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02/10/2015

EXPO ‘Amber Chamber’ – Gallery Velvet da Vinci, San Francisco (USA) – 1-31 Oct. 2015

Amber Chamber
New jewelry from an ancient material…
Artists’ Reception: Friday, October 2, 6-8pm

Amber chamber - velvet da Vinci(Helfried Kodre, Brooch, 2015, Amber, sterling silver)

Featured Artists:   Elisabeth Defner — Christiane Förster Heidemarie HerbHerman Hermsen Beate Klockmann Helfried Kodré Philip Sajet Peter Skubic Gisbert Stach Petra Zimmermann

This exhibition shows a number of different approaches to amber, running the gamut from artists working with amber for the first time, to those who have been working with it for an extended period.  The contrasts in these works should help to update the traditional and still rather one-sided view of amber jewelry, showing new possibilities about this interesting material.  Amber, fossilized tree resin, has been appreciated for its color and inherent beauty since Neolithic times.
Curated by Heidemarie Herb.

Herman Hermsen, AllaDali (Brooch), 2015, shark yaw, amber, gold 15 x 8 cmHerman Hermsen, AllaDali (Brooch), 2015, shark yaw, amber, gold 15 x 8 cm
Gisbert Stach, Golden Toast 3 Brooch, 2013, Baltic amber, transparent silicon, stainless steel.  Photo: Gisbert StachGisbert Stach, Golden Toast 3 Brooch, 2013, Baltic amber, transparent silicon, stainless steel.  Photo: Gisbert Stach

 Peter Skubic, Untitled Brooch, 2015, Amber, coral, stainless steel, 9 x 8.5 x 2.7 cm. Photo: Petra ZimmermannPeter Skubic, Untitled Brooch, 2015, Amber, coral, stainless steel, 9 x 8.5 x 2.7 cm. Photo: Petra Zimmermann

 Petra Zimmermann, Untitled (Rings), 2014/2015, Amber, polymethylmethacrylate, gold Petra Zimmermann, Untitled (Rings), 2014/2015, Amber, polymethylmethacrylate, gold

Heidemarie Herb, Neckpieces: Time, 2014, Sterling silver, brass, iron, natural rope, baltic amber, 13 cm. Photo by: Silvana Tili: Heidemarie Herb, Neckpieces: Time, 2014, Sterling silver, brass, iron, natural rope, baltic amber, 13 cm. Photo by: Silvana Tili:  

Beate Klockmann, Earrings, Untitled, 2015, Gold, amber, Plastic, 40 x 40 x 20cmBeate Klockmann, Earrings, Untitled, 2015, Gold, amber, Plastic, 40 x 40 x 20cm

 

Velvet da Vinci
2015 Polk Street,
San Francisco, CA 94109
Phone: 415-441-0109
Email:  info@velvetdavincigallery.com
Hours: Tuesday through Saturday, 11am – 6pm, Sunday, 11am – 4pm

01/09/2013

EXPO ‘Attai Chen: Compounding Fractions’ – Gallery Loupe, Montclair (NJ)(USA) – 7 Sept.-5 Oct. 2013

Classé dans : Attai CHEN (IL),Exposition/Exhibition,Gal. Loupe (US),USA — bijoucontemporain @ 0:09

Attai Chen: Compounding Fractions -     07-Sep-2013 – 05-Oct-2013

Over the past few years Attai Chen has received much international attention. In 2011 he won the coveted Herbert Hofman Prize at the Schmuck Art Fair in Munich and was recently awarded the prestigious 2014 Andrea M. Bronfman Prize for the Arts for which he will be given a solo exhibition at the Tel Aviv Museum and an accompanying catalog.
Chen’s current series of work is inspired by his observations of nature and his interest in the cyclical motion of growth and decay. Titled « Compounding Fractions » – this new exhibition features neckpieces and brooches built from torn scraps of recycled paper, color, graphite and other elements. Chen heightens the mystery of his message by including personal notes and drawings onto the paper before the process begins.

In the artist’s words, « The process of recycling follows the pattern of growth, culmination, consummation and decay, only to begin again. It is my intention in these works to trace and create forms that capture this organic process in a man-made world.« 

Attai Chen: Compounding Fractions -   Gallery Loupe (Montclair/ New Jersey, United States)  07-Sep-2013 - 05-Oct-2013    website: www.galleryloupe.com  mail: contact@galleryloupe.com    [ttai Chen  Brooches: 500 Fish 2012  Anchovies, lacquer, fine gold leaf, stainless steel  Photo: Mirei Takeuchi]Attai Chen  Brooches: 500 Fish 2012  Anchovies, lacquer, fine gold leaf, stainless steel  Photo: Mirei Takeuchi

Attai Chen . Paper State of MindAttai Chen . Paper State of Mind

 

Gallery Loupe
50 Church Street
NJ 07042 – Montclair/ New Jersey
United States
Telephone: 973.744.0061
Fax: 973.744.0062
website: www.galleryloupe.com
mail: contact@galleryloupe.com

09/11/2012

EXPO ‘OUT THE BLUE’ – Kath Libbert Jewellery Gallery, Bradford (UK) – 15 Nov. 2012 – 27 Janv 2013

OUT THE BLUE
Nine Electric New Talents

Kath Libbert Jewellery Gallery, which in 2012 celebrates sixteen years at Salts Mill, has selected and exhibited the work of new graduates since its inception. In numerous cases these emerging talents have gone on to gain wide acclaim for their work, and many continue to be represented by the gallery.

" Out The Blue" -  NINE ELECTRIC NEW TALENTS -  IN THIS OLYPMIC YEAR WE ARE PROUD TO INTRODUCE NINE RECENT UK GRADUATES THAT WE 'TIP FOR GOLD'.......     This THURSDAY 15TH NOV 6PM - 9PM    15% OFF ALL WORK BOUGHT ON THE NIGHT.    We are delighted that many of the new graduates will be joining us at this opening event and will be happy to talk about their work with you!    FOR A FULL OUT THE BLUE CATALOGUE PLEASE SEE: www.kathlibbertjewellery.co.uk(‘Reflex’ brooch by Joanna Hemsley)

For Out The Blue Kath Libbert has chosen nine new BA and MA graduates from all over the UK:  ‘Spotting and then supporting the work of cutting edge new graduates has always been extremely central to the ethos of the gallery.  Forging a career straight out of college is really challenging. Now, more than ever, it is vital to exhibit and encourage these incredibly talented jewellers at this formative stage in their careers. In this Olympic year we think we can spot a winner….the gold medalists of the future!’

Just like this year’s graduates, renowned goldsmith Jacqueline Mina, who has won the Jerwood prize for Applied Arts and this year received an OBE for services to Art, started out on her jewellery career over 40 years ago after graduating from the Royal College of Art. She is now exhibited and collected worldwide with pieces in the Victoria & Albert Museum and in the Museum of Art and Design in New York. Currently represented by Libbert she says:

‘Galleries such as Kath Libbert Jewellery play a very important role in the career of the new graduate because they educate and encourage their clients and can also advise budding jewellers to go in a certain direction. With her background in psychology, I think that Kath is particularly good at tuning in to new designers who are prepared to take risks in their own careers, people who will stick it out. Knowing this, collectors have confidence in who Kath selects to be in the gallery’s exhibitions. A new graduate exhibition such as Out The Blue allows collectors to spot someone right at the start and then follow them throughout their career.’

The Nine New Graduates that Libbert Tips for Gold are:

Francesca Flynn, Glasgow School of Art, whose sparkling crystalline collection epitomizes the title of the exhibition, Out The Blue, explores the facets of natural and constructed crystals creating vibrant jewellery. Edinburgh College of Art graduate Mariko Sumioka is inspired by the natural materials used in Japanese architecture and creates elegant pieces that interact sculpturally with the human body.

Joanna Hemsley, RCA, London, makes playful, mobile pieces that surprise and delight by revealing hidden elements, while Cristina Zani, Edinburgh College of Art, creates striking, erudite work inspired by her travels in Seoul and the writings of Italo Calvino.

Amy Logan, Sheffield Hallam University, creates pieces which play with concepts of space, containing and encircling it with elegant swirls of finely curved coloured metal. Heather Woof, Edinburgh College of Art, forms windswept looking pieces from the hardest of metals – titanium and steel, not normally used to express movement as they are so very difficult to work with. Very much inspired by the wild Scottish weather she experienced whilst studying in Scotland!

Also an Edinburgh graduate, Nabla Pall’s work is joyfully colourful, each piece like a miniature modernist painting, inspired by circuses, exotic birds and her early exposure to a multitude of cultures. In contrast, from Central St Martins, London, Yannan Song’s work is meditatively simple – elegant neckpieces in fine stainless steel curves and lines mimic the way that strands of hair rest on the body. Finally Marek Svana, De Montfort University, Banbury, constructs superbly engineered geometric copper bangles, darkly oxidized on their exterior, with contrasting flashes of enamel inside in brilliant primary colours.

‘Fusion Formation’ brooch in resin and white metal by Francesca Flynn,  Glasgow School of Art graduateFrancesca Flynn – ‘Fusion Formation’ brooch in resin and white metal

Francesca Flynn ‘Fragmented Formation’ brooch in resin and white metalFrancesca FlynnFragmented Formation’ brooch in resin and white metal

Joanna Hemsley ‘Reflex’ ring, closed, in stainless steel, silver, topaz and haematiteJoanna Hemsley - ‘Reflex’ ring being picked up, in stainless steel, silver, topaz and haematiteJoanna Hemsley - ‘Reflex’ ring fully open, in stainless steel, silver, topaz and haematite

Joanna Hemsley – ‘Reflex’ ring (from close to fully open) – stainless steel, silver, topaz and haematite

Cristina Zani - ‘My Seoul’ group of wood rings with acrylic paintCristina Zani - ‘My Seoul’ group of wood rings with acrylic paint

Mariko Sumioka - ‘Mosaic Roof’ earrings/pins in enamelled copper, silver and goldMariko Sumioka – ‘Mosaic Roof’ earrings/pins in enamelled copper, silver and gold

Mariko Sumioka - ‘Mosaic Roof’ earring/pin in enamelled copper and silverMariko Sumioka – ‘Mosaic Roof’ earring/pin in enamelled copper and silver

Heather Woof, ‘Explode’ brooch in hand cut titanium and mild steelHeather Woof, ‘Explode’ brooch in hand cut titanium and mild steel

Heather Woof, ‘Windswept’ earrings in hand cut titanium and mild steelHeather Woof, ‘Windswept’ earrings in hand cut titanium and mild steel

Nabla Pall, Edinburgh College of Art -   Magnetic brooch in resin with line drawingNabla Pall, Edinburgh College of Art -   Magnetic brooch in resin with line drawing

MAREK SVANA - Hinged bangles in oxidised copper, silver and enamelMarek Svana – Hinged bangles in oxidised copper, silver and enamel

 

Kath Libbert Jewellery Gallery
Salts Mill, Saltaire,
Bradford BD18 3LA.
Tel/Fax 01274 599790.
Email:info@kathlibbertjewellery.co.uk
Open Monday – Friday 10am – 5.30pm. Weekends 10am – 6pm. 

07/07/2012

EXPO ‘Flourish’ – Kath Libbert Jewellery Gallery, Saltaire (UK) – 12 Juill.-30 Sept. 2012

To Celebrate Sixteen Years of KLJ Gallery at Salts Mill
You and a Guest are Warmly Invited to the Private View of   Flourish
A FANTASTICAL ARRAY OF ART JEWELLERY SELECTED FROM AROUND THE GLOBE

Flourish

100 INTERNATIONAL JEWELLERS WHO HAVE EXHIBITED WITH THE GALLERY OVER THE LAST SIXTEEN YEARS HAVE BEEN INVITED TO EACH ENTER AN EXUBERANT CELEBRATORY RING INTO A FLAMBOYANT COMPETITION, THE WINNER TO BE DECIDED BY PUBLIC VOTE. VOTING AUTOMATICALLY ENTERS YOU TO WIN A £100 KLJ VOUCHER.

THE EXHIBITION RUNS UNTIL 30th SEPTEMBER 2012
FOR A FULL FLOURISH CATALOGUE PLEASE SEE: www.kathlibbertjewellery.co.uk. GALLERY UPDATES ARE ALSO ON FACEBOOK!

FLOURISH exhibition - 'Wine Leaf' brooches by Akiko Kurihara in silver and glass cut from wine bottles‘Wine Leaf’ brooches by Akiko Kurihara in silver and glass cut from wine bottles

« Things are flourishing in the jewellery garden ….giant porcelain cabbage necklaces, cut glass ‘Wine Leaf’ brooches, overblown bright blue enamel blossom jewels…

With an international reputation for showcasing the best in radical contemporary jewellery, Kath Libbert Jewellery Gallery, based at Salts Mill since 1996, marks her sixteenth birthday with flair! Flourish exhibits a fantastical array of art jewellery selected from around the globe.

From Dutch artist Nina Sajet’s surreal transformation of cabbages and sprouts into fine porcelain neckpieces, to South Korean Seulgi Kwon’s marvellous delicately tinted intricate silicone organisms that come to life when touched and worn. Textile inspired Francisca Bauza from Germany and Mallorca presents vibrant enamelled floral necklaces whose folds in metal and crimped edges mimic material; Yu-Ping Lin from Taiwan creates playful Origami inspired textile brooches that mutate into bracelets and back again – like jewellery ‘Transformers’- they can be worn in a myriad of different ways!

Additionally 100 international jewellers involved with the gallery over the last sixteen years have been invited to each enter an exuberant celebratory ring into a flamboyant competition called FlourishRing! Visitors to the gallery will be able to vote for their favourite by trying it on and being photographed modelling it. These photos will then become part of a growing installation on the walls of the gallery. The FlourishRing that gets the most public votes during the exhibition will win £250.

The gallery has represented a host of fantastic jewellers over the years including many renowned award winning UK and international art jewellers for instance Jacqueline Mina, OBE who is a Jerwood Prize winner, Georg Dobler twice winner of the Herbert Hoffman Prize – the most prestigious international art jewellery award, Adam Paxon – winner of the Jerwood Prize and the Herbert Hoffman prize and Malcolm Morris who created the tiaras worn by Gwyneth Paltrow in ‘Shakespeare in Love’.

Kath Libbert, the gallery’s founder and curator says: ‘’We are honoured that these celebrities of the jewellery world are all going to be taking part in FlourishRing along with many new creative talents. I can’t wait to see what they each come up with!!”

 

Artists taking part in FLOURISH are: Akiko Kurihara, Germany/Japan; Seulgi Kwon, South Korea; Mari Iwamoto, Japan; Katja Schlegel, Germany; Nina Sajet, the Netherlands; Francisca Bauzá, Germany/Mallorca; Märta Mattsson, Sweden; Réka Fekete, the Netherlands/Hungary; Yu-Ping Lin, UK/Taiwan. Additionally 100 International jewellers who have exhibited with the Gallery of the past 16 years at Salts Mill will be taking part in FlourishRing an exuberant celebratory competition, the winner to be decided by public vote.

Seulgi Kwon ‘Candy Bar’ brooch in silicone, pigment thread, stainless steelSeulgi Kwon ‘Candy Bar’ brooch in silicone, pigment thread, stainless steel

FLOURISH - ‘Blue Flowers’ necklace by Francisca Bauza in silver, copper and enamel‘Blue Flowers’ necklace by Francisca Bauza in silver, copper and enamel

Nina Sajet 'Cabbage’ necklace in porcelainNina Sajet ‘Cabbage’ necklace in porcelain

Yu-Ping Lin ‘Inherence in Nature - Bloom’ necklace in hand-painted / printed fabric and mixed mediaYu-Ping Lin ‘Inherence in Nature – Bloom’ necklace in hand-painted / printed fabric and mixed media
Marta Mattsson ‘White Beetle’ earrings with copper electroformed beetle, cubic zirconias, lacquer and silverMarta Mattsson ‘White Beetle’ earrings with copper electroformed beetle, cubic zirconias, lacquer and silver

  Mari Iwamoto FlourishRingMari Iwamoto Flourish Ring

  Today's FlourishRing: Caro Weiss - 'Castle' ring in silver with red rubber and synthetic citrines.FlourishRing: Caro Weiss – ‘Castle’ ring in silver with red rubber and synthetic citrines.

 

 

KATH LIBBERT JEWELLERY GALLERY
2ND FLOOR, SALTS MILL, SALTAIRE, BD18 3LA – UK
TEL: 01274 599790
info@kathlibbertjewellery.co.uk
www.kathlibbertjewellery.co.uk
OPEN DAILY 10 – 5.30 MON – FRI and 10 – 6 AT WEEKENDS

 

30/11/2011

ENVIRONNEMENT MODERNE

…. environnement urbain : travaux, béton, ferrailles, échafaudages, palissades, barrières, outillages, machineries, matériaux de construction, lignes, cartes, plans, routes, échangeurs, sens interdits …….. démolition, reconstruction ….  tout cet environnement, même hostile ou menaçant, fascine ….. un moment, le mouvement est arrêté, « photographié », pensé, intériorisé puis réinterprété selon chacun, retraduit, « miniaturisé » pour devenir bijou … une construction nouvelle, en quelque sorte ….

(voir également l’article « Architectures …………… en broches »)

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Andrea Zeuner  – Superhighway Brooch 2011  Brass, asphalt crack repair, steel

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Andrea Zeuner – Superhighway Neckpiece – Brass, asphalt crack repair, nickel – 2010
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Andrea Zeuner Neighborhood Brooch – sterling, copper, raw garnets, wood, steel
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Caitie Sellers Transistor Brooch – sterling & steel
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Caitie Sellers topographic brooch – Sterling Silver.
The inside of this brooch is composed of 5 pierced disks to make that image. The top of the brooch screws off so the wearer can take out the slices and do something else with them
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Phoebe Porter - transit necklace
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Andrea PIneros – Broche CIRCUITOS, 2011. The city, the friends, the family and you – Brass, Cristal, car paint

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Stephanie Barbié -Lo natural, lo artificial – broche – alpaca, plata, resina, metacrilato
« El mapa de una ciudad, como primera aproximación de un espacio, reune lo artificial y lo natural, lo simbólico y lo real. Confronta imaginación y deseos con vivencia y realidad. Esas piezas surgen de esta confrontación. «

 

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Michael Dale Bernard Excavator necklace, stainless steel, silver, vinyl tubing, powder coat,  2009
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Michael Dale Bernard Dozer brooch, one of a pair designed for the Neo-Rococo show. Stainless steel, aluminum, silver, brass, iron pyrite, powder coat, 2010

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Maru Lopez – Derrumbe paredes – 200 – Silver,Iron and cement

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Vanessa Arthur - ‘Demolition necklace’ – Reclaimed wood, laminate, copper, wooden beads, gold elastic, 925 silver.
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Diego Bisso – Environmental Jewelry – Marmo (marble)

http://www.artjewelryforum.org/blog/wp-content/uploads/2011/09/03_DiPlacido-e1316529741480.jpg

Dana DiPlacido (2011 graduate from MassArt, Massachusetts College of Art and Design ) – House bracelet, 2011 – stainless steel

http://www.polyvore.com/cgi/img-thing?.out=jpg&size=l&tid=9495000

Robean Visschers  «under-construction» structure ring -Gold, silver (oxidized)- 2006

Robean VISSCHERS ring
Robean Visschers  construction/structure ring

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Robean Visschers Untitled 2009 Brooch

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Bin Dixon-Ward – brooch – 2009

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Ara Kuo – ‘MAZE’ brooch

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Alice Bo-Wen Chang Bodyspace/bodyscape serie – red brooch

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Linda Hughes Square Neckpiece and bracelet

« Colour plays a very important part in your jewellery and it is often bold and bright. Would you consider this a signature style or do see yourself moving towards a different palette in the future?
The palette relates directly to street signage but I do feel free to incorporate other colours and don’t feel inhibited by it.
What ignited your interest in signs? Was it marked by a particular experience or moment?
Some of the urban landscape in Australia seems particularly contrived, like a theatre set. A mixture of international influences all mixed up, often without connecting to the environment. My attention is drawn to signs as ‘street furniture’ if you like, ‘props’. « 

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Linda Hughes – Necklace

« In her new body of work, contemporary jeweller Linda Hughes explores the ‘stripe’, historically favoured as a metonym for danger, exclusion and as a device to attract attention. Hazard signage, ubiquitous in the urban landscape, changes when placed on the body as jewellery. In this exhibition, Hughes applies the visual language of the stripe to the sculptural form of the wearable. Displayed against as a series of graphic backdrops, the work explores the tension between body and environment, critiquing the complex theatre of public space. »

http://schoolofartgalleries.dsc.rmit.edu.au/SOAG/exhibitions/2006/its_got_legs/ItsGotLegs3.jpg

Linda Hughesnecklace  – « It’s got legs » exhibition

« Shared Zone, is both the culmination of Linda Hughes master’s research and her first solo exhibition.
Hughes utilises the familiar urban language of invisible everyday objects such as road signs, posts and hazard markings. Juxtaposing these symbols on the body she uses them to define space and create landscape. Her work invites the wearer to become a part of the “theater of the wearable” that arises when the brooches, neckpieces and bangles are placed so as to interact and create their roles – transforming the body into a stage. »

http://monument.squarespace.com/storage/projects-and-practices/Linda01.jpg?__SQUARESPACE_CACHEVERSION=1265586588830

Linda Hughes, Wing Brooch, Red & White Series, 2009, laminate and acrylic. Photography Argonaut Design

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Galatée Pestre   sautoir ‘Sens Interdit’ – argent noirci, émail.

http://www.artjewelryforum.org/blog/wp-content/uploads/2011/09/01_Stinson-e1316532915105.jpg

Analiese Stinson (2011 graduate from MassArt, Massachusetts College of Art and Design )- Map Bracelet #2–The Trip to School and the Long Way Home, 2011 silver, fabricated

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Fabrizio Tridenti’s complex structures

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Bergner Schmidt – Concrete jewellery

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Benita Dekel, Massconstruction – silver & concrete (ciment)

« Benita Dekel, a graduate of the Department of Jewelry Design at Shenkar College of Engineering and Design (Israël), developed a series of jewelry pieces that combine silver with concrete. The results of the combination of concrete, which we usually associate with heavy, industrial construction, and delicate constructions in silver is that despite being made of concrete the pieces do not appear heavy. The shapes of the pieces, which are very familiar, almost as though they have been taken from various construction sites, manage to surprise both in their shape and new function« 

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Todd Pownell – architectural nest

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Donna Veverka – Spiral Staircase bracelet

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Silvia Walz – série « Casitecturas » Victors Haus – brooch – silver, copper, enamel

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Sabine Conrad – necklace Burnt Future 2011, copper, silver, wood, paint

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Esther Knobel – 4 brooches From “The Mind in the Hand” series

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Renzo PASQUALE – OLIMPICA – spilla (brooch) – omaggio a Palladio (2008)

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Christina Elleni Cox « Changeable Cities » bracelet (on Kit&caboodle)

27/05/2011

EXPO ‘‘Winter’ Neckpieces’ – studio2017, Waterloo, Sydey (AU) – 3 Mai–4 Juin 2011

‘Winter’ Neckpieces
For the 4th year running we will be hosting our successful annual ‘Winter’ group exhibition exploring the breadth, depth, and width of a particular area of jewellery or the body. Our previous winter exhibitions have showcased contemporary brooches. This year the focus will be the neck.

This year we invite a selected number of Australian and International artists to make contemporary versions of this ancient form of self expression. Expect to see works ranging from eye catching, oversized statement pieces, through to delicate pared back jewels. The only limitation will be that the finished work can be worn around the neck.

New work by :

Karin Jacobsson – Karin Findeis — Helena Bogucki — Karen Thompson — Joung-mee Do — Daehoon Kang — Melinda YoungLauren Simeoni Phoebe Porter — Raewyn Walsh (NZ) — Kristin D’agostino Djurdica KesicMelissa CameronElfrun Lach — Leslie Matthews — Bridget Kennedy — Diane Appleby — Farah Bandookwala  (UK) –  Saori KitaZoe Veness – Michelle Taylor — Vernon Bowden — Naomi Stewart — Valerie Odewahn — Melanie Ihnen — Sheridan Kennedy — Maureen Faye-Chauhan

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Melinda Young – tenticular-neckpiece

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Lauren Simeoni

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Melissa Cameron, White Lace – nonconsecutive planes, 2011. Titanium, silk thread

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Melissa Cameron, Watery Gothic Window, 2011. Titanium, 925 silver, stainless steel cable

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Phoebe Porter - transit necklace

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Elfrun Lach snowflakes-detail

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Joung-mee Do   – rebirth

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Saori Kita

 

 

 

 

studio2017 – contemporary jewellery and objects

Studio 20/17
6b/2 Danks St
Waterloo NSW 2017
Ph/fax: 02 9698 7999
www.studio2017.com.au
Tues – Sat 11 – 6pm

15/03/2011

COUP de COEUR ! Amy Tamblyn

Classé dans : Amy TAMBLYN (AU),Australie (AU),COUP DE COEUR,www Ganoskin — bijoucontemporain @ 0:06

Amy Tamblyn, Découverte à « The Ganoskin Project » ………. :-)
« I am a Sydney based artisan working predominantly with silver and gold. All my work is hand made and so each piece is a one of a kind. When you wear one of my pieces you are wearing a piece of my art.
My jewellery is an exploration of the line and contours of the human form. The pieces are an elegant extension of the body – creating exaggerated volume and kinetic allure. They are fun and eccentrically stylish. The combination of sweeping form with sharp playful lines makes for very contemporary sculptural jewellery.
My creative momentum comes from wandering market places and delving into eras past. Resurrecting found objects, and taking inspiration directly from the material I am working with, I aim to create unique, spontaneous and playful objects.
Soon you’ll be able to buy my pieces at markets and small boutiques across inner Sydney. Until then, simply email me if you are interested in purchasing for yourself or a gift, wholesale, commissions, or for editorial hire.
My studio is located in Surry Hills.  »
amy@amytamblyn.com

Steel, Cuffs 24ct gold, stainless steel
Amy Tamblyn – Cuffs – 24ct gold, stainless steel

Wearable Art, 925 silver, stainless steel, felthttp://2.bp.blogspot.com/_OZsTiVbssNc/TNozcpCkr-I/AAAAAAAAASE/mARl92tAY0Q/s1600/amy3.bmp
Amy Tamblyn - Wearable Art, 925 silver, stainless steel, felt  – ring

Steel, Neckpieces stainless steel
Amy TamblynNeckpieces – stainless steel 

COUP de COEUR ! Amy Tamblyn dans Amy TAMBLYN (AU) EB7
Amy TamblynEtched Series- bronze, brass, paper, ink

 

09/07/2010

découverte(s) on METALinclinations – APPEL à CANDIDATURE / CALL for ENTRIES pour METALinclinations2 – Deadline 18 Juill. 2010

online Metalsmithing and Jewelry Competition and Exhibition

 

METAL Inclinations, an International online Metalsmithing and Jewelry Competition and Exhibition (2008-09) is presented by The Society for Midwest Metalsmiths (St Louis, Missouri, USA). This exhibition includes selections of the most exemplary fine metal art created by metalsmiths, silversmiths, goldsmiths and jewelers all over the world. 

 

pour PARTICIPER à l’expo 2010 :

Call for Entries: Extended Deadline: July 18, 2010
METAL Inclinations2 will debut on the Internet October 31, 2010- and remain online for two years until October 31, 2012.
METAL Inclinations2 International juried all jewelry (jewellery) exhibition for 2010-12 will include selections of the most exemplary fine metal art jewelry created by metalsmiths, silversmiths, goldsmiths and jewelers all over the world. The Society for Midwest Metalsmiths is a not-for-profit organization. Check this site frequently for updated information.
Information:
TO ENTER right now, use the Juried Art Services website.
To download a printable PDF of the complete propectus
Start your application process on the Juried Art Services Website.
To ask questions about this exhibition go to the METAL Inclinations Forum:
www.metalinclinations.wetpaint.com

Hillerud
(Brooch by Gillian Hillerud, a selected artist for METAL Inclinations1)

Chao-Hsien KuoChao-Hsien Kuo
CHAO-HSIEN KUO (Lahti, Finland) – ‘Lilac’ bouquet ring – silver – All parts move, so ring sits comfortably on hand.
‘Lumipallo’ ring – silver – All parts move

« I have been building a garden of my own for many years. A garden of imagination. I collect the seeds of inspiration by taking close-up photographs of flowers and plants, which I encounter in my daily surroundings or during traveling. I like to observe how a bloom is set on the stem, how the petals unwrap to reveal an enclosed surprise and how leaves sprout from branches, from which I can almost hear the popping sounds. I want to capture the gesture of a flower and to depict the energy and liveliness of a plant. » (CHAO-HSIEN KUO (Finland))

Allyson BoneAllyson Bone
ALLYSON BONE (USA) – Pierced Brooch #2 – hand pierced, fabricated oxidized sterling silver
Pierced Ring #5  - oxidized sterling silver

« The work I create is a balance of my desire to create something that is simple and also complex. I want my designs to appeal to a large audience, but I also want to reward those who are curious and investigate further. To accomplish this I include hidden details. Piercing the surface of the metal, I can create intricate surface patterns which often disguise the silhouettes of whimsical creatures. I have found that the process of hiding the iconic outline of a rabbit or a horse in a complicated pattern is very gratifying for me, like telling a secret. » (ALLYSON BONE (USA))

Tura Sugden
TURA SUGDEN (AU/USA) – ‘black Swallowtail’, 2008 – copper, fine silver, imitation rhodium plated, anticlastic raised – (photo Bob Toy)

« Communication between the fields of art and science plays an important role in the advance of both disciplines. A relationship between the two is inevitable. I question both the fear and the acceptance of insectual images, and I have found that working with entomological images and patterns has inspired dialogue and exposed the beauty that insects can inspire and reflect. » (TURA SUGDEN (USA))

Vina Rust Second Place
VINA RUST (USA) – Equisetum Bracelet – Stained Cell Series – sterling silver, 14K gold, liver of sulfur patina, hand-fabricated

« This body of work is concerned with revelation of the interior, with slicing past the surface. Inspired by botanical illustrations and photomicrographs, it has allowed me to both explore the idea of exposing intricate internal structures with devices such as the cross-section or selective staining of cells, and pay tribute to imagery that has cultivated a sense of wonder in me. My influences vary from Rackham illustrations to « ethnic » jewelry, but tend to share a common thread: acute awareness of natural forms, and of the tension between beauty and menace so often found in nature’s defenses. » (VINA RUST (USA))

Vina RustVina Rust
Vina RUST (USA)- Spartina Study (Brooch)- Stained Cell Series – sterling silver, gold, liver of sulfur patina
Vina RUST (USA)- Marram Study (Brooch) – Stained Cell Series – sterling silver, gold, liver of sulfur patina

Diane Falkenhagen
Diane FALKENHAGEN (USA) – Rococo Landscape -Oxidized Sterling Silver, 23 Kt Gold Leaf, 14 Kt Gold, Mixed Media Image on Sterling Silver

« In my mixed media jewelry I combine two-dimensional pictorial space and three-dimensional jewelry forms. Instead of gemstones, pictures form the central elements of my fabricated brooches, lockets and neckpieces. My diminutive pictorial expressions are either invented or borrowed from historical sources. I use a variety of art materials and techniques to create the images which are chosen for their emotional and intellectual impact as well as their aesthetic value. The jewelry forms that support the images are contemporary yet suggestive of historical styles of ornament. They are primarily fabricated from metal, but often incorporate more eclectic materials. » (DIANE FALKENHAGEN (US))

Sun Kyoung Kim
SUN KYOUNG KIM (US) – ‘Pair ‘ – ring for two people – Sterling silver

« The artist creates jewelry that involves participation of public to produce lively experiences for individual participants. The artist’s interactive jewelry invites two or more people and lets them interact with it. The wearers of her work create a truly impromptu performance while interacting with her work. The artist’s work is refined, elegant, and feminine in aesthetic. She employs curved lines in the design and uses precious metal, sterling silver to accentuate the elegance. The artist’s work is more or less intimate and private in that it does not accommodate a large group of people. » (SUN KYOUNG KIM (US))

Sharon Massey
SHARON MASSEY (USA) – steel bracelet

« I am interested in defining preciousness in my work through sentimentality, intimacy, and emotion. I seek to pay homage to goldsmithing traditions through technique and format, while challenging conventional materials and their value. I borrow historical ornamental motifs and reinterpret them to suggest a feeling of familiarity, as well as the passage of time. The content of my work lies in its use of appropriation and material innovation. In my work, I hope to express the value of sentimentality through ornamentation. » (SHARON MASSEY (USA))

Jillian Moore Award of MeritJillian Moore
JILLIAN A. MOORE (US)- ‘Symbogillis’ – electroformed & fabricated copper, nickel-silver, paint and ink
‘Knobbles’ – electroformed & fabricated copper and brass, paint

« My work combines electroforming and fabrication to achieve incidental organic textures as well as smooth biological forms. The surfaces are then painted. Abrasives remove paint from high points in the organic surface, and areas of interest may be printed on. The resulting objects belie their processes and instead reference living creatures of my own invention. » (JILLIAN A. MOORE (US))

Renee Zettle-Sterling
Renee ZETTLE-STERLING (USA) – Object of Mourning #3 – silver, copper, doily dipped in latex paint, rubber casting, fabrication, mix media

 » Objects of Mourning  2007-Present Through this body of work, I am investigating how objects are a source of meaning beyond their physical properties. I am especially interested in how objects help us move through the difficult passage of mourning. During the process of mourning objects can links us to loved ones that have passed or moments in life that are fleeting, such as childhood. The objects that I am creating become an outlet for displacement, emptiness, loss, and sentimentality. » (Renee ZETTLE-STERLING (USA))

Mary Hallam Pearse
MARY HALLAM PEARSE (USA) – ‘That Little Something’ Brooch – Sterling Silver, Fine Metal Paper, Pearls, Glass 2008 Printed, Fabricated

« In my current body of work I seek to examine how jewelry functions as an image, a means to construct desire, and the consequence of transfer from image to object and back to image. Found images are appropriated from a variety of sources, including magazines and various publications then printed on thin sheet of metal paper resembling the historical tin-types. This game of skill requires that the player complete the image by putting the jewels in to the impressions. These pieces are similar to the games children once received as party favors and to the game bagatelle. » (MARY HALLAM PEARSE (USA))

Mary Hallam Pearse
MARY HALLAM PEARSE- ‘Feeding Desire’ – Brooch  2008 Sterling Silver, Fine Metal Paper, Pearls, Glass Fabricated 

Sunyeoul Lee
SUNG-YEOUL LEE (USA)  – ‘Penetration’ – Poly Rope, Resin, Copper, Tool Dip, Powder Coating (Resin Casting, Rubber Coating, Powder Coating, Forming) 2007

« My goal is associating the idea of intimacy in jewelry objects to the body while the rope functions as a vehicle which conveys metaphorical meaning of connection. When the piece is on the body, it seems to penetrate or bind the wearer. I feel that it expresses the physical and conceptual connection between piece and wearer. It is important to me that the wearer can be able to relate to the symbolic meaning of the rope and at the same time feel themselves tied and connected with the rope or knot while wearing my work. » (SUNG-YEOUL LEE (USA) )

Eun Yeong Jeong
EUN YEONG JEONG (USA) ‘read or dead’ – Loofah, Wool, Sterling Silver, Plastic, Stainless Steel. Techniques:Dipped, Dyed, Soldered, Felted, Hand-Fabricated.

« Natural forms, processes and movement inspire me to create jewellery. When a form emerges from different elements, it tends to follow no exact model in which it crystallizes. Materials like stones or life forms like plants all have a different shape and character which has its origin somewhere in a void not comprehendible for the human mind. We try to understand how and under which circumstances they receive a life but the creation of these forms remains invisible for the human eyes. » (EUN YEONG JEONG (USA))