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04/05/2017

Au Salon REVELATIONS (Paris 4-8 Mai 2017) …… une REVELATION !! Zhou YIYAN

Au Salon REVELATIONS …… une REVELATION !!

En 2016, Zhou Yiyan fait partie des 5 lauréats du Prix de la Jeune Création Métiers d’Art, piloté par les Ateliers d’Art de France depuis 1960,qui révèle les nouveaux visages de l’avant-garde des métiers d’art en France.

salon Révélations Grand Palais – PARIS – 4-8 MAI 2017

Salon Revelations - mai 2017

***

RÉVÉLATION / GRAND PALAIS PARISBIENNALE INTERNATIONALE METIERS ART & CRÉATION
Du Mercredi 4 au Lundi 8 Mai 2017
Stand D6

Zhou Yiyan at Revelations Zhou Yiyan at Revelations, The International Fine Craft and Creation Biennial Exhibition  /  03 -  08 May 2017   – Zhou Yiyan – Piece: Set Of Jewelry, 2016 – Porcelain with matte and glossy gold paintPhoto by: Zhou Yiyan

Zhou Yiyan Piece: Set Of Jewelry, 2016 Porcelain with matte and glossy gold paint Photo by: Martin Konrad © By the author. Read Klimt02.net Copyri: Zhou Yiyan Piece: Set Of Jewelry, 2016 Porcelain with matte and glossy gold paint Photo by: Martin Konrad
Set of Jewelry it’s a composition of objects in porcelain displayed on a porcelain tray.

Zhou YiyanComing from the province of Anhui in the east of China, Zhou Yiyan studied art and design at the Shanghai Normal University, and then worked as a graphic designer for four years before settling in Paris in 2007 to pursue her artistic studies in photography and fashion design at Berçot Studio.
She subsequently developed a collection of art objects in porcelain that are inspired by her fascination for circles in Chinese culture, and that are worn as jewellery. Each item is unique and created by the artist in a contemporary ceramics studio. Featuring glossy or matt enamel, gilded or left untreated, each piece requires a long period of design work and perfect technical mastery in order to adapt the artisanal processes of ceramics to suit the desired form.
In 2016, Zhou Yiyan was among the 5 winners of the Young Creative Craftsworkers Award, which has been run by the Ateliers d’Art de France since 1960 with a view to revealing new faces from the vanguard of crafts in France.
Also, last year, in spring, Yiyan was noticed by Esther de Beaucé who selected a dozen pieces for Yiyan ‘s solo exhibition :“Circles”, which was held at Esther’s MiniMasterpiece Gallery. The gallery also showed Yiyan’s work at PAD PARIS ART+DESIGN, and ART ÉLYSÉES Art & Design, along with pieces by contemporary artists and designers.
In these porcelain circles, inspired by the traditional circles of Chinese culture and embroidery rings, Yiyan metaphorically retranscribes the complexity of human society, of the ties between people which build into circles (family, friends…) She primarily reveals the joy that she experiences when she spends a full day in the company of the “soft and modest clay” which she discovered at the Manufacture de Sèvres.
Yiyan exhibits her works in international Fine Craft & Creation Biennial taking place in Grand Palais, Paris.
 Zhou Yiyan interviewed by Klimt02

« The shapes in my work are universal due to my inspiration in the nature and old cultures, the way I use these shapes in my object and the material I use are makes it singular. »

Zhou Yiyan Necklace: Construct-Decontructed, 2016 Porcelain with matte and glossy gold paint Photo by: Zhou Yiyan  View on model: Zhou Yiyan Necklace: Construct-Decontructed, 2016 Porcelain with matte and glossy gold paint Photo by: Zhou Yiyan  View on model:

Zhou Yiyan Necklace: T-R-I-O, 2016 Porcelain with matte gold paint Photo by: Martin Konrad  Top view: Zhou Yiyan Necklace: T-R-I-O, 2016 Porcelain with matte gold paint Photo by: Martin Konrad  Top view

Zhou Yiyan Necklace: Folded Twisted Oval With Gold Painting, 2015 - 2016 Porcelain with matte gold paint Photo by: Zhou Yiyan: Zhou Yiyan Necklace: Folded Twisted Oval With Gold Painting, 2015 – 2016 Porcelain with matte gold paint Photo by: Zhou Yiyan

Zhou Yiyan Necklace: Folded Twisted Oval With Gold Painting, 2015 - 2016 Porcelain with matte gold paint Photo by: Martin Konrad: Zhou Yiyan Necklace: Folded Twisted Oval With Gold Painting, 2015 – 2016 Porcelain with matte gold paint Photo by: Martin Konrad 

Zhou Yiyan Ring: Panels, 2016 Porcelain with matte gold paint, silver 950 Photo by: Zhou Yiyan  View on model: Zhou Yiyan Ring: Panels, 2016 Porcelain with matte gold paint, silver 950 Photo by: Zhou Yiyan  View on model

Zhou Yiyan Ring: Panels, 2016 Porcelain with matte gold paint, silver 950 Photo by: Martin Konrad: Zhou Yiyan Ring: Panels, 2016 Porcelain with matte gold paint, silver 950 Photo by: Martin Konrad

Zhou Yiyan Ring: Forest, 2016 Porcelain with matte gold paint, silver 950 Photo by: Martin Konrad: Zhou Yiyan Ring: Forest, 2016 Porcelain with matte gold paint, silver 950 Photo by: Martin Konrad

Zhouyiyan | Bijoux d'artiste contemporain en céramique - COLLIER « OVALE TORSADÉ »  2015-2016: Zhouyiyan – COLLIER « OVALE TORSADÉ »  2015-2016

Zhouyiyan | Collier Biscuit Cercle ouvert  2016  PORCELAINE ​PIÈCE UNIQUE: Zhouyiyan   Collier Biscuit Cercle ouvert  2016  PORCELAINE ​PIÈCE UNIQUE

 

 

Grand Palais  
3 Avenue du Général Eisenhower
75008 -  Paris    FRANCE

 

 

On sale at

MINIMASTERPIECE GALLERY,Paris
Esther de Beaucé
16 rue des Saints Pères
75007 Paris – France

Studio
6 rue d’estienne D’Orves
92110 Clichy,  France
contact@zhouyiyan.fr

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EXCHANGE-BIJOU 2 – Iro KASKANI « en vedette » at Klimt02 !

Iro Kaskani interviewed by Klimt02

« Recently I realized that my curiosity is the most powerful motivating factor behind my work. I’m curious to see things that I visualize becoming facts, to elaborate an idea, to experiment on a certain technique, to see how this or that material is treated, to investigate on however a vision can be a wearable object and yet to see how others perceive my work. »

& Iro Kaskani on Klimt02

Where the LINE is all the story ……….. (aaaah !! « of course » ! she were an architect !!!!)

« Architecture is built environments, planned and designed to function as shelter or vessels of activities and thus it is fostering a physical relationship with the user, inhabitant or viewer. Jewelry takes this physical relationship further into intimacy by the change of scale and placement on the body… »

 Iro Kaskani on Klimt02 - Iro Kaskani Ring: Yes or No, 2017 Silver oxidized, polyester sheet laser printed 3.5 x 3.5 x 3 cm Photo by: Demetris Vattis From series: No news, Good news Iro Kaskani Ring: Yes or No, 2017 Silver oxidized, polyester sheet laser printed 3.5 x 3.5 x 3 cm Photo by: Demetris Vattis From series: No news, Good news

Iro Kaskani on Klimt02 - Iro Kaskani Ring: Why not#15, 2010 Silver oxidized 4 x 4 x 4 cm Photo by: Demetris Vattis From series: Why not?Iro Kaskani Ring: Why not#15, 2010 Silver oxidized 4 x 4 x 4 cm Photo by: Demetris Vattis From series: Why not?

Iro Kaskani on Klimt02 - Iro Kaskani Bangle: Plan B#9, 2008 Silver 15 x 5 x 3 cm Photo by: Demetris Vattis From series: PlanBIro Kaskani - Bangle: Plan B#9, 2008 -  Silver – 15 x 5 x 3 cm Photo by: Demetris Vattis – From series: PlanB

Iro Kaskani on Klimt02 - Iro Kaskani Ring: Why not#5, 2010 Silver oxidized, felt 1.5 x 1.5 x 3 cm Photo by: Demetris Vattis From series: Why not? Iro Kaskani Ring: Why not#5, 2010 Silver oxidized, felt 1.5 x 1.5 x 3 cm Photo by: Demetris Vattis From series: Why not?

Iro Kaskani on Klimt02 - Iro Kaskani Brooch: My colony, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoon Iro Kaskani Brooch: My colony, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoon

Iro Kaskani on Klimt02 - Iro Kaskani Necklace: Untitled, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoonIro Kaskani Necklace: Untitled, 2014 Silver oxidized, cocoons Photo by: Demetris Vattis From series: CoCoon

BELOVED neckpiece !!!!!

Iro Kaskani on Klimt02 - Iro Kaskani Bangle: Happiness’ diary, 2010 Silver, polyester sheet, thread 10 x 10 x 5 cm Photo by: Demetris Vattis From series: You’ve got a messageIro Kaskani Bangle: Happiness’ diary, 2010 Silver, polyester sheet, thread 10 x 10 x 5 cm Photo by: Demetris Vattis From series: You’ve got a message

Iro Kaskani on Klimt02 - Iro Kaskani Brooch: Nobody’s perfect, 2016 Copper oxidized, jesmonite, stainless steel 3 x 0.7 x 9 cm Photo by: Demetris Vattis From series: When I grow up… Iro Kaskani Brooch: Nobody’s perfect, 2016 Copper oxidized, jesmonite, stainless steel 3 x 0.7 x 9 cm Photo by: Demetris Vattis From series: When I grow up…

« Some years ago I used to believe: “my education and experience in architecture is guiding my creativity and my work is mostly determined by the interest to compose fine metals with alternative material and define new forms.”
Later on I concretised my thoughts stating: “Architecture is built environments, planned and designed to function as shelter or vessels of activities and thus it is fostering a physical relationship with the user, inhabitant or viewer. Jewelry takes this physical relationship further into intimacy by the change of scale and placement on the body. Through my work, I find it intriguing to explore ideas of space, scale and absence of symmetry, enabling me to combine precious metals with non-precious elements. Designing jewelry feels like investigating form, structure, and balance to derive a piece of art which will have an intimate physical relationship with the human body and will be completed only when it becomes part of the wearer’s experience and expression. A piece of jewelry is a powerful vehicle for communicating our identity.”
Recently I realized that my curiosity is the most powerful motivating factor behind my work. I’m curious to see things that I visualize becoming facts, to elaborate an idea, to experiment on a certain technique, to see how this or that material is treated, to investigate on however a vision can be a wearable object and yet to see how others perceive my work. »

 

She completed her studies in architecture, at the Università degli studi di Firenze, in 1994. She attended jewellery design courses and received training in goldsmithing, at the Scuola professionale dalla Regione Toscana.
She has worked as an architect until 2007 and also presented three personal exhibitions on contemporary jewellery in Cyprus. She is fully dedicated to studio jewellery since 2008.
She has taught jewellery design at the « Aigaia School of Art and Design » from 2006 to 2013.

 

  The After Joya Effect IV -  18 may-6 june 2017 - Athens at Popeye Loves Olive agllery: The After Joya Effect IV -  18 may-6 june 2017 – Athens at Popeye Loves Olive gallery

2017 EVENTS :
Exhibition  17 May- 05 Jun 2017  The After Joya Effect IV (Athens Jewelry Week 2017).
Exhibition  07 – 17 May 2017  Gioielli in Fermento 2017 Master Collection.
Meeting  04 May 2017 – 04 May 2017  The Dinner: Chef Isa Mazzocchi interprets the jewels of the Master Collection.

Gioielli in Fermento 2017 Master Collection Exhibition  /  07-17 May 2017: 07 – 17 May 2017  Gioielli in Fermento 2017 Master Collection - Torre Fornello (Italy)

 

 

On SALE AT Metmerize Online Shop

 there, what to buy ? for me I would buy this fantastic BRACELET, for its lines, for its shape, for its name !!

Iro Kaskani - "Live in harmony " bracelet - sterling silver, monofilament cord 90X75X15mm (small to medium wrist): Iro Kaskani - « Live in harmony  » bracelet – sterling silver, monofilament cord – 90X75X15mm (small to medium wrist) – belongs to the « the space in between » collection
With the « the space in between » collection I elaborate the idea of creating a void, an empty space. I worked with silver to form cavities and gaps and spaced elements in order to create a void and then, in there, I presented a detailed work of threads

 

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02/05/2017

EXCHANGE-BIJOU 2 – Sébastien Carré – En MAI Fais ce qu’il te plait ….

Sébastien Carré

En MAI Fais ce qu’il te plait ….. et il lui plait de participer à BEAUCOUP d’EXPOSITIONS !

Touchy Feely Exhibition  /  Baltimore Jewelry Center – USA

Touchy Feely Exhibition  /  14 Apr - 02 Jun 2017 -  Baltimore Jewelry Center

An exhibition that explores the tactile experience of jewelry. Adam Gopnik writes “Touch is the unsung sense – the one that we depend on most and talk about the least… the work of the world is done by handling it. We live by feel.” Jewelry is an intimate and sensual art form, providing a tactile experience for both the wearer and the observer. It’s an excellent medium for exploring the unsung sense of touch.

Artist list   Jill Baker-Gower — Amanda Bergman — Isabelle Busnel –  Sébastien Carré – Emily Culver — Mary Fissell — Brie Flora — Motoko Furuhashi — Missy Graff Ballone — Yong Joo Kim –  Michelle Kraemer – Michal Lando — Thomas Lauria — Helmi Lindblom — Jeffrey Lloyd Dever — Nathalie Maiello — Fern Robinson — Jolynn Santiago — Hallie Scheufler — Rose Schlemmer — Jina SeoCarina Shoshtary — Tyler Stoll — Aric Verrastro – Meg Wachs — Mallory Weston

Sébastien Carré Necklace: Cultural Cycle, 2016 Filmstrip, seashell, silk, cotton, nylon, beads Ø 90 x 2.5 - 18 cm Photo by: Milo Lee Photography - at  Touchy Feely Exhibition  /  14 Apr 2017  -  02 Jun 2017: Sébastien Carré Necklace: « Cultural Cycle », 2016 Filmstrip, seashell, silk, cotton, nylon, beads Ø 90 x 2.5 – 18 cm Photo by: Milo Lee Photography

While most visual art can only be enjoyed through sight, jewelry not only invites but encourages touch. As makers create work, they engage with their sense of touch, making decisions about materiality, structure, and form that will later engage the observer’s sense of touch, communicating a host of sensations and feelings. A dialogue between the maker and the observer is thus built on the social language of touch.

****

salon Révélations Grand Palais – PARIS – 4-8 MAI 2017

Salon Revelations - mai 2017

Sébastien Carré : Dans le cadre du salon Révélations Grand Palais à Paris du 4 au 8 Mai où vous pourrez retrouvez quelques unes de mes œuvres au Stand J8 sur le stand de la Haute école des arts du Rhin . J’ai également le grand plaisir de faire partis des artistes ayant leurs croquis figurant de le livre « La consigne – Les dessins des Metiers d’Art » aux éditions Ateliers d’Art de France. Le livre sera présenté et disponible à la vente lors du salon.
During Révélations Grand Palais Fair in Paris from May 4 to 8, you will be able to see some of my pieces in the
Booth J8 of Haute école des arts du Rhin stand
I am also really pleased to be part of selection of artists to featured their sketches in the book « La consigne – Les dessins des Metiers d’Art » by Ateliers d’Art de France edition. The book will be presented their and available to buy.
« La consigne – Les dessins des Metiers d’Art » By / Par Anne Combeau (Gagnante du Prix « La Pensée » en 2016/ Winner of the award « La Pensée » in 2016)

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces): Sébastien Carré - collier – à Salon REVELATIONS mai 2017

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces): Sebastien Carré – broche – « Cultural Biology », 2016 Japanese Paper, Filmstrip… – à Salon REVELATIONS mai 2017

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces) (bracelet Dunn): Sebastien Carré – bracelet « Le Réveil de Dunn » The Awakening of Dunn, 2015 Filmstrip and nylon thread 11 X 11 X 4 cm Photo by: Lee; Milo From series: Black Inflammation – à Salon REVELATIONS mai 2017  

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AND ……………..LAST but not LEAST »Et sinon je suis à Gioielli in Fermento
et il font même un plat par rapport à ma piece pour Master Collection » (at Gioielli in Fermento – The Dinner – May 4th)
mais ….. chuuuuut !

[Gioielli in Fermento 2017 Master Collection – 07- 17 May 2017 –  Torre Fornello
29010 -  Ziano Piacentino  ITALY ]

Sébastien Carré, Several scales of grape, ring:  - Gioielli in Fermento 2015 Premio Torre Fornello Sebastien CARRE – Ring: Several scales of grape, 2015 (Awarded at: Gioielli In …Fermento 2015)

 

Baltimore Jewelry Center
10 E North Ave
MD 21218 -  Baltimore
UNITED STATES
bjcexhibitions@gmail.com
tel +1 4102430479

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27/03/2017

EXCHANGE-BIJOU 2 – Tal EFRAIM – design in progress …

Classé dans : COUP DE COEUR,EXCHANGE-BIJOU,Israel (IL),SHENKAR (IL),Tal EFRAIM (IL),www Klimt02 — bijoucontemporain @ 0:58

Tal Barash Efraim 

« In my eyes, jewelry is all about cherishing a moment, a memory or an adventure. I try to communicate the world as I see it, knowing others will also connect to my vision and cherish their own experiences through my artwork. » (Klimt02 interview)

But, before all,

march 2017, NEW GRADUATES from SHENKAR !!!!!
CONGRATULATIONS !!!

Tal Efraim (milieu) SHENKAR graduation mars 2017 ! avec Maya Shoshan (gauche)et Roni Liani (droite): SHENKAR graduation mars 2017 ! Tal Efraim (au milieu) avec Maya Shoshan (gauche) et Roni Liani (droite) (two other jewellers from Shenkar)

* Tal Efraim, Brooch: Flowers of July, 2016, Gold, fine silver, 925 silver, rubies, pearls. 7.5 x 4 x 1 cm, Photo by: Ilan Besor. From series: Connectionary: Tal Efraim, Brooch: Flowers of July, 2016, Gold, fine silver, 925 silver, rubies, pearls. 7.5 x 4 x 1 cm, Photo by: Ilan Besor. From series: Connectionary

Tal Efraim Brooch: Flowers of July, 2016 Silver, red garnets 4 x 2.7 x 0.7 cm Photo by: Ilan Besor From series: Flowers of July: Tal Efraim Brooch: Flowers of July, 2016 Silver, red garnets 4 x 2.7 x 0.7 cm Photo by: Ilan Besor From series: Flowers of July

Tal Efraim work on process mars 2017: Tal Efraim work on process mars 2017
« If only I could speed up the time it takes me to sketch each jewel! But I gotta say, I truly love it, my type of meditation »

Tal Efraim work on process mars 2017Tal Efraim work on process mars 2017

 Tal Efraim - Diff earrings - Circles are for Mondays, Lines are for Thursdays, and danglies are for Saturday night parties?? ORR do I have it all wrong.. A different circle earring for each day of the week? Because next months salary will pay for the line earrings ? Tal Efraim- « Diff earrings – Circles are for Mondays, Lines are for Thursdays, and danglies are for Saturday night parties?? ORR do I have it all wrong.. A different circle earring for each day of the week ? Because next months salary will pay for the line earrings ? »

Tal Efraim - Color of stones - There are so many theories about the different gemstones that can be set in a jewel. The luck they bring, the energies.. I have even been told I shouldn't be wearing a certain stone because of the month I was born in. I believe the right stone is the stone that makes you feel the best version of yourself out there. Today it can be rubies, tomorrow blue sapphires and next week it just has to be an amazing green emerald  Tal Efraim - Color of stones –
« There are so many theories about the different gemstones that can be set in a jewel. The luck they bring, the energies.. I have even been told I shouldn’t be wearing a certain stone because of the month I was born in. I believe the right stone is the stone that makes you feel the best version of yourself out there. Today it can be rubies, tomorrow blue sapphires and next week it just has to be an amazing green emerald »

Tal Efraim - Posting my design process (especially through video) really captures the effort put into each design.. but sharing the final jewel is just as rewarding! Tal Efraim -
« Posting my design process (especially through video) really captures the effort put into each design.. but sharing the final jewel is just as rewarding! »

Tal Efraim - Creating a sketch is all about understanding the different parts that have to be designed. Every little part of a jewel has a huge impact on the final product. How it sits on your ear, the movement of a charm, or the right light a diamond should reflect.. This is my process and I am so happy to be sharing it with you Tal Efraim -
« Creating a sketch is all about understanding the different parts that have to be designed. Every little part of a jewel has a huge impact on the final product. How it sits on your ear, the movement of a charm, or the right light a diamond should reflect..
This is my process and I am so happy to be sharing it with you« 

Tal Efraim - details are my passion ....  love my job Tal Efraim –
« details are my passion …. 
love my job« 

yes ? and I … WE … DO love your job !!!

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10/03/2017

#MunichJewelleryWeek2017 – EXPO – ‘Abruptions – Jorge Manilla’ – 84 GHz, Munich (DE) – 11-13 Mars 2017

AbruptionsJorge Manilla

Opening Friday 10th of March, 6 pm - 10 pm

« Like so many things in life, it is more about the journey than the destination and, it seems that people can find and appreciate these struggles and emotions in the finished pieces. »
 Jorge Manilla - Necklace: The damages never forgotten, 2017 Leather, steel. 52 x 20 x 7 cm

( Jorge Manilla - Necklace: The damages never forgotten, 2017 Leather, steel. 52 x 20 x 7 cm)

« Trying to find the answers about why the last time I am often overcome with waves of different emotions.
I decided to make work as a kind of personal emotional archive to read and understand this feeling in a different way.
These moments are very unpredictable and very often take me along very unexpected paths that can go from the desperation to the calmness, from the nostalgia to the happiness I have more and more the feeling I need to express something and using materials, shapes, textures, colours, emotions, feelings as tools try to make individual small stories and even when this confrontation is not easy I don’t want to lose the ability to be comprehensible to any sensitive people.

I often worry that people is indifferent to this kind of expressions in art and refuse to experience purely emotional response to purely visual, static artistically expressions in this case my jewellery pieces. Doing this personal archive, I want to create images that I think will trigger the people with their feelings, images of personal experiences, memories of pleasure of maybe memories of pain. And I enjoy of my work adding visual elements that confirm messages of create confrontations. I like to do and show the process of the work and the making, some pieces looks like not finished, the Intime moments in the studio that can show that making this kind of work can be very hard and mentally draining.
Realizing this made me feel a little more relaxed about wasting my life creating jewellery pieces. Like so many things in life, it is more about the journey than the destination and, it seems that people can find and appreciate these struggles and emotions in the finished pieces. I want to abrupt the general feeling and discover new messages on it, I want to abrupt the materials and create my personal way of communicate, I want to abrupt my emotions and let me go to a new dimension of feelings.« Jorge Manilla

 Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm.: Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm
  Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm.: Jorge Manilla. Necklace: Learning to fly again, (DETAIL) 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm
  Jorge Manilla. Necklace: The damages never forgotten, 2017. Leather, steel.. 52 x 20 x 7 cm.: Jorge Manilla. Necklace: The damages never forgotten, 2017. Leather, steel.. 52 x 20 x 7 cm
 
Kunstgiesserei München with 84 GHz
Schleißheimer Straße 72
80797 -  Munich
GERMANY

http://84ghz.de/

Phone: +49 89 30  63  79  11

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09/03/2017

#MunichJewelleryWeek2017 – EXPO (69) – ‘Light Matters’ – Erco Showroom, Munich (DE) – 9-11 Mars 2017

(69) LIGHT MATTERS

Opening Fri 10.03  18:00-20:00

(69) Light matters
Six jewellery artists and Erco, together in a show reflecting on why LIGHT MATTERS. Unique jewellery pieces interact with innovative illumination in order to create a new subject full of possibilities for interpretations. The viewer is swirled into a game of light and shadow, material and ephemeral, handmade and digital. The silent dialogue between these two realities create an intricate scenery.
All photos by Federico Cavicchioli
with :  Daria Borovkova Valentina CapriniLena Grabher — Daria Olejniczak — Lavinia RossettiMaría Ignacia Walker
  Light Matters - Daria Borokova. Ring: Untitled, 2016. Personal alloy.. Photo by: Federico Cavicchioli. From series: Being and Belonging.  Daria Borokova. Ring: Untitled, 2016. Personal alloy.. Photo by: Federico Cavicchioli. From series: Being and Belonging 
  Light Matters - Maria Ignacia Walker. Necklace: Untitled, 2017. Resin, fishing line.. 30 x 15 x 4 cm. Photo by: Federico Cavicchioli. From series: Piel. Maria Ignacia Walker. Necklace: Untitled, 2017. Resin, fishing line.. 30 x 15 x 4 cm. Photo by: Federico Cavicchioli. From series: Piel
Light Matters-   Lena Grabher. Bracelet: Diplopia 11, 2016. 3D printed elasto-plastic, glass, monofilament.. 16 x 13 x 13 cm. Photo by: Federico Cavicchioli.: Lena Grabher. Bracelet: Diplopia 11, 2016. 3D printed elasto-plastic, glass, monofilament.. 16 x 13 x 13 cm. Photo by: Federico Cavicchioli 
Light Matters - Valentina Caprini. Brooch: Hybrids, 2017. Thread, silver, white gold.. 63 x 47 x 5 cm. Photo by: Federico Cavicchioli. From series: Pink roots Valentina Caprini. Brooch: Hybrids, 2017. Thread, silver, white gold.. 63 x 47 x 5 cm. Photo by: Federico Cavicchioli. From series: Pink roots
Valentina Caprini  -   cuffs  valentinacaprini_gioielli - at LIGHT MATTERS Valentina Caprini_gioielli - cuffs 
Valentina Caprini - LIGHT MATTERS-exhibition during #mjw2017.  Valentina Caprini
Light Matters - Lavinia Rossetti. Necklace: Untitled, 2017. Silver.. 18 x 24 x 9 cm. Photo by: Federico Cavicchioli. From series: Aracne  Lavinia Rossetti. Necklace: Untitled, 2017. Silver.. 18 x 24 x 9 cm. Photo by: Federico Cavicchioli. From series: Aracne 
LIGHT MATTERS - Daria Olejniczak Pendant: Untitled, 2016 Women's magazine paper, silver, cotton ribbon. 4 x 7 x 50 cm Photo by: Federico Cavicchioli From series: Bodies: Daria Olejniczak Pendant: Untitled, 2016 Women’s magazine paper, silver, cotton ribbon. 4 x 7 x 50 cm Photo by: Federico Cavicchioli From series: Bodies 

 

 

 

Erco Showroom
Mauerkircherstraße 8
81679 -  Munich
GERMANY
12:00-18:00

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08/03/2017

#MunichJewelleryWeek2017 – EXPO (87) – TONE VIGELAND – Die Neue Sammlung – The Design Museum, Munich (DE) – 11 Mars-11 Juin 2017

87 (on map) -

TONE VIGELAND. JEWELLERY – OBJECT – SCULPTURE

at Die Neue Sammlung – The Design Museum, Munich, Germany
Opening 10.03.2017 from 7.00 p.m.
Press conference: 10.03.2017 from 11.00 a.m.

TONE VIGELAND:

 *

Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 1994 Silver Photo by: Guri DahlTone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl: Tone Vigeland Necklace: Untitled, 2001 Silver Photo by: Guri Dahl

 

Scandinavian studio jewelry is inconceivable without her and her works. As early as the beginning of the 1960s Tone Vigeland’s jewelry objects were routinely included in what are today legendary publications and exhibitions, such as the International Exhibition of Modern Jewellery held 1961 in the Goldsmiths Hall London, which first familiarized the public with the emerging art style of studio jewelry. Now, to mark her 80th birthday, Die Neue Sammlung is devoting its first solo exhibition in Europe outside Scandinavia to the grand dame of Scandinavian studio jewelry – 50 years after Vigeland’s first solo exhibition in 1967 in the Kunstnerneshus in Oslo.

  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl  Tone Vigeland Bracelet: Untitled, 2017 Silver Ø 6,6 cm Photo by: Guri Dahl

 

 

 

With their flowing shapes Tone Vigeland’s pieces generally fit snugly despite being made of metal. Vigeland oxidizes the light shiny silver until it is as black as iron. Through contact with the skin the silver regains its play with the light, and lent and dreamt of metallic color variations. Every piece becomes individualized through virtue of being worn. Though they stand out for their size and volume, the objects consist of an incredibly large number of tiny hand worked parts – minute pipes twisted from silver wire, precisely cut rectangular and round discs or tiny pellets and rings – so cleverly joined together as to be invisible to the naked eye. Tone Vigeland’s art on the body appears simultaneously modern and archaic.
About the artist:
Born 1938 into one of the most famous artist families of Norway Vigeland’s artistic training began 1955 at the Statens Håndverk-og Kunstindustriskole Oslo (today Kunsthøgskolen in Oslo, National Academy of the Arts). To learn goldsmith work she moved 1957 to the Oslo Vocational School. In 1958 she joined the avant-garde artist cooperative Plus in Frederikstad, where several of the works she designed as a student were produced in series. Earrings worked from a single silver loop, whose restrained simplicity and linearity was typical for the style in Scandinavia after World War II, were successfully produced until 1985. In 1961, Tone Vigeland opened her own workshop, and began producing one-offs. Since then she has produced many world-famous items of jewelry which have been honored with numerous distinctions. These are now on show for the first time in a solo exhibition featuring 150 of her works.
  In a high-profile exhibition in Galerie Riis 1995 in Oslo, Vigeland took an important step into a different dimension – namely art in architectural space – and simultaneously a move away from decorative art that cites the human body. This move from the body to free space seems a huge one, and yet was quite a logical step for Tone Vigeland.
The very highest distinction have accompanied the artistic oeuvre of this extraordinary Norwegian artist: the Prince Eugen Medal from Sweden in 1988, appointment as Commander of the Royal Norwegian Order of St. Olav in 1996, the Anders Jahre Art Prize and in 2008 she received the Golden Ring of Honor from the Association for Goldsmiths’ Art in Hanau.
  The exhibition was realized with the kind support of the Norwegian Ministry of Foreign Affairs in Oslo, the Royal Norwegian Embassy in Berlin, the Royal Norwegian Consulate in Munich and the Danner-Stiftung, and in cooperation with Norwegian Crafts, Oslo.
In January 2018 the exhibition will be on show in Nordenfjeldske Kunstindustrimuseum in Trondheim.

Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl: Tone Vigeland Bracelet: Untitled, 1997 Silver Photo by: Guri Dahl

 

 

Die Neue Sammlung – The Design Museum
Pinakothek der Moderne, Rotunda,
Türkenstrasse 15
80333 -  Munich
GERMANY
info@die-neue-sammlung.de
tel  49 0 89 27 27 25 0  /49 0 89 27 27 25 561
11.03-11.06


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02/03/2017

#MunichJewelleryWeek2017 – THE MAP & PROGRAM ! Munich (DE) – 8-14 Mars 2017

Classé dans : Allemagne (DE),SCHMUCK (DE),www Current-Obsession,www Klimt02 — bijoucontemporain @ 17:11

From March 8th till March 14th Munich Jewellery Week

 complete program : on Klimt02

 complete program & MAP here

lokator MAP

Lokator items list

SCHMUCK 2017 - 8-14 MARCH 2017 - Munich - COMPLETE PROGRAM pdf:

*

From March 8th till March 14th Munich Jewellery Week  - MAP with NUMBER of each event for location: MAP (part) with NUMBER of each event for location
(seen on my posts as «  EXPO (58) » for example)

 

 

Internationale Handwerkmesse Munich
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY
eva.sarnowski@hwk-muenchen.de
tel 0049 89 5119 248

 

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26/02/2017

EXCHANGE-BIJOU 1 – Snem YILDIRIM – Artistar Jewels 2017

Snem YILDIRIM

a ray of sun during Milan Fashion week

23-26 February | Milan Fashion Week  

ARTISTAR-jewels-2017 is the only contest in Italy, and one of the few in the world, that offers a never given before and across-the-board reading on the latest evolution of contemporay jewels and offers all the selected participants the extraordinary possiblity of taking part in a prestigious show.

Snem Yildirim - Necklace "FiveInARow"Snem Yildirim  Necklace -  FiveInARow, 2016 – Powder coated brass, re-cycled plastic bottles (nylon wire), cotton
- From series: Kanavice Series
Artistar Jewels officially opens the doors to the international contemporary jewellery during the Milan Fashion Week 
Artistar Jewels is the event founded in 2012 by the designer Enzo Carbone and is now a benchmark in the contemporary jewelry scenario. An international showcase for well-known artists and springboard for emerging creative talents. The participants present their works, unique pieces or small series, selected for the high artistic value, for the technical sperimentation and the stylistic research. Evocative body ornaments, very different for the materials and the techniques but linked by the fil rouge of the narration of a story, always present in each creation. Artistar Jewels is a project born with the aim of spreading the culture of contemporary jewelry and designed to anticipate the market trends, one of the first italian realities which has exploited all the potentiality of the web to implement the commercialization of contemporary jewelry.
 Snem Yildirim Necklace: Seven Hills, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire) Photo by: Snem Yildirim From series: Kanavice Series
Snem Yildirim Necklace  Seven Hills, 2016 – Powder coated brass, re-cycled plastic bottles (nylon wire)
- Photo by: Snem Yildirim – From series: Kanavice Series
Snem Yildirim - Kanavice II Series - necklaceSnem Yildirim – Kanavice II Series – necklace
Snem Yildirim Necklace: All in One, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), wood, paint, cotton Photo by: Snem Yildirim From series: Kanavice SeriesSnem Yildirim Necklace: All in One, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), wood, paint, cotton Photo by: Snem Yildirim From series: Kanavice Series
Snem Yildirim - Kanavice II Series - broochSnem Yildirim - Kanavice II Series -  Three of You, brooch, 2017 – Powder coated brass, re-cycled plastic bottles (nylon wire), steel
Snem Yildirim Brooch: Kanavice, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice SeriesSnem Yildirim Brooch: Kanavice, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice Series
Snem Yildirim Brooch: Round and Round, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice SeriesSnem Yildirim Brooch: Round and Round, 2016 Powder coated brass, re-cycled plastic bottles (nylon wire), steel Photo by: Snem Yildirim From series: Kanavice Series
 
Artistar Jewel 2017
23-26 February 2017
Palazzo Giureconsulti, Milano
Via Mercanti, 2
Hours: 9:30 am – 6:00 pm (open to public)
FREE ENTRANCE
Award Ceremony: 24 February 2017 hour 6:00 pm (on invitation)

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18/02/2017

EXCHANGE-BIJOU 1 – Julia Obermaier – at « Die Vier » Exhibition(s) Munich

Julia Obermaier

Die Vier  Exhibition  -

* 18- 21 Febr. 2017 at  Inhorgenta  in Munich  – hall C2 – Stand 526
* 8-14 Mars 2017 IHM Internationale Handwerksmesse in Munich – Halle B1 – stand 728
* 19-21 May Eunique in Karlsruhe.

« Four women with a strong language expressed through jewellery have the aim to revive the traditions of stone carving and goldsmithing with a contemporary approach. Idar-Oberstein is the point of encounter from all the members of the group, coming from Costa Rica, Austria and Germany. »

   "Die Vier"  Exhibition  /  18 Feb 2017  -  21 Feb 2017   Inhorgenta:

 

Artist list  : Catalina Brenes — Denise Ebert — Pia Groh — Julia Obermaier

  »Even though each one of them has their own special way of expressing, they believe that presenting their works together, there are even stronger “Our differences disappear when the main motor of our creativity joins. We are four women, four designers, four aesthetics with one language: JEWELLERY.” »

Julia Obermaier. Necklace: Breathe, 2016. Rockcrystal, silver, iron, paint, resin. 33 x 18 x 2 cm. Photo by: Qi Wang. - - . - at  "Die Vier"  Exhibition  /  18 Feb 2017  -  21 Feb 2017   Inhorgenta: Julia Obermaier. Necklace: Breathe, 2016. Rockcrystal, silver, iron, paint, resin. 33 x 18 x 2 cm. Photo by: Qi Wang

Julia Obermaier (Germany), recently opened her own beautiful atelier in Kempten (Allgäu). Julia’s pieces from her Bachelor of Fine Arts at the University of Applied Sciences Trier, Dept. Gemstone and Jewellery in Idar-Oberstein will be on exhibition at Inhorgenta, IHM and Eunique. Come and visit us !!!!

Julia ObermaierWant to know more of Julia Obm follow her in facebook and Instagram or visit her website: www.juliaobermaier.com

  Julia Obermaier« My main subject is about private space. If someone is crossing the borders of my spaces without permission, it causes a bad feeling. I try to protect them as much as possible, but in daily life, one cannot always keep direct surroundings and personal space in their preferred way. Our outside world is always in relation with each other and our circumstances.
I create in my pieces rooms, containers, boxes or little caves. These spaces can be filled with ones own personal feelings, perceptions and sensations. I see my work as containers protecting the innermost emotions of the viewer or wearer, that they use to confront a busy world ».

Julia Obermaier
 Julia ObermaierJulia Obermaier Necklace: The Hug, 2016 Agate, silver, resin, pigment Photo by: Julia Obermaier
presented at TALENTE 2017 – during SCHMUCK – 8-14 mars 2017 -

 

 

Inhorgenta
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY

*

TALENTE
Internationale Handwerkmesse Munich
Willy Brandt Allee 1, Messegelände
81829 -  Munich
GERMANY

 

 

 

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