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23/01/2017

EXCHANGE-BIJOU 2 – Yafit Ben Meshulam – « Lacuna », La Galeller, Sevilla (SP) – 17 Fevr.-20 Avril 2017

LacunaYafit Ben Meshulam

La Galeller

finalmente !!! problemas de aduana solucionados !! Inauguracion Viernes 17 FEBR. 20H Inauguración Exposición Yafit Ben Meshulam

INAUGURACIÓN  VIERNES 20 DE ENERO A LAS 20H !!!!!!
WILL PROBABLY be in FEBRUARY because of CUSTOMS PROBLEMS !!! APOLOGIZE !!

Yafit Ben Meshulam  - Lacuna  2017

Lacuna es un espacio entre los elementos.
Una tranquila prolongación entre una nota musical y la siguiente.
Un hueco en el texto que deja espacio para la imaginación. »

« LACUNA is a space between elements
A quiet elongation between one musical note to the next
A gap in the text that leaves room for imagination
The cocoon left behind when a caterpillar turns into a butterfly. . »

Yafit Ben Meshulam es diseñadora y joyera, vive en Tel Aviv, Israel. Se graduó en B.DES en diseño de joyas en la distinguida Shenkar Colegio de ingeniería y diseño en Tel Aviv.
Para Yafit sus joyas son objetos tridimensionales únicos, cada una contiene la carcasa de un elemento que una vez existió … y ahora en su lugar, una laguna – sólo un recuerdo de lo que fue.
Las formas únicas de sus diseños se formaron como si eliminara un « momento congelado » de un paso en el proceso de diseño. El espacio permanece entre el material que originalmente era y la forma que llegó a ser. Con su imaginación, este espacio permite vislumbrar los elementos que fueron arrancados y escondidos durante este intrigante « momento congelado ».
En cada colección utiliza una variedad de técnicas y tecnologías, que dan expresión al concepto de sus diseños. Meticulosamente añade texturas, colores y acabados a las impresiones en 3D y joyería moldeada, de modo que la superficie y los espacios interiores están decoradas por los pequeños detalles.

Yafit Ben Meshulam -  aya-wind 2017Yafit Ben Meshulam -    2017

Yafit Ben Meshulam -    2017Yafit Ben Meshulam -    2017

Yafit Ben Meshulam -   2017Yafit Ben Meshulam -   2017

Yafit Ben Meshulam  - Lacuna  janvier 2017 ·   KAMMI NECKLACE  Yafit Ben Meshulam  – Lacuna  janvier 2017 ·   KAMMI NECKLACE 

 
 
La Galeller

calle siete revueltas, 20
41004 Seville (Spain)

+34 854 52 06 02
www.lagaleller.com/
de Lunes a Viernes de 10:30 a 13:30  de 17:00 a 20:30

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22/01/2017

EXCHANGE-BIJOU 2 – Hakan AKTUG exhibited at Alliages for the « Permanent 2017 selection »

Hakan Aktuğ

My «The Unpredictable Form/Foam» collection wil be shown at the exhibition « Permanent 2017 selection » at Alliages .

« THE UNPREDİCTABLE FORM/FOAM -  It fascinated me in different ways when I started to work with polyurethane foam. The froth expands, transforms and hardens. It creates texture conflict when carved. The final form of the foam is unique and unpredictable ! I took that stuctural ambiguity in a good way. Because, it makes pieces unique and adds more caracter. »

Hakan Haktug  - "Unpredictable Form/Foam" Necklace - foam, silver, paint, threadHakan Aktug / H A K A N A K T U Ğ  j e w e l r y - « Unpredictable Form/Foam » Necklace – foam, silver, paint, thread

Hakan AKTUG - The Unpredictable Form/Foam Brooch, 2016  foam, silver, paint, turquoise beads.: Hakan Aktug / H A K A N A K T U Ğ  j e w e l r y    – The Unpredictable Form/Foam Brooch, 2016  foam, silver, paint, turquoise beads

Hakan Aktug "Unpredictable form, Foam"-  brooch -  Hakan Aktug / H A K A N A K T U Ğ  j e w e l r y « Unpredictable form, Foam »-  brooch

Hakan Aktuğ "Unpredictable form, Foam" neckpieceHakan Aktug / H A K A N A K T U Ğ  j e w e l r y  « Unpredictable form, Foam »- neckpiece

Hakan Aktug / H A K A N A K T U Ğ  j e w e l r y  THE UNPREDİCTABLE FORM/FOAM - at Alliages permanent 2017 -     It fascinated me in different ways when I started to work with polyurethane foam. The froth expands, transforms and hardens.  It creates texture conflict when carved. The final form of the foam is unique and unpredictable! I took that stuctural ambiguity in a good way. Because, it makes pieces unique and adds more caracter.: Hakan Aktug / H A K A N A K T U Ğ  j e w e l r y

 

 ***

and still time to  say ….

H A K A N A K T U Ğ j e w e l r y

Happy New Year!

H A K A N A K T U Ğ j e w e l r y

 

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06/01/2017

EXCHANGE-BIJOU 2 – Carlos SILVA at « IDEM »

Carlos SILVA

IDEM explores the possibilities of the « multiple » in small series of identical jewels and objects

actually, until JANUARY 13th 2017, in an exhibition at Galeria REVERSO , Lisbon :

IDEM  Jewelry Group Exhibition  @ RE V E R S O | Lisbon | Portugal Opening, December 11th at 4pm - CARLOS SILVA  Sofia Björkman, Ana Margarida Carvalho, Paula Crespo, Beatriz Horta Correia, Patrícia Domingues, Tatiana Giorgadse, Castello Hansen, Herman Hermsen, Leonor Hipólito, Claudia Hoppe, Birgit Laken, Floor Mommersteeg, Typhaine Le Monnier, Edgar Mosa, Inês Nunes, Maria José Oliveira, Lina Peterson, Claude Schmitz, Danni Schwaag, Carlos Silva, Edu Tarin, Andrea Wagner. #jewelrygroupexhibiti: Idem. Mùltiplos de Autor 11Dec2016 – 13Jan2017 – Galeria Reverso Lisbon, Portugal -
with : Sofia Björkman, Ana Margarida Carvalho, Beatriz Horta Correia, Paula Crespo, Patrícia Domingues, Tatiana Giorgadse, Castello Hansen, Herman Hermsen, Leonor Hipólito, Claudia Hoppe, Birgit Laken, Typhaine Le Monnier, Floor Mommersteeg, Edgar Mosa, Inês Nunes, Maria José Oliveira, Lina Peterson, Claude Schmitz, Danni Schwaag, Carlos Silva, Edu Tarín, Andrea Wagner

« Unique pieces, limited editions or serial productions nourish the universe of author jewellery in all its diversity. IDEM explores the possibilities of the « multiple » in small series of identical jewels and objects, created by national and international artists, who have made themselves available to celebrate with Reverso its 18 years of existence. »

Carlos Silva - brooch - at IDEM - Multiplos de Autor 2016-17Carlos Silva – at « IDEM – Multiplos de Autor » – brooch  – plaster, foam and oxidized copper

Carlos Silva - déc 2016 · -  Brooch - copper, foam and plasterCarlos Silva – déc 2016 · -  Brooch – copper, foam and plaster

Carlos Silva - nov 2016 ·  Brooch - plaster, foam and oxidized copper Carlos Silva - nov 2016 ·  Brooch – plaster, foam and oxidized copper

Carlos Silva - New pieces for a new project - brooches wip plaster white: Carlos Silva - New pieces for a new project – brooches wip plaster white

Lastly, Carlos Silva offered to us several reflexions -and not only- about SERIES ….

Carlos Silva - serie of RINGS at "GARAGEM" exhibition, Lisboa, 17-18 Dec. 2016Carlos Silva - serie of RINGS at « GARAGEM » exhibition, Lisbon, 17-18 Dec. 2016 - Rings – Oxidized copper

Carlos Silva - red rings - metalartwork - at "InRED" @ ingallerybcn exhibition  Carlos Silva - red rings - Oxidized copper and paint – at « InRED » @ ingallerybcn exhibition, Barcelona, dec. 2016

Carlos Silva- rings for New exhibition coming soonCarlos Silva- rings for New exhibition coming soon

 

 

Galeria ReversoR. da Esperança 59/61
1200-655 -  Lisbon
PORTUGAL
Mail: mail@reversodasbernardas.com
Phone: +351 213 951 407

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03/01/2017

EXPO ‘Idem. Mùltiplos de Autor’ – Galeria Reverso, Lisbon (PT) – 11 Dec. 2016–13 Janv. 2017

Idem. Mùltiplos de Autor Galeria REVERSO Lisbon, Portugal
IDEM explores the possibilities of the «multiple» in small series of identical jewels and objects

IDEM  Jewelry Group Exhibition  @ RE V E R S O | Lisbon | Portugal Opening, December 11th at 4pm - CARLOS SILVA  Sofia Björkman, Ana Margarida Carvalho, Paula Crespo, Beatriz Horta Correia, Patrícia Domingues, Tatiana Giorgadse, Castello Hansen, Herman Hermsen, Leonor Hipólito, Claudia Hoppe, Birgit Laken, Floor Mommersteeg, Typhaine Le Monnier, Edgar Mosa, Inês Nunes, Maria José Oliveira, Lina Peterson, Claude Schmitz, Danni Schwaag, Carlos Silva, Edu Tarin, Andrea Wagner. #jewelrygroupexhibiti:

 

with :   Sofia BjörkmanAna Margarida Carvalho — Beatriz Horta Correia — Paula CrespoPatrícia DominguesTatiana GiorgadseCastello HansenHerman HermsenLeonor HipólitoClaudia HoppeBirgit LakenTyphaine Le MonnierFloor MommersteegEdgar MosaInês Nunes — Maria José Oliveira — Lina PetersonClaude SchmitzDanni SchwaagCarlos Silva Edu TarínAndrea Wagner

« Unique pieces, limited editions or serial productions nourish the universe of author jewellery in all its diversity. IDEM explores the possibilities of the « multiple » in small series of identical jewels and objects, created by national and international artists, who have made themselves available to celebrate with Reverso its 18 years of existence. »

Carlos Silva - brooch - at IDEM - Multiplos de Autor 2016-17Carlos Silva – at « IDEM – Multiplos de Autor » – brooch  – plaster, foam and oxidized copper

carlos silva New pieces for a new project  brooches wip plaster white: Carlos Silva New pieces for a new project  brooches wip plaster white

Lina Peterson - brooches - at IDEM galeria-reverso: Lina Peterson – brooches

EDU TARÍN - Anel at IDEM galeria-reverso: Edu Tarin - Anel

Danni Schwaag Brooch: Dots, 2014 Enamel on copper, stainless steel - Idem. Mùltiplos de Autor -: Danni Schwaag Brooch: Dots, 2014 Enamel on copper, stainless steel

 Claudia Hoppe Bangle: Spraypaint Bangle, 2016 Metal, spraypaint Claudia Hoppe Bangle: Spraypaint Bangle, 2016 Metal, spraypaint

Sofia Björkman Brooch: What has the Bird done?, 2016 PLA, metal, paina (3D hand-drawings) Sofia Björkman Brooch: What has the Bird done?, 2016 PLA, metal, paina (3D hand-drawings)

 Patrícia Domingues Pendant: 3 pendants, 2016 Coral, Lapiz Lázuli, Onix recon: Patrícia Domingues Pendant: 3 pendants, 2016 Coral, Lapiz Lázuli, Onix recon

FLOOR MOMMERSTEG - Alfinetes: Floor Mommersteg - brooches

TATJANA GIORGADSE - Brincos: Tatjana Giorgadse – earrings

HERMAN HERMSEN - Kopie (ed. Limitada) / Set of 5 brooches Disc: Herman Hermsen – Kopie (ed. Limitada) / Set of 5 brooches Disc

LEONOR HIPÓLITO - Esplendor da Usabilidade, 2010: LEONOR HIPÓLITO – Esplendor da Usabilidade, 2010

INÊS NUNES - Colar at "IDEM": INÊS NUNES - Colar

 

Galeria Reverso
Rua da Esperança, nº 59 / 61, 1200
655 Lisboa, Portugal
(+351) 213 951 407


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31/12/2016

EXPO – ’0 + 0 = 0′ – Christchurch Art Gallery (NEW ZEALAND) – 16 Dec. 2016 – 2 Avr. 2017

Classé dans : Exposition/Exhibition,GALERIES,Lisa WALKER (DE/NZ),Nlle Zelande (NZ),www Klimt02 — bijoucontemporain @ 14:08

0 + 0 = 0 by Lisa Walker

Christchurch Art Gallery Te Puna o Waiwhetu presents an exclusive exhibition of new and recent works by this internationally acclaimed artist, who received the prestigious Françoise van den Bosch Award in 2010 and became an Arts Foundation Laureate in 2015

Lisa Walker Artist Talk.  Wednesday, 15 February 2017 / 6pm
Artist Lisa Walker’s extreme, iconoclastic jewellery has been described as ‘the physical manifestation of the mental and virtual baggage of living NOW’.

0 + 0=0 by Lisa Walker Exhibition  /  16 Dec 2016  -  02 Apr 2017 - Christchurch Art Gallery -  Place     Cnr Worcester Blvd and Montreal St     Christchurch     NEW ZEALAND: (Lisa Walker Necklace: Untitled, 2016 Fabric, stuffing Courtesy of the artist and Funaki Gallery, Melbourne)

It might be tempting to say that Lisa Walker makes jewellery out of any old thing – but it isn’t true. The eclectic objects that form her distinctive necklaces, brooches and other body-adornments are meticulously selected and shrewdly modified before they see the light of day. She salvages her materials from an unlikely cornucopia of sources – re-presenting objects such as car parts, animal skins and even kitchen utensils through the frame of body adornment’s long history. Tiny Lego hats, helmets and hairpieces – of the kind that clog vacuum cleaner nozzles in children’s bedrooms around the world – are strung on finely plaited cords like exotic beads or shells; trashy gossip magazines are lashed together to yield a breastplate befitting our celebrity-obsessed culture; dozens of oboe reeds donated by a musician friend bristle round the wearer’s neck like the teeth of some unimaginable deep sea leviathan.
Walker’s work doesn’t sit comfortably within the contours of conventional jewellery – it squirms, fidgets, stretches and unravels. ‘I want to make pieces that don’t fit any of those jewellery recipes, yet still make sense as jewellery,’ she once said.1 In a field known for refined finishes and seamless construction, her audaciously sized, deliberately low-tech pieces inject a blast of pure creative oxygen, wilfully disobeying established jewellery conventions and confounding audience expectations. Despite their bodged-up, glued-together appearance and gleefully tacky origins, Walker’s works are anything but haphazard – rather they are elevated by her acute sense of colour and composition and healthy sense of irony. The new and recent pieces included in her Christchurch Art Gallery show, 0 + 0 = 0, explore a range of critical concerns; confronting jewellery-specific preconceptions about wearability and craftsmanship, they also investigate the politics of value, identity and appropriation.
…..
While some of Walker’s materials are amassed close to home – she once made a necklace from six months’ worth of detritus collected from her studio floor – she also ranges more widely, combing the world of the non-precious for idiosyncratic treasures. Together with physical objects, she collects memories and associations, a process made explicit in Trip to Europe 1973 (2011), a necklace, constructed from the postcards, train tickets, concert programmes and other souvenirs a ‘cultured couple’ offered for sale on Trade Me. For Walker, having just returned home after fifteen years spent living in Germany, the mementos spoke of New Zealand’s complex history of arrivals – including those of Māori and European settlers – and of how cultures are transported, translated and transformed. Recent pieces such as Pendant (2016) reflect her interest in (and ambivalence about) exchange and appropriation and especially how these might play out within a New Zealand context. Assembled from pounamu offcuts given to Walker by a sculptor friend, Pendantcombines varied surfaces cut from several different stones, offering a beautiful, but deliberately problematic, addition to the tradition of Māori taonga.

Lisa Walker Dick Necklace 2016  Lisa Walker Dick Necklace 2016

Despite the irreverence of its title, and the ubiquitous banality of the phallic graffiti that inspired it, another, equally serious, reclamation prompted the creation of Dick Necklace (2016).
I live with the challenges of a patriarchal world and [its] hideous anti-women history. I’m intrigued by the online activity of the younger feminists. I was always impressed by Louise Bourgeois’s giant bronze cast penis sculpture [Filette (1968)]. Many years ago I saw a postcard of her as a 70-something year old woman, standing next to it with her hand gently, but authoritatively, resting on the giant penis. ‘Dick and balls’ drawings are a cultural phenomenon; we grow up with these scrawlings everywhere. The penis can be symbolically positive and negative; fertility and love, but also rape, misogyny, imbalance of power. As a feminist I now take, claim, and interpret it for myself, twisting its symbology into something else.
‘I learned a long time ago that you don’t have to find the answers. It’s enough for the works to keep asking the questions.’
The thorny issue of copying and influence has long fascinated Walker, gaining new relevance as social media allows for the increasingly unrestricted distribution and repurposing of imagery of all kinds. She joined Instagram, the online image-sharing service, in 2015 and describes it as a ‘huge hunting ground’,2 admitting she is now influenced more by what she finds online than by actual, ‘real world’ objects. A posted shot of Masturbine (1984), a well-known work by the renowned contemporary Swiss duo Peter Fischli and David Weiss, prompted her own Fischli & Weiss Bracelet(2016), which replaces the original’s whorl of expensive leather footwear with budget heels from her local Number One Shoes warehouse. A photograph of a cellphone bound up in the twisted cord of an old-school desk phone, uploaded by the Los Angeles-based artists Mitra Saboury and Derek Paul Boyle under the Instagram nomenclature ‘Meatwreck’, proved irresistible. Walker recreated it, almost exactly, in the form of an oversized pendant and, though she remains delighted with the piece, doesn’t shy away from the questions about ownership and creative license this kind of borrowing provokes. In fact, the discomfort inherent in such appropriation is shared by artist and collectors, since Walker’s works are primarily designed not to be displayed politely indoors, but to travel with their wearers out into the wild, wide open of the public domain. ‘I learned a long time ago that you don’t have to find the answers,’ she says, ‘It’s enough for the works to keep asking the questions.
  If the eclectic forms of Walker’s work reflect the democracy and limitless possibility of our new open-source world, her ‘more is more’ aesthetic also suggests the sense of chaos and overload it can provoke. With every online image potentially linked to thousands more, how could you ever see it all? Excessive, oversized, popping at the seams with look-at-me impudence, Walker’s works draw upon and reflect the unrelenting abundance of modern life. And yet, taken one piece at a time, they’re much more than thrown-together clickbait. At its most anarchic, jewellery that is created to be worn still requires its maker to take into account a series of considerations that don’t constrain other art forms, like painting or sculpture. As she creates her pieces, often concealing traditional jewellery processes beneath contemporary kitsch, Walker thinks about weight, scale, durability, and how her pieces will relate to the yet-unknown body they are destined to adorn. Having thrown out the rulebooks in her early practice, she now values the technical challenges these self-imposed limits present, enjoying how they slow things down and distil her attention, demanding mindful focus in a fast-moving world. In discussion, it soon becomes apparent that this process fuels, rather than suppresses, Walker’s high-voltage imagination. Recalling a project in which she turned an entire building (City Gallery Wellington) into a brooch by clipping a giant mild-steel safety chain to its ceiling and attaching the other end to a wearer via an enormous pin, she mischievously refers to it as only her ‘second largest work’. She’s not kidding; the scale of that audacious project is effortlessly eclipsed by another one. Existing, so far, in solely conceptual form it features a chain, pinned to its wearer, with planet Earth on the other end.  Felicity Milburn, Curator

Lisa Walker Pendant: Untitled, 2016 Pounamu, silver, thread Courtesy of the artist and Galerie Biro, Munich: Lisa Walker Pendant: Untitled, 2016 Pounamu, silver, thread Courtesy of the artist and Galerie Biro, Munich
Lisa Walker Necklace: Untitled, 2015 Plastic, thread Courtesy of the artist and Masterworks Gallery, Auckland: Lisa Walker Necklace: Untitled, 2015 Plastic, thread Courtesy of the artist and Masterworks Gallery, Auckland
Lisa Walker  Pendant: Untitled, 2016  Egg beater, thread.  Courtesy of the artist and The National, Christchurch: Lisa Walker  Pendant: Untitled, 2016  Egg beater, thread.  Courtesy of the artist and The National, Christchurch
Lisa Walker  Necklace: Trip to Europe 1973, 2011  Documents, brass, string  Courtesy of the artist: Lisa Walker  Necklace: Trip to Europe 1973, 2011  Documents, brass, string  Courtesy of the artist
Lisa Walker Fischli & Weiss Bracelet 2016. Shoes. Courtesy of the artist  Lisa Walker Fischli & Weiss Bracelet 2016. Shoes. Courtesy of the artist
Christchurch Art Gallery
Cnr Worcester Blvd and Montreal St
Christchurch
NEW ZEALAND
Mail:  info@christchurchartgallery.org.nz

 

16/12/2016

EXCHANGE-BIJOU 1 – Isabel TRISTAN voit rouge !

Isabel TRISTAN

Une fois n’est pas coutume, Isabel Tristan voit ROUGE pour son expo « inRED » !

isabel Tristan Treballant, pensant per INRED Special Christmas 2016 @ ingallerybcn  - workinprogress  Isabel Tristan Treballant, pensant per INRED Special Christmas 2016 @ ingallerybcn  – workinprogress

isabel tristan- One more time working with wood ❤ workinprogress Isabel Tristan- One more time working with wood ❤ workinprogress  

Isabel Tristan -    Necklace wood & textileIsabel Tristan -    Necklace wood & textile

Isabel Tristan - collar inRED - Necklace wood & textileIsabel Tristan - collar inRED – Necklace wood & textile

Isabel Tristan -  "No em liis la troca"  2016  pendant: Isabel Tristan -  « No em liis la troca »  2016  pendant

Isabel Tristan - INRED Special Xtrmas 2016 #collar #necklace: Isabel Tristan -    INRED Special Xtrmas 2016 – necklace

Isabel Tristan works at  INRED Special Xtrmas 2016  @ ingalleryBCN: Isabel Tristan works at  INRED Special Xtrmas 2016  @ ingalleryBCN

Isabel Tristan - Collar "Paraules buides"   - fusta, fuls de llibre, alpaca, pintura acrílica, cinta de cotó - llarg 540 mm. peça central 80x120 mm Isabel Tristan – Collar « Paraules buides » – madera, hojas de libro, alpaca, pintura acrílica, cinta de algodón
 

isabel tristan Arracades de plata i esmalts al foc INRED Special Xtrmas 2016: Isabel Tristan - earrings -  plata i esmalts al foc – INRED Special Xtrmas 2016

INRED Special Xtrmas 2016  @ ingalleryBCNINRED Special Xtrmas 2016  @ ingalleryBCN12 Decembre 2016 – 6 Janv. 2017Calle penedes 3 – 08012 Barcelona

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14/12/2016

EXPO ‘Kazumi Nagano – Calm & Beauty’ – Mano Gallery, Taipei (TW) – 1er-31 Dec. 2016

Classé dans : Exposition/Exhibition,GALERIES,Kazumi NAGANO (JP),Taiwan (RC) — bijoucontemporain @ 18:21

Kazumi Nagano – Calm & Beauty

Mano Gallery

“My works express tranquility rather than dynamism and my gold is not the color of sun shine but that of moon light.”    Kazumi Nagano

Inauguration 2016/12/03 (Sat.) 14:00

Kazumi Nagano - exhibirion - Taipei 2016/12/01- 2016/12/31 Mano Gallery

Kazumi Nagano is an artist reaching back to ancient traditions and reinterpreting these in a contemporary form. Her work is very much influenced by Nihonga, a traditional Japanese painting techniqueinvolving the use of rock pigments deriving from natural minerals. In her work, she makes use of colour as she would in painting. She weaves strands of Japanese paper thread, gold, platinum, bamboo tape, along with nylon thread, to give her pieces suppleness, developing voluminous structures to be worn. Interesting and unexpected effects are produced by transforming the woven material into three-dimensional forms and by combining the sequence of colour, light, and shade. The suppleness of the pieces facilitates interrelation with the human body and makes them all the more appealing to touch. Kazumi Nagano conveys delicacy, calm, and beauty by means of creating soft shapes.

Kazumi Nagano  - Calm & Beauty - exhibition: Kazumi Nagano  – Calm & Beauty

Kazumi Nagano - Calm & Beauty- Taipei dec 2016 - Mano Gallery: Kazumi Nagano – Calm & Beauty – two brooches

Kazumi Nagano - braceletKazumi Nagano – bracelet

Kazumi Nagano - Calm & Beauty- Taipei dec 2016 - Mano Gallery:Kazumi Nagano brooch  -  woven golden thread

Kazumi Nagano - Calm & Beauty-: Kazumi Nagano- brooch worn

Kazumi Nagano - Calm & Beauty Kazumi Nagano

Kazumi Nagano - Calm & Beauty - broochKazumi Nagano - Calm & Beauty - paper brooches 2016

Kazumi Nagano - Calm & Beauty - paper brooches 2016: Kazumi Nagano – Calm & Beauty - paper brooches 2016

Kazumi Nagano’s works are internationally recognized as well as highly respected and are part of the permanent collection of important museums like the Victoria & Albert Museum, London UK, the Alice and Louis Koch Rings Collection, Switzerland, and Cooper Hewitt , Smithsonian Design Museum USA, etc.. Her work was selected 7 times so far to take part in the most renowned contemporary jewellery event “Schmuck” at the Internationale Handwerksmesse in Munich.

Every culture has its own great tradition and heritage. How to reinterpret and revive the old into the contemporary is an interesting and challenging topic for artists and designers. It’s MANO’s great pleasure to host Kazumi Nagano’s long-anticipated solo show in Taipei. Hope this rare occasion could stimulate thoughts and creative thinking among the audience.

 

 

MANO Gallery

No.18, Shaoxing S. St.,  Zhongzheng Dist.,

Taipei City 10052, Taiwan

mail@manomanman.com

+886-2-23225601

Wed. – Sat. 13:00-20:00

 

13/12/2016

EXPO ‘inRED′ – Ingallerybcn, Barcelona (ES) – 12 Dec. 2016- 6 Janv. 2017

InRED
Jewelry Group Exhibition
Opening December 12  at 7.30pm
@ Ingallerybcn
inRED - dec 2016 - inGalleryBCN

 

Participants:
David Asenjo Ponte –  Montse Basora — Pilar Bonito — Elsa InzunzaEva FerrerMay Gañán –  Catalina Gibert –  Elena Larrén –  Miriam Montesdeoca — Olga Muxart — Diana Natalini –  Carlos Silva — Luis Sutil –  Fatima Tocornal Garcia Isabel Tristan.

  Catalina Gibert - "Illa" (2016) Bracelet | Object Catalina Gibert – « Illa » (2016) Bracelet | Object

Catalina Gibert - pendant & earringsCatalina Gibert - pendant & earrings

Catalina Gibert -   earrings - déc. 2016 - Esta serie de pendientes !Catalina Gibert -   earrings – déc. 2016 – Esta serie de pendientes !

Carlos Silva - Rings - Oxidized copper and paint - dec 2016Carlos Silva - 18 Rings – Oxidized copper and paint – dec 2016

Elena Larrén. necklaceElena Larrén.  necklace

 broche by Elsa Inzunza broche by Elsa Inzunza

Isabel Tristan -  Collar tèxtil i fusta / Necklace wood & textileIsabel Tristan -  Collar tèxtil i fusta / Necklace wood & textile

Isabel Tristan -  "No em liis la troca"  2016  pendantIsabel Tristan -  « No em liis la troca »  2016  pendant

Montse Basora - collar - Resina, acrilico y textil - 2016: Montse Basora - collar – Resina, acrilico y textil – 2016

Momtse Basora: Pendientes de plata, resina y acrílico: Montse Basora – Pendientes de plata, resina y acrílico

  Elsa Inzunza-  earrings "Duplo IV"  Elsa Inzunza-  earrings « Duplo IV »

May Gañán   at inGalleryBCN dec 2016: May Gañán  jewels

 

 

Ingallerybcn
C/ Penedès, 3
08012 Barcelona
tel  +34 932 37 96 94
http://www.ingallerybcn.com/

 

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12/12/2016

EXPO ‘MICROBIOTA′ – Galerie Beyond, Anvers (Antwerpen)(BE) – 18 Dec. 2016- 22 janv. 2017

galerie beyond / MICROBIOTA / Arnaud Sprimont solo exhibition

 Opening drink December 18, 2 – 6pm

SIDE EXPO / FR(AG)MENTED FR(AG)ILITY
by Ria Lins (BE), Gésine Hackenberg (DE-NL) and Brian Weissman (USA)
Dec 18 – Jan 22

galerie beyond / MICROBIOTA / Arnaud Sprimont:  
 2016 Microbiota -SOLO-DEC-2016- Horizon

« With this brand new series, Arnaud Sprimont pursuits a little more the questioning on the basis of his creative research. Supported both by a scientific and empirical observation of the cells and patterns of the living, he walks up and down an invisible and frightening universe, where the strong ties that exist between human being and nature reveal themselves. It’s precisely the exploration of this creeping network that’s at the heart of his approach and of his will to define himself, in nature and in harmony with it, as microbiotes living in symbiosis with their host.
Initially, Arnaud Sprimont, draws his raw material within nature. From elements harvested during his peregrinations, he generates a new alphabet of the living that’ll be the basis of a grammar intended to spin his own mankind. This opens the way to a hybridisation work : a construction is achieved from multiple elements creating a kind of a new biological makeup, fully fantastic and with baroque appearance, such as a crossbreed of improbable species. His interpretation of the material eventually tends to dematerialise the shapes so that they become a representation of his own universe. Their white appearance, neutral, and close to a scientific picture, approach as close to the final shape to capture their reliefs and shadows.
The items of Arnaud Sprimont reveal as an extension in the most secret and infathomable of the human body through a will of defining his true nature in all his boundlessness.  » Marie-Luce Martin / Translation Pierre-Yves LENOIR

 

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SIDE EXPO / FR(AG)MENTED FR(AG)ILITY
by Ria Lins (BE), Gésine Hackenberg (DE-NL) and Brian Weissman (USA)
Dec 18 – Jan 22
Ria LinsRia Lins

 

 

Gal. BEYOND  
formerly Galerie Beyond Fashion
Sint Jorispoort 27
2000 Antwerpen
www.beyondfashion.be
PHONE / +32 (0)472 42 06 83
​OPENING HOURS / thu – fri – sat  11 am to 6 pm or by appointment​ -
EMAIL / hello@galeriebeyond.be

 

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11/12/2016

EXCHANGE-BIJOU 1 – Dominique Thomas Vansteenberghe – Présence(s) de noël …….

Dominique Thomas Vansteenberghe

Présence(s) de noël ……. :-)

En ce moment et jusqu’au 25 décembre à L’Eclat De Verre Luxembourg
(4 Rue des Joncs, 1818 Howald, Luxembourg – Tél : (00 352) 2 68 97 797 / Fax : (00 352) 2 68 97 798
luxembourg@eclatdeverre.com)

l'eclat de verre - dec 2016

Dominique Thomas VansteenbergheDominique Thomas Vansteenberghe

Dominique Thomas Vansteenberghe - broches , toutes en lignes …

Dominique Thomas Vansteenberghe Dominique Thomas Vansteenberghe

Dominique Thomas Vansteenberghe  - dec 2016Dominique Thomas Vansteenberghe

Dominique Thomas Vansteenberghe - b.o. 2016Dominique Thomas Vansteenberghe - b.o. 2016

Dominique Thomas Vansteenberghe- b.o. 2016

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ICKX Contemporary Jewelry
Exposition du 06/12 au 04/03/2017
Exhibition from 06/12 until 04/03/2017

Exposition du 06/12 au 04/03/2017 ICKX Gal.

Come to discover the new exhibitors on Sunday,11 around a good glass of warm wine with a delicious homemade treats from 3p.m to 6p.m.
A special attention has been taken in the selection so that you find the perfect gift for Christmas, unique or realized in small series and for (to) all public budgets.
A selection of very selected contemporary jewelry and a small selection of objects.
Twenty Belgian and foreign creators, young and confirmed will be present for this exhibition:
Caroline Andrin – Olga Angusto – Nevin Arig- Cécile Betrand – Florence Bourgeois- Isabelle Carpentier – Florence Coenraets – EleKtre – Anne Goy – Noana Giambra – Ruth Hollywood – Selma Houissa – Audrey Ickx - Sylvie JoussetChristine Keyeux-Schnöller - Sabina KolonicClaire Lavendhomme – A.M-O – Ana Pina – Alain Roggeman – Lou Sautreau Dominique Thomas VansteenbergheDiederick van HövellKaren Vanmol – Eve Vaucheret – Heike Walk – Vanessa Williams…
http://www.ickxjewelry.com/
https://www.facebook.com/ickxjewelry
https://www.instagram.com/ickx_contemporary_jewelry/
The new exhibition begin in one week from 06/12 until 04/03/2017

ICKX Contemporary JewelryAvenue Georges Henri 435, 1200  Bruxelles
+32 494 64 93 36
ickxjewelry@gmail.com

EXCHANGE-BIJOU 1 – Dominique Thomas Vansteenberghe - Présence(s) de noël ……. dans Belgique (BE) source

 

Dominique Thomas VansteenbergheDominique Thomas Vansteenberghe

vous salue bien bas !

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