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03/05/2017

EXPO ‘JOYA Barcelona (fair)’ (during AJW 2017) – The Sowl, Athens (GR) – 18-21 May 2017

ATHENS JEWELRY WEEK 2017

AJW 2017 on Facebook

Opening: May 20th at 21.00  JOYA Barcelona (fair)

@The Sowl 
Dates: 18/5 – 21/5,

JOYA Barcelona Art Jewellery Fair

The transition moment between 2 artists, the past and the present winners of JOYA Barcelona will be present during Athens Jewelry Week.
Jeemin Jamie Chung (2015) and Liana Pattihis (2016), will compare and create a debate between their pieces and the singularity of their techniques, materials and ideas.
30 pieces will represent this transition, plus one final piece made by both artists to conclude this debate into an agreement.

 

 

 

 

The Sowl 
Herakleidon 10, Thiseio /
Athina 118 51, Greece
tel. (+30) 210 345003
www.thesowl.com
opening hours: Thurs-Fri: 16.00-02.00, Sat: 11.00-03.00, Sun: 11.00-00.00

 

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COUP de COEUR …. BLACK is BLACK with Tiina Rajakallio

Tiina Rajakallio
Finnish artist Tiina Rajakallio in Rome the 10th of may 2017, for the first time for a solo exhibition of contemporary jewelry at myday-byday space in Via Luca della Robbia 76, Testaccio. Gallery hours 10 30/19 30.
myday-byday ‎ Tiina Rajakallio in Rome on 10 may 2017
 » I am thinking about the present-day Western people and their connection with nature.
How natural the contact is? Is it romanticized, magical, run by economical efficiency or totally gone? Are we still part of the nature? And what is the relationship between spirituality and nature contact?
We have always been dependent on nature that is providing us the essentials of life. But is the aim for a never-ending growth and progress made us think everything here is only for us? «  Tiina Rajakallio
Myday-byday interview to Tiina Rajakallio:
1) Where is your inspiration coming from ?
Widely speaking I’m interested in everyday life of a contemporary Western people. I’m working with questions that intrigues or troubles me, things I would like to have a conversation about. And of course there is a lot of curiosity towards the body, communication and a piece of jewellery involved.
2) What are you trying to communicate in particular with your artwork?
It depends. At the moment I would like people to think about their own relationship with nature but also the common contact we have with it. How natural the contact is? Is it romanticized, magical, run by economical efficiency or totally gone? Are we still part of the nature? And what is the relationship between spirituality and nature contact? We have always been dependent on nature that is providing us the essentials of life. But is the aim for a never-ending growth and progress made us think everything here is only for us? I would like my work raises thoughts, I’m not to judge anyone, it would be hypocrite to do that.
3) Which material you prefer to use and why ?
It depends of the theme of the work. In an ideal situation the material tells the same story and even adds something to it. At the moment I use a lot of wood and combine it for example with recycled rubber. An old inner tube of tractor or bicycle, even it may be a bit old-fashioned as an object, it tells about our culture and our creative ability to utilize our surrounding. The material is protective, elastic and doesn’t decay really. Even there is some natural rubber in the mixture, it reminds many people about oil.
4) How much value do you give to researching material for your creations?
Of course there is some material research needed. But if it means new technical solutions and extraordinary inventions my works are rather simple in that sense.
 
5) Is it more important for you the process, or the final artwork itself?
Both are important. I love that hands-in investigation part of a work. But sooner or later there is a deadline waiting and you just need to start to make decisions. However every step is leading me further and to me ready pieces are also steps of the same process. The difference is many times the ready pieces are the only steps others will see.
 
6) Is there an artist you prefer and why ?
I admire many artists. Some because of their clever and brave ideas, some because of theis technical skills or expression, honesty and dedication.
 
7) Have you ever thought to collaborate with other artists , or you like to work on your own?
I love working on my own, but time to time it would be interesting to try to share the process with someone else. I have collaborated with other jewellery artists but it would be really interesting to do that with artists from another field. 8) Where do you feel you are at with this last collection?
It is a one step further from the series I called White Moments. I’m like walking around the same source inspired by the different aspects of it. I seem to go back and forth sometimes when there are so many sides to be discovered.

9) What have you discovered of yourself, are you sattisfied ?
I think I learned more about my own ability to endure stress, priorities and time managemenent and that one can’t cope totally alone.

10) Two words to describe your last artwork collection.
Still together?

myday-byday

Via Luca della Robbia 76, Testaccio, 00153 Rome

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EXCHANGE-BIJOU 2 – Tal EFRAIM at AUTOR 2017 – Bucharest (RO) 13-14 May 2017

Tal Barash EFRAIM  selected 4  Autor Fair 2017 !!

Laura Forte, Linda Ezerman, Fabrizio Bonvicini, Francesca Mazzotta, Mia Maljojoki,Noelia Macchi Joyas Singulares, Tal Barash Efraim with myday-byday Gallery in Rome selected at the Autor Fair 2017 !! see you soon in Bucharest 13 – 14 May.

Tal Barash EFRAIM  selected 4  Autor Fair 2017 with MydayByday gallery

Tal Barash EFRAIM  selected 4  Autor Fair 2017 with MydayByday gallery

Tal Barash EFRAIM  selected 4  Autor Fair 2017 with MydayByday galleryat AUTOR 2017 with #mydaybydayspaceinrome

Tal Barash EFRAIM  selected 4  Autor Fair 2017 with MydayByday gallery

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 Tal Barash Efraim.Tal Barash Efraim.

Tal Barash EfraimTal Barash Efraim

 

AUTOR 2017
Grand Hotel Du Boulevard
Bulevardul Regina Elisabeta nr. 21,
050011 Bucarest

 

02/05/2017

EXCHANGE-BIJOU 2 – Sébastien Carré – En MAI Fais ce qu’il te plait ….

Sébastien Carré

En MAI Fais ce qu’il te plait ….. et il lui plait de participer à BEAUCOUP d’EXPOSITIONS !

Touchy Feely Exhibition  /  Baltimore Jewelry Center – USA

Touchy Feely Exhibition  /  14 Apr - 02 Jun 2017 -  Baltimore Jewelry Center

An exhibition that explores the tactile experience of jewelry. Adam Gopnik writes “Touch is the unsung sense – the one that we depend on most and talk about the least… the work of the world is done by handling it. We live by feel.” Jewelry is an intimate and sensual art form, providing a tactile experience for both the wearer and the observer. It’s an excellent medium for exploring the unsung sense of touch.

Artist list   Jill Baker-Gower — Amanda Bergman — Isabelle Busnel –  Sébastien Carré – Emily Culver — Mary Fissell — Brie Flora — Motoko Furuhashi — Missy Graff Ballone — Yong Joo Kim –  Michelle Kraemer – Michal Lando — Thomas Lauria — Helmi Lindblom — Jeffrey Lloyd Dever — Nathalie Maiello — Fern Robinson — Jolynn Santiago — Hallie Scheufler — Rose Schlemmer — Jina SeoCarina Shoshtary — Tyler Stoll — Aric Verrastro – Meg Wachs — Mallory Weston

Sébastien Carré Necklace: Cultural Cycle, 2016 Filmstrip, seashell, silk, cotton, nylon, beads Ø 90 x 2.5 - 18 cm Photo by: Milo Lee Photography - at  Touchy Feely Exhibition  /  14 Apr 2017  -  02 Jun 2017: Sébastien Carré Necklace: « Cultural Cycle », 2016 Filmstrip, seashell, silk, cotton, nylon, beads Ø 90 x 2.5 – 18 cm Photo by: Milo Lee Photography

While most visual art can only be enjoyed through sight, jewelry not only invites but encourages touch. As makers create work, they engage with their sense of touch, making decisions about materiality, structure, and form that will later engage the observer’s sense of touch, communicating a host of sensations and feelings. A dialogue between the maker and the observer is thus built on the social language of touch.

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salon Révélations Grand Palais – PARIS – 4-8 MAI 2017

Salon Revelations - mai 2017

Sébastien Carré : Dans le cadre du salon Révélations Grand Palais à Paris du 4 au 8 Mai où vous pourrez retrouvez quelques unes de mes œuvres au Stand J8 sur le stand de la Haute école des arts du Rhin . J’ai également le grand plaisir de faire partis des artistes ayant leurs croquis figurant de le livre « La consigne – Les dessins des Metiers d’Art » aux éditions Ateliers d’Art de France. Le livre sera présenté et disponible à la vente lors du salon.
During Révélations Grand Palais Fair in Paris from May 4 to 8, you will be able to see some of my pieces in the
Booth J8 of Haute école des arts du Rhin stand
I am also really pleased to be part of selection of artists to featured their sketches in the book « La consigne – Les dessins des Metiers d’Art » by Ateliers d’Art de France edition. The book will be presented their and available to buy.
« La consigne – Les dessins des Metiers d’Art » By / Par Anne Combeau (Gagnante du Prix « La Pensée » en 2016/ Winner of the award « La Pensée » in 2016)

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces): Sébastien Carré - collier – à Salon REVELATIONS mai 2017

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces): Sebastien Carré – broche – « Cultural Biology », 2016 Japanese Paper, Filmstrip… – à Salon REVELATIONS mai 2017

Sebastien Carré - à Salon REVELATIONS mai 2017  (3 pièces) (bracelet Dunn): Sebastien Carré – bracelet « Le Réveil de Dunn » The Awakening of Dunn, 2015 Filmstrip and nylon thread 11 X 11 X 4 cm Photo by: Lee; Milo From series: Black Inflammation – à Salon REVELATIONS mai 2017  

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AND ……………..LAST but not LEAST »Et sinon je suis à Gioielli in Fermento
et il font même un plat par rapport à ma piece pour Master Collection » (at Gioielli in Fermento – The Dinner – May 4th)
mais ….. chuuuuut !

[Gioielli in Fermento 2017 Master Collection – 07- 17 May 2017 –  Torre Fornello
29010 -  Ziano Piacentino  ITALY ]

Sébastien Carré, Several scales of grape, ring:  - Gioielli in Fermento 2015 Premio Torre Fornello Sebastien CARRE – Ring: Several scales of grape, 2015 (Awarded at: Gioielli In …Fermento 2015)

 

Baltimore Jewelry Center
10 E North Ave
MD 21218 -  Baltimore
UNITED STATES
bjcexhibitions@gmail.com
tel +1 4102430479

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EXCHANGE-BIJOU 2 – Jessica Morillo/ANSIOSA HORMONA – al mas profundo del negro ………

Jessica Morillo/ANSIOSA HORMONA

al mas profundo del negro ………

GERMINAL/si las venas fueran raices, si las raices nuestras venas …..

:::JOYERÍA A LA CARTA:::
Nos juntamos, charlamos y me contas…
que te interesa? para que queres la joya? cuando la queres usar? si queres reutilizar algun objeto significativo e importante para incorporar a la nueva joya? si pensas en algún tema particular? vemos los materiales, el color, las texturas y la morfología.
ME CONTAS TU HISTORIA!!!
y te llevas una joya personalizada con el sello de diseño de #ANSIOSAHORMONA

Jessica Morillo / Ansiosa Hormona - GERMINAL/si las venas fueran raices, si las raices nuestras venasGERMINAL/si las venas fueran raices, si las raices nuestras venas

ANSIOSA HORMONA -     :::JOYERÍA A LA CARTA:::ANSIOSA HORMONA -     :::JOYERÍA A LA CARTA:::

ANSIOSA HORMONA - arte y diseño- - al mas profundo del negro: ANSIOSA HORMONA – arte y diseño- joyeria a la carta – fevr. 2016

ANSIOSA HORMONA - arte y diseño - joyeria a la carta - fevr. 2016ANSIOSA HORMONA – arte y diseño - joyeria a la carta – fevr. 2016

Jessica Morillo / Ansiosa HormonaANSIOSA HORMONA – arte y diseño - joyeria a la carta – fevr. 2016

Jessica Morillo / Ansiosa HormonaANSIOSA HORMONA – arte y diseño - joyeria a la carta – fevr. 2016

Jessica Morillo / Ansiosa Hormona - fevr. 2016Jessica Morillo / Ansiosa Hormona – fevr. 2016

Jessica Morillo / Ansiosa HormonaANSIOSA HORMONA – arte y diseño

Jessica Morillo / Ansiosa HormonaANSIOSA HORMONA – arte y diseño

 

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01/05/2017

EXCHANGE-BIJOU 1 – Juan HARNIE « Your Eyes Burn Like Wild Fire » Genk (Belgique) 24-28 Mai 2017

Classé dans : Belgique (BE),EXCHANGE-BIJOU,Exposition/Exhibition,Juan HARNIE (BE) — bijoucontemporain @ 1:44

Juan HARNIE

exhibition : Your Eyes Burn Like Wild Fire – Vonk jaartentoonstelling

du 24 mai à 18:30 au 28 mai à 17:00 – at  Genk (Belgique)
With works by Vonk‘s artists in residence and national and international talents

Your Eyes Burn Like Wild Fire

LOVE
PASSION
OBSESSION
DEATH
Curator: Jan Van Woensel
Vonk jaartentoonstelling 2017 met kunstenaars:

Anti-Anti — Johan Bruninx — Clarisse Bruynbroeck — Sandra Buyck — Katrien Claes — Christine Clinckx — Liesbeth Cox — Lisse Declercq — Bart Deglin — Els De Ceuster — Hadassah Emmerich — Lin Gerritse — Sara Greet Gilis — Joke Hansen — Juan Harnie — Jerry Heymans — Junkband — Brecht Koelman — Katie Metcalfe — Marnik Neven — Gianluca Nobile — Kumi Oguro — Öznur Öztürk — Rogier Rensen — Sarah Reynders — Tif Robinette — Cult of Slaves — Stefanie Schaut — Machteld Steukers — Bob Szantyr — Shana Teugels – Anke Verret — Yannick Wijnants

Juan HarnieJuan Harnie  - Brooch – Aesthetical Injection collection

Juan Harnie -   'Pink Carnation' - Brooch - 2016 - Polyurethane, syringes, silver, steelJuan Harnie Jewellery · ‘Pink Carnation’ – Brooch – Aesthetical Injection collection – 2016 – Polyurethane, syringes, silver, steel

« Aesthetical Injection
Designing this collection Juan Harnie used medical materials to create attractive, floral looking jewellery. Juan has always seen beauty in materials that have little to no aesthetical value to others. These materials in particular are usually linked to unpleasant situations like hospitals and doctor visits, but now they are taken out of this context and made into uncanny pieces of jewellery. Juan got his inspiration from flowers and plants, which always seem to please the eye of the beholder. Even when a plant or flower turns out to be hazardous, poisonous or possibly deadly, at first people will always attribute positive feelings towards seeing them. Contradictory, syringes that are designed to administer medicine and in fact heal people are met with fear, disgust and a general feeling of unease. Using these syringes in colourful, floral pieces of jewellery, mimicking the shape and colour of the ever-so-loved flower, might just make people reconsider their initial feelings towards syringes and see the beauty the designer saw in them. In addition to the syringes, sterile medical gauze is used to imprint the silver backs of the pieces. This medical gauze once again fulfils its original purpose: being worn on the body and thus soothing an inner ache. (Syringes, polyurethane, zirconia, brass, silver, gauze, resin)
Pictures By Nele Moens« 

 

 

Vonk Vzw Atelierwerking
Regina Mundi klooster, Kloosterhof 2, 3600 Genk (Belgium)
www.vonkateliers.com

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EXCHANGE-BIJOU 2 – Akan HAKTUG – et au début était la LIGNE

Classé dans : DECOUVERTE,EXCHANGE-BIJOU,Hakan AKTUG (TR),Turquie (TR) — bijoucontemporain @ 1:41

Hakan AKTUG

https://www.hakanaktug.com/

et au début était la LIGNE ….

 

Hakan AKTUG -  Broken Brooch - oxidized silverAkan Haktug – Broken Brooch – oxidized silver, steel

Akan Haktug - Stick Earrings - oxidized silver, paintAkan Haktug - Stick Earrings – oxidized silver, paint

 H A K A N A K T U Ğ j e w e l r y   2015 · amorphous earrings pearls black silver   H A K A N A K T U Ğ j e w e l r y   2015 · amorphous earrings pearls black silver

Hakan Aktug Jewelry - Brooch  aluminium, titanium and silver: Hakan Aktug Jewelry – Brooch  aluminium, titanium and silver

AKAN AKTUĞ j e w e l r y  2015 ·  RedChaosInEveryDimention  #detail #red #brooch #aluminium  H A K A N A K T U Ğ j e w e l r y  2015 ·  Red Chaos In Every Dimention  detail red brooch aluminium

 

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30/04/2017

EXCHANGE-BIJOU 1 – Ute van der PLAATS …. success at LOOT !!

Ute van der PLAATS 

BIG success at LOOT for Ute van der Plaats !! well deserved !!!

« I won, together with Sun Young Kim , the LOOT Acquisition Prize 2017. One of my big rings will be added to the permanent collection of the Museum of Arts and Design (MAD). »

BIG success at LOOT 2017 for Ute van der PlaatsUte van der Plaats …. and her jewels ! at LOOTS 2017
« So happy that my all time favorite necklace went to  Michele Cohen, Chair of the Board of Trustees of the MAD museum. »

Ute van der Plaats  at LOOTS 2017 - the "PORCELAIN Club", here with Ralu Buzura.Ute van der Plaats  at LOOTS 2017 – the « PORCELAIN Club », here with Ralu Buzura.

Ute van der Plaats - collection "In-between days". (2016) ring with little porcelain flowers (all handmade) inside - The width of the balls is either 2,5 cm or 3 cm:Ute van der Plaats – collection « In-between days ». (2016) ring with little porcelain flowers (all handmade) inside – The width of the balls is either 2,5 cm or 3 cm
« One of my big rings will be added to the permanent collection of the Museum of Arts and Design (MAD). »

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HERE is a FANTASTIC VIDEO
of HOW Ute van der Plaats makes her jewels
ABSOLUTELY to LOOK AT !
(sorry I can’t include it directly here … so put the link !)
VIDEO

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Born in Germany and based in Brussels, Belgium, Ute van der Plaats has worked as a jewelry designer since 2009. In addition to contemporary jewelry, she has a passion for graphic design and ceramics, and her latest collection combines these three disciplines. A few years ago, she discovered porcelain—the white gold—and fell in love with it. Since then, this pure material has become the starting point in the creation process of her jewelry collections. She is attracted by its translucent white color, the fragile appearance that belies a surprisingly solid character, and the almost sensual texture of unglazed porcelain. By integrating different materials, such as 3D-printed ornaments and digitally designed images, into handcrafted porcelain creations, she translates traditional jewelry concepts into contemporary pieces

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EXCHANGE-BIJOU 1 – Linda EZERMAN at AUTOR 2017 !

Linda EZERMAN  at AUTOR 2017 !
myday-byday gallery selected at Autor Fair 13-14 may 2017 in Bucharest with artists:
Fabrizio BonviciniFrancesca MazzottaLaura Forte - Linda EzermanMia MaljojokiNoelia Macchi  - Tal Barash Efraim
AUTOR 2017 with mydaybyday gallery
Linda Ezerman  Linda Ezerman
Linda EzermanLinda Ezerman
Linda Ezerman - Neckpiece from the series Shrimps. Material: silver, silicone, paint, pigment, whiskers: Linda Ezerman - Neckpiece from the series Shrimps. Material: silver, silicone, paint, pigment, whiskers

 Linda Ezerman Brooch: Shrimp, 2015 Silver, silicone, ink: Linda Ezerman Brooch: Shrimp, 2015 Silver, silicone, inkEnregistrer

EXCHANGE-BIJOU 1 – Pilar COTTER – NEXT EXPO ! galería Bronzo, La Laguna, Tenerife 5 Mai-2 Juin 2017

Pilar Cotter

Preparando la NEXT  EXPO !!! ;-)   en la galería Bronzo, en La Laguna, Tenerife …… pero ……… chuuuuuut ! todavia todo no esta listo ………………

« Trabajando duramente, trabajando sii …….. » (cancion « duerme negrito » ;-) ….)

« LAS HORAS »

 Inauguration vendredi 5 mai à 20:00 – 23:00

Pilar Cotter EXPO "LAS HORAS" MAY 2017  Tenerife: Espacio Bronzo presenta este viernes la exposición ‘Las horas’, con obra de Pilar Cotter.
La exposición aúna dos líneas de trabajo propios de la sala, la joyería y la escultura, con piezas de microformato en porcelana.

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Pilar Cotter (janv 2017) Next proyect, next Expo, algo se está cociendo.....sculpture jewellery porcelain: Pilar Cotter (janv 2017) Next proyect, next Expo, algo se está cociendo…..sculpture jewellery porcelain

Pilar Cotter - mars 2017 -  Complejidades, quebraderos de cabeza que felizmente al final salen, la señora porcelana cuanto da de sí Pilar Cotter – mars 2017 -  Complejidades, quebraderos de cabeza que felizmente al final salen, la señora porcelana cu anto da de sí

Pilar Cotter, formada en escultura en la Facultad de Bellas artes de La Laguna y en joyería en la Escuela Massana de Barcelona, presenta una serie de piezas de joyería y escultura de microformato en porcelana.
La obra de Cotter en Las horas presenta un desarrollo estético con referentes arquitectónicos, como el brutalismo o el racionalismo; en este último caso, con un análisis centrado en las ornamentaciones en relieve de las casas racionalista de Canarias, como pequeñas arqueologías, que hablan del tiempo. Muchas de estas piezas han sido modeladas directamente, en otras, el proceso ha incluido el modelaje en 3d, en colaboración con el laboratorio de diseño y fabricación digital de Bellas Artes de la Universidad de La Laguna (ULL).
El título de la exposición hace referencia al “tiempo empleado para desarrollar una obra, es decir el tiempo empleado para poder pensar con las manos, con la materia, y construir con la cabeza”, señala Cotter, que contabiliza en 1127 horas desde el 23 de marzo de 2016 para elaborar las piezas que se presentan en la sala lagunera.
En Las horas, la autora convierte el acto de creación “en objeto de análisis, en cómo se inserta este modelo de creación, no sólo del ámbito artístico, sino también de otros ámbitos donde el pensar con las manos sea la base”, todo ello inserto en las circunstancias de la sociedad actual, “en la sociedad del rendimiento, cargada de hiperactividad, productividad e histeria, que normaliza la inmediatez dejando escaso lugar a la contemplación”, detalla.
La indagación sobre el papel del factor tiempo y de cómo este entra en juego en la creación artística es la clave de esta muestra, en la que Cotter trabaja sobre “el tiempo que se necesita para dialogar con la materia y crear un lenguaje plástico”. La escultora y joyera se hace preguntas, entre las que sobresalen las incógnitas sobre si estas formas de hacer se diluirán y se convertirán en un anacronismo, si finalmente se dejará de dialogar con las manos y se perderán todos los conocimientos  que ello conlleva.  (Contextos en Esculturas Bronzo, Sala de prensa)

Pilar Cotter - avril 2017 - Se va acercando la fecha para la next Expo, las cosas van fluyendo..... Trio de broches - porcelain Pilar Cotter – avril 2017 – Se va acercando la fecha para la next Expo, las cosas van fluyendo….. Trio de broches – porcelain

Pilar Cotter para EXPO "LAS HORAS" MAY 2017 Tenerife - Pilar Cotter broche - porcelana - Foto de Lucía SalomonePilar Cotter broche – porcelana – Foto de Lucía Salomone  -  

Pilar Cotter para EXPO "LAS HORAS" MAY 2017 Tenerife: Pilar Cotter  – broche – porcelana

Pilar Cotter para EXPO "LAS HORAS" MAY 2017 Tenerife - Pilar Cotter  - broche - porcelana Pilar Cotter  – broche – porcelana

 

 

 

Espacio Bronzo. Tienda y Sala de Arte
Calle Núñez de la Peña,
38202 San Cristóbal de La Laguna (Tenerife – ES)
+34 922 26 71 76
esculturasbronzo@gmail.com

 

 

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