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19/03/2017

Preziosa 2017 Florence Jewellery Week – 24-28 Mai 2017

Preziosa 2017 Florence Jewellery Week

Preziosa is a cultural project, an annual exhibition dedicated to Contemporary Jewellery.
Every year the artistic approach to the complex subject of jewellery is explored through a specific concept and with the selection of artists from the international scene.
The project, imagined, managed and coordinated by LAO - Le Arti Orafe Jewellery School in Florence, started in 2005, and has quickly become one of the worldwide most important events devoted to contemporary jewellery.
Since 2008 LAO has been organizing also PREZIOSA YOUNG contest, for all the young creaters from all over the world.
(PREZIOSA SHORT HiSTORY)

 

Opening evening: 24 May 6.00 PM
Bellini Museum, Lungarno Soderini, 5. Florence

Curator:  Giò Carbone

Preziosa 2017

 

Exhibitions: 25-28 May, 9.00-18.00

Locations:
* Bellini Museum, Lungarno Soderini, 5. Florence,
* Palazzo Coveri Gallery, Lungarno Guicciardini 19,
* Florence, Botticelli Gallery, Via Maggio, 39. Florence
* LAO-Le Arti Orafe, Via dei Serragli 104, Florence

Workshops: 25-28 May, 9.00-18.00
LAO laboratories. Via dei Serragli 104, Florence

Conferences: 26-27 May, 11.00-13.00/ 14.30 – 18.00
Santo Spirito Church Cloister,“Sala Consiliare” Santo Spirito square, Florence

Artisans demonstrations: 28 May, 11.00 – 18.00
LAO open space, Via dei Serragli 104, Florence

Reception and meeting point: 25-28 May, 11.00-18.00 LAO in Palazzo Capponi. Via Michelozzi 2, Florence

Update programhttps://klimt02.net/…/preziosa-2017-florence-jewellery-week…

And form next week, at www.preziosa.org

 

From 24th to 28th May 2017 in the very heart of Florence, the “Oltrarno” district, among the Lungarni and Santo Spirito Square, LAO, Le Arti Orafe Jewellery School organizes PREZIOSA 2017-Florence Jewellery Week, a unique event in Italy.
The exhibitions and all other moments of the event place the emphasis on the interactions between tradition and artistic research, manual skills and new technologies, and between the different meanings and symbolical values that jewellery can take on in different cultural and geographical environments.
The project includes exhibitions by contemporary artists from various countries, lectures and presentations, workshops led by invited
artists/lecturers/curators.

Invited artists, curators, lecturers :
Arata Fuchi — Robert Baines — Sibylle Umlauf — Tasso Mattar — Danni Schwaag — LOD Metallformgivning — Erik Tidäng — Lena Jerström — Tobias Birgersson — Klara Eriksson — Petronella Eriksson — Pernilla Sylwan — Preziosa Young Contest 2017 – Fang Jin Yeh — Qian Wang — Shachar Cohen — Xiaodai Huang — New Iranian & Persian Jewelry- Group exhibition by students from the Mahe Mehr Institute Teheran — Kevin Murray — Martina Dempf — Maria Cristina Bergesio — Roberta Bernabei — Inger Wästberg — Shruti Agrawal — Maria Laura La Mantia.

Solo Exhibitions
* Arata Fuchi, Italy/Japan
* Robert Baines, Australia (« High Wire by Robert Baines » – Bellini-museum)
* Sibylle Umlauf, Germany

Solo Exhibitions : *Fuchi Arata, Italy/Japan   *Robert Baines, Australia     *Sibylle Umlauf, Germany (photo Robert Baines on left, Arata Fuchi on right): (Robert Baines on left, Arata Fuchi on right)

Sibylle Umlauf Brooch: Double needle Silver, pure gold.: Sibylle Umlauf Brooch: Double needle Silver, pure gold
« The goldsmith Sibylle Umlauf sees her work as a metamorphosis, as a dynamic principle: She contrasts dark and hard iron with soft, shining and warm gold. By using forging, chasing, etching and inlaying techniques she gives each individual object its own unique signature. »Born in Stettin, in that time Germany, today Poland. Sibylle Umlauf lives and works in Berlin and Italy. She studied goldsmithing at the Fachschule für das Edelmetall Schwaebisch Gmünd and Fine Arts at the Hochschule für Bildende Künste Berlin from 1964 – 1970. She taught Arts at the Fachhochschule für Sozialpädagogik Berlin until 1990.

 

Groups and curated exhibitions

  • LOD Metallformgivning Sweden.
    Curated by Inger Wästberg.
    Contemporary Swedish Silver.New Approaches to an enduring tradition
    Artists: Erik Tidäng, Lena Jerström, Tobias Birgersson, Klara Eriksson, Petronella Eriksson, Pernilla Sylwan.
  • Preziosa Young Contest 2017
    Group exhibition, PY2017 winners: Fang Jin Yeh, Qian Wang, Shachar Cohen, Xiaodai Huang.  The jury composed by artists, curators, bloggers and art expertises finally selected 4 young artists: Fang Jin Yeh, Taiwan; Qian Wang, China; Shachar Cohen, Israel / Germany; Xiaodai Huang, China. 
    The jury assigned further special mentions to: Giulia Savino, Italy; Heng Lee, Taiwan; Niklas Link, Germany; Holland Houdek, USA / Italy; Marion Delarue, France.

 

 

Tasso Mattar Ring: Untitled, 1989 Mother of pearl, yellow 18kt gold. 10 x 2 x 4 cm Photo by: Ralph Klein: Tasso Mattar Ring: Untitled, 1989 Mother of pearl, yellow 18kt gold. 10 x 2 x 4 cm Photo by: Ralph Klein
Tasso Mattar e Danni Schwaag, Germany ¡Nácarme! An obsession by mother of pearl
There is a material, which they are both working with and fascinated by: Mother of Pearl or like the Spanish say: Nácar. Danni and Tasso will present a variation of their work made by different generations in different periods, with their own view on the material mother of pearl.
Danni Schwaag Ring: Mother of pearl, 2011 Mother of pearl. 3 x 5 x 1 cm Photo by: Danni Schwaag: Danni Schwaag Ring: Mother of pearl, 2011 Mother of pearl. 3 x 5 x 1 cm Photo by: Danni Schwaag

 Shahrzad Aliyari. Bracelet: Shahryar, 2015. Silver.  Shahrzad Aliyari. Bracelet: Shahryar, 2015. Silver.
New Iranian & Persian Jewelry. Group exhibition from the Mahe Mehr Institute Teheran.

Preziosa Young Winners 2017 Award giving  - Fang Jin Yeh Brooch: Mimicry. My impression of the sea creatures, 2015 Silver, paper, coral, paint, stainless steel Awarded at: PREZIOSA Young Design Competition 2017: Fang Jin Yeh Brooch: Mimicry. My impression of the sea creatures, 2015 Silver, paper, coral, paint, stainless steel Awarded at: PREZIOSA Young Design Competition 2017
Preziosa Young Contest 2017 –
Group exhibition, PY2017 winners: Fang Jin Yeh, Qian Wang, Shachar Cohen, Xiaodai Huang.

Preziosa Young Winners 2017 - -  Shachar Cohen Pendant: Reflective Idols, 2016 Stainless steel 12 x 7 x 2 cm Photo by: Mirei Takeuchi Awarded at: PREZIOSA Young Design Competition 2017: Shachar Cohen Pendant: Reflective Idols, 2016 Stainless steel 12 x 7 x 2 cm Photo by: Mirei Takeuchi Awarded at: PREZIOSA Young Design Competition 2017

Preziosa Young Winners 2017   -  Xiaodai Huang. Ring: Variants, 2016. Silver, resin, velvet.. 7 x 5 x 5 cm. Awarded at: PREZIOSA Young Design Competition 2017.: Xiaodai Huang. Ring: Variants, 2016. Silver, resin, velvet.. 7 x 5 x 5 cm. Awarded at: PREZIOSA Young Design Competition 2017

Preziosa Young Winners 2017  - Wang Qjan. Brooch: Untitled, 2016. Acrylic, polypropylen, nylon, copper, 3D printing, laser cutting. Awarded at: PREZIOSA Young Design Competition 2017.: Wang Qjan. Brooch: Untitled, 2016. Acrylic, polypropylen, nylon, copper, 3D printing, laser cutting. Awarded at: PREZIOSA Young Design Competition 2017
 

Le Arti Orafe Jewellery School (LAO)
Via dei Serragli 104/124
50124 -  Florence
ITALY
Tel.: +39 055 2280131
Fax: +30 055 2280163
e-mail: info@artiorafe.it

Museo Luigi Bellini
Lungarno Soderini 5,
50124 Florence

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16/03/2017

#MunichJewelleryWeek2017 – EXPO (7) – ‘SHESH six jewelry artists’ – Bayerischer Kunstgewerbeverein (BKV Gallery), Munich (DE) – 24 Fevr.-1er Avril 2017

 7 (on map) SHESH six jewelry artists

24. Februar bis 01.April 2017 – Bayerischer Kunstgewerbeverein (BKV Gallery)

Eröffnung: Donnerstag, 23. Februar 2017, 18.30 bis 20.30 Uhr (Opening 23.02 18:30)

Curator: Esther Knobel
Under the guidance of Esther Knobel, the group has been meeting regularly since 2006, conducting an ongoing discourse in the jewelry field, on the path to forming and cultivating a personal creative language.
For more info please enter our site www.sheshandmore.com
Rechte der Fotos bei den KünstlerInnen

  7 (on map) Munich Jewellery Week 2017 /  SHESH - 6 Jewellery Artists - Bayerischer Kunstgewerbeverein (BKV Gallery)

artists:  Alona Katzir — Hadas LevinNoa LiranSara Shahak — Shuli Egozi — Sigal Meshorer – all live and work in Israel.

Sara Shahak Sara Shahak

 Sara Shahak - necklace Sara Shahak - necklace   Sara Shahak Sara Shahak

Alona KatzirAlona Katzir

 Noa LiranNoa Liran

Shuli EgoziShuli Egozi

Sigal MeshorerSigal Meshorer

7 SHESH group - Hadas Levin -: Hadas Levin

 

 

Bayerischer Kunstgewerbeverein (BKV Gallery)
 Pacellistraße 6-8
Munich
+49 89 2901470
info@bayerischer-kunstgewerbeverein.de
Öffnungszeiten: Mo bis Sa 10 bis 18 Uhr
Sonderöffnung, Sonntag, 12. März 2017, 11 bis 17 Uhr meet the artist mit SHESH, 13 bis 15 Uhr
www.bayerischer-kunstgewerbeverein.de
www.sheshandmore.com

 

 

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15/03/2017

EXPO ‘La porta dels somnis’ – galeria Margarida Aldabó, Lleida (ES) – 15 mars-5 Avril 2017

content de convidar-vos a l’exposició de joieria contemporània « La porta dels somnis » que farem a la galeria Margarida Aldabó de Lleida. Montserrat LacombaRosa NoguésElena Comín i jo (Luis Comín) estarem encantats de presentar-vos la nostra feina. Inauguració miercoles 15 Marzo a les 19 hores. www.margaridaaldabo.com

exposició de joieria contemporània "La porta dels somnis"  galeria Margarida Aldabó de Lleida

 

Lluis Comin  Lluis Comin

 Lluís Comín - Polsera Col·lecció “ Mosaic de la memòria” 2015 Plata, or 18q i dos diamants talla brillant.Lluís Comín - Polsera Col·lecció “ Mosaic de la memòria” 2015 Plata, or 18q i dos diamants talla brillant.

porta dels somnis - Montserrat Lacomba: Montserrat Lacomba

Rosa Nogués - Brooch Rosa Nogués – Broche

 

Margarida Aldabó

c/ Cavallers, 2 25002 Lleida (ES) Tel 973 24 96 49 info@margaridaaldabo.com Enregistrer Enregistrer

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14/03/2017

EXCHANGE-BIJOU 1 – Dominique THOMAS-VANSTEENBERGHE à CURIOSITY

Dominique Thomas Vansteenberghe

CURIOSITY – 23e Salon Wallon des Métiers d’Art
>> Du 25 mars au 14 mai 2017 – Palais Abbatial Saint-Hubert <<
vernissagevendredi 24 mars à 19:00 – 22:00
CuriosityEt si la curiosité n’était pas un vilain défaut ?
L’exposition CURIOSITY tentera de vous le prouver, en présentant une collection d’objets étranges et intrigants, tant dans leur expression esthétique et formelle que dans les techniques utilisées ou le choix des matériaux. Véritables liens entre la main et l’esprit de l’artiste, ces créations dévoileront leur côté sensible, parfois poétique ou même sulfureux.
Vingt-quatre artistes issus des Offices des métiers d’art des 5 Provinces wallonnes et du World Carfts Council – Belgique Francophone vont vous étonner au travers d’un parcours où se mêleront émotions et curiosités.
Vous pourrez y découvrir les oeuvres de Frédérique Coomans, Christine Mawet, Safia Hijos, Coryse Kiriluk, AnneMarie Laureys Ceramics, Anne Lenaerts, Dominique Thomas Vansteenberghe, Dorothée Van Biesen et Voz Monique, artistes membres du WCC-BF.
Commissaire: Benjamin Stoz

Dominique Thomas Vansteenberghe - contraintes - parures pour le corpsDominique Thomas Vansteenberghe – contrainte – parure pour le corps
Dominique Thomas Vansteenberghe - contrainte - parure  pour le corpsDominique Thomas Vansteenberghe – contrainte – parures pour le corps
Ancien quartier abbatial (Palais Abbatial)
place de l’Abbaye
6870 Saint-Hubert – LUXEMBOURG
Infos : 061/250 172 – sdac@province.luxembourg.be
Une organisation de la Province de Luxembourg dans le cadre de l’Entente interprovinciale des Métiers d’Art de Wallonie.

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09/03/2017

#MunichJewelleryWeek2017 – EXPO (37) – « Duality of Presence » – Super+Centercourt Gallery, Munich (DE) – 8-14 Mars 2017

(37)  « Duality of Presence« 

Opening Reception: March 8, 6pm

runs 08.03–14.03

Duality of Presence, is a curatorial collaboration between American Professors of Jewelry/Metalsmithing Kerianne Quick and Jess Tolbert.
The exhibition brings together contemporary jewelers and metalsmiths working in the United States, who use specific material and form to tell stories about place, histories, and conveyance.

(37) Duality of Presence

dualityofpresence  takes an explicit look at a generation of American contemporary makers united by the urge to connect to things and the world. As we grapple with the legacy of [alternative] material use in art jewelry in the age of globalization – we are united in the urgency our works express to identify with and bring insight to what it means to be in the world now. This exhibition was born from a noticeable shared concern and strategy expressed in the work of curators, colleagues, and other makers in the field. Within the field of contemporary art jewelry many reject or limit the use of precious materials associated with conventional jewelry in favor of non-traditional materials, focusing on a formal expression that may be conceptual in some way, or simply aesthetic. However some contemporary practitioners, including the artists in this exhibition, are mining material – calling upon origins, sourcing, histories, and/or supply chain information to embed value into the materials they select and use. This excavation is a powerful tool for authenticating and enhancing their underlying concepts. 

Recognizing this shared methodology as an important movement in American contemporary art jewelry and metalsmithing, Duality of Presence defines and explores those engaged with ‘material specificity’ in their making. We position the term ‘material specificity’ as a way of looking towards how material communicates complex and distinct narratives. Thinking of materials as active agents in the creation of meaning pushes past the notion that they are meaningless conduits and asserts a more substantive role; as conveyors of information, bearers of histories, and assemblers of discourses. Material Specific Artists enter into a deliberate collaboration and cooperative act with materials in the pursuit of meaning.

 Duality of Presence *

Jina Seo - Super + Centercourt Gallery  « @dualityofpresence during the Munich Jewellery Week 2017. Some of my experimental pieces that push the boundary of jewelry and clothing are in the show « 
Jina SEO  (EXCHANGE-BIJOU 1)

Jina SEO -Holes_detail5 - "The fragments of ordinary clothes convey a tactile and erotic interaction, emphasizing the physical movements between certain parts of body and garments."  — Jina Seo: Jina SEO – Holes_detail5

 Jina Seo - The fragments of ordinary clothes convey a tactile and erotic interaction,  emphasizing the physical movements between certain parts of body and  garments."  — Jina Seo: Jina SEO - Holes_detail

SCHMUCK 2017 - DOP  (dualityofpresence) -  Jina SEO:  Jina SEO – HOLES -
«  »The fragments of ordinary clothes convey a tactile and erotic interaction, emphasizing the physical movements between certain parts of body and garments. »

DOP Duality of Presence Exhibition (@dualityofpresence) - Jina Seo "HOLES": Jina Seo « HOLES »

*

Participating Artists :  Jessica Andersen – Lynn Batchelder – Thea ClarkNikki Couppee – Motoko Furuhashi – Steven Gordon Holman – Alexandra HoppMasumi Kataoka –  Joshua Kosker – Tova Lund – Sharon Massey – Jaydan Moore – Wei Lah Poh –  Kerianne Quick (Curator) — Kaiya Rainbolt – Yumi Janairo Roth –  Jina Seo – Jess Tolbert (Curator) — Demitra Ryan-Thomloudis

DOP  (dualityofpresence) -  Alexandra Hopp tagneckAlexandra Hopp –  tagneck.  « I use the traditional jewelry forms, techniques, materials, and visual vocabulary of the goldsmith, in purposeful profusion so the original function is lost, resulting in an exercise in mania. » DOP  (dualityofpresence)  -  Alexandra Hopp  Bibliomania: Alexandra HoppBibliomania necklace

 Joshua Kosker _hiding-in-the-flesh - How do objects shape experiences and, in turn, how can actions imprint meaning on the material world?"  —:  Joshua Kosker – hiding-in-the-flesh – « How do objects shape experiences and, in turn, how can actions imprint meaning on the material world? »

 Joshua Kosker _nestle - How do objects shape experiences and, in turn, how can actions imprint meaning on the material world?"  —:  Joshua Kosker _ nestle

Joshua Kosker _embed. - Utopia towels - How do objects shape experiences and, in turn, how can actions imprint meaning on the material world?" DOP (dualityofpresence) - kosker_embed_detail. - How do objects shape experiences and, in turn, how can actions imprint meaning on the material world?"  —  Joshua Kosker:

Joshua Kosker _embed. – Utopia towels

DOP (dualityofpresence) -  Thea Clark - Head of Franz Joseph Fiord:  Thea Clark - « Head of Franz Joseph Fiord »

 "The layers build with the resonance of color, texture, and material choices, allowing the pieces to pay homage to the natural wonder of the Arctic."  — Thea Clark: Thea Clark  « The layers build with the resonance of color, texture, and material choices, allowing the pieces to pay homage to the natural wonder of the Arctic. » 

Kerianne Quick- Transmutations_1. - "This work is based on the human urge to collect, to mark occasions with tangible objects, and an objects ability to connect us to history and memory." Kerianne Quick- Transmutations_1. – « This work is based on the human urge to collect, to mark occasions with tangible objects, and an objects ability to connect us to history and memory. »

Kerianne Quick  Transmutations - "This work is based on the human urge to collect, to mark occasions with tangible objects, and an objects ability to connect us to history and memory."  Kerianne Quick - Transmutations

Wei Lah Poh-  White Handle, necklace. -  "Handle draws upon enamelware’s visible record of use; it’s degraded and chipped edges, as well as the beautiful patina of rust on steel." Wei Lah Poh-  White Handle, necklace. -  « Handle draws upon enamelware’s visible record of use; it’s degraded and chipped edges, as well as the beautiful patina of rust on steel. »

Wei Lah Poh -  White Cup Wounded, bracelet with cup. -    "Handle draws upon enamelware’s visible record of use; it’s degraded and chipped edges, as well as the beautiful patina of rust on steel."  Wei Lah Poh -  White Cup Wounded, bracelet with cup

Kaiya Rainbolt -  Mattress#1 (Fear) - How can we respond to issues that are challenging and not succumb to the  urge to reject those that are painful to us?"  Kaiya Rainbolt -  Mattress#1 (Fear) – How can we respond to issues that are challenging and not succumb to the  urge to reject those that are painful to us? » 

Kaiya Rainbolt -  Confusion. -   "How can we respond to issues that are challenging and not succumb to the urge to reject those that are painful to us?"  — Kaiya Rainbolt: Kaiya Rainbolt -  Confusion

DoP  (dualityofpresence)   Kaiya Rainbolt's Violation #1  Kaiya Rainbolt‘s Violation #1

 Lynn Batchelder, How to Build a House:  Lynn Batchelder, How to Build a House

Demitra Thomloudis  "As jewelry, these intimate objects coexist with the body as a means to connect with the landscape from afar." Demitra Thomloudis  Over the Wall’ a series of 90 brooches inspired by the cross boarder view – El Paso to Ciudad Juarez’s Anapra neighborhood. Cement, brass, steel paint, graphite pencil. – « As jewelry, these intimate objects coexist with the body as a means to connect with the landscape from afar. »

  Demitra Thomloudis 'Over the Wall' a series of 90 brooches inspired by the cross boarder view - El Paso to Ciudad Juarez's Anapra neighborhood. Cement, brass, steel paint, graphite pencil.  Demitra Thomloudis ‘Over the Wall’ a series of 90 brooches inspired by the cross boarder view – El Paso to Ciudad Juarez’s Anapra neighborhood. Cement, brass, steel paint, graphite pencil.

Demitra Thomloudis - "As jewelry, these intimate objects coexist with the body as a means to connect with the landscape from afar."  —: Demitra Thomloudis  ‘Over the Wall’ a series of 90 brooches inspired by the cross boarder view – El Paso to Ciudad Juarez’s Anapra neighborhood. Cement, brass, steel paint, graphite pencil.

  Motoko Furuhashi mesilla_fromt -  I  "I am fascinated by the natural cycle of growth, decay, and death – and the complexity of the processes that govern life between one place and the next."  —: Motoko Furuhashi - mesilla_fromt -  I  « I am fascinated by the natural cycle of growth, decay, and death – and the complexity of the processes that govern life between one place and the next. »

Steven Gordon Holman - Stone Rabbit Neckpiece. - "The Tribe was born out of the West Desert and contemporary hunting culture; its shaman the rabbit and its oracle the magpie." Steven Gordon Holman – Stone Rabbit Neckpiece. – « The Tribe was born out of the West Desert and contemporary hunting culture; its shaman the rabbit and its oracle the magpie. »

Steven Gordon Holman -  Black Totem Neckpiece-  "The Tribe was born out of the West Desert and contemporary hunting culture; its shaman the rabbit and its oracle the magpie."  —: Steven Gordon Holman -  Black Totem Neckpiece

Nikki Couppee  corsageIV. brooch - "With the use of these everyday materials, I am able to exaggerate the size and abundance of gemstones to parody or poke fun at the socio-economic issues of class systems physically made manifest in the wearing of fine jewelry."  Nikki Couppee  corsageIV. brooch – « With the use of these everyday materials, I am able to exaggerate the size and abundance of gemstones to parody or poke fun at the socio-economic issues of class systems physically made manifest in the wearing of fine jewelry. » 

  Jessica  Anderson - "By presenting refuse in the intimate and personal format of jewelry, I ask the viewer to reflect upon their relationships to objects and things."   Jessica  Anderson – « By presenting refuse in the intimate and personal format of jewelry, I ask the viewer to reflect upon their relationships to objects and things. »

  Deposit1 Jessica Anderson - "By presenting refuse in the intimate and personal format of jewelry, I ask the viewer to reflect upon their relationships to objects and things."  —:  Deposit1 Jessica Anderson

 Tova Lund -  "This work explores my physical and psychological relationship to landscape and place.":  Tova Lund -  « This work explores my physical and psychological relationship to landscape and place. »

 Tova Lund's - Here and There   Tova Lund‘s – Here and There 

 Sharon Massey  Brickwork X necklace .     "My work is inspired by the post-industrial landscape of Pittsburgh and surrounding areas. Through use of both labor and materials I pay homage to the region’s blue-collar past.":  Sharon Massey  – Brickwork – X necklace –   « My work is inspired by the post-industrial landscape of Pittsburgh and surrounding areas. Through use of both labor and materials I pay homage to the region’s blue-collar past. »

 Sharon Massey  Brickwork_Necklace - "My work is inspired by the post-industrial landscape of Pittsburgh and surrounding areas. Through use of both labor and materials I pay homage to the region’s blue-collar past."  —:  Sharon Massey  Brickwork_Necklace

DOP - Masumi Kataoka: Masumi Kataoka

Masumi Kataoka - DOP: Masumi Kataoka « I am interested in what jewelry can do. »

 Yumi Roth - Barbed_Wire_Ov. - "I explore immigration, hybridity, and displacement through discrete objects, site-responsive installations, solo projects, and collaborations."   — Yumi Janairo Roth: Yumi Roth – Barbed_Wire_Ov. – « I explore immigration, hybridity, and displacement through discrete objects, site-responsive installations, solo projects, and collaborations. »

DOP - Jess Tolbert _willowful2: Jess Tolbert – willowful2 – « I am interested in the ability objects hold – to connect people to individual and collective experiences, whether meaningful, evocative, or mundane. »

Jess Tolbert - willowful4 - "I am interested in the ability objects hold - to connect people to individual and collective experiences, whether meaningful, evocative, or mundane."   — Jess Tolbert: Jess Tolbert - willowful4

 Duality of Presence defines and explores ‘material specificity’ as a movement in American contemporary art jewellery and metalsmithing where artists aim to reveal hidden narratives through the use of specific materials. The works emphasize the importance of maker-viewer communication, by demonstrating the effectiveness of material centered conveyance, where artists tell stories that connect to the wider world. The works demonstrate a broad range of subject matter, with material specificity as the common thread. In addition to the physical display of objects, the exhibition will include two interactive digital components, a innovative use of virtual reality and an interactive website. Virtual reality headsets integrated into the gallery display will show VR videos produced by selected participating artists using a virtual reality multi-lens camera. Each video will transport the viewer from the gallery to a significant site or moment chosen and filmed by the artist.

 

 

 

Super+Centercourt Gallery
Adalbertstrtraße 44
80799 Munich
Wed-Tue 11:00–17:00

 

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#MunichJewelleryWeek2017 – EXPO (51) – Ice Cream Crush – Bulgarian Jewellery Now – Del Fiore Gelato, Munich (DE) – 9-14 Mars 2017

(51) Ice Cream Crush – Bulgarian Jewellery Now

This is the first group exhibition showcasing one of the most exciting Bulgarian jewellery designers working now. Boldly experimenting with materials and forms, they achieve exquisite details, marvellous stories and timeless joy through their pieces.
United by the space – a very special ice cream shop Del Fiore Gelato – their exhibition is an invitation for a pleasant surprise. It will be a jewellery crush from first sight.
Organisers: Studio Komplekt
(51) Ice Cream Crush - Bulgarian Jewellery Now

#51 Ice Cream Crush ~ Bulgarian Jewellery Now - Emilia Emileva__bananas(Emilia Emileva – bananas)

with :   Angelina Tsvetkova Jewellery – Antoaneta Ramjuly – Emilia EmilevaEvgeniya Tsancova Jewelery – Serendipity — Katerina Serbezova – Silvia Chaneva –  Velislava BozhinovaVictor Pavlov Jewellery – Zwetelina Alexieva –  Yana Tankovska design 

 Evgenia Tsankova, Yana Tankovska Blick - 51 Ice Cream Crush Evgenia Tsankova, Yana Tankovska BLICK

 Silvia Chaneva - (BG) In order to express my aesthetic sense in making jewellery, I use simple geometric shapes and play with their movements and transformations. I try to achieve natural appearance and artistic spontaneity.: Silvia Chaneva

Ice Cream Crush – Evgeniya Tsancova: Evgeniya Tsancova  Disconnections

Ice cream crush - 2 / 9 Zwetelina Alexieva, photography by Sava Chapanov: Zwetelina Alexieva, photography by Sava Chapanov

Ice Cream Crush – Velislava Bozhinova: Velislava Bozhinova

Studio Komplekt   –  Ice Cream Crush – Antoaneta Ramjuly: Antoaneta Ramjuly

Ice Cream Crush – Victor Pavlov -refracted spaces-  I love working with metals. Much of my education is dedicated to the subject of metal, so I know its properties, uniqueness and quality. It makes me feel good when handling the various types of metals.: Victor Pavlov – refracted spaces

 

 

Del Fiore Gelato
Königinstraße 37
80539 München, Deutschland
09.03-14.03
11:30-18:00

 More information: www.studiokomplekt.com

 

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08/03/2017

#MunichJewelleryWeek2017 – EXPO (87) – TONE VIGELAND – Die Neue Sammlung – The Design Museum, Munich (DE) – 11 Mars-11 Juin 2017

87 (on map) -

TONE VIGELAND. JEWELLERY – OBJECT – SCULPTURE

at Die Neue Sammlung – The Design Museum, Munich, Germany
Opening 10.03.2017 from 7.00 p.m.
Press conference: 10.03.2017 from 11.00 a.m.

TONE VIGELAND:

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Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri DahlTone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl

 

Scandinavian studio jewelry is inconceivable without her and her works. As early as the beginning of the 1960s Tone Vigeland’s jewelry objects were routinely included in what are today legendary publications and exhibitions, such as the International Exhibition of Modern Jewellery held 1961 in the Goldsmiths Hall London, which first familiarized the public with the emerging art style of studio jewelry. Now, to mark her 80th birthday, Die Neue Sammlung is devoting its first solo exhibition in Europe outside Scandinavia to the grand dame of Scandinavian studio jewelry – 50 years after Vigeland’s first solo exhibition in 1967 in the Kunstnerneshus in Oslo.

  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl

 

 

 

With their flowing shapes Tone Vigeland’s pieces generally fit snugly despite being made of metal. Vigeland oxidizes the light shiny silver until it is as black as iron. Through contact with the skin the silver regains its play with the light, and lent and dreamt of metallic color variations. Every piece becomes individualized through virtue of being worn. Though they stand out for their size and volume, the objects consist of an incredibly large number of tiny hand worked parts – minute pipes twisted from silver wire, precisely cut rectangular and round discs or tiny pellets and rings – so cleverly joined together as to be invisible to the naked eye. Tone Vigeland’s art on the body appears simultaneously modern and archaic.
About the artist:
Born 1938 into one of the most famous artist families of Norway Vigeland’s artistic training began 1955 at the Statens Håndverk-og Kunstindustriskole Oslo (today Kunsthøgskolen in Oslo, National Academy of the Arts). To learn goldsmith work she moved 1957 to the Oslo Vocational School. In 1958 she joined the avant-garde artist cooperative Plus in Frederikstad, where several of the works she designed as a student were produced in series. Earrings worked from a single silver loop, whose restrained simplicity and linearity was typical for the style in Scandinavia after World War II, were successfully produced until 1985. In 1961, Tone Vigeland opened her own workshop, and began producing one-offs. Since then she has produced many world-famous items of jewelry which have been honored with numerous distinctions. These are now on show for the first time in a solo exhibition featuring 150 of her works.
  In a high-profile exhibition in Galerie Riis 1995 in Oslo, Vigeland took an important step into a different dimension – namely art in architectural space – and simultaneously a move away from decorative art that cites the human body. This move from the body to free space seems a huge one, and yet was quite a logical step for Tone Vigeland.
The very highest distinction have accompanied the artistic oeuvre of this extraordinary Norwegian artist: the Prince Eugen Medal from Sweden in 1988, appointment as Commander of the Royal Norwegian Order of St. Olav in 1996, the Anders Jahre Art Prize and in 2008 she received the Golden Ring of Honor from the Association for Goldsmiths’ Art in Hanau.
  The exhibition was realized with the kind support of the Norwegian Ministry of Foreign Affairs in Oslo, the Royal Norwegian Embassy in Berlin, the Royal Norwegian Consulate in Munich and the Danner-Stiftung, and in cooperation with Norwegian Crafts, Oslo.
In January 2018 the exhibition will be on show in Nordenfjeldske Kunstindustrimuseum in Trondheim.

Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl: Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl

 

 

Die Neue Sammlung – The Design Museum
Pinakothek der Moderne, Rotunda,
Türkenstrasse 15
80333 -  Munich
GERMANY
info@die-neue-sammlung.de
tel  49 0 89 27 27 25 0  /49 0 89 27 27 25 561
11.03-11.06

 

 

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07/03/2017

#MunichJewelleryWeek2017 – EXPO (42) – Hatara Project, Time Perception Vol.3 – Lovaas Artspace, Munich 8-11 Mars 2017

(42) Hatara Project, Time Perception Vol.3

Opening Wed March 8th at 19:00

 EXCHANGE-BIJOU 1 – Jelizaveta Suska 

Hatara Project, Time Perception Vol.3

with :   Marine Dominiczak — Morven Downie — Elin Flogman — Yasuyo Hida — Anke HuybenChristine JalioHelmi LindblomMelina LindroosAnnea Lounatvuori — Sara Malm — Wiebke Pandikow Jelizaveta Suskaya — Susanna Yläranta — Ginta Zabarovska

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Hatara Project started in 2015 as a collaboration between Annea Lounatvuori and Christine Jalio. The name Hatara, from the Finnish hattara – cotton candy – describes something dreamy, sweet and concrete but eventually fragile. Hatara is a meeting point between jewellery artists that have different backgrounds and come from different countries. It’s a connection, an exchange of culture, an experience and knowledge. Now we are 14 women from Finland, Sweden, Latvia, Germany, Japan, France, Australia and The Netherlands.

 42 HATARA - Jelizaveta Suska Brooch: Frozen Moment, 2016 Polymer, magma, sand, gold, crystal, titanium. Photo by: Jelizaveta Suska:  Jelizaveta Suska Brooch: Frozen Moment, 2016 Polymer, magma, sand, gold, crystal, titanium. Photo by: Jelizaveta Suska42 HATARA - Elin Flognman, The Potato Eaters, 2016, necklace, spoon, brass, copper, silver, gold, textile: Elin Flognman, The Potato Eaters, 2016, necklace, spoon, brass, copper, silver, gold, textile42 HATARA- Marine Dominiczak, Allium Porrum, 2015, ring, copper: Marine Dominiczak, Allium Porrum, 2015, ring, copper

42 HATARA - Marine Dominiczak, Noyade, 2016, bronze, white marble, copper, rope: Marine Dominiczak, « Noyade », 2016, bronze, white marble, copper, rope

42 HATARA - Melina Lindroos, Hiding Places 5, 2016, brooch: Melina Lindroos, Hiding Places 5, 2016, brooch

42 HATARA - Helmi Lindblom, Fruitfully Yours, 2016, necklace, balloon, silver, photo Ninni Vidgr: Helmi Lindblom, Fruitfully Yours, 2016, necklace, balloon, silver, photo Ninni Vidgr

Helmi Lindblom, necklace: Helmi Lindblom, Fruitfully Yours, 2016, necklace, balloon, silver 42 HATARA - Sara Malm, In Line With, 2016, necklace, leather, wood, silver. Photo Emanuel Cedeqvis: Sara Malm, In Line With, 2016, necklace, leather, wood, silver. Photo Emanuel Cedeqvis

42 HATARA- Sara Malm, In Line With, 2016, Necklace, leather: Sara Malm, In Line With, 2016, Necklace, leather

42 HATARA - Susanna Ylaranta, Alingning, 2016, bracelet, veneer, paint, silver. Photo Tobias Feuerbacher: Susanna Ylaranta, Alingning, 2016, bracelet, veneer, paint, silver. Photo Tobias Feuerbacher 42 HATARA - Annea Lounatvuori, Under The Pine Pine, brooch, natural found objects, packaging waste, foam, rubber, silver:  Annea Lounatvuori, Under The Pine Pine, brooch, natural found objects, packaging waste, foam, rubber, silver

42 HATARA - Ginta Zabarovska, 2015, breast decoration, silver. Photo Kaspars Filip: Ginta Zabarovska, 2015, breast decoration, silver. Photo Kaspars Filip42 HATARA - Anke Huyben, Multiple Pink, 2015, Handpiece,copper, yarn, sand. Picture by Laura Mauritz: Anke Huyben, Multiple Pink, 2015, Handpiece,copper, yarn, sand. Picture by Laura Mauritz

42 HATARA - Anke Huyben, 2014, Part Of-Form Studies: Anke Huyben, 2014, Part Of-Form StudiesWiebke Pandikow - necklace from the Genus: Tropaeolum series (1) - wood and recycled plastic bags -  silver-crane.com: Wiebke Pandikow - necklace from the Genus: Tropaeolum series (1) – wood and recycled plastic bags 42 HATARA- Wiebke Pandikow, Necklace, Torrent, 2016, recycled plasticbags, wood peddles. Photo Mikko Joona:  Wiebke Pandikow, Necklace, Torrent, 2016, recycled plasticbags, wood peddles. Photo Mikko Joona42 HATARA - Morven Downie, Pink Gumball, 2014, ring, silver, resin, glitter. Photo Morven Downie: Morven Downie, Pink Gumball, 2014, ring, silver, resin, glitter. Photo Morven Downie 42 HATARA - Christine Jalio, Solipsism big, 2017, brooch, Silk, Clay, Silver. Photo Maarit Halonen: Christine Jalio, Solipsism big, 2017, brooch, Silk, Clay, Silver. Photo Maarit Halonen

42 HATARA - Yasuyo Hida, balloon: Yasuyo Hida, balloon

 
Lovaas Artspace
Fürstenstraße 6
Thu-Fri, 10:00-19:00, Sat 11:00-17:00

 

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06/03/2017

#MunichJewelleryWeek2017 – EXPO ‘The Room of Desires’ – Raumwerk, Munich (DE) – 6 Mars-1er Avril 2017

« The Room of Desires »

A joyful interplay of artworks, crafts and design products from Korea and Germany

March 6 to April 1, 2017
Guided Tour with Curator & Artists: March 8, 2017 at 3 p.m.:

Opening: March 6, 2017 at 4 p.m

The room of desires - schmuck 2017(Wings ring by the Korean Jewelry Artist, YOON Dukno)

with Jina Seo‎ (EXCHANGE-BIJOU 1)

Jina Seo‎  -   Schmuck2017

 While the Wunderkammer, or cabinet of curiosities, emerged in the courts of Europe from the 16th century onward, Korea was witnessing the growing popularity of virtual bookshelves in its royal courts, and later among its bourgeoisie. This genre of Korean painting is called Chaekgado, a sort of painted Wunderkammer showing from various perspectives the books and belongings of a scholar.
Although the traditions of the Wunderkammer vary in form and function between Korea and Europe, they have significant aspects in common. In each culture the cabinet of curiosities is an intimate space filled with people’s desires and longings for a foreign world. Both reflect the yearning for precious things and a curiosity for nature as something exotic.
In allusion to the Korean Chaekgado as well as the European Wunderkammer, Keum Art Projects presents the exhibition ‘The Room of Desires’ at the newly opened raumwerk in Munich-Westend. ‘The Room of Desires’ presents paintings, installations and design objects from Korea side by side with those from Germany, creating a cabinet of wishes, longings and desires. The exhibition features supposedly mundane objects such as candle holders, ceramic vessels and writing utensils, along with playful and contemplative installations by visual artists and designers.
The idea of the cosmos, which the Wunderkammer and Chaekgado attempted to capture through objects and books, is being trivialised by the digital revolution in our current age of the internet. In a world where books are collected by Google and desires are fulfilled on the internet, ‘The Room of Desires’ investigates the predilections and yearnings of our time, and tries to rediscover human desire and longings in objects.


Artist, Designer and Artisan :   Andreas Berlin — Maria Volokhova/Johanna Spath — Helena Parada Kim — KIM Deok Ho — KIM Hye Jeong + Atsunobu KATAGIRI – KIM Hyun Sung — KIM Seo Yoon — KIM Soo Yeon — LEE In Hwa — LEE Jeong Won — PARK Neung Saeng — SEO Jina — Studio Ilio — Studio Yang Seung Bin — Studio Kyss — Kondo Yukako — YOON Duk No

 

 

Raumwerk – Concept Store & Gallery
Schwanthaler Str. 125 + 142
80339 Munich-Westend

 

 

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02/03/2017

#MunichJewelleryWeek2017 – THE MAP & PROGRAM ! Munich (DE) – 8-14 Mars 2017

Classé dans : Allemagne (DE),SCHMUCK (DE),www Current-Obsession,www Klimt02 — bijoucontemporain @ 17:11

From March 8th till March 14th Munich Jewellery Week

 complete program : on Klimt02

 complete program & MAP here

lokator MAP

Lokator items list

SCHMUCK 2017 - 8-14 MARCH 2017 - Munich - COMPLETE PROGRAM pdf:

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From March 8th till March 14th Munich Jewellery Week  - MAP with NUMBER of each event for location: MAP (part) with NUMBER of each event for location
(seen on my posts as «  EXPO (58) » for example)

 

 

Internationale Handwerkmesse Munich
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY
eva.sarnowski@hwk-muenchen.de
tel 0049 89 5119 248

 

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