EXCHANGE-BIJOU 1 – Juan HARNIE – Aesthetical Injection

Juan HARNIE

Aesthetical Injection. ….. suite …..

Aesthetical Injection – Brooches, earrings, rings.
Syringes, Polyurethane, resin, silver, steel – medical gauze imprint.

 

Juan Harnie ‘Aesthetical Injection’ – Brooch

Designing this collection Juan Harnie used medical materials to create attractive, floral looking jewellery. Juan has always seen beauty in materials that have little to no aesthetical value to others. These materials in particular are usually linked to unpleasant situations like hospitals and doctor visits, but now they are taken out of this context and made into uncanny pieces of jewellery.
Juan got his inspiration from flowers and plants, which always seem to please the eye of the beholder. Even when a plant or flower turns out to be hazardous, poisonous or possibly deadly, at first people will always attribute positive feelings towards seeing them. Contradictory, syringes that are designed to administer medicine and in fact heal people are met with fear, disgust and a general feeling of unease. Using these syringes in colourful, floral pieces of jewellery, mimicking the shape and colour of the ever-so-loved flower, might just make people reconsider their initial feelings towards syringes and see the beauty the designer saw in them.
In addition to the syringes, sterile medical gauze is used to imprint the silver backs of the pieces. This medical gauze once again fulfils its original purpose: being worn on the body and thus soothing an inner ache.

(Syringes, polyurethane, zirconia, brass, silver, gauze, resin)
Pictures By Nele Moens

Juan Harnie Jewellery · ·  Pink Carnation’ – Brooch – 2016 – Polyurethane, syringes, silver, steel

Juan Harnie -  ‘Red White Dahlia’ – Brooch – 2016 – Polyurethane, syringes, resin, silver, steel

Juan Harnie – ‘Four-­Leaf Clover’ – Brooch – 2016 – Polyurethane, syringes, silver, zirconia, steel

Juan Harnie - ‘Four-­Leaf Clover’ – Brooch – 2016 -  BACK

Juan Harnie – ‘Marigold 2.0’ – Necklace – 2016 – Polyurethane, syringes, silver, silk, steel

Juan Harnie - ‘Triple Allium’ – Necklace – 2016 – Polyurethane, syringes, silver, steel

Juan Harnie - ‘Single Allium’ & ‘Sprout’ – Brooches – 2016 – Polyurethane, syringes, silver, steel

Juan Harnie -’Syringe brooches’ – 2016 – Syringe, resin, silver

 

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UPCOMING & CURRENT EXHIBITION

I’ve beenm selected for the Alliages 2017 permanent selection. (second year selected)

Impressions 2017. The Permanent

15 Fevr-31 Dec. 2017

Alliages (Lille, France)

Juan Harnie – at Alliages the Permanent 2017

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EXCHANGE-BIJOU 1 – Marion Lebouteiller – ABSOLUT (no, it’s not about vodka ……)

Marion Lebouteiller   new works

« I have been experimenting a lot with wax over the past two months. I heat it up in a pan until it reaches the perfect temperature then I twist and stretch it in order to get stunning textures. I love the unpredictable nature of the warm wax as well as the spontaneity of my gesture and movement. The wax cools down so fast that I have to work very fast! This process definitely allows the material to express itself to its full potential! The wax pieces have then been cast in silver, and these earrings have  just been uploaded onto my online shop!« 

// J’ai passé une bonne partie des deux derniers mois à faire des expériences avec de la cire : je la chauffe jusqu’à la température idéale, puis je l’étire et la torsade jusqu’à obtenir de superbes textures… Les pièces en cire sont ensuite fondues en argent. J’aime le côté imprévisible de cette technique qui m’insite à travailler de manière très spontanée et aussi très rapide car la cire refroidit extrêmement vite ! Les boucles d’oreilles ci-dessus viennent juste d’être finies et elles sont maintenant disponibles dans ma boutique !

Marion Lebouteiller – fevr. 2017 – More #rings…. Can’t wait to see them in silver!

Marion Lebouteiller – fevr. 2017 -  Absolu ring – recycled sterling silver
« This one is almost done! Just need to finish the high polish on the inside to make it really comfortable to wear »

Marion Lebouteiller – fevr. 2017 - « Just got them back from the casters! Now I have got quite a bit a polishing to do… They will look great with the texture burnished and a nice high polish on the inside »
Marion Lebouteiller - fevr. 2017 -  Absolu ring – recycled sterling silver.

Marion Lebouteiller - Absolu small brooch – sterling silver, recycled 18ct yellow gold granulation, stainless steel wire.

Marion Lebouteiller - Absolu drop earrings – recycled sterling silver.

Marion Lebouteiller – Infinite and Absolu rings – sterling silver, recyled 18ct yellow gold

Really happy to have the Ruthin Craft Centre in Wales as part of my new stockists. I’m sending them a selection of Infinite and Absolu pieces today !

*

UPCOMING EXHIBITION :
I am delighted to be part of « Ringing the changes » – a ring exhibition at the exceptional Victoria Sewart Gallery. The exhibition will run
from April 15th until July 16th 2017.
// Je suis ravie de faire partie de « Ringing the changes », une exposition de bagues à la galerie Victoria Sewart à Plymouth. L’exposition commencera le 15 Avril et durera jusqu’au 16 Juillet.

 

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EXCHANGE-BIJOU 1 – Antes …. los « negros » de Pilar COTTER

Pilar COTTER

Antes …. los « negros » de Pilar Cotter …. coleccion 2009-2010 – un encanto !

 

Pilar Cotter – Pendiente, porcelana negra – 2010

Pilar Cotter – ring , porcelana negra septiembre 2010

Pilar Cotter: septiembre 2010 – porcelana negra

Pilar Cotter porcelain  Earrings, porcelain, oxidized silver 2010

Pilar Cotter – septiembre 2010

Pilar Cotter – porcelain earrings sept 2010

Pilar Cotter: septiembre 2010 – collar – porcelana negra

 Pilar Cotter: septiembre 2010

 

 

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EXCHANGE-BIJOU 1 – Roxy Lentz – new works for spring …..

Roxy Lentz

« Conceptual art jewelry from re-purposed metal, wabi-sabi and organic nature. »
LOVE this WILD aspect of her jewelry !!! ……….

Some new work that will be at « Wild Women Wearable Art » and « One of a Kind« .  (One of a Kind, The Mart, Chicago, Illinois – The 2nd annual Spring Show returns April 28-30!)

« I make my jewelry from metal I find at the thrift store, silver plate trays, brass and sometimes bits and pieces I find while on walks. There is always a bit of rusty bolts and stuff in the bottom of my purse! I love to transform something others thought had no value into wearable art jewelry, you should see what I do with PVC I find from the street. »

Roxy Lentz  bracelet from re-purposed metal

Roxy Lentz – bracelet of re-purposed metal – See the maker mark on the metal? It was on the back of the original silver plate tray.

Roxy Lentz Jewelry-  earrings process – A silver plate tray from the thrift store, you can see where I sawed out some earrings. The base metal is brass.

Roxy Lentz Jewelry  – process – The earrings with the first fire patina. If I wanted to keep these just like this, I would have to use cold connections. But, for these earrings, I need to shape them and fuse the ends together, so, some of this will go.

Roxy Lentz earrings – process – The finished earrings. I filed the edges, fused the ends with small bits of silver, and used a wire brush to put a sheen on the surface, and to remove the grime that happened when using the torch. Since I put the torch on the back side, I did preserve some of the beautiful « orange peel » on the front. Now, I could leave these like this, or take a chance and put them in a pickle pot to make them silvery. I like the patina, and I think my customers do too. That beautiful gold sheen on the right side of the right earring, it did it all on its own, that is why these are one of a kind, and uncommon jewelry for independent women.

Roxy Lentz - process to make flower earrings

Roxy Lentz Jewelry  the finished flower earrings. I used silver wire to cold connect the flowers to their base to preserve the patina. You can see that the base metal of this bowl was brass, because of the soft gleam on the edge of the flowers. After soldering on the post I put the brass base in pickle to clean the post, then I put it in a rinse of hydrogen peroxide and white vinegar to clean the fire scale off the brass. Some more buffing with a brass wire brush on the flex shaft. The earrings are about 2 1/2 inch long, and 1 1/2 wide. There are some similar at In Tandem Gallery and Gaia in Winston Salem NC.

(to buy Roxy Lentz jewellery in Tandem Gallery HERE !!)

Roxy Lentz  – Pendant of re purposed silver plate and found pexi-glass.(plexi-glass side)

Roxy Lentz Jewelry ·  Pendant of re purposed silver plate and found pexi-glass. Available at In Tandem Gallery and Gaia in Winston Salem. One of a kind, so may not look like this one.

Roxy Lentz Jewelry - Drop earrings of re purposed silver plate, silver doo-hickies, and sterling hooks. Each pair is one of a kind è Available at Gaia in Winston Salem and In Tandem Gallery https://www.facebook.com/shopgaiaclothing/

Roxy Lentz Donut earrings of re purposed silver plate, with sterling hooks. One of a kind, so all are a bit different.

Roxy Lentz- Repurposed Silver Plate, Brass Chain and a ton of creativity for this necklace
 - www.InTandemGallery.com/roxy-lentz – Roxy Lentz Jewelry

 

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EXCHANGE-BIJOU 1 – Jina SEO – ready for #MunichJewelleryWeek2017 !!

Jina Seo

New work from 2017 ….. ready for  #MunichJewelleryWeek2017  !!

«Her practice explores the relationships between body, clothing, sexuality, fetish, and space. »

 Jina Seo New work from 2017… – beginnings in white …. #MunichJewelleryWeek2017

Jina Seo New work from 2017.. – brooch – #MunichJewelleryWeek2017

Jina Seo New work from 2017.. -  First time using white leather. Gets almost translucent when it is wet..

Jina Seo New work from 2017 – brooch -  #MunichJewelleryWeek2017

Jina Seo New work from 2017 ….. ready for  #MunichJewelleryWeek2017  !!

Jina Seo New work from 2017 – brooch

Jina Seo New work from 2017 ….. brooch

Jina Seo New work from 2017 ….. brooch

 

Artist Statement
The extraordinary power of objects is obtained, because people believe in them. The more mundane the objects are, the more powerful they become. 
My practice contextualizes the primitive energy that is submerged beneath the layers of garments. When the body is removed, the absence becomes an empty structure. The internal structure is evidence of human existence. It remains full of authentic spirit and fantasy. 
Through the processes of deconstructing and reconstructing materials into symbolic forms, I uncover the hidden intimate and sensual power of humanity. It is a moment when ordinary objects become surreal and uncanny in order to redeem the socially constructed expectations and perceptions.

 

Jina SEO on INSTAGRAM
her WEBSITE

 

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EXCHANGE-BIJOU 1 – Rafael Luis ALVAREZ – KOSMOS en el Museo José Hernandez en Buenos Aires (Argentina) – 10 Fevr.-13 Mars 2017

Rafael Luis Alvarez (ARGENTINA)

COLECCIÓN KOSMOS,UNA COLECCION DE PINTURA, DIBUJOS, FOTOGRAFIA Y JOYERIA

Museo José Hernandez en Buenos Aires (Argentina)

Inauguracion Viernes 10 de febrero 2017 18:30 hs

El viernes 10 de febrero de 2017 a las 18.30 horas el Museo de Arte Popular José Hernández inaugura la exposición KOSMOS. Joyería, fotografía, dibujo y pintura.
Reconocido como uno de los más destacados orfebres contemporáneos de Argentina, Rafael Álvarez reflexiona acerca de lo sutil y contenedor, lo liviano y etéreo, la intuición, lo fantástico y la imaginación. El cosmos, un gran hueco que se crea a cada instante, nuestro espacio cercano que a cada minuto aparece y desaparece interpelado por sus límites.
Las obras surgen de una búsqueda artística subjetiva, conceptual y material con la intención de querer expresar en la joyería cualidades relacionadas a lo femenino. El metal entonces se presenta como demasiado rígido. La investigación lo lleva por los caminos de la pintura, el dibujo,  la fotografía y el video, y encuentra en el caucho las cualidades deseadas.
Kosmos es un  universo femenino. Gea, Ceres, Maya, Venus, Diana, Metis, Io y Hera son las mujeres que habitan este espacio. Representantes de una estirpe mitológica que al mirar el infinito no se nombran aunque están presentes.

Rafael Alvarez – KOSMOS – necklace

Rafael Alvarez - KOSMOS – necklace – detail

Rafael Alvarez – KOSMOS

Rafael Alvarez - KOSMOS

 

 

Museo de Arte Popular José Hernández
Av. del Libertador 2373 – CABA – Buenos Aires – Argentina
[e-mail]
Téléphone : [phone]

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EXCHANGE-BIJOU 1 – Isabel TRISTAN – et les voiles laisser partir …

Isabel TRISTAN

… et les voiles laisser partir … vogue à l’âme …. quitté l’année 2016 en douceur pour mieux voguer vers la nouvelle année 2017 ……

Pour Isabel Tristan l’inspiration est allée de l’évier au voilier, ou du voilier, passant par les formes dans l’évier, est arrivées à des « voiles » bijou …. elle cite Picasso pour expliquer son inspiration : “La inspiración existe, pero tiene que encontrarte trabajando” . L’inspiration doit te trouver travaillant …. De « corvée vaisselle », il y a dû y avoir un entrechoc d’images, de souvenirs, de formes …… « Et voilà » !

Inspirations et sources pour la série de pièces « Platos » présentées à l’exposition « Página en Blanco » au dernier « Melting point » 2016 a Valencia …..

Isabel Tristan - PLATOS – Inspiration I pour la série « Platos » – Surcando fregaderos (en « naviguant dans les éviers » ….) ………

Isabel Tristan  – PLATOS - Inspiration II – Surcando mares  (en « naviguant sur les mers » ….) ………
 Barco realizado por Antonio Tristán, padre de Isabel y quién le enseña la técnica del curvado de la madera)
bateau réalisé par le père d’Isabel, Antonio Tristan, lequel lui enseigna la technique pour courber le bois, technique qu’elle utilise actuellement pour ses bijoux

Maintenant que les images se sont rencontrées, passé/présent, au travail, le processus de création est enclenché ! « depuis la navigation chaotique d’un plat entre les 4 parois d’un évier jusqu’à la navigation fluide, librement et sans obstacles, traçant ses traversées d’un port à l’autre« 

Isabel Tristan – PLATOS – Processus I – 2016 

Este proyecto auna 2 aspectos: la evolución de su anterior proyecto Mesas y la necesidad de rendir 1 tributo a su padre, con el que ha compartido hobbies y apredizajes, así como el uso de recursos pictóricos, disciplina que desde siempre ha prácticado
“De la navegación caótica y enmarañada de un plato entre las cuatro paredes del fregadero…. al navegar libremente sin obstáculos al fluir en el océano de las naves, trazando travesías de un puerto a otro” Isabel Tristan – PLATOS - Processus II

et le bijou nait ….. il a l’air si simple, si évident …. mais il a fallu tout ce cheminement et que ce fassent ces entrecroisements ….

Isabel Tristan  2016 – Platos I – Broche – madera, alpaca y acrílicos

Isabel Tristan - Platos II – Broche – 2016 – madera, alpaca y acrilicos

 Isabel Tristan  2016 Platos III – Collar

Isabel Tristan - Platos IV,  platos rotos – Broche

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EXCHANGE-BIJOU 2 – Sébastien Carré – aaah ZUT alors !

Sébastien Carré

Il avait quitté 2016 un peu ….. « cavalièrement » sinon « fraichement » en nous disant ZUT !

mais bon …….

Sébastien Carré - oct. 2016 ·   « Merci à Emilie Bauer et Emmanuel Abela pour ce bel article qui parait dans le Zut ! Strasbourg N°31 (page 114 – 116) et merci à Christophe Urbain pour ces belles photos.  Edition papier à paraitre cette semaine et disponible gratuitement dans tous les lieux culturels Strasbourgeois et déjà consultable en ligne :
http://zut-magazine.com/portfolio/lire-zut-31/
(vous y lirez l’article plus clairement ! …. nom d’une pipe !!!! …)

 

Bon, sinon il reste avec nous chez Alliages jusqu’au 21 janvier 2017 ((Lost) Paradise, exhibition, Dec 10th 2016 to Jan 21st 2017), mais également, toujours chez Alliages, fait partie de la « Permanent 2017 selection »

(Lost) Paradise, with Sébastien Carré  – « OGHAM INCENSUM« 
« Just imagine… Living in a world in which we would not have destroyed our relationship to nature. In which, the society, the moral, the value or our belief would not have put us in a virtual cell. A world of difference, of similarity, of ambiguity but after all isn’t it what is making a more interesting world. Vegetation, Animal, and Mineral are all combined in objects reminiscent of organic forms, the shape of the central figure in all form of shamanism around the world, the Tree that connects us all together. Mixing materials in order to create a symbolic life in an object by using interactive mediums allows me to wake up a body which tends to be more insensitive due to an over-communicativity of society. Let’s hope for a world with more shamanism, more bound between all living forms. Let’s Cherish the diversity in our small world, being together is already a treasure. »

 Sébastien Carré  -collier – at  Alliages permanent selection 2017

 *

Mais à part ça il nous prépare pour février 2017 une expostion aux USA  ……
« really happy to be selected as one of the finalist for the « Wearable Expressions 7th International Juried Exhibition«   – Fiber – Jewelry – Accessories -   Febr.10 – April 16, 2017  – Palos Verdes Art Center (south of Los Angeles) -
Opening Reception: February 10, 6-9pm
Je suis très heureux d’apprendre qu’une de mes pièces est finaliste pour la 7eme édition de l’exposition/ concours International  » Wearable Expressions » qui aura lieu au Palos Verdes Art Center, dans le sud de Los Angeles (USA) ……
(5504 Crestridge Rd – Rancho Palos Verdes- tel [phone] – [e-mail] – http://www.pvartcenter.org/ )

Sebastien Carré - nouveau collier ‘The Big Reminder’

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 en tous cas …

 

I wish you all  a wonderful Year 2017!!!

 www.sebastiencarre.com

 

 

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EXCHANGE-BIJOU 2 – Jessica Morillo/ANSIOSA HORMONA – Si eres una mujer fuerte ….

 Jessica MORILLO / ANSIOSA HORMONA

Parte de los  Joyeros Argentinos

Siempre el mismo « balance » : color EXPLOSIVO, o oscuros NEGROs ????para empezar el año diria COLORES ….. y que mejor que una CORAZA para ser mas fuerte en el 2017 ?

CORAZA/ foto: Julio Gutierrez -

« aprender a hacer y deshacer el amor.
Pieza en construcción desde el 2014 al 2016. Proceso de Cortar-coser: unir/lastimar/marcar/: cicatriz-costra: herida abierta y cerrada
La costura como puente de unión, un puente es el vehículo entre dos partes, para unirlas, conectarlas, vincularlas.
La pieza presentada es parte de un proceso de trabajo de dos años que a modo ritual, lento, repetitivo fui desarrollando, cortando mis prendas, usadas/vividas con registro de mi cuerpo y de las experiencias transitadas, para luego volverlas a coser, sin pensar en un fin, sin pensar en que será luego de terminar.
Me servía como una práctica que calmaba un sentimiento interno doloroso de separación, estaba separada y buscaba de manera inconsciente generar el puente que vinculara el pasado y el presente para poder cerrar la herida.
Esta pieza es un exorcismo, una ofrenda, ha sido para mí un ritual su construcción, puntada tras puntada iba uniendo pero a la vez lastimando la piel de cada prenda. »

Pero finalmente, creo que he encontrado mejor : un GRITO, que sale del CORAZON, para todas las MUJERES DEL MUNDO

Joyería contemporánea – coleccion GERMINAL / ANSIOSA HORMONA – arte y diseño

Si eres una mujer fuerte
protégete de las alimañas que querrán
almorzar tu corazón. Ellas usan todos los disfraces de los carnavales de la tierra:
se visten como culpas, como oportunidades, como precios que hay que pagar.
Te hurgan el alma; meten el barreno de sus miradas o sus llantos
hasta lo más profundo del magma de tu esencia,
no para alumbrarse con tu fuego
sino para apagar la pasión
la erudición de tus fantasías. Si eres una mujer fuerte
tienes que saber que el aire que te nutre
acarrea también parásitos, moscardones,
menudos insectos que buscarán alojarse en tu sangre
y nutrirse de cuanto es sólido y grande en ti.

No pierdas la compasión, pero témele a cuanto conduzca
a negarte la palabra, a esconder quién eres,
lo que te obligue a ablandarte
y te prometa un reino terrestre a cambio
de la sonrisa complaciente.

Si eres una mujer fuerte
prepárate para la batalla:
aprende a estar sola,
a dormir en la más absoluta oscuridad sin miedo,
a que nadie te tire sogas cuando ruja la tormenta,
a nadar contra corriente.

Entrénate en los oficios de la reflexión y el intelecto.
Lee, hazte el amor a ti misma, construye tu castillo,
rodéalo de fosos profundos,
pero hazle anchas puertas y ventanas.

Es menester que cultives enormes amistades,
que quienes te rodean y quieran sepan lo que eres,
que te hagas un círculo de hogueras y enciendas en el centro de tu habitación
una estufa siempre ardiente donde se mantenga el hervor de tus sueños.

Si eres una mujer fuerte
protégete con palabras y árboles
e invoca la memoria de mujeres antiguas.

Has de saber que eres un campo magnético
hacia el que viajarán aullando los clavos herrumbados
y el óxido mortal de todos los naufragios.
Ampara, pero ampárate primero.
Guarda las distancias.
Constrúyete. Cuídate.
Atesora tu poder.
Defiéndelo.
Hazlo por ti.
Te lo pido en nombre de todas nosotras.

Gioconda Belli
(Nicaragua, 1948)

 

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EXCHANGE-BIJOU 1 – Jina SEO – Under the Layers … from STRANGENESS to BEAUTY

Jina Seo

Actually studying  at VCUarts (Virginia Commonwealth University School of the Arts)
« Her practice explores the relationships between body, clothing, sexuality, fetish, and space. »

So continuously trying, again & again, constructing, de-constructing ….. how can it be done ? how can it be worn ? how can it be photographied ? ….

Jina Seo - Nose hair? Dirty toe nails?  – questions…

Jina Seo - chain  « shabbaranks artintecture » – leather links? yes ! 

Jina Seo Just some new thoughts ….. 

Jina Seo -  Red❤️️ Can’t go wrong !

Jina Seo neckpiece (« Open It 1″  Necklace (2016) )

Jina Seo - « Under the Layers » collection – « Inside Out »  Necklace (2016)  Brass, leather, fake eyelashes, thread

Jina Seo - « Under the Layers » collection – Growing Brooch (2016) Brass, leather, fake eyelashes, thread

Jina Seo – « Trying to figure out some new ways to take photographs of my work. I am so used to the white background.. It’s definitely a lot more darker and rougher. » -  »Under the Layers » collection -  « Open It »  Necklace (2016)  Brass, leather, fake eyelashes, thread

Jina Seo - neckpiece

Jina Seo - « Under the Layers » collection – « Open It 1″  Necklace (2016)  Brass, leather, beads, thread

*

She just had an exhibition, Unexpected, since  NOV 24th 2016  at Craft Council of British Columbia‎ Gallery, 1386 Cartwright Street, Granville Island; Vancouver V6H 3R8 – An Exhibition by the Vancouver Metal Arts Association

Unexpected explores the strange and sometimes discordant elements that make the viewing, wearing, and making of Contemporary Jewellery an enjoyable endeavor.
The unexpected and Contemporary Art Jewellery are by no means strange bedfellows- viewers and wearers of Contemporary Jewellery often seek out our discipline because it is unusual and extra-ordinary. The unusual, and unusual elements and materials, have become de rigueur in a creative world that continues to embrace post-disciplinary art practices which move beyond medium centered approaches to making.
Participating artists: Lydia Buxton — Melissa Cameron — Bridget Catchpole — Barbara Cohen — Jennifer Crupi – Yoshie Hattori — Kyri Hinkleman — Holland Houdek — Karin Jones — Joshua Kosker — Matt Lambert — Andy Lowrie – Jacqueline Lung — Brooke Marks-Swanson –  Sharon Massey — Louise Perrone- – Lissy Selvius — Jina Seo — Aric Verrastro — Kari Woo — Lawrence Woodford.

(Bridget Catchpole “What a Tangle” neckpiece 2016, photo credit: Tanya King // Joshua Kosker « [re]embody » brooch)

 

Artist Statement
The extraordinary power of objects is obtained, because people believe in them. The more mundane the objects are, the more powerful they become. 
My practice contextualizes the primitive energy that is submerged beneath the layers of garments. When the body is removed, the absence becomes an empty structure. The internal structure is evidence of human existence. It remains full of authentic spirit and fantasy. 
Through the processes of deconstructing and reconstructing materials into symbolic forms, I uncover the hidden intimate and sensual power of humanity. It is a moment when ordinary objects become surreal and uncanny in order to redeem the socially constructed expectations and perceptions.

Jina SEO on INSTAGRAM
her WEBSITE

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