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11/03/2017

#MunichJewelleryWeek2017 – EXPO (9) – ‘Off The Shelf’ / Central Saint Martins – Vitsoe, Munich (DE) – 4-14 Mars 2017

(9) Off The Shelf

work by staff and students of Central Saint Martins, BA Jewellery Design course.

9  Off the Shelf

Off the Shelf is an exhibition of work by staff and students of Central Saint Martins, BA Jewellery Design course. For a second year running, the designers are delighted to be returning to show at Vitsœ in Munich. The exhibition follows on from a series of projects where staff and students have displayed their work together in a celebration of the diverse and lively approach to contemporary jewellery and objects.
BA Jewellery Design approaches the subject of jewellery as a conversation between body and object, with originality and innovation at its heart. Based in the centre of London, we enjoy superb links with industry and encourage our students to engage with the wider social contexts of their work while developing their own creative practices and a diverse set of technical skills.
 
with :  Anna Tuhus — Ariel Yi-Chen Tsai — Carola Solcia — Caroline Broadhead — Chloe Valorso — Coline Assade — Elena Bonanomi — Emily Grimble — Erica Heng — Florance Tebbutt — Giles Last — Jasleen Kaur –  Jing Jiang — Katy Hackney — Kigen Kamijima — Lin CheungLucie DavisLucie GledhillMaria Militsi — Marlene McKibbin — Max Warren — Melanie Georgacopoulos — Michelle Lung — Miho Ishizuka — Naomi Filmer –  Sam Rodway-Smith — Scott Armstrong — Scott WilsonSilvia Weidenbach –  Stacey Huang — Veronika Fabian — Yayun Fang — Yichen Dong

9 - Off the shelf - Central St Martins -  Lucie Gledhill, rope necklace cut out- 'rope is patient' - a 4 meter rope chain made from 2 kilos sterling silverLucie Gledhill, rope necklace cut out – ‘rope is patient’ – a 4 meter rope chain made from 2 kilos sterling silver

Lin Cheung (Central St Martins - 2017) - delayed Reactions – Confused 2017  Brooch, Carved Lapis Lazuli, gold: Lin Cheung   – delayed Reactions – Confused 2017  Brooch, Carved Lapis Lazuli, gold

9 - Off the shelf - Central St Martins - Melanie Georgacopoulos, Necklace:  Melanie Georgacopoulos, Necklace

9 - Off the shelf - Central St Martins -   Veronika Fabian, Leather Chains: Veronika Fabian, Leather Chains

9 - Off the shelf - Central St Martins - Elena Bonanom, Binary Finery 1: Elena Bonanomi, Binary Finery 1

Marlene Mckibbin -  'adoorable'Marlene Mckibbin -  ‘adoorable’

9 - Off the shelf - Central St Martins -  Lucie Davis, Enamelled Price Pins: Lucie Davis, Enamelled Price Pins

9 - Off the shelf - Central St Martins - Stacey Huang, Buy one get one free: Stacey Huang, Buy one get one free

9 - Off the shelf - Central St Martins -   Yayun Fang, Mary's Veil: Yayun Fang, Mary’s Veil

9 - Off the shelf - Central St Martins -  Veronika Fabian, Jewellery is my best friend:  Veronika Fabian, Jewellery is my best friend

Chloé ValorsoChloé Valorso

9 - Off the shelf - Central St Martins -   Chloe Valorso, Eyes: Chloe Valorso, Eyes

Naomi Filmer - objectNaomi Filmer – object

Caroline Broadhead - "Dropped Necklace"Caroline Broadhead  « Dropped Necklace »

9 - Off the shelf - Central St Martins -  Maria Militsi, Equestrian: Maria Militsi, Equestrian

 
Vitsoe
Türkenstraße 36
80799 Munich
Mon- Fri 10:00–19:00, Sat 10:00–18:00, Sun 11:00–19:00
csmbajewellery.wordpress.com

 

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10/03/2017

#MunichJewelleryWeek2017 – EXPO – ‘Abruptions – Jorge Manilla’ – 84 GHz, Munich (DE) – 11-13 Mars 2017

AbruptionsJorge Manilla

Opening Friday 10th of March, 6 pm - 10 pm

« Like so many things in life, it is more about the journey than the destination and, it seems that people can find and appreciate these struggles and emotions in the finished pieces. »
 Jorge Manilla - Necklace: The damages never forgotten, 2017 Leather, steel. 52 x 20 x 7 cm

( Jorge Manilla - Necklace: The damages never forgotten, 2017 Leather, steel. 52 x 20 x 7 cm)

« Trying to find the answers about why the last time I am often overcome with waves of different emotions.
I decided to make work as a kind of personal emotional archive to read and understand this feeling in a different way.
These moments are very unpredictable and very often take me along very unexpected paths that can go from the desperation to the calmness, from the nostalgia to the happiness I have more and more the feeling I need to express something and using materials, shapes, textures, colours, emotions, feelings as tools try to make individual small stories and even when this confrontation is not easy I don’t want to lose the ability to be comprehensible to any sensitive people.

I often worry that people is indifferent to this kind of expressions in art and refuse to experience purely emotional response to purely visual, static artistically expressions in this case my jewellery pieces. Doing this personal archive, I want to create images that I think will trigger the people with their feelings, images of personal experiences, memories of pleasure of maybe memories of pain. And I enjoy of my work adding visual elements that confirm messages of create confrontations. I like to do and show the process of the work and the making, some pieces looks like not finished, the Intime moments in the studio that can show that making this kind of work can be very hard and mentally draining.
Realizing this made me feel a little more relaxed about wasting my life creating jewellery pieces. Like so many things in life, it is more about the journey than the destination and, it seems that people can find and appreciate these struggles and emotions in the finished pieces. I want to abrupt the general feeling and discover new messages on it, I want to abrupt the materials and create my personal way of communicate, I want to abrupt my emotions and let me go to a new dimension of feelings.« Jorge Manilla

 Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm.: Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm
  Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm.: Jorge Manilla. Necklace: Learning to fly again, (DETAIL) 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm
  Jorge Manilla. Necklace: The damages never forgotten, 2017. Leather, steel.. 52 x 20 x 7 cm.: Jorge Manilla. Necklace: The damages never forgotten, 2017. Leather, steel.. 52 x 20 x 7 cm
 
Kunstgiesserei München with 84 GHz
Schleißheimer Straße 72
80797 -  Munich
GERMANY

http://84ghz.de/

Phone: +49 89 30  63  79  11

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09/03/2017

#MunichJewelleryWeek2017 – EXPO (69) – ‘Light Matters’ – Erco Showroom, Munich (DE) – 9-11 Mars 2017

(69) LIGHT MATTERS

Opening Fri 10.03  18:00-20:00

(69) Light matters
Six jewellery artists and Erco, together in a show reflecting on why LIGHT MATTERS. Unique jewellery pieces interact with innovative illumination in order to create a new subject full of possibilities for interpretations. The viewer is swirled into a game of light and shadow, material and ephemeral, handmade and digital. The silent dialogue between these two realities create an intricate scenery.
All photos by Federico Cavicchioli
with :  Daria Borovkova Valentina CapriniLena Grabher — Daria Olejniczak — Lavinia RossettiMaría Ignacia Walker
  Light Matters - Daria Borokova. Ring: Untitled, 2016. Personal alloy.. Photo by: Federico Cavicchioli. From series: Being and Belonging.  Daria Borokova. Ring: Untitled, 2016. Personal alloy.. Photo by: Federico Cavicchioli. From series: Being and Belonging 
  Light Matters - Maria Ignacia Walker. Necklace: Untitled, 2017. Resin, fishing line.. 30 x 15 x 4 cm. Photo by: Federico Cavicchioli. From series: Piel. Maria Ignacia Walker. Necklace: Untitled, 2017. Resin, fishing line.. 30 x 15 x 4 cm. Photo by: Federico Cavicchioli. From series: Piel
Light Matters-   Lena Grabher. Bracelet: Diplopia 11, 2016. 3D printed elasto-plastic, glass, monofilament.. 16 x 13 x 13 cm. Photo by: Federico Cavicchioli.: Lena Grabher. Bracelet: Diplopia 11, 2016. 3D printed elasto-plastic, glass, monofilament.. 16 x 13 x 13 cm. Photo by: Federico Cavicchioli 
Light Matters - Valentina Caprini. Brooch: Hybrids, 2017. Thread, silver, white gold.. 63 x 47 x 5 cm. Photo by: Federico Cavicchioli. From series: Pink roots Valentina Caprini. Brooch: Hybrids, 2017. Thread, silver, white gold.. 63 x 47 x 5 cm. Photo by: Federico Cavicchioli. From series: Pink roots
Valentina Caprini  -   cuffs  valentinacaprini_gioielli - at LIGHT MATTERS Valentina Caprini_gioielli - cuffs 
Valentina Caprini - LIGHT MATTERS-exhibition during #mjw2017.  Valentina Caprini
Light Matters - Lavinia Rossetti. Necklace: Untitled, 2017. Silver.. 18 x 24 x 9 cm. Photo by: Federico Cavicchioli. From series: Aracne  Lavinia Rossetti. Necklace: Untitled, 2017. Silver.. 18 x 24 x 9 cm. Photo by: Federico Cavicchioli. From series: Aracne 
LIGHT MATTERS - Daria Olejniczak Pendant: Untitled, 2016 Women's magazine paper, silver, cotton ribbon. 4 x 7 x 50 cm Photo by: Federico Cavicchioli From series: Bodies: Daria Olejniczak Pendant: Untitled, 2016 Women’s magazine paper, silver, cotton ribbon. 4 x 7 x 50 cm Photo by: Federico Cavicchioli From series: Bodies 

 

 

 

Erco Showroom
Mauerkircherstraße 8
81679 -  Munich
GERMANY
12:00-18:00

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08/03/2017

#MunichJewelleryWeek2017 – EXPO (87) – TONE VIGELAND – Die Neue Sammlung – The Design Museum, Munich (DE) – 11 Mars-11 Juin 2017

87 (on map) -

TONE VIGELAND. JEWELLERY – OBJECT – SCULPTURE

at Die Neue Sammlung – The Design Museum, Munich, Germany
Opening 10.03.2017 from 7.00 p.m.
Press conference: 10.03.2017 from 11.00 a.m.

TONE VIGELAND:

 *

Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri DahlTone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl

 

Scandinavian studio jewelry is inconceivable without her and her works. As early as the beginning of the 1960s Tone Vigeland’s jewelry objects were routinely included in what are today legendary publications and exhibitions, such as the International Exhibition of Modern Jewellery held 1961 in the Goldsmiths Hall London, which first familiarized the public with the emerging art style of studio jewelry. Now, to mark her 80th birthday, Die Neue Sammlung is devoting its first solo exhibition in Europe outside Scandinavia to the grand dame of Scandinavian studio jewelry – 50 years after Vigeland’s first solo exhibition in 1967 in the Kunstnerneshus in Oslo.

  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl

 

 

 

With their flowing shapes Tone Vigeland’s pieces generally fit snugly despite being made of metal. Vigeland oxidizes the light shiny silver until it is as black as iron. Through contact with the skin the silver regains its play with the light, and lent and dreamt of metallic color variations. Every piece becomes individualized through virtue of being worn. Though they stand out for their size and volume, the objects consist of an incredibly large number of tiny hand worked parts – minute pipes twisted from silver wire, precisely cut rectangular and round discs or tiny pellets and rings – so cleverly joined together as to be invisible to the naked eye. Tone Vigeland’s art on the body appears simultaneously modern and archaic.
About the artist:
Born 1938 into one of the most famous artist families of Norway Vigeland’s artistic training began 1955 at the Statens Håndverk-og Kunstindustriskole Oslo (today Kunsthøgskolen in Oslo, National Academy of the Arts). To learn goldsmith work she moved 1957 to the Oslo Vocational School. In 1958 she joined the avant-garde artist cooperative Plus in Frederikstad, where several of the works she designed as a student were produced in series. Earrings worked from a single silver loop, whose restrained simplicity and linearity was typical for the style in Scandinavia after World War II, were successfully produced until 1985. In 1961, Tone Vigeland opened her own workshop, and began producing one-offs. Since then she has produced many world-famous items of jewelry which have been honored with numerous distinctions. These are now on show for the first time in a solo exhibition featuring 150 of her works.
  In a high-profile exhibition in Galerie Riis 1995 in Oslo, Vigeland took an important step into a different dimension – namely art in architectural space – and simultaneously a move away from decorative art that cites the human body. This move from the body to free space seems a huge one, and yet was quite a logical step for Tone Vigeland.
The very highest distinction have accompanied the artistic oeuvre of this extraordinary Norwegian artist: the Prince Eugen Medal from Sweden in 1988, appointment as Commander of the Royal Norwegian Order of St. Olav in 1996, the Anders Jahre Art Prize and in 2008 she received the Golden Ring of Honor from the Association for Goldsmiths’ Art in Hanau.
  The exhibition was realized with the kind support of the Norwegian Ministry of Foreign Affairs in Oslo, the Royal Norwegian Embassy in Berlin, the Royal Norwegian Consulate in Munich and the Danner-Stiftung, and in cooperation with Norwegian Crafts, Oslo.
In January 2018 the exhibition will be on show in Nordenfjeldske Kunstindustrimuseum in Trondheim.

Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl: Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl

 

 

Die Neue Sammlung – The Design Museum
Pinakothek der Moderne, Rotunda,
Türkenstrasse 15
80333 -  Munich
GERMANY
info@die-neue-sammlung.de
tel  49 0 89 27 27 25 0  /49 0 89 27 27 25 561
11.03-11.06


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07/03/2017

#MunichJewelleryWeek2017 – EXPO (53) – DICOTOMIAS – Atelier Gallery, Munich (DE) – 9-12 Mars 2017

(53) DICOTOMIAS

Jordi Aparicio and Jorge Manilla

Opening Thu 9 march, 13:00–18:00

(53) DICOTOMIAS

This exhibition is a visual dialogue between the artists using the idea of dualities. We invite people not only to see our work but also to analyse, observe, feel, think and discuss without it being a didactic exhibition. We want to create an approximation to the textures, colours and emotions caused by the pieces. We are interested in how people connect visual aspects to personal feelings of memories. People usually think about things in black and white, but we want to know where the middle point is… this exhibition will show emotional and visual confrontations with multi-categorical pieces.

   Jorge Manilla, Brooch, leather, copper:   Jorge Manilla, Brooch, leather, copper

  Jorge Manilla, Brooch, Leather, wood:  Jorge Manilla, Brooch, Leather, wood

53 DICOTOMIAS -  Jorge Manilla, Brooch, Leather: Jorge Manilla, Brooch, Leather 

53 DICOTOMIAS -  Jorge Manilla, Brooch, leather, wood:  Jorge Manilla, Brooch, leather, wood 53 DICOTOMIAS -  Jordi Aparicio, Ring, silver:  Jordi Aparicio, Ring, silver

53 DICOTOMIAS -  Jordi Aparicio, necklace, silver: Jordi Aparicio, necklace, silver

  53 DICOTOMIAS -  Jordi Aparicio earrings: Jordi Aparicio earrings

 

Atelier Gallery – PunktPunktKommaKunst Sauermann / Zeise
Donnersbergerstraße 48
Opening Thu 13:00–18:00 – Fri, Sat 12:00-18:00
www.jorgemanilla.comwww.jordiaparicio.es

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#MunichJewelleryWeek2017 – EXPO (42) – Hatara Project, Time Perception Vol.3 – Lovaas Artspace, Munich 8-11 Mars 2017

(42) Hatara Project, Time Perception Vol.3

Opening Wed March 8th at 19:00

 EXCHANGE-BIJOU 1 – Jelizaveta Suska 

Hatara Project, Time Perception Vol.3

with :   Marine Dominiczak — Morven Downie — Elin Flogman — Yasuyo Hida — Anke HuybenChristine JalioHelmi LindblomMelina LindroosAnnea Lounatvuori — Sara Malm — Wiebke Pandikow Jelizaveta Suskaya — Susanna Yläranta — Ginta Zabarovska

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Hatara Project started in 2015 as a collaboration between Annea Lounatvuori and Christine Jalio. The name Hatara, from the Finnish hattara – cotton candy – describes something dreamy, sweet and concrete but eventually fragile. Hatara is a meeting point between jewellery artists that have different backgrounds and come from different countries. It’s a connection, an exchange of culture, an experience and knowledge. Now we are 14 women from Finland, Sweden, Latvia, Germany, Japan, France, Australia and The Netherlands.

 42 HATARA - Jelizaveta Suska Brooch: Frozen Moment, 2016 Polymer, magma, sand, gold, crystal, titanium. Photo by: Jelizaveta Suska:  Jelizaveta Suska Brooch: Frozen Moment, 2016 Polymer, magma, sand, gold, crystal, titanium. Photo by: Jelizaveta Suska42 HATARA - Elin Flognman, The Potato Eaters, 2016, necklace, spoon, brass, copper, silver, gold, textile: Elin Flognman, The Potato Eaters, 2016, necklace, spoon, brass, copper, silver, gold, textile42 HATARA- Marine Dominiczak, Allium Porrum, 2015, ring, copper: Marine Dominiczak, Allium Porrum, 2015, ring, copper

42 HATARA - Marine Dominiczak, Noyade, 2016, bronze, white marble, copper, rope: Marine Dominiczak, « Noyade », 2016, bronze, white marble, copper, rope

42 HATARA - Melina Lindroos, Hiding Places 5, 2016, brooch: Melina Lindroos, Hiding Places 5, 2016, brooch

42 HATARA - Helmi Lindblom, Fruitfully Yours, 2016, necklace, balloon, silver, photo Ninni Vidgr: Helmi Lindblom, Fruitfully Yours, 2016, necklace, balloon, silver, photo Ninni Vidgr

Helmi Lindblom, necklace: Helmi Lindblom, Fruitfully Yours, 2016, necklace, balloon, silver 42 HATARA - Sara Malm, In Line With, 2016, necklace, leather, wood, silver. Photo Emanuel Cedeqvis: Sara Malm, In Line With, 2016, necklace, leather, wood, silver. Photo Emanuel Cedeqvis

42 HATARA- Sara Malm, In Line With, 2016, Necklace, leather: Sara Malm, In Line With, 2016, Necklace, leather

42 HATARA - Susanna Ylaranta, Alingning, 2016, bracelet, veneer, paint, silver. Photo Tobias Feuerbacher: Susanna Ylaranta, Alingning, 2016, bracelet, veneer, paint, silver. Photo Tobias Feuerbacher 42 HATARA - Annea Lounatvuori, Under The Pine Pine, brooch, natural found objects, packaging waste, foam, rubber, silver:  Annea Lounatvuori, Under The Pine Pine, brooch, natural found objects, packaging waste, foam, rubber, silver

42 HATARA - Ginta Zabarovska, 2015, breast decoration, silver. Photo Kaspars Filip: Ginta Zabarovska, 2015, breast decoration, silver. Photo Kaspars Filip42 HATARA - Anke Huyben, Multiple Pink, 2015, Handpiece,copper, yarn, sand. Picture by Laura Mauritz: Anke Huyben, Multiple Pink, 2015, Handpiece,copper, yarn, sand. Picture by Laura Mauritz

42 HATARA - Anke Huyben, 2014, Part Of-Form Studies: Anke Huyben, 2014, Part Of-Form StudiesWiebke Pandikow - necklace from the Genus: Tropaeolum series (1) - wood and recycled plastic bags -  silver-crane.com: Wiebke Pandikow - necklace from the Genus: Tropaeolum series (1) – wood and recycled plastic bags 42 HATARA- Wiebke Pandikow, Necklace, Torrent, 2016, recycled plasticbags, wood peddles. Photo Mikko Joona:  Wiebke Pandikow, Necklace, Torrent, 2016, recycled plasticbags, wood peddles. Photo Mikko Joona42 HATARA - Morven Downie, Pink Gumball, 2014, ring, silver, resin, glitter. Photo Morven Downie: Morven Downie, Pink Gumball, 2014, ring, silver, resin, glitter. Photo Morven Downie 42 HATARA - Christine Jalio, Solipsism big, 2017, brooch, Silk, Clay, Silver. Photo Maarit Halonen: Christine Jalio, Solipsism big, 2017, brooch, Silk, Clay, Silver. Photo Maarit Halonen

42 HATARA - Yasuyo Hida, balloon: Yasuyo Hida, balloon

 
Lovaas Artspace
Fürstenstraße 6
Thu-Fri, 10:00-19:00, Sat 11:00-17:00

 

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02/03/2017

#MunichJewelleryWeek2017 – THE MAP & PROGRAM ! Munich (DE) – 8-14 Mars 2017

Classé dans : Allemagne (DE),SCHMUCK (DE),www Current-Obsession,www Klimt02 — bijoucontemporain @ 17:11

From March 8th till March 14th Munich Jewellery Week

 complete program : on Klimt02

 complete program & MAP here

lokator MAP

Lokator items list

SCHMUCK 2017 - 8-14 MARCH 2017 - Munich - COMPLETE PROGRAM pdf:

*

From March 8th till March 14th Munich Jewellery Week  - MAP with NUMBER of each event for location: MAP (part) with NUMBER of each event for location
(seen on my posts as «  EXPO (58) » for example)

 

 

Internationale Handwerkmesse Munich
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY
eva.sarnowski@hwk-muenchen.de
tel 0049 89 5119 248

 

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26/02/2017

EXCHANGE-BIJOU 1 – Snem YILDIRIM – Artistar Jewels 2017

Snem YILDIRIM

a ray of sun during Milan Fashion week

23-26 February | Milan Fashion Week  

ARTISTAR-jewels-2017 is the only contest in Italy, and one of the few in the world, that offers a never given before and across-the-board reading on the latest evolution of contemporay jewels and offers all the selected participants the extraordinary possiblity of taking part in a prestigious show.

Snem Yildirim - Necklace "FiveInARow"Snem Yildirim  Necklace -  FiveInARow, 2016 – Powder coated brass, re-cycled plastic bottles (nylon wire), cotton
- From series: Kanavice Series
Artistar Jewels officially opens the doors to the international contemporary jewellery during the Milan Fashion Week 
Artistar Jewels is the event founded in 2012 by the designer Enzo Carbone and is now a benchmark in the contemporary jewelry scenario. An international showcase for well-known artists and springboard for emerging creative talents. The participants present their works, unique pieces or small series, selected for the high artistic value, for the technical sperimentation and the stylistic research. Evocative body ornaments, very different for the materials and the techniques but linked by the fil rouge of the narration of a story, always present in each creation. Artistar Jewels is a project born with the aim of spreading the culture of contemporary jewelry and designed to anticipate the market trends, one of the first italian realities which has exploited all the potentiality of the web to implement the commercialization of contemporary jewelry.
 Snem Yildirim Necklace: Seven Hills, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire) Photo by: Snem Yildirim From series: Kanavice Series
Snem Yildirim Necklace  Seven Hills, 2016 – Powder coated brass, re-cycled plastic bottles (nylon wire)
- Photo by: Snem Yildirim – From series: Kanavice Series
Snem Yildirim - Kanavice II Series - necklaceSnem Yildirim – Kanavice II Series – necklace
Snem Yildirim Necklace: All in One, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), wood, paint, cotton Photo by: Snem Yildirim From series: Kanavice SeriesSnem Yildirim Necklace: All in One, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), wood, paint, cotton Photo by: Snem Yildirim From series: Kanavice Series
Snem Yildirim - Kanavice II Series - broochSnem Yildirim - Kanavice II Series -  Three of You, brooch, 2017 – Powder coated brass, re-cycled plastic bottles (nylon wire), steel
Snem Yildirim Brooch: Kanavice, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice SeriesSnem Yildirim Brooch: Kanavice, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice Series
Snem Yildirim Brooch: Round and Round, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice SeriesSnem Yildirim Brooch: Round and Round, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice Series
 
Artistar Jewel 2017
23-26 February 2017
Palazzo Giureconsulti, Milano
Via Mercanti, 2
Hours: 9:30 am – 6:00 pm (open to public)
FREE ENTRANCE
Award Ceremony: 24 February 2017 hour 6:00 pm (on invitation)

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18/02/2017

EXCHANGE-BIJOU 1 – Julia Obermaier – at « Die Vier » Exhibition(s) Munich

Julia Obermaier

Die Vier  Exhibition  -

* 18- 21 Febr. 2017 at  Inhorgenta  in Munich  – hall C2 – Stand 526
* 8-14 Mars 2017 IHM Internationale Handwerksmesse in Munich – Halle B1 – stand 728
* 19-21 May Eunique in Karlsruhe.

« Four women with a strong language expressed through jewellery have the aim to revive the traditions of stone carving and goldsmithing with a contemporary approach. Idar-Oberstein is the point of encounter from all the members of the group, coming from Costa Rica, Austria and Germany. »

   "Die Vier"  Exhibition  /  18 Feb 2017  -  21 Feb 2017   Inhorgenta:

 

Artist list  : Catalina Brenes — Denise Ebert — Pia Groh — Julia Obermaier

  »Even though each one of them has their own special way of expressing, they believe that presenting their works together, there are even stronger “Our differences disappear when the main motor of our creativity joins. We are four women, four designers, four aesthetics with one language: JEWELLERY.” »

Julia Obermaier. Necklace: Breathe, 2016. Rockcrystal, silver, iron, paint, resin. 33 x 18 x 2 cm. Photo by: Qi Wang. - - . - at  "Die Vier"  Exhibition  /  18 Feb 2017  -  21 Feb 2017   Inhorgenta: Julia Obermaier. Necklace: Breathe, 2016. Rockcrystal, silver, iron, paint, resin. 33 x 18 x 2 cm. Photo by: Qi Wang

Julia Obermaier (Germany), recently opened her own beautiful atelier in Kempten (Allgäu). Julia’s pieces from her Bachelor of Fine Arts at the University of Applied Sciences Trier, Dept. Gemstone and Jewellery in Idar-Oberstein will be on exhibition at Inhorgenta, IHM and Eunique. Come and visit us !!!!

Julia ObermaierWant to know more of Julia Obm follow her in facebook and Instagram or visit her website: www.juliaobermaier.com

  Julia Obermaier« My main subject is about private space. If someone is crossing the borders of my spaces without permission, it causes a bad feeling. I try to protect them as much as possible, but in daily life, one cannot always keep direct surroundings and personal space in their preferred way. Our outside world is always in relation with each other and our circumstances.
I create in my pieces rooms, containers, boxes or little caves. These spaces can be filled with ones own personal feelings, perceptions and sensations. I see my work as containers protecting the innermost emotions of the viewer or wearer, that they use to confront a busy world ».

Julia Obermaier
 Julia ObermaierJulia Obermaier Necklace: The Hug, 2016 Agate, silver, resin, pigment Photo by: Julia Obermaier
presented at TALENTE 2017 – during SCHMUCK – 8-14 mars 2017 -

 

 

Inhorgenta
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY

*

TALENTE
Internationale Handwerkmesse Munich
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY

 

 

 

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21/01/2017

EXCHANGE-BIJOU 2 – Tal EFRAIM – Connectionary

Tal Efraim

Discovered when the Final Project Presentation 2016 at Shenkar

« By documenting details such as day-to-day mechanical joints, swivels, hinges and physical connections of objects in my sketchbook, I create my own private alphabet, which will later be transformed into the language of my designs.
My pieces are all one of a kind – whilst I can make to order any piece several times, each will be a little different due to the nature of handwork and craft.
»

« her work is driven out of her sketchbook, where she documents the world around her, creating a « dictionary » of design possibilities. Her work is made of gold, silver, porcelain and a variety of gemstones. »

Connectionary video :

Image de prévisualisation YouTube

HOW MUCH I LOVE these sketchbooks, all this amount of tiny treasures she is the only to know the WHY? … like secret formulas …. secret connections, secret addendas …. tiny marvels ….

Tal EFRAIM - Connectionary sketchbook, 2016. Photo by Tal Mohr: Tal EFRAIM - Connectionary sketchbook, 2016. Photo by Tal Mohr

Tal Efraim its all about the details  gold earrings rubies pearls ... pic of the day    Tal Efraim its all about the details  gold earrings rubies pearls … pic of the day

« Are other areas besides jewellery, present in your work?
My most recent collection Connectionary consists of handmade porcelain, treated as gemstones. Creating these porcelain centre pieces allowed me to explore the world of ceremic art and ceramic production. In general, my inspiration derives from day-to-day mechanical joints such as swivels, hinges and physical connections of objects, meanings I often explore different areas as part of my design process. » (Klimt02 interview)

 Tal Efraim Necklace: Target, 2016 Silver, porcelain, rutilated quartz,textile string 12 x 7 x 1 cm Photo by: Ilan Besor From series: Connectionary: Tal Efraim Necklace: Target, 2016 Silver, porcelain, rutilated quartz,textile string 12 x 7 x 1 cm Photo by: Ilan Besor From series: Connectionary

Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor From series: Connectionary: Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor
From series: Connectionary

Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor From series: Connectionary  Detail view: Tal Efraim Necklace: Porcelain Neckline, 2016 Silver, porcelain, pearls 20 x 18 x 1 cm Photo by: Ilan Besor From series: Connectionary  Detail view

Tal Barash Efraim - Jewelry Design Dept. Shenkar   juillet 2016  Tal Barash Efraim – Jewelry Design Dept. Shenkar   juillet 2016 

 

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