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04/01/2017

EXPO ‘Neuer Schmuck aus Idar-Oberstein – NSAIO 6′ – Stadtmuseum Simeonstift Trier (DE) – 27 Nov. 2016-26 Fevr. 2017

Neuer Schmuck aus Idar-Oberstein – NSAIO 6 

27 novembre 2016 – 26 Febr. 2017
at Stadtmuseum Simeonstift Trier

Neuer Schmuck aus Idar-Oberstein - NSAIO 6

Beginning with the renaissance of gemstones in jewellery design since the 1970s, Ute Eitzenhöfer, Theo Smeets, Lothar Brügel (ret. 2014) and Eva-Maria Kollischan (since 2014) successfully established the Hochschule Trier in Idar-Oberstein as a creative European jewellery centre. To mark the exhibition in the Stadtmusem Simeonstift in Trier on thirty years of the Gemstone and Jewellery Department, the publication shows an exciting selection of works from the last ten years (2006-2016). Works in creative design and photography accompany diverse approaches that exemplify the contemporary use of a reputedly ‘outmoded’ raw material.
In exploring the aesthetic characteristics of the material and the experimental confrontation with its physical qualities, the gemstone’s potential for design comes entirely into its own. Within current discourse it comments ironically, on the one hand, on the unilateral societal ascription as a luxury item; on the other, it functions as a charming and noble object of nature.

 

 

Den Programm-Flyer mit allen Informationen finden sie hier: http://bit.ly/2gaGKhd
Fachrichtung Edelstein und Schmuck: http://bit.ly/2g7u6mK
Stadtmuseum Simeonstift: http://bit.ly/2gaMwQa
Arnoldsche Art Publisher: http://bit.ly/2g7gQ1s

BOOK-catalog exhibition - NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop | nsaio6: BOOK-catalog exhibition – NSAIO 6 -  ARNOLDSCHE Art Publishers Online-Shop
Catalogue: « nsaio6 – New Jewellery from Idar-Oberstein » • Ute Eitzenhöfer / Theo Smeets • published by Arnoldsche Art Publishers
NSAIO 6 -  - Julia Obermaier. Brooch: Round the corner, 2016. Agate, resin, pigment, stainless steel. 7.5 x 7 x 3 cm. Photo by: Julia Obermaier.: Julia Obermaier. Brooch: Round the corner, 2016. Agate, resin, pigment, stainless steel. 7.5 x 7 x 3 cm. Photo by: Julia Obermaier

NSAIO 6 - Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier: Julia Obermaier   Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier this Sunday the 27th of november there will be a beautiful Vernissage at the Stadtmuseum Simeonsstift in Trier.  You can see a humongous number of amazing Jewellery from current students and alumni from Hochschschule Trier, Campus Idar-Oberstein! And I’m super happy to be part of it! » Julia Obermaier

NSAIO6 - Matthias Dyer (Dipl 2012) necklace lapis lazuli, plastic, varnish, silver, steel 2012: Matthias Dyer (Dipl 2012) necklace lapis lazuli, plastic, varnish, silver, steel 2012

NSAIO6 - Catalina Brenes (MFA 2016) necklace - marble, resin with graphite, textile: Catalina Brenes (MFA 2016) necklace – marble, resin with graphite, textile

 Tabea Reulecke, "Leopard", Halsschmuck, 2014.Tabea Reulecke, « Leopard », Halsschmuck, 2014.

"Kann man das tragen?"  " on peut porter ?"  créations de Idar-OberSTEIN Campus - Photo : Valérie Wagner Valerie Wagner (5. Semester BFA stud.) • Necklace « Monstranz » • plastic, limestone, rock crystal, flax twine • 2016 • ©photo by Michael Müller-  »Kann man das tragen? »   » on peut porter ? »  créations de Idar-OberSTEIN Campus  

Pop-Up Shop im Stadtmuseum:  17 bijoux de designers internationaux qui offrent leurs créations au musée de la ville - collier Maximilien SchröderPop-Up Shop im Stadtmuseum:  17 bijoux de designers internationaux qui offrent leurs créations au musée de la ville – collier Maximilien Schröder

NSAIO6 - Tianqi LI (BFA, 5e semester 2016) -   'Beffchen', Halsschmuck, 2016, Pferdehaar, Stahl  ( 'Beffchen', collier, 2016, acier, crin de cheval): Tianqi Li   (BFA, 5 semester 2016) -  „Beffchen », Halsschmuck, 2016, Pferdehaar, Stahl  ( « Beffchen », collier, 2016, acier, crin de cheval)

 nsaio 6 - Edu Tarin: Edu Tarin

NSAIO6 - Edu Tarin (MFA 2015) brooch 'revival 5' gold plated copper 2012: Edu Tarin (MFA 2015) • brooch « revival 5″ • gold plated copper • 2012 • ©photo by artist

Saleema Sheikh (MFA stud.) • necklace "Shahnaz“ • cement, aluminium, resin, pigment, PVC • 2016 • ©photo by Denise Ebert, Gina-Nadine MüllerSaleema Sheikh (MFA stud.) • necklace « Shahnaz“ • cement, aluminium, resin, pigment, PVC • 2016 • ©photo by Denise Ebert, Gina-Nadine Müller

Qi Wang (MFA stud.) • Objects • syringe, jasper, agate • 2016 • ©photo by artistQi Wang (MFA stud.) • Objects • syringe, jasper, agate • 2016 • ©photo by artist

Yftah Avrahamy ("Dot Melanin") Necklace: Untitled, 2016 Agate, finesilver, fishing wire Yftah Avrahamy / Dot Melanin Necklace: Untitled, 2016 Agate, finesilver, fishing wire

NSAIO6 - Lina Goltsios (BFA 2016) Ring rock crystal, silver, plastic 2016 photo by Cornelia Wruck: Lina Goltsios (BFA 2016) Ring rock crystal, silver, plastic 2016 photo by Cornelia Wruck

NSAIO6 - Stephanie Morawetz (BFA stud.) necklace '60233040' Stephie-Stein, magnets 2014: Stephanie Morawetz (BFA stud.) necklace ’60233040′ Stephie-Stein, magnets 2014

NSAIO 6 - Eva-Maria Reuther (er), Anastasiya Larionova (\  - Edles, Gewichtiges und Freches aus Metall und Edelstein - volksfreund.de: Eva-Maria Reuther (er), Anastasiya Larionova (\  – Edles, Gewichtiges und Freches aus Metall und Edelstein

NSAIO6 - Gabriela Cohn (MFA 2016) necklace 'Tatzia 11' porcelain, silver, pigment 2016 photo by Qi Wang: Gabriela Cohn (MFA 2016) necklace ‘Tatzia 11′ porcelain, silver, pigment 2016 photo by Qi Wang

NSAIO 6 - Ignasi Cavaller Pendant: Meminisse, 2015 Lemon chrysoprase, kevlar thread, 60´s wall plastic, wild olive tree wood, laquer 12 x 12 x 9 cm: Ignasi Cavaller Pendant: Meminisse, 2015 Lemon chrysoprase, kevlar thread, 60´s wall plastic, wild olive tree wood, laquer 12 x 12 x 9 cm

 

 

Stadtmuseum Simeonstift Trier  (City Museum Simeonstift in Trier)
Simeonstr. 60, an der Porta Nigra
54290 Trier (Trèves)
Phone:   + 49 651 – 7181459
Fax   + 49 651 – 7181458
Facebook
stadtmuseum@trier.de

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31/10/2016

EXCHANGE-BIJOU 1 – Julia Obermaier – coup de coeur « lapidaire »

Julia Obermaier

C’est drôle comme « le hasard fait bien les choses » …. Ou, il n’y a pas de hasard ….Un de mes problèmes majeurs dans ma vie actuelle est ma « distance aux gens » … trop près, trop loin, je ne sais jamais où, comment me situer …. trop au bord, spectateur, voyeur, ou trop « dedans », trop impliqué … J’avais coutume de dire à mes enfants « la liberté de chacun, c’est comme une bulle : tu as ta bulle, qui te protège et t’entoure, mais elle est fragile et se « brise » facilement. Et chacun a la sienne. Il faut réussir à t’approcher des gens de manière à ce que ni ta bulle ni la leur n’éclate. C’est ça la liberté de chacun, c’est ça « ta liberté commence là où fini la mienne ». C’est un délicat jeu d’équilibre » …. Je me rappelle, ils m’écoutaient bouche bée ….. Eh bien c’est exactement de ça que parlent les bijoux de Julia Obermaier ! « The distance between people« , the « Private space » ….. Cette découverte m’apporte une immense émotion, et ce d’autant plus que …. comment dire ? ses bijoux me touchaient, je ne savais pas pourquoi, parce qu’à priori ce n’était pas « mon genre » de bijoux mais plus un « genre », un style de bijoux, très prisé actuellement parmi ce qui vient d’Idar-Oberstein ……

Julia Obermaier – (Sur)face the space.
« Private space. Working area. The distance between people. The distance between the world and me. Space is a really important subject for me. If someone is crossing the borders of my spaces without permission, it causes a bad feeling within me. That is why I try to protect them as much as possible. But in daily life, one cannot always keep direct surroundings and personal space in their preferred way. This is because our outside world is always in relation with other people and circumstances.
To build my own spaces I cut slices out of agate or rock crystal.  They represent rooms, spaces, containers, boxes or little caves. Some of my works have empty spaces with corners or nooks, while others have an inner life through engravings I cut within the pieces. I am generating space which can be filled with ones own personal feelings, perceptions and sensations. I see my work as containers protecting the innermost emotions of the viewer or wearer.
In contrast to the large space around us filled with other people, I see these pieces as a part of ourselves. They are little copies of the viewer or the wearer. The space inside is reserved for what people find within themselves. The outside surrounding, which is not always controllable for us, becomes the protector of what lies within the piece.  The wearer can then decide if and who is allowed to approach the work, take a look or even touch it. The pieces embody ideas of a second skin and soul protector from the outside world.  They are meant to induce a comforting feeling of inner silence for the wearer, that they can use to confront a busy world. »

  Julia Obermaier Brooch: Untouchable, 2016 Agate, resin, pigment, stainless steel 10 x 5.5 x 5.5 cm Photo by: Julia Obermaier Julia Obermaier Brooch: Untouchable, 2016 Agate, resin, pigment, stainless steel 10 x 5.5 x 5.5 cm Photo by: Julia Obermaier

Julia Obermaier  Brooch: Round the corner, 2016  Agate, resin, pigment, stainless steel  7.5 x 7 x 3 cm  Photo by: Julia Obermaier: at Marzee Graduate Show 2016: Julia Obermaier (BFA 2016 Idar-Oberstein)  -  Brooch « Round the Corner » • Agate, resin, pigment and stainless steel • ©photo by artist  

« With her bachelor thesis Julia Obermaier delivers a statement of monumental grandeur. To do so, working mainly in agate and rock crystal, is a matter of concentration and patience as well as of spatial transition. Acquiring an extended awareness of space and volume, in the sense of an architectonic perspective,  paired with an empathical sensibility for the wearers and observers body and mind, and at the same time bordering the restrictions of jewellery is a remarkable feature of Obermaiers process of work. The result is a collection of wearables in gemstone with a high quality of sensitivity. As an object, Obermaiers pieces are intriguing and inviting, as soon as they are worn and in unity with the body, they show an until than almost hidden sensuality. » / Theo Smeets

Julia Obermaier Necklace: Come Around, 2016 Agate, resin, pigment 27 x 20 x 3.5 cm Photo by: Julia Obermaier (selected for Marzee Graduate Show 2016:): Julia Obermaier – Necklace: Come Around, 2016 – Agate, resin, pigment – 27 x 20 x 3.5 cm – Photo by: Julia Obermaier (selected for Marzee Graduate Show 2016)

« Agate is one of my most favorite materials. The huge secrecy and variety of agate as a stone and its use over centuries is attracting me in my work. Studying the layers and druses of agate amazes me and makes me curious. What is happening? What is in there? I want to arise these feelings as well in the wearers and viewers of my pieces. You can find sensitivity, strength and multifaceted sides not just in agates, as well in every other living creature. »

She is member of  « Astonish », a group of young jewellery artists which are current students or recent alumni’s form University of Applied Sciences Trier, Campus Idar-Oberstein.
They were present at SCHMUCK 2016, at  Inhorgenta Munich, 12–15 February 2016, at Internationale Handwerksmesse München,  24 February – 1 March 2016 -

 Julia Obermaier- Untitled (No.3) – Necklace – Agate, Steel, 18kt Gold – 450 x 120 x 70 mm – 2014 – Photo by Julia Obermaier: Julia Obermaier (BFA stud. Idar-OberSTEIN 2016) • Necklace  Untitled (No.3) • Agate, steel, 18k gold • 2014 • 450 x 120 x 70 mm ©photo by Julia Obermaier – #MJW16/ « Astonish »

Julia Obermaier Necklace: Breathe, 2016 Rockcrystal, silver, iron, paint, resin 33 x 18 x 2 cm Photo by: Qi Wang  Julia Obermaier Necklace: Breathe, 2016 Rockcrystal, silver, iron, paint, resin 33 x 18 x 2 cm Photo by: Qi Wang

 Julia Obermaier Necklace: Have a look outside, 2016 Agate, iron, fabric, resin, pigment 26 x 11 x 3.5 cm Photo by: Julia Obermaier: Julia Obermaier Necklace: Have a look outside, 2016 Agate, iron, fabric, resin, pigment 26 x 11 x 3.5 cm Photo by: Julia Obermaier




 

 

 

Etudes
Staatliche Berufsfachschule für Glas und Schmuck Kaufbeuren-Neugablonz
Hochschule Trier, Idar-Oberstein, Germany. BFA stud.   2016
Selected Graduate 2016 at Klimt02
Born in Landau a.d. Isar, Germany. 2009 to 2012 apprenticeship to a goldsmith at staatliche Berufsfachschule für Glas und Schmuck in Kaufbeuren-Neugablonz, Germany. Since 2012 studies Bachelor of Fine Arts in Gemstone and Jewellery at University of Applied Sciences Trier, Department Idar-Oberstein. Made during her studies an exchange semester at the Royal Melbourne Institute of Technology in Melbourne, Australia. Lives and works in Idar-Oberstein, Germany.

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17/10/2016

EXPO ‘WASSER – WATER’ – Ariane Hartmann Schmuckdesign, Hagen (DE) – 25 Oct.-3 Dec. 2016

WASSER – WATER     Ariane Hartmann Schmuck & Design

Vernissage am 30.10.2016 – 12:00 – 18:00

wasser

 

The central subject of the exhibition is a reflection about the importance of the Water for life.
Water means life and there is no life without water.

Water flows, whispers splashes, tears, rushes, sprays, drips, drops in crystals from the sky like snwoflakes, forming clouds, is blue, gray, green, brown, muddy or clear. The world is covered to 2/3 with water and of which 97.3% salt water, fresh water = drinking water.
At the water, on the water and under water. Deep-sea, ocean, the sea, a river, a waterfall, a lake, a well, a spring, rapids, a pond, water column, water level, water pollution. To drink to drown – to swim to walk on water?

Artist list :  Anja Büscher (D), Anne Dinan (USA), Applebeach (D), Sue Gregor (UK),  Fabiana Gadano (AR), Kirsten Grünebaum (D), Ariane Hartmann (D), Gabriele Hinze (D), Dagmar Faust (D), Sandra Letzing (D), Annette Schulze (D), Melanie Tomlinson (UK)

 

 

Anne Dinan (USA) Stahl Emaille Decal Magnet Anne Dinan (USA) Stahl Emaille Decal Magnet

Anne Dinan  Brooch: Untitled, 2016  Vitreous enamal on steel, decal, kiln fired: Anne Dinan  Brooch: Untitled, 2016  Vitreous enamal on steel, decal, kiln fired

Anne Dinan (USA) vitreous enamel on steel, decal, kiln fired.Anne Dinan (USA) vitreous enamel on steel, decal, kiln fired.

Fabiana Gadano - recycled PET & Silver Fabiana Gadano   – recycled PET & Silver ring

 Fabiana Gadano – Brosche Still Water – PET receycled Alpaca oxidiert – Foto von F.G.:  Fabiana Gadano – Brosche Still Water – PET receycled Alpaca oxidiert – Foto von F.G

  Gabriele Hinze Silber - engraved brooches by Gabriele Hinze SilverGabriele Hinze Silber – engraved brooches – Broschen ziseliert Silber

Gabriele Hinze Silber - engraved brooches  Gabriele Hinze Silber - engraved brooches

Gabriele Hinze Silber - engraved brooch: Gabriele Hinze Silber – engraved broochAriane Hartmann-   WASSER IS LEBEN - WATER IS LIFE - Glass, Water, Cork, Packet String, Silver Ariane Hartmann -Pendant: Wasser ist Ursprung, 2016 – glass, Water, Cork, Packet String, Silver

 Sue GregorSue Gregor

 

Ariane Hartmann – Werkstattgalerie. zeitgenössischer Schmuck & Design
Eppenhauserstr. 14
58093 -  Hagen
GERMANY
tel +491737713988
Ariane-hartmann@web.de
Öffnungszeiten: Mo. geschlossen, Di. + Fr. + Sa. 10:00 – 14:00, Mi. + Do. 10:00 – 15:30 mit einer Pause um 12:00 – 12:30Uhr und nach VereinbarungEnregistrer

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02/07/2016

EXPO ‘Almost White’ – Galerie Biró Junior, Munich (DE) – 2-22 Juill. 2016

Galerie Biró Junior  introduces ‘Almost White‘ a group exhibition of ceramic jewellery and objects, featuring the works of …

Diana DudekIris EichenbergGésine HackenbergLi Liang — Sarah Lierl — Nina SajetLuzia Vogt

Opening 2nd July – 16h  Please join us for a summer garden party at the galerie
open until the 22nd July.

 

Nina SajetNina Sajet

Li LiangLi Liang

 "Almost white"

 

 

 

 

Galerie Biró Junior
Freiraum , Pestalozzistraße 8,
80469 München
Thu-Sat 11:00 – 18:00, Sun 12:00-15:00
www.galerie-biro.de

 

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27/02/2016

During SCHMUCK : EXPO ‘Unbearable Lightnesses’ – 84GHz, Munich (DE) – 26-28 Fevr. 2016

Unbearable Lightness

a solo show by Federica Sala

Alchimia is proud to say that “Unbearable Lightnesses” by recent graduate Federica Sala will be on view during the Schmuck Jewellery Week 2016, an exhibition featuring her Alchimia MFA collection “True Lies. A collection of Oxymorons”, together with new pieces realized for the occasion

 Opening 26.02 from 18:00 to 22:00

Unbearable Lightnesses

Imagine to wake up and to see everything different than what you knew. The appearance of the surroundings is exactly the same, but no more the feeling of it. Everything becomes suddenly worthless but meaningful, raising an awareness of a reality fragile and heavy at the same time. There’s a new and indefinable tension between certain and uncertain. It’s a thrill that brings you on the brink of a precipice over nothing and everything. Take your time to stay suspended in this pure and perfect balance. Keep as long as possible this vertigo feeling with you to magnify your experience of life. Welcome to the world of the Unbearable Lightnesses.

There’s a reality to discover, in which everything is possible and looks exactly the opposite of what we know. Our superficial perception is building a world of illusions in which appearance has become the only truth. I want to raise doubts, creating pieces that defy the laws of Reality and seem to belong to another possible world. All the uncertainties are turned into delicate jewellery pieces that once on the body draw the wearer’s attention, sharing their fragility with the reality we’re living. My pieces want to make people change their perspective, generating a much more gentle and sensitive perception of themselves and of the surroundings as a consequence. Federica Sala

Federica Sala Necklace: Unbearable Lightness, 2015 Glass, cianite, silver 20 x 20 x 7 cm Photo by: Federico Cavicchioli From series: True Lies. A Collection of Oxymorons: Federica Sala Necklace: Unbearable Lightness, 2015 Glass, cianite, silver 20 x 20 x 7 cm Photo by: Federico Cavicchioli From series: True Lies. A Collection of Oxymorons

 Federica Sala, necklace, "Meaningless Sense" from her True Lies collection.  Federica Sala, necklace, « Meaningless Sense » from her True Lies collection - Glass, white cubic Zirconia, silver – 21 x 21 x 4 cm – Photo by: Federico Cavicchioli – From series: True Lies. A Collection of Oxymorons

Federica Sala Neckpiece: Controlled Freedom, 2015 Glass, egirina 25 x 25 x 15 cm Photo by: Federico Cavicchioli From series: True Lies. A Collection of Oxymorons: Federica Sala Neckpiece: Controlled Freedom, 2015 Glass, egirina 25 x 25 x 15 cm Photo by: Federico Cavicchioli From series: True Lies. A Collection of Oxymorons

Federica Sala, "Unbearable Lightnesses" - photo OHMYBLUE: Federica Sala, « Unbearable Lightnesses » – photo OHMYBLUE

Federica Sala, "Unbearable Lightnesses" - photo OHMYBLUE: Federica Sala, « Unbearable Lightnesses » – photo OHMYBLUE

Federica Sala, "Unbearable Lightnesses" - photo OHMYBLUE: Federica Sala, « Unbearable Lightnesses » – photo OHMYBLUE

True Lies. A Collection of Oxymorons wants to question our perception of reality, inspired by Plato’s thoughts on how “reality is just a defective projection of our limited way of perceiving”*. Strong in look but extremely fragile in essence, the jewellery pieces encourage us to reflect about the inextricable co-dependency of opposites, and of how our existence might be determined by the limits we set for ourselves. Glass and stone become one entity growing from each other via a new and experimental technique developed by the artist in years of research on the island of Murano, world-famous for its artisanal glass production.
True Lies are impossible structures that point us towards the fragility of the reality we know, by sharing with us just one of the possible variations of it.
Federica Sala is one of the significant figures of a rising generation of Italian jewellery artists. Her practice is based on a continuous experimentation on the properties and qualities of materials, with a particular interest in glass and organic forms, grounded in a strong theoretical research. With this new collection Federica Sala introduced a unique approach in combining different materials such as metal, glass and gemstones. One of its pieces was nominated for the prestigious Stanislav Libenský Award. (Alchimia blog)
 Federica Sala Necklace: Sweet Pain, 2015 Glass, rutilo, shibuichi 21 x 21 x 4 cm Photo by: Federico Cavicchioli From series: True Lies. A Collection of Oxymorons: Federica Sala Necklace: Sweet Pain, 2015 Glass, rutilo, shibuichi 21 x 21 x 4 cm Photo by: Federico Cavicchioli From series: True Lies. A Collection of Oxymorons

 

Federica Sala (b. 1986 Italy, lives and works in Milan) holds an MFA in Contemporary Jewellery and Body Ornament from Alchimia in Florence (2015) tutored by the Mexican jewellery artist Jorge Manilla, and a MA in Fashion Design from the Politecnico in Milan (2011) tutored by the Italian anthropologist Eleonora Fiorani and the Italian artist Giorgio Vigna. While studying in Alchimia she was mentored by International artists as Peter Bauhuis and Ruudt Peters. Her work is deeply based on a scientific approach to materials that she manipulates to create new delicate jewellery sculptures that due to their fragility capture all the attention and sensibility of the wearer.  From 2010 to 2012 she has been the assistant of Giorgio Vigna with whom she kept on studying glass and its properties, travelling to Murano to learn new techniques.  Her recent Master Project “True Lies. A collection of Oxymorons” has been nominated for the Stanislav Libensky Award 2015 with an exhibition at the Glass Museum in Prague.

For more information: http://www.salafederica.it

 

 

 

84GHz with Kunstgießerei Munich
Schleißheimer Straße 72,
Munich
Opening times: Fri 18:00-21:00, Sat-Sun 11:00-19:00

 

25/02/2016

During SCHMUCK 2016 : EXPO ‘FABRIZIO TRIDENTI – All there is’ – Maurer Zilioli, Munich (DE) – 24-28 Fevr. 2016

Fabrizio Tridenti – All there is

Maurer Zilioli – Contemporary Arts guest at kunstbüro reillplast

Aperitivo: Friday, 26 February, 5 p.m.
Opening: 24 February 2016, 7 p.m.

 "All there is" by Fabrizio Tridenti 24-28Feb2016  (Bundling No. 3 ring, 2010 – Brass, acrylic paint)

Fabrizio Tridenti represents a sculpturally oriented aesthetic language in jewellery. Looking
for inspiration in industrial and technological surroundings his work demonstrates a complex combination of the typical mediterranean consciousness of antique history and presence with modern times and contemporary necessities. He „translates“ this passage into affascinating objects and abstract constructivist ornaments

 

Fabrizio Tridenti, brooch, 2010. Brass, plastic, cardboard, iron, acrylic paint. Maurer Zilioli  All there is Opening 7 pm. Exhibition till 28. February with Fabrizio Tridenti. Maurer Zilioli – Contemporary Arts guest at kunstbüro reillplast, Amalienstraße 21, 80333 Munich: Fabrizio Tridenti, brooch, 2010. Brass, plastic, cardboard, iron, acrylic paint

Fabrizio Tridenti - ring  - (photo Niki Stylianou) Maurer Zilioli "All there is" Opening 7 pm. Exhibition till 28. February with Fabrizio Tridenti. - Maurer Zilioli –: Fabrizio Tridenti  –   ring  – (photo Niki Stylianou)

Fabrizio Tridenti - brooch - (photo Niki Stylianou): Fabrizio Tridenti  -  ring  – (photo Niki Stylianou)

Fabrizio Tridenti - brooch - (photo Niki Stylianou): Fabrizio Tridenti  – brooch – (photo Niki Stylianou)

Fabrizio Tridenti  - brooch (about 10-12cm) - (photo Niki Stylianou)  Maurer Zilioli "All there is" Opening 7 pm. Exhibition till 28. February with Fabrizio Tridenti. - Maurer Zilioli –: Fabrizio Tridenti  – brooch (about 10-12cm) – (photo Niki Stylianou)

Fabrizio Tridenti - brooch  - (photo Niki Stylianou) Maurer Zilioli "All there is"  Fabrizio Tridenti – brooch  – (photo Niki Stylianou)

 

Maurer Zilioli – Contemporary Arts guest at kunstbüro reillplast
Amalienstraße 21
80333 -  Munich
Opening hours: 10 – 7 p.m.

tel +49 89 38903538

 

 

 

24/02/2016

During SCHMUCK 2016 : EXPO ‘HATARA PROJECT, TIME PERCEPTION VOL.2’ – Galerie Vernon, Munich (DE) – 24-27 Fevr. 2016

HATARA PROJECT, TIME PERCEPTION VOL.2
Galerie Vernon
#28

Opening 24.02 19:00-22:00

instagram.com/hataraproject 

Christine Jalio  - Hatara Project.

Having debutet at the Schmuck München for the first time last spring, Annea Lounatvuori and Christine Jalio return to München this year, this time with more international backup from Helmi Lindblom (Finland), Melina Lindroos (Finland), Wiebke Pandikow (Germany/Finland) and Ginta Zabarovska (Latvia). The six jewelry artists will revisit Hatara Project’s theme of last year, Time Perception, with a wide array of pieces in different styles and materials.

HATARA Project

with :  Christine Jalio Helmi LindblomMelina LindroosAnnea LounatvuoriWiebke PandikowGinta Zabarovska

   Time Perception  HATARA project

*

 PONY 'A4M6' ring with a screw thread, silver 925 and PONY bracelet, horse hair and various materials, Annea Lounatvuori 2015, picture Janne Lounatvuori - Annea Lounatvuori’s pieces are an extension of her work from last year. In Time Perception Vol.II she delves deeper into her passion of working with horse hair. Textures and surfaces determine her approach to the visual composition.: Annea Lounatvuori - PONY ‘A4M6′ ring with a screw thread, silver 925 and PONY bracelet, horse hair and various materials , Annea Lounatvuori 2015, picture Janne Lounatvuori –
Annea Lounatvuori is a jewellery designer currently living and working in Berlin and a 2015 Jewellery Design graduate from the Lahti University of Applied Sciences. In addition to running her brand PONY Jewelry for the past four years, she has worked together with institutions and organisations and sees her work as jewellery designer very widely. Her passion lies in visual arts and music. She likes to observe daily life but is also curious about escaping from it.
Annea Lounatvuori`s first solo exhibition in the gallery Vernon is a continuation of her work from the 2015 collaborative exhibition Time Perception. In Time Perception Vol.II she will be getting deeper and closer to her passion of working with horse hair through the means of contemporary jewellery. Textures and surfaces determine her approach to the visual composition.

 Annea Lounatvuori - rings with a screw thread, silver 925:  Annea Lounatvuori – rings with a screw thread, silver 925

 Christine Jalio - Past, Loss, Future 7', Christine Jalio 2015, brooch, Silk Clay and silver: Christine Jalio – Past, Loss, Future 7′, Christine Jalio 2015, brooch, Silk Clay and silver
Christine Jalio (1978) is extremely fascinated by the human psyche and the emotions and reactions that are part of it. She is intrigued by asceticism, old age and sensitivity. Her starting point is always an emotion to which she strives to find the correct combination of materials, shapes and colours. The “Loss” collection is a continuum of her earlier “Past, Loss, Future” collection which tells the story of aging and life before and after big turning points in life. In this new collection she has been concentrating on personal loss, sadness, and loneliness; on what an individual goes through emotionally when loosing someone loved. The main material she uses is still Silk Clay, but in addition she has been experimenting with other materials such as resin, acrylic and plaster this year.
Christine Jalio’s ‘Loss’ collection is a continuum of her earlier ‘Past, Loss, Future’collection which tells the story of aging and loneliness. In this collection she has especially been concentrating on personal loss, sadness, and the feeling of emptiness; on what an individual goes through emotionally when losing someone beloved. She is still using Silk Clay as her main material, but has also been experimenting with other materials in this project.

Hatara Project, Time Perception VOL.2 - Christine Jalio brooch 2016: Christine Jalio brooch 2016 ‘Loss’ collection

 Wiebke Pandikow - Necklace from the 'Tropaeolum'-series,  2015, recycled plastic bags and wood: Wiebke Pandikow – Necklace from the ‘Tropaeolum’-series,  2015, recycled plastic bags and wood
Wiebke Pandikow studied Jewelry Design in Lahti, Finland and now lives and works as a jewelry artist in Helsinki. She has been working with plastic bags since 2014. Without the ubiquitous plastic, our civilization could hardly have become what it is today, but at the same time it is an immense burden on the environment. Especially plastic bags are an obvious symbol for mindless consumerism and a throw-away society. This makes them so interesting for Wiebke to work with: to create from them textures and structures that recall forms of a natural world that we have set ourselves apart from. What was living organisms thousands of years ago, then became oil, then became plastic, now is returned into forms that resemble living plants once more. In our culture, plastics are commonplace, invaluable yet insignificant. For this artist, they bear the possibility of beauty.

Wiebke Pandikow - Necklacei 2015, recycled plastic bags and wood Wiebke Pandikow -  2015, recycled plastic bags and wood

Hatara Project, Time Perception VOL.2 #28 - 'Come', Helmi Lindblom 2015, brooches, mixed media, picture Ninni Vidgren: Helmi Lindblom   ‘Come’, 2015, brooches, mixed media, picture Ninni Vidgren
Helmi Lindblom is fascinated by the beauty of oddity.  
The jewelry series Come is made to mimic the object that awakens the child within us. Come is a series of brooches and necklaces that invites you to come and step closer maybe even touch. Series is inspired by a plant that consists of two cactuses crafted together by man.The combinations are made purely for aesthetic reasons regardless of the health of the plant. With this series Helmi recreates the feeling that the crafted cactus evokes in beholder: triggering a childlike curiosity and excitement based purely on the bizarre aesthetics of the plant.

Melina Lindroos  'Hiding Places',  2015, brooches, mixed media: Melina Lindroos  ‘Hiding Places’,  2015, brooches, mixed media
Melina Lindroos is a jewelry artist located in Helsinki. Themes that she feels especially drawn to are places, time and people’s inner lives. Melina is a listener and a searcher. Her approach could be seen as a life long journey, which lifts up bits of what she sees and what she wants to see, where she is coming from and where she is headed. « My series Hiding places lifts up the importance of shelter related to safety. These brooches are made through a slow meditative process in a comforting space. » says Melina.
The tender series of brooches invites the viewer to peek inside and hold them.

Melina Lindroos  'Hiding Places',  2015, brooches, mixed media  Melina Lindroos  ‘Hiding Places’,  2015, brooches

Ginta Zabarovska   'Home',  2014, necklace, silver plated brass, wood, plexiglas, aluminium: Ginta Zabarovska   ‘Home’,  2014, necklace, silver plated brass, wood, plexiglas, aluminium
Ginta Zabarovska (born 1989) graduated bachelor (2013) and master (2015) programs in the Art Academy of Latvia metal design department. While studying she actively participates in various exhibitions and competitions.
The artist draws her inspiration in traveling and by contacting with interesting personalities. As an important source of impact in the artist’s activities she considers studies at the Art Academy of Strasbourg in 2012/13. Due to the semester spent in France, the artist has found a growing interest in contemporary jewelry history and now continues her studies in the Art Academy of Latvia as a PhD student working on jewellery art history in Latvia during the post soviet period. While creating design for new jewelry pieces Ginta doesn’t spend long hours preparing sketches or technical drawings. Rather she prefers to work in the material; the idea gradually crystallizes in the working process. From a variety of experimental materials jewelry models are created searching for their compatibility with one another. The artist is bound by various types of graphic lines and delicacy in the plane so she fits these values in three dimensional pieces – they become jewelry.
Gintas jewelry theme for the exhibition Time Perception VOL.2 is home. As Ginta is repeatedly working in Strasbourg for a longer period she find’s the feelings of home and affiliation an inspiration for her work.

 

Galerie Vernon
Blütenstraße 1, Munich
Thu, Fri 11:00-19:00, Sat 12:00-17:00

 

 

 

 

23/02/2016

During SCHMUCK 2016 : EXPO ‘MATICES’ – Wigel Space, Munich (DE) – 25-27 Fevr. 2016

Matices by Jordi Aparicio and Jorge Manilla Exhibition

25 Feb 2016 – 27 Feb 2016 – at Wigel Space

 Matices by Jordi Aparicio and Jorge Manilla Exhibition  /  Schmuck - MJW 2016  /  25 Feb 2016  -  27 Feb 2016 - Wigel Space:

The starting point for this exhibition is to show to the public constant research and meaning of refinements in materials, shapes and colors. Artists duet  Jorge Manilla and Jordi Aparicio bring the equal importance to the pieces of their work.
MATICES   is a way to depict vividly the small differences in the full process and result of the work. Going from precious  to the most primitivism both of artist emphasize metaphorical meaning of shade, tinge,tint and bland.
The result of this exhibition will be full of layers in a definition based in their personal perspective.

Jorge Manilla - MATICES: Jorge Manilla

“There is nothing to be afraid of”
« “You have to die a few times before you can really live” Charles Bukowsky
Thinking and reflecting about different life situations, I have been asking myself about what is the beginning and what is the end. We are dealing all the time with this two concepts in  our feelings, emotions, relationships, situations and even the life. When something ends what  are the memories we keep? And when something start are we talking about a real start or it is just the contination of other end. I started working in this project shameless and giving myself to you as the most fragile person. I have been afraid but getting into my creative process I was  trying to come as close I can to my psychological recognition. Using  the act of burning in a methaphorical way as symbol of purification. I made my own compositions of textures representing emotions, feelings, situations and frame it to keep the moment, just a moment, never pretending to define anything and giving to you this moment to find and recognize your own memories,as ghosts of the past and burn it.  In this project am as a Phoenix rising again and again from the death  from the ashes of my own emotions without being afraid because I know  and each end I always reborn and start  my new beginning. »  Jorge Manilla 2016

Jorge Manilla - MATICES: Jorge Manilla

Jorge Manilla - MATICES: Jorge Manilla brooch « Reborn » 2016

Jorge Manilla - "Now is my moment..."  Brooch  2016Jorge Manilla – « Now is my moment… »  Brooch  2016

Jorge Manilla -"Some moments to remember"  Broche 2016Jorge Manilla - »Some moments to remember »  Broche 2016

Jorge Manilla - "Never ending dream"   Broche  2016Jorge Manilla – « Never ending dream »   Broche  2016

 -MATICES - by  Jordi Aparicio .    - photo Alliages: Jordi Aparicio   – (photo Alliages)

 MATICES -  Jorge Manilla - photo Erato Kouloubi.: MATICES -  Jorge Manilla necklace -- photo Erato Kouloubi.:

Jorge Manilla neckpiece- (photos Erato Kouloubi)

MATICES -   Jordi Aparicio Manchado. -  photo Erato Kouloubi.: Jordi Aparicio   -  (photo Erato Kouloubi)

 

 

Wigel Space
Adlbertstrasse 11
80799 München
25.02.2016 – 27.02.2016
Thu – Fri 12:00 – 19:00
Sat. 10:00 – 15:00

During SCHMUCK 2016 : EXPO ‘SPECIALS, HandShake Alumni exhibition’ – Einsäulensaal, Munich (DE) – 25-27 Fevr. 2016

SPECIALS, a HandShake Alumni exhibition
21 jewellery artists from New Zealand

#42

Celebration day (artists present) 25.02 14.00 – 16.00

SPECIALS, a HandShake Alumni exhibition #42

SPECIALS, a HandShake Alumni exhibition features twenty one jewellery artists from New Zealand showing at the Einsäulensaal in the Munich Residenz Palace from 25 – 27 February 2016.
Peter Deckers has curated a special selection of works and projects from the HANDSHAKE programme. This one-off exhibition showcases the best work from the 12 national and international exhibitions over the last 5 years.

The HANDSHAKE Project is an art development programme for progressive ideas, making, presentations, feedback and networking for contemporary New Zealand jewellers.
The project began in February 2011, with emerging jewellers matched in mentoring roles with their chosen idols from all across the globe. Each mentee’s development was not only supported by their mentor but also through a series of workshops, masterclasses and most importantly, exhibitions in prestigious galleries in NZ and beyond.
The HandShake project will begin its third iteration (HandShake3) following the SPECIALS Alumni exhibition. Selected jewellers have been chosen from the first two projects to develop new bodies of work for a fresh series of international exhibitions, with a focus on collaboration in its broadest sense. The purpose of this HS3 programme is to allow the former mentee to become an independent artist, steering their own developments. The mentor now becomes a colleague and in most cases also a fellow art collaborator.

Handshake 3 participants:  Amelia PascoeBecky Bliss — Debbie Adamson — Kelly McDonald — Nadene CarrSarah Walker-HoltRaewyn Walsh — Neke Moa — Renee Bevan — Sarah Read — Kathryn YeatsSharon Fitness

SPECIALS, HANDSHAKE PROJECT -  Alumni exhibition -  Kathryn Yeats, necklace 2015: Kathryn Yeats, necklace 2015

  Jhana Millers with mentor Suska Mackert, HandShake 1, Objectspace, Auckland (2013): Jhana Millers with mentor Suska Mackert, HandShake 1, Objectspace, Auckland (2013)

 Sarah Walker-Holt , necklace (2015):  Sarah Walker-Holt , necklace (2015)

HANDSHAKE alumni .... - - by Renee Bevan Premonition #1 2014Renee Bevan Premonition #1 2014

HANDSHAKE alumni - Sharon Fitness 2015: Sharon Fitness 2015

 

Einsäulensaal
Munich Residenz Palace
Residenzstraße 1, 80333 München
Germany

 

22/02/2016

During SCHMUCK 2016 : EXPO ‘AFFÄREN – An Overview of GERD ROTHMANN’ – Galerie Handwerk, Munich (DE) – 25 Fevr.-2 Avril 2016

Affären – eine Werkübersicht von Gerd Rothmann /

AFFÄREN – AN OVERVIEW OF GERD ROTHMANN

Vue d’ensemble de l’oeuvre de Gerd Rothmann

Galerie Handwerk
#19
Opening Glenn Adamson, Nanette L. Laitman Director of the Museum of Arts and Design, New York
inauguration : 24. Februar 2016, um 19 Uhr

Affaren

 

Der Goldschmied Gerd Rothmann lebt und arbeitet seit fast 50 Jahren in München. Hier wurde er nicht nur Zeitzeuge eines veränderten Schmuckbewusstseins, sondern er gestaltet über Jahrzehnte diesen Prozess bis zum heutigen Tag aktiv mit. Geboren in Frankfurt am Main im Jahr 1941 führte sein Weg nicht unmittelbar zum Schmuckmachen. Eine Lehre als Werkzeugmacher, später eine Ausbildung zum Gold- und Silberschmied an der Staatlichen Zeichenakademie in Hanau konnten nicht das Feuer entfachen, das ihn heute noch voller Leidenschaft antreibt Schmuck zu gestalten.
Die Begegnung mit Hermann Jünger in den späten 1960er Jahren in München war es, die Rothmanns Begeisterung für das Thema Schmuck provozierte und für ihn zur lebenslangen Berufung werden ließ. Wer Gerd Rothmann heute in seiner Münchner Goldschmiedewerkstatt und seiner Wohnung erlebt, hat eventuell das Glück, mit ihm auf die Reise vom Ende der 60er Jahre mit seinen frühen, farbenfrohen Broschen aus Kunststoffen und Acrylglas, bis hin zur silbernen Krone aus dem Jahr 2008 und den allerneuesten Silberarmreifen mit reliefartigen Fingern mitgenommen zu werden.
Rothmanns Wohnung in der Fraunhoferstrasse bezeugt seine Nähe und seine Vorliebe für die Kunst, sei es Musik, Malerei oder Design. Seine Werkstatt in der Jahnstraße ist ein Eldorado an Maschinen, Werkzeugen, Skizzen und Aufzeichnungen, Fundstücken und vorbereiteten Details für Ketten, Armbänder oder Broschen. Hier regiert auch das Handwerk einen gewaltigen Teil an dem mit, was Rothmanns Schmuck charakterisiert und auszeichnet. Das Spannungsfeld zwischen Kunst, Handwerk und individueller vom Menschen geprägter und mit Menschen in starke Beziehungen gebrachte Gestaltungskraft. Seine Körperabformungen in Gold und Silber, sein Schmuck mit den Fingerabdrücken der Auftraggeber oder naher Bezugspersonen sind zum Symbol für Rothmanns Goldschmiedekunst geworden.
Der Weg dorthin und die begleitenden Prozesse sind Gegenstand und Inhalt der Ausstellung in der Galerie Handwerk, die Gerd Rothmann zu Ehren zur Zeit der Internationalen Handwerksmesse in München gezeigt wird. Das Ausstellungskonzept und die Gestaltung der Präsentation stammen von ihm selbst, sie haben eine gezielt temporäre Auffassung und zeigen viele Dinge, die ihm beim Schmuckmachen wichtig sind. In dieser umfangreichsten Werkübersicht, die es jemals über ihn gab, sind sicher auch für Rothmann -Kenner und -Liebhaber Dinge zu entdecken, die man so noch nicht gesehen hat. Die Exponate stammen aus den Jahren von 1968 bis heute und zeigen alle wichtigen Werkbereiche seines Schmucks. In der Ausstellung sind auch Zweitanfertigungen von Aufträgen zu sehen. Sie dienen Rothmanns Archiv.
„Affären“ ist der Titel der Ausstellung. Gerd Rothmann suchte dabei nach einem Begriff für das Sinnliche, nervös vibrierende Hin und Her von Schmuck und Person. Schmuckstücke für bestimmte Personen finden und gestalten, ist seine Arbeit. Verborgene Wünsche und versteckte Sehnsüchte erspüren, oder das Bedürfnis, sich in einer anderen Ebene zu erleben, ist sein Material. Seine besten Arbeiten sind in diesem Zusammenhang entstanden. Die ästhetischen Ansprüche Rothmanns kommen aus der Auseinandersetzung mit der Kunst und den Menschen. Sie beflügeln sich gegenseitig und sind nicht voneinander zu trennen. Beide Aspekte sind für ihn in der Ideenfindung existenziell.
Gerd Rothmanns Arbeiten finden sich in über 20 öffentlichen und zahlreichen privaten Sammlungen weltweit. Er gehört zu den bekanntesten und international renommiertesten Goldschmieden, die den besonderen Ruf Münchens als Metropole des Schmucks heute verkörpern.

  Affären - eine Werkübersicht von Gerd Rothmann - http://www.hwk-muenchen.de/bilder/affaeren-eine-werkuebersicht-von-gerd-rothmann-74,0,7724.html: Gerd Rothmann

Affären - eine Werkübersicht von Gerd Rothmann: Gerd RothmannAffären - eine Werkübersicht von Gerd Rothmann: Gerd Rothmann

Affären - eine Werkübersicht von Gerd Rothmann: Gerd Rothmann

Affären - eine Werkübersicht von Gerd Rothmann - Foto: Philipp Schönborn Philipp Schönborn: Gerd Rothmann - Foto: Philipp Schönborn Philipp Schönborn

 

 

Galerie Handwerk

Max-Joseph-Straße 4
80333 München
Tel. 089  5119-296
galerie@hwk-muenchen.de
www.hwk-muenchen.de/galerie
www.facebook.de/galerie.handwerk
25.02.2016-02.04.2016, 10:00-18:00, 27-29.2.2016, 10:00-15:00
http://www.hwk-bayern.de/termine/affaeren

 

 

 

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