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15/09/2017

EXCHANGE-BIJOU 2 – Reka Lőrincz – « Supercalifragilisticexpialidocious » at Putti Art Gallery, sept. 2017

Reka Lőrincz

5 new pieces on show at Putti Art Gallery  during September 2017 (08-27 Sep 2017) :  Supercalifragilisticexpialidocious. Jewellery is not only jewellery

(next exhibition : 2018: Fair  07 Mar 2018 – 13 Mar 2018  Schmuck 2018.)

« On the border of kitsch and consume Réka Lörincz from Budapest and Gisbert Stach from Munich show a colourful kaleidoscope of works defining field of jewellery in a new creative way »
«  There are many misunderstandings in the common meaning of jewellery and in the thinking of what jewellery should be.
On the border of kitsch and consume Réka Lörincz from Budapestand Gisbert Stach from Munich show a colourful kaleidoscope of jewellery, objects, installations and films where they try to define and enlighten the field of jewellery in a new humoristic, critical and philosophical way.
Both are doing as well collaborations in making jewellery pieces.

 
Réka Lörincz’s jewellery is playing with the colourful world of plastics and toys that she is deforming by absurd and surrealistic elements into amazing jewellery pieces. Their objects are pretending to have a function. But by combining abstract materials the visitor is surprised by the humour and colourfulness of the installation. Reka Lorincz has studied in Hungarian University of Craft and Design, has shown her works in various group and personal exhibitions around the world. » (Klimt02)

 

COCO ! sort de ce corps !!!!

 Réka Lörincz Brooch: Don't take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paintRéka Lörincz Brooch: Don’t take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paint

Réka Lörincz Necklace: Don't take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paintRéka Lörincz Necklace: Don’t take care!, 2017 Pearl, silk, gold-plated brass, wood, acrylic paint Réka Lörincz Brooch: Monday to Sunday, 2017 Pearl, champagne quartz, mystic topaz, sapphire, ruby,  rhodium - plated brass, plastic, stainless steel, mountain crystal, citrineRéka Lörincz Brooch: Monday to Sunday, 2017 Pearl, champagne quartz, mystic topaz, sapphire, ruby,  rhodium – plated brass, plastic, stainless steel, mountain crystal, citrine

Exhibition display.  -   Réka Lörincz Brooch: Monday to Sunday, 2017 Pearl, champagne quartz, mystic topaz, sapphire, ruby,  rhodium - plated brass, plastic, stainless steel, mountain crystal, citrineExhibition display.  -   Réka Lörincz Brooch: « Monday to Sunday »

Réka Lörincz Object: Pearl grinder, 2015 Pearl, alloy, wood, metal foilRéka Lörincz Object: Pearl grinder, 2015 Pearl, alloy, wood, metal foil

Réka Lörincz Object: Must Have, 2017 Pearl, shovel, epoxy, textile  Réka Lörincz Object: Must Have, 2017 Pearl, shovel, epoxy, textile 

Réka Lörincz Necklace: Pearl truck, 2015 Pearl, goldplated brass, alloy, plastic, epoxyRéka Lörincz Necklace: Pearl truck, 2015 Pearl, goldplated brass, alloy, plastic, epoxy

Réka Lörincz Brooch: Perfect woman, 2015 Gold plated cooper, pearl, plastic 7.5 x 10 x 1.5 cmRéka Lörincz Brooch: Perfect woman, 2015 Gold plated cooper, pearl, plastic 7.5 x 10 x 1.5 cm

 Réka Lörincz Brooch: Pearl can, 2015 Gold plated cooper, pearl, stainless steel ø 6 cmRéka Lörincz Brooch: Pearl can, 2015 Gold plated cooper, pearl, stainless steel ø 6 cm

 Reka lorincz - Hommage à Coco Channel -  necklace - pearl, duct tape 2015:Reka Lorincz - Hommage à Coco Channel -  necklace – pearl, duct tape 2015

 

 

 

Education:
2012
Workshop with Gemma Draper – Antwerpem
2011 Symposium in Bratislava – Atelier EM
2010 Semmelweis University – Department of applied Psychology
2007 Workshop with Ted Noten – BIAD – Birmingham
2004 Diploma
2002 Erasmus scolarship to Spain, Barcelona
2000 Hungarian University of Craft and Design – Visual educator teacher department
1999- 2004 Hungarian University of Craft and Design – Metal design department
1997-1999 Budai Art technical college – goldsmith department

 

 

 

Putti Art Gallery
16 Mārstaļu iela
1050 -  Rïga
LATVIA

04/05/2017

Au Salon REVELATIONS (Paris 4-8 Mai 2017) …… une REVELATION !! Zhou YIYAN

Au Salon REVELATIONS …… une REVELATION !!

En 2016, Zhou Yiyan fait partie des 5 lauréats du Prix de la Jeune Création Métiers d’Art, piloté par les Ateliers d’Art de France depuis 1960,qui révèle les nouveaux visages de l’avant-garde des métiers d’art en France.

salon Révélations Grand Palais – PARIS – 4-8 MAI 2017

Salon Revelations - mai 2017

***

RÉVÉLATION / GRAND PALAIS PARISBIENNALE INTERNATIONALE METIERS ART & CRÉATION
Du Mercredi 4 au Lundi 8 Mai 2017
Stand D6

Zhou Yiyan at Revelations Zhou Yiyan at Revelations, The International Fine Craft and Creation Biennial Exhibition  /  03 -  08 May 2017   – Zhou Yiyan – Piece: Set Of Jewelry, 2016 – Porcelain with matte and glossy gold paintPhoto by: Zhou Yiyan

Zhou Yiyan Piece: Set Of Jewelry, 2016 Porcelain with matte and glossy gold paint Photo by: Martin Konrad © By the author. Read Klimt02.net Copyri: Zhou Yiyan Piece: Set Of Jewelry, 2016 Porcelain with matte and glossy gold paint Photo by: Martin Konrad
Set of Jewelry it’s a composition of objects in porcelain displayed on a porcelain tray.

Zhou YiyanComing from the province of Anhui in the east of China, Zhou Yiyan studied art and design at the Shanghai Normal University, and then worked as a graphic designer for four years before settling in Paris in 2007 to pursue her artistic studies in photography and fashion design at Berçot Studio.
She subsequently developed a collection of art objects in porcelain that are inspired by her fascination for circles in Chinese culture, and that are worn as jewellery. Each item is unique and created by the artist in a contemporary ceramics studio. Featuring glossy or matt enamel, gilded or left untreated, each piece requires a long period of design work and perfect technical mastery in order to adapt the artisanal processes of ceramics to suit the desired form.
In 2016, Zhou Yiyan was among the 5 winners of the Young Creative Craftsworkers Award, which has been run by the Ateliers d’Art de France since 1960 with a view to revealing new faces from the vanguard of crafts in France.
Also, last year, in spring, Yiyan was noticed by Esther de Beaucé who selected a dozen pieces for Yiyan ‘s solo exhibition :“Circles”, which was held at Esther’s MiniMasterpiece Gallery. The gallery also showed Yiyan’s work at PAD PARIS ART+DESIGN, and ART ÉLYSÉES Art & Design, along with pieces by contemporary artists and designers.
In these porcelain circles, inspired by the traditional circles of Chinese culture and embroidery rings, Yiyan metaphorically retranscribes the complexity of human society, of the ties between people which build into circles (family, friends…) She primarily reveals the joy that she experiences when she spends a full day in the company of the “soft and modest clay” which she discovered at the Manufacture de Sèvres.
Yiyan exhibits her works in international Fine Craft & Creation Biennial taking place in Grand Palais, Paris.
 Zhou Yiyan interviewed by Klimt02

« The shapes in my work are universal due to my inspiration in the nature and old cultures, the way I use these shapes in my object and the material I use are makes it singular. »

Zhou Yiyan Necklace: Construct-Decontructed, 2016 Porcelain with matte and glossy gold paint Photo by: Zhou Yiyan  View on model: Zhou Yiyan Necklace: Construct-Decontructed, 2016 Porcelain with matte and glossy gold paint Photo by: Zhou Yiyan  View on model:

Zhou Yiyan Necklace: T-R-I-O, 2016 Porcelain with matte gold paint Photo by: Martin Konrad  Top view: Zhou Yiyan Necklace: T-R-I-O, 2016 Porcelain with matte gold paint Photo by: Martin Konrad  Top view

Zhou Yiyan Necklace: Folded Twisted Oval With Gold Painting, 2015 - 2016 Porcelain with matte gold paint Photo by: Zhou Yiyan: Zhou Yiyan Necklace: Folded Twisted Oval With Gold Painting, 2015 – 2016 Porcelain with matte gold paint Photo by: Zhou Yiyan

Zhou Yiyan Necklace: Folded Twisted Oval With Gold Painting, 2015 - 2016 Porcelain with matte gold paint Photo by: Martin Konrad: Zhou Yiyan Necklace: Folded Twisted Oval With Gold Painting, 2015 – 2016 Porcelain with matte gold paint Photo by: Martin Konrad 

Zhou Yiyan Ring: Panels, 2016 Porcelain with matte gold paint, silver 950 Photo by: Zhou Yiyan  View on model: Zhou Yiyan Ring: Panels, 2016 Porcelain with matte gold paint, silver 950 Photo by: Zhou Yiyan  View on model

Zhou Yiyan Ring: Panels, 2016 Porcelain with matte gold paint, silver 950 Photo by: Martin Konrad: Zhou Yiyan Ring: Panels, 2016 Porcelain with matte gold paint, silver 950 Photo by: Martin Konrad

Zhou Yiyan Ring: Forest, 2016 Porcelain with matte gold paint, silver 950 Photo by: Martin Konrad: Zhou Yiyan Ring: Forest, 2016 Porcelain with matte gold paint, silver 950 Photo by: Martin Konrad

Zhouyiyan | Bijoux d'artiste contemporain en céramique - COLLIER « OVALE TORSADÉ »  2015-2016: Zhouyiyan – COLLIER « OVALE TORSADÉ »  2015-2016

Zhouyiyan | Collier Biscuit Cercle ouvert  2016  PORCELAINE ​PIÈCE UNIQUE: Zhouyiyan   Collier Biscuit Cercle ouvert  2016  PORCELAINE ​PIÈCE UNIQUE

 

 

Grand Palais  
3 Avenue du Général Eisenhower
75008 -  Paris    FRANCE

 

 

On sale at

MINIMASTERPIECE GALLERY,Paris
Esther de Beaucé
16 rue des Saints Pères
75007 Paris – France

Studio
6 rue d’estienne D’Orves
92110 Clichy,  France
contact@zhouyiyan.fr

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EXCHANGE-BIJOU 2 – Iro KASKANI « en vedette » at Klimt02 !

Iro Kaskani interviewed by Klimt02

« Recently I realized that my curiosity is the most powerful motivating factor behind my work. I’m curious to see things that I visualize becoming facts, to elaborate an idea, to experiment on a certain technique, to see how this or that material is treated, to investigate on however a vision can be a wearable object and yet to see how others perceive my work. »

& Iro Kaskani on Klimt02

Where the LINE is all the story ……….. (aaaah !! « of course » ! she were an architect !!!!)

« Architecture is built environments, planned and designed to function as shelter or vessels of activities and thus it is fostering a physical relationship with the user, inhabitant or viewer. Jewelry takes this physical relationship further into intimacy by the change of scale and placement on the body… »

 Iro Kaskani on Klimt02 - Iro Kaskani Ring: Yes or No, 2017 Silver oxidized, polyester sheet laser printed 3.5 x 3.5 x 3 cm Photo by: Demetris Vattis From series: No news, Good news Iro Kaskani Ring: Yes or No, 2017 Silver oxidized, polyester sheet laser printed 3.5 x 3.5 x 3 cm Photo by: Demetris Vattis From series: No news, Good news

Iro Kaskani on Klimt02 - Iro Kaskani Ring: Why not#15, 2010 Silver oxidized 4 x 4 x 4 cm Photo by: Demetris Vattis From series: Why not?Iro Kaskani Ring: Why not#15, 2010 Silver oxidized 4 x 4 x 4 cm Photo by: Demetris Vattis From series: Why not?

Iro Kaskani on Klimt02 - Iro Kaskani Bangle: Plan B#9, 2008 Silver 15 x 5 x 3 cm Photo by: Demetris Vattis From series: PlanBIro Kaskani - Bangle: Plan B#9, 2008 -  Silver – 15 x 5 x 3 cm Photo by: Demetris Vattis – From series: PlanB

Iro Kaskani on Klimt02 - Iro Kaskani Ring: Why not#5, 2010 Silver oxidized, felt 1.5 x 1.5 x 3 cm Photo by: Demetris Vattis From series: Why not? Iro Kaskani Ring: Why not#5, 2010 Silver oxidized, felt 1.5 x 1.5 x 3 cm Photo by: Demetris Vattis From series: Why not?

Iro Kaskani on Klimt02 - Iro Kaskani Brooch: My colony, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoon Iro Kaskani Brooch: My colony, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoon

Iro Kaskani on Klimt02 - Iro Kaskani Necklace: Untitled, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoonIro Kaskani Necklace: Untitled, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoon

BELOVED neckpiece !!!!!

Iro Kaskani on Klimt02 - Iro Kaskani Bangle: Happiness’ diary, 2010 Silver, polyester sheet, thread 10 x 10 x 5 cm Photo by: Demetris Vattis From series: You’ve got a messageIro Kaskani Bangle: Happiness’ diary, 2010 Silver, polyester sheet, thread 10 x 10 x 5 cm Photo by: Demetris Vattis From series: You’ve got a message

Iro Kaskani on Klimt02 - Iro Kaskani Brooch: Nobody’s perfect, 2016 Copper oxidized, jesmonite, stainless steel 3 x 0.7 x 9 cm Photo by: Demetris Vattis From series: When I grow up… Iro Kaskani Brooch: Nobody’s perfect, 2016 Copper oxidized, jesmonite, stainless steel 3 x 0.7 x 9 cm Photo by: Demetris Vattis From series: When I grow up…

« Some years ago I used to believe: “my education and experience in architecture is guiding my creativity and my work is mostly determined by the interest to compose fine metals with alternative material and define new forms.”
Later on I concretised my thoughts stating: “Architecture is built environments, planned and designed to function as shelter or vessels of activities and thus it is fostering a physical relationship with the user, inhabitant or viewer. Jewelry takes this physical relationship further into intimacy by the change of scale and placement on the body. Through my work, I find it intriguing to explore ideas of space, scale and absence of symmetry, enabling me to combine precious metals with non-precious elements. Designing jewelry feels like investigating form, structure, and balance to derive a piece of art which will have an intimate physical relationship with the human body and will be completed only when it becomes part of the wearer’s experience and expression. A piece of jewelry is a powerful vehicle for communicating our identity.”
Recently I realized that my curiosity is the most powerful motivating factor behind my work. I’m curious to see things that I visualize becoming facts, to elaborate an idea, to experiment on a certain technique, to see how this or that material is treated, to investigate on however a vision can be a wearable object and yet to see how others perceive my work. »

 

She completed her studies in architecture, at the Università degli studi di Firenze, in 1994. She attended jewellery design courses and received training in goldsmithing, at the Scuola professionale dalla Regione Toscana.
She has worked as an architect until 2007 and also presented three personal exhibitions on contemporary jewellery in Cyprus. She is fully dedicated to studio jewellery since 2008.
She has taught jewellery design at the « Aigaia School of Art and Design » from 2006 to 2013.

 

  The After Joya Effect IV -  18 may-6 june 2017 - Athens at Popeye Loves Olive agllery: The After Joya Effect IV -  18 may-6 june 2017 – Athens at Popeye Loves Olive gallery

2017 EVENTS :
Exhibition  17 May- 05 Jun 2017  The After Joya Effect IV (Athens Jewelry Week 2017).
Exhibition  07 – 17 May 2017  Gioielli in Fermento 2017 Master Collection.
Meeting  04 May 2017 – 04 May 2017  The Dinner: Chef Isa Mazzocchi interprets the jewels of the Master Collection.

Gioielli in Fermento 2017 Master Collection Exhibition  /  07-17 May 2017: 07 – 17 May 2017  Gioielli in Fermento 2017 Master Collection - Torre Fornello (Italy)

 

 

On SALE AT Metmerize Online Shop

 there, what to buy ? for me I would buy this fantastic BRACELET, for its lines, for its shape, for its name !!

Iro Kaskani - "Live in harmony " bracelet - sterling silver, monofilament cord 90X75X15mm (small to medium wrist): Iro Kaskani - « Live in harmony  » bracelet – sterling silver, monofilament cord – 90X75X15mm (small to medium wrist) – belongs to the « the space in between » collection
With the « the space in between » collection I elaborate the idea of creating a void, an empty space. I worked with silver to form cavities and gaps and spaced elements in order to create a void and then, in there, I presented a detailed work of threads

 

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02/05/2017

EXCHANGE-BIJOU 2 – Sébastien Carré – En MAI Fais ce qu’il te plait ….

Sébastien Carré

En MAI Fais ce qu’il te plait ….. et il lui plait de participer à BEAUCOUP d’EXPOSITIONS !

Touchy Feely Exhibition  /  Baltimore Jewelry Center – USA

Touchy Feely Exhibition  /  14 Apr - 02 Jun 2017 -  Baltimore Jewelry Center

An exhibition that explores the tactile experience of jewelry. Adam Gopnik writes “Touch is the unsung sense – the one that we depend on most and talk about the least… the work of the world is done by handling it. We live by feel.” Jewelry is an intimate and sensual art form, providing a tactile experience for both the wearer and the observer. It’s an excellent medium for exploring the unsung sense of touch.

Artist list   Jill Baker-Gower — Amanda Bergman — Isabelle Busnel –  Sébastien Carré – Emily Culver — Mary Fissell — Brie Flora — Motoko Furuhashi — Missy Graff Ballone — Yong Joo Kim –  Michelle Kraemer – Michal Lando — Thomas Lauria — Helmi Lindblom — Jeffrey Lloyd Dever — Nathalie Maiello — Fern Robinson — Jolynn Santiago — Hallie Scheufler — Rose Schlemmer — Jina SeoCarina Shoshtary — Tyler Stoll — Aric Verrastro – Meg Wachs — Mallory Weston

Sébastien Carré Necklace: Cultural Cycle, 2016 Filmstrip, seashell, silk, cotton, nylon, beads Ø 90 x 2.5 - 18 cm Photo by: Milo Lee Photography - at  Touchy Feely Exhibition  /  14 Apr 2017  -  02 Jun 2017: Sébastien Carré Necklace: « Cultural Cycle », 2016 Filmstrip, seashell, silk, cotton, nylon, beads Ø 90 x 2.5 – 18 cm Photo by: Milo Lee Photography

While most visual art can only be enjoyed through sight, jewelry not only invites but encourages touch. As makers create work, they engage with their sense of touch, making decisions about materiality, structure, and form that will later engage the observer’s sense of touch, communicating a host of sensations and feelings. A dialogue between the maker and the observer is thus built on the social language of touch.

****

salon Révélations Grand Palais – PARIS – 4-8 MAI 2017

Salon Revelations - mai 2017

Sébastien Carré : Dans le cadre du salon Révélations Grand Palais à Paris du 4 au 8 Mai où vous pourrez retrouvez quelques unes de mes œuvres au Stand J8 sur le stand de la Haute école des arts du Rhin . J’ai également le grand plaisir de faire partis des artistes ayant leurs croquis figurant de le livre « La consigne – Les dessins des Metiers d’Art » aux éditions Ateliers d’Art de France. Le livre sera présenté et disponible à la vente lors du salon.
During Révélations Grand Palais Fair in Paris from May 4 to 8, you will be able to see some of my pieces in the
Booth J8 of Haute école des arts du Rhin stand
I am also really pleased to be part of selection of artists to featured their sketches in the book « La consigne – Les dessins des Metiers d’Art » by Ateliers d’Art de France edition. The book will be presented their and available to buy.
« La consigne – Les dessins des Metiers d’Art » By / Par Anne Combeau (Gagnante du Prix « La Pensée » en 2016/ Winner of the award « La Pensée » in 2016)

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces): Sébastien Carré - collier – à Salon REVELATIONS mai 2017

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces): Sebastien Carré – broche – « Cultural Biology », 2016 Japanese Paper, Filmstrip… – à Salon REVELATIONS mai 2017

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces) (bracelet Dunn): Sebastien Carré – bracelet « Le Réveil de Dunn » The Awakening of Dunn, 2015 Filmstrip and nylon thread 11 X 11 X 4 cm Photo by: Lee; Milo From series: Black Inflammation – à Salon REVELATIONS mai 2017  

****

AND ……………..LAST but not LEAST »Et sinon je suis à Gioielli in Fermento
et il font même un plat par rapport à ma piece pour Master Collection » (at Gioielli in Fermento – The Dinner – May 4th)
mais ….. chuuuuut !

[Gioielli in Fermento 2017 Master Collection – 07- 17 May 2017 –  Torre Fornello
29010 -  Ziano Piacentino  ITALY ]

Sébastien Carré, Several scales of grape, ring:  - Gioielli in Fermento 2015 Premio Torre Fornello Sebastien CARRE – Ring: Several scales of grape, 2015 (Awarded at: Gioielli In …Fermento 2015)

 

Baltimore Jewelry Center
10 E North Ave
MD 21218 -  Baltimore
UNITED STATES
bjcexhibitions@gmail.com
tel +1 4102430479

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27/03/2017

EXCHANGE-BIJOU 2 – Tal EFRAIM – design in progress …

Classé dans : COUP DE COEUR,EXCHANGE-BIJOU,Israel (IL),SHENKAR (IL),Tal EFRAIM (IL),www Klimt02 — bijoucontemporain @ 0:58

Tal Barash Efraim 

« In my eyes, jewelry is all about cherishing a moment, a memory or an adventure. I try to communicate the world as I see it, knowing others will also connect to my vision and cherish their own experiences through my artwork. » (Klimt02 interview)

But, before all,

march 2017, NEW GRADUATES from SHENKAR !!!!!
CONGRATULATIONS !!!

Tal Efraim (milieu) SHENKAR graduation mars 2017 ! avec Maya Shoshan (gauche)et Roni Liani (droite): SHENKAR graduation mars 2017 ! Tal Efraim (au milieu) avec Maya Shoshan (gauche) et Roni Liani (droite) (two other jewellers from Shenkar)

* Tal Efraim, Brooch: Flowers of July, 2016, Gold, fine silver, 925 silver, rubies, pearls. 7.5 x 4 x 1 cm, Photo by: Ilan Besor. From series: Connectionary: Tal Efraim, Brooch: Flowers of July, 2016, Gold, fine silver, 925 silver, rubies, pearls. 7.5 x 4 x 1 cm, Photo by: Ilan Besor. From series: Connectionary

Tal Efraim Brooch: Flowers of July, 2016 Silver, red garnets 4 x 2.7 x 0.7 cm Photo by: Ilan Besor From series: Flowers of July: Tal Efraim Brooch: Flowers of July, 2016 Silver, red garnets 4 x 2.7 x 0.7 cm Photo by: Ilan Besor From series: Flowers of July

Tal Efraim work on process mars 2017: Tal Efraim work on process mars 2017
« If only I could speed up the time it takes me to sketch each jewel! But I gotta say, I truly love it, my type of meditation »

Tal Efraim work on process mars 2017Tal Efraim work on process mars 2017

 Tal Efraim - Diff earrings - Circles are for Mondays, Lines are for Thursdays, and danglies are for Saturday night parties?? ORR do I have it all wrong.. A different circle earring for each day of the week? Because next months salary will pay for the line earrings ? Tal Efraim- « Diff earrings – Circles are for Mondays, Lines are for Thursdays, and danglies are for Saturday night parties?? ORR do I have it all wrong.. A different circle earring for each day of the week ? Because next months salary will pay for the line earrings ? »

Tal Efraim - Color of stones - There are so many theories about the different gemstones that can be set in a jewel. The luck they bring, the energies.. I have even been told I shouldn't be wearing a certain stone because of the month I was born in. I believe the right stone is the stone that makes you feel the best version of yourself out there. Today it can be rubies, tomorrow blue sapphires and next week it just has to be an amazing green emerald  Tal Efraim - Color of stones –
« There are so many theories about the different gemstones that can be set in a jewel. The luck they bring, the energies.. I have even been told I shouldn’t be wearing a certain stone because of the month I was born in. I believe the right stone is the stone that makes you feel the best version of yourself out there. Today it can be rubies, tomorrow blue sapphires and next week it just has to be an amazing green emerald »

Tal Efraim - Posting my design process (especially through video) really captures the effort put into each design.. but sharing the final jewel is just as rewarding! Tal Efraim -
« Posting my design process (especially through video) really captures the effort put into each design.. but sharing the final jewel is just as rewarding! »

Tal Efraim - Creating a sketch is all about understanding the different parts that have to be designed. Every little part of a jewel has a huge impact on the final product. How it sits on your ear, the movement of a charm, or the right light a diamond should reflect.. This is my process and I am so happy to be sharing it with you Tal Efraim -
« Creating a sketch is all about understanding the different parts that have to be designed. Every little part of a jewel has a huge impact on the final product. How it sits on your ear, the movement of a charm, or the right light a diamond should reflect..
This is my process and I am so happy to be sharing it with you« 

Tal Efraim - details are my passion ....  love my job Tal Efraim –
« details are my passion …. 
love my job« 

yes ? and I … WE … DO love your job !!!

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11/03/2017

#MunichJewelleryWeek2017 – EXPO (9) – ‘Off The Shelf’ / Central Saint Martins – Vitsoe, Munich (DE) – 4-14 Mars 2017

(9) Off The Shelf

work by staff and students of Central Saint Martins, BA Jewellery Design course.

9  Off the Shelf

Off the Shelf is an exhibition of work by staff and students of Central Saint Martins, BA Jewellery Design course. For a second year running, the designers are delighted to be returning to show at Vitsœ in Munich. The exhibition follows on from a series of projects where staff and students have displayed their work together in a celebration of the diverse and lively approach to contemporary jewellery and objects.
BA Jewellery Design approaches the subject of jewellery as a conversation between body and object, with originality and innovation at its heart. Based in the centre of London, we enjoy superb links with industry and encourage our students to engage with the wider social contexts of their work while developing their own creative practices and a diverse set of technical skills.
 
with :  Anna Tuhus — Ariel Yi-Chen Tsai — Carola Solcia — Caroline Broadhead — Chloe Valorso — Coline Assade — Elena Bonanomi — Emily Grimble — Erica Heng — Florance Tebbutt — Giles Last — Jasleen Kaur –  Jing Jiang — Katy Hackney — Kigen Kamijima — Lin CheungLucie DavisLucie GledhillMaria Militsi — Marlene McKibbin — Max Warren — Melanie Georgacopoulos — Michelle Lung — Miho Ishizuka — Naomi Filmer –  Sam Rodway-Smith — Scott Armstrong — Scott WilsonSilvia Weidenbach –  Stacey Huang — Veronika Fabian — Yayun Fang — Yichen Dong

9 - Off the shelf - Central St Martins -  Lucie Gledhill, rope necklace cut out- 'rope is patient' - a 4 meter rope chain made from 2 kilos sterling silverLucie Gledhill, rope necklace cut out – ‘rope is patient’ – a 4 meter rope chain made from 2 kilos sterling silver

Lin Cheung (Central St Martins - 2017) - delayed Reactions – Confused 2017  Brooch, Carved Lapis Lazuli, gold: Lin Cheung   – delayed Reactions – Confused 2017  Brooch, Carved Lapis Lazuli, gold

9 - Off the shelf - Central St Martins - Melanie Georgacopoulos, Necklace:  Melanie Georgacopoulos, Necklace

9 - Off the shelf - Central St Martins -   Veronika Fabian, Leather Chains: Veronika Fabian, Leather Chains

9 - Off the shelf - Central St Martins - Elena Bonanom, Binary Finery 1: Elena Bonanomi, Binary Finery 1

Marlene Mckibbin -  'adoorable'Marlene Mckibbin -  ‘adoorable’

9 - Off the shelf - Central St Martins -  Lucie Davis, Enamelled Price Pins: Lucie Davis, Enamelled Price Pins

9 - Off the shelf - Central St Martins - Stacey Huang, Buy one get one free: Stacey Huang, Buy one get one free

9 - Off the shelf - Central St Martins -   Yayun Fang, Mary's Veil: Yayun Fang, Mary’s Veil

9 - Off the shelf - Central St Martins -  Veronika Fabian, Jewellery is my best friend:  Veronika Fabian, Jewellery is my best friend

Chloé ValorsoChloé Valorso

9 - Off the shelf - Central St Martins -   Chloe Valorso, Eyes: Chloe Valorso, Eyes

Naomi Filmer - objectNaomi Filmer – object

Caroline Broadhead - "Dropped Necklace"Caroline Broadhead  « Dropped Necklace »

9 - Off the shelf - Central St Martins -  Maria Militsi, Equestrian: Maria Militsi, Equestrian

 
Vitsoe
Türkenstraße 36
80799 Munich
Mon- Fri 10:00–19:00, Sat 10:00–18:00, Sun 11:00–19:00
csmbajewellery.wordpress.com

 

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10/03/2017

#MunichJewelleryWeek2017 – EXPO – ‘Abruptions – Jorge Manilla’ – 84 GHz, Munich (DE) – 11-13 Mars 2017

AbruptionsJorge Manilla

Opening Friday 10th of March, 6 pm - 10 pm

« Like so many things in life, it is more about the journey than the destination and, it seems that people can find and appreciate these struggles and emotions in the finished pieces. »
 Jorge Manilla - Necklace: The damages never forgotten, 2017 Leather, steel. 52 x 20 x 7 cm

( Jorge Manilla - Necklace: The damages never forgotten, 2017 Leather, steel. 52 x 20 x 7 cm)

« Trying to find the answers about why the last time I am often overcome with waves of different emotions.
I decided to make work as a kind of personal emotional archive to read and understand this feeling in a different way.
These moments are very unpredictable and very often take me along very unexpected paths that can go from the desperation to the calmness, from the nostalgia to the happiness I have more and more the feeling I need to express something and using materials, shapes, textures, colours, emotions, feelings as tools try to make individual small stories and even when this confrontation is not easy I don’t want to lose the ability to be comprehensible to any sensitive people.

I often worry that people is indifferent to this kind of expressions in art and refuse to experience purely emotional response to purely visual, static artistically expressions in this case my jewellery pieces. Doing this personal archive, I want to create images that I think will trigger the people with their feelings, images of personal experiences, memories of pleasure of maybe memories of pain. And I enjoy of my work adding visual elements that confirm messages of create confrontations. I like to do and show the process of the work and the making, some pieces looks like not finished, the Intime moments in the studio that can show that making this kind of work can be very hard and mentally draining.
Realizing this made me feel a little more relaxed about wasting my life creating jewellery pieces. Like so many things in life, it is more about the journey than the destination and, it seems that people can find and appreciate these struggles and emotions in the finished pieces. I want to abrupt the general feeling and discover new messages on it, I want to abrupt the materials and create my personal way of communicate, I want to abrupt my emotions and let me go to a new dimension of feelings.« Jorge Manilla

 Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm.: Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm
  Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm.: Jorge Manilla. Necklace: Learning to fly again, (DETAIL) 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm
  Jorge Manilla. Necklace: The damages never forgotten, 2017. Leather, steel.. 52 x 20 x 7 cm.: Jorge Manilla. Necklace: The damages never forgotten, 2017. Leather, steel.. 52 x 20 x 7 cm
 
Kunstgiesserei München with 84 GHz
Schleißheimer Straße 72
80797 -  Munich
GERMANY

http://84ghz.de/

Phone: +49 89 30  63  79  11

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09/03/2017

#MunichJewelleryWeek2017 – EXPO (69) – ‘Light Matters’ – Erco Showroom, Munich (DE) – 9-11 Mars 2017

(69) LIGHT MATTERS

Opening Fri 10.03  18:00-20:00

(69) Light matters
Six jewellery artists and Erco, together in a show reflecting on why LIGHT MATTERS. Unique jewellery pieces interact with innovative illumination in order to create a new subject full of possibilities for interpretations. The viewer is swirled into a game of light and shadow, material and ephemeral, handmade and digital. The silent dialogue between these two realities create an intricate scenery.
All photos by Federico Cavicchioli
with :  Daria Borovkova Valentina CapriniLena Grabher — Daria Olejniczak — Lavinia RossettiMaría Ignacia Walker
  Light Matters - Daria Borokova. Ring: Untitled, 2016. Personal alloy.. Photo by: Federico Cavicchioli. From series: Being and Belonging.  Daria Borokova. Ring: Untitled, 2016. Personal alloy.. Photo by: Federico Cavicchioli. From series: Being and Belonging 
  Light Matters - Maria Ignacia Walker. Necklace: Untitled, 2017. Resin, fishing line.. 30 x 15 x 4 cm. Photo by: Federico Cavicchioli. From series: Piel. Maria Ignacia Walker. Necklace: Untitled, 2017. Resin, fishing line.. 30 x 15 x 4 cm. Photo by: Federico Cavicchioli. From series: Piel
Light Matters-   Lena Grabher. Bracelet: Diplopia 11, 2016. 3D printed elasto-plastic, glass, monofilament.. 16 x 13 x 13 cm. Photo by: Federico Cavicchioli.: Lena Grabher. Bracelet: Diplopia 11, 2016. 3D printed elasto-plastic, glass, monofilament.. 16 x 13 x 13 cm. Photo by: Federico Cavicchioli 
Light Matters - Valentina Caprini. Brooch: Hybrids, 2017. Thread, silver, white gold.. 63 x 47 x 5 cm. Photo by: Federico Cavicchioli. From series: Pink roots Valentina Caprini. Brooch: Hybrids, 2017. Thread, silver, white gold.. 63 x 47 x 5 cm. Photo by: Federico Cavicchioli. From series: Pink roots
Valentina Caprini  -   cuffs  valentinacaprini_gioielli - at LIGHT MATTERS Valentina Caprini_gioielli - cuffs 
Valentina Caprini - LIGHT MATTERS-exhibition during #mjw2017.  Valentina Caprini
Light Matters - Lavinia Rossetti. Necklace: Untitled, 2017. Silver.. 18 x 24 x 9 cm. Photo by: Federico Cavicchioli. From series: Aracne  Lavinia Rossetti. Necklace: Untitled, 2017. Silver.. 18 x 24 x 9 cm. Photo by: Federico Cavicchioli. From series: Aracne 
LIGHT MATTERS - Daria Olejniczak Pendant: Untitled, 2016 Women's magazine paper, silver, cotton ribbon. 4 x 7 x 50 cm Photo by: Federico Cavicchioli From series: Bodies: Daria Olejniczak Pendant: Untitled, 2016 Women’s magazine paper, silver, cotton ribbon. 4 x 7 x 50 cm Photo by: Federico Cavicchioli From series: Bodies 

 

 

 

Erco Showroom
Mauerkircherstraße 8
81679 -  Munich
GERMANY
12:00-18:00

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08/03/2017

#MunichJewelleryWeek2017 – EXPO (87) – TONE VIGELAND – Die Neue Sammlung – The Design Museum, Munich (DE) – 11 Mars-11 Juin 2017

87 (on map) -

TONE VIGELAND. JEWELLERY – OBJECT – SCULPTURE

at Die Neue Sammlung – The Design Museum, Munich, Germany
Opening 10.03.2017 from 7.00 p.m.
Press conference: 10.03.2017 from 11.00 a.m.

TONE VIGELAND:

 *

Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri DahlTone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl

 

Scandinavian studio jewelry is inconceivable without her and her works. As early as the beginning of the 1960s Tone Vigeland’s jewelry objects were routinely included in what are today legendary publications and exhibitions, such as the International Exhibition of Modern Jewellery held 1961 in the Goldsmiths Hall London, which first familiarized the public with the emerging art style of studio jewelry. Now, to mark her 80th birthday, Die Neue Sammlung is devoting its first solo exhibition in Europe outside Scandinavia to the grand dame of Scandinavian studio jewelry – 50 years after Vigeland’s first solo exhibition in 1967 in the Kunstnerneshus in Oslo.

  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl

 

 

 

With their flowing shapes Tone Vigeland’s pieces generally fit snugly despite being made of metal. Vigeland oxidizes the light shiny silver until it is as black as iron. Through contact with the skin the silver regains its play with the light, and lent and dreamt of metallic color variations. Every piece becomes individualized through virtue of being worn. Though they stand out for their size and volume, the objects consist of an incredibly large number of tiny hand worked parts – minute pipes twisted from silver wire, precisely cut rectangular and round discs or tiny pellets and rings – so cleverly joined together as to be invisible to the naked eye. Tone Vigeland’s art on the body appears simultaneously modern and archaic.
About the artist:
Born 1938 into one of the most famous artist families of Norway Vigeland’s artistic training began 1955 at the Statens Håndverk-og Kunstindustriskole Oslo (today Kunsthøgskolen in Oslo, National Academy of the Arts). To learn goldsmith work she moved 1957 to the Oslo Vocational School. In 1958 she joined the avant-garde artist cooperative Plus in Frederikstad, where several of the works she designed as a student were produced in series. Earrings worked from a single silver loop, whose restrained simplicity and linearity was typical for the style in Scandinavia after World War II, were successfully produced until 1985. In 1961, Tone Vigeland opened her own workshop, and began producing one-offs. Since then she has produced many world-famous items of jewelry which have been honored with numerous distinctions. These are now on show for the first time in a solo exhibition featuring 150 of her works.
  In a high-profile exhibition in Galerie Riis 1995 in Oslo, Vigeland took an important step into a different dimension – namely art in architectural space – and simultaneously a move away from decorative art that cites the human body. This move from the body to free space seems a huge one, and yet was quite a logical step for Tone Vigeland.
The very highest distinction have accompanied the artistic oeuvre of this extraordinary Norwegian artist: the Prince Eugen Medal from Sweden in 1988, appointment as Commander of the Royal Norwegian Order of St. Olav in 1996, the Anders Jahre Art Prize and in 2008 she received the Golden Ring of Honor from the Association for Goldsmiths’ Art in Hanau.
  The exhibition was realized with the kind support of the Norwegian Ministry of Foreign Affairs in Oslo, the Royal Norwegian Embassy in Berlin, the Royal Norwegian Consulate in Munich and the Danner-Stiftung, and in cooperation with Norwegian Crafts, Oslo.
In January 2018 the exhibition will be on show in Nordenfjeldske Kunstindustrimuseum in Trondheim.

Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl: Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl

 

 

Die Neue Sammlung – The Design Museum
Pinakothek der Moderne, Rotunda,
Türkenstrasse 15
80333 -  Munich
GERMANY
info@die-neue-sammlung.de
tel  49 0 89 27 27 25 0  /49 0 89 27 27 25 561
11.03-11.06


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07/03/2017

#MunichJewelleryWeek2017 – EXPO (53) – DICOTOMIAS – Atelier Gallery, Munich (DE) – 9-12 Mars 2017

(53) DICOTOMIAS

Jordi Aparicio and Jorge Manilla

Opening Thu 9 march, 13:00–18:00

(53) DICOTOMIAS

This exhibition is a visual dialogue between the artists using the idea of dualities. We invite people not only to see our work but also to analyse, observe, feel, think and discuss without it being a didactic exhibition. We want to create an approximation to the textures, colours and emotions caused by the pieces. We are interested in how people connect visual aspects to personal feelings of memories. People usually think about things in black and white, but we want to know where the middle point is… this exhibition will show emotional and visual confrontations with multi-categorical pieces.

   Jorge Manilla, Brooch, leather, copper:   Jorge Manilla, Brooch, leather, copper

  Jorge Manilla, Brooch, Leather, wood:  Jorge Manilla, Brooch, Leather, wood

53 DICOTOMIAS -  Jorge Manilla, Brooch, Leather: Jorge Manilla, Brooch, Leather 

53 DICOTOMIAS -  Jorge Manilla, Brooch, leather, wood:  Jorge Manilla, Brooch, leather, wood 53 DICOTOMIAS -  Jordi Aparicio, Ring, silver:  Jordi Aparicio, Ring, silver

53 DICOTOMIAS -  Jordi Aparicio, necklace, silver: Jordi Aparicio, necklace, silver

  53 DICOTOMIAS -  Jordi Aparicio earrings: Jordi Aparicio earrings

 

Atelier Gallery – PunktPunktKommaKunst Sauermann / Zeise
Donnersbergerstraße 48
Opening Thu 13:00–18:00 – Fri, Sat 12:00-18:00
www.jorgemanilla.comwww.jordiaparicio.es

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