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26/06/2017

EXPO ‘Vinte e Três. Joalharia Contemporânea na Ibero-América’ – Sociedade Nacional de Belas Artes, Lisbonne (PT) – 27 Juin- 22 Juill. 2017

Vinte e Três. Joalharia Contemporânea na Ibero-América

Veintitrés. Joyería Contemporánea en Iberoamérica / Twenty-Three. Contemporary Jewelry in Ibero-America

This exhibition is part of the official Past and Present – Lisbon Ibero-American Capital of Culture 2017 commemoration / Exposición incluida en el ámbito de las conmemoraciones oficiales Pasado y Presente – Lisboa Capital Iberoamericana de la Cultura 2017
Opening/Inauguración – 26.06.2017 – 18h00 – 21h00
Sociedade Nacional de Belas Artes

PIN - 23

 

In an age of globalization when artists travel to numerous places, how relevant is their nationality in an artistic context?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
What do we mean when we say that jewelry can identify a people and a culture?
What do we mean when we talk about Portuguese, Mexican and Brazilian contemporary art in the 21st century’?
Why do we mean when we say that a people and a culture can be identified by their jewelry?
Could it nowadays only identify an epoch?
// question the cultural identity and heritage of participating artists
// display works without showing the artists’ names and nationalities
// look at the way jewelry manufacturing undergoes changes and is affected by other materials and techniques
// reflect on concepts of identity and the way our past surfaces in the present
// foster a debate on the response of the public and reveal the artists’ names and nationalities when the event closes
Draw up the themes that PIN elected to embody the Twenty-Three. Contemporary Jewelry in the Ibero-America exhibition to promote a reflection on contemporary manufacturing that will make us re-think the cultural heritage of each artist and the relations this establishes.
Each of the 23 areas that make up the exhibition plan where the pieces are displayed represents a member nation of UCCI – Union of Ibero-American Capital Cities.
The artists’ names and nationalities are not displayed in order that their cultural identity and heritage can be probed and questioned.
The public is invited to seek the origin of each group of artists and interact in loco by trying to discover their nationality – and leave a flag sticker at each area.

Lúcia Abdenur / Luis Acosta / Rodrigo Acosta / Inês Almeida / Sandra Alonso / Rafael Luis Álvarez / Jordi Aparicio / Titi Berrio / Stella Bierrenbach / Anabell Bravo / Catalina Brenes / Ximena Briceño / Eva Burton / Daniela Caro Pérez / Jorge Castañón /Ignasi Cavaller / Hugo Celi / Cristina Celis / Trinidad Contreras / Ángela Cura Méndez / Teresa Dantas / Gemma Draper / Isa Duarte Ribeiro / Nicolás Estrada / Alejandra Ferrer Escobar / Filomeno /Alice Floriano / Sandra Frias / Pamela de la Fuente / Samantha Fung / Catalina Gibert / Carolina Gimeno / Leonor Hipólito / Caco Honorato / Gabriela Horvat / Amira Jalet / Ana María Jiménez / Erika Jordán / Kepa KarmonaMarie Pendariès / Guigui Kohon / Francisca Kweitel / Lorena Lazard / Nina Lima / Maru López / Jorge Manilla / Massiel del Mar (Massiel Mariel Muñoz)/ Caio Marcolini / Carlos Martiel / Simón Mazuera / Renata Meirelles / Marília Maria Mira /Miriam Mirna Korolkovas / Xavier Monclús / Marc Monzó / María Eugénia Muñoz / Lucía Nieves / Inês NunesCatarina Dias / Liliana Ojeda / Natalia Olarte / Raquel Paiewonsky / Clara del Papa /Miriam Pappalardo / Renata Porto / Ramón Puig Cuyàs / Tota Reciclados (Valeria Hasse & Marcela Muñiz) / Cristina Roque dos Santos / Kika Rufino / Vania Ruiz / Estela Sàez / Natalia Sarrazín / Marina Sheetikoff / Diana Silva / Inês Sobreira / Rita Soto / Manuela Sousa / Yolanda Sucre / Edu Tarín /Isabel Tristán / Anahí Vallejos / Manuel Vilhena / WALKA (NanoPulgar) / María Ignácia Walker

Luis ACOSTA at EXPO "23" Luis ACOSTA Rodrigo Acosta - en EXPO "Veintitrés"Rodrigo Acosta - brooch

en EXPO Veintitrés. Joyería Contemporánea en Iberoamérica - Pamela de la Fuente - Feliz de participar con "Pullme" en este gran evento en Portugal, además esta pieza es parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018,Pamela de la Fuente -   « Pullme »  (esta pieza es tambien parte de la selección del capítulo chileno del National Museum of Women in the Arts en Washington que se exhibirá en el Museo Nacional de Bellas Artes en marzo del 2018) Ramon Puig Cuyas en EXPO "Veintitrés. Joyería Contemporánea en Iberoamérica"Ramon Puig Cuyas – brooch

Rafael Luis Alvarez  - colección "Lo que fue escrito" Rafael Luis Alvarez  broche colección « Lo que fue escrito » - MICA (placas frágiles que se usaban como resistencia para las planchas de ropa), Intercaladas hay fotos Jordi AparicioJordi Aparicio

Catalina BrenesCatalina Brenes Jorge CastañónJorge Castañón Catalina Gibert -   braceletCatalina Gibert -   bracelet

Carolina Gimeno JewelleryCarolina Gimeno Jewellery

Caco HonoratoCaco Honorato « Corazón de Greda Negra » de la colección Lloraría a Mares

Gabriela HorvatGabriela Horvat

Amira Jalet  *Inferno* Brooch Wood charcoal from the north of Costa Rica "Roble", Oil paintingAmira Jalet  *Inferno* Brooch

Lorena LazardLorena Lazard

Jorge Manilla - This was not organically": Abruptions #8 Brooch Leather, steel, zinc, charcoalJorge Manilla   – This was not organically »: Abruptions #8 Brooch Leather, steel, zinc, charcoal Miriam Mirna Korolkovas - colar COCAR titanio anodizado e prata 925Miriam Mirna Korolkovas – colar COCAR titanio anodizado e prata 925

María Eugenia Muñoz -  colección "Paisajes Constructivos" brocheMaría Eugenia Muñoz -  colección « Paisajes Constructivos » broche

 Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, telaLiliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)Liliana Ojeda Collar Tráqueo, de la colección Medular, cerámica gres, hilo, tela (detalle)

Massiel de Mar,  collar construido con papel e hilado a mano.Massiel Mariel MUNOZ (Massiel Del Mar),  collar construido con papel e hilado a mano

Vania Ruiz's necklace 'Ayúdame Papito'Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ Vania Ruiz (CasaKiro Joyas)'s necklace 'Ayúdame Papito' (detail)Vania Ruiz (CasaKiro Joyas)‘s necklace ‘Ayúdame Papito’ (detail)

Estela SaezEstela Saez Vilanova

Edu TarinEdu Tarin

Isabel Tristan -  Noves polseres.  col·lecció KubsIsabel Tristan · Noves polseres.  col·lecció Kubs

WALKA joyas - jewelryWALKA joyas – jewelry  – « Cornucopia: Charms for Life », 2017 (Cacho, plata, seda y retrato de la artista portuguesa Maria José Oliveira con su pieza, realizado por Cristina Felipe)

Sociedade Nacional de Belas Artes

Rua Barata Salgueiro, 36
1250-044 Lisbonne (PT)
De lunes a viernes (excepto festivos) de 12h00 a 19h00 y sábados de 14h00 a 20h00
*concept / curatorship / production: PIN (Madalena Braz Teixeira, Cristina Filipe, Carlos Silva, Raquel Soares, Joana Taurino) e Marco Roque Antunes
*production assistants: Beatriz Faustino, Natalia Olarte
*advisory commission:
​​​​​​​​Lúcia Abdenur, Titi Berrio, Eva Burton, Holinka Escudero, Pamela de la Fuente, Catalina Gibert, Carolina Gimeno, Klimt02 (Leo Caballero e Amador Bertomeu), Francisca Kweitel, Jorge Manilla, Natalia Olarte, Clara del Papa, Renata Porto, Ramón Puig Cuyàs, Andreina Rodriguez-Seijas, Estela Sàez, Alberto Soarez Chang, Andrea Tello, Valeria Vallarta Siemelink, Manuel Vilhena, WALKA
*exhibition design: Fernando Brizio
*assistant designers: André Calvão, Rafael Sabino, Davide Mateus
*graphic design: Arne Kaiser

 

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01/06/2017

EXCHANGE-BIJOU 1 – Jelizaveta Suska – EXPO at RRgallery, N.Y. (USA) – 3 Mai-25 Juin 2017

Jelizaveta Suska

I will show this work in NY where I will have a group  exhibition in MAY 2017 through June 25 2017 at RRgallery

Opening artist reception on MAY 3th, 6-8 pm

Jelizaveta Suska -exhib MAY 2017:

 

Jelizaveta Suska. Brooch: Frozen Moment 2, 2015. Polymer, crushed marble, 14 ct gold, titanium, crystal. 5 x 4 x 3 cm. Photo by: Jelizaveta Suska. From series: Frozen Moment.: Jelizaveta Suska. Brooch: Frozen Moment 2, 2015. Polymer, crushed marble, 14 ct gold, titanium, crystal. 5 x 4 x 3 cm. Photo by: Jelizaveta Suska. From series: Frozen Moment

 

Jelizaveta Suska  -Brooch, Made out of original material that combines polymer and hand crushed marble. Metal support details are crafted in titanium, 14K gold and sterling silver that are plated with 24K gold. -Jelizaveta Suskaya: Jelizaveta Suska  Brooch: Frozen Moment 7, 2016  Polymer, crushed marble, gold-plated silver, amethyst  5 x 4 x 3 cm  Photo by: Jelizaveta Suska  From series: Frozen Moment

Jelizaveta Suska -exhib MAY 2017 through June 25 at RRgallery - Opening artist reception on MAY 3th, 6-8 pm 2017: Jelizaveta Suska – brooch

Jelizaveta Suska -exhib MAY 2017 through June 25 at RRgallery - Opening artist reception on MAY 3th, 6-8 pm 2017: Jelizaveta Suska - brooch

Jelizaveta Suska -exhib MAY 2017 through June 25 at RRgallery - Opening artist reception on MAY 3th, 6-8 pm 2017: Jelizaveta Suska – brooch

Jelizaveta Suska -exhib MAY 2017 through June 25 at RRgallery - Opening artist reception on MAY 3th, 6-8 pm 2017: Jelizaveta Suska -neckpiece

 

 

 

RRgallery
30 Gansevoort St
10014 New York

tel  +1 212-226-4513
gallery@reinsteinross.com

http://ReinsteinRoss.com/

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EXCHANGE-BIJOU 1 – Yiota VOGLI at « 7 artists for 7 days 2017″ -5-16 Juin 2017

7artistsfor7days2017 in Rome 5 – 16 june 2017 at mydaybydayspace……save the dates with

Lisa HabigMaura BiamontiYiota VogliValeria MartinezEinav BenzanoTeresa FarisNina Lima

 7artistsfor7days2017

#7aritistsfor7days2017 in Rome 5 - 16 june at #mydaybydayspace......save the dates with  #lisahabig #maurabiamonti #yiotavogli #valeriamartinez #einavbenzano #teresafaris #ninalima

 ***

« As a visual artist, my relationship with jewelry is bidirectional. My jewelry is influenced from my artistic research. Observation and painting require the engagement of all of our senses, thus, in my work I draw on memory and therefore on my senses.
Addressing jewelry as micro sculpture, I refer to form, material, colors and texture to conceptualize personal memories and my view of social and cultural issues into art. »
Yiota Vogli

Yiota Vogli braceletYiota Vogli  - Bracelet: Travelling, 2015 – Paper, oxidized brass, oxidized silver  12 x 1 x 12.5 cm

Yiota Vogli neckpieceYiota Vogli  – Necklace: Islands, 2015 – Paper, oxidized brass, oxidized silver -  From series: Layers of Memory

Yiota Vogli - pendant/ringYiota Vogli – pendant/ring – Out, 2017 Wood, paint, rhodium plated silver & brass 4.5 x 2.7 x 6.5 cm – From series: Shadows

Yiota Vogli’s interview

26-04-2017
Where is your inspiration coming from?
It’s very important to stay mind open. I seek inspiration everywhere; the ideas are always out there. It’s about being in the right state of mind to take the ‘half formed pictures’ and turn them into something that works.
What are you trying to communicate in particular with your artwork?
Making art is a self expression but most is a way to communicate and share ideas or emotions.
Which material you prefer to use and why ?  
It depends of the idea I want to communicate! I love working with simple non precious materials like paper or paper pulp combined with metals like silver or oxidized brass.
How much value do you give to researching material for your creations?
Is very important to make a research of the materials you use in every project, to experiment up to the limits of them.
Is it more important for you the process, or the final artwork itself?
Both, but I am enjoying the process a lot! Every piece is a challenge.
Is there an artist you prefer and why ?
There are many, I prefer those works which are simple, brief, concise and direct.
Have you ever thought to collaborate with other artists , or you like to work on your own? 
Making art is a lonely procedure, but Yes! I would love the opportunity to collaborate with other artists.    
Where do you feel you are at with this last collection?
As an artist I transfer onto my work pictures, stimuli and sentiments.
What have you discovered of yourself, are you satisfied ? Looking deeper inside me… I feel that I am in a good direction!
Two words to describe your last artwork collection.    
Unconscious thoughts.

 Yiota Vogli -  braceletYiota Vogli -  bracelet - Paper, oxidized alpaca, oxidized silver.

Yiota Vogli  - neckpieceYiota Vogli  –   ‘arteries & veins’, neckpiece II, copper, paper, sponge, steel, foil, 2015

 

 

Myday – byday gallery
Via Luca della Robbia 76
00153 -  Rome
ITALY mydaybyday@myday-byday.com

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28/05/2017

EXCHANGE-BIJOU 1 – Jina Seo – EXPO ‘Under the Layers’ at Sediment Arts, Richmond (VA)(USA) – 5-21 Mai 2017

Classé dans : EXCHANGE-BIJOU,Exposition/Exhibition,GALERIES,Jina SEO (S.KR/US),USA — bijoucontemporain @ 0:21

Jina Seo  « Under the Layers » at Sediment Arts

having an exhibition to celebrate the awesome year I had as the fountainhead fellow at VCU. What a great way to wrap it up! I will be showing my most recent work. If you are in the area please check them out.

« Under The Layers » Storefront Featured Exhibition
@ Sediment Arts, Richmond, Virginia, États-Unis
Opening reception: 5. 5. Fri 6pm-9pm

 Jina Seo - EXPO - veux pas qu'on en parle ! pas avant MAI !!!*

EXPO Under the Layers Jina SEOJina SEO - EXPO Under the Layers display

Jina SEO -  Under the LayersJina SEO – EXPO Under the Layers display

Jina SEO - EXPO Under the LayersJina SEO – EXPO Under the Layers display

Jina SEO - EXPO Under the LayersJina SEO – EXPO « Under the Layers » display – plus one BLACK neckpiece ??

Jina SEO -  Under the LayersJina SEO -  Under the Layers

Jina SEO -  Under the Layers - detailJina SEO -  Under the Layers – detail

Jina Seo - "Under the Layers" collection - "Open It 1"  Necklace (2016)  Brass, leather, beads, thread:Jina Seo - « Under the Layers » collection – « Open It 1″  Necklace (2016)  Brass, leather, beads, thread:

Jina SEO -  Under the LayersJina SEO -  Under the Layers (back)

Jina SEO -  Under the Layers (front & back of a brooch)  Primitive Power Brooch, 2016 Leather, ABS, sterling silver, thread 

Jina Seo - "Under the Layers" collection -  Open It  Necklace (2016)  Brass, leather, fake eyelashes, threadJina Seo – « Under the Layers » collection -  Open It  Necklace (2016)  Brass, leather, fake eyelashes, thread

 Jina SEO -  Under the LayersJina SEO -  Under the Layers

ARTIST STATEMENT
The extraordinary power of objects is obtained because people believe in them. The more mundane the objects are, the more powerful they become. My practice contextualizes the embodied energy that is submerged beneath the layers of vintage leather gloves. The fragments of ordinary gloves convey a tactile and erotic interaction, emphasizing the physical movements between certain parts of body and garments. When the body is absent, the empty, internal structure retains evidence of human existence. It remains full of authentic spirit and fantasy.
Through the processes of deconstructing and reconstructing materials into symbolic forms, I uncover the intimate and sensual power of humanity. The individual records and stories from the gloves turn into something that is universally relatable. Yet, it loops back to the idea of private at the same time. When the broad concept of primitive and elemental human desire meets the audience or wearer, it encourages them to find his or her own sensations and conclusions of desire. It is a moment when ordinary objects become surreal and uncanny in order to redeem the socially constructed expectations and perceptions.

ARTIST BIO
Jina Seo (b. Seoul) is an artist and an educator living in the United States. Jina Seo contextualizes the relationships between human body, space, clothing, and desire through her practice. She received her MFA in Metals at the University of Illinois Urbana-Champaign in 2016 and BFA at the Kookmin University, South Korea. She is currently a Fountainhead fellow at the Virginia Commonwealth University in 2016-2017 and a recipient of SNAG Emerging Artist 2016.
http://www.jinaseo.com/

 

 

SEDIMENT Arts
208 East Grace Street, Richmond Virginia 23219 USA
sediment@sedimentarts.org

Gallery hours are Friday, Saturday, and Sunday from 1-6pm.
Exhibition runs through Sunday, May 21st.
« Under the Layers » is funded in part by VCUArts and the Crafts and Material Studies Department.Enregistrer

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09/05/2017

EXPO ‘Worthless’ (during AJW 2017) – IOS22 Creative Gallery, Athens (GR) – 19-21 May 2017

ATHENS JEWELRY WEEK 2017

AJW 2017 on Facebook

19/05 :  19.30 : opening : “Worthlessby Arkivet Collective (group exhibition)
@IOS22 Creative Gallery
Dates: 19/5 – 21/5

AJW 2017 - 19-05 : 19.30 : opening : “Worthless” by Arkivet Collective

Welcome to the opening of The ARCHIVEs exhibiton « Worthless » opening Friday the 19th of May 19.30 at Gallery IOS22 in collaboration with ATHENS JEWELRY WEEK 2017

http://athensjewelryweek.com/
http://www.arkivet.info/

ARKIVET (the Archive) is a group of Norwegian artists consisting of Putte H. Dal, Hilde Dramstad, Elsie-Ann Hochlin, Camilla Luihn and Heidi Sand.
As jewelry artists they each have their artistic distinction. What they have in common is that they like to apply a theme based and conceptual approach to their craft. Since their debut as a group in 2014 they have had numerous exhibitions both in Norway and abroad.
ARKIVET sets out to investigate, through their individual works, different angles on how jewelry may work as a medium to promote dialogue in society today. Projects are developed through discussion and research with a common wish to bring jewelry as an artistic expression into contemporary society. As an example ideological, socialist, capitalist or ecological values may be analysed and processed through jewelry to artistic expression that fosters reflection.
The jewelry materials, artistic idiom and narrative content discusses concepts in the context of sitespecific exhibition design. For each project ARKIVET reaches out to interdisciplinary collaborators such as musicians, writers and philosophers, and ARKIVET also publishes annual publications.
In the WORTHLESS project the group wishes to explore how worth or value is perceived in today’s society. What makes something valuable? What is worthless? ARKIVET promotes a visual and mental association space for a discourse about the social and economic mechanisms that govern what is considered valuable. ARKIVET emphasizes the communicative aspects of jewelry and chooses to reveal something about human dignity, political aspects, self-esteem and the environment. 

Putte H. Dal - "Idle Wandering" Pendant Machine parts, stopper, brass, aluminium, steel Putte Helene Dal  - « Idle Wandering » Pendant Machine parts, stopper, brass, aluminium, steel

 Hilde Dramstad - "Transit" Pendant Ash, plaster, silver, sponge, wood, lacquerHilde Dramstd – « Transit » Pendant Ash, plaster, silver, sponge, wood, lacquer

Heidi Sand  "Good for Nothing"  Pendant Silver, laminate, plastic-coated steel, nylon threadHeidi Sand  « Good for Nothing »  Pendant Silver, laminate, plastic-coated steel, nylon thread

Elsie-Ann Hochlin  "Grab Them by the Pussy"  Brooch Chessmen, brass, hemp thread, paperElsie-ann Hochlin  « Grab Them by the Pussy »  Brooch Chessmen, brass, hemp thread, paper

Camilla Luihn  "The Aleppo Piece. Fragments of a broken country"  100 Brooches Enamel, copperCamilla Luihn  « The Aleppo Piece. Fragments of a broken country »  100 Brooches Enamel, copper

 

 

IOS22 Creative Gallery (art + architecture)
Tzaferi 10, 11854, Gazi  – Athens (GR)
tel. (+30) 210 3460710
www.ios22.comopening hours: Friday: 12.00 – 21.00, Saturday: 11.00 – 19.00, Sunday: 11.00 – 17.00

 

08/05/2017

EXPO ‘+Apantima’ (during AJW 2017) – Krama School, Athens (GR) – 19-21 May 2017

ATHENS JEWELRY WEEK 2017

AJW 2017 on Facebook

19/05 :  18.00 : opening : +Apantima

@Krama School of Contemporary Jewelry 
Dates: 19/5 – 21/5

KRAMA school

 The group exhibition +apantima, will take part in AJW
Artists names : Nella Vlachou / Poly Nikolopoulou / Yiannis Siotis

Exploring, experimenting, expressing.
Feeling, transforming, communicating.
Embracing.
The human body.
The simple objects.
The subconscious.
The spur of the moment.
Different but together for beautiful and ugly, for good or for bad..

Yiannis Siotis  "Fragments - The Birth" -  Pendant Silver, threadYiannis Siotis « Fragments – The Birth » -  Pendant Silver, thread
« This collection has been created as a need to express my experience of being a new parent. When I observed all internal and external changes of the pregnant body, I embraced all the emotional ups and downs that we both had. I kept the storm of feelings created the moment we saw our baby and hold it in our arms and finally I stood amazed at the magnificent process of breast feeding. All these became the fragments of time at my beginning on the way to parenting.
Fragments / the Birth / pendant »

Yiannis Siotis "Fragments - The Birth" -  Pendant Silver, threadYiannis Siotis « Fragments – The Birth » -  Pendant Silver, thread

Poly Nikolopoulou  "Viaggio" Pendant SilverPoly Nikolopoulou  « Viaggio » Pendant Silver
« travel, resort, escape, freedom, stuff, filled … experiences, a suitcase full of life …
will open to share some …. when the time comes, the moment,when you arrive, suitable viewer, listener …
words scattered and similar feelings … hitting the walls and dissolve or not … Enjoy your journey... »

Poly Nikolopoulou Poly Nikolopoulou

 Nella Vlachou  "Broken Flower"  Object PlexiglassNella Vlachou   « Broken Flower »  Object Plexiglass
« The human body is a space. The human body takes up space. The human body is the separator of an inside and an outside space.
How do these spaces interact with each other? Are they interconnected or out of balance? How do human beings deal with the condition of being the mediator?
Maybe there is no distinct answer but the exploration of these questions through the notion of materiality might be an answer in itself. »

Nella Vlachou -  Plexiglass.Nella Vlachou. -  Plexiglass.

 

Krama School of Contemporary Jewelry
Evrou 9 Str.,
11528, Athens
tel. (+30) 6939080989, 6972840825
www.kramainstitute.com
opening hours: Fri-Sat-Sunday: 11.00 – 21.00

 

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04/05/2017

EXPO ‘TRESORS’ – Gal. CONTEXT, Barcelona (ES) – 20 Mai-23 Juin 2017

Tresors 2017 // Exposició de Joieria Contemporània Catalana

 - 20 mai-23 juin 2017

new exhibition at Context Galeria
Comissària, Sílvia Serra
Impulsat per RING RING Arts&Crafts BCN
Exposat a CONTEXT Joies i Objectes Contemporanis

inauguración dia 20 de Mayo a las 19:30h
 TRESORS - 20 mai-23 juin 2017 - gal CONTEXT -  con Lluís Comín  - Galeria Contex de St.Cugat el proper dia 20, que serà la inauguració.:
SECOND EDITION OF TRESORS, AN EXHIBITION OF CATALAN CONTEMPORARY JEWELRY.
TRESORS is a creative activity in constant evolution which aims at highlighting formal and personal individuality. It is where the concept of “content” takes up all of its meaning and importance.
Starts a dialogue between the creator, the wearer and the spectator, which initiates a symbolic communication on all of what entails from the artists’ creation and interpretation.
Let’s open up to a new vision of the jewelry, that goes beyond its ornamental property.
artistas que participan són:  Clara Niubó — Cristina Giménez — Gemma LópezImma BatallaJordi Aparicio — Lídia Sevilla — Lluís ComínMarta RocaMartina Pont — Mònica Fugarolas — Pilar Freixanet — Rosa NoguésSílvia SerraXavier Domènech. 
Gemma Lopez - EXPO TRESORS 2017 Context gallery: Gemma Lopez  Collar / Necklace | Lapislàtzuli i or / Lapis & gold | Ø 160mm | 2016
Clara Niubo - - EXPO TRESORS 2017 Context gallery: Clara Niubo  SOPLET UNIVERSAL – sèrie Sense Mesura | Fermall / Brooch | Llautó, plàstic, pintura i plata / Brass, plastic, paint & silver | 130x70x50mm | 2017
Cristina Gimenez - EXPO TRESORS 2017 Context gallery: Cristina Gimenez IMAGO | Fermall / Brooch | Plata i paper estampat / Silver & printed paper | 80x70mm | 2011
Jordi Aparicio - EXPO TRESORS 2017 Context gallery: Jordi Aparicio  ANÏMA | Collar / Necklace | Plata, esmalt vitri i pintura de poliuretà / Silver, vitreous enamel & polyurethane paint | 300x400x60mm | 2017
 
Imma Batalla - EXPO TRESORS 2017 Context gallery: Imma Batalla  HORACIANES | Collar / Necklace | Acer, fang i resina / Steel, clay & resin | 90x90mm | 2017
Lluis Comin - EXPO TRESORS 2017 Context gallery: Lluis Comin CONTRAPÈS – sèrie Ithaca | Fermall / Brooch | Plata, or i riolites del Moixaró / Sliver, gold & Moixaro’s rhyolites | 90x60mm | 2016
Pilar Freixanet - EXPO TRESORS 2017 Context gallery: Pilar Freixanet CAIXA DELS TRONS 2 | Collar / Necklace | Filferro, seda i pigments / Wire, silk & pigments | 500x80mm | 2016
Silvia Serra, Fermall Refugiats desemparats II,  argent, fusta, pa d´or, plàstic, acrílic, cotó, acer - at CONTEXT Gal. EXPO "TRESORS": Silvia Serra Albadejo  Fermall Refugiats desemparats II,  argent, fusta, pa d´or, plàstic, acrílic, cotó, acer
Plata, brúixola, plàstic, acrílic, ferro i cotó / Silver, compass, plastic, acrylic, iron & cotton | 80x440mm | 2016

Marta Roca - EXPO TRESORS 2017 Context gallery: Marta Roca Solé  TOPOGRAFIA I – sèrie Topografies | Fermall / Brooch |
Paper de diari encolat fet a mà i plata oxidada / Handmade glued newspaper & oxidized silver | 75x70x5mm | 2017

Rosa Nogués - EXPO TRESORS 2017 Context gallery: Rosa Nogués  ÍNDIGO | Fermall / Brooch | Plata i esmalt / Silver & enamel | 140x60x25mm | 2016
Xavier Domenech - EXPO TRESORS 2017 Context gallery: Xavier Domenech SENSE TÍTOL – sèrie Organismes | Fermall / Brooch | Plata / Silver | 70x30x20mm | 2017
Martina Pont -- EXPO TRESORS 2017 Context gallery: Martina Pont NEQUILIBRIUM II | Fermall / Brooch | Llautó, pirex color i plata / Brass, pyrex color & silver | 130x60mm | 2017

 

 

CONTEXT Galeria 
Calle de Viñolas 8-10
08173 Sant Cugat del Vallès (BCN)
Tel  935 893 806
galeria@context.cat

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03/05/2017

EXPO ‘JOYA Barcelona (fair)’ (during AJW 2017) – The Sowl, Athens (GR) – 18-21 May 2017

ATHENS JEWELRY WEEK 2017

AJW 2017 on Facebook

Opening: May 20th at 21.00  JOYA Barcelona (fair)

@The Sowl 
Dates: 18/5 – 21/5,

JOYA Barcelona Art Jewellery Fair

The transition moment between 2 artists, the past and the present winners of JOYA Barcelona will be present during Athens Jewelry Week.
Jeemin Jamie Chung (2015) and Liana Pattihis (2016), will compare and create a debate between their pieces and the singularity of their techniques, materials and ideas.
30 pieces will represent this transition, plus one final piece made by both artists to conclude this debate into an agreement.

 

 

 

 

The Sowl 
Herakleidon 10, Thiseio /
Athina 118 51, Greece
tel. (+30) 210 345003
www.thesowl.com
opening hours: Thurs-Fri: 16.00-02.00, Sat: 11.00-03.00, Sun: 11.00-00.00

 

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COUP de COEUR …. BLACK is BLACK with Tiina Rajakallio

Tiina Rajakallio
Finnish artist Tiina Rajakallio in Rome the 10th of may 2017, for the first time for a solo exhibition of contemporary jewelry at myday-byday space in Via Luca della Robbia 76, Testaccio. Gallery hours 10 30/19 30.
myday-byday ‎ Tiina Rajakallio in Rome on 10 may 2017
 » I am thinking about the present-day Western people and their connection with nature.
How natural the contact is? Is it romanticized, magical, run by economical efficiency or totally gone? Are we still part of the nature? And what is the relationship between spirituality and nature contact?
We have always been dependent on nature that is providing us the essentials of life. But is the aim for a never-ending growth and progress made us think everything here is only for us? «  Tiina Rajakallio
Myday-byday interview to Tiina Rajakallio:
1) Where is your inspiration coming from ?
Widely speaking I’m interested in everyday life of a contemporary Western people. I’m working with questions that intrigues or troubles me, things I would like to have a conversation about. And of course there is a lot of curiosity towards the body, communication and a piece of jewellery involved.
2) What are you trying to communicate in particular with your artwork?
It depends. At the moment I would like people to think about their own relationship with nature but also the common contact we have with it. How natural the contact is? Is it romanticized, magical, run by economical efficiency or totally gone? Are we still part of the nature? And what is the relationship between spirituality and nature contact? We have always been dependent on nature that is providing us the essentials of life. But is the aim for a never-ending growth and progress made us think everything here is only for us? I would like my work raises thoughts, I’m not to judge anyone, it would be hypocrite to do that.
3) Which material you prefer to use and why ?
It depends of the theme of the work. In an ideal situation the material tells the same story and even adds something to it. At the moment I use a lot of wood and combine it for example with recycled rubber. An old inner tube of tractor or bicycle, even it may be a bit old-fashioned as an object, it tells about our culture and our creative ability to utilize our surrounding. The material is protective, elastic and doesn’t decay really. Even there is some natural rubber in the mixture, it reminds many people about oil.
4) How much value do you give to researching material for your creations?
Of course there is some material research needed. But if it means new technical solutions and extraordinary inventions my works are rather simple in that sense.
 
5) Is it more important for you the process, or the final artwork itself?
Both are important. I love that hands-in investigation part of a work. But sooner or later there is a deadline waiting and you just need to start to make decisions. However every step is leading me further and to me ready pieces are also steps of the same process. The difference is many times the ready pieces are the only steps others will see.
 
6) Is there an artist you prefer and why ?
I admire many artists. Some because of their clever and brave ideas, some because of theis technical skills or expression, honesty and dedication.
 
7) Have you ever thought to collaborate with other artists , or you like to work on your own?
I love working on my own, but time to time it would be interesting to try to share the process with someone else. I have collaborated with other jewellery artists but it would be really interesting to do that with artists from another field. 8) Where do you feel you are at with this last collection?
It is a one step further from the series I called White Moments. I’m like walking around the same source inspired by the different aspects of it. I seem to go back and forth sometimes when there are so many sides to be discovered.

9) What have you discovered of yourself, are you sattisfied ?
I think I learned more about my own ability to endure stress, priorities and time managemenent and that one can’t cope totally alone.

10) Two words to describe your last artwork collection.
Still together?

myday-byday

Via Luca della Robbia 76, Testaccio, 00153 Rome

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EXCHANGE-BIJOU 2 – Tal EFRAIM at AUTOR 2017 – Bucharest (RO) 13-14 May 2017

Tal Barash EFRAIM  selected 4  Autor Fair 2017 !!

Laura Forte, Linda Ezerman, Fabrizio Bonvicini, Francesca Mazzotta, Mia Maljojoki,Noelia Macchi Joyas Singulares, Tal Barash Efraim with myday-byday Gallery in Rome selected at the Autor Fair 2017 !! see you soon in Bucharest 13 – 14 May.

AUTOR 2017 with mydaybyday galleryat AUTOR 2017 with #mydaybydayspaceinrome

Tal Barash EFRAIM  selected 4  Autor Fair 2017 with MydayByday gallery*

at AUTOR 2017 with mydaybyday gallery**

 Tal Barash Efraim.Tal Barash Efraim.

Tal Barash EfraimTal Barash Efraim

 

AUTOR 2017
Grand Hotel Du Boulevard
Bulevardul Regina Elisabeta nr. 21,
050011 Bucarest

 

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