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28/05/2017

EXCHANGE-BIJOU 1 – Jina Seo – EXPO ‘Under the Layers’ at Sediment Arts, Richmond (VA)(USA) – 5-21 Mai 2017

Classé dans : EXCHANGE-BIJOU,Exposition/Exhibition,GALERIES,Jina SEO (S.KR/US),USA — bijoucontemporain @ 0:21

Jina Seo  « Under the Layers » at Sediment Arts

having an exhibition to celebrate the awesome year I had as the fountainhead fellow at VCU. What a great way to wrap it up! I will be showing my most recent work. If you are in the area please check them out.

« Under The Layers » Storefront Featured Exhibition
@ Sediment Arts, Richmond, Virginia, États-Unis
Opening reception: 5. 5. Fri 6pm-9pm

 Jina Seo - EXPO - veux pas qu'on en parle ! pas avant MAI !!!*

EXPO Under the Layers Jina SEOJina SEO - EXPO Under the Layers display

Jina SEO -  Under the LayersJina SEO – EXPO Under the Layers display

Jina SEO - EXPO Under the LayersJina SEO – EXPO Under the Layers display

Jina SEO - EXPO Under the LayersJina SEO – EXPO « Under the Layers » display – plus one BLACK neckpiece ??

Jina SEO -  Under the LayersJina SEO -  Under the Layers

Jina SEO -  Under the Layers - detailJina SEO -  Under the Layers – detail

Jina Seo - "Under the Layers" collection - "Open It 1"  Necklace (2016)  Brass, leather, beads, thread:Jina Seo - « Under the Layers » collection – « Open It 1″  Necklace (2016)  Brass, leather, beads, thread:

Jina SEO -  Under the LayersJina SEO -  Under the Layers (back)

Jina SEO -  Under the Layers (front & back of a brooch)  Primitive Power Brooch, 2016 Leather, ABS, sterling silver, thread 

Jina Seo - "Under the Layers" collection -  Open It  Necklace (2016)  Brass, leather, fake eyelashes, threadJina Seo – « Under the Layers » collection -  Open It  Necklace (2016)  Brass, leather, fake eyelashes, thread

 Jina SEO -  Under the LayersJina SEO -  Under the Layers

ARTIST STATEMENT
The extraordinary power of objects is obtained because people believe in them. The more mundane the objects are, the more powerful they become. My practice contextualizes the embodied energy that is submerged beneath the layers of vintage leather gloves. The fragments of ordinary gloves convey a tactile and erotic interaction, emphasizing the physical movements between certain parts of body and garments. When the body is absent, the empty, internal structure retains evidence of human existence. It remains full of authentic spirit and fantasy.
Through the processes of deconstructing and reconstructing materials into symbolic forms, I uncover the intimate and sensual power of humanity. The individual records and stories from the gloves turn into something that is universally relatable. Yet, it loops back to the idea of private at the same time. When the broad concept of primitive and elemental human desire meets the audience or wearer, it encourages them to find his or her own sensations and conclusions of desire. It is a moment when ordinary objects become surreal and uncanny in order to redeem the socially constructed expectations and perceptions.

ARTIST BIO
Jina Seo (b. Seoul) is an artist and an educator living in the United States. Jina Seo contextualizes the relationships between human body, space, clothing, and desire through her practice. She received her MFA in Metals at the University of Illinois Urbana-Champaign in 2016 and BFA at the Kookmin University, South Korea. She is currently a Fountainhead fellow at the Virginia Commonwealth University in 2016-2017 and a recipient of SNAG Emerging Artist 2016.
http://www.jinaseo.com/

 

 

SEDIMENT Arts
208 East Grace Street, Richmond Virginia 23219 USA
sediment@sedimentarts.org

Gallery hours are Friday, Saturday, and Sunday from 1-6pm.
Exhibition runs through Sunday, May 21st.
« Under the Layers » is funded in part by VCUArts and the Crafts and Material Studies Department.Enregistrer

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04/05/2017

EXCHANGE-BIJOU 2 – Iro KASKANI « en vedette » at Klimt02 !

Iro Kaskani interviewed by Klimt02

« Recently I realized that my curiosity is the most powerful motivating factor behind my work. I’m curious to see things that I visualize becoming facts, to elaborate an idea, to experiment on a certain technique, to see how this or that material is treated, to investigate on however a vision can be a wearable object and yet to see how others perceive my work. »

& Iro Kaskani on Klimt02

Where the LINE is all the story ……….. (aaaah !! « of course » ! she were an architect !!!!)

« Architecture is built environments, planned and designed to function as shelter or vessels of activities and thus it is fostering a physical relationship with the user, inhabitant or viewer. Jewelry takes this physical relationship further into intimacy by the change of scale and placement on the body… »

 Iro Kaskani on Klimt02 - Iro Kaskani Ring: Yes or No, 2017 Silver oxidized, polyester sheet laser printed 3.5 x 3.5 x 3 cm Photo by: Demetris Vattis From series: No news, Good news Iro Kaskani Ring: Yes or No, 2017 Silver oxidized, polyester sheet laser printed 3.5 x 3.5 x 3 cm Photo by: Demetris Vattis From series: No news, Good news

Iro Kaskani on Klimt02 - Iro Kaskani Ring: Why not#15, 2010 Silver oxidized 4 x 4 x 4 cm Photo by: Demetris Vattis From series: Why not?Iro Kaskani Ring: Why not#15, 2010 Silver oxidized 4 x 4 x 4 cm Photo by: Demetris Vattis From series: Why not?

Iro Kaskani on Klimt02 - Iro Kaskani Bangle: Plan B#9, 2008 Silver 15 x 5 x 3 cm Photo by: Demetris Vattis From series: PlanBIro Kaskani - Bangle: Plan B#9, 2008 -  Silver – 15 x 5 x 3 cm Photo by: Demetris Vattis – From series: PlanB

Iro Kaskani on Klimt02 - Iro Kaskani Ring: Why not#5, 2010 Silver oxidized, felt 1.5 x 1.5 x 3 cm Photo by: Demetris Vattis From series: Why not? Iro Kaskani Ring: Why not#5, 2010 Silver oxidized, felt 1.5 x 1.5 x 3 cm Photo by: Demetris Vattis From series: Why not?

Iro Kaskani on Klimt02 - Iro Kaskani Brooch: My colony, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoon Iro Kaskani Brooch: My colony, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoon

Iro Kaskani on Klimt02 - Iro Kaskani Necklace: Untitled, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoonIro Kaskani Necklace: Untitled, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoon

BELOVED neckpiece !!!!!

Iro Kaskani on Klimt02 - Iro Kaskani Bangle: Happiness’ diary, 2010 Silver, polyester sheet, thread 10 x 10 x 5 cm Photo by: Demetris Vattis From series: You’ve got a messageIro Kaskani Bangle: Happiness’ diary, 2010 Silver, polyester sheet, thread 10 x 10 x 5 cm Photo by: Demetris Vattis From series: You’ve got a message

Iro Kaskani on Klimt02 - Iro Kaskani Brooch: Nobody’s perfect, 2016 Copper oxidized, jesmonite, stainless steel 3 x 0.7 x 9 cm Photo by: Demetris Vattis From series: When I grow up… Iro Kaskani Brooch: Nobody’s perfect, 2016 Copper oxidized, jesmonite, stainless steel 3 x 0.7 x 9 cm Photo by: Demetris Vattis From series: When I grow up…

« Some years ago I used to believe: “my education and experience in architecture is guiding my creativity and my work is mostly determined by the interest to compose fine metals with alternative material and define new forms.”
Later on I concretised my thoughts stating: “Architecture is built environments, planned and designed to function as shelter or vessels of activities and thus it is fostering a physical relationship with the user, inhabitant or viewer. Jewelry takes this physical relationship further into intimacy by the change of scale and placement on the body. Through my work, I find it intriguing to explore ideas of space, scale and absence of symmetry, enabling me to combine precious metals with non-precious elements. Designing jewelry feels like investigating form, structure, and balance to derive a piece of art which will have an intimate physical relationship with the human body and will be completed only when it becomes part of the wearer’s experience and expression. A piece of jewelry is a powerful vehicle for communicating our identity.”
Recently I realized that my curiosity is the most powerful motivating factor behind my work. I’m curious to see things that I visualize becoming facts, to elaborate an idea, to experiment on a certain technique, to see how this or that material is treated, to investigate on however a vision can be a wearable object and yet to see how others perceive my work. »

 

She completed her studies in architecture, at the Università degli studi di Firenze, in 1994. She attended jewellery design courses and received training in goldsmithing, at the Scuola professionale dalla Regione Toscana.
She has worked as an architect until 2007 and also presented three personal exhibitions on contemporary jewellery in Cyprus. She is fully dedicated to studio jewellery since 2008.
She has taught jewellery design at the « Aigaia School of Art and Design » from 2006 to 2013.

 

  The After Joya Effect IV -  18 may-6 june 2017 - Athens at Popeye Loves Olive agllery: The After Joya Effect IV -  18 may-6 june 2017 – Athens at Popeye Loves Olive gallery

2017 EVENTS :
Exhibition  17 May- 05 Jun 2017  The After Joya Effect IV (Athens Jewelry Week 2017).
Exhibition  07 – 17 May 2017  Gioielli in Fermento 2017 Master Collection.
Meeting  04 May 2017 – 04 May 2017  The Dinner: Chef Isa Mazzocchi interprets the jewels of the Master Collection.

Gioielli in Fermento 2017 Master Collection Exhibition  /  07-17 May 2017: 07 – 17 May 2017  Gioielli in Fermento 2017 Master Collection - Torre Fornello (Italy)

 

 

On SALE AT Metmerize Online Shop

 there, what to buy ? for me I would buy this fantastic BRACELET, for its lines, for its shape, for its name !!

Iro Kaskani - "Live in harmony " bracelet - sterling silver, monofilament cord 90X75X15mm (small to medium wrist): Iro Kaskani - « Live in harmony  » bracelet – sterling silver, monofilament cord – 90X75X15mm (small to medium wrist) – belongs to the « the space in between » collection
With the « the space in between » collection I elaborate the idea of creating a void, an empty space. I worked with silver to form cavities and gaps and spaced elements in order to create a void and then, in there, I presented a detailed work of threads

 

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03/05/2017

EXCHANGE-BIJOU 2 – Tal EFRAIM at AUTOR 2017 – Bucharest (RO) 13-14 May 2017

Tal Barash EFRAIM  selected 4  Autor Fair 2017 !!

Laura Forte, Linda Ezerman, Fabrizio Bonvicini, Francesca Mazzotta, Mia Maljojoki,Noelia Macchi Joyas Singulares, Tal Barash Efraim with myday-byday Gallery in Rome selected at the Autor Fair 2017 !! see you soon in Bucharest 13 – 14 May.

AUTOR 2017 with mydaybyday galleryat AUTOR 2017 with #mydaybydayspaceinrome

Tal Barash EFRAIM  selected 4  Autor Fair 2017 with MydayByday gallery*

at AUTOR 2017 with mydaybyday gallery**

 Tal Barash Efraim.Tal Barash Efraim.

Tal Barash EfraimTal Barash Efraim

 

AUTOR 2017
Grand Hotel Du Boulevard
Bulevardul Regina Elisabeta nr. 21,
050011 Bucarest

 

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02/05/2017

EXCHANGE-BIJOU 2 – Sébastien Carré – En MAI Fais ce qu’il te plait ….

Sébastien Carré

En MAI Fais ce qu’il te plait ….. et il lui plait de participer à BEAUCOUP d’EXPOSITIONS !

Touchy Feely Exhibition  /  Baltimore Jewelry Center – USA

Touchy Feely Exhibition  /  14 Apr - 02 Jun 2017 -  Baltimore Jewelry Center

An exhibition that explores the tactile experience of jewelry. Adam Gopnik writes “Touch is the unsung sense – the one that we depend on most and talk about the least… the work of the world is done by handling it. We live by feel.” Jewelry is an intimate and sensual art form, providing a tactile experience for both the wearer and the observer. It’s an excellent medium for exploring the unsung sense of touch.

Artist list   Jill Baker-Gower — Amanda Bergman — Isabelle Busnel –  Sébastien Carré – Emily Culver — Mary Fissell — Brie Flora — Motoko Furuhashi — Missy Graff Ballone — Yong Joo Kim –  Michelle Kraemer – Michal Lando — Thomas Lauria — Helmi Lindblom — Jeffrey Lloyd Dever — Nathalie Maiello — Fern Robinson — Jolynn Santiago — Hallie Scheufler — Rose Schlemmer — Jina SeoCarina Shoshtary — Tyler Stoll — Aric Verrastro – Meg Wachs — Mallory Weston

Sébastien Carré Necklace: Cultural Cycle, 2016 Filmstrip, seashell, silk, cotton, nylon, beads Ø 90 x 2.5 - 18 cm Photo by: Milo Lee Photography - at  Touchy Feely Exhibition  /  14 Apr 2017  -  02 Jun 2017: Sébastien Carré Necklace: « Cultural Cycle », 2016 Filmstrip, seashell, silk, cotton, nylon, beads Ø 90 x 2.5 – 18 cm Photo by: Milo Lee Photography

While most visual art can only be enjoyed through sight, jewelry not only invites but encourages touch. As makers create work, they engage with their sense of touch, making decisions about materiality, structure, and form that will later engage the observer’s sense of touch, communicating a host of sensations and feelings. A dialogue between the maker and the observer is thus built on the social language of touch.

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salon Révélations Grand Palais – PARIS – 4-8 MAI 2017

Salon Revelations - mai 2017

Sébastien Carré : Dans le cadre du salon Révélations Grand Palais à Paris du 4 au 8 Mai où vous pourrez retrouvez quelques unes de mes œuvres au Stand J8 sur le stand de la Haute école des arts du Rhin . J’ai également le grand plaisir de faire partis des artistes ayant leurs croquis figurant de le livre « La consigne – Les dessins des Metiers d’Art » aux éditions Ateliers d’Art de France. Le livre sera présenté et disponible à la vente lors du salon.
During Révélations Grand Palais Fair in Paris from May 4 to 8, you will be able to see some of my pieces in the
Booth J8 of Haute école des arts du Rhin stand
I am also really pleased to be part of selection of artists to featured their sketches in the book « La consigne – Les dessins des Metiers d’Art » by Ateliers d’Art de France edition. The book will be presented their and available to buy.
« La consigne – Les dessins des Metiers d’Art » By / Par Anne Combeau (Gagnante du Prix « La Pensée » en 2016/ Winner of the award « La Pensée » in 2016)

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces): Sébastien Carré - collier – à Salon REVELATIONS mai 2017

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces): Sebastien Carré – broche – « Cultural Biology », 2016 Japanese Paper, Filmstrip… – à Salon REVELATIONS mai 2017

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces) (bracelet Dunn): Sebastien Carré – bracelet « Le Réveil de Dunn » The Awakening of Dunn, 2015 Filmstrip and nylon thread 11 X 11 X 4 cm Photo by: Lee; Milo From series: Black Inflammation – à Salon REVELATIONS mai 2017  

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AND ……………..LAST but not LEAST »Et sinon je suis à Gioielli in Fermento
et il font même un plat par rapport à ma piece pour Master Collection » (at Gioielli in Fermento – The Dinner – May 4th)
mais ….. chuuuuut !

[Gioielli in Fermento 2017 Master Collection – 07- 17 May 2017 –  Torre Fornello
29010 -  Ziano Piacentino  ITALY ]

Sébastien Carré, Several scales of grape, ring:  - Gioielli in Fermento 2015 Premio Torre Fornello Sebastien CARRE – Ring: Several scales of grape, 2015 (Awarded at: Gioielli In …Fermento 2015)

 

Baltimore Jewelry Center
10 E North Ave
MD 21218 -  Baltimore
UNITED STATES
bjcexhibitions@gmail.com
tel +1 4102430479

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EXCHANGE-BIJOU 2 – Jessica Morillo/ANSIOSA HORMONA – al mas profundo del negro ………

Jessica Morillo/ANSIOSA HORMONA

al mas profundo del negro ………

GERMINAL/si las venas fueran raices, si las raices nuestras venas …..

:::JOYERÍA A LA CARTA:::
Nos juntamos, charlamos y me contas…
que te interesa? para que queres la joya? cuando la queres usar? si queres reutilizar algun objeto significativo e importante para incorporar a la nueva joya? si pensas en algún tema particular? vemos los materiales, el color, las texturas y la morfología.
ME CONTAS TU HISTORIA!!!
y te llevas una joya personalizada con el sello de diseño de #ANSIOSAHORMONA

Jessica Morillo / Ansiosa Hormona - GERMINAL/si las venas fueran raices, si las raices nuestras venasGERMINAL/si las venas fueran raices, si las raices nuestras venas

ANSIOSA HORMONA -     :::JOYERÍA A LA CARTA:::ANSIOSA HORMONA -     :::JOYERÍA A LA CARTA:::

ANSIOSA HORMONA - arte y diseño- - al mas profundo del negro: ANSIOSA HORMONA – arte y diseño- joyeria a la carta – fevr. 2016

ANSIOSA HORMONA - arte y diseño - joyeria a la carta - fevr. 2016ANSIOSA HORMONA – arte y diseño - joyeria a la carta – fevr. 2016

Jessica Morillo / Ansiosa HormonaANSIOSA HORMONA – arte y diseño - joyeria a la carta – fevr. 2016

Jessica Morillo / Ansiosa HormonaANSIOSA HORMONA – arte y diseño - joyeria a la carta – fevr. 2016

Jessica Morillo / Ansiosa Hormona - fevr. 2016Jessica Morillo / Ansiosa Hormona – fevr. 2016

Jessica Morillo / Ansiosa HormonaANSIOSA HORMONA – arte y diseño

Jessica Morillo / Ansiosa HormonaANSIOSA HORMONA – arte y diseño

 

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01/05/2017

EXCHANGE-BIJOU 1 – Juan HARNIE « Your Eyes Burn Like Wild Fire » Genk (Belgique) 24-28 Mai 2017

Classé dans : Belgique (BE),EXCHANGE-BIJOU,Exposition/Exhibition,Juan HARNIE (BE) — bijoucontemporain @ 1:44

Juan HARNIE

exhibition : Your Eyes Burn Like Wild Fire – Vonk jaartentoonstelling

du 24 mai à 18:30 au 28 mai à 17:00 – at  Genk (Belgique)
With works by Vonk‘s artists in residence and national and international talents

Your Eyes Burn Like Wild Fire

LOVE
PASSION
OBSESSION
DEATH
Curator: Jan Van Woensel
Vonk jaartentoonstelling 2017 met kunstenaars:

Anti-Anti — Johan Bruninx — Clarisse Bruynbroeck — Sandra Buyck — Katrien Claes — Christine Clinckx — Liesbeth Cox — Lisse Declercq — Bart Deglin — Els De Ceuster — Hadassah Emmerich — Lin Gerritse — Sara Greet Gilis — Joke Hansen — Juan Harnie — Jerry Heymans — Junkband — Brecht Koelman — Katie Metcalfe — Marnik Neven — Gianluca Nobile — Kumi Oguro — Öznur Öztürk — Rogier Rensen — Sarah Reynders — Tif Robinette — Cult of Slaves — Stefanie Schaut — Machteld Steukers — Bob Szantyr — Shana Teugels – Anke Verret — Yannick Wijnants

Juan HarnieJuan Harnie  - Brooch – Aesthetical Injection collection

Juan Harnie -   'Pink Carnation' - Brooch - 2016 - Polyurethane, syringes, silver, steelJuan Harnie Jewellery · ‘Pink Carnation’ – Brooch – Aesthetical Injection collection – 2016 – Polyurethane, syringes, silver, steel

« Aesthetical Injection
Designing this collection Juan Harnie used medical materials to create attractive, floral looking jewellery. Juan has always seen beauty in materials that have little to no aesthetical value to others. These materials in particular are usually linked to unpleasant situations like hospitals and doctor visits, but now they are taken out of this context and made into uncanny pieces of jewellery. Juan got his inspiration from flowers and plants, which always seem to please the eye of the beholder. Even when a plant or flower turns out to be hazardous, poisonous or possibly deadly, at first people will always attribute positive feelings towards seeing them. Contradictory, syringes that are designed to administer medicine and in fact heal people are met with fear, disgust and a general feeling of unease. Using these syringes in colourful, floral pieces of jewellery, mimicking the shape and colour of the ever-so-loved flower, might just make people reconsider their initial feelings towards syringes and see the beauty the designer saw in them. In addition to the syringes, sterile medical gauze is used to imprint the silver backs of the pieces. This medical gauze once again fulfils its original purpose: being worn on the body and thus soothing an inner ache. (Syringes, polyurethane, zirconia, brass, silver, gauze, resin)
Pictures By Nele Moens« 

 

 

Vonk Vzw Atelierwerking
Regina Mundi klooster, Kloosterhof 2, 3600 Genk (Belgium)
www.vonkateliers.com

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EXCHANGE-BIJOU 2 – Akan HAKTUG – et au début était la LIGNE

Classé dans : DECOUVERTE,EXCHANGE-BIJOU,Hakan AKTUG (TR),Turquie (TR) — bijoucontemporain @ 1:41

Hakan AKTUG

https://www.hakanaktug.com/

et au début était la LIGNE ….

 

Hakan AKTUG -  Broken Brooch - oxidized silverAkan Haktug – Broken Brooch – oxidized silver, steel

Akan Haktug - Stick Earrings - oxidized silver, paintAkan Haktug - Stick Earrings – oxidized silver, paint

 H A K A N A K T U Ğ j e w e l r y   2015 · amorphous earrings pearls black silver   H A K A N A K T U Ğ j e w e l r y   2015 · amorphous earrings pearls black silver

Hakan Aktug Jewelry - Brooch  aluminium, titanium and silver: Hakan Aktug Jewelry – Brooch  aluminium, titanium and silver

AKAN AKTUĞ j e w e l r y  2015 ·  RedChaosInEveryDimention  #detail #red #brooch #aluminium  H A K A N A K T U Ğ j e w e l r y  2015 ·  Red Chaos In Every Dimention  detail red brooch aluminium

 

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30/04/2017

EXCHANGE-BIJOU 1 – Ute van der PLAATS …. success at LOOT !!

Ute van der PLAATS 

BIG success at LOOT for Ute van der Plaats !! well deserved !!!

« I won, together with Sun Young Kim , the LOOT Acquisition Prize 2017. One of my big rings will be added to the permanent collection of the Museum of Arts and Design (MAD). »

BIG success at LOOT 2017 for Ute van der PlaatsUte van der Plaats …. and her jewels ! at LOOTS 2017
« So happy that my all time favorite necklace went to  Michele Cohen, Chair of the Board of Trustees of the MAD museum. »

Ute van der Plaats  at LOOTS 2017 - the "PORCELAIN Club", here with Ralu Buzura.Ute van der Plaats  at LOOTS 2017 – the « PORCELAIN Club », here with Ralu Buzura.

Ute van der Plaats - collection "In-between days". (2016) ring with little porcelain flowers (all handmade) inside - The width of the balls is either 2,5 cm or 3 cm:Ute van der Plaats – collection « In-between days ». (2016) ring with little porcelain flowers (all handmade) inside – The width of the balls is either 2,5 cm or 3 cm
« One of my big rings will be added to the permanent collection of the Museum of Arts and Design (MAD). »

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HERE is a FANTASTIC VIDEO
of HOW Ute van der Plaats makes her jewels
ABSOLUTELY to LOOK AT !
(sorry I can’t include it directly here … so put the link !)
VIDEO

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Born in Germany and based in Brussels, Belgium, Ute van der Plaats has worked as a jewelry designer since 2009. In addition to contemporary jewelry, she has a passion for graphic design and ceramics, and her latest collection combines these three disciplines. A few years ago, she discovered porcelain—the white gold—and fell in love with it. Since then, this pure material has become the starting point in the creation process of her jewelry collections. She is attracted by its translucent white color, the fragile appearance that belies a surprisingly solid character, and the almost sensual texture of unglazed porcelain. By integrating different materials, such as 3D-printed ornaments and digitally designed images, into handcrafted porcelain creations, she translates traditional jewelry concepts into contemporary pieces

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EXCHANGE-BIJOU 1 – Linda EZERMAN at AUTOR 2017 !

Linda EZERMAN  at AUTOR 2017 !
myday-byday gallery selected at Autor Fair 13-14 may 2017 in Bucharest with artists:
Fabrizio BonviciniFrancesca MazzottaLaura Forte - Linda EzermanMia MaljojokiNoelia Macchi  - Tal Barash Efraim
AUTOR 2017 with mydaybyday gallery
Linda Ezerman  Linda Ezerman
Linda EzermanLinda Ezerman
Linda Ezerman - Neckpiece from the series Shrimps. Material: silver, silicone, paint, pigment, whiskers: Linda Ezerman - Neckpiece from the series Shrimps. Material: silver, silicone, paint, pigment, whiskers

 Linda Ezerman Brooch: Shrimp, 2015 Silver, silicone, ink: Linda Ezerman Brooch: Shrimp, 2015 Silver, silicone, inkEnregistrer

EXCHANGE-BIJOU 1 – Pilar COTTER – NEXT EXPO ! galería Bronzo, La Laguna, Tenerife 5 Mai-2 Juin 2017

Pilar Cotter

Preparando la NEXT  EXPO !!! ;-)   en la galería Bronzo, en La Laguna, Tenerife …… pero ……… chuuuuuut ! todavia todo no esta listo ………………

« Trabajando duramente, trabajando sii …….. » (cancion « duerme negrito » ;-) ….)

« LAS HORAS »

 Inauguration vendredi 5 mai à 20:00 – 23:00

Pilar Cotter EXPO "LAS HORAS" MAY 2017  Tenerife: Espacio Bronzo presenta este viernes la exposición ‘Las horas’, con obra de Pilar Cotter.
La exposición aúna dos líneas de trabajo propios de la sala, la joyería y la escultura, con piezas de microformato en porcelana.

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Pilar Cotter (janv 2017) Next proyect, next Expo, algo se está cociendo.....sculpture jewellery porcelain: Pilar Cotter (janv 2017) Next proyect, next Expo, algo se está cociendo…..sculpture jewellery porcelain

Pilar Cotter - mars 2017 -  Complejidades, quebraderos de cabeza que felizmente al final salen, la señora porcelana cuanto da de sí Pilar Cotter – mars 2017 -  Complejidades, quebraderos de cabeza que felizmente al final salen, la señora porcelana cu anto da de sí

Pilar Cotter, formada en escultura en la Facultad de Bellas artes de La Laguna y en joyería en la Escuela Massana de Barcelona, presenta una serie de piezas de joyería y escultura de microformato en porcelana.
La obra de Cotter en Las horas presenta un desarrollo estético con referentes arquitectónicos, como el brutalismo o el racionalismo; en este último caso, con un análisis centrado en las ornamentaciones en relieve de las casas racionalista de Canarias, como pequeñas arqueologías, que hablan del tiempo. Muchas de estas piezas han sido modeladas directamente, en otras, el proceso ha incluido el modelaje en 3d, en colaboración con el laboratorio de diseño y fabricación digital de Bellas Artes de la Universidad de La Laguna (ULL).
El título de la exposición hace referencia al “tiempo empleado para desarrollar una obra, es decir el tiempo empleado para poder pensar con las manos, con la materia, y construir con la cabeza”, señala Cotter, que contabiliza en 1127 horas desde el 23 de marzo de 2016 para elaborar las piezas que se presentan en la sala lagunera.
En Las horas, la autora convierte el acto de creación “en objeto de análisis, en cómo se inserta este modelo de creación, no sólo del ámbito artístico, sino también de otros ámbitos donde el pensar con las manos sea la base”, todo ello inserto en las circunstancias de la sociedad actual, “en la sociedad del rendimiento, cargada de hiperactividad, productividad e histeria, que normaliza la inmediatez dejando escaso lugar a la contemplación”, detalla.
La indagación sobre el papel del factor tiempo y de cómo este entra en juego en la creación artística es la clave de esta muestra, en la que Cotter trabaja sobre “el tiempo que se necesita para dialogar con la materia y crear un lenguaje plástico”. La escultora y joyera se hace preguntas, entre las que sobresalen las incógnitas sobre si estas formas de hacer se diluirán y se convertirán en un anacronismo, si finalmente se dejará de dialogar con las manos y se perderán todos los conocimientos  que ello conlleva.  (Contextos en Esculturas Bronzo, Sala de prensa)

Pilar Cotter - avril 2017 - Se va acercando la fecha para la next Expo, las cosas van fluyendo..... Trio de broches - porcelain Pilar Cotter – avril 2017 – Se va acercando la fecha para la next Expo, las cosas van fluyendo….. Trio de broches – porcelain

Pilar Cotter para EXPO "LAS HORAS" MAY 2017 Tenerife - Pilar Cotter broche - porcelana - Foto de Lucía SalomonePilar Cotter broche – porcelana – Foto de Lucía Salomone  -  

Pilar Cotter para EXPO "LAS HORAS" MAY 2017 Tenerife: Pilar Cotter  – broche – porcelana

Pilar Cotter para EXPO "LAS HORAS" MAY 2017 Tenerife - Pilar Cotter  - broche - porcelana Pilar Cotter  – broche – porcelana

 

 

 

Espacio Bronzo. Tienda y Sala de Arte
Calle Núñez de la Peña,
38202 San Cristóbal de La Laguna (Tenerife – ES)
+34 922 26 71 76
esculturasbronzo@gmail.com

 

 

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