« , où s’engouffre le souvenir …. et elle re- »tisse » la mémoire, avec ses techniques à elle, re-coud, re-lie, re-crée … pour sa dernière collection, « Appear & Disappear collection »

Et, bien sûr, elle a « fait » Shenkar, la fameuse école ……

Yafit Ben Meshulam - "les bijoux du Petit Poucet" ...... (in fact "YOSHI lapel pin set"  lapel pins for men & women. Red embroidery inlaid in 3D printed Ceramic & Resin -  925 Sterling Silver, Ceramic, fabric -  Lapel pin size: 0.4 inch / 1 cm )   Yafit Ben Meshulam - « les bijoux du Petit Poucet » …… (in fact « YOSHI lapel pin set »  lapel pins for men & women. Red embroidery inlaid in 3D printed Ceramic & Resin -  925 Sterling Silver, Ceramic, fabric -  Lapel pin size: 0.4 inch / 1 cm )

 Yafit Ben Meshulam - YOSHI lapel pin set  -   925 Sterling Silver, Ceramic, fabric - Red embroidery inlaid in 3D printed Ceramic and Resin: Yafit Ben Meshulam – YOSHI lapel pin set  (worn) -   925 Sterling Silver, Ceramic, fabric – Red embroidery inlaid in 3D printed Ceramic and Resin

« Does technology affect the value of design, whether handcrafted or machine-made? And can we tell the difference now with the boundaries becoming blurred ? The collection started with very soft and organic jewellery that expresses birth and the creation of something new. To these emotional shapes I added a strong metal outline to symbolise the overpowering force of new technologies on crafts.« 

 Yafit Ben Meshulam/Lacuna jewellery - Bubbles Industrial memory / 2015 Plaster, fabric, Stainless Steel, Silver - white brooch  embroidery red thread, 3dprinting, laboratory  - cocoon organism: Yafit Ben Meshulam/Lacuna jewellery- Bubbles Industrial memory / 2015 – white brooch, embroidery, red thread, 3dprinting - Plaster, fabric, Stainless Steel, Silver

Yafit Ben Meshulam  Back & forward brooch  newcollection whitejewelry lacuna red  eramics: Yafit Ben Meshulam  - Back & forward brooch  new collection  red  eramics

 « LACUNA is a space between elementsA quiet elongation between one musical note to the next – A gap in the text that leaves room for imagination  –          I’d like to invite you into a world of intrigue and imagination. In this world, I see my jewels as unique 3D objects, each containing the shell of an element that once existed … and now in its place, the lacuna – just a memory of what once was.   The unique shapes of my designs were formed as if I removed a “frozen moment” froma step in the design process. Space remains between the material that originally was and the shape that came to be. With your imagination, this space allows a glimpse into the elements that were whisked away and hidden during this intriguing “frozen moment”.  In each collection I use a variety of techniques and technologies, which give expression to the concept of my designs.  I meticulously add textures, colors and finishes to the 3d prints and casted jewelry, so that the surface and interior spaces are decorated by the small details.   My name is Yafit Ben Meshulam. I’m a jewelry designer, maker and metal smith working and living in  Tel Aviv, Israel. I earned a B.DES degree in jewelry design from the distinguished Shenkar College of engineering and design in Tel Aviv.  Thanks for letting me share my passion with you « 

 Yafit Ben Meshulam - at JOYA 2016 -  RIKU NECKLACE  $195 - Contemporary pendant necklace, made of red embroidery inlaid in 3D printed Ceramic pendant that moves gently like scales.  * Materials /  Red rope chain, Ceramic ,fabric, Alpaka, Sterling Silver - Pendant size: 2.5x2.5 inch / 6x6 cm - Chain length 28 inch, no bracket: Yafit Ben Meshulam – at JOYA 2016 -  « Riku » necklace -  red embroidery inlaid in 3D printed Ceramic pendant that moves gently like scales -  Red rope chain, Ceramic ,fabric, Alpaka, Sterling Silver – Pendant size: 2.5×2.5 inch

 Yafit Ben Meshulam - brooch - at JOYA 2016: Yafit Ben Meshulam – brooch – at JOYA 2016

 Yafit Ben Meshulam -   necklace  - at JOYA 2016: Yafit Ben Meshulam -   necklace  – at JOYA 2016 - Ceramic, Coral, Fabric, silver, stainless steel ….

Yafit Ben Meshulam - Kotaro necklace - Ten ceramic links and tow ceramic pieces with red embroidery engraving and Coral beads.  * Materials /   Ceramic, Coral  * Chain length 28 inch, no bracket  * Finish / Matte ceramic, shiny red resin Kotaro necklace - detail - Matte ceramic, shiny red resin
Yafit Ben Meshulam – « Kotaro » necklace – Ten ceramic links and tow ceramic pieces with red embroidery engraving and Coral beads.  -  Ceramic, Coral  -Chain length 28 inch – Finish / Matte ceramic, shiny red resin
Yafit Ben Meshulam  embroidery red ethnic pattern  jewelrydesign textiles textures lacunaYafit Ben Meshulam  è Working on new pattern... pattern embroidery ceramicjewelry sketch  dots newcollection   lacuna <a class="pintag searchlink" data-query="%23lovejewelry" data-type="hashtag" href="/search/?q=%23lovejewelry&rs=hashtag" rel="nofollow" title="#lovejewelry search Pinterest">#lovejewelry</a>
Yafit Ben Meshulam  – from embroidery red ethnic pattern ….. to … working on new pattern… pattern embroidery  sketch  dots
« Does jewelry within a specific collection have to be similar to one another? Further, is it possible to create an eclectic collection b ased on the same fundamental principles, or in other words D.N.A., of the jewelry’s design elements?
In creating a collection, designers sometimes realize upon reviewing their work that his or her project has another connection that wasn’t consciously created. In this project I decided to make this unknown, secondary connection the leading topic of my collection.
Throughout my process, every item b egan as an intuitive idea which was formulated independently into its correct form b ased on the materials and technology used. The connection between the items is revealed in the end; when all the pieces appear together. In my case, the connection that was discovered was measurements. Each piece emphasizes measurement in different ways; and together they appear as eclectic collection.
However, the result of this semi-blind process brings to the forefront an age old question: What makes a collection cohesive; is it materials? technology? shape? or is it the hand of the designer which gives a collection unity? »

 

 

17/08/2016

EXPO ‘Marzee Graduate Show 2016′ – Marzee Gallery, Nijmegen (NL) – 21 Aout-29 Oct. 2016

30th Marzee International Graduate Show 2016

Please join us on Sunday 21 August at 4pm for the opening of the 2016 Annual International Marzee Graduate Show at Galerie Marzee.

During the opening we will also be presenting the Marzee Graduate Prize to this year’s most promising graduates -

The exhibition will be on show until 29 October 2016.

The Marzee International Graduate Show 2016.

***

Marzee Graduate Show 2016 - Wan Hee Cho jewel(Wan Hee Cho (KR) necklace) RISD (Rhode Island School of Design) in 2013)

Galerie Marzee  -30th Marzee International Graduate Show 2016 -  Wei Zhou, Hints / Untitled, 2016, necklace; silver, greenhide; CAFA, Beijing, China  Wei Zhou, Hints / Untitled, 2016, necklace; silver, greenhide; CAFA (Central Academy of Fine Arts), Beijing, China

30th Marzee International Graduate Show -  [Wei Zhou, Hints  CAFA, China]: Wei Zhou, Hints  CAFA (Central Academy of Fine Arts), China 

  Fan WANG, Sint Lucas Antwerpen - Marzee graduate show 2016  Fan WANGSint Lucas Antwerpen

Alžběta Dvořákova, The secret of space, 2016, brooch; leather, silver, brass; Academy of Arts, Architecture and Design (AAAD), Prague, Czech Republic - Marzee graduation show 2016Alžběta Dvořákova, The secret of space, 2016, brooch; leather, silver, brass – AAAD (Academy of Art, Architecture and Design), Prague, Czech Republic

Luci Jockel, Royal Mourning, 2014, brooch; squirrel skull, lichen, fungi, insect pins, steel; Rhode Island School of Design (RSID), Providence, US - Marzee .... 2016- Luci Jockel, Royal Mourning, 2014, brooch; squirrel skull, lichen, fungi, insect pins, steel – RISD (Rhode Island School of Design), Providence, US

Marzee ..... - Katie Kameen, Terrain, 2016, necklace; found objects, rubber tubing; Indiana University, Bloomington, US: Katie Kameen, Terrain, 2016, necklace; found objects, rubber tubing; Indiana University, Bloomington, US

Tain Jingwen, The winter Solstice, 2016, brooch; silver, oil painting, metal; CAFA, Beijing, China:  - Marzee ....  2016Tain Jingwen, The winter Solstice, 2016, brooch; silver, oil painting, metal; CAFA (Central Academy of Fine Arts), Beijing, China

Federica Sala, Controlled Freedom, 2015, necklace; glass, egirina; Alchimia, Florence, Italy: -  Marzee International Graduate Show 2016 -Federica Sala, Controlled Freedom, 2015, necklace; glass, egirina; Alchimia, Florence, Italy

Ronit Vishovski, Undivided, 2016, brooch; casted glass, wire; Cranbrook Academy of Art, Bloomfield Hills, USA - Marzee graduate show 2016Ronit Vishovski, Undivided, 2016, brooch; casted glass, wire; Cranbrook Academy of Art, Bloomfield Hills, USA

Lena Wunderlich, Whiteness is Blindness, 2016, brooch; brass, acrylic urethane - automotive paint, stainless steel (model: Kamal N.); Rhode Island School of Design (RISD), Providence, USA: - Marzee graduate show 2016 Lena Wunderlich, Whiteness is Blindness, 2016, brooch; brass, acrylic urethane – automotive paint, stainless steel (model: Kamal N.); RISD (Rhode Island School of Design), Providence, USA

Yenim Park, Horsehair Jewelry 4, 2016, brooch; horsehair, stainless steel; Kookmin University, Seoul, South-Korea - Marzee 2016.. - Yenim Park, Horsehair Jewelry 4, 2016, brooch; horsehair, stainless steel; Kookmin University, Seoul, South-Korea

Stephanie O'Leary, Fragments, 2016, necklace; steel, sterling silver, enamelled copper, wenge, neodymium magnets twine; Middlesex University, London, UK - Marzee .... - 2016Stephanie O’Leary, Fragments, 2016, necklace; steel, sterling silver, enamelled copper, wenge, neodymium magnets twine; Middlesex University, London, UK

  Nadja Soloviev - Akademie der Bildenden Künste NürnbergNadja Soloviev Akademie der Bildenden Künste  Nürnberg

Maya Shoshan - Shenkar - MARZEE 2016Maya ShoshanShenkar College of Engineering and Design

Pallavi Verma - jewelry with hair - Jewellery Design Royal Academy of Fine Arts AntwerpPallavi Verma – jewelry with hair – Jewellery Design Royal Academy of Fine Arts Antwerp (Koninklijke Academie voor Schone Kunsten)

Mahvash Salim Raza (MFA 2016 Idar-Oberstein) • Necklace "My Perfect Universe" • Resin, gold, silver and ink on transparency • 2016 • ©photo by Muhammad Ashrafi - Marzee Graduate Show 2016Mahvash Salim Raza (MFA 2016 Idar-Oberstein Hochschule Trier) • Necklace « My Perfect Universe » • Resin, gold, silver and ink on transparency • 2016 • ©photo by Muhammad Ashrafi

[and from   Idar-OberSTEIN  : Yiftah Abraham (MFA 2016), Catalina Brenes (MFA 2016), Ferran Iglesias Baron (MFA 2016), Julia Obermaier (Julia Obm)(BFA 2016) and Mahvash Salim Raza (MFA 2016) are selected for the graduation show]

Marzee Graduate Show 2016: Catalina Brenes (MFA 2016 Idar-Oberstein) • Brooch "22 Uhr" • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang   Catalina Brenes (MFA 2016 (Idar-Oberstein Hochschule Trier)) • Brooch « 22 Uhr » • Carrara white marble, silver, steel and resin with natural pigments • ©photo by Qi Wang 

Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier (selected for Marzee Graduate Show 2016:): Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier (Idar-Oberstein Hochschule Trier)

Ferràn Iglesias (MFA stud. Idar-Oberstein) • Brooch "Life in Happiness" • Silver, steel and pigment • 2016 • ©photo by Elena GorbunovaFerran Iglesias Baron (MFA stud. Idar-Oberstein Hochschule Trier) • Brooch « Life in Happiness » • Silver, steel and pigment • 2016 • ©photo by Elena Gorbunova

and, from France – Strasbourg – Haute école des arts du Rhin (HEAR)  are selected Solene Dejean  and Camille Ancelin – Honneur aux françaises ! :-)

 Solène Dejean  Ring: PIECES SERIE n°2, 2016  Brass, silver, plexiglass  5 x 8 x 5 cm: Solène Dejean  Ring: PIECES SERIE n°2, 2016  Brass, silver, plexiglass  5 x 8 x 5 cm (Haute école des arts du Rhin (HEAR))

Camille Ancelin (Haute école des arts du Rhin (HEAR) Camille Ancelin (Haute école des arts du Rhin (HEAR)

 

Participating academies and universities:
Australia – MelbourneRMIT (Royal Melbourne Institute of Technology)
Belgium – AntwerpenSint Lucas Antwerpen
Belgium – AntwerpenKoninklijke Academie voor Schone Kunsten
Belgium- HasseltMAD-Faculty
China – BeijingCAFA (Central Academy of Fine Arts)
China – BeijingBIFT (Beijing Institute of Fashion Technology)
Czech Republic – PilsenLadislav Sutnar Faculty of Design and Art (University of West Bohemia)
Czech Republic – PragueAAAD (Academy of Art, Architecture and Design)
Estonia- TallinnEKA (Eesti Kunstiakadeemia)
Finland – LappeenrantaSaimaa University of Applied Sciences
France – LimogesENSA Limoges
France – Strasbourg – Haute école des arts du Rhin (HEAR)
Germany – DüsseldorfHochschule Düsseldorf
Germany – HalleBurg Giebichenstein – Kunsthochschule Halle
Germany – HildesheimHAWK Hildesheim (Hochschule für angewandte Wissenschaft und Kunst)
Germany – Idar-ObersteinHochschule Trier
Germany – MunichAkademie der Bildenden Künste
Germany – PforzheimFachhochschule Pforzheim
Germany – NuremburgAkademie der Bildenden Künste
Israel – JerusalemBezalel Academy of Arts & Design
Israel – Ramat-GanShenkar College of Engineering and Design
Italy – FlorenceAlchimia, Scuola di Gioielleria
Japan – TokyoHiko Mizuno College of Jewelry
South Korea – SeoulKookmin University
Netherlands – MaastrichtMaastricht Academy of Fine Arts and Design
Netherlands – AmsterdamGerrit Rietveld Academie
New Zealand – AucklandManukau Institute of Technology
New Zealand – PoriruaWhitireia Community Polytechnic
Spain – BarcelonaEscola Massana
Sweden – GöteborgHDK (Högskolan för design och konsthantverk)
Sweden – StockholmKonstfack, University of Arts Craft and Design
Switzerland – GenèveHEAD (Haute ecole d’art et de design)
United Kingdom – BirminghamBirmingham City University, School of Jewellery
United Kingdom – EdinburghEdinburgh College of Art
United Kingdom – LondonMiddlesex University
United Kingdom – LondonCentral Saint Martins
United Kingdom – LondonRoyal College of Art
USA – Bloomfield HillsCranbrook Academy of Art
USA – BloomingtonIndiana University
USA – New PaltzState University of New York at New Paltz
USA – ProvidenceRISD (Rhode Island School of Design)
USA – San DiegoSan Diego State University
 

Lage Markt 3 / Waalkade 4
6511 VK Nijmegen, Netherlands
tel +31 24 322 9670
mail@marzee.nl

 

21/07/2016

Bijoux qui ont de la « NIAQUE »

…. de la « NIAQUE » …

du MORDANT ! ;-)

Sophie Hanagarth, 'Trap' (teeth) bracelet in forged iron: Sophie Hanagarth, ‘Trap’ (teeth) bracelet in forged iron

Sophie Hanagarth, Trap-bracelet, iron: Sophie Hanagarth, Trap-bracelet, iron

Jewelry Design Dept. Shenkar   10 juillet 2016 ·   Yifat Levy: Yifat Levy – bracelet – Jewelry Design Dept. Shenkar  2016 

ARTEMIS VALSAMAKI LANDSCAPES OF THE MIND exhibition until June 23 2016 PLATINA: ARTEMIS VALSAMAKI – LANDSCAPES OF THE MIND 2016

 

 

18/07/2016

Graduate Exhibition show – Shenkar Jewelry Dpt., Ramat Gan (IL) – 14 July 2016

Jewelry Design Department Shenkar  – Graduate Exhibition show
Mark you calendars: 14.7.2016 – Opening night of the dept. Graduation Show

 

Jewelry Design Dept. Shenkar   Mark you calendars: 14.7.2016 - Opening night of the dept. Graduation Show:

une très belle « cuvée 2016″ !!

2016 Final project presentation

Jewelry Design Dept. Shenkar 10 juillet 2016   Svetlana Kotsareva: Svetlana Kotsareva

Jewelry Design Dept. Shenkar  juillet 2016 -    Svetlana Kotsareva:  Svetlana Kotsareva

Jewelry Design Dept. Shenkar   10 juillet 2016 ·   Yifat Levy: Yifat Levy

Jewelry Design Dept. Shenkar   juillet 2016 -    Yifat Levy:  Yifat Levy – face neckpiece

Jewelry Design Dept. Shenkar   juillet 2016 -   Noy Ben-Porat:  Noy Ben-Porat

Jewelry Design Dept. Shenkar   juillet 2016 -   Tal Barash Efraim:  Tal Barash Efraim

Shenkar 2016 - Tal Barash Efraim: Tal Barash Efraim

Jewelry Design Dept. Shenkar   juillet ·2016 -   Oria Forsher: Oria Forsher

Jewelry Design Dept. Shenkar   juillet 2016 ·   Oria Forsher: Oria Forsher

Shenkar 2016 - Tatiana Lobanova -: Tatiana Lobanova

Shenkar 2016 - Tatiana Lobanova:  Tatiana Lobanova impressive bracelets

Shenkar 2016 - Maya Schossberger: Maya Schossberger

Shenkar 2016 - Maya Schossberger: Maya Schossberger

Jewelry Design Dept. Shenkar   juillet 2016 -   Adi Gozali: Adi Gozali

Jewelry Design Dept. Shenkar   juillet 2016 -   Laya Nitta: Jewelry Design Dept. Shenkar   juillet 2016 -   Laya Nitta:

Jewelry Design Dept. Shenkar   juillet 2016 -   Laya Nitta: Laya Nitta great earrings !

 

 

SHENKAR College
125 Bialik street
Ramat Gan (Israel)
tel +972 3-575-0301

 

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08/05/2016

Gioielli in Fermento 2016 – STUDENTS section – Torre Fornello (IT) – 8-22 Mai 2016

Gioielli in Fermento 2016 Premio Torre Fornello 6a edizione

……… per la 6a edizione, una sezione STUDENTI !!

Contemporary jewellery international competition

* AWARDS : Premio Torre Fornello 2016 – The awarded Artists – 8 Maggio/May 2016
* EXHIBITION : Premio Torre Fornello 2016 – The exhibition opening8/22 Maggio/May 2016
Workshop Seminar
9/10 Maggio/May 2016 (informazioni in arrivo coming soon)

Gioielli in Fermento 2016(Viktoria Munzker “Mother Earth, Madre Terra” for Gioielli in Fermento 2016)

 

Premio Gioielli in Fermento 2016 – Sezione Studenti

L’edizione 2016 del concorso, prevede la sezione speciale dedicata agli studenti (allievi frequentanti – o diplomati nel 2015 – un corso di studi superiori o master ad indirizzo artistico, design del gioiello, tecniche orafe, o equivalente – da specificare in fase di iscrizione) che non abbiano partecipato alla sezione principale di precedenti edizioni di Gioielli in Fermento. 
Medesime le caratteristiche dell’ornamento da realizzare, come per i candidati professionisti (secondo il bando di concorso, con la particolare attenzione al tema di quest’anno).

Il tema del Premio 2016  / The theme of competition  Freedom & Constraint | Libertà e vincolo

Eva Perales Brooch: Feeling for you, 2016 Plastic, wine, water, stainless steel Part of: Gioielli in Fermento 2016 - Premio Torre Fornello VI edition EASD Valéncia, students section Gioielli in Fermento 2016: Eva Perales Brooch: Feeling for you, 2016 Plastic, wine, water, stainless steel  –   EASD Valéncia, students section Gioielli in Fermento 2016

Sezione Studenti | and for the Students section :

* Alchimia Jewellery School Firenze (Italy) Daria Olejniczak
* Campus Idar Oberstein – Hochschule Trier University School for Applied Arts (Germany) Gabriela Cohn, Typhaine Le Monnier
* EASD València – Departament de Joieria (Spain) Ana Monleon Lozano, Azahara Santoro , Bea Ruiz, Eva Perales, Gema Lopez Ciscar, Laura Crovetto, Lidón Guillén Gallén, Miryam Ocaña Navarro De Palencia, Paula Ferrandis Alonso, Sarolt Szilágyi
* Fabrika12 – València (Spain) Camilla Mileto
* IED Design moda e gioiello – Roma (Italy) Serena Lucaccioni
* ITS Cosmo Progettazione e ricerca orafa Vicenza (Italy) Elisabetta Bordigato, Francesca Farina, Alberto Milanese, Silvia Refosco, Chiara Riccò
* Liceo Artistico Pietro Selvatico Padova (Italy)
Elena Citran, Francesca Letizia Guerra, Evelina Marafon
e le Classi 4CD-5CD Laboratori smalti e miniature
* Llotja – Escola Superior de Disseny i d’Art – Catalunya (Spain) Gualba Rojo Agramunt
* Ming-dao University (Taiwan) Huang Chi-Ting
* Tarì Design School – Caserta (Italy) Roberta Benedetto, Giulia Tartarone, Kgaugelo Molope, Gravelle Abrahams, Ayanda Myeza, Themba Mantshiyo, Chiara Esposito, Democracy Maseko, Mandisa Mandy Ndlovu, Sifiso Kumalo, Zinhle Ngcobo, Nhlanhla Treasure, Dorcas Lekhole
* The Glasgow School of Art (UK) Angela Hou Chien-Chia
* Shenkar Jewelry Design Department (Israel) Vika Mayzel
* Universidad del Desarrollo, Magíster de Arte (Chile) Massiel Munoz
* e le immagini dei lavori della Beijing Institute of Fashion Technology (China)
Corso Prof. Mrs. Zhao Yi e Prof. Mr. Hu Jun
Yujing Cheng, Kaixin Chen, Jialiang Fan, Shiyi Gan, Ran He, Weihai Huang, Lu Kuai, Bixin Li, Menglin Li, Mengshi Li, Hongluo Liu, Cheng Lu, Manqi Lu, Yaoyao Pu, Mingqing Qin, Junying Ren, Xnyue Shi, Ting Tang, Tianyu Wang, Yue Wang, Haiyuan Xia, Xueting Yan, Runkang Zhang, Siran Zhang, Qiuting Zhao
 

 award 2016 gioielli in fermento, Sezione Studenti - Student section -Daria Olejniczak – brooch: premio 2016 gioielli in fermento, Sezione Studenti | Student section - 
Daria Olejniczak – brooch 

Vika Mayzel. (SHENKAR)Vika Mayzel. (SHENKAR)

 

COMUNE DI PIACENZA
Gioielli in Fermento ®
gioiellinfermento@gmail.com
T.+39 3358083039
www.gioiellinfermento.com
www.torrefornello.it Ziano Pc Italy
curaduría Eliana Negroni
www.gioeillinfermento.com

http://www.agc-it.org/eventi/

 

con la collaborazione di | in collaboration with
AGC – Associazione Gioiello Contemporaneo
JOYA Contemporary Jewellery Fair Barcelona
Klimt02 Art Jewellery Online
Torre Fornello  www.torrefornello.it

 

 

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05/01/2016

Galit EINAV project – 1500 matches

Classé dans : Galit EINAV (IL),Israel (IL),SHENKAR (IL) — bijoucontemporain @ 1:44

I publish every day a single match. My project consists of 1500 inimitably manipulated matches, which represent the voiceless victims of women trafficking

Tackling Domestic Violence & Slavery, on the International Day for the Elimination of Violence Against Women – November 26th  (asafeworldforwomen)

Galit Einav, 50, decided to make a change in her life and learn jewelry design at the  Shenkar College of Engineering and Design. The college is located in a very shady area of the stock market building.

« In the four years I’ve been learning in Shenkar*, I could not ignore its surroundings: cafes, shops, and area of visible institutes, hidden institutes, many employed women who [were] brought forcibly. And no one cares. My dissertation was devoted to these women. [My] Motif of ‘Use and Throw’ turned matches into women, feelings, pendants, plugs, wires, and pearls.

Every woman is a one of a kind – but there are women who are not, who are transparent, traded, missing and are for use only. In my project of more than 1,500 matches, I will present one match everyday – for them.”

For the sake of these women”, says Galit, « hold a second every day …”

Une seconde par jour.
Chaque femme est unique en son genre – mais il y a des femmes qui n’existent pas. Elles sont translucides, instruments, disparues destinées à être uniquement utilisées. Le projet de plus de 1500 allumettes et d’introduire chaque jour une allumette pour elles. Prendre une seconde par jour. Non pour « L’ user et la jeter ».

An installation arranged in relation to women, their emotions and body. Some see the woman as a whole entity and others perceive her as an object. Every match is disposable, burning and may be used and thrown.: An installation arranged in relation to women, their emotions and body. Some see the woman as a whole entity and others perceive her as an object. Every match is disposable, burning and may be used and thrown. (Artsthread)

Galit Einav - n° 1Galit Einav - n° 1

Galit Einav - n°409Galit Einav - n°409

Galit Einav - n° 398Galit Einav – n° 398

Galit Einav - n°404Galit Einav – n°404

 An installation arranged in relation to women, their emotions and body. Some see the woman as a whole entity and others perceive her as an object. Every match is disposable, burning and may be used and thrown. - Galit Einav - 1500 Matches: Galit Einav - 1500 Matches: Galit Einav - 1500 Matches:

Galit Einav – 1500 Matches

Galit Einav - n°408: Galit Einav – n°408

Galit Einav - n° 402     - https://www.facebook.com/profile.php?id=100007313388778&sk=photos&collection_token=100007313388778%3A2305272732%3A69&set=a.1504730516447380.1073741828.100007313388778&type=3: Galit Einav – n° 402

Galit Einav -  Shenkar

 

 

03/01/2016

COUP de COEUR / COUP de BLUES : Inbar SHAHAK

Classé dans : Inbar SHAHAK (IL),Israel (IL),SHENKAR (IL),techniques textiles — bijoucontemporain @ 22:50

Inbar Shahak and her « textile » jewelry

Kibbutz honours textile tradition. The jewellery of Inbar Shahak is a tribute to women who for centuries have woven and decorated fabrics following techniques and traditions that have remained virtually unaltered. Shahak copies the patterns and transfers them to metal. “In this way one pattern can produce an entirely different design by using a different material”, Shahak explains

For the « Fauna & Flora » collection 2015 : « The whole world to me is made out of textile, this grey word that we don’t seem to think about much represent all aspects of our life. Starting from our very own clothing and going up to industrial product for space. Textile to me is the ancient work of the woman, in some culture it is their only way to express themselves or even to make their living. It is often a Sisyphean work that requires observing and inner listening, and that is very distinctive to the rhythm of the industrial world that we are living in today. »

Inbar Shahak -  My blue heart  - at Joya 2015: Inbar Shahak -  « My blue heart »  – presented at Joya 2015

Inbar Shahak - brooch - JOYA 2015 - Fairy garden - Fauna y Flora collection for Joya Barcelona: Inbar Shahak – brooch « Fairy garden »- Fauna y Flora collection – JOYA 2015

Inbar Shahak -  2015 -   I had a dream once that there is fine chocolate in lapis lazuli bite: Inbar Shahak -  2015 -   I had a dream once that there is fine chocolate in lapis lazuli bite

Inbar Shahak-   Pure and perfect with eyes like the sea after storm #joya2015: Inbar Shahak-   Pure and perfect with eyes like the sea after storm -joya2015

Necklace | Inbar Shahak.  Draw by hand and etched into metal and plated with handmade verdigris colours: Inbar Shahak – Necklace  2014 .  Draw by hand and etched into metal a plated with handmade verdigris colours – part of the BARIKA collection ; characterized by dozens of small metal lace leaves combined together for a unique piece (to buy here on Etsy)

Taking inspiration from ancient lace and crochet patterns with Inbar Shahak-textile jewelry VERDIGRIS Collection: Taking inspiration from ancient lace and crochet patterns with Inbar Shahak-textile jewelry VERDIGRIS Collection

Inbar Shahak    Sparkling Blue blossom: Inbar Shahak    Sparkling Blue blossom 2015

Inbar Shahak -    Weaving tiles necklace: Inbar Shahak -    Weaving tiles necklace

Inbar Shahak - textile jewelry - weaving tiles necklace - detailInbar Shahak – textile jewelry – weaving tiles necklace – detail

Inbar Shahak - textile jewelry  Inbar Shahak – textile jewelry

Inbar Shahak is a textile designer by profession, graduating from the Shenkar University of Fashion in Israel, where she majored in weaving, knitting & printing. After working in the garment industry for Calvin Klein, the urge to create handmade textiles art drove her to establish her own succesfull brand of textile jewelry. Inbar’s jewelry is inspired by delicate tracery patterns and her greatest passion is combineing ancient textile-making traditions with new modern techniques. Inbar’s collections are all drawn by hand and printed over metal at her atelier in Kibbutz Maagan Michael.She regularly collaborates with fashion designers around the world.

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