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24/04/2017

EXCHANGE-BIJOU 1 – Isabelle Molénat – Links collection 4 spring

Classé dans : COUP DE COEUR,DECOUVERTE,EXCHANGE-BIJOU,France (FR),Isabelle MOLENAT (FR),textile — bijoucontemporain @ 1:18

Isabelle Molénat – Jewellery & Object

le printemps est là …. le rossignol le chante haut et fort ….. préparez vos décolletés !!! printaniers of course !
new colors for spring for the Links collection

Isabelle Molénat - Links collection  - new colors for spring 2017 Isabelle Molénat - Links collection  – new colors for spring 2017

Isabelle Molénat - Links collection - spring 2017 Isabelle Molénat – Links collection – spring 2017

Isabelle Molénat - Links collection : new colors for spring 2017  Isabelle Molénat – Links collection  – spring 2017 

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23/04/2017

EXCHANGE-BIJOU 1 – Roxy Lentz …… at JOYA ???? HOPE SO !

Classé dans : COUP DE COEUR,EXCHANGE-BIJOU,JOYA (ES),recup' / recycled,Roxy LENTZ (US),Salon,USA — bijoucontemporain @ 23:47

Roxy Lentz Jewelry

will we have the pleasure to see her jewels & meet her at the next JOYA Barcelona 2017 ???
SUSPENS !!!!!!!!!!!!!!!  keep our fingers crossed !!!
Here are some pieces juried for JOYA …

Roxy Lentz  - brooch 2017Roxy Lentz  – brooch 2017 -  found rusty metal, found slate, and « cannibalized » back from another brooch.

Roxy Lentz  - "fierce" cuff 2017Roxy Lentz  – « fierce » cuff 2017

Roxy Lentz Jewelry  - avril 2017- Cuff from re purposed silver plate tray, different view.Roxy Lentz Jewelry  – avril 2017- Cuff from re purposed silver plate tray, different view.

Roxy Lentz Jewelry - Ring of re purposed silver plate, sterling band.Roxy Lentz Jewelry· ring of re purposed silver plate, sterling band.

Roxy Lentz Jewelry - earrings -   Re purposed silver plate tray.Roxy Lentz Jewelry  – earrings -   Re purposed silver plate tray.

EVENTS to come :

 One of a Kind Spring Show  – 28 avril – 30 avril ·
Merchandise Mart Plz, Chicago, IL 60654, United States
One of a Kind Spring Show is the event for buying one of a kind art in the midwest,
this spring. I will be in booth 7-1066
For more information please visit their website, http://oneofakindshowchicago.com/

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11/04/2017

EXPO ‘TrèsOr’ – galerie de la Perle Noire, Agde (FR) – 15 Avril-14 Oct. 2017

TrèsOr, la nouvelle exposition de la Galerie de la Perle Noire du 15 avril au 14 octobre 2017

Cette exposition, présentée par les Métiers d’Art de la Communauté d’Agglomération Hérault-Méditerranée du samedi 15 avril au samedi 14 octobre 2017, met en scène un matériau des plus nobles : l’or !

AGDE - TrèsOr, la nouvelle exposition de la Galerie de la Perle Noire du 15 avril au 14 octobre 2017

L’or : élément chimique de numéro atomique 79, de symbole Au., du mot latin aurum. Jusque là, rien de très palpitant ni de vraiment inspirant… Mais si l’on précise que le plus précieux des matériaux aux chauds éclats de « petit soleil » est une matière lumineuse, pure, dense, inaltérable, malléable à l’envi et donc facile à travailler, on comprend mieux l’attrait des créateurs pour donner vie à cette exposition « TrèsOr ». Adoré depuis la nuit des temps, l’or incarne aussi bien luxe et convoitise que pureté, conquête suprême.

Au cœur de la cité d’Agde, la Galerie de la Perle Noire réunit à cette occasion une cinquantaine de créateurs, de France, d’Espagne et d’Israël, qui auront réalisé une pièce unique intégrant l’or sous n’importe laquelle de ses formes : feuille, poudre, plaque, mixtion, fil…

parmi les créateurs invités, les CRÉATEURS DE BIJOUX :
Vered Babai – ​​​​​​​Esther Brinkmann — Jacotte Capron — Vered KaminskiFlorence Lehmann — Jean Nouvel — Laurence OppermannClaude PelletierRamon Puig CuyasAgathe Saint GironsFabrice Shaeffer — ​​​​​​​Deganit Stern Schocken — ​​​​​​​ Edda Vardimon-Gudnason – et les CRÉATEURS (de bijoux) RESIDENTS EN AGDE : Tyffanie Cartolaro — ​​​​​​​Daphné Serelle — Marlène Tuffery

 

 Ramon Puig Cuyas -  Brooch nº 1674 / 2017. "Sounds from the Earth". Nickel silver, gold leaf, enamel on steel, amber, onyx, reconstructed white coral.Ramon Puig Cuyas -  Brooch nº 1674 / 2017. « Sounds from the Earth ». Nickel silver, gold leaf, enamel on steel, amber, onyx, reconstructed white coral.

Bague en émail de Géraldine Luttenbacher  TRESor - Agde: Bague en émail de Géraldine Luttenbacher

 

 

 

Galerie de la Perle Noire
6, Place Molière – 34300 AGDE
Tél : 04.67.26.94.12
www.metiersdart.cahm.net
ouverture tous les jours de juin à septembre
10h à 13h & 14h à 19h, et jusqu’à 22h les mardis en juillet et août
Entrée libre

 

 

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28/03/2017

EXCHANGE-BIJOU 2 – Dora HARALAMBAKI – White(s) delight

Classé dans : ceramique,COUP DE COEUR,Dora HARALAMBAKI (GR),EXCHANGE-BIJOU,Grece (GR) — bijoucontemporain @ 22:35

Dora Haralambaki

simplicity, light & white(s) for spring …… always a delight !

Dora Haralambaki - 26 mars 2017 -  Aluminium happy ring  – à Thrakomakedones.Dora Haralambaki -  mars 2017 -  Aluminium happy ring  – à Thrakomakedones

Dora Haralambaki - 26 mars 2017 -  Pure white porcelain simple chic – à Thrakomakedones.Dora Haralambaki -  mars 2017 -  Pure white porcelain simple chic – à Thrakomakedones.

 dora haralambaki New entry chains porcelain simple chicDora Haralambaki New entry chains porcelain simple chic

dora haralambaki Aluminium simple chic spring 2017: Dora Haralambaki Aluminium simple chic – spring 2017

Dora Haralambaki - CRAFTIT - mosaics serie , minimal big & smaller pieces with porcelain & plexi glass - worn: Dora Haralambaki – CRAFTIT – mosaics serie , minimal big & smaller pieces with porcelain & plexi glass

 

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10/03/2017

#MunichJewelleryWeek2017 – EXPO – ‘Abruptions – Jorge Manilla’ – 84 GHz, Munich (DE) – 11-13 Mars 2017

AbruptionsJorge Manilla

Opening Friday 10th of March, 6 pm - 10 pm

« Like so many things in life, it is more about the journey than the destination and, it seems that people can find and appreciate these struggles and emotions in the finished pieces. »
 Jorge Manilla - Necklace: The damages never forgotten, 2017 Leather, steel. 52 x 20 x 7 cm

( Jorge Manilla - Necklace: The damages never forgotten, 2017 Leather, steel. 52 x 20 x 7 cm)

« Trying to find the answers about why the last time I am often overcome with waves of different emotions.
I decided to make work as a kind of personal emotional archive to read and understand this feeling in a different way.
These moments are very unpredictable and very often take me along very unexpected paths that can go from the desperation to the calmness, from the nostalgia to the happiness I have more and more the feeling I need to express something and using materials, shapes, textures, colours, emotions, feelings as tools try to make individual small stories and even when this confrontation is not easy I don’t want to lose the ability to be comprehensible to any sensitive people.

I often worry that people is indifferent to this kind of expressions in art and refuse to experience purely emotional response to purely visual, static artistically expressions in this case my jewellery pieces. Doing this personal archive, I want to create images that I think will trigger the people with their feelings, images of personal experiences, memories of pleasure of maybe memories of pain. And I enjoy of my work adding visual elements that confirm messages of create confrontations. I like to do and show the process of the work and the making, some pieces looks like not finished, the Intime moments in the studio that can show that making this kind of work can be very hard and mentally draining.
Realizing this made me feel a little more relaxed about wasting my life creating jewellery pieces. Like so many things in life, it is more about the journey than the destination and, it seems that people can find and appreciate these struggles and emotions in the finished pieces. I want to abrupt the general feeling and discover new messages on it, I want to abrupt the materials and create my personal way of communicate, I want to abrupt my emotions and let me go to a new dimension of feelings.« Jorge Manilla

 Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm.: Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm
  Jorge Manilla. Necklace: Learning to fly again, 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm.: Jorge Manilla. Necklace: Learning to fly again, (DETAIL) 2017. Leather, wood, bone, steel.. 55 x 25 x 10 cm
  Jorge Manilla. Necklace: The damages never forgotten, 2017. Leather, steel.. 52 x 20 x 7 cm.: Jorge Manilla. Necklace: The damages never forgotten, 2017. Leather, steel.. 52 x 20 x 7 cm
 
Kunstgiesserei München with 84 GHz
Schleißheimer Straße 72
80797 -  Munich
GERMANY

http://84ghz.de/

Phone: +49 89 30  63  79  11

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03/03/2017

EXPO ‘A Tribute to Nel Linssen′ – Marzee Gallery, Nijmegen (NL) – 15 Janv.-22 Mars 2017

A Tribute to Nel Linssen jewellery

 opening 15 January 2017 at 4pm

exhibitions – Galerie Marzee - exhibitions –  15 January until 22 March 2017 -  opening 15 January 2017 at 4pm          A Tribute to Nel Linssen – jewellery: (necklace, untitled, 2000)

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Nel Linssen – Galerie Marzee - Nel Linssen, necklace, untitled, 2000: Nel Linssen, necklace, untitled, 2000

Gal Marzee - Nel Linssen, necklace, untitled, 2000: Nel Linssen, necklace, untitled, 2000

Nel Linssen – Galerie Marzee - Nel Linssen, necklace, untitled, 1995: Nel Linssen, necklace, untitled, 1995

Nel Linssen –  Galerie Marzee - Nel Linssen, bracelet, untitled, 1997: Nel Linssen, bracelet, untitled, 1997

Nel Linssen – Galerie Marzee - Nel Linssen, necklace, untitled, 2000: Nel Linssen, necklace, untitled, 2000

Nel Linssen – Galerie Marzee - Nel Linssen, necklace, untitled, 2014: Nel Linssen, necklace, untitled, 2014

Nel Linssen –   Galerie Marzee - Nel Linssen, pendant, untitled, 2010: Nel Linssen, pendant, untitled, 2010

Nel Linssen – Galerie Marzee - Nel Linssen, bracelet, untitled, 1989: Nel Linssen, bracelet, untitled, 1989

 

Lage Markt 3 / Waalkade 4
6511 VK Nijmegen, Netherlands
tel +31 24 322 9670
mail@marzee.nl

 

28/02/2017

EXCHANGE-BIJOU 1 – Ute van der PLAATS at LOOT spring 2017

Ute van der PLAATS

have been selected to participate in the 2017 spring edition of LOOT: Mad About Jewelry at the Museum of Arts and Design in New York. From April 4 through 8, 2017

‘LOOT: Mad About Jewelry’ Returns this Spring with 54 Artists from 21 Countries

LOOT spring 2017

From April 4 through 8, 2017, the Museum of Arts and Design (MAD) presents LOOT: MAD About Jewelry, the annual exhibition and sale of contemporary art jewelry. Now in its 17th edition, LOOT presents a cross-section of the most exciting cutting-edge art jewelry designs, while offering the public a rare opportunity to meet and acquire pieces directly from some of the most skilled creators in the field. A striking example of the evolving possibilities of jewelry as an art form, LOOT: MAD About Jewelry champions the vision and craftsmanship of outstanding art jewelers—most of whom have never before shown work in the United States.

This year’s edition welcomes 54 artists from 21 countries, the majority of whom have never been shown in New York. All were selected by Bryna Pomp following a full year of travel and research. For the first time, LOOT will feature three artists from Iceland and one from Romania. There will also be artists from Argentina (1), Austria (2), Belgium (1), Canada (1), Denmark (3), Finland (2), France (5), Germany (4), Greece (2), Holland (1), Israel (1), Italy (5), Korea (2), Norway (1), Portugal (1), Spain (2), United Kingdom (10), and United States (6). [.....]

The 2017 presentation includes driftwood, neoprene, marble, sheer plywood, textiles, ceramic, aluminum, beading, and acrylic. A significant trend this year is the use of recycled materials, including china tableware, plastic bottles and shopping bags, and even skateboards.”
This year, over two dozen artists have designed jewelry using natural forms as their subjects. Artists showcasing their nature-inspired designs include Hebe Argentieri (Argentina); Katharina Eder (Austria); Ute van der Plaats (Belgium); Aino Favén (Finland); Silke Lazarević (Germany); Guðbjörg Ingvarsdóttir (Iceland); Mario Salvucci (Italy); Sowon Joo (Korea); Sunyoung Kim (Korea); Åse-Marit Thorbjørnsrud (Norway); Raluca Buzura (Romania); Ana Hagopian (Spain); Jane Adam (UK); Jacqueline Clarke (UK); Olivia Creber (UK); and Iradj Moini (USA). Visitors will meet Finnish artist Inni Pärnänen, who makes floral designs using sheer plywood, and English artist Rie Taniguchi, whose jewelry depicts animals and birds. Fellow English jewelry artist Olivia Creber uses molten metal with minerals, while French artist Delphine Nardin uses sea glass, gold, and silver to design jewelry inspired by the ocean. And Icelandic artist Helga Mogensen uses driftwood and visible threads to create unique statement necklaces. »

 

THE LOOT ACQUISITION PRIZE
Awarded by a jury, the LOOT Acquisition Prize seeks to recognize a LOOT jewelry artist whose work reflects a maturity in artistry and concept; exhibits both a superior and experimental understanding of materials and form; and demonstrates expertise in technique and execution. The 2017 jury is chaired by William and Mildred Lasdon Chief Curator Shannon R. Stratton, Assistant Curator Barbara Paris Gifford, and LOOT Curator Bryna Pomp. The 2017 LOOT Acquisition Prize will be awarded on April 3 at the Opening Benefit dinner.

2017 LOOT ARTISTS (click to see more pictures):

Jane Adam
Hebe Argentieri
Kate Bajic
Giulia Barela
Ferràn Iglesias Barón
Marianne Batlle
Abigail Brown
Ilka Bruse
Raluca Buzura
Michelle Cangiano
Jacqueline Clarke
Cor Sine Labe Doli
Olivia Creber
Julie Decubber
Anne Dinan
Katharina Eder
Gaëtan Essayie
Aino Favén
Liliana Guerreiro
Aurélie Guillaume
Ana Hagopian
Guðbjörg Ingvarsdóttir
Sowon Joo
Jeong Ju Lee
Kaori Juzu
Sunyoung Kim
Saerom Kong
Konrad Laimer
Silke Lazarević
Tara Locklear
Lucy Martin
Jo McAllister
Rhona McCallum
Helga Mogensen
Iradj Moini
Gerda and Nikolai Monies
Delphine Nardin
Iris Nijenhuis
Semeli Androulidaki and Labros Papageorgiou
Inni Pärnänen
Amalia Petsali
Anna Porcu
Hélène Prime
Hlín Reykdal
Andrea Rosales-Balcarcel
Mario Salvucci
Louise Seijen ten Hoorn
Inbar Shahak
Rie Taniguchi
Åse-Marit Thorbjørnsrud
Karola Torkos
Kristin Urup
Ute van der Plaats
Katrin Zimmermann

 

 

 

 

 

 

 

 

 

 

 

 

 Ute van der PlaatsUte van der Plaats

« Born in Germany and based in Brussels, Belgium, Ute van der Plaats has worked as a jewelry designer since 2009. In addition to contemporary jewelry, she has a passion for graphic design and ceramics, and her latest collection combines these three disciplines. A few years ago, she discovered porcelain—the white gold—and fell in love with it. Since then, this pure material has become the starting point in the creation process of her jewelry collections. She is attracted by its translucent white color, the fragile appearance that belies a surprisingly solid character, and the almost sensual texture of unglazed porcelain. By integrating different materials, such as 3D-printed ornaments and digitally designed images, into handcrafted porcelain creations, she translates traditional jewelry concepts into contemporary pieces. « 

Ute van der PlaatsUte van der Plaats

Ute van der Plaats - add a little of blue ..... fevr 2017Ute van der Plaats - add a little of blue ….. fevr 2017

Ute van der Plaats - add a little of blue ..... fevr 2017Ute van der Plaats – add a little of blue ….. fevr 2017

 

ARTIST HIGHLIGHTS :

  • Ferràn Iglesias Barón (Spain) has over 20 years of experience in goldsmithing, encompassing academic studies and written publications, teaching, and exhibitions. He is the recipient of numerous awards. Essence and meaning are two driving forces of his growth and creative process. Barón uses the interaction of different mediums and chromas to express emotion, transcending aesthetics to create a new form of beauty and appeal.
  • Ute van der Plaats (Belgium) integrates different materials, such as 3D-printed ornaments and digitally designed images, into handcrafted porcelain creations, thus translating traditional jewelry concepts into contemporary pieces.
  • Michelle Cangiano (Australia) produces limited-edition handmade contemporary jewelry and one-off pieces for private commissions. For her “Paper Cuts” collection, Cangiano draws on her painting background and employs the simple yet time-consuming technique of threading and knotting paper discs to create pieces that seem to shift and change color as they move with the wearer.
  • Julie Decubber (France) specializes in antique porcelain and earthenware plates, turning ordinary objects into unique jewels that explore the theme of memory. Decubber cuts and reassembles pieces in order to highlight what is precious in the ordinary, applying techniques of the jeweler, stonecutter, and potter to generate elegant and unexpected combinations.
  • Aino Favén (Finland) moves between art and design to explore the achievements of nature and man. Her pieces made of translucent plastic bags are subtle comments on the large trash islands floating in oceans and endangering nature and wildlife. They also serve as memorial garlands for birds and other animals who have died from eating plastic waste.
  • Aurélie Guillaume (Canada) is reviving the idea of narrative in enameling through a contemporary context fueled by street art, comics, pop art, and counterculture. A jeweler, enamelist, and illustrator, she begins her designs with illustrations, which through the process of enameling are given new life in the physical world as wearable objects.
  • Guðbjörg Ingvarsdóttir (Iceland) takes inspiration from the Icelandic wilderness. She allows her collections to continually evolve, underlining the organic process of translating concept into finished article.
  • Sunyoung Kim (Korea) finds inspiration in the world of plants, which though frail have a strong hold on life. She focuses on representing this strength with thin metal plates, which she processes through hammering and injection using various chasing tools.
  • Konrad Laimer (Italy) has defined his works through themed workshops ranging from jewelry to objects and graphics. Through installations, international workshops, and multimedia works, he transfers his concepts to various artistic mediums and locations. The Alps have become Laimer’s main source of inspiration in regard to both themes and materials.
  • Silke Lazarević (Germany) focuses on natural materials, with the aim of expressing their inherent qualities and various potentialities. She finds inspiration in the coincidence involved in the process of working with parchment, which as a natural product follows its own logic.
  • Helga Mogensen (Iceland) creates neckpieces of all sorts, as well as smaller-scale works such as earrings, using driftwood in combination with thread and sterling silver. Mogensen considers the thread to represent human connection.
  • Iradj Moini (United States), a jewelry designer with a background in architecture, specializes in the usage of bold stones. In 2006, his jewelry was on display at the Metropolitan Museum of Art as part of Iris Apfel’s collection, in addition to being featured at the Louvre, where he has three pieces in the permanent collection.
  • Delphine Nardin (France) designs jewelry around pieces of found sea glass, rough stones formed billions of years ago, and other collected relics. She combines these found eroded treasures with 18-karat gold or silver to create completely unique, delicate, and understated pieces of wearable history, which forge new links between archaeology and modernity.
  • Hélène Prime (France) creates unique pieces made of horn and of leather, each adorned with semiprecious stones. All of her creations are handmade with the greatest care in Paris and produced in limited series, using metal gilded with fine gold and natural stones.

 

 

Museum of Arts and Design (MAD Museum)
Jerome and Simona Chazen Building / 2 Columbus Circle /
New York, NY 10019
(212) 299-7777

EXHIBITION AND SALE HOURS
Tuesday, April 4: 10 am to 7 pm
Wednesday, April 5: 10 am to 8 pm
Thursday, April 6: 10 am to 9 pm
Friday, April 7: 10 am to 6 pm
Saturday, April 8: 10 am to 6 pm
Entrance is free with Museum admission.
For questions regarding LOOT 2017, please call Rebekka Grossman at 212.299.7712 or email rebekka.grossman@madmuseum.org.

 

 

 

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27/02/2017

EXCHANGE-BIJOU 1 – Isabelle Molénat – new LINKS for spring

Classé dans : COUP DE COEUR,EXCHANGE-BIJOU,France (FR),Isabelle MOLENAT (FR),textile — bijoucontemporain @ 23:08
Isabelle Molénat

Links collection : new colors for spring 2017.
Photo: Lionel Pesqué

Isabelle Molénat - Links collection : new colors for spring 2017 - Photo: Lionel PesquéIsabelle Molénat - Links collection : new colors for spring 2017 – Photo: Lionel Pesqué

Isabelle Molénat - Links collection : new colors for spring 2017 - Photo: Lionel PesquéIsabelle Molénat – Links collection : new colors for spring 2017 – Photo: Lionel Pesqué

"Link" d' Isabelle Molénat en soie colorée, à la fois collier, bracelet , ou porté en broche comme ici. L'accessoire du printemps ! Photo: I. Isabelle Molénat« Link » d’ Isabelle Molénat en soie colorée, à la fois collier, bracelet , ou porté en broche comme ici. L’accessoire du printemps ! Photo: I. Isabelle Molénat (à la Galerie Bettina Flament)

"Link" d' Isabelle Molénat en soie colorée« Link » d’ Isabelle Molénat en soie colorée

A étudié à École Boulle

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EXCHANGE-BIJOU 1 – Juan HARNIE – Aesthetical Injection

Classé dans : Belgique (BE),EXCHANGE-BIJOU,Juan HARNIE (BE),recup' / recycled — bijoucontemporain @ 1:46

Juan HARNIE

Aesthetical Injection. ….. suite …..

Aesthetical Injection – Brooches, earrings, rings.
Syringes, Polyurethane, resin, silver, steel – medical gauze imprint.

 

Juan Harnie 'Aesthetical Injection' - Brooch Juan Harnie ‘Aesthetical Injection’ – Brooch

Designing this collection Juan Harnie used medical materials to create attractive, floral looking jewellery. Juan has always seen beauty in materials that have little to no aesthetical value to others. These materials in particular are usually linked to unpleasant situations like hospitals and doctor visits, but now they are taken out of this context and made into uncanny pieces of jewellery.
Juan got his inspiration from flowers and plants, which always seem to please the eye of the beholder. Even when a plant or flower turns out to be hazardous, poisonous or possibly deadly, at first people will always attribute positive feelings towards seeing them. Contradictory, syringes that are designed to administer medicine and in fact heal people are met with fear, disgust and a general feeling of unease. Using these syringes in colourful, floral pieces of jewellery, mimicking the shape and colour of the ever-so-loved flower, might just make people reconsider their initial feelings towards syringes and see the beauty the designer saw in them.
In addition to the syringes, sterile medical gauze is used to imprint the silver backs of the pieces. This medical gauze once again fulfils its original purpose: being worn on the body and thus soothing an inner ache.

(Syringes, polyurethane, zirconia, brass, silver, gauze, resin)
Pictures By Nele Moens

Juan Harnie -  'Pink Carnation' - Brooch - 2016 - Polyurethane, syringes, silver, steelJuan Harnie Jewellery · ·  Pink Carnation’ – Brooch – 2016 – Polyurethane, syringes, silver, steel

Juan Harnie -  'Red White Dahlia' - Brooch - 2016 - Polyurethane, syringes, resin, silver, steelJuan Harnie -  ‘Red White Dahlia’ – Brooch – 2016 – Polyurethane, syringes, resin, silver, steel

Juan Harnie - 'Four-­Leaf Clover' - Brooch - 2016 -   polyurethane, syringew, silver, zirconia, steel: Juan Harnie – ‘Four-­Leaf Clover’ – Brooch – 2016 – Polyurethane, syringes, silver, zirconia, steel

Juan Harnie - 'Four-­Leaf Clover' - Brooch - 2016 -  BACK: Juan Harnie - ‘Four-­Leaf Clover’ – Brooch – 2016 -  BACK

Juan Harnie - 'Marigold 2.0’ - Necklace - 2016 - Polyurethane, syringes, silver, silk, steelJuan Harnie – ‘Marigold 2.0’ – Necklace – 2016 – Polyurethane, syringes, silver, silk, steel

Juan Harnie - 'Triple Allium' - Necklace - 2016 - Polyurethane, syringes, silver, steelJuan Harnie - ‘Triple Allium’ – Necklace – 2016 – Polyurethane, syringes, silver, steel

Juan Harnie - 'Single Allium' & 'Sprout' - Brooches - 2016 - Polyurethane, syringes, silver, steel: Juan Harnie - ‘Single Allium’ & ‘Sprout’ – Brooches – 2016 – Polyurethane, syringes, silver, steel

Juan Harnie -'Syringe brooches' - 2016 - Syringe, resin, silver: Juan Harnie -’Syringe brooches’ – 2016 – Syringe, resin, silver

 

 **

UPCOMING & CURRENT EXHIBITION

I’ve beenm selected for the Alliages 2017 permanent selection. (second year selected)

Impressions 2017. The Permanent

15 Fevr-31 Dec. 2017

Alliages (Lille, France)

Juan Harnie - at Alliages the Permanent 2017 - fevr.-dec 2017 -  http://klimt02.net/events/exhibitions/impressions-2017-permanent-alliages: Juan Harnie – at Alliages the Permanent 2017

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EXCHANGE-BIJOU 1 – Marion Lebouteiller – ABSOLUT (no, it’s not about vodka ……)

Classé dans : COUP DE COEUR,EXCHANGE-BIJOU,France (FR),Marion LEBOUTEILLER (FR),metal — bijoucontemporain @ 0:51

Marion Lebouteiller   new works

« I have been experimenting a lot with wax over the past two months. I heat it up in a pan until it reaches the perfect temperature then I twist and stretch it in order to get stunning textures. I love the unpredictable nature of the warm wax as well as the spontaneity of my gesture and movement. The wax cools down so fast that I have to work very fast! This process definitely allows the material to express itself to its full potential! The wax pieces have then been cast in silver, and these earrings have  just been uploaded onto my online shop!« 

// J’ai passé une bonne partie des deux derniers mois à faire des expériences avec de la cire : je la chauffe jusqu’à la température idéale, puis je l’étire et la torsade jusqu’à obtenir de superbes textures… Les pièces en cire sont ensuite fondues en argent. J’aime le côté imprévisible de cette technique qui m’insite à travailler de manière très spontanée et aussi très rapide car la cire refroidit extrêmement vite ! Les boucles d’oreilles ci-dessus viennent juste d’être finies et elles sont maintenant disponibles dans ma boutique !

Marion Lebouteiller - fevr. 2017 - More #rings.... Can't wait to see them in silver! Marion Lebouteiller – fevr. 2017 – More #rings…. Can’t wait to see them in silver!

Marion Lebouteiller - fevr. 2017 -  Absolu ring - recycled sterling silver.Marion Lebouteiller – fevr. 2017 -  Absolu ring – recycled sterling silver
« This one is almost done! Just need to finish the high polish on the inside to make it really comfortable to wear »

Marion Lebouteiller  Marion Lebouteiller – fevr. 2017 - « Just got them back from the casters! Now I have got quite a bit a polishing to do… They will look great with the texture burnished and a nice high polish on the inside »
Marion Lebouteiller - fevr. 2017 -  Absolu ring - recycled sterling silver.Marion Lebouteiller - fevr. 2017 -  Absolu ring – recycled sterling silver.

Marion Lebouteiller - Absolu small brooch - sterling silver, recycled 18ct yellow gold granulation, stainless steel wire.Marion Lebouteiller - Absolu small brooch – sterling silver, recycled 18ct yellow gold granulation, stainless steel wire.

Marion Lebouteiller - Absolu drop earrings - recycled sterling silver.Marion Lebouteiller - Absolu drop earrings – recycled sterling silver.

Marion LebouteillerMarion Lebouteiller – Infinite and Absolu rings – sterling silver, recyled 18ct yellow gold

Really happy to have the Ruthin Craft Centre in Wales as part of my new stockists. I’m sending them a selection of Infinite and Absolu pieces today !

*

UPCOMING EXHIBITION :
I am delighted to be part of « Ringing the changes » – a ring exhibition at the exceptional Victoria Sewart Gallery. The exhibition will run
from April 15th until July 16th 2017.
// Je suis ravie de faire partie de « Ringing the changes », une exposition de bagues à la galerie Victoria Sewart à Plymouth. L’exposition commencera le 15 Avril et durera jusqu’au 16 Juillet.

 

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