EXPO – COMINELLI Award 2015 – Fondazione Cominelli (IT) – 29 Aout- 4 Oct. 2015

COMINELLI FOUNDATION AWARD 2015 – VI EDITION
Fondazione Cominelli (IT)

Exhibition opening reception and awards: 29th August 2015
Exhibition dates: 29th August – 4th October 2015

 The competition is open to artists from all over the world.

For MORE INFORMATION AND DETAILS, please visit the AGC website

Organisers for Cominelli Foundation : Rosanna Padrini Dolcini
Organisers for AGC – Associazione Gioiello Contemporaneo : Maria Rosa Franzin – Rossella Tornquist

 Autori selezionati per il premio 2015 :
Alejandra Solar — Angelo Verga — Akis Goumas — Anja Eichler — Agnieszka Kiersztan — Babette von Dohnanyi — Claude Schmitz – Claudia Steiner – Corrado de Meo — Eiko Nakahara — Elisabeth Habig – EvaTesarik — Ezra Satok Volmann — Elisa Gulminelli — Fabiana Gadano — Gabi Veit — Hee Jin Lee — Isabell Schaupp – Jessica Turrell — Judy McCaig — Lital Mendel – Makoto Hieda — Marianne Schliwinski — Marion Delarue – Monica Cecchi – Nahoko Fujimoto – Nicole Beck — Nicola Heidemann — Nobuko Nishiwaki — Peter Hoogeboom — Sébastien Carré — Silke Trekel — Sergio Spivach & Stefano Spivach — Simone Winkler — Steffi Goetze – Sumiko Hattori – Ria Lins — Rhona McCallum — Yo Jae Lee — Yu Hiraishi

*

Nell’ambito della mostra, la mattina del 30 agosto, nella sala conferenze della Fondazione, sara’ tenuto un seminario composto da due conferenze: la prima relatrice sarà la prof.ssa Maria Rosa Franzin, docente di progettazione orafa presso l’Istituto Pietro Selvatico di Padova, che parlerà del gioiello nella contemporaneità. Il secondo relatore sarà il Prof. Michael Pell docente di lavorazione dei metalli e oreficeria della Scuola Glasgow School of Art – la scuola di Charles Rennie Mackintosh – che presenterà il progetto didattico ed i lavori degli allievi.

Alja Neuner (catalogo Cominelli 2014)

Alejandra Solar (M.F.A., 2014 Idar-OberSTEIN ) selected for „Cominelli Fo
undation Awards 2015“ •  Brooch from the series « Luvina » • Onyx, graphite, resin, silver • 2014 • © photo by artist

 

 

Fondazione Cominelli
Palazzo Cominelli
via Padre F. Santabona, 9
25010 Cisano di San Felice del Benaco (BS)
Info:
tel [phone]
[e-mail]
www.fondazionecominelli.it
website: www.agc-it.org
mail: [e-mail]
Orari:
sabato: dalle 17.00 alle 20.00
domenica: dalle 10.00 alle 12.00 e dalle 17.00 alle 20.00
Ingresso libero

 

 

Triennale européenne du bijou contemporain – Wcc-bf Mons (Belgique) – 25 Oct.-28 Dec. 2014

Wcc-bf Mons

La Triennale européenne du bijou contemporain
De europese Triënnale voor hedendaagse sieraden
The European Triennial for Contemporary Jewellery

Belgique / Finlande / Italie – Belgium / Finland / Italy

Pour sa cinquième édition, la Triennale européenne du Bijou contemporain invite les créateurs d’Italie et de Finlande à dialoguer avec les Belges.

Quarante-cinq artistes, maîtres d’art ou jeunes talents, seront  réunis à la Grande Halle des anciens abattoirs de Mons pour un des événements majeurs du bijou contemporain en Europe.

 

Belgique / België / Belgium
Nevin Arig, Liesbeth Bussche, Clarisse Bruynbroeck, Hilde De Decker, Marion Delarue,
Silke Fleischer, Bernard François, Delphine Joly, Patrick Marchal, Shana Teugels, Karen Vanmol, kuppers&wuytens, Marta Miguel Martinez Soria, Claire Lavendhomme, Nelly Van Oost.

Nelly Van Oost (MA 2012 Idar Oberstein) • Brooch « Instant » • Paint, new silver and steel • 2014 • ©p Lotta Duse

Nevin Arig, Occupy-gezi-day3, collier, 2014. Bois, argent, pigments sur métal et sur bois. 40×6,7×3,5 cm. Photo: Nevin Arig.

Karen Vanmol

Clarisse Bruynbroeck

Brooch by Claire Lavendhomme. « Passage » series 2013 . Photo on aluminum & silver.

 

Finlande / Finland / Finland
Ulla Ahola, Tuija Hietanen, Sirja Knaapi, Helena Lehtinen, Eija Mustonen, Maria Nuutinen, Inni Pärnänen, Essi Pullinen, Ari Pyörälä, Tiina Rajakallio, Jenni Sokura, Janna Syvänoja, Nelli Tanner, Tarja Tuupanen, Tatu Vuorio.

Janna Syvanoja, broche, 2013. papier recyclé (carte), fil d’acier, 19 x 9 x 6 cm. Photo: Janna Syvanoja.

 

Italie / Italie / Italy
Daniela Boieri, Giovanni Corvaja, Arata Fuchi, Doris Maninger, Stefano Marchetti, Lucia Massei, Barbara Paganin, Marzia Rossi, Jacqueline Ryan, Giovanni Sicuro, Fabrizio Tridenti, Barbara Uderzo, Graziano Visintin, Annamaria Zanella.

 Stefano Marchetti, Broche, 2014. Or, titane, résine. Photo: Stefano Marchetti.

Marzia Rossi – She is gone, necklace 2011-12 silver, beads nylon thread

Doris Maninger – ‘ephemeral floating’, necklace, 2013, iron, silver, electroformed

Daniela Boieri -  necklace, 2014, silver

Lucia Massei “Orientale » bracelet, 2014 ancient epaulettes,  copper, yellow gold, silk

Dans ce cadre, une journée de conférence et un workshop sont organisés !

 

Grande Halle des anciens abattoirs de Mons

Du 25.10.2014 au 28.12.2014
Tous les jours sauf le lundi et le 25.12
de 12h00 à 18h00 (17h00 le 24.12)

From 25.10.2014 until 28.12.2014,
everyday except Monday and 25.12,
from 12:00 to 18:00 (17:00, on the 24.12)

 Site des Anciens Abattoirs
17 – 02, Rue de la Trouille
B-7000 Mons (Belgique)
Tél. : [phone]
Fax : [phone]
[e-mail]

JOYA Barcelona 2014 – in the OFF we present you DTerra Gallery/lecture LIANA PATTIHIS – 6 Oct. 2014

JOYA Barcelona 2014 –  Art Jewellery Fair, October 9, 10 and 11, 2014

***

DTERRA GALERIA :

lecture LIANA PATTIHIS  « Digging Deep« 

 

Lecture 6 Oct. – 20:00

 

« Tast entre joies » son eventos de entrada libre, en los que un artista presenta su obra y su trayectoría, acompañado de una carta de vinos u otros productos, en función de la temática

TAST nº11: “Digging Deep”

Digging Deep is an insight into the works of Liana Pattihis

‘The processes Liana uses in making her jewelry are ones of building and burying. Layer upon layer of enamel slowly obscure the foundation of silver or gold chains, forming a vitreous crust that is raw, crackly and uneven…The natural quality of the surface gives a feel of a much earlier age, yet buried under the enamel are anonymous, potentially unattractive, chains of this age of mass production. The point of delight is, not only that unique, colorful and exciting pieces of jewelry are created, but that the rules of enamelling have been broken and rewritten so successfully… ‘  Caroline Broadhead

• La conferencia será en inglés
• Entrada gratuita
• Plazas limitadas, se ruega confirmación: info[at]dterra.es o llamando al 936747807
• Tast de vinos de las Bodegas Murviedro

 

DTERRA GALERIA
Josep Anselm Clavé, 9
Sant Cugat del Vallés
T [phone]
[e-mail]
http://www.dterra.es
http://www.dterrablog.blogspot.com
MAP
Desde Plaça Catalunya, Barcelona: 25 minutos con los FCG Ferrocarrils de la Generalitat. Parada Sant Cugat.

 

JOYA: Barcelona Art Jewellery Fair
Santa Monica Arts Centre
Rambla, 7
08001 – Barcelona
Telephone: [phone]

JOYA VISITORS’ GUIDE

 

EXPO ‘The Sweet Perfume of Decay’ – Sintra, Göteborg (SE) – 30 Aout-23 Sept. 2014

You are very welcome to my solo exhibition ‘The Sweet Perfume of Decay‘ at Sintra in Gothenburg on Saturday the 30th of August. Märta Mattsson

Opening 30/8 12-16

I will also hold a lecture at the gallery on Friday the 29th of August at 19.00.
I hope to see you at either of these events or at both !
Lecture by Märta Mattsson 29/8 19:00

 

The Sweet Perfume of Decay
“Sometimes I see beauty in things that other people find strange or are even repulsed by. I become fascinated when there is something you do not want to see and the feeling you get when you do not want to look at some- thing, yet you still do. My jewellery deals with the tension that lies between attraction and repulsion. I take seemingly inappropriate materials, making ordinary and familiar objects seem extraordinary and unfamiliar.
In the 18th century many new breeds of animals and plants were discovered and it was the main era of cabinets of curiosities. People collected rarities because it gave them the feeling of being in the presence of something ex- traordinary and marvellous. The cabinets of curiosities were not meant to sympathize with the creatures on dis- play, only marvel over their oddity. In a world where not many new and exotic breeds are discovered I use dead creatures in my pieces to evoke wonder. The creatures are transformed and reborn; given a new life as objects of astonishment.”  Märta Mattsson

 

« During this year I have been working on new pieces where I use wings from butterflies, cicadas and moths. The idea of mimicry and transforming the wings to look like new species of animal appeals to me. By assembling and building new bodies out of the wings I can create mysterious creatures that uses the esthetic qualities of the wings but without making them too pretty and flower like.
As well as exploring the idea of creating new species I am also interested in the symmetry of the wings and how I can explore this in a new way. I find inspiration in images from the Rorschach test. The inkblot test is a method of psychological evaluation. Psychologists use this test in an attempt to examine the personality characteristics and emotional functioning of their patients. This test is often employed in diagnosing underlying thought disorders and differentiating psychotic from non-psychotic thinking in cases where the patient is reluctant to openly admit to psychotic thinking. »

Märta Mattsson, Booch: Wings, 2014 Cicada wings, resin, lacquer, crushed stone, glitter, silver 12 x 6 x 1 cm

Märta Mattsson Brooch: Wings, 2013 Cicada wings, resin, lacquer, glitter, silver 13 x 10 x 1 cm

 

Sintra
Landsvägsgatan 5,
Haga 413 04 Göteborg
tel 031 – 775 01 20
[e-mail]
Mo-Fr.11-18, Sa.11-16
www.sintra.se

A contemporary crafts shop and gallery, established 1984; in the charming and picturesque district of Haga located in the central part of Gothenburg

EXCEEDED BORDERS Schmucksymposium Zimmerhof 2014 – Bad Rappenau (DE) – 29 Mai-1er Juin 2014

EXCEEDED BORDERSSchmucksymposium Zimmerhof 2014

PROGRAMME

Now a days limits and borders are changeable and exceeding limits belongs to our everyday experience. The image of the boundary as a line, which separates two or more spaces from each another, becomes a border area, a space in-between; an interface or threshold between different areas.

But what limits are exceeded in ‘Jewellery’ exactly? What are the consequences of transgressions? Can existing boundaries actually be repealed or we rather only deal with their shift and visualization? What happens when all limits are exceeded? Do we overrun at some point to an end? Borders and limitations have been part of our human history and nature from the beginning. Whether it may be a physical or mental limit to cross, it has been and is still a challenge that — often through destruction of existing norms — still helps development. Jewellery today is constantly stretching its existing borders. Shifts from being only functional and adequate to fulfill it’s long existing social position, to expropriate characteristics of fine art and gaining a strong conceptual content and presence. What are its limits? Why the aim, to make it more conceptual content and presence. What are its limits? Why the aim, to make it more than what is was for hundreds of years? What are the special means to help it grow and to change its borderlines?

Christina Karababa
Jorge Manilla
Flora Vagi

 

 

 

Schloss Heinsheim,
Gundelsheimerstr 36
D 74906 Bad Rappenau
Fax [phone]
Tel: [phone]
weekdays 9:00 – 12:30
E-mail: [e-mail]

CONFERENCIAS – Melting Point 2014 VALENCIA (Spain) – 8-11 Mai 2014

Melting Point Valencia 2014

CONFERENCIES PROGRAM here

Jueves 8 de mayo

10.00 h – Presentación

Conferencia 1  – Miroslav Cogan (Turnov Museum). Fruits of Paradise
Conferencia 2 – Isabel Barceló Chico (Museo de la Ciudad, Valencia). El Oro sobre la Piel. La Joya como Manifestación de la Cultura

 

Sábado 10 de mayo

10.00 h
Conferencia 3 – (10h)  Florence Lehmannn (ESAD, Strasbourg, FR)
Conferencia 4 -(11h) Wim Vandekerckhove (University of Greenwich) interviewed by Gisbert Stach
Conferencia 5 -(12h) Andrea Coderch. Mi Vida d.J.

 

Domingo 11 de mayo

10.00 h
Conferencia 6 – Doris Maninger (Alchimia) . What Jewellery Can Teach Us
Conferencia 7 – Natalia Saldías. Creación y Rescate de Oficios Populares de Valparaíso a través de la Joyería Contemporánea.
Conferencia 8 – Jorge Manilla. Otros Significados (Anatomía del Pensamiento).

 

 

EASD València
* Salón de Actos *

C/ Pintor Domingo, 20

46001 – Valencia

Tel. [phone] Fax. [phone]

Legnica Jewellery Festival SILVER 2014 – 22 Avril-8 Juin 2014

Legnica Jewellery Festival  SILVER 2014  -  22th April – 8th June 2014

 The 23rd Legnica International Jewellery Competition

CLASSIC

Announcement of Winners: 17 of May

 

 

Artist qualified to 23rd International Jewellery Competition CLASSIC:

Brunella Alfinito -Italy  — Jordi Aparicio -Spain — Paula Bahadian -Brasil/Spain –  Lauren Ellen Braithwaite -Great Britain — Sigurd Bronger -Norway — Sungho Cho -South Korea –  Gabriela Cohn – Argentina/Spain — Trinidad Contreras -Spain — Marisa Marla Desii -Italy — Georg Dobler -Germany — Elisabetta Duprè -Italy — Susanne Elstner -Germany — Nicolas Estrada -Colombia –  Sara Gackowska –Poland — Stephanie Hensle -Germany — Herman Hermsen -Netherlands — Gabriele Hinze -Germany –  Piret Hirv -Estonia — Marta Hryc -Poland — Lijung Huang -Taiwan — Ferran Iglesias -Spain — Paweł Kaczyński –Poland — Annika Kedelauk -Estonia — Sooyeon Kim -South Korea — Sergiusz Kuchczyński -Poland — Aneta Lis-Marcinkiewicz -Poland — Peter Machata -Slovakia –  Judy McCaig -Great Britain — Rhona McCallum -Great Britain — Daniel Michel -Germany –  Ted Noten –Netherlands — Yasutaka Okamura -Japan — Joo Hyung Park -South Korea — Tabea Reulecke -Germany — Julia Reymann -Germany — Nina Schäfer -Germany — Nils Schmalenbach -Germany — Frederike Schürenkämper –Germany — Nicole Schuster -Germany — Pedro Sequeira -Portugal — Hye Jung Sin -South Korea — Gisbert Stach -Germany — Dimitar Stankov -Bulgaria — Andrzej Szadkowski -Poland — Yoko Takirai -Japan/Italy — Heike Walk -Germany — Karol Weisslechner -Slovakia — Jarosław Westermark -Poland

 Announcement of names of winners and awards ceremony will take place during the culmination of the Festival on the 17th May at 7.30 p.m. Welcome to Legnica!

 

The Gallery of Art
pl. Katedralny 1
59-220 Legnica
Poland
ph. ([phone]; ([phone]
fax [phone]
e-mail: [e-mail]
[e-mail]

Melting Point 2014 VALENCIA (Spain) – 8-11 Mai 2014

Melting Point Valencia 2014

The Jewellery Department of the School of Art and Design College of Valencia (EASD) will organise the second edition of the so-called “Melting Point Valencia. Joieria Contemporània 2014” next May. In 2012 we celebrated, due to the first Melting Point, the tenth anniversary of the implementation of the Jewellery Department and jewellery studies in our centre. The experience was fruitful in terms of the participation of institutions and jewellers, the quality of the papers presented and the exchange of experiences and contacts made during those days. Thus, we really want to take advantage of the opportunity to repeat this experience.
The aim of this meeting is still the same than before: “…for one week the EASD Valencia and the whole city become the meeting point for artists, designers, experts, collectors, scholars and broad audiences interested in jewellery in southern Europe”. However, we would like to include a further ambitious goal: that is, to consolidate and strengthen our position in the national and international scene as a cultural, artistic, academic and professional reference for Spanish contemporary jewellery. We do not claim to be a trade fair, it is not our task. Hence, our goal is to spread the work of our students and the current projection of jewellery regarding language, profession, function or symbolism.

For this 2014 edition we have the honour to offer a wide diversity of exhibitions, conferences and other activities by highly reputed institutions such as the National Museum of Ceramics and Sumptuary Arts González Martí, or the Octubre Centre for Contemporary Culture.

We want to highlight the participation of Peter Bauhuis, Ursula Guttmann, Gisbert and Rose Stach. (Germany), Museum of Turnov (Czech Republic), Villa de Bondt Gallery (Belgium), Natalia Saldías (Chile), Alchimia School (Italy), Maden Studio (Turkey), University of Lincoln (United Kingdom), La Basilica Gallery (Barcelona), Taller Perill (Barcelona) or EAD Tarragona, among others.

We also want to emphasise the relevance that this ancient discipline stands beyond our borders nowadays, on the artistic, educational and professional levels. Concerning this, we would like to ask the appropriate educational authorities for the deserved transition of the jewellery studies to a Degree level, following the same direction that other countries around our cultural and economic environment took years ago. This way, our professionals will no longer be in an inferior position when compared to the students of other European Union countries. In addition, as this demand is feasible due to the fact that human resources and programs already exist, we just need a political action.
Finally, we would like to invite you to visit Melting Point València. Joieria Contemporània 2014, in order to meet us, to learn from all the projects you can find here during these days, and to enjoy the jewellery as well as Valencia city. This is an experience we want to share with you. 

Antonio Sánchez García

 

EXHIBITIONS PROGRAM here

CONFERENCIES PROGRAM here 

EASD València
*Salón de Actos
*Sala de Exposiciones

C/ Pintor Domingo, 20

46001 – Valencia

Tel. [phone] Fax. [phone]

 

Museo Nacional de Cerámica y Artes Suntuarias González Martí
Poeta Querol,2
46002 Valencia
Martes a sábado de 10.00 a 14.00 h y de 16.00 a 20.00 h. Domingos de 10.00 a 14.00 h.
tel [phone]
http://mnceramica.mcu.es/

 

 

Centre del Carme
Calle Museo, 2,
46003 Valencia
tel [phone]
Martes a domingo de 11.00 a 19.00 h

 

Fabrika12

C/Marques de Caro 12, B.iz.,

46003 Valencia

tel [phone]

[e-mail]

https://sites.google.com/site/fabrika12/
http://talleresfabrika12.blogspot.com.es/

https://www.facebook.com/Fabrika12

MAP – with MUVIM, Museo Ceramica – train station & Mercado !

EXPO ‘Staring : in HINDSIGHT’ – Die Neue Sammlung (Danner-Rotunde), Munich (DE) – 14-20 Mars 2014

SCHMUCK 2014 – Munich – 12-18 Mars 2014

Staring : in HINDSIGHT / SUNY NP METAL

Vernissage 14 Mars, 19 Uhr

STARING: The State University of New York at New Paltz

THE METAL PROGRAM AT THE STATE UNIVERSITY OF NEW YORK AT NEW PALTZ IN COOPERATION WITH DIE NEUE SAMMLUNG – THE INTERNATIONAL DESIGN MUSEUM MUNICH

Designed in response to the physical space that houses the exhibition, in Staring is an exercise in looking, finding, seeing and knowing.
This gallery, informally referred to as ‘under the stairs’, is an interstitial space – formed by the galleries that surround it. It is a negative of a positive, the leftover from a functional form. It lies in-between, forming the way one considers what lies on the other side of the concrete divide, what is revealed and what is hidden. As the risers and runners of multiple staircases surround the viewer, form becomes rhythmic, linear texture, closing in underfoot and overhead. In this space one is simultaneously astonished, disoriented, and mystified. While not originally conceived as an exhibition space, through imaginative thinking it became so.
As a marginal space it is not confined by traditional boundaries or conceptions. This notion of working the margin is akin to the creative strategies taught at New Paltz. Students are expected to engage the traditions of jewelry and hollowware, working within the field’s “architecture”, but not to mimic it; in dialogue through making they question function, value, and relevance to our somatic, conceptual and incorporeal experience. We look backward and forward at the same time, challenging and promoting the practice of making.
Provoked by the space itself, we ask the viewer to consider what it means to be ‘under the stairs’. In a domestic setting it is a space to keep things that are only used occasionally, or perhaps forgotten. It is a psychic space, the space of the Odradek, a space where fear of the unknown is manifested. Within this space discoveries are made, surprises can be found, and occasionally we lose even ourselves.

Talk on 16 March, 11 Uhr : Pravu Mazumdar: Understanding Surfaces. On Jewellery and Identity.
Pinakothek der Moderne. www.die-neue-sammlung.de

Human surfaces are hybrid objects involving biological and cultural elements like dress, makeup, jewellery, gait, skin, posture, voice. Contemporary societies manifest not only surfaces of products, but also human surfaces functioning as ‘packaging’ and emitting discourses on interiority that place humans within limits and define their individuality.
However, the surfaces are not only readable. They are also produced on a daily basis, not only by the individuals themselves or the global beauty industry at large, but also a whole political machinery of identity, gleaning certain constant, measurable and recognisable traits of individuality from the surface discourses, documenting them in passports and identity cards and locking in modern individuals within the shell of their identity. Modern jewellery – in its contemporary, critical manifestations and its inherent tendency of breaching tradition – can break open the shell of identity and involve individuals in an open play of enhancement and change of masks. It can indeed be understood as a means of counteracting the pressure towards identity in daily life in modern societies.
Such ideas will be presented with examples and images from the area of contemporary jewellery art.
Munich | Lecture | Sunday, March 16, 2014 | 11:00 p.m. | Tel. [phone]
Ernst von Siemens-Auditorium, Pinakothek der Moderne, Barerstrasse 40, Munich | Lecture in English | Admission free

Participants : Aliyah Gold — Allison Ulmer – Allyson Bone — Amy Williams — Anna Drexel — Aran Galligan — Cameron Andersen — Celine Browning – David Choi – Eunjae Baek — Francesca Urciuoli — Hyun Kyung Park — John Huckins — Kate Mess — Katherine Wilson — Kathleen Rearick — Kim Zitzow – Lena Grabher — Lynn Batchelder — Maia Leppo  — Martin Anderson — Melissa Tolar – Michael O’Neill — Missy Graff – Nikky Bergman — Qu Mengnan — Sara Glaberson — Sarah Abramson — Steven Gordon Holman

 

MFA Candidate Steven Gordon Holman : Steven’s Work has been selected to compete in the international design competition TALENTE – at Schmuck 2014 in Munich

Lynn Batchelder,  Necklace: Sawing/Drawing, 2013 – Steel 

Steven Gordon Holman – Necklace: To Segment and Join, 2013 – Mule deer antlers, nylon paracord, steel cabled

Martin Anderson

Michael O’Neill « Flood »  – 2010  Bracelet  Silver; Pyrex; Driftwood

Aliyah Gold -   Moth Brooch Sterling silver, Glass, Gold leaf – « Infestations » 2013

2 artists Pieces :
Left and Right: Martin Anderson. Necklace: Black & Yellow Necklace, 2012. Glazed porcelain, sterling silver, silk.
Center: David Choi. Bracelet & Knotted Brooches: Untitled, 2013. Steel, silver.
Pre & post-production styling: Steven Gordon Holman & Anna Hammer.
Camera: Kim Zitzow. Model: Mengzi.

Eunjae Baek 2010-12 thesis work

Hyun Kyung Park - 3 brooches « Architexture »  Huguenot Street – Deyo House 3 Brooches | 2012 | Plastic, Paint, Sterling Silver, Steel

 

Die Neue Sammlung – The International Design Museum Munich
Danner-Rotunde
Barer Straße 40
Pinakothek der Moderne
80333 München

0PENING HOURS TUESDAY – SUNDAY 10:00 – 18:00
THURSDAY 10:00 – 20:00

EXPO ‘Whispering Pieces’ – Atta Gallery, Bangkok (Thailand) – 9 janv.-15 Fevr. 2014

Whispering Pieces : Beppe Kessler‘s Exhibition Opening at ATTA Gallery on Thursday Jan. 9th, at 19:00 by Joan Boer, Ambassador of the Kingdom of the Netherlands.

 

 » ‘Little treasures’, that is how I describe my works of art; miniature sculptures composed of age-old and contemporary materials, brazenly combined and not bound to the traditions of jewellery making. They express my feelings and thoughts about life. They invite touching and they tell a story, summarized in titles justifying their existence.« 

Beppe Kessler -  Brooch: Plenty of Nothing, 2013 – Silver, balsa wood, glass, cotton, acrylic color

Beppe Kessler – Brooch: Triosonata-2, 2013 -  Alpaca, wood, vinyl, cd, acrylic fibre – 7.5 x 6.5 x 2.5 cm

Artist’s lecture on friday Jan. 10 2014 – 13-14h

Place: Silpakorn University (Bangkok, Thailand)
Silpakorn University
22 Borommarachachonani Rd. Talingchan
10170 – Bangkok
Thailand
Telephone: [phone]
Telephone: [phone] #500

 

 

ATTA Gallery

OP Garden, Unit 1109,

Charoenkrung 36, Bangrak,

Bangkok 10500, Thailand.

[phone]

[e-mail]