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13/02/2014

EXPO ‘SUGAR’ – Platina, Stockholm (Sweden) – 13 Fevr.- 8 Mars 2014

« SUGAR »

During the year Sofia Björkman and Yasar Aydin are working on a project Eating Art. This time we have invited Natalie Smith and Sarah Hurtigkarl to take a part in the project.
Friday 14th of February is Valentin’s Day and we wonder if Sugar is for the heart?

The project is funded by Konstnärsnämnden and is scheduled to last 2013-2014.
Jewellery Art’s strength, is that it can through human movement, be shown and used in both private and public contexts, intimately as spiritually. Being a performer jewellery artist means to operate in many different situations and it is in the exciting voids we experiment. Through interdisciplinary practice and experimental meals in combination with artistic work, we discuss current issues such as gender, ethnicity, class, ethics and the environment.

with : Natalie SmithSarah Hurtigkarl — Yasar Aydin Sofia Björkman

"SUGAR" Natalie Smith, ringNatalie Smith, ring « Rushing to Paradise », 2010 – Plastic, textiles, sugar -8x 9x 7.5 cm Detail

Natalie Smith, Ring, 2010Natalie Smith - Ring  « Coral D », 2010 – Plastic, textiles, sugar -10.5x 7x 7.3 cm

 

Platina
Odengatan 68
11322 – Stockholm
Sweden
Telephone: +46-8-300280
website: www.platina.se
mail: platina@platina.se

31/01/2014

EXPO ‘Marta Boan: The appearance of jewels’ – Four Gallery, Göteborg (Sweden) – 7-22 Fevr. 2014

Classé dans : Exposition/Exhibition,Gal. Four (SE),Marta BOAN (ES),Suede (SE) — bijoucontemporain @ 1:20

« Marta Boan: The appearance of jewels » – 7–22 février

Basic geomatric shapes, lines and points create a language speaking of chaos and order. Volumes growing into a minimalistic expression that communicates and accentuates a figure.
The jewellery of Marta Boan is an elegant explanation of a complex surrounding world. The thin and seemingly fragile objects make the observer want to come closer to discover the details and the strength of the material. Mathematics and art in a beautiful balance.

Welcome to meet Marta Boan and see the exhibition at Four Friday February 7, 17.00-21.00

On Thursday February 6, 16.00 Marta Boan will make a lecture at HDK – University of Arts and Crafts and Design, please mail karin@foursweden.com for more detailed information.

"Marta Boan: The appearance of jewels" - 7 février– 22 février 2014 at FOUR
Marta Boan jewelry
Marta Boan

 Marta Boan necklaceMarta Boan necklacesMarta Boan necklaces
Nordhemsgatan 74, Göteborg – Sweden

15/11/2013

EXPO ‘CONTEMPORARY SWEDISH ART JEWELLERY’ – Platina Gallery, Stockholm (SE) – 15 Nov.-7 Dec. 2013

Classé dans : Exposition/Exhibition,Gal. Platina (SE),Suede (SE) — bijoucontemporain @ 12:35

CONTEMPORARY SWEDISH ART JEWELLERY

AN EXHIBITION IN CONNECTION WITH THE PUBLICATION WITH SAME NAME, WRITTEN BY INGER WÄSTBERG, ARVINIUS + ORFEUS PUBLSIHING

OPENING THURSDAY 14TH OF NOVEMBER 17-19

« Contemporary Swedish art jewellery is a far cry from what is perceived as typically Swedish. Today’s jewellery artists engage with and reflect on problems in society using a material vocabulary that goes far beyond precious metals and gemstones. This book explores how art jewellery has at last taken its rightful place in the world of contemporary art. Inger Wästberg has produced a volume that serves as a reference source for curators, collectors and other artists. Thirty-one Swedish Jewellery artists are represented from the 1990s to today, with an introduction by Inger Wästberg and a foreword by David Revere McFadden. » – text from the backcover of the book

Platina SE(Auli Laitinen)

Artists :  Pia Aleborg — Anna Atterling — Yasar Aydin — Sara Borgegård — Rut-Malin Barklund — Sofia Björkman — Klara Brynge — Ingrid Bärndal — Jenny Edlund — Petronella Eriksson — Hanna Hedman — Catarina Hällzon — Karin Johansson — Agnieszka Knap — Auli Laitinen — Agnes Larsson — Hanna Liljenberg — Åsa Lockner — Märta Mattsson — Lena Olson — Annika Pettersson — Helena Sandström — Petra Schou — Aud Charlotte Ho Sook Sinding — Åsa Skogberg — Sanna Svedestedt — Tore Svensson — Mona Wallström — Hedvig Westermark — Annika Åkerfelt — Mike Årsjö

 Sara BorgegårdSara Borgegård

Sofia BjörkmanSofia Björkman

Rut-Malin BarklundRut-Malin Barklund

Auli LaitinenAuli Laitinen

Petronella ErikssonPetronella Eriksson (foto Christian Habetzeder)

Agnes LarssonAgnes Larsson

Hanna LiljenbergHanna Liljenberg

Marta Mattsson  Märta Mattsson

Mona WallströmMona Wallström

Annika PetterssonAnnika Pettersson

 

 

Platina
Odengatan 68, Stockholm, Sweden,
+46-8-300 280
Open : Tuesday – Friday 11-18, Saturday 11-15

16/10/2013

EXPO ‘Kristiina Laurits : Diarium’ – Platina Gallery, Stockholm (Sweden) – 4-26 Oct. 2013

Kristiina Laurits: Diarium

During the year Platina will present different voices around humans daily need for food.
We are happy to invite Kristiina Laurits from Estonia to this project, Eating Art. She will in her first solo-exhibition in Stockholm, with the titel Diarium show work made of materials we daily find in food but are not used to see in combination with jewellery, as bread, salt and vanilla. Strictly translated from Latin, the titel Diarium means just, day food.

KRISTIINA LAURITS(Neckpiece: Hunger III 2012 – Bread, copper, pyrite, onyx, smokey quartz, steel)

« For me, jewellery embodies all of my desires and, always, something else that I never knew before. The key words for my works would be transience, moods and play. The choice of materials offered extensive variety – from gold to salt, from diamonds to bread, from animal liver to iron. I enjoy to play with different materials and techniques. Play is turning reality into images, the play cannot be denied. I have taken on the role of theatre director, who creates a performance on basis of observations picked out from life itself.
A fairy tale.
Symbolisation is inevitably poetic. »

- Kristiina Laurits

About Eating Art :
Eating Art is a project in collaboration between Yasar Aydin and Sofia Björkman. The project is funded by Konstnärsnämnden and is scheduled to last 2013-2014.
Jewellery Art’s strength, is that it can through human movement, be shown and used in both private and public contexts, intimately as spiritually. Being a performer jewellery artist means to operate in many different situations and it is in the exciting voids we experiment. Through interdisciplinary practice and experimental meals in combination with artistic work, we discuss current issues such as gender, ethnicity, class, ethics and the environment.


Kristiina Laurits, Brooch, 2012
Kristiina Laurits – Brooch: Day – to – day I-VIII 2012 – Bread, copper, tourmaline, aquamarine, silver

Kristiina Laurits, Neckpiece, 2011Kristiina Laurits – Neckpiece: Lily-white 2011 – Salt, artificial resin, silver, paint, Japanese lacquer, aquamarine, fluorite, amethyst, cubic zirconia

Kristiina Laurits, Brooch, 2012Kristiina Laurits – Brooch: Day – to – day I-VIII 2012 – Bread, iron, cracked citrine, gold


Platina

Odengatan 68
11322 – Stockholm
Sweden
Telephone: +46-8-300280
website: www.platina.se
mail: platina@platina.se

02/07/2013

EXPO ‘Sanna Svedestedt : Void’ – Byhuset, Krokom (Sweden) – 22 Juin-11 Aout 2013

Sanna Svedestedt: Void  -  Byhuset (Krokom, Sweden)

The leather craft has a strong connection to the Swedish culture, both in modern fashion within the shoes and bags industry, as well as traditional Sami craft, the Duodji. Artist Sanna Svedestedt has taken on the leather as a challenge and creates bold jewellery pieces from naturally tanned skins. This summer her work is exhibited at Byhuset Rödön, where work from three different collections is on show. All of them with one thing in common – the void – the empty spaces.
« There is a thrill in trying to create an exact shape in a soft, natural material that has no inherent exactness. When I create my leather pieces I try to cooperate with the material. The leather has such a strength and power, and I get the most interesting results when my manipulation interacts with the material’s natural movements. Many of my pieces have an empty space, a void, within them. The void gives a presence as well as lightness to the piece. I want to create a strong contrast between the heavy appearance and what they actually feel like when you wear the jewellery. »  - Sanna Svedestedt

Sanna Svedestedt: Void  -  Byhuset (Krokom, Sweden)  22-Jun-2013 - 11-Aug-2013    website: www.byhuset.se  mail: info@byhuset.se

« I experiment w/ old leather shaping techniques. It is an exciting material w/ possibilities to create sharp & exact shapes that look very heavy but are surprisingly light when you wear them. These objects demand their place on the body. With the right touch, & quite a lot of stubbornness, the leather transforms into the desired shape. I like the fact that this is a very old technique, & that I can develop it into a contemporary expression. »

Sanna Svedestedt  Pieces: Black Diamond bracelet & brooch 2009  Naturally tanned reindeer skin, titanium, silverSanna Svedestedt  Pieces: Black Diamond bracelet & brooch 2009  Naturally tanned reindeer skin, titanium, silver

Sanna Svedestedt  Brooch: Black Diamond 2009  Naturally tanned reindeer skin, titanium, silver  http://www.svede.se/Sanna Svedestedt  Brooch: Black Diamond 2009  Naturally tanned reindeer skin, titanium, silver 

Sanna Svedestedt brooch leather 2009 black diamond Sanna Svedestedt brooch leather 2009 black diamond –


Sanna Svedestedt  Brooch: Raw 2012  Naturally tanned cowskin, lacquerSanna Svedestedt  Brooch: Raw 2012  Naturally tanned cowskin, lacquer

Sanna Svedestedt  Bracelets: Building Blocks 2013  Naturally tanned reindeer skinSanna Svedestedt  Bracelets: Building Blocks 2013  Naturally tanned reindeer skin

 

Byhuset
Rödön 1725
83591 – Krokom
Sweden
Telephone: +46 63 103180
website: www.byhuset.se
mail: info@byhuset.se

04/06/2013

HUGE BEAUTIES with Petronella ERIKSSON

Classé dans : COUP DE COEUR,Petronella ERIKSSON (SE),Suede (SE) — bijoucontemporain @ 23:07

pour continuer sur le thème du « pouvoir (hypnotique) des bagues » …

Elle se présente juste comme « I AM A MAKER » … qui ? ma nouvelle découverte/coup de coeur : Petronella ERIKSSON

« I make things in silver and gold, from wedding bands to art jewelry and hollow ware. I have an MFA in Applied Art. I am represented at the Swedish National Gallery, Stockholm, and at Röska museet, Gothenburg. »

Petronella Eriksson: Ring, silver och bergkristall. Foto Christian HabetzedePetronella ERIKSSON : Näckros ring, silver och bergkristall. Foto Christian Habetzede

Näckros ring. Av Petronella Eriksson. På Mai Eriksson. Foto Christian Habetzeder.Petronella ERIKSSON – Näckros ring. Foto Christian Habetzeder.

Petronella Eriksson - Thorny water lily ring of silver and rock crystal.Petronella ERIKSSON – Thorny water lily ring of silver and rock crystal.

Petronella Eriksson : Näckroshalsband med citronkvarts. Water Lily necklace with lemon quartz.Petronella ERIKSSON :  Water Lily necklace with lemon quartz.

Petronella Eriksson: SmyckeskonstPetronella ERIKSSON :  Water Lily necklace with lemon quartz.

Petronella Eriksson Tekula/ring. Silver och granat. Petronella ERIKSSON Tekula/ring. Silver och granat
Tekula/ring. Silver och granat. - Tea ball/ring in silver, open to show the beautiful teared  garnet inside!Petronella ERIKSSON Tekula/ring. Silver och granat. – Tea ball/ring in silver, open to show the beautiful teared  garnet inside!

07/05/2013

EXPO ‘Lena Olson: Treasure’ – Sintra Galleri, Göteborg (Sweden) – 4-28 May 2013

Classé dans : bois / wood,Exposition/Exhibition,GALERIES,Lena OLSON (SE),Suede (SE),www Klimt02 — bijoucontemporain @ 0:10

« Lena Olson: Treasure »

« While working myself through a piece of wood with a hidden form inside, a creature of its own finally appears in my hands. This is a true treasure to me. »
Lena Olson

lena olson [Ring: Cherish 2012 Painted pearwood]

 http://www.lenaolson.se/  "Cave" ("Treasures" collection)  Neckpiece  Painted pearwood  2012Lena Olson Pendant: Handful 2012 Pearwood, cotton

Lena Olson  Bracelet: Whirl 2007-2008  Painted wood, goldLena Olson Bracelet: Whirl 2007-2008  Painted wood, gold

Lena Olson  Ring: Wind 2011  Ebony  7 x 5,5 x 3,5 cmLena Olson  Ring: Wind 2011  Ebony

Lena Olson  Pendant: Ornament  Painted pear wood, nylonLena Olson Pendant: Ornament  Painted pear wood, nylon

Lena Olson  Brooch: Pure 2011  Found woodLena Olson  Brooch: Pure 2011  Found wood
Lena Olson - "Heart"  Neckpiece  Pink ebony  2012Lena Olson – « Heart »  Neckpiece  Pink ebony  2012

 

 

 

Sintra Galleri
Landsvägsgatan 5
413 04 – Göteborg
Sweden
Telephone: 031 – 775 01 20
info@sintra.se
website: www.sintra.se

28/04/2013

EXPO ‘Kajsa Lindberg & Daniela Hedman’ – Platina Gallery, Stockholm (Sweden) – 2 Mai-8 Juin 2013

Platina -    Kajsa Lindberg & Daniela Hedman :
Daniela Hedman – Beach
Kajsa Lindberg – Standard graphs
Opening Thursday 2nd of May 17-19  Runs until 8th June

Platina -    kajsa lindberg et daniela hedman -  Daniela Hedman - Beach  Kajsa Lindberg - Standard graphs  Opening Thursday 2nd of May 17-19  Runs until 8th June - Odengatan 68, 10232 Stockholm, Sweden  Odengatan 68, 10232 Stockholm, Sweden - 	http://www.platina.se

 Kajsa Lindberg  photo Johan Söderling - at PlatinaKajsa Lindberg  photo Johan Söderling

Kajsa Lindberg  photo Johan SöderlingKajsa Lindberg  photo Johan Söderling

Daniela Hedman  photo Johan Söderling - at PlatinaDaniela Hedman  brooch, made in red birch wood – photo Johan Söderling

Platina
Odengatan 68
10232 Stockholm, Sweden

http://www.platina.se/

23/04/2013

EXPO ‘Hybrid’ – Parallell Gallery, Stockholm (Sweden) – 4-26 Avril 2013

Hybrid -   Parallell Gallery (Stockholm, Sweden)  04-Apr-2013 – 26-Apr-2013

Hybrid -  Artists: Emelica Lidman, Mia Larsson, Mike Årsjö, Lina Pihl, Sarah Hurtigkarl, Sofia Eriksson, Yasar Aydin  Parallell Gallery (Stockholm, Sweden)  04-Apr-2013 - 26-Apr-2013    website: www.cargocollective.com/hybrid  website: www.parallelspace.se  mail: info@parallelspace.se

Artists:  Emelica Lidman –  Mia Larsson –  Mike Årsjö –  Lina Pihl –  Sarah Hurtigkarl –  Sofia Eriksson –  Yasar Aydin

There are no unbreakable’s in nature and all we know of the certainty of materials is that there is none. Nothing is ever definite; the world has always been in a constant state of flux. It is never still, it is never certain and it has never really been solid. Even if the aim is to use as little energy as possible the planet has never been at rest and it is always changing. Mans eager hand and mind with the dreams that sketches the future plans (may it be as much dreams as nightmares) forces natures’ path into new directions. What will the result of HYBRID be; utopia or dystopia?
In this exhibition we are presenting seven reflections of HYBRID that raises concerns and wishes about the phenomena. Here HYBRID comes in the shape of development & destruction, creation & transformation, filtering & connecting. There is a combination of HYBRIDs changing with its surroundings and against its surroundings. There is also a questioning regarding control and uncertainty-but most of all about awareness and the lacking of it. In jewellery and objects we are presenting the co existing of different elements in forms of HYBRID; as something unknown, something new.

Mia LarssonMia Larsson

Lina PihlLina Pihllina pihlLina Pihl

Mike ÅrsjöMike ÅrsjöMike ÅrsjöMike Årsjö

Sofia Eriksson -  hybridSofia Eriksson

http://www.yasar-aydin.com/ Yasar Aydin

 

Parallell Gallery
Hornsgatan 149
11734 – Stockholm
Sweden
Telephone: 0046(0)703514447
website: www.cargocollective.com/hybrid
website: www.parallelspace.se
mail: info@parallelspace.se

12/04/2013

EXPO ‘Entwined’ – Konstfack, Stockholm (SE) – 11-18 Avril 2013

Classé dans : Exposition/Exhibition,Karen PONTOPPIDAN (DK),KONSTFACK Adellab (SE),Suede (SE) — bijoucontemporain @ 20:56

Entwined – a group exhibition  Students at Ädellab, Konstfack were asked to take an experiential approach to the theme chains and links, producing jewelryart.    The result will be exhibited at Konstfack, with an opening/vernissage on the 11th of April from 5pm. A speech from professor Karen Pontoppidan will be made at 6pm.

entwined - at  Adellab (Sweden)

A chain is a series of connected links which are typically made of metal. But it can also be a food chain, mountain chain or a chain of thought. It is in this wider sense the students have approached the theme.

Opening on the 11th of April at 17.00. Speech by professor Karen Pontoppidan at 18.00
Opening hours is weekdays between 9.00 and 16.00 until the 18th of April

Ädellab "Entwined" avril 2013

Ädellab "Entwined" avril 2013

Entwined- a group exhibition  Students at Ädellab, Konstfack were asked to take an experiential approach to the theme chains and links, producing jewelryart.

Konstfack
Lm Ericssons Väg 14,
126 37 Stockholm

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